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From YouTube: Public Art and Cultural Commission
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A
B
Good
afternoon
I'm
chair
Katie,
Cornell
and
I'd
like
to
welcome
you
to
the
September
20
September
2020,
meeting
of
the
public
art
and
culture
commission,
the
public,
art
and
culture
commission
was
originally
called
the
public
art
board
and
was
established
by
the
city
of
Asheville
in
2000..
B
This
nine-member
commission
serves
as
The
Advisory
Board
to
the
city
on
matters
concerning
public
art,
art
in
public
spaces.
The
commission
is
responsible
for
promoting
public
art
in
the
city,
overseeing
the
city's
public
art
projects,
ensuring
the
art
displays
in
public
buildings
and
public
spaces
in
the
city
of
Asheville
are
properly
maintained.
All
committee
members
and
staff
are
participating.
Virtually
we
are
streaming
live
on
our
virtual
engagement
Hub,
which
is
accessible
through
the
virtual
engagement
Hub
link
on
the
front
page
of
the
city's
website
and
on
the
city's
YouTube
page
to
participate
by
phone
dial.
B
855-925-2801
meeting
code
9182,
you
can
send
public
comments
to
public
art
and
cultural
commission
at
public
input.com,
okay,
I'm
now
going
to
go
through
and
let
all
of
the
committee
members
introduce
themselves
or
say
that
they're
here,
please
make
sure
to
meet
your
microphone
when
you're,
not
speaking.
If
you
have
a
question
or
would
like
to
speak
on,
mute
your
microphone
and
then
please
mute
your
microphone
again
when
you're,
not
speaking
committee
members.
Does
that
call
your
name?
Please
say:
quick,
hello,
Shirley,
white
size.
B
Pete
Perez,
hello,
Joanna,
Haggerty,
hi,
there
Reggie,
Tidwell,
hello
and
Marsha
amodavar
could
not
be
with
us
today,
so
we
are
going
to
go
ahead
and
move
into
our
administrative
items.
The
first
item
on
our
agenda
is
minutes
from
a
previous
meeting,
our
previous
meeting,
our
last
previous
meeting,
that
we
need
to
review
minutes
for
is
in
May
and
those
are
in
process.
B
So
we'll
look
at
them
at
our
next
meeting
Outreach
for
new
members,
as
you
I
emailed
you
all
Jasmine
Washington
has
resigned
due
to
other
commitments,
and
so
we
actually
have
a
vacancy
which
is
published
as
an
opening
by
the
city
in
this
month's
boards
and
commission
openings.
So
if
you
have
anybody
that
you
would
like
to
nominate
or
encourage
to
apply
for
this,
please
do
so
Steph
I
believe
we're
going
to
talk
about
that.
A
little
bit
later
in
the
meeting
is
that
right,
yeah
and
then
the
last
piece.
B
As
far
as
administrative
items,
member
terms
updates,
you
were
sent
a
link
to
a
spreadsheet
that
has
all
of
our
terms
on
it
and
asked
to
please
review
and
make
sure
your
information
is
correct.
B
And
if
you
need
to
make
a
correction,
they
should
send
that
to
you,
Steph,
yeah
and
so
email
stuff.
If
you
see
something
that
needs
to
be
corrected
all
right,
so
I
think
we
can
move
on
to
continued
business
and
the
first
is
the
pack
Square
envisioning
and
art
in
the
heart
updates.
Next
steps.
A
Great
hi
everybody
thanks
so
much
for
being
here
today,
it's
nice
to
see
everyone
we
were
just
talking
before
we
got
on
how
we
actually
haven't
had
a
meeting
in
a
little
while,
so
it's
wonderful
to
get
back
together,
especially
because
so
much
is
going
on.
A
Give
me
just
one
moment
and
I'm
going
to
of
course
share
a
presentation.
A
And
I'll
link
this
presentation
to
your
agenda
afterwards,
because
there
are
some
things
in
it
that
you'll
probably
go
all
the
way
to
the
top
here.
There
are
some
things
in
it
that
you'll
probably
want
to
reference.
So
I'm
gonna
give
a
an
update
on
the
overall
pack,
Square
Plaza
visioning
project,
and
also
on
Art
in
the
heart
which
you
are
very
familiar
with
today.
A
Just
wanted
to
do
some
reminding
here.
First
of
all,
the
idea
behind
the
peck
Square
Plaza
visioning
process
documenting
the
community's
vision
for
a
more
Equitable,
accessible
and
inclusive
pack,
Square
Plaza,
including
the
site
where
the
Vance
Monument
was
previously
located,
and
physical
and
mental
connections
to
and
from
the
Block
neighborhood
just
next
door.
A
A
This
was
in
our
request
for
proposals,
but
until
we
really
talked
with
a
lot
of
different
community
members
who
weren't
sure
what
that
was
going
to
look
like
and
it's
starting
to
shape
up
now,
so
additional
reminders
that
this
work
is
a
continuation
of.
What's
happened
from
the
advanced
Monument
task
force
and
the
recommendations
made
to
the
city
and
county
that
we
have
hired
a
basically
a
project
manager
to
assemble
that
Vision
document
and
lead
the
community
engagement
process.
A
But
what
you'll
hear
about
too,
is
that
since
they're,
not
you
know
located
here,
there's
just
going
to
be
a
lot
of
local
push
from
city
and
county
staff
that
the
elements
of
the
project
include
Community
engagement,
site
analysis,
Urban,
Design
and
recommendations
on
public
Space
Management
for
the
area
on
both
short
and
long
term,
and
that
we're
using
our
in
the
heart
as
a
way
to
spark
conversations
and
get
people
to
talk
about
who
we
are
as
a
community
and
what
we
might
want
this
place
to
look
and
feel
like
in
the
future.
A
I
wanted
to
really
point
out
here.
The
vision
document
will
include
recommendations
on
these
are
five
subject
areas
and
we're
going
to
see
how
this
connects
to
our
community
engagement
at
the
back
end.
So
I'll
go
over
them.
The
five
recommendation
areas
in
this
document
are
going
to
be
recommendations
associated
with
repurposing
of
the
former
Vance
Monument
area.
How
is
that
going
to
look
and
feel?
Is
that
going
to
have
a
monument
on
it?
Will
it
be
cleared?
You
know?
Is
it
now
going
to
be
a
busker
Zone?
Who
knows
number
two?
A
How
can
Equity
inclusion
be
Advanced
at
Pax,
Square
Plaza,
even
Advance
again
in
before
we
do
any
Capital
project
development,
so
I
think
we
know
that
there's
going
to
be
some
changes
proposed
to
the
to
the
area
itself,
but
that
might
take
a
while.
So
what
can
we
do
before
then
number
three
guidance
for
the
future
design
and
the
design
process
for
Capital
Improvements,
including
budgetary
considerations.
A
Some
engagement
has
already
happened
so
leading
up
to
everything
that
we're
doing
in
the
next
couple
of
months.
We
have
been
talking
to
adjacent
Property
Owners.
We
have
been
talking
to
members
of
the
black
community
collaborative.
