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From YouTube: Public Art and Cultural Commission
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A
Chair
you're
live
wonderful.
Thank
you
good
afternoon,
I'm
chair
katie
cornell,
and
I
would
like
to
welcome
you
to
the
november
18
2021,
public
art
and
cultural
commission.
Meeting
the
public,
art
and
cultural
commission
originally
called
the
public
art
board
was
established
by
the
city
by
city,
asheville
city
council.
In
2000.
A
This
nine-member
commission
serves
as
an
advisory
board
to
the
city
on
matters
concerning
art
and
public
spaces.
The
commission
is
responsible
for
promoting
public
art
in
the
city,
overseeing
the
city's
public
art
projects
and
ensuring
the
art
displays
in
public
buildings
and
public
spaces
in
the
city
of
asheville
are
properly
maintained.
A
All
committee
members
and
staff
are
participating
virtually.
We
appreciate
your
patience
as
we
work
through
committee
meetings.
A
bit
differently.
We're
streaming
live
on
our
virtual
engagement
hub,
which
is
accessible
through
the
virtual
engagement
hub
link
on
the
front
page
of
the
city
website,
also
linked
on
the
committee
page.
A
I
will
now
go
through
and
introduce
all
the
committee
members
who
are
participating
virtually
committee
members.
Please
make
sure
to
mute
your
microphone
when
you're,
not
speaking
when
you
have
a
question
or
would
like
to
speak
unmute
your
microphone.
Please
remember
to
mute
your
microphone
again
when
you're
done
speaking
committee
members,
as
I
call
your
name,
please
say
a
quick
hello,
shirley
whitesides.
A
B
A
A
Reggie
we're
doing
a
roll
call
hello
if
you
want
to
just
say,
hi,
real
quick
to
acknowledge
we're
here.
C
Marsha's,
music,
still
I'm
sorry,
I
I'm
having
internet
issues
hi.
A
Wonderful
thanks:
everybody
help
our
audience,
follow
along
I'll
state
each
section
of
the
agenda
aloud
and
do
a
vocal
role
call
for
each
item
that
we
vote
on.
A
Our
annual
report
is
due
at
the
end
of
january,
so
we
need
to
have
an
annual
retreat,
we're
thinking
like
the
first,
maybe
second
week
of
january,
that
we'll
do
that,
so
that
would
be
in
place
of
our
meeting
that
month
replace
our
meeting
that
month.
There
is
a
link
in
your
agenda
to
last
year's
annual
report,
where
we
laid
out
our
strategic
priorities
for
2021
some
of
those
priorities
we
worked
on
and
some
we
were
not
able
to.
A
So.
We
need
to
review
that
list
again
find
out
how
what
order
we'd
like
to
put
those
items
in
what
still
needs
to
be
addressed.
What
we
need
to
add
to
the
list
so
we'll
be
sending
a
doodle
poll
out
to
figure
out
what
date
and
time
works
best
for
everybody
that
should
be
probably
a
two
to
three
hour:
long
meeting
right,
steph
yeah.
A
So
just
please
when
you,
when
that
comes
to
you,
please
respond.
So
we
can
get
that
on
everybody's
calendars.
A
Okay,
the
next
item
on
our
agenda
is
presentation
for
discussion
on
the
pack
square
improvement
project
so
I'll
hand
it
over
to
steph.
D
Hey
thanks,
chair
cornell,
hi
everybody
and
welcome,
especially,
I
guess
I
would
say.
Shirley
right.
Shirley
was
a
member
of
the
vance
monument
task
force
and
today
we're
going
to
talk
about
a
project
that
really
is
a
direct
outcome
of
recommendations
that
came
from
the
vance
monument
task
force.
D
So
you
may
remember
that
last
march
city
council
adopted
a
resolution
to
remove
the
dance
monument
that
came
on
the
heels
of
a
recommendation
from
the
vance
monument
task
force.
That
meant
all
of
the
following
fall
before,
and
that
was
a
joint
city
county
task
force,
something
kind
of
unique
and
interesting
in
our
community
and
that
really
that
effort
was
spurred
on
by
the
onset
of
the
twin
pandemics
and
specifically
the
murder
of
george
floyd
and
some.
D
Communications
that
happen
between
members
of
city,
council
and
the
county,
commission
and
other
interest
groups.
So
as
part
of
that,
we
are
really
looking
to
take
the
next
step
in
partnership
with
buncombe
county
again,
and
that
looks
like
creating
a
vision
plan
for
how
to
make
a
more
inclusive
pack
square.
