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From YouTube: Aiken Business Matters - August 15, 2016 : Dan Brown
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A
Welcome
to
aiken
business
matters,
I'm
john
McMichael
and
I
have
as
our
guest
today
someone
that
if
you
haven't
seen
him
in
person,
you
have
certainly
read
him
in
your
local
newspaper,
the
aiken
standard
and
it's
our
dan
brown
here
for
Daniel.
Welcome
to
the
show
thanks
good
good
to
be
here.
They
haven't.
B
A
Got
quite
a
resume
and
it
always
intrigued
me
I
think
the
first
time
you
and
I
talked
we
started
going
down
things
in
you
and
I
have
some
similar
things.
In
our
background,
you
were
in
broadcasting
for
a
number
of
years
and
you're
a
reporter
now
and
have
been
reporting,
but
I.
Think
the
one
thing
that
really
intrigued
me,
the
most
and
I
got
I've
got
to
see
that
quite
a
bit
is.
Is
your
humor
columns
as
well?
B
A
Primarily,
do
the
government
deep
for
the
paper
and
do
a
wonderful
job
of
covering
the
city
and
things
that
are
going
on
in
our
CSRA.
We
appreciate
that
point
of
view
that
you
give
us
from
from
the
standpoint
of
always
being
there
and
covering
all
the
major
events
and
things
that
are
taking
place
in
the
city,
but
you're.
Also
a
you've
been
a
sports
writer.
A
You
have
I
know
you
I,
never
see
you
when
you
don't
have
your
camera
slung
over
your
shoulder,
so
I
know
you're
a
certainly
a
well-versed,
photographer
you're
an
author,
yes
and
have
a
number
of
books
to
your
credit,
and
you
are
also
a
former
baseball
player.
That's
right
so
a
long
time
ago-
and
you
are
you've-
been
an
aching.
Now,
how
long
almost
a
year,
almost
a.
B
A
B
B
Cincinnati
Ohio
so
I'm
a
Buckeye,
a
big
ohio
state
fan
live
there
for
the
first
15
years
of
my
life
and
then
I
moved
to
Indiana
and
I.
Tell
people
I
was
held
prisoner
there
for
nine
years.
It
was
up
cold
flat
farmland.
Wind
blew
like
crazy
there
and
went
to
high
school
in
college
there
and
then
after
high
school
I,
got
drafted
by
the
Chicago,
Cubs
and
and
I
kind
of
used
that,
as
my
stepping
stone
out
out
of
town
and
believe.
B
A
B
Had
one
I've
got
about
a
about
once
every
three
or
four
months
on
on
my
facebook
page,
I
pull
out
the
the
picture
of
when
I
played
with
the
cubs,
and
I
was
19
and
I
was
a
lot.
Let
I
tell
people
I'm
twice
the
man
I
was
back
then
literally,
but
19
I
had
blonde
hair
big
ol
sideburns
down
to
about
here
and
in
a
93
mile,
an
hour
fastball
which,
which
today
that's
an
average
fastball.
When
you
got
guys
that
can
hit
the
hit
the
clock
at
triple
digits.
You
know
that.
B
B
In
the
town
and
and
and
Pete
Rose
was
a
local
boy,
and
so
my
first
baseball
game
was
I,
was
six
years
old
and
coming
down
and
seeing
Pete
Rose
as
a
19
year
old
kid
playing
playing
ball
and
and
because
it's
ironic
that
the
team
I
was
asking
an
interview
before
the
the
1976
draft,
they
said
well,
who
do
you
want
to
get
drafted
by
it?
I
said
I
really,
I
really
don't
care
just
as
long
as
it's,
not
the
Chicago
Cubs,
and
they
were
the
ones
that
drafted
me.
B
B
A
B
B
Like
I
said
it,
and
when
I
was
growing
up,
basically
that
the
ballplayers
would
come
and
they
didn't
make
the
money
that
they
do
now,
so
they
would
come
in
and
rent
houses
in
and
around
the
neighborhood,
so
guys
for
the
Reds
wood
would
be
in
our
neighborhood
and
in
the
rental
houses,
and
then
we
would
hang
out
with
their
kids
and
which
we
did
because
they
always
had
the
best
baseball
clothing.
You
know
we,
we
bought
a
ball.
B
You
know
somebody
got
a
ball
baseball
for
for
their
birthday,
it's
different
points
during
the
year
and
we
would
use
that
ball
until
we
knocked
the
cover
off
of
it
and
then
the
only
thing
that
was
left
of
it
was
electricians
tape.