We
have
been
engaging
Kayla
students
and
friends
at
Buncombe,
County
Special
collections
to
help
us
really
understand
this
area
in
a
different
way.
A
Just
making
sure
everybody
knows
what
we're
talking
about
when
we
say
Pax,
Square
Plaza.
This
is
a
generous
and
not
entirely
accurate,
rendering
of
what
we're
studying
we're
constantly
refining
these
Maps
so
watch
out
for
that,
the
blind
on
the
North
side
is
going
to
push
back
towards
the
Biltmore
building
a
little
bit
more
because
that's
actually
city
property
and
on
this
one
right
here
we
have
a
boundary
showing
the
block
and
and
again
we're
looking
at
connectivity
in
both
a
physical
way
in
a
mental
way.
A
So
we're
trying
to
figure
out
how
to
better
iterate
what
types
of
work
we'll
be
doing,
but
those
are
the
geographic
boundaries
of
what
we're
looking
at,
and
the
cool
thing
is
that
this
process
is
kicking
off
tomorrow.
Officially
so
you'll
see
a
press
release
go
out
and
I'll
make
sure
you
guys
get
it.
There
should
be
some
social
media
if
you
guys,
can
support
retweeting
and
forwarding
all
of
the
different
things
that
happen
with
social
media.
That
I'm
too
silly
to
know
how
to
do
I
appreciate
that
help.
A
So
the
big
thing
is
that
the
engagement
of
and
anticipation
of
that
is
already
live.
If
you've
been
down
in
pack
Square
the
past
48
hours,
you'll
notice,
there
are
sidewalk,
decals
and
placards
and
different
signs
around
about
art
in
the
heart.
So
since
we
have
QR
codes
on
that,
we've
gone
ahead
and
made
that
engagement,
Hub
live
and
it's
publicinput.com
backslash
pack
Square.
A
This
is
the
first
week
that
we
have
it
it's
going
to
change
on
Saturday
morning,
already
we're
going
to
be
putting
additional
questions
and
serve
and
kind
of
survey
opportunities
up
regarding
the
art.
That's
going
up
in
pack
Square
this
weekend,
but
it's
right
now.
It's
just
got
some
survey,
questions
about
pack
Square
itself
and
we've
already
received
some
comments.
A
The
four
projects
that
are
going
up
the
this
weekend,
I'm
going
to
talk
about
in
in
just
a
second,
but
these
they're
things
that
I
hope
that
you
all
can
attend
and
just
note
there
are
at
least
seven
more
installations
to
come.
A
November
8th
through
12th
those
things
are
going
to
look
like
walking
tours
panels,
drop-in
meetings,
special
focus
groups,
online
engagements,
that's
all
going
to
happen
and
what
we
call
an
engagement
power
week
and
I
hope
you
can
mark
your
calendars
for
that,
so
I'm
going
to
go
through
each
one
of
these
things,
really
quickly,
public
input.com
pack
square
up.
It's
not
going
to.
Let
me
go
to
that
because
I'm
not
hooked
up
to
the
city's
network,
but
it's
a
great
place.
A
So
please
go
ahead
and
check
that
out
and
if
you
could
answer
some
of
those
questions,
let
us
know
what
you
think
about
the
site
and
how
it's
operating.
That
would
be
really
great
for
art
in
the
heart.
These
are
the
four
art
installations
that
are
going
up
this
weekend.
11
A.M
and
12
P.M
tomorrow
things
get
kicked
off
with
a
puppet
show
called
Leah
and
the
rabbit
that's
done
by
Michaela,
Wilson
and
folks
from
the
American
Myth
Center.
A
Then
you
have
you're
going
to
see
probably
some
installation
starting
to
go
up,
maybe
tomorrow,
but
definitely
on
Sunday
for
room
in
the
Sky
by
Jackson,
Martin
and
House
of
Hughes
by
Kat
Naz.
Those
are
going
to
be
both
in
the
central
area
and
then
over
by
the
Birch
Lawn
in
front
of
the
Biltmore
building.
A
A
I
mentioned
the
community
engagement
calendar.
That
is
a
way
for
us
to
connect
in
community.
We
don't
want
to
have
a
ton
of
meetings
where
we
just
say:
hey
everybody
come
on
down
to
a
meeting
where
you
give
us
your
information,
and
you
have
to
drive
down
to
Harris
Cherokee
Center.
To
do
it.
We
want
to
go
out
and
meet
people
where
they're
at
and
then
November
8th
to
through
8th
through
12,
which
is
our
power
Community
engagement
week.
A
A
What
a
kind
of
design
should
we
be
looking
at
and
what
kind
of
design
process
should
we
be
looking
at,
knowing
our
financial
limitations?
That's
the
budgetary
consideration
points.
What
kind
of
operational
management
considerations
potential
public-private
Partnerships?
Could
we
be
thinking
about
so
that
this
park
and
and
the
plaza
is
well
taken
care
of
in
the
future
according
to
this
community's
vision,
and
then
how
can
we
better
connect
to
the
block
and
how
can
we
connect
Pac
Square
to
the
block.
A
So
what
I'm
looking
for
from
y'all
is
some
feedback.
Today,
I
have
some
questions
on
here
and
I'm
happy
to
go
over
any
of
the
content
that
I
presented
here
to
help
you
think
about
these
questions
a
little
bit
more
specifically
in
general,
I'm
wondering
how
you
guys
are
reacting
to
what
you're
hearing
what
comments
you
might
have
on
our
approach
to
community
engagement
and
our
timing
for
the
project.
What
we're
focusing
on
for
the
project?
A
What
ideas
you
might
have
to
help
us
fill
the
community
engagement
calendar
so,
for
example,
if
you're
working
at
the
you
know
a
month
for
craft
fair,
and
you
know
that
there's
an
opportunity
to
table
with
that
and
let
people
know.
D
A
That
something
that
you
could
help
us
with
and
then
the
last
bit
is
about
the
special
events
on
November
8th
through
12th,
we're
really
looking
at
creating
events
as
I
as
I
mentioned,
that
where
people
don't
feel
like
they're
just
coming
to
give
something
to
us
as
a
city
which
they've
been
doing
for
many
many
years,
you
all
have
been
doing,
but
they
get
something
back
too.
So
an
example.
A
Several
of
you
know
this.
When
we
have
the
Haywood
and
Page
Community
engagement
events,
when
we
did
our
first
kickoff,
the
people
that
came,
they
got
I
got
something
I
can't
remember,
because
Dana
ended
up
operationalizing
this.
Somehow
we
gave
them
a
token.
Somehow
we
have
food
trucks
and
we
were
able
to
give
them
dinner
that
night
after
we
did
a
tour
and
it
was
a
nice
way
of
it
being
something
where
it
we
had
an
opportunity
to
give
back
to
the
the
people
that
came
so
I'm.
A
E
Just
just
even
from
pedestrian
or
or
car,
it's
hard
to
get
there
because
of
the
one-way
streets
and
there's
just
a
lot
of
opportunity.