E
D
Try
to
share
a
presentation,
get
all
this
going
now.
Sorry
guys,
I'm
gonna
be
trying
to.
D
E
D
We're
gonna
talk
a
little
bit
about
what
we're
gonna
do
together.
So
here
we
go
there.
It
is
that
was
the
monument
the
60
70
foot
tall
obelisk
that
sat
at
the
gateway
of
the
western
gateway
of
pretty
much
our
downtown
living
room,
our
surely
our
central
public
square
and
our
central
park
in
the
community
as
well.
D
We
started
removing
that
monument
last
may
and
just
as
a
reminder.
There
is
a
legal
case
pending
that
we're
waiting
on
a
decision
for
that
is
gonna.
Allow
us
to
remove
the
rest
of
the
monument
we
assume,
but
we
are
going
to
move
ahead
with
community
engagement
and
visioning
for
more
inclusive
pack
square,
even
while
that
is
being
decided.
D
So
just
a
couple
things
to
think
about
here,
you
know
north
is
up
here-
is
in
the
red
circle
that
that
monument-
it's
a
really
small
area,
it's
only
900
square
feet,
but
when
we
started
talking
with
a
lot
of
different
members
of
the
community-
and
we
actually
listened
to
the
recommendations
from
the
advanced
monument
task
force,
they
pointed
out
a
couple
things.
One
from
the
advanced
monument
task
force
was,
you
know:
does
this
space
really
need
to
act
more
like
a
square
to
be
more
inclusive?
D
So
a
lot
of
different
questions
started
coming
up,
people
started
thinking
outside
of
just
the
plinth
of
this
monument
itself
started
thinking
about
how
people
actually
would
get
to
that
area
and
notice
that
there's
a
lot
of
crossings
that
have
to
happen
for
people
to
enjoy
it,
and
maybe
thinking
about
expanding
just
that
western
gateway
and
thinking
about
whether
or
not
you
know
is
it
accessible
for
people.
If
you
have
mobility
issues,
is
this
a
place
that
you
want
to
be?
D
Don't
forget
that
this
is
the
site
of
many
of
our
everyday
and
special
occasion,
protests
and
demonstrations.
D
We
started
thinking
about
a
lot
of
different
design
issues
that
exist
here
with
regards
to
inclusivity
and
just
ways
to
make
things
better.
D
That
would
show
a
lot
more
public
benefit
from
this
place
and
the
ones
that
you
can
read
through
those
the
ones
I
really
want
you
to
look
at
are
number
five
and
number
six
one
is
you
know
reconsidering
how
we
have
so
many
pieces
of
public
art
in
this
area
and
we're
not
exactly
sure
if
these
are
the
pieces
of
public
art
that
make
sense
together
that
make
people
feel
like
they
are
welcomed.
D
To
create
a
vision
is
a
lot
of
research
and
analysis
of
what
is
already
here
and
when
I
say
we
I
mean
the
public
art,
cultural
commission,
because
this
is
a
much
larger
project,
but
you
all
will
have
a
specific
role
when
it
comes
to
looking
at
the
public
art
in
the
area.
There's
also
number
six
is
like
a
long-term
plan
for
the
black
lives
matter.
D
Mural,
that's
something
that
right
now,
while
we
worked
on
the
city
council
commissioned
that
with
the
arts,
council
and
19
artists
right
now,
we
are
just
leaving
it,
as
is
because
we
figure
that
this
process
can
help
us
figure
out
what
needs
to
come
next.
So
there's
a
lot
of
other
different,
interesting
things
for
us
to
think
about
in
this,
including
telling
a
story
about
place.
D
So
we
all
know
that
this
is
the
heart
of
our
downtown
and
we
have
some
stories
that
are
being
told
here
and
we
have
some
that
are
not
so.
I
just
threw
out
a
few
here
that
we
that
we
know
exists
that
maybe
maybe
you're
being
told
like
number
one
is
told
and
through
the
second
marker
of
the
urban
trail
crossroads.
That's
the
turkey
pig
markers
that
everybody
enjoys
playing
with,
but
this
is
really
you
know.
Is
the
story
really
being
told,
or
are
we
just
enjoying
those
those.
D
Many
different
stories
for
us
to
think
about
when
it
comes
to
public
art,
expressions
of
culture
in
the
area,
and
I
wanted
to
drill
down
here
and
talk
about
pac.
