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A
B
No
matter
where
you
are
in
the
city
of
Pittsburgh,
your
steps
away
from
experiencing
a
work
of
art,
public
art
is
a
distinguishing
part
of
our
home.
It
is
freely
accessible
and
enables
people
to
experience
art
in
their
daily
life
outside
of
museums
or
other
cultural
institutions.
It
reflects
our
history
and
our
evolving
culture.
B
B
C
C
It
makes
this
sort
of
chandelier
form.
On
top
there,
a
series
of
small
LED
lights
that
incorporated
into
this
metal
form
so
there's
just
sort
of
shimmer
and
glimmer
at
night,
but
also
since
they're,
opposing
across
the
street
from
one
another.
They
form
a
gateway,
and
this
was
the
intent
of
the
Pittsburgh
Downtown
Partnership,
who
actually
commissioned
the
piece
in
partnership
with
the
city.
The
PDP
wanted
there
all
the
time
doing
stuff.
C
So
this
was
just
another
facet
of
what
they
were
seeking
to
do
in
luring
people
into
market
square,
which
is
great,
there's
another
interesting
piece
to
this
piece,
which
is
its
long-term
temporary,
so
the
materials
that
it
was
made
of
in
the
budget
that
was
able
to
put
forth
it
actually
isn't
meant
to
last
forever
and
that's
sort
of
an
anomaly
for
the
city,
but
I
actually
think
that
it
was
more
responsible
nowadays
when
technology,
the
lighting
technology
is
just
really
dancing
so
quickly.
We
can't
keep
up
with
him
right.
C
C
B
A
Artwork,
yeah
I,
make
sculpture
and
installation
and
I'm
really
interested
in
our
relationship
to
the
natural
world
and
the
contradictory
things
that
we
tend
to
want
from
it.
You
know
on
one
hand,
it's
obviously
a
place
that
we
look
to
to
get
building
materials
and
it's
a
source
of
natural
resources
and
fuel,
and
things
like
that,
and
we
really
do
everything
we
can
to
control
it
and
alter
it
to
to
make
our
lives
more
comfortable
and
more
convenient
and
get
what
we
want
from
it.
A
But
you
know
at
the
same
time,
we
also
value
the
idea
that
they're
unspoiled
places
out
there
that
are
sort
of
these
pure
places
that
we
can
go
and
reconnect
with
the
origins
of
our
existence,
and
it's
just
these
timeless
places
that
are
larger
than
us,
so
I
think
they're,
those
those
two
the
push
and
pull
between
those
two
contradictory
things.
That
is
really
what
fuels
a
lot
of
my
work.
A
The
diamond
diamonds
actually
reference
the
history
of
Market,
Square,
Marcus
square
used
to
be
known
as
the
diamond
and
when
you
turned
a
map
so
that
North
was
pointing
up.
It
was
a
diamond
rather
than
a
square,
and
it
was
the
home
of
the
diamond
market
for
many
years,
and
so
as
I
was
researching.
The
history
of
the
site
that
popped
out
at
me
is
something
that
I
wanted
to
work
with
and
on
the
sculpture.
A
As
you
can
see,
the
the
blue
sort
of
grid
shape
is
that
references,
the
molecular
structure
of
the
diamonds,
so
that's
sort
of
the
natural
form
of
the
diamond
and
then
suspended
within
that
are
brilliant,
cut
diamond
shapes,
which
is
the
you
know,
the
sort
of
traditional
diamond
shape
that
we
think
of,
and
so
that
represents
the
cultural
image
of
the
diamond.
I
just
thought
that
that
formed
an
interesting
analogy
to
what
a
city
is,
because,
if
you
think
about
Pittsburgh
and
what
was
there
before
the
city
was
there
was
this.
A
You
know
beautiful
natural
environment
at
the
confluence,
where
two
rivers
come
together
with
rolling
hills
and
then
you
know
the
geometric
grid
of
the
city
is,
is
placed
over
that
you
know.
So
it's
the
cultural
form
of
the
city
placed
over
the
natural,
the
natural
shape
of
the
land
and
in
the
same
way
you
know
diamonds.
We
don't
necessarily
value
them
in
our
culture
in
their
natural
form,
we've
cut,
facets
into
them
and
add
our
own
geometry
and
then
they're
valued,
and
so
so
that
was
the
analogy
that
I
saw
hey.
A
B
A
They
had
done
a
survey
of
people
in
the
area
in
downtown
residents
and
businesses,
and
one
thing
that
people
had
a
problem
with
was
that
this
street
was
really
unpleasant
to
walk
down
because
it
was
narrow
and
the
lighting
wasn't
very
good,
and
you
know
at
that
time
a
lot
of
the
storefronts
were
being
and
and
so
they
were
looking
for
ways
to
improve
the
pedestrian
experience
of
the
street,
and
so
they
wanted
a
piece
of
public
art
that
incorporated
light.
So
it's
great
that's
why
this
location
and.
A
Well,
the
city
of
Pittsburgh
actually
took
ownership
of
the
sculptures
because
they
are
on
the
light
poles
they're
mounted
on
the
light
poles.
The
city
owns
the
light
poles,
and
so
in
order
for
us
to
place
them
on
the
light
poles,
the
city
had
to
accept
ownership
of
them
and
also
the
lights.
All
of
the
LED
lights
are
powered
directly
through
the
streetlight
and
so
they're
they're
powered
from
the
city's
street
holes
and.
A
A
You
know,
there's
only
a
certain
portion
of
the
population
that
is
going
to
make
the
effort
to
go
to
a
gallery
to
view
art,
and
so
this
is
free
and
it's
accessible
to
everybody,
and
you
don't
have
to
be
dressed
up
to.
You
know,
go
to
a
gallery
event
or
anything
like
that.
It's
just
there
for
everybody
to
appreciate
and.
A
Well,
I
think
it's
beautiful,
but
each
of
those
diamonds
there
are
39
or
40
diamonds
on
each
on
each
Pole
and
they
all
surround
the
streetlight.
And
so
you
have
the
streetlight
in
the
middle
and
it's
surrounded
by
a
whole
bunch
of
little
lights
and
then
also
each
of
those
lights
lights
up
the
plexiglass
diamond.
So
you
sort
of
see
this
cluster
of
glowing.
B
Lights
well,
the
diamond
diamonds
definitely
do
make
this
street
a
lot
more
pleasant
to
walk
down.
It
brings
a
lot
of
life
years.
We
appreciate
you
telling
us
its
story
and
meeting
with
us
today.
Okay,
thanks
for
having
me
yeah
thanks,
enjoy
talking
to.
If
you'd
like
to
learn
more
about
public
art
in
the
city,
you
can
visit
pittsburgh
PA
govt.
Thank
you
for
watching.
We'll
see
you
next
time
on
pittsburgh.
Public
art.