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From YouTube: Bloomington Arts Commission, November 11, 2020
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A
The
public
today
so
let's
go
ahead
and
start
with
the
approval
of
the
minutes
for
the
october.
A
B
Yeah
so
no
changes,
635
66
and
then
we
have
three
nines
or
yeah
39
61.
B
65
in
our
403
account,
so
no
changes
perfect
all
right
well,
moving
right
along!
Let's
go
with.
A
A
Us,
like,
I
guess,
sort
of
sort
of
working
backwards
on
this
list.
Black
lives.
C
Matter
mural
is
in
it's
installed
at
banneker,
looks
fantastic
great
great
turnout.
C
From
the
community,
on
that
great
leadership
by
the
artists
and
and
the
banneker.
C
And
a
few
of
us
did
a
call
with
the
banneker
folks
recently
to
talk
about
a
dedication.
C
Ceremony,
which
I
believe
is
now
set
for
this
friday,
yeah
4
30..
Sorry,
I'm
trying
to.
B
B
Yes,
it's
at
4
30,
I
believe,
still
for
yeah
all
intents
and
purposes
it
might.
It
might.
B
B
B
In
terms
of
what
we've
been
wanting
to
do
for
or
in
terms
of
dedication
being
more
broad,
having.
A
A
Sure
that
you
know
we
were
not
all
there
at
the
same
time
and
we're
socially
distanced
and
whatnot.
B
Mexican
paint-
this
is
a
really
good
image
of
government
work
here
happening,
one
guy
working,
one.
B
B
To
go
through,
none
of
the
artists
have
done
a
mural
of
this
scale.
Before
I
had
not
done
a.
B
Probably
eight
o'clock
at
night,
I
think,
is
when
we
finally
wrapped
up,
and
so
these
are
rachel.
B
Came
with
her
family
and
and
offered
to
document
for
us.
So
this
is
matter,
and
this
is
kind
of.
B
Is
really
powerful
if
you
haven't
seen
it
incomplete
and
it's
really
great
and
eva
allen.
B
Who
was
involved
in
the
people's
park
mural
and
the
love
this
city
mural
for.
B
B
Photos
we
had
83
volunteers,
I
think,
nick,
let's
see
you
should
be
coming
up
here.
B
B
Has
been
really
nice,
so
people
are
kind
of
respecting
it.
So
there's
that
so.
B
B
B
B
Kind
of
where
I
had
a
curve,
so
that's
just
to
be
safe
with
that.
B
You
know
it's
better
to
do
a
virtual,
so
it'll
be
our
first
time
doing
a
virtual
ribbon,
cutting.
B
In
that
kind
of
sense,
so
I
think
it
will
be
overall.
Very
it
will
go
over
very
well
so.
C
Speakers
all
coming
in
virtually
are
they
going
to
be
at
banneker
and
just.
C
Were
on
that
call
with
the
banneker
folks,
whenever
it
wasn't
in
the
last
last.
C
Week
or
so
anything
that
either
of
you
want
to
add
from
that,
so
we
missed.
C
Cool
if
anybody
mission
wants
to
attend,
let
me
know
otherwise
we're
encouraging
people
to.
B
Watch
it
through
the
banneker
facebook
live
page.
But
if,
if
obviously
nick
penny
being
part.
B
B
We'll
be
accessible,
encourage
people
to
do
the
the
facebook
live
on
banneker.
We
should.
C
Cool
all
right
moving
along
yeah,
then
I
guess
on
everything
else:
trades
garage
fourth
street.
C
Trades
plaza,
I'm
just
gonna
toss
it
over
to
you
sean
in
case.
You
have
updates
on
any
of
those.
B
Yeah
no,
no
real
changes.
I
got
a
draft
contract
going
out
to
esteban
this
week
with
weber.
B
And
everything
good
there
trades
we
finally
got
it
into
appropriate
budget
scale
and
size.
B
It
had
to
be
reduced,
30
percent.
That
seems
like
a
lot
in
terms
of
scale,
but
his
original
scale
was.
B
For
the
project
was
pretty
massive,
so
it
actually
is
just
like.
I
said
I
think
in
previous.