I
think
that
would
be
really
really
good
to
both
spread
traffic
around
better
rather
than
bottlenecking
it
through
those
areas
and
I.
Think
that'd
just
be
good
for
business
and
good
for
the
presence
of
the
Block
in
downtown,
so
I'm
I
really
I,
really
like
that
part
of
it.
G
Yeah
I
think
you've
got
the
right
questions
there.
Stephanie
I
mean
to
me
they
feel
like
really
good
tent
poles.
If
we
can
get
real
clear
on
that,
that
should
really
help
us
shape
the
vision
as
to
what
we're
going
to
do
and
I
like
the
idea
of
not
just
physical
but
mental
flow
between
the
black
and
and
the
rest
of
pack
square
and
what
we
can
do
around
that
so
I
think
if
we
get
good
answers
to
that
and
get
clarity
on
that,
that'll
be
a
good
guidepost
for
us
for
the
project.
A
So
the
primary
study
area
that
we're
focusing
on
is
the
map
for
pack
square
or
really
just
kind
of
shortening
it
to
the
square.
At
this
point,
and
because
this
is
a
continuation
of
the
work
to
remove
the
van's
Monument,
we're
we're
focusing
on
not
only
how
can
we
repair
the
harm
that
was
done
by
that,
but
look
at
other
harms
with
the
way
that
the
area
is
designed
or
programmed.
So
that's
our
primary
focus
area
for
that
map.
The
block
map.
A
What
I'd
say
is
because
we're
looking
at
both
physical
and
mental
connections.
It's
hard
to
look
at
that
whole
map
and
say
you're,
not
really
going
to
study
that
whole
area
right
to
not
sit
up.
That's
true!
We're
not
really
coming
up
with
a
plan
for
the
block.
I
should
clarify
that.
But
what
we
are
going
to
do
is
partner
with
the
block
Community
collaborative
and
especially
the
ymi
as
one
of
Western
North
Carolina's
leading
cultural
institutions
to
say
how
is
it
that
we
can?
A
What
Andrew
was
saying
you
know,
but
look
at
the
connections
both
physically
and
mentally
they're,
going
to
be
from
like
Market
Street
right
when
you're
standing
on
the
Eastern
side
of
the
pack,
Square
Plaza
you're
right
on
access
with
the
ymi.
You
can
look
down
and
see
it
when
you're
standing
at
the
corner
by
the
Jackson
building.
A
You
can't
actually
even
see
the
ymi,
the
between
the
cars
and
the
trees,
and
you
have
no
idea
what's
down
there,
so
we
might
come
up
with
a
different
map
or
some
maybe
one
map
that
shows
that
we're
looking
at
those
areas
of
connections.
But
we
don't
want
people
to
forget
that
we're
trying
to
we're
trying
to
support
the
growth
and
economic
development,
economic
and
Community
Development
of
the
entire
block
community
and
not
just
the
core
one
corridor.
H
A
So
I'll
I
can
tell
you
it's
a
great
question.
We
have
a
mishmash
of
signs
right
now,
so
there
is,
for
instance,
right
at
the
municipal
building
or
the
fire
station.
Most
people
know
there
is
a
State
Historical
sign
for
the
young
men's
Institute,
and
you
know
it's
one
of
those
things
that
says
you
know
500
yards
south.
What
have
you
it's
really
hard
to
see?
That
is
also
one
of
the
locations
of
Hope
Springs
forth
brightly
the
celebrating
African-American
Zoo
public
art
project.
A
So
people
don't
really
see
that
and
then
on
the
western
Gateway,
there's
nothing
on
the
southern
Gateway
on
the
western
Gateway.
There's
nothing
really
pointing
you.
Unless
you
count,
maybe
the
sandwich
signs
that
are
used
by
some
of
the
businesses
on
the
Block
and,
of
course,
there's
an
urban
trail
marker
there
for
the
Eagle
Hotel
and
another
Hope
Springs
forth
brightly
installation.
B
I
I
would
just
add
that,
because
the
roads
are
so
narrow,
it
makes
it
really
hard
for
tour
buses
to
get
down
there
too.
So
that's
I
mean
is,
are
you
talking?
Is
there
any
kind
of
consideration
that
could
possibly
expand
the
roads
down
to
the
block.
A
You
know
when
we
had
the
tour
in
April
and
right
Reggie
and
you
all
came
back
and
came
up
with
this
wonderful
idea
for
this
mural
project.
Those
are
the
things
that
are
going
to
connect
and
and
help
drive
people
in
that
direction
and
understand.
What's
going
on
there.
C
H
Areas
right,
if
there's
a
festival,
that's
kind
of
happening
in
both
and
there's
it's
linking
the
area
but
I,
don't
know
and
I
also
thought
about
walking
tours,
because
it
seems
like
it's
an
ideal
area
for
walking
tours,
which
Asheville
could
probably
stand
to
have
more
of.
A
Yeah
we
and
we
do
see
many
of
them
in
pack,
Square
Hood
Huggers
does
some
in
the
block
and
I'm
not
sure
who
else
goes
in
the
block
regularly,
but
I'm
glad
you
brought
that
up.
One
of
the
ideas
we
have
for
that
November
8th
through
12th.
It
revolves
around
walking
tours
and
even
perhaps
the
name
of
it
is
something
like
open
house
on
pack
square
and
a
walk
around
the
block
where
we
bring
people
literally
into
the
block.
A
I
think
we'll
try
to
plan
it
so
that
we
can
have
events
rain
or
shine.
It's
a
great
question
Shirley,
especially
because
two
of
our
art
in
the
heart
projects
were
rained
out
last
weekend.
So
that's
why
we're
having
them
this
weekend.
C
If
you
want
to
try
to
get
people
there
and
I,
don't
know
if
you're
gonna
add
any
more
entertainment
but
I
haven't
idea,
maybe
we
could
bring
out
jazz
band
up
and
the
reason
we
didn't
apply
because
I
thought
about
weather
and
instruments.
A
H
I
wonder
if
there's
a
way
if
or
maybe
this
is
already
happening,
if,
if
businesses
that
week
could
somehow
be
involved
like
have
special,
you
know
open
door,
I
mean,
depending
on
the
weather,
probably
but
like
come
in
and
grab
a
you
know
a
scone.
Let's
go
yes
and
learn
something
meet
people
yeah,
but
something
like
that
and
I'm.
Just
thinking
about
the
shops
down
there
that
it'd
be
it'd,
be
fun
to
involve
them.
A
A
So
so
that's
one
big
thing
is
just
letting
us
know
between
now
and
mid-november.
If
your
professional
associations,
your
community
groups,
any
place
that
one
of
us
from
the
city
or
county
could
come
for
two
to
five
minutes,
I
can
come
bearing
gifts
and
they'll,
be
in
the
form
of
you,
know,
kombucha
or
cupcakes,
whatever
you
think,
is
appropriate,
so
that
makes
things
a
little
go
down
a
little
bit
easier.
And
so
that's
one
big
thing.
E
Is
that
we
do
have
an
event
that
I'm
happy
to
invite
you
to
the
ash
from
these
professionals
we're
having
an
event
actually
on
October
4th?