So
pac
has
some
general
rules
and
your
chair
alluded
to
them
at
the
beginning
of
this
meeting.
D
So
it's
important
that
I'm
not
going
to
read
through
all
these,
but
I
hope
that
you
read
them
and
anyone
watching
them
reads
them.
This
is
just
one
slide,
there's
actually
a
whole
other
slide
of
things
that
you
have
in
your
purview
and
everyone
I'll
go
back
to
the
beginning.
Every
one
of
these
has
some
kind
of
connection
to
this
proj.
This
project,
this
process
that
we'll
be
going
out
with
with
community
and
determining
like
how
this
place
will
function
for
us
moving
forward
and
how
those
stories
are
being
being
told.
D
So
something
for
you
guys
to
think
about,
and
specifically,
okay,
that
is
supposed
to
say,
staff
work
with
buncombe
county
on
rfp
by
the
way.
D
Something
for
you
guys
to
think
about
is
how
much
does
the
entire
public,
art
and
cultural
commission
want
to
be
involved
in
taking
a
look
at
the
public,
art
and
modes
of
expression
that
are
used
here,
to
express
memory
and
narrative,
you
know,
and
or
is
it
something
we
want
to
do
the
way
that
we
normally
do
a
public
art
project,
which
is
we
create
a
small
subcommittee
and
we
have
created
a
small
subcommittee
and
they
could
either
serve
as
that
one
subcommittee
that
focuses
on
these
items
or
they
might
serve
as
a
core
team
and
the
whole
entire
public
art
and
cultural
commission
might
have
a
larger
piece
of
involvement.
D
So
I
would
like
to
get
some
conversation
going
with
you
all
in
a
small
group
so
that
we
might
bring
in
the
friends
of
buncombe
county
special
collection
to
do
a
pilot,
temporary
work
in
pack
square
that
will
kind
of
act
as
a
way
to
not
only
activate
the
area
but
activate
people's
thought
patterns
about
the
area
and
almost
serve
as
a
calling
card
for
a
longer
temporary
work
of
art,
history
and
culture.
Call
that
we
would
have
out
for
probably
six
to
well.
D
We
would
probably
ins-
we
probably
institute
it
for
over
six
to
nine
months,
while
we're
doing
this
larger
project
and
so
to
be
clear
to
connect
the
dots
here.
The
larger
project,
the
result
of
that
larger
project
or
the
outcome
of
the
larger
project
is
going
to
be.
D
It's
going
to
be
a
vision
document
that
talks
about
all
parts
of
that
not
entire
park,
but
just
that
central
pac
square
area
and
how
it
could
become
more
accessible.
People
for
people
with
mobility
issues,
sight
issues,
the
lgbtq
community,
people
of
color
people
who
don't
speak
english
as
a
first
language.
A
lot
of
considerations
in
here
and
you
all
have
a
really
really
critical,
important
role.
D
That
sort
of
I
would
say-
and
surely
I
might
look
to
her-
you
know
how
you
feel
about
this,
but
like
it
sort
of
continues
the
crux
of
what
the
vance
monument
task
force
really
set
out
to
examine
in
the
first
place,
and
that
is
about
how
we
tell
stories
and
what
kind
of
monuments
and
memorials
we
put
in
public
places.
D
I
am
looking
for
some
feedback
on
people's
interest
in
being
involved
in
this
from
a
larger
commission
perspective
and
also
that
core
team
or
subcommittee
perspective,
and
then
the
so
folks
know.
Right
now
the
subcommittee
consists
of
jazz
reggie
and
pete
and
pete
yeah,
I'm
like
looking
at
the
names
and
going
woohoo.
C
B
D
I
just
want
to
say
that
that's
what
I'm
looking
for
is
p,
whether
or
not
people
have
a
personal
interest
and
they
might
be
willing
to
do
something.
I
know
that,
surely
you
know
she
already
knew
where
she
would
how
and
where
she
could
help.
So
it's
something
that
all
of
you
can
think
about
moving
forward.
That
would
be
great.
A
And
so,
if
you
know
whether
we're
active
participants,
we
should
be
active
listeners
through
this
whole
process
and
really
keep
our
ears
open,
because
a
new
public
art
master
plan
is
been
on
our
to-do
list
for
several
years
and
one
of
one
of
the
things
that
we
put
as
a
top
priority.
A
So
I
think
one
of
the
things
that
I
heard
loud
and
clear
when
I
got
feedback
from
the
group
last
time
is
concerned
about
moving
forward
with
the
master
plan
without
having
these
larger
discussions.
