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A
B
B
No
matter
where
you
are
in
the
city
of
Pittsburgh,
you
are
steps
away
from
experiencing
a
work
of
art.
Public
art
is
a
distinguishing
part
of
our
home.
It
is
freely
accessible
and
enables
people
to
experience
art
in
their
daily
life
outside
of
museums
or
other
cultural
institutions.
It
reflects
our
history
and
our
evolving
culture.
B
B
Most
of
all
public
art
helps
create
a
sense
of
civic
vitality
in
our
city,
public
art
matters
and
public
art
matters
to
the
city
of
Pittsburgh.
Welcome
back
to
another
edition
of
Pittsburgh
Public
Art.
My
name
is
Liz
Barrentine
and
we're
here
today
with
Morton
Brown,
the
city's
public
art
manager,
and
today
we
are
discussing
one
of
the
most
popular
artworks
in
the
city.
It's
fine
edcon
and
it's
called
the
cloud
arbor
it's
located
in
the
north
side.
So
Morgan,
can
you
tell
us
a
little
bit
more
about
this
artwork
yeah?
The.
C
City
owns
the
parcel,
which
is
located
it's
the
site
of
a
full
Plaza
that
was
built
around
the
mall
of
Allegheny
center,
so
it
was
sort
of
a
brutalist
architecture.
Sunken
Plaza
had
fallen
into
disrepair,
the
water
feature
didn't
work
any
longer
and
so
forth.
So
the
children's
museum
director
Jane
Werner,
really
took
it
upon
herself
to
reimagine
an
entire
Plaza
to
raise
it
to
ground
level.
So
it's
more
accessible,
more
safe,
easy
to
easily
more
easily
maintain
and
a
part
of
that
development.
She
included
a
piece
of
art.
C
C
For
the
jewish
museum
again,
their
facade
is
actually
called
articulated
wind
by
Ned.
Con
and
I
love
that
piece,
because
it
exemplifies
something
that
I
talk
about
a
lot
which
is
artist,
design,
building
parts.
So
art
today
doesn't
need
to
be
a
standalone
sculpture,
it
can
be
an
earthwork
or
it
can
be
a
collaboration
with
an
architect
for
the
entire
facade
of
a
building
or
any
iteration
they're
out
it
could
be
a
decorated,
doorway,
etc.
C
But
what
you
see
on
the
facade
of
the
main
entrance
of
the
chose
museum
looks
like
plastic
or
glass,
cubes
or
flat
panels
that
are
little
squares.
But
when
the
wind
blows,
you
can
see
the
little
squares
sort
of
undulate.
So
it
begins
to
look
like
pixels,
okay
or
articulation
in
movement,
and
it's
very,
very
subtle,
but
very,
very
beautiful
and
it's
again
fantastic
piece.
Cities
play
sounds.
B
C
Much
of
that
area
in
city-owned,
so
they
needed
our
permission,
which
we
were
happy
to
give
the
art
commission
of
the
city
of
Pittsburgh
had
to
review
all
of
this
and
did
approve
all
of
it
enthusiastically.
Of
course,
working
with
the
Department
of
Public
Works
in
PWSA
and
other
utility
companies
was
a
huge
endeavor
and
a
huge
partnership
for
the
plaza
itself,
because
again
they
raised
it
to
height
and
the
water
filtration,
etc,
took
a
lot
of
collaboration.
C
They
were
very
easy
to
work
with.
I
must
say
the
jilith
museum
were
because
they
would
do
mock-ups
of
the
piece
so
before
they
actually
installed
the
full
cloud
arbor.
They
did
a
mock-up
of
about
a
20-foot
pole
and
called
the
Director
of
Public
Works
and
myself
and
other
city
representatives
and
did
a
run
through
and
sort
of
demonstrated
to
us.
You
know
proving
to
us
that
the
technology
works
it's
safe,
etc,
so
they
just
went
really
above
and
beyond,
to
create
it,
and
it
was.