So
if
you
want
to
just
connect
with
me
on
details
about
that,
okay,
it's
a
it's
an
informal
event.
So
you
know
it's
just
more
like
it's
more
of
a
mixer
No
Agenda,
just
a
sort
of
hangout
rub
elbows
kind
of
thing,
but
it's
downtown
so
we'll
be
welcome.
A
A
So
those
those
are
the
kind
of
long-haul
things
that
we're
going
to
need.
You
for
that's
the
the
second
part
and
then
the
well
there's,
maybe
four
parts
then
I'll
say
the
third
part
revolves
around
that
November
8th
to
Joe
I'm,
just
gonna
keep
adding
things
for
you
to
do.
The
the
third
part
revolves
around
that
November
8th
to
12th
week.
So
you
know
we
all
have
Networks.
A
We've
done
a
pretty
good
job
already
like
we're
building
relationships,
having
meetings
with
most
of
the
adjacent
Property,
Owners
or
stakeholders
in
the
area,
since
any
of
the
events
that
we
are
going
to
do
impact
them
on
a
daily
basis.
A
But
just
like
Ali
mentioned
you
know,
there's
business
owners
on
the
the
block
and
pack
square
that
you
may
be
really
tight
with
that
you
could
say.
Would
you
be
able
to
participate
in
this
thing?
What
would
it
look
like?
How?
How
could
it
be
beneficial
for
you
to
show
off
your
business
or
not
for
profit?
A
Who
could
you
partner
with
and
and
get
and
help
me
figure
out
how
to
make
it
easy
for
people
me
and
the
team
and
then
the
fourth
thing?
We
really
were
talking
about
this
a
little
bit
before
the
the
meeting
started,
and
it
was
being
inspired
by
the
community
engagement
that
the
riverfront
Redevelopment
commission
was
able
to.
A
A
A
They
were
going
to
invite
30
people
and
the
general
public,
and
a
hundred
people
ended
up
showing
up
at
their
meeting
because
it
was
a
topic
that
people
were
interested
in
and
they
had
enough
Connections
in
the
community
with
that
many
people
on
the
board
that
they
were
all
able
to
bring
in
five
or
ten
people,
I
think
there's
something
to
be
said
about
us
having
a
conversation
about.
A
Maybe
one
of
maybe
you
know
what
flexing
part
of
your
role,
which
is
to
educate
the
public,
about
public
art
and
letting
you
in
say,
October
or
November
have
a
meeting
where
you're
talking
about
the
public
art.
That's
actually
in
this
area.
A
A
Your
mission,
if
you
choose
to
accept
it-
and
these
are
just
you
know-
I
know
that
you
guys
sometimes
are
it's
very
hard.
You
know
pulling
back
for
a
second,
it's
very
hard,
sometimes
with
boards
and
commissions
to
know.
You
know
what
parts
of
your
role
you
should
be
flexing
or
what
you
were
being
asked
to
to
do,
and,
and
so
in
this
case,
I
think
between
now
and
our
next
meeting
it
would
be
great
for
Andrew
and
Katie
is
the
chair,
and
vice
chair
and
myself
to
have
a
couple
conversations.
A
We
don't
want
to
do
any
deliberations
outside
of
a
meeting
but
to
perhaps
collect
ideas
from
the
rest
of
the
the
commission,
members
or
interests
even
levels
of
interest
in
participating
in
some
of
these
special
events,
ideas
for
leveraging
existing
initiatives
in
the
community.
That's
another
big
thing,
especially
what
we
heard
from
members
of
the
black
artist
Community,
was
how
and
and
historic
you
know.
People
working
on
historical
initiatives
was:
how
could
we
leverage
an
existing
initiatives?
A
E
That
that
calls
into
that
calls
into
the
idea
of
the
beacon
that
was
on
top
of
the
Jackson
Tower.
G
E
B
All
right,
so,
if
you
have
ideas-
or
you
want
to
be
part
of
that,
long-haul
team
I
invite
you
to
email,
Andrew
and
I,
and
let
us
know,
as
we
prepare
to
have
this
conversation
with
Steph
Steph.
The
next
is
to
move
on
to
current
projects.
Are
you
done
or
does
anybody
have
any
other
comments
before
we
move
on.
E
I,
just
I
just
want
to
make
one
comment:
we're
trying
to
get
people
together
and
get
people
excited
about
something.
Food
and
music.
Asheville
loves
food
and
music
so
that
that
works.
H
I
still
remember
going
and
eating
at
the
food
trucks
in
the
I,
just
I'm,
gonna,
say
pit
of
despair.
I
know,
that's
not
what
it
is.
D
H
B
I
realized,
I
screwed
up
on
the
administrative
items.
I
was
supposed
to
talk
about
those
things
that
I
thought
I'm
supposed
to
talk
about
later.
At
that
point
about
the
election
and
considerations
for
our
new
member
should
I
do
that
now
or
do
you
want
to
save
that
for
later.
A
B
I'm,
so
sorry,
I
completely
forgot,
our
elections
are
coming
up
in
January
and
so
we'll
be
electing
a
new
chair
and
vice
chair.
Both
Andrew
and
I
are
rolling
off
the
board
in
June,
so
neither
one
of
us
will
be
chair
or
vice
chair,
and
so
you
guys
need
to
start
thinking
about
that.
B
By
super
fast,
the
other
thing
is,
we
were
going
to
talk
a
little
bit
about
what
we
want
to
look
for
in
our
next
pack
member.
Does
anybody
have
any
thoughts
on
specific
skills
or
attributes?
We
should
be
looking
at
for
a
Pac
member
systems.
G
I
wonder
if
there's
any
potential
candidates
out
of
the
people
that
we've
selected
for
the
safety
artwork
and
for
what
we
did
for
Art
in
the
Park?
If
that's
not
a
place
to
potentially
look
because
we've
got
some
people
in
there
that
are
pretty
active
in
a
community
as
well
as
being
really
good
artists.
J
B
J
D
E
And
I
I
think
not
necessarily
a
busker,
but
someone
from
a
performing
art
like
music
would
be
would
be
good,
but
obviously
someone
in
the
visual
arts,
I
think
is
is
strong
too
I
know
when
I
when
I
first
joined
there
were
more
heavy
and
artists
and
light
on
musicians,
and
so
I
I
think
that,
having
having
a
balance
and
having
wide
representation
there
is,
is
good
and
also
people
who
are
currently
but
really
more
than
a
particular
form
of
art.
E
Someone
who's
currently
working
in
the
Arts
I
think
is
on
a
day-to-day
basis.
You
know
paying
their
bills
going
through
the
in
the
city
in
that
lifestyle
I
think
is,
is
a
makes
a
is
who
I'd
like
to
see
someone
you
know
in
my
in
in
this
seat
going
forward
so
that
that
is
what,
though
I
won't
be
here
to
make
that
choice.
So
I
hope
that
I
hope
that
making
sure
that
people
who
are
living
and
working
as
artists
here
are
well
represented
in
policy
making.