So
so,
when
like
Tony
Cloninger
Cloninger
kids
were
playing
with
us
and
stuff
and
he
pitched
for
the
Braves.
You
know
they
always
had
a
endless
supply
of
baseball.
So
so
we
made
sure
we
included
them
in
the
games
when
you
were
playing.
B
I
met,
Ernie,
Banks
and
and
Ernie
would
always
come
in
and
say,
let's
play
too
and
and
and
all
the
Cubs
that
were
in
and
around
Billy
Williams
I
watched
him,
and
this
was
after
he
was
out
of
baseball
and
and
would
watch
him
hit.
But
the
most
the
most
awestruck
I
was
was
was
Bill
Buckner.
Oddly
enough,
and
it
was,
he
had
just
been
traded
from
Los
Angeles
to
the
cubs
and
he
had
that
ankle
surgery.
So
he
was
on
the
disabled
Western
spring
train
as
he
was
doing
his
rehab.
B
B
And
but
what
can
went
in
at
93
came
back
at
like
100,
for
because
I
tell
people
that
I
got
Charlie
Brown
a
lot
and
that's
when
the
guy
hits
the
ball
back
and
everything
goes
flying
everywhere.
So
I
knew
I
was
good
enough
to
get
there.
But
there
was
some
really
good
hitters
and
you
didn't
have
Lucy
out
there.
There.
A
B
Actually,
the
most
terrifying
time
of
a
baseball
players:
life
because
when
I
went
there,
I
was
very
naive
and
I
thought.
You
know
the
Cubs
drafted
me.
They
signed
me
with
a
nice
bit
of
money
paid
for
my
college
education,
so
I
thought
I'm
in
you
know,
I'm
one
of
that
that
they're
going
to
see
me
along
three
or
four
years
in
the
minors
and
I'll
get
my
shot
with
the
big
club
and
we'll
see
what
happens.
B
We
get
out
of
the
airport
we're
on
the
bus,
like
oh
thank
god,
now
I'd,
okay,
we
survived
that
we
get
out
to
the
complex
there's
somebody
else
waiting
as
we
get
off
the
bus.
They
grabbed
two
or
three
more.
Take
them
off
to
the
side
said:
we're
sorry
we're
going
to
let
you
go
and
I'm
like
this
is
from
the
the
airport
to
the
locker
room.
B
A
B
They
you
got
about.
Basically
an
18-month
look:
I
went
I
made
the
all-star
team
my
first
year.
Second
year
was
not
real
good.
I
got
promoted
to
high
high
a
ball
of
the
Florida
State
League,
the
and
I
bounced
around
between
different,
a
ball
leagues,
and
at
that
point,
and
actually
the
day
before
I
mean
the
the
spring
I
got
cut,
I
had
thrown
like
nine
straight
shutout
innings
over
three
or
four
ballgames
and
and
they
just
decided
that
you
know
22
years
old,
my
my
career
is
done,
so
it
was
an
eye-opener.
B
I
bet
now.
When
did
you
start
college?
The
year
after
I
got
drafted,
I
got
drafted
in
the
spring
of
70
or
the
some
Juno
76
played
all
summer
and
I
sat
out
a
year
because
there
was
winter
ball,
so
I
played
all
summer
all
into
the
fall
got
done
at
Thanksgiving
started
the
the
fall
of
nineteen
seventy-seven
at
ball.
State
university
in
muncie,
indiana
right.
B
Time,
yeah
and
it
wasn't
real
favorable,
though
I
mean
it
was
I
actually
sat
in
his
chair
in
a
radio
broadcasting
class
and
David
Letterman
got
his
start
in
radio
in
Indianapolis
78-79.
So
he
had.
He
was
maybe
three
or
four
years
ahead
of
me
and
and
then,
when
I
was
going
through
ball
state,
he
was
just
starting
his
morning.
Show
he
had
a
morning
show
first,
and
I
think
that
was
with
ABC
and
the
professor
Darrell
libel.
B
You
know
he's
an
old
radio
guy
and
he
talked
in
a
deep
good
radio
voice
and
I
was
one.
My
content
on
my
radio
shows
that
I
would
do
for
the
classes
tiptoed
across
the
line
of
what
would
be
considered
appropriateness
in
writing
class
and
and
after,
like
the
3rd
or
4th,
show
he
said,
Mr
Brown.