B
At
fourth
street-
and
those
are
those
are
good
to
roll
here,
I
can
bring
it
up
real,
quick
one.
A
Quick
question:
the
staining
of
the
concrete
was
that
resolved
yeah
yep
they're
not
doing.
B
It
is
it's
not
going
to
be
dyed,
it's
going
to
be
there's
a
different
process
that
they're.
B
Of
the
coated
material,
the
matthews
paint
finish,
but
we're
really
excited
the
sub
is.
B
So,
there's
that
what's
the
current
date
that
we're
looking
at
for
completion.
A
Do
you
know,
let's
see,
hang
on,
let
me
look
at
my
notes,
real
quick
and
bring
this
back
up.
B
Fourth
street
is
the
end
of
21
as
a
general
construction
project
that
will
mover
mover.
B
B
Facade
being
put
up
so
that
is
slated
for
quarter
two
of
next
year
as
well.
B
Or
summer
I
think
maybe
somewhere
at
the
latest,
but
those
projects
are
moving
pretty
quickly.
B
Is
responsible
and
when
things
get
signed
over
but
josh,
who
is
the
project
manager.
B
B
Now,
because
they're,
obviously
with
kovid
and
what
you
know
traditionally
them
as
fabricators.
B
A
B
Related
but
the
property
owner,
not
the
business
owner,
is
a
little
uncertain
in
these
times
to.
B
B
B
And
who
designed
a
mural
with
a
grant
a
small
grant
to
kind
of
compensate
that
moving.
B
B
Its
life,
it's
time
for
a
new
artist
to
kind
of
update,
drew
etienne's
design
was
really
beautiful.
B
Really
poetic
and
really
simple,
and
because
of
the
paint
that
we
purchased
with
the
blm
mural.
B
We
will
be
incorporating
that
into
the
kind
of
color
restraints
just
because
the
third
street.
B
Median
we
used
exterior
house
grade
paint
mixed
with
some
silica
and
it's
lasted
this
long.
B
Which
is
great
but
there's
it's
in
direct
sun
365,
24
7..
So
I'm
curious
to
see
how
the
traffic.
B
Working
on
that
project,
I'm
hoping
to
tee
that
up
get
that
locked
in
before
the
end
of
the
year.
B
And
then
you
know,
maybe
that
might
be
our
first
early
spring
project
to
kind
of.
B
Beautify
bloomington,
especially
if
and
when
the
students
come
back
after
spring
and
maybe.
B
We
can
we
don't.
We
tend
to
not
accept.
You
know
at
this
moment
we're
not
accepting
any
interest
in.
B
B
The
strategic
plan,
thanks
for
karen's,
hard
work
and
everybody's
hard
work
on
the
general.
B
Come
into
play
in
terms
of
you
know
what
kind
of
public
art
we
want.
I
just
had
a
great.
B
Conversation
with
karen
about
the
origin
of
the
graduate
hotel
project,
you
know
thinking
about.
B
B
And
pretty
in
terms
of
also,
we
have
a
lot
of,
I
think
individual
active
groups
like.
B
Mural
on
it,
so
secretly
group
did
an
amazing
project
a
couple
years
ago.
So
you
know
it's.
E
Just
talking
about
how
citizens
were,
local
organizations
will
have
their
own.
E
Beautification
projects
or
mural
projects,
and
I
saw
a
couple-
grant
applications
with
that.
E
In
the
plans
like
does
the
bac,
have
the
power
or
the
city
have
the
power
to
tell
them
no.
B
B
Thank
you
for
asking
that
we
tend
to
our
projects
are
always
in
the
public
right
of
way.
B
Every
right
in
terms
of
pursuing
murals,
not
signage
right,
so
there
there
could
be
some.
B
Debates
that
come
come
into
play
there,
but
we
tend
to
encourage
a
lot
of
businesses
or
property.
B
Owners
to
pursue
public
art
opportunities,
however,
they
see
fit.
We've
seen
that
with.
B
Very
successful
mural
addition
in
our
community,
the
I'm
trying
to
think
of
some
of
the
other
ones.
B
But
no,
no,
we
we
don't
really
have
now
if
they
want
it
to
become
part
of
the
public
art.