B
We
will
be
here
for
this
choice:
I
I,
agree,
I,
think
it
would
be
really
beneficial
if
we
had
somebody
that
that
an
artist
that
does
large-scale
public
art
projects
would
be
some
really
great
insight
to
have
on
the
on
the
board.
I
know
that
we've
all
at
different
times
expressed
the
process,
is
a
little
clunky
and
I
think
it
needs
to
be
a
little
bit
easier
for
working
artists
locally,
in
particular,
to
navigate
our
public.
Our
calls
for
public
art.
B
Okay,
sorry
we'll
go
back
to
where
we
were
in
the
agenda
now
apologize
for
that.
So
we're
at
update
on
current
projects
and
the
Broadway
Public
Safety
station.
A
So
in
your
agenda
there
is
a
link
that
takes
you
to
a
little
flyer
and
the
flyer
has
a
QR
code
on
it
just
wanted
to.
Let
you
guys
know
that
there
is
public
input
being
solicited
right
now
for
Broadway
Public
Safety
as
well.
Joanna
and
Pete
I
know
I'm,
not
sure
if
anybody
else
but
I
know
you've
been
working
on
this
project.
Do
you
have
any
other
comments
on
that?
The
public
input
part
of
this.
G
I'm
not
sure
where
we're
at
on
on
public
input,
I
mean
we've
been
involved
at
the
selection
process
and
I
know
part
of
what
we'd
ask
the
artists
is
how
they
were
going
to
go
about
doing
it,
and
then
I
haven't
been
in
contact
with
how
they're
going
about
carrying
it
out.
I
know
they
asked
each
of
them
in
the
interview
process
for
a
game
plan
as
to
how
they
would
do
it
and
part
of
this
election
was
that
they
had
good
answers,
but
I
don't
know
any
follow-up
on
it.
I
don't
know
Joanne.
A
Okay,
well
so
I
think
they're
moving
on
to
phase
two
and
looks
like
they're
getting
they're
they're
going
out
to
a
couple
different
events
in
the
community
in
and
around
the
community,
and
then
they
have
this
place
where
there
is
a
survey
and
so
I
encourage
all
of
you
to
share
that
and
or
take
it
and
we'll
hear
more
about
it.
But
as
a
reminder,
your
team,
selected
I
believe
was
Alex
Irvine
and.
A
G
Okay
use
the
construction
on
on
on
on
time
for
the
safety
session.
G
A
So
this
the
second
update
and
other
people
may
know
more
about
this
than
I.
Do
too
it's
it's
not
so
much
dissimilar.
Well,
maybe
because,
since
the
last
time
we
met
they
were,
they
were
just
looking
at
working
with
Becky
and
fabricating
the
piece
they're
now
in
fabrication
and
they're,
hoping
to
instill
install
by
October.
There
have
been
some.
You
know,
design
issues
of
course,
and
some
budget
issues,
of
course,
but
in
general
things
are
moving
forward,
so
Susanna
and
that's
very
exciting.
A
Finally,
because
it's
been
something
that's
been
at
the
governance
committee
and
it's
fun
having
going
through
conversation
for
several
months,
but
council
did
finally
consider
and
then
adopt
a
resolution
that
supported
advisory
boards
having
remote
meetings
if
they
chose
to,
and
also
to
move
towards,
in-person
in-person
meetings
if
they
chose
to
I
linked
in
your
agenda,
the
resolution
and
the
policy
that
was
adopted,
the
the
bottom
line
is
we're
asking
you
to
consider
whether
or
not
your
meetings
moving
forward
for
say
the
next
year
are
going
to
be
online
or
in
person.
A
A
There
are
ways
for
you
to
have
in-person
meetings
and
then
choose
to
have
special
meetings
remotely,
and
it
just
requires
us
to
have
a
little
bit
more
notice,
but
that's
not
necessarily
a
problem.
I
also
think
the
opposite
is
generally
to
true,
but
to
get
to
the
meat
of
this
for
the
Public's
benefit.
They
really
need
to
expect
that
you're
either
going
to
have
remote
meetings
or
that
you're
going
to
have
in-person
meetings
so
that
they
can
plan
on
participating
in
them.
So
that
is
why
we're
asking
you
to
to
make
a
choice.
B
I
I
do
like
the
fact
that
our
meetings
are
live,
streamed
and
recorded,
so
people
can
watch
them
later
if
they
want
to
I,
know
I
watch
most
of
the
meetings
through
video
recordings
later,
because
I
can't
always
do
it
at
time.
So
I
mean
I
feel
my
personal
feeling
is
for
accessibility.
We
should
continue
to
meet
remotely
until
there
it
is
fixed,
and
you
know
you
can't
have
in-person
meetings
that
are
live
streamed,
but
I'd
love
to
hear
your
thoughts.
G
Foreign
yeah
I'd
land
in
the
same
place,
I'd
I'd,
want
to
keep
it
I
and
I
like
the
way
we've
been
doing
it
or
it's
been
mostly
virtual.
But
then
we
have
some
Hands-On
meetings,
particularly
as
we
move
into
this
pack
score.
Visioning
I
think,
there's
probably
going
to
be
opportunities,
come
up
for
for
us
to
be
able
to
do
that
and
to
be.
G
D
H
H
The
P
I
miss
seeing
everybody
in
person
I
like
the
the
Synergy
and
the
flow
that
happens
when
we're
all
in
person
and
doing
these
kind
of
more
interactive
walking
around
kind
of
meetings.
So,
if
there's
a
way,
if
there's
a
way
to
kind
of
have
both
right
and
we
do,
our
main
meetings
live
streamed
virtual
until
we
can
get
back
in
and
have
have
that
work,
yeah
I
do
I
think
we
get
more
done
or
something
it
seems
like.
There's
more
energy
when
we're
together.
D
E
I
think
partially,
you
know
in
a
meeting
like
this.
A
lot
of
what
we're
doing
is
more
of
administrative
and
I
I,
think
that
is,
and
less
brainstorming
right,
I
think
that
so
I
in
general
I
support
open
meetings,
and
this
is
a
more
open
meeting
than
an
in-person
meeting
that
isn't
live
stream
and
while
there's
pros
and
cons
to
each
I'm,
I
I
would
always
my
support
for
the
more
open
approach,
which
is
the
live
stream
approach.
E
But
I
do
think
that
work
sessions
are
on
specific
tasks
like
we've
done
before.
When
we're
in
person,
we've
got
a
specific
thing
that
we're
going
to
do
more
of
like
a
single
agenda
item
that
requires
us
to
be
on
site
for
to
work
on
I,
think
that
is
a
best
use
of
us
on
site
and
other
than
that.
For
more
of
these,
these
types
of
meetings,
where
you
know
we've
got
official
votes
and
things
like
that.
E
E
Do
want
to
make
sure
that
I'm
not
making
a
decision
for
a
for
future
board
members
that
are
going
to
come
along
and
then
I
hope
that
when
people
come
in
and
sit
in
our
seats
Katie,
you
know
that
they
get
to
have
this
conversation
too
and
that
we
didn't
just
have
it
for
them,
so
so
I.