He
says
you
remind
me
of
another
man
who
sat
in
that
chair.
His
name
was
David
Letterman
and
he
wasn't
a
very
nice
guy
either
though
I
clean
that
up
a
little
bit.
Yes,.
A
B
Called
me
one
of
those
seven
words
you
couldn't
say
on
radio
or
TV,
but
I
took
that
as
a
compliment,
though
so,
but
yeah
he
and
he's
been
back
to
Ball
State
a
lot
and
and
I
had
another
brush
with
greatness,
which
is
probably
my
reputation
here.
It's
closer
to
my
heart,
which
is
food
right,
was
a
John
slotter
who
is
Papa
John's.
He
and
I
shared
a
marketing
class
and
I
actually
was
on
his
marketing
team.
B
B
He
he
at
the
conclusion
of
our
marketing
class.
He
said,
okay,
you
guys,
you
all
owe
me
twenty
dollars
a
pop
supplies
and
materials
and
we're
like
you're
crazy.
I'm
not
I'm
not
giving
you
giving
you
twenty
dollars.
I,
don't
even
have
twenty
dollars
myself
and
he
says
well
I
tell
you
what
he
says:
will
let
that
slide.
He
says:
I'll,
let
you
in
on
the
ground
floor
of
my
business.
You
give
me
a
hundred
dollars
for
stock.
This
is
and
you'll
be
on
the
will
get
you
in
on
the
ground
floor.
B
We
kind
of
gave
him
the
bum's
rush.
You
know
hundred
dollars
if
I
don't
have
twenty
dollars,
I
sure
as
heck
don't
have
a
hundred
dollars,
so
you
know
get
out
of
here,
so
we
kind
of
gave
him
the
bum's
rush
out
and,
like
I
said,
when
I'm
standing
there
in
that
papa
john's
and
I'm
looking
at
his
name
on
the
wall,
I'm
like
well,
I
could
have
been
a
big
stock
owner
in
papa
john's
and
another
another
golden
opportunity
to
pass
me
by.
We.
A
B
B
B
And
I
tell
people
I
always
had
a
had
a
face
for
radio.
I
didn't
have
a
face
for
TV,
so
my
stuff
was
behind
the
camera,
but
I
died.
I
got
I
started.
My
life
plan
was
that
I
was
going
to
play
baseball
for
20
years
and
then
go
into
broadcasting
out
or
after
that
was
done.
Well,
that
didn't
pan
out
so
I
I
always
could
write.
I
mean
I've
ever
since
I
knew
how
to
go.
B
Abcd
or
AEIOU
I
could
I
could
write,
and
so
I
knew
that
that
was
the
one
thing
I
did
well
and
I
enjoyed
it
and
I
and
broadcasting
is
just
like
telling
a
verbal.
It's
a
verbal
version
of
the
story,
so
I
love
a
good
story,
so
I
always
will
bend
somebody's
here
on
a
good
story,
and
so
we
got
into
got
into
broadcasting
and
my
stick
or
my
thing
then
was
was
the
talk
radio
actually
before
the
talk?
Radio
came.
Is
that
me
and
this
other
guy?
B
He
was
basically
if
I
was
called
the
poor
man's
version
of
Lewis
Grizzard,
and
then
this
other
guy
was
kind
of
a
little
bit
higher
up.
The
food
chain
of
a
Lewis
Grizzard
type
and
we
would
get
together
like
we
like
this
and
just
sit
and
start
telling
stories
and
we'd
knock
out
four
hours
of
airtime
and
not
even
not
even
wonder
where
the
where
the
time
went.
Yep.
A
That's
the
fun
part
about
it
and
in
the
year
broadcasting
feel
you
did
I
know
you
this,
because
we've
talked
about
it
before
that
you
did
play-by-play.
Yes,
tell
me
how
that
is.
I
tell
you
I,
as
a
former
broadcast
or
two
I,
never
did
or
never
had
the
opportunity
to
do
much
in
the
way
of
play
by
play
in
it.
A
B
A
But
baseball
has
always
been
a
good
thing
at
it.
You
have
enough
time
that
you
can
really
spend
some
time
painting
a
picture
for
somebody
that
and
I
guess
a
lot
of
us
and
by
age
group
and
well,
maybe
even
younger,
but
I,
remember
going
to
the
barbershop
and
there
was
always
a
baseball
game
on
you
could
count
on
it
got
your
hair
cut.