First,
and
so
these
discussions
are
getting
ready
to
happen
and
we
need
to
be
sure
to
be
at
the
table
listening
if
not
more,
to
what's
happening.
F
I'm
happy
to,
I
would
I'm
deeply
interested
in
this
project
and
I'm
very
happy
to
see
that
there's
resources
and
momentum
behind
this.
As
far
as
being
on
the
core
group,
I'm
happy
to
sort
of
advise
on
some
special
issues
that
I
that
I
have
some
expertise
on.
You
know
how,
for
instance,
how
whatever
work
is
going
to
influence,
busking
and
performing
art
downtown
just
to
make
sure
that
we're
anticipating
those
types
of
uses.
F
I
think
I
can
be
helpful
on
that,
but
I
don't
think
I
need
to
be
in
the
ground
floor
of
all
those
discussions,
but
I
would
I
would
ask
that
you
bring
me
in
and
when
you're
ready
to
talk
about
how
things
are
going
to
interact
with
busking
and
performance
downtown.
F
F
I
think
functionally
pack
square
is
far
from
what
we
could
have
and
I
think
that
all
parts
of
the
city
tell
a
story,
but
I
think
narratively,
the
center
of
our
city
is
the
most
powerful
place
to
tell
those
stories
and
obviously
narratively.
We
have
not
been
telling
a
very
good
story
with
pack
square
and
so
any
support
I
can
help
on
on
those
things.
I
am
happy.
I'm
happy
to
assist
with.
C
B
C
Different
languages
and
having
things
translated,
whether
it's
online
or
you
know
at
the
markers
themselves,
I
think
that
would
make
for,
like
visually,
more
inclusive
space.
D
Okay,
well,
thank
you
stay
tuned
I'll.
Let
you
know
when
we,
when
we
have
worked
with
the
county,
to
release
a
request
for
proposals
and
we'll
be
hiring
a
co-project
manager
who
will
be
working
with
the
county
and
the
city
to
make
all
these
things
happen,
and
we
hope
that
another
piece
of
that
is
that
we,
we
hope
to
use
a
lot
of
local
talents,
including
artists,
but
other
folks
in
our
community
as
well.
To
do
a
lot
of
the
convening
community
engagement
facilitation
around
around
the
square.
A
Awesome
so
we
are
at
our
updates
portion
of
our
meeting
and
the
first
update
I
just
wanted
to
share
with
you
guys
this
week
is
international
living
wage
week,
and
so
I
wanted
to
bring
to
your
attention
that
the
arts
council
has
just
released
buncombe
county,
creative
sector
earnings
reports,
and
this
is
up
on
our
website.
So
if
you
go
to
ash
asheville
arts,
dot,
com,
slash
earnings,
you
can
get
a
copy
of
this
report
and
what
we
found
in
the
report
is.
A
This
is
the
2020
living
wage
of
15.50
an
hour
in
2021,
just
economics
reported
the
living
wages
actually
jumped
up
to
1730,
so
there's
probably
more
creative
occupations
that
are
falling
under
living
wage.
But
if
you
go
to
our
website,
we
also
have
a
comparison
table
where
you
can
look
at
all
71
what
we've
identified
as
creative
occupations
and
compare
buncombe
county
wages
to
state
and
national
averages,
so
in
honor
of
international
living
wage
week.
I
just
wanted
to
bring
that
to
your
attention.
F
Katie,
I
have
a
question
about
that.
Does
that
does
that
report
examine
how
wage
differences
between
creative
and
non-creative
industries,
so
we
can
get
a
sense
of
whether
are?
Are
we
falling
behind
the
other
job,
the
other
occupations?
Are
we
ahead
of
the
other
occupations
or.
A
It
does
not.
This
just
looks
at
the
comparison
is
between
the
state
and
national.
A
Yeah
well
so
the
I
know
the
chamber
is
looking
at
getting
software
to
do
more
kind
of
reporting
like
this.
So
I
think
it's
on
the
horizon,
and
definitely
this
is
top
of
everybody's
mind.
F
Yeah
that
those
numbers
track
with
some
roughly
track
with
some
differences
in
wages
for
bachelor's
degree
holders
that
I've
seen
in
city
publications,
I
think,
probably
from
that
same
data
set
a
little
older,
but
still
we're
dealing
with
the
same
discrepancies.