C
It
was
a
pleasure,
and
this
kind
of
public-private
partnership,
I
think,
is
what
has
kept
its
for
going
all
these
years.
To
be
honest,
we
could
not
have
done.
This
probably
would
not
have
done
this
Plaza
renovation
without
their
help
and
I,
don't
think
they
could
have
done
it
either
without
our
help.
So
it
was.
It
was
a
great
collaboration.
This.
B
B
A
It
actually
starts
about
now,
probably
30
years
ago.
I
actually
met
Ned
and
I
are
exactly
the
same
age.
We
are
born
within
a
day
of
each
other.
Remarkably,
yes,
and
he
was
at
the
exploratorium,
where
he
was
an
artist
in
residence
and
I
was
doing
a
residency
and
I
was
early
in
my
career
and
so
for
a
whole
summer.
We
kind
of
knocked
around
the
exploratorium
together
and
it
just
really
became
friends,
and
then
we
kind
of
lost
touch
with
each
other.
A
Even
though
I
watched
his
career
continued
to
flourish,
and
although
we
would
see
each
other
on
occasion
and
when
we
were
doing
our
project,
the
expansion
project,
we
were
looking
for
public
artists
and
I
gave
him
a
couple
and
that's
how
it
kind
of
all
started.
It
was
kind
of
this
is
a
voice
from
your
past.
Well,
it's
nice!
She
knew
each
other.
A
A
So
we
knew
we
had
to
expand
and
the
planetarium
was
vacant
and
it
had
been
vacant
since
91
and
with
this
is
about
98.
So
we
ran
a
design
competition
that
the
NDA
funded
and
koenig
eisenberg
out
of
Santa
Monica
won
the
design
competition
to
link
the
two
buildings
together,
which
has
won
numerous
awards.
The
wake
articulated
cloud
came
into
being
is
that
when
we
were
doing
the
project,
we
work
in
a
commission
half
a
million
dollars
worth
of
interactive
art
and.
A
I
had
contacted
Ned
and
said
you
know:
I,
don't
really
care
what
you
do
just
do
something
wonderful
and
he
kept
coming
to
Pittsburgh
and
he
kept
thinking
that
he
was
going
to
do
water
in
the
front
of
the
building
and
do
something
with
water,
but
he
kept
coming
in
the
winter
and
he
was
like.
Why
am
I
doing
water?
I'm?
A
Like
I
don't
know,
I
just
wanted
to
go
talk
to
the
architects
or
just
down
in
santa
monica,
so
he
he
went
down
to
santa
monica
and
hooked
up
with
Koenig
eisenberg
I
will
always
remove
the
day
that
they
called
and
they
face
it.
We're
gonna
turn
your
whole
building
into
a
wind,
sculpture
and
I
was
like
what
okay
I
had
no
idea
what
they
meant.
But
then
you
know
they
showed
me
what
they
were
gonna
do
and
it
just
was.
You
know
this
stunning
piece.
A
So,
of
course
you
know
it's
one
of
the
things
that
I
love
most
about
our
building
is
watching
the
wind
across
the
go
across
articulated
kind
of
clouded.
You
can
see
the
wind
patterns.
You
can
see
the
shadows.
The
light
on
the
inside
of
the
building-
and
it's
just
there
are
times
that
it's
so
beautiful
that
at
different
times
a
day
could
it
could
just
bring
you
to
tears
and
it
actually
has
at
times
it's
for
me,
it's
just
a
really
beautiful.
Just.
A
A
Actually
watch
kids
playing
in
the
shadows,
which
is
one
of
my
favorite
things
that
they'll,
actually
you
know
because
it
moves
right,
so
they'll
be
kind
of
darting
back
and
forth.
It's
awesome,
yeah
and
then
what's
really
lovely
it's
on
the
third
floor.
We
have
a
water
play
area
and
the
interplay
between
the
light
and
the
shadow
and
the
water
is
also
no
cell
is
all
lonely.