A
There
was
always
the
baseball
game
on
it
during
baseball
season
and
you
got
to
hear
some
of
the
Great's
do
the
play-by-play
and
they
always
amazed
me
in
in
the
Aiken
area
on
Saturdays.
We
got
a
lot
of
Yankee
but
based
bride
down
here
and
two
guys.
My
dad
lot
used
to
love
to
watch
him,
but
he
thought
that
peewee
Reese
and
you
know
who
else
was
with
Pee
Wee.
Don't
you
know.
A
B
A
B
B
Mel
Allen,
the
my
guys
were
weight
height.
Did
the
Red
Hat's
on
radio
John
Knox
all
was
this
color
guy
and
for
me
the
broadcast
is
one
to
be
able
to
do
it
right.
You've
had
to
play
the
game
now.
There
are
some
guys
out
there
that
jump
into
this
that
have
never
picked
up
a
baseball
in
their
life
and
and
and
they
get
the
vernacular
down.
B
But
there's
going
to
come
a
time
during
a
ballgame
where
there's
dead
time
and
you've
got
to
fill
90-second
yeah
and
there
and
in
five
seconds
of
dead
air,
is
an
eternity
so
so
to
be
able
to
sit
there
and
in
it
and
like
Dizzy,
Dean
start
singing,
but
to
pull
a
baseball
story
out
of
the
hat,
as
is
it
just
makes
it.
It
gives
it
a
fabric
and
a
color
that
the
that
you
just
can't
find
well.
B
A
That
additional
dimension
to
it
that
that
a
lot
of
broadcasters
don't
have
to
bring
to
the
game
all
that
experiences
you
had
with
baseball
your
love
of
writing
your
ability
to
be
able
to
tell
stories
and
tell
stories
well
and
you
caught
I.
Think
I
mentioned
this
to
you
before.
Somebody
recently
told
me
that
you
reminded
them
of
Lewis
Grizzard
I.
B
A
Yeah,
but
just
being
able
to
communicate
until
the
story
is
it
something
that
is
a
very
unique
and
a
valuable
tool
in
just
communication
in
general.
So
much
is
done
in
short-term
texting
today.
Reporting
on
a
major
level
now
is
not
what
it
used
to
be
is
borat.
You
there's
a
fine
line
between
editorial
ism
and
reporting
to
them,
but
you've
taken
you
all
those
abilities
that
you've
had
all
those
life
experiences
that
you've
had
over
over
your
career
and
you've
transcended
it
into
something.
A
That's
a
very
unique
it's
something
I
think
everybody
would
would
enjoy
doing,
and
you
know
you
you
remember
going
to
some
different
management
meetings
over
the
years,
and
you
know
one
of
the
icebreakers
tell
us
something
you
would
love
to
do,
but
you've
never
been
able
to
do.
You
know
and
you're
always
going
to
have
a
number
of
people
in
this
a
way
I'd
love
to
write
a
book
mm-hmm.
Well,
you
wanted
to
write
a
book
and
now
you've
written
seven
books.
B
Working
on
number
eight
right
now,
I
got
one
I've
got
I,
tell
people
this
and-
and
you
got
to
catch
me
because
I'll
talk
all
afternoon
on
this-
is
that
they
say.
Oh,
I
wish
I
could
write
well.
If
you
want
to
write
you're
right,
the
only
thing
that's
keeping
you
from
writing
is
yourself
right
and
in
a
book
and
I
just
happen
to
have
one
here
is
basically
one
word
after
another.
Until
you
keep
writing
until
all.
Until
lo
and
behold,
you
got
90
thousand
words
together
and
it's
a
story.
B
That's
that
has
a
beginning,
a
middle
and
an
end.
It
follows
the
same
rules
as
anything
else.
Is
that
you
you
you
have
to
flow.
You
have
to
to
grab
the
reader's
attention
and
and
one
of
the
best
writing
books.
If
anybody
wants
to
write
I
would
tell
them
go
read
on
writing
by
Stephen
King,
it's
part
biography,
but
it
gives
you
his
method
of
writing
and,
and
everybody
has
a
different
style
for
me.
I
have
to
start
with
chapter
one
page,
one
and
I
got
to
have
a
cover.
B
First
I
got
to
have
a
title
and
before
I
can
even
move
forward,
and
so
you
like
to
have
the
framework
but
I
like
to
have
the
framework
I
can't
outline
I
get
bogged
down.
It's
like
putting
a
peanut
butter
sandwich
into
the
VCR
I
mean
it
just
grinds
it
down
and
in
the
whole
process,
just
just
grinds
to
an
excruciating
home
I.