That
is.
That
is
my
opinion.
There.
G
I
think
that's
a
good
observation
about
being
focused
Andrew,
because
not
just
here,
but
all
the
zoom
meetings
I'm
on
it's
so
hard
to
brainstorm.
There's
these
huge,
yawning
gaps
in
there
to
be
able
to
come
in
unless
somebody
sticks
in
and
starts
going.
You
tend
to
have
less
of
the
group
participating
with
it
and
I
also
like
that
idea
of
of,
if
anything,
when
we
get
the
new
commission
members
of
having
a
get-together
just
around
that,
so
they
got
somebody
to
connect
to.
G
So
we
can
talk
about
what
the
history
is,
what
projects
we
have
get
to
know
each
other
and
get
any
input
from
them,
I
think
because
just
socialize
them
I
know
for
me.
Coming
on
relatively
new,
it
was
great
to
be
able
to
go
in
and
just
meet
people
and
to
see
what's
going
on.
What
are
you
thinking
about
Etc.
B
Steph,
if
we
choose
to
do
remote
meetings
or
virtual
meetings,
is
there
anything
preventing
us
from
doing
our
field
trips
and
our
special,
like
our
annual
treat
in
person.
A
There
is
nothing
preventing
you
from
doing
doing
it.
I
would
recommend
a
staff
that,
if
you
were
to
consider
a
motion
to
hold
your
regular
meetings
remotely
that
you
also
consider
a
portion
of
that
motion
to
say
accepting
meetings
to
be
held
in
the
field
when
it
increases
productivity
and
those
meetings
shall
be
noticed
at
least
one
week
in
advance,
and
then
that
will
help
with
the
transparency
as
well
as
just
making
sure
that
when
you
have
those
the
the
meetings
law
is,
is
48
hours.
A
So
something
like.
So
the
answer
is
no,
it
will
be
fine,
and
so
something
like
a
makeup
motion
to
hold
regular
meetings,
remotely
accepting
special
work
sessions
where
being
on
location
supports
the
commission's
productivity.
In-Person
meetings
shall
be
noticed
at
least
one
week
in
advance.
C
I,
like
the
idea
of
remote
meeting
a
special
work
sessions,
and
it
was
good
to
see
everybody,
especially
on
a
Sunday
day,
and
it
really
to
me,
you
get
more
people
involved
if
it's
remote,
especially
trying
to
find
a
parking
space
and
then
for
me,
I,
run
an
after-school
program.
So
I
can
do
both
where
I
can.
You
know
be
on
the
premises
plus
help.
So
whatever
you
decide
I'm
in
accord
with
it.
I
Right
yeah
I
mean
I,
think
there's
something
to
be
said
about
being
in
person
in
this
day
and
age.
So
I
think
I
feel
like
there
tends
to
be
more
action
that
comes
out
of
in-person
meetings
versus
online
online
feels
a
little
detached.
You
have
40
million
things
going
on
and
it's
very
easy
to
kind
of
not
be
fully
present.
A
All
right,
so
it
would
be
I
make
a
motion
to
hold
regular
meetings.
Remote,
regular
meetings
of
the
public,
art
and
cultural
commissions
remotely
accepting
special
work
sessions
were
being
on
locations
supports
the
commission's
productivity.
In-Person
meetings
shall
be
noticed
at
least
one
week
in
advance
with.
E
This
for
the
next
year
have
to
be
does
that
language
need
to
be
in
there.
E
A
E
Motion
to
move
to
remote
meetings
for
the
next
year,
accepting
situations
in
which
the
mission
of
the
public
art
and
cultural
commission
is
enhanced
by
in-person
meetings,
in
which
case
there
shall
be
one
week
notice
given
of
in-person
meetings.
C
E
And
I
will
need
another
similar
motion,
making
a
Sim
making
another
determination
for
the
year
after
this,
this
in
September
23,
so
which
Katie
and
I
won't
be
around.
For
so.
B
A
You
do
not
have
to
commit
for
the
whole
year,
so
what
you
would
do
is
just
consider
a
new
motion.
When
that
happens,
you
could
say
we.
We
would
like
to
make
an
emotion
to
move
our
meetings
to
in
person,
perfect
yeah.
B
I
would
be
happy
to
bring
that
back
as
soon
as
that
issue
is
is
fixed,
so
we
are
moving
on
to
updates.
There
is
a
request
for
assistance
with
the
Burton
Street
project
stuff.
You
want
to.
A
So
Burton
Street
Community
has
received
a
grant
and
are
moving
forward
with
engaging
youth
in
learning
about
public
art
and
creating
public
art
they're
going
to
be
having
tours
in
different
areas
and
they're,
bringing
in
a
couple
people
to
talk
about
the
city's
public
art
process.
The
hope
is
that
can
help
show
the
the
youth
in
the
area
that
art
is
a
legitimate
career
and
that
there
are
opportunities
to
improve
your
own
neighborhood
by
walking
down
or
running
or
dancing
down
that
path.
A
A
The
day
has
not
been
determined
and
we
will
determine
that
based
on
the
availability
of
who
is
able
to
participate
and
I'll.
Let
you
know
that
I
would
say
that
foreign
it
is
okay.
If
all
of
you
want
to
participate-
and
this
is
crazy,
but
if
it
became
a
quorum
I
can
just
call
it
a
special
meeting.
A
A
A
due
date,
I'll
give
you
a
due
date,
and
that
is,
let
me
know
by
one
week
from
today
by
next
Thursday
close
a
business.
If
you
would
please.
B
D
B
B
It
went
really
well
and
we
have
two
more
one
with
County
Commissioners
coming
up
on
September
28th
and
then
our
final
event
is
with
city,
council
candidates
and
mayor
Oriole,
candidates
on
October
12th
and
it's
being
moderated
By,
Reggie
and
so
I
really
hope
that
you
guys
will
come
out
there
in
both
the
county
and
City
forums.
There's
going
to
be
a
direct
question
about
public
art,
so
I
I,
hope,
you'll
join
us
great
who's.
J
I'll
say
something
so
you
know:
Biz
and
Buzz.
Radio
are
local
Asheville
radio
stations
and
they
are
partnering
with
imabl
to
do
music
video
Asheville
this
year
and
it's
coming
up
October
5th.
So
it's
always
a
really
fun
event,
so
much
music
and
art,
and
just
a
really
cool
way
of
putting
so
many
different
facets
of
our
art
scenes
together.
So.
H
Got
one
the
center
for
craft
is
they're
celebrating
the
installation
of
the
basket,
which
is
an
installation
also
a
parklet
on
October
15th,
there's
going
to
be
I,
think
Cherokee
catered
food
live
music,
it's
family,
friendly
indoor
and
outdoor
activities
and
I.
Think
it's
in
the
afternoon
from
like
one
to
four
so
that'll
be
very
cool
yeah,
it's
a
it's.
A
the
the
whole
design
was
created
in
collaboration
with
Eastern
band
of
Cherokee,
Indian
experts
and
basket
makers
and
Landscape
Architects.
It's
gonna
be
really
neat.