B
B
B
For
example,
your
art
here
is
a
prime
example
of
a
public
art
installation
mural
site
that.
B
Has
been
going
on
for
13
years
on
sixth
street,
that
is
not
a
billboard,
a
lot
of
people!
Think
of.
B
B
But
I
think
that
also
reflects
kind
of
the
diversity
of
mural
experiences.
Frankly,
a
lot.
B
Of
private
businesses,
murals
is
their
first
go-to.
It
just
is
a
it's
not
a
low-hanging
fruit,
but.
B
Or
not,
fourth
stream,
sorry
on
second
street,
as
well
as
artisan
alley.
It's
a
prime
example
and.
B
A
B
Continue
to
is
the
art
commission
hasn't
been
as
as
involved
on
the
east
side
of
town.
B
To
visit
in
terms
in
in
terms
of
our
strategic
plan,
the
public
art
master
plan.
C
As
well,
I
know
you
were
out
bryony,
so
we
we
still
need
to
reboot
this.
I
did
spend
some
time.
C
The
one
thing
I
do
want
to
do
here
is
just
just
sort
of
a
firm
where
we
left
off
with.
C
So
elliott,
karen
rachel
valeria
bryony
babette
sam,
is
there
anyone
else
who
wants
to
be
on.
C
Just
wanted
to
be
inclusive
and
sort
of
reopen
that
door
before
we
go
back
into
it.
C
I
will
get
something
out
to
folks
by
our
our
midpoint
check-in.
C
So
that
everyone
can
do
some
reading
and
and
sort
of
get
their
their
minds
reset
on
it
as
well.
B
B
F
Sure
we
just
realized
with
doing
the
black
lives
matter,
mural
that
not
many
people
know.
F
The
public
art
process,
in
terms
of
you
know,
presenting
to
various
commissions
having
a.
F
Public,
not
public
rfq,
for
artists
and
like
finalizing
artists
and
going
through
the
design.
F
Process
with
artists
and
kind
of
implementing
a
public
art
project,
that's
also
engaging
the.
F
Community
and
like
volunteer
management,
so
just
maybe
having
a
guide
or
a
pamphlet
that.
F
F
Attached
to
it,
that
was
just
kind
of
something
that
we've
noticed
when
we
did
the
blm.
B
B
Development
department
has
a
specific
neighborhood
improvement
grant
that
allows.
B
B
A
kind
of
an
interesting
thing
that
we
want
to
encourage
on
the
on
the
ground
level,
so
to
speak.
C
Of
the
stuff
that
we
talked
about
months
ago,
when
we
were
talking
about
the
master
plan,
but.
C
Or
like
unknowns
that
you
know
that
you
feel
like
we're
popping
up
in
the
course.
C
That
conversation
like
feel
free
to
shoot
those
my
way
I'll
I'll,
make
sure.
A
A
C
C
As
a
master
plan
and
tool
kit,
so
that
you
know
the
plan
was
not
just
something
that
was.
C
Communicating
to
the
community
to
the
citizenry
what
we
do,
but
you
know
sort
of
sort
of.
C
Laying
the
tools
out
there
for
how
the
citizenry
can
engage
and
utilize
the
the
commission.
C
As
as
a
resource
and
a
tool
for
for
them
for
the
community-
and
so
you
know,
while.
C
That
may
be
part
of
that
broader
master
master
plan.
I
do
like
you
know,
sort
of
sort
of
the
way.
C
Sort
of
how-to
that
can
be
pulled
out
of
that
you
know
like
a
like
a
one-cheat
sort
of
sort
of.
C
Version
that
can
be
sort
of
an
introduction
for
folks
when
they,
when
they
ask
about
things.
G
We're
talking
about
right
now
and
it's
more
like
mean
and
stuff.
I've
just
noticed.
B
Sam,
I
appreciate
that
because
I
don't
always
have
eyes
on
everything.
B
It
never
really
looked
like
it
had.
Like
a
I
mean,
it
was
finished
in
terms
of
painting.
B
Those
kinds
of
things
over
time-
yeah,
it's
like
flaking
off
in
chunks
so
like
they
didn't
use
the.
G
Primer,
yeah
yeah,
so
we
I
can.