A
B
B
Us
about
that
well,
I
I
have
to
write
under
DP
Brown,
okay,
because
Dan
Brown's
already
been
taken
to
the
davinci
code.
Davinci
code
and
I
actually
had
to
defend
myself
because
I
remember:
I
worked
for
a
southern
gospel
radio
station
right
at
the
time
that
the
da
Vinci
Code
came
out
and
and
I'm
getting
people
calling
in
when
they
find
out
that
my
name
is
Dan
Brown.
They
just
start
just
letting
me
have
it.
How
could
you
write
such
a
thing?
That's
blasphemous
and
I'm
like
ma'am.
A
B
B
Basically,
I
write
I
write
romance.
Ninety-Five
percent
of
my
readers
are
women
from
the
aged
between
46
and
54.
So
I
write
what
I
call
Nicholas
Sparks
type
romances,
but
mine
are
not
tragic.
Like
his
I
mean
I
do
take
you.
The
whole
point
of
a
good
story
is
internal
conflict.
If
you
don't
have
internal
conflict,
the
story
dies
well.
Nicholas
Sparks
has
a
lot
of
internal
conflict.
He
also
ends
with
the
gratuitous
death
scene
of
somebody.
Either
the
woman
dies,
the
dog
even
dies
in
Nicholas
Sparks
book
so
minor.
B
I
like
to
say
our
happy
endings,
but
I
do
take
you
on
a
ride.
So
I
have
a
romance.
I
have
a
real-time
thriller
that
was
based
on
a
nightmare
that
I
had
where
I
everybody
that
I
made
eye
contact
with
wanted
to
kill
me.
So
I
wrote
a
350.
In
fact,
I
wrote
it
a
year
ago,
right
now,
350
page
book
on
this
guy
wakes
up
from
routine
eye
surgery,
and
he
looks
at
the
doctor.
The
doctor
looks
at
him
and
she,
you
know,
Claude
goes
at
his
face
and
it's
basically
him.
B
You
know
getting
out
of
one
situation
into
another
and
and
trying
to
figure
out
why
everybody
wanted
to
kill
him,
so
it
so
I
mean
you.
You
get
inspiration
or
ideas
from
everywhere
right.
How
long
does
it
take
to
write
a
book
for
you?
Well,
I
have
no
social
life,
so
it's
just
me
so
I
right
during
my
day
job
then
I
go
home
at
night
now
knock
out
and
to
3,000
words
at
night,
which
is
not
that
hard
to
do
it
and
it's
like
anything
else.
You
do
Larry
Bird
shoots.
B
Three
thousand
free
throws
a
day.
Tony,
Gwynn
and
Cal
Ripken
take
three
thousand
cuts
a
day.
I
mean
it's,
so
you
do
it
to
a
point
I
mean
there
are
things
that
you
do,
that
I
would
look
at
you
and
go.
I
don't
know
how
you
do
that,
but
for
me
I've
been
writing
longer
than
I've
been
doing
anything
else,
and
and
and
you
can
fall
back
on
a
rhythm
that
that
it's
almost
a
subconscious
thing
that
that
I
just
sit
back
and
let
the
fingers
work
and-
and
the
words
just
seem
to
go.
B
B
Okay
and
this
one
is
very
autobiographical,
so
I
they
say,
write
what
you
know
and
and
so
the
main
character
in
this
I,
basically
patterned
after
myself
and
my
childhood
and
experiences
he
this
character
here
named
Sam
played
baseball.
He
was
a
writer
and
and
and
then
I
kind
of
branched
off
and
made
him
a
little
words
instead
of
a
divorce
guy.
So
it's
everything
when,
when
you,
when
you
write
and
you
make
your
living
with
words-
and
it's
not-
you
know,
I
report
on
things
that
happen-
I,
observe
everything
I'm.
B
A
B
B
A
B
A
Know
you,
you
dress
them
up
a
little
bit
depending
on
what
the
articles
about
or
what
the
situation
is.
But
yours
always
very
thoughtful
questions
as
you
really
try
to
engage
the
not
only
the
factual
information
but
the
human
side
of
it
and
how
to
fix
people
and
just
really
draw
things
in
that.
You
feel
and
I
get
the
feeling
that
you're
asking
things
that
if
I
was
sitting
there
writing
or
reading
a
story
that
I
read
one
paragraph
said
boy:
I
really
hope
he
answers.