I
Good
Segway
into
my
event,
I
actually
had
our
event.
If
you
want
to
learn
about
the
parklet
at
Center
for
craft
design,
weekend
is
octo
is
September
30th
through
October,
2nd
and
Mary
and
Joel
who
worked
on
that.
Parkway
project
are
going
to
be
speaking
with
Maryland
Zach
about
the
collaboration
of
that
project.
I
It's
going
to
be
a
great
event.
We've
already
got
62
people
signed
up
to
go,
which
is
great.
I
was
a
little
surprised
earlier
today
when
I
checked
the
because
we
just
actually
open
for
registration
a
few
days
ago,
and
it's
already
we're
already
up
to
62.
So
that's
great
I
am
still
looking.
I
was
going
to
reach
out
to
you,
Katie
I'm.
Looking
for
one
of
the
components
of
the
event
is
the
chocolate
Sunday
morning.
I
Some
people
call
it
Apache
culture,
but
I
think
it's
tomato
tomato
Sunday
from
10
to
noon.
At
citizen
vinyl
we're
doing
a
pachakacha,
and
we
have
three
designers
I'm,
still
looking
for
three
makers
to
speak
at
the
pachukicha
I'm
waiting
for
some
confirmations
from
a
couple
people
I've
reached
out
to,
but
people
are
been
slow
to
respond
and
then
I'm.
Also
looking
for
three
Architects
chip,
Howell
is
going
to
be
out
of
town
that
weekend.
I
I
wanted
him
to
talk
about
his
collaboration
with
with
Keenan
lake,
with
my
daddy
taught
me
that
they
had
a
really
cool
project
over
the
summer
called
exploring
architecture
and
I
was
thinking
that
would
be
a
really
good
platform
for
them,
but
he's
going
to
be
leaving
with
his
wife
to
Ireland
the
day
of
the
project
like
early
that
morning.
I
So
if
you
guys
know
of
any
makers
that
might
want
to
present,
if
you
don't
know
the
format,
it's
20
slides,
20
seconds
per
slide
and
it's
Auto
advancing
so
you're
locked
in
to
like
six
minutes
and
40
seconds.
So
you
don't
have
to
you
know
it's
not
a
not
a
large
commitment,
The
Daily
Show!
You
know
you
might
put
a
little
bit
of
time
into
preparing
for
it,
but
the
loose
theme
of
the
weekend
is
collaboration,
but
if
somebody
just
wanted
to
you
know,
I
really
would
like
to
have
some
PLC
makers.
I
I
think
you
know
we're
we're
short
on
bipart
representation
for
the
event,
maybe
aside
from
me
and
so
I
would
really
love.
If
you
know
anybody,
that's
doing
really
anything
cool
in
the
craft
area,
architecture
area
that
might
be
willing
to
speak
at
the
projector
that
Sunday.
That
would
be
really
awesome.
We've
got
some
great
supporters,
we've
got
bizworks
is
a
financial
sponsor
and
so
is
explore.
Asheville
still
trying
to
Napoleon's
in-kind
food
donations
for
the
white
breakfast
Saturday
morning,
and
also
for
the
kickoff
social
Friday
night,
September
30th.
I
I
guess
I'll
say
one
other
thing.
Just
I
probably
mentioned
this
last
time
we
spoke.
Actually
it
was
in
our
our
Coalition
meeting,
so
you
guys
set
for
Pete
and
Katie
we're
not
aware
of
this,
but
the
the
whole
objective
of
the
weekend
is
to
shine
a
spotlight
on
Asheville's,
amazing
designers
makers
and
Architects.
I
If
some
of
you
may
notice
about
me,
but
my
underlying
objective
is
always
to
retain
as
much
business
for
our
creative
individuals
in
Asheville,
because
we
lose
so
much
work
to
other
markets,
and
so
in
most
of
my
efforts,
I'm
just
trying
to
let
businesses
know
how
much
amazing
talent
we
have
here.
So
they
can
invest
in
our
own
creatives
and
that
money
stays
in
our
economy
and
people
go
out
and
spend
money
and
our
establishments,
and
so
it.
I
Like
a
win-win
scenario,
so
now,
that's
all
I
have
to
say
thanks.
C
Well,
I
guess:
I'm
next
I've
been
working
with
a
21st
century
Community
Learning
Center
Grant
Delta
house
was
awarded
a
1.2
million
dollars
grant
for
three
years.
What
you
have
to
spend
the
money
and
then
they
reimburse
you.
So
it's
not
that
easy,
and
one
of
the
things
that
we're
being
involved
in
is
family
engagement,
Community
engagement,
art
and
culture.
C
C
Oh,
they
were
passing
out
African-Americans,
who
made
a
contribution
in
Asheville
and
one
of
the
persons
in
the
drawing
was
Cliff
of
cotton
and
there
he
was
sitting
there
with
jazz
band,
and
so
we
were
able
to
show
the
kids
how
you
can
make
a
connection,
and
now
he
wants
to
work
with
the
kids.
So
it's
he's
in
his
80s,
but
you
think
about
it.
Look
how
the
kids
are
helping
him
to
rejuvenate.
Well,
I
won't
tell
my
age
but
I'm
I'm
getting
close
there.
C
So
this
is
keeping
me
going
and
so
I'm
excited
about
this,
and
so
we
will
be
able
to
do
public
art,
family
engagement
and
intergenerational
learning.
So
this
is
going
to
be
a
big
deal.
We
did
have
a
grant
2010
to
2014.
C
and
one
of
the
things
that
we
did-
and
this
was
in
partnership
with
Leaf
but
I,
know
Delta
have
spent
twenty
thousand
dollars.
We
took
a
bus
of
students
to
New
Orleans
and
their
parents
and
they
had
master
classes
with
Preservation
Hall.
They
were
able
to
eat
food
that
represent
the
culture
down
their
special
gumbo.
One
of
my
favors
and
one
of
the
artists
that
died
I
think
he
saw
one
payment.
It
was
worth
ten
thousand
dollars
the
feathers
from
the
parade,
Mardi
Gras
parade.
C
He
created
a
work
of
art
and
it
sold
for
ten
thousand
dollars
and
it
was
upset
and
I
have
this
book
here
in
my
house,
where
he
died
of
covert
and
the
kids
had
a
chance
to
talk
to
to
the
artist
I
can't
think
of
his
name
right
now,
but
that's
one
of
the
things
that
I
want
to
do,
and
I
guess
being
in
education
for
over
30
some
years
and
I
did
try
to
get
the
kids
to
understand
what
public
art
was
about
and
I
did
a
lot
with
the
Art
Museum
and
the
wild
my
culture
center.
C
But
this
is
a
chance
to
help
the
kids
Special.
A
lot
of
students
are
having
problems
with
social
and
emotional
well-being,
and
this
I
can
still
change
now,
with
students
working
in
the
Arts,
so
I'm
trying
to
do
a
little
both
and
even
get
parents
involved.
C
So
hopefully
we
can
spread
and
we
will
have
Community
engagement
and
we
I'll
be
quiet.
In
a
minute.