I
can
look
back
into
that
and
we
should
look
at
also
in
the
spring.
B
Just
for
the
public
art
planning
committee,
maybe
doing
another
traffic
box
program
like
another.
B
C
Committee
has
been
so,
I
think
so
focused
on
all
the
the
big
commissions
that
we've
had
over.
C
The
last
couple
years
that
I
think,
especially
once
once
we
get
past
you
know,
sort
of.
C
For
that
committee
I
do
think
it'd
be
good
to
focus
on
you
know,
sort
of
looking
at
our.
C
C
C
Identifying
where,
where
there
are
big
gaps,
art
deserts,
if
you
will.
C
Might
be
good
partners
to
to
work
with
yeah
and
focusing
on
some
smaller
sprinkling
of.
A
All
right,
sean
rachel
do
you
have
any
updates
in
regards
to
grants.
Well,
I
know
essence
and.
B
For
the
most
recent
round,
so
we're
presenting
those
findings
to
the
buea
next
week,
originally.
B
23
applications
and
had
series
of
reviewers
from
the
buea
and
bac
and
some
members.
B
From
spia
o'neil
school
review
for
us,
so
it's
a
comprehensive
thing
for
the
uea.
B
But
we've
pushed
back
that
timeline
a
little
bit
and
we'll
be
getting
the
word
out
about
that.
B
B
In
a
few
weeks
about
the
bac
funding
for
next
year,
so
I
don't
know
if
rachel
you
wanna.
H
H
Okay,
cool
yeah,
so
though,
I'm
correct
me
from
wrong
shawn,
but
those
funds
will
be
dispersed.
H
H
Looking
towards
spring
and
what
hours
like
spring
funding
will
look
like,
and
we
have
more.
H
Money
this
year,
sean
do
you
want
to
talk
about
what
happened
at
council.
B
To
increase
it
to
a
hundred
thousand
total
for
grants
for
next
year,
which,
which
was
approved
in.
B
October
in
in
august,
I
think
that
was
part
of
the
conversations
I
know
I
think
briani
and.
B
Rachel,
you
both
spoke
at
the
council
meetings,
and
so
we
have
a
hundred
thousand
available
for.
B
B
It
and
you
know
what
are
the
needs
in
the
community
and
those
kinds
of
things
so
yeah
so.
H
H
Want
to
set
that
up
whether
we
set
it
up
into,
we
don't
have
to
use
it
all
in
the
spring.
Grant.
H
Cycle
so
maybe
we
set
up
two
grand
cycles
or
three
grant
cycles
next
year.
What
that
looks
like
or.
H
More
more
organizations
that
were
impacted
by
covid,
so
looking
at
oh
do
we
want
to
focus
more.
H
On
project
grants
this
time
around
or
do
we
want
to
focus
the
grants
on
connecting
venues
or.
H
Art
performances
and
whatnot
yeah
essence
did
you
want
to
add
anything?
I
know
you
had.
H
Taken
some
notes
as
well
on
like
who
you
wanted
to
reach
out
to
and
what
ideas
you
had.
E
Whether
in
public
art
or
with
the
grant
cycles,
so
we'll
have
more
to
report
back
some
more.
E
Ideas
after
this
next
meeting
on
the
20th
yeah
and
I
spoke
with
jonah
from
the
buzzkirk
to
kind
of
get
his
take
on
what
what.
H
They
have
going
on
and
what
you
know
their
venues
looking
for
and
what
needs
they
have.
H
Was
going
to
continue
to
reach
out
to
or
organizers
and
venues
and
such
in
town.
B
I
mean,
I
know
brian
you
have
experience
with
with
with
conference
design,
but
karen
and
babad
and.
B
B
And
what
you
all
are
thinking,
I
think,
would
be
helpful
to
in
this
part
of
the
conversation.
A
At
this
point,
from
what
we're
doing.
I
E
I
it
seems
as
if
bac
does
not
offer
grants
for
individual
artists,
but
it
seems
like.
E
H
H
Project,
but
this
year
in
2020,
is
kind
of
where
we
were
like.
We
need
to
focus
on
organizations.
H
H
Projects
probably
weren't,
going
to
happen
just
due
to
covid,
so
we
that's
why
we
emphasized.