F
You
know
for
even
well-educated
folks
in
our
community,
and
I
think
it
would
be
really
interesting
to
see
do
a
to
compare
the
creative
sector
versus
other
sectors.
As
far
as
are
we
doing
better
or
worse,
I
think
that'd
be
helpful.
A
Yeah,
what's
what's
challenging
is
the
creative
sector
goes
across
eight
super
sectors,
so
creative
manufacturing,
creative
trade?
You
know
independent
contractors,
so
we're
just
not
all
in
like
leadership
hospitality,
which
is
why
that
it
makes
it
hard
to
do
those
kind
of
comparisons,
but
I'm
sure
heidi
can
figure
it
out.
She's,
amazing,
all
right,
so
a
little
off
topic.
So
the
next
thing
on
the
agenda
is
to
let
you
guys
know
that
explore.
A
A
If
you're
interested
go
to
explore,
asheville's
website
to
apply
applications
are
due
december
by
december
10th.
D
So
because
the
pandemic
hit
pretty
much
any
movement
on
that
project
slowed
down.
If
not
completely
stalled.
They
have
a
new
body
convening
as
well
new
members,
new
chair
and
vice
chair
and
so
katie,
and
I
are
going
to
go
to
their
december
9th
meeting
and
give
them
a
short
presentation
to.
Let
them
know
that
that
money
still
exists.
D
We
want
to
make
sure
that
you
still
know
that
it
is.
It
is
money
that
comes
from
our
annual
general
fund
allotment,
that
supports
maintenance
and
other
engagement
and
programming
for
public
art.
So
when
I
give
you
at
your
retreat,
I'm
going
to
give
you
an
update
about
all
the
ways
that
money
has
been
spent
or
will
be
spent
moving
forward.
This
is
something
that
will
not
be
a
surprise
to
you.
D
You'll,
remember
it
and
we
asked
if
you
are
interested
you
can
tune
in
to
to
that
meeting
and
hopefully
we'll
we'll
be
asking
them
to
get
together
with
you
all
or
come
to
a
meeting
or
have
a
joint
meeting,
perhaps
to
brainstorm
and
and
just
share,
what's
going
on
in
the
community
and
see
if
we
can
identify
some
opportunities
and
continue
to
assist
with
any
of
that.
Obviously,
what
we
were
just
talking
about
with
pac
square
and
the
african-american
heritage
trail
fit
right
into
some
of
this.
D
So
that's
that
I'll
move
along
on
some
of
these.
If
that's
all
right,
chair,
okay,
I
wanted
to
let
you
know
that
we
have
made
an
offer
and
that
offer
has
been
accepted
by
someone
who
is
going
to
act
as
our
urban
designer
and
public
art
specialist.
So
that's
really
exciting.
Yeah.
Thank
you,
andrew,
and
so
this
person
will
spend
50
of
their
time.
D
Managing
public
art
projects
and
will
be
shadowing
me
for
several
months
to
work
with
you
all
in
the
public,
art
and
cultural
commission
and
we'll
see
that
where
that
takes
them,
they
have
not.
I
do
not
know
if
they
have
given
notice
to
their
current
job
yet
and
that's
why
I'm
not
saying
who
they
are,
but
this
person
will
be
starting
in
the
middle
of
december
and
they
are
very
talented
and
they
have
urban.
Designing
is
their
profession,
so
they're,
not
a
professional
artist,
but
they
are
an
artist.
D
They
do
a
lot
of
art
on
their
own.
So
it's
a
really
great
fit
just
some
updates
on
some
projects
that
are
happening.
We're
working
on
public.
E
D
Maintenance,
as
always,
you
all
probably
heard
about
the
childhood
statue
that
had
already
been
vandalized
with
paint
that
was
a
bronze
and
then
that
was
damaged
and
we
removed
the
statue
from
the
pack
square
area
we'll
be
reinstalling
it
once
we
remove
the
paint
from
her
hair
and
make
sure
that
we
have
the
best
type
of
reinstallation
for
that
area
so
similar
to
the
cat
and
taking
a
you,
know
a
couple
of
minutes
to
just
say
how
can
we
put
this
cat
back
in
a
way
that
no
one's
gonna
be
able
to
easily
remove
the
cat,
we're
doing
that
with
the
little
girl
as
well
and
lexington
life
column,
not
the
piece
of
art,
but
the
actual
art
interpretation
also
receives
some
damage,
and
so
we
are
looking
at
that
poll
and
wondering
if
maybe
we
need
to
create
a
new
type
of
sign
so
that
it's
a
little
bit
more
sturdy,
because
it
is
right
next
to
the
roadway
and
we
anticipate
it
will
continue
to
to
get
hit.