We
have
a
community
engagement
in
June,
people
were
invited
and
I
looked
around
and
neighbors
came
in
their
children.
It
was
exciting.
We
had
it
out
in
Delta
house
yard,
and
everybody
was
saying
it
was
so
delightful.
D
C
On
and
one
thing
we're
in
partnership
with
Asheville,
Middle,
School
and
they're
going
to
have
a
site,
so
we
will
hopefully
be
able
to
use
their
facility
for
big
events
so
I'm
working
day
and
night
and
remember
it's
reimbursable.
You
have
to
spend
the
money
to
send
the
receipts.
It's
not
that
easy.
Okay,
not.
I
D
That's
pretty
amazing
Charlie.
You
definitely
sound
very
busy.
E
Okay,
oh
sorry,
I'll
I'll,
just
reiterate
the
upcoming
Asheville
music
professionals,
mixer
and
I,
told
stuff
about
earlier,
and
it's
going
to
be
held
on
October
4th
at
the
crow
and
quill
downtown,
and
usually
it's
just
a
couple
dozen
musicians
and
things
like
that,
and
but
it's
really
neat
you
get
a
lot
of
new
people
in
town
come
and
that's
their
introduction
to
their
fellow
musicians
in
the
scene,
and
you
know
so
much
of
music
is
so
social.
E
We
need
each
other
to
be
in
bands
and
things
like
that,
and
so
it's
a
really
effective
way
for
people
to
introduce
each
other.
And
so,
if
you
want
to
come
on
out,
that
would
be
great
and
we
will
have
a
newsletter
we'll
have
a
newsletter
going
out
in
advance
of
that.
So,
if
you're
not
signed
up
for
the
Asheville
music
professionals,
newsletter
do
sign
up
or
if
there's
something
that
we
can
help
amplify.
Because
that's
what
we
do
at
amp,
then
you
know
please
let
us
know.
B
So
I
do
have
one
more
update
that
I've
neglected
to
share
the
Asheville
area.
Arts
Council
has
an
Arts
built,
Community
Grant,
which
opened
today
and
will
the
deadline
is
October
15th.
These
are
for
Arts
based
Community
projects,
so
public
art
and
so
I
encourage
you
guys
to
help
us
spread
the
word
the
grants
for
are
up
to
2
500
for
the
project.
A
You
chair,
I
added
one
thing
to
the
agenda
under
updates:
it's
just
a
link
to
the
Moorhead
cane
Scholars
report.
This
was
something
we
had
wanted
to
go
over
at
least
share
with
you.
After
those
five
amazing
students
started
looking
at
our
downtown
as
part
of
the
pre-planning
for
the
pack
Square
Plaza
visioning,
there's
sections
in
there.
One
of
the
more
interesting
ones
is
a
conversation
about
how
to
provide
more
information
to
the
20
and
under
crowd
about
what
types
of
things
they
might
like
to
do.
If
they
came
downtown
so
check
it
out.
B
Any
big
Revelations
from
that
stuff.
A
Like
I
said
that
that
portion
about
relevance
of
downtown
to
youth,
basically
it
not
being
relevant
anymore
to
the
youth
and
parking
and
looking
at
that
in
a
different
way,
so
I
know
Andrew
especially,
will
be
interested
in
that
section.
Those
are
two
of
the
more
interesting
pieces,
great.
B
So
we
have
under
other
updates
announcements
and
agenda
setting
for
upcoming
meeting
list
of
public
art
projects
for
upcoming
two
years.
Steph.
Do
you
want
to
explain
now
a
little
bit.
A
Right,
you
guys
may
remember
at
our
May
meeting
that
I
gave
a
quick
FYI
on
how
the
city's
budgeting
for
public
art
changed
visually
and
that
now,
when
you
open
our
budget
book
and
you
look
in
our
CIP
or
Capital
Improvements
plan,
you'll
actually
see
the
amount.
That's
dedicated
for
public
art
each
year
and
part
of
your
role.
A
Moving
forward
is
going
to
be
taking
a
look
at
a
list
of
projects
both
existing
and
potential
future
projects
and
trying
to
determine
the
buckets
of
where
those
those
funds
should
go
to
so
helping
staff
understand
where
you
think
the
community
could
best
use
the
place,
making
efforts
and
I
mentioned
at
that
time.
That
September
would
be
the
earliest
that
we
would
have
an
idea
about
that
list.
D
A
A
Improvements
to
the
river
arts
district
and
the
money
we
have
for
this
year's
capital
projects
and
some
money
we
have
for
maintenance.
On
the
urban
trail,
we
have
almost
half
a
million
dollars
to
spend
y'all
so
funding
for
projects
high
for
other
resources,
maybe
not
matching,
but
with
your
help,
I
think
we
can
do
this.
E
So
I've
got
a
quick
question.
This
might
be
a
future
agenda
item
but
I
notice,
driving
through
River
Arts
District
there's
a
few
of
our
our
the
pieces
that
are
up
have
as
the
Landscaping
has
grown
in
so
lovely.
It's
actually
blocked
the
view
of
some
of
the
things.
E
Little
feat,
standard
of
the
stars
look
looks
like
that.
We
lose
some
of
the
words
on
the
end
and
I.
Just
wonder
if
whether
we've
got
a
a
plan
to
keep
it
readable
and
have
the
sort
of
vegetation
you
know,
look
because
it's
they're
both
both
things
are
nice,
but
they're,
working
together,
sort
of
counteractively.
A
E
A
So
my
understanding
is
that
the
process
in
general
has
slowed
down
tremendously
and
the
focus
has
shifted
so
instead
of
focusing
on
boards
and
commissions,
the
focus
is
now
on
city,
council
committees,
so
in
a
way,
they're
still
focusing
on
some
of
the
outcomes
that
we
were
looking
for,
which
was
a
better
relationship
between
board
members,
Advisory
board
members
and
Council.
But
we're
now
trying
to
continue
to
take
public
input
and
figure
out.
Maybe
a
different
way
to
do
that.
That
doesn't
necessarily
look
like
the
original
proposal.
B
And
what
I'll
say
is
City
staff
is
doing
a
really
great
job
of
keeping
the
chairs
updated
on
what's
Happening
and
then
asking
us
to
forward
that
along
to
you.
So
every
time
I
receive
an
email
I
forward
that
on
to
the
public,
art
and
culture
commission.
So
I
encourage
you
to
read
those
emails
right
now:
they're
creating
a
survey
that'll
go
out
to
all
boarding,
commission
members,
the
refining,
those
questions,
and
so
those
should
be
going
out
to
you
soon.
E
Yeah
we've
as
a
Critic
of
the
the
way
this
sort
of
like
came
about
and
where
it
first
was
proposed.
I'm
really
glad
to
see
that
we've
moved
in
this
direction.
I
feel
that
this
is
positive
and
that
we
are
I,
think
it's
I
think
it's
going
much
better
now
than
it
was
six
months
ago.
So
I'm
I'm
pleased
to
see
that
I'm
pleased
to
see
that
movement,
so
I
thank
City
staff
for
that.