H
E
Good
to
hear,
actually
I
I'm
glad
to
hear
that
and
then
also
I
really
like
the
idea
to
have
a.
E
More
people
to
apply
so
that
we
can
spread
that
support
out.
Instead
of
concentrating
on
the.
E
Like
same
cycle
of
organizations
that
apply-
and
I
know
that
we
had
some
new
people-
enter
the.
E
E
Word
out
and
again
I'll
brainstorm
on
that
too,
whether
it's
social
media
or,
I
guess
that's
the.
B
B
In
mind,
too,
right,
there's
the
potential,
even
in
this
kind
of
lame
duck
congress
that
we
have.
B
For
more
cares,
act
funding
the
senate
majority
leader
mentioned
that
earlier
this
week.
That.
B
B
We're
kind
of
keeping
an
eye
on
that,
but
yeah
I'd
just
be
curious.
What
what
you
all
are
thinking.
J
J
Little
veil
of
optimism
there,
but
so
I
think,
there's
a
lot
of
people
are
working
on
mainly.
J
Digital
events
and
seeing
how
we
can
translate
the
things
we
normally
do
into
virtual
incarnations.
J
Also,
I
just
I
really
like
essence's
ideas.
I
think
those
are
both
really
worthwhile
directions.
K
I
agree,
I
think
this
is
the
perfect
time
actually
to
work
on
some
of
these.
K
Digital
communications,
because
I
think
we're
you
know,
I'm
having
less.
G
Small
events,
but
I
think
that
that's
been
pushed
back,
and
I
know
our
like
collide
thing
that
I.
C
Community
that
there
will
be
some
touring
and
therefore
like
larger
scale,
events.
C
By
like
quarter
three
next
year,
like
there
are
some
larger
festivals
that
seem
to
be.
C
Translate
to
to
hyper
localized
organizations,
but
if
that's
useful
to
anyone.
B
B
I
feel
like
my
october
was
busier
than
my
previous
october,
so
you
know
just.
B
Babette
is
has
been
a
tremendous
resource
for
us
too,
just
asking
what
people's
feelings
are.
What.
B
B
People
are
feeling
you
know
it's
like
we
got
this,
you
know
yeah
the
ebb
and
flow
of
like.
B
Unfortunate
in
terms
of
getting
the
word
out
but
being
able
to
pivot.
B
B
B
K
All
right:
well
then,
let's
move
right
along.
I
spoke
a
little
bit
about
the
strategic.
A
Plan
I'm
working
on
how
this
is
going
to
be
implemented
and,
as
apologies.
A
Somebody
just
drove
up-
and
it's
a
little
chaotic
here
so
I'm
implementing
that.
But
I
had
asked.
A
A
You
want
to
kind
of
take
leadership
and
then
the
implementation
of-
and
I
haven't
heard
back
from.
A
A
A
Drop
me
an
email,
send
me
a
message.
Let
me
know
what
it
is
that
that
you'd
like
to
spare
your
head.
K
Briny
is
it,
is
it
worth
it
to
really
revisit
this?
I
mean
we
had
originally
had
a
group
of.
K
People
that
were
putting
together
this
plan
and
maybe
either
asking
for
volunteers
or.
K
A
B
B
And
we
won't
have
much
to
update
as
we
get
into
the
holidays.
Obviously
yeah
that
sounds
good
by
me.
A
B
Yeah,
so
just
so
you
know
the
we
launched
a
task
force,
maya,
michaelson
and
valerie
pena.
B
B
B
What
that
that
should
be
decided
by
the
end
of
the
next
week
but
there'll,
be
you
know.
B
A
variety
of
community
community
stakeholders-
obviously
you
know
we're
doing
our
due.
B
Process
in
terms
of
the
transfer,
we
did
a
lot,
some
funding
for
the
waldron
in
our
21
budget.
B
Needs
to
be
used
right
now
in
this
moment
or
in
the
coming
months.
Frankly,
so
we're.
B
Working
through
that
and
have
a
task
force
to
make
recommendations
for
the
future
use
in
the.
B
C
I
have
a
quick
one,
just
as
that
task
force
is
being
assembled.