Yeah.
A
A
Just
made
of
you
know
that
metal
tubes
there's
water
that
goes
through
a
system
like
it's
highly
clients
to
me.
That
goes
through
it
to
make
it
very,
very
clean
to
go
through
these
miss
nozzles
and
a
different
different
points
in
the
metal
to
diseases.
No
nozzles
are
located,
and
so
you
can
see
that
it
actually
forms
a
sphere
missed
on
humid
days
if
it
drops
completely
and
kids
run
through
everybody
walks
through
it
on
humid
days.
A
If
it's
a,
if
it's
a
nice
day,
it's
sometimes,
then
this
actually
rises
and
on
windy
days
it
swirls
it's
again.
It's
one
of
those
things
that
you
can
sit
and
watch
for
hours
and
not
see
the
same
thing.
Twice:
hey
the
story.
I
love
is
and
that
you
know
we
work
in
a
children's
museum.
So
we
should
have
really
realized
that
this
was
going
to
happen.
But
when
the
mist
comes
on
the
kids
squeal,
the
good
squealing
children
I
suspect
that
we
should
have
thought
about
that.
But
because.
A
B
A
One
of
he's,
one
of
my
best
friends,
he's
a
great
guy
he's
a
Buddhist
he's
very
he's,
probably
one
of
the
nicest
people.
I
know
he's
fair
kind
and
he's
just
he
some
server.
You
know
he
observes
things
and
he
works
hard.
I
mean
that's
the
other
thing,
I
think
a
lot
of
times.
People
think
that
artists
kind
of
just
sit
around
and
dream
up
stuff,
but
he
actually
has
this
workshop,
that
he
utters
them
and
tests
ideas
and
what
it
is.
A
Other
art
pieces
like
we
actually
have
quite
a
few
in
the
museum
again
because
we
have
known
each
other
for
so
long.
I
was
out
in
his
studio
at
ease
that
I've
got
all
these
pieces.
Do
you
want
them
and
I
said
I
can't
afford
them.
He
said
if
you
pay
shipping,
you
can
have
them
Wow,
so
we
have
avalanche
in
the
museum,
which
is
a
big
favorite.
It's
a
very
large
disk
that
when
you
spin
it
there's
sand
that
actually
falls
down
it
and
it
look
an
avalanche.
It's
really
beautiful.
A
We
have
magma
chambers
which
are
really
interesting.
Actually
it's
just
sand
and
air,
but
it
looks
like
liquid
and
they
just
move
and
kind
of
break
apart
and
move
back
again:
yeah
Justin
yeah
we
turbulent
up
orb,
which
you
spin
and
the
liquid
in
it
actually
shows
that
currents.
So,
yes,
don't
know
what
he's
done
a
lot
and
he
now
has
moved
on
to
doing
things
in
Singapore.
He's
actually
has
pieces
all
across
the
world.
In
fact,
it's
great.
A
So
it
was
a
really
great
partnership
of
kind
of
taking
over
something
that
had
been
pretty
neglected
because
I
think
it
was
really
because
of
the
design
of
the
park
and
creating
a
space
that
you
know
now
they
help
maintain.
We
we
maintain
it.
We
actually
have
a
fund
to
keep
the
park
up
and
to
keep
peace
going
it's
great
yeah,
and
so
you
know
that's
that's
been
great.
As
far
as
that,
our
building
is
concerned.
A
They
were
absolutely
terrific,
I
mean
we
do
not
own
the
vule
planetarium
building
that
is
still
a
city
building,
and
so
they
went
along
with
this
crazy
notion
of
putting
a
building
in
between
taking
over
his
City
Street
redirecting
the
street
and
then
putting
a
wind
sculpture
on
it.
I
mean
all
of
that
had
to.
There
was
a
leap
of
faith
on
their
on
their
part
and
I've
been
forever
grateful
for
that
they
also
had
to
change.
There
was
a
concern
about
the
piece
on
meds
piece
on
the
building.