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From YouTube: Artscape: Spring Solos
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A
B
A
B
A
Paintings,
you
see
them
in
reproduction
and
it
doesn't
really
help.
You
know
what
they're
going
to
look
like
firsthand
they're,
so
meticulously
made
and
sanded
and
sprayed
and
respray,
and
the
surfaces
so
worked
in.
Rework
their
really
complex,
just
just
delicious
pieces
in
terms
of
just
formally
gorgeous
but
they're.
Also
really
smart,
usually.
B
B
A
C
Well,
in
general,
my
work
is
about
the
history
of
materials
and
the
history
family,
and
so
in
this
show
I
propose
that
I
would
work
with
my
mom
and
we'd
always
make
posters
and
signs
and
stuff
like
that
together.
But
I
thought
that
the
piece
where
we
really
collaborated
the
most
was
on
our
halloween
costume
and
so
for
this
show
I
decided
to
to
go
back
to
that.
C
So
some
of
the
pieces
in
the
show
or
costumes
that
she
actually
made
and
I
kind
of
enhanced
them
in
a
collaboration
with
her
to
kind
of
finish
them
off
or
add.
New
elements
to
them
and
the
other
pieces
are
kind
of
pieces
that
I
fantasized
about
being
when
I
was
a
little
kid
I'm
at
the
same
time,
I'm
kind
of
pairing
it
with
images
from
for
my
childhood
that
I
think
led
to
more
of
my
my
adult
family,
my
family,
that
exists
outside
of
the
sphere.
A
Where
I
grew
up
it's
this
project
that
people
can
really
respond
to
because
he's
working
with
his
mother
there's
something
really
charming
about
that.
At
the
same
time,
that
he's
asking
some
very
serious
questions
and
he's
relating
this-
you
know
serious
heady
kind
of
avant-garde
idea
of
art
to
stuff.
He
did
when
he
was
a
kid,
so
that
was
very
appealing.
C
Because
there's
always
a
history
to
the
materials
and
I
think
that's
one
of
the
great
things
about
working
with
fabric
is,
it
does
have
this
innate
history
and
people
look
at
it
and
they
make
associations
with
it
has
a
lot
of
cultural
significance
as
a
material
just
on
its
own,
and
so
then,
when
you
put
it
into
these
compositions,
it
kind
of
you
know.
It
strengthens
the
composition,
the.
A
Things
that
I'm
always
seeing
that
I'm
always
looking
for
these
kinds
of
engagements
with
daily
life,
as
it
actually
is,
I
mean
people
think
of
Arden,
of
contemporary
artists
for
bidding
as
scary
as
somehow
not
something
they
have
access
to.
I
need
a
specialist
help
me
understand
this,
but
the
truth
of
the
matter
is
I
mean
the
thing
that
distinguishes
contemporary
art
from
fine
artists
that
it's
about
the
stuff
that
passes
in
and
out
of
your
life.
You
know:
Joe
Lupo's
work
is
about
the
receipts
that
he
carries
around
in
his
back
pocket.
A
He
draws
receipts
and
they're,
so
obviously
lovingly
meticulously
made
completely
out
of
this
proportion.
With
these
things
that
you
would
discard
in
a
minute
instant
every
day
and
that's
another
thing
that
I
I
love
and
that
I
think
a
lot
of
contemporary
art
says.
Yes,
you
can
have
humor,
but
we
can
also
explore
serious
subject
matter
and
that's
what
we're
after.