Ask
this
question
then
the
next
paragraph
there.
A
B
Is
it
is,
and
as
far
as
writing,
a
new
story,
like
said
I,
have
done
this
for
a
long
long
time
for
a
plethora
of
publications
from
a
daily
paper,
which
is
what
we
have
now
to
a
weekly
paper
three
times
a
week
to
even
monthly
magazines
and-
and
you
have
a
different
style
for
each
for
each
publication
and
coming
from
a
weekly
back
to
a
daily
was
a
real
adjustment.
Because,
with
a
weekly
paper,
we
had
the
the
leeway
to
maybe
make
a
right
a
longer
story.
A
Know
then
one
thing
I
do
want
to
say.
Is
it
you
know
so
many
times
an
author
gets
an
opportunity
to
write
when
you're
a
reporter.
You
get
chance
to
write
people
get
to
read,
which
right
but
I'm
I
appreciate
the
fact
that
you've
come
and
given
us
an
opportunity
to
kind
of
look
behind
the
headlines
behind
the
words
and
see
the
man
that
makes
up
the
imagery
that
we
read
on
a
daily
basis.
Well,.
B
I'd
that
it's
a
very
I,
don't
want
to
say
egotistical
thing.
That
was
a
narcissistic
thing
that
that
you
read
what
I
write
and
that's
of
total
rush
for
me.
Yes,
it
is
to
see
you
know
my
name
on
the
on
on
the
book
or
or
on
the
on
the
on
the
front
page
of
the
paper,
and
it's
fun.
It's
it's
not
work.
It
doesn't
matter
my
worst
day.
Writing
for
a
newspaper
is
better
than
my
best
day
working
anywhere
else.
I
I.
A
Think
that
when
people
pick
up,
you
know
there's
a
reason
why
there's
a
funny
paper
script
in
the
newspaper
people
like
to
have
some
humor
in
there
and
I?
Think
that's
why
people
enjoy
reading
your
humor
columns.
I
know:
you've
won
a
number
of
awards
for
your
humor.
It's
just
another
way
of
telling
a
story.
I
always.
B
A
Remember
reading
recently
a
story
you
told
about
going
on
vacation
with
your
brother
and
I
won't
go
any
deeper
than
that,
but
it
was
a
I
just
rolled
lift
because
I
could
just
you
paint
such
a
vivid
picture,
I'm
sitting
there
in
my
mind,
just
following
the
the
heat,
the
steps
that
went
forth
and
I
said:
yep
I
can
see
that
happening.
I
can
see
that
happening
and.
B
B
What
I've
done
is
that
in
a
lot
of
what
I
write,
I
take
the
columns
and
actually
kind
of
marry
them
into
the
books
and
in
and
that's
that's
a
free,
seven,
eight
hundred
words
any
time
you
can
go
back
on
an
experience
and
draw
from
that
and
transition
that
into
a
story
a
longer
story
than
what
would
show
up
in
a
newspaper.
That's
a
tundra
ports.
You
don't
have
to
make
up
and
write
again.
A
Like
I
was
saying
a
min
ago,
we
appreciate
your
getting
giving
us
an
opportunity
to
see
the
real
Dan
Brown
well
up
close
and
personal,
and
to
share
a
little
bit
about
the
and
you
certainly
been
very
transparent
with
us
today.
We
appreciate
that
humor
is
a
great
thing.
We
appreciate
you
sharing
that
and
I
will
share
this
one
point:
okay,.
B
A
Reading
the
office
leaving
the
office
earlier
and
one
of
the
ladies
in
the
office
says
well,
who
are
you
interviewing
today?
I
said
damn
about.
She
said
he
is
so
funny
so
I
I
said
well,
I'll
tell
him.
You
said
that
because
I
appreciate
and
I
know
you
do
now,
because
when
you
do
things
like
that
for
people
and
it's
a
it's
a
labor
of
love,
and
we
can
tell
that
we
appreciate
what
you
bring
to
Aiken.
A
We
appreciate
your
reporting
for
the
Aiken
standard
and
I
know
that
there
are
going
to
be
some
folks
that
will
want
to
take
advantage
of
your
books
that
are
out
there.
I.
Think
after
hearing
your
story
and
hearing
a
little
bit
about
you,
that
they'll
find
it
extremely
interesting
and
it's
always
good
to
read
something
after
you
had
a
chance
to
circus
Lee
beat
somebody
like
this.
So
then
thank
you
very
much
again.