D
Just
the
urban
trail
committee's
main
focus
right
now
is
working
with
our
capital
projects,
department
and
myself
on
the
reinstallation
of
the
art.
Deco
masterpiece
marker,
which
commemorates
the
snw
building,
so
we
do
have
a
site
selected
for
that,
and
the
urban
trail
committee
is
going
to
go
out
with
some
of
the
original
donors
for
that
marker
and
with
capital
projects
and
planning
and
urban
design
staff
to
take
a
look
at
the
site
and
make
sure
we
really
understand
what's
possible
there
in
terms
of
place
making.
D
So,
instead
of
just
putting
this
back
in,
we
are
now
thinking
about
how
to
activate
that
space
on
haywood
street
across
from
pritchard
park
in
general,
which
is
kind
of
fun
and
broadway
public
safety.
It
is
one
of
the
biggest
public
art
projects
that
the
city
actually
has
on
its
schedule
in
the
past
five
years,
and
that
is
because
it's
a
really
significant
new
city
facility
and
when
you
spend
a
significant
amount
of
money,
you
end
up
with
a
significant
amount
of
one
percent
for
public
art
funds.
D
So
we
are
looking
for
a
member
of
pac
to
play
the
advisory
role
and
work
with
the
community
on
identifying
what
of
the
opportunities
that
they
have
already
kind
of
come
up
with
in
the
area
for
public
art,
which
ones
should
be
pursued,
how
we
release
a
call
for
artists
and
do
something
very
similar
to
I
guess-
ellie's,
not
here,
but
joanna
and
allie's
work
with
jake
rusher
park.
D
E
We
were
supposed
to
have
a
meeting
yesterday
with
the
person
we
chose.
I
think
it
was
some
family
stuff,
so
instead
the
process
says
she's
going
to
send
us
a
video
with
her
outlining
the
next
couple
designs.
So.
B
E
Whole
lot
has
happened,
I
think
last
meeting
we
were
at,
we
were
able
to
tell
you
guys
that
something
went
out
an
able
today
about
it,
and
I
know
that
we'll
continue
to
update
that
process.
But
there's
not
a
lot
of
movement
at
the
moment
and
if
nobody
else
really
wants
to
do
the
fire
station
I'll
be
happy
too.
D
I
will
go
back
in
just
another
area
that
we
have
a
lot
of
money
and
projects
on
the
plate
is
the
river
arts
district,
and
that
will
be
the
primary
focus
when
we
have
our
new
hire.
That
person
will
come
in
and
help
reconvene
that
group
and
get
our
first
project
a
call
for
artists
done
for
our
first
project
in
the
area,
so
it'll
be
wonderful.
D
F
I
have
a
other
question
about
our
new
urban
design
hire
and
that
is:
do
we
anticipate
that
they
will
be
our
liaison
eventually
or
are
you
sticking
with
us.
D
That
is
tbd
yeah,
so
I
would
love
it
if
this
new
person,
if
if
it
was
in
reality,
that
they
would
be
able
to
establish
a
great
working
relationship
with
you
all
and
have
and
have
that
be
a
new
liaison
in
my
heart
of
hearts,
I
would
love
for
there
to
be
a
full-time
public
art
person
still,
and
I
would
love
for
that
person
to
be
your
liaison.
A
So
is
there
anybody
else
interested
in
the
public
safety
fire
station
project.
D
It's
a
great
I'll
say
that
the
community
is
really
active
with
the
project
and
you
also
get
to
you'll
get
to
work,
probably
with
unca,
because
it's
very
close
to
you
and
seeing
on
that
corridor,
so
it'll
it's.
I
think,
you'll
really
enjoy
the
people.
A
A
No,
we
have
no
callers
in
queue.
Okay,
thank
you,
dana
sure.
Does
anybody
from
the
group
have
any
comments
before
we
leave
okay?
What
was
the
date
for
the
proposed
january?
Retreat
again,
we
haven't
suggested
a
date,
so
we're
going
to
send
a
doodle
poll
with
a
couple
of
different
figure
out,
if
you
guys
would
prefer
morning
or
lunch
afternoon,
so
we'll
have
a
couple
of
different
date
options
and
time
options
for
you
to
figure
it
out,
so
we
can
figure
it
out
all
right.