I
know
there
are
a
lot
of.
C
Stakeholders
in
the
in
the
neighborhood,
you
know
who
we
need
to
consider,
but.
C
Interest,
but
is
there
any
overt
outreach
to
wfhb
to
maybe
make
sure
that
they
have
someone.
B
B
B
Conversations
but
that's
good
feedback
to
here,
but
yes,
I
will
try
to
investigate
that.
A
H
Last
night
on
and
sean
you
can
probably
speak
more
to
it,
but
there's
a
graduate
class
at
iu
that.
H
B
B
No
worries
yeah,
we
so
you
know
it's.
There
was
a
little
anyways,
it's
mark,
levin's
class.
B
B
B
That's
good
that
they're
still
working
on
it
yeah,
they
said
it's.
Their
projects
are
due.
H
By
the
end
of
november,
so
some
of
you
might
be
hit
up
by
someone
in
the
in
the
classes,
but.
C
Coming
up
on
january
21,
there
are
actually
a
few
commissioners
whose
terms
are
set
to
expire.
C
Babette
and
quentin
are
listed
as
expiring.
I
don't
that
doesn't
seem
right.
So
I
don't
know
if
the.
J
B
B
You
should
get
a
email
from
the
clerk's
office
about
re-upping.
What
is
internally
tracked.
B
Is
that
this
was
adopted
before
I
got
to
the
city,
you
can
serve
two
consecutive
terms,
so.
B
B
Has
been
on
in
is
going
into
their
consecutive
term
or
their
second
or
at
the
end
of
their.
B
Second
term,
so
you
all
should
be
able
to
read
up
cool
yeah.
I
you
know
personally,
you
know
I.
C
B
Know
that
you
want
to
continue
if
your
terms
are
coming
up,
who
else
is
so
it's
so
you
said.
B
C
And
I
know
this
makes
a
difference
but
rachel
and
I
are
both
mayoral
and
quentin.
C
B
B
Just
filled
a
term
same
thing
with
quentin,
so
I'll
double
check
on
all
that,
so
you
all
should
get.
B
But
yeah
we'll
try
to
track
that
internally.
We
had
that
kind
of
happen
where
we
had
a.
B
Term-
it's
tracked
internally
for
us,
so
that
was
adopted
that
you
serve
two
consecutive.
B
Terms
now
you
can
come
back.
So
if
you
really
love
the
work
that
we're
doing
and
you
want
to.
B
Once
again,
it's
split
between
the
mayoral
and
common
council
in
terms
of
how
we
appoint
people.
A
Concerns
I
have
a
small
announcement.
I've
got
well
segue
into
a
sean
thing,
but
I've
got.
G
They're
on
instagram,
if
anyone
wants
to
see
the
dimension
mill,
painting
motorcycles.
G
So
I
need
to
get
more
artists
just
to
show
work.
It's
just
it's
a
very
low
like
not
that
many.
G
So
that'd
be
cool
or
just
other
artists.
If
anyone
has
other
artists
who
just
want
to
show
it.
G
Want
to
show
their
send
them
my
way,
yeah
what
what
I
can
do,
probably
for
the
whole
commission.
B
Because
I
was
just
talking
about
this
with
karen
earlier
today
too,
I
we
have
an
artist
database.
B
That
people
can
opt
into
via
the
website
and
we
have
like
150
respondents
and
it
lists
their
web.
B
B
B
Or
find
and
track,
however,
you
want
but
yeah
the
to
follow
up
real
quick
too,
on
the
esteban
thing.
B
I
think
the
mill
help
co-hosting
a
workshop
for
the
design
panels
for
his
piece
would
be.
B
B
The
first
nations
cultural
center
at
purdue
and
the
first
nation
cultural
center,
hopefully
at
iu.
I.
B
G
Cool
perfect,
also
with
the
with
his
proposal
stuff,
is
it
that
people
may
kind
of
help
design.
G
B
B
B
B
G
G
B
So
that's
kind
of
how
like
anybody
could
potentially
draw
this
so
he's.
B
Hosting
opportunity
for
us
to
consider-
and
I
think
it
would
be
great
to
involve-
I
mean
I
feel.