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From YouTube: Bloomington Arts Commission, December 9, 2020
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B
Months
and
months
so
we're
still
at
61,
635,
66
and
the
402
and
then
the
403.
We
are
at.
A
Quickly,
let's
move
on
to
public
art,
I
know
we
have
updates
from
nick
and
sean.
B
Close
out
this
year
with
this
project,
finally,
under
contract,
both
with
fabricators
and
with
the.
B
Artists,
so
this
is
an
updated
render
that
I'm
sharing
sharing
with
you
all
right
now.
B
This
is
actually
let
me
close
this
out
and
get
the
other
one.
I
think
this
one's
a.
B
Little
bit
easier
to
look
at
yeah,
so
this
is
just
an
updated
version
of
what
the
sculpture.
B
B
To
get
this
under
contract
so
we're
ready
to
roll
by
the
end
of
the
year.
Another.
B
Which
was
fairly
successful
and
the
portraits
were
really
beautiful.
Some
of
the
photo
essays.
B
Our
next
month's
packet-
but
it
was
you
know
the
students-
had
a
really
great
time.
There's
a
really.
B
Great
ht
article
about
the
project
as
well,
so
I
will
keep
you
all
abreast
with
that
project.
D
Yeah
so
we
discussed
this
in
our
committee
meeting
on
friday.
D
Got
newer
commissioners
to
the
meeting
sort
of
up
to
speed
on
things
and
basically
everyone's.
D
Homework
for
the
next
month
until
we
come
back
in
january,
it's
just
to
do
a
review
of
the.
D
Previous
document,
as
well
as
our
outline
for
revisions
where
we
left
off
a
few
months
ago,.
D
Once
we
return
in
january
and
sort
of
collect
the
committee's
thoughts,
the
plan
is
to
sort
of.
D
Divide
the
document
up
into
sections
delegate
a
bit,
so
we
can
have
multiple
people
working
on.
D
And
then
I
think
bryony
will
touch
on
this
later,
but
you
know
sort
of
nesting
this
within.
D
The
strategic
plan
implementation
schedule
that
was
put
together,
our
our
goal
is
to.
A
A
More
diligent
than
all
of
us,
so
I
think
it
will
be
a
matter
of
working.
D
Cool
yeah,
I
will
say
just
speaking
for
myself.
I
personally
am
pretty.
D
Dig
into
it
in
earnest
myself,
so
I
will
try
to
send
a
reminder
around
ahead
of.
D
Holidays
before
people
are
breaking
away,
you
know
theoretically,
away
from
their
computers.
A
A
B
D
Yeah
yeah,
that
sounds
great.
I
looking
at
the
calendar
now
it
looks
like
our
bac
meeting.
D
Switch
yard
piece,
installation,
trades
garage
anything
else.
That's.
B
B
B
B
B
The
barriers
for
entry
for
a
lot
of
artists
who
don't
have
like
small
business
experience
or
don't.
B
Have
loan
experience
cdfi
friendly
bloomington
offers
a
small
loan
program
to
artists
that.
B
Have
that
are
going
to
be
under
contract
with
the
city
so
he'll
be
pursuing?
That
which
is
a
kind.
B
Of
a
nice
little,
you
know
side
component
to
the
project
and
then
fourth
street
garage
we're.
B
As
you
guys
have
seen,
it's
going
up
pretty
quick,
so
I
have
a
planning
meeting
next.
B
Nicely
all
through
21.,
so
we
might
be
able
to
have
some
some
nice
kind
of
activity
to
celebrate.
B
For
all
this
kind
of
back
end
work
that
we've
been
doing,
but
that's
that's
really.
It.
B
On
the
on
the
public
art
front
sam,
you
brought
up
some
repairs.
I'm
trying
to
work
on
that.
B
B
Contract
in
the
new
year
to
get
that
project
and
that
mural
re
repainted.
Basically
it's.
B
It's
kind
of
unfortunate,
but
one
tag
kind
of
came
in
and
then
a
bunch
of
other
ones.
You
know.
B
B
D
Cool,
I
guess
the
only
other
note
is
this
happened
since
our
last
meeting.
D
On
elm
street-
and
there
were
a
few
of
us
in
attendance
on
the
zoom,
though
bryony.
D
And
spoke,
you
know,
but
primarily
it
was
centered
on
the
artists.
Members
of
the.
D
Banneker
advisory
council
and
you
know
other
members
of
the
black
community
in
bloomington.
D
It
was
really
really
wonderful
program
that
that
came
together
in
a
relatively
short
period.
D
Of
time,
and
for
I
think
being
our
our
first
virtual
ribbon,
cutting
went
incredibly
smoothly.
D
Led
by
the
the
banneker
folks
and
and
other
organizers
for
the
mural.
But
we're.
D
Happy
to
to
support
so
I
think
that's
all.
I
have
public
hearts
yeah
the
one
thing
that.
B
For
sure,
tyler's
been
really
leading
a
lot
of
conversations
with
the
african-american.
B
B
Need
to
circle
back
around
with
who
the
history
center
recommended
that
we
reach
out
to
as
well.
So.
B
B
Name,
but
definitely
for
perez
at
some
point
that
was
such
a
powerful
moment
in
that
program.
A
B
B
Encourage
people
to
apply
it's
for
quarter,
one
quarter,
two
ish
funding
so.
B
You
know
january
31st
through
june
1
or
june
30th
programming
opportunities.
So
please.
B
Else
want
to
say
essence:
do
you
want
to
yeah
I'm
on
board
again,
I
I'm
wondering
about.
F
Any
restrictions
on
the
same
organizations
applying
again
or
is
that
restriction
still
lifted.
B
They
can
apply
again,
but
I
think
we
will.
It
will
be
weighted
right
about
what
kind.
B
B
But
yeah
we'll
be
having
an
element
of
staff
will
be
reviewing
who's
gotten
funding.
E
Agree
with
it,
I
think
it
makes
sense.
We
can
actually
just
start
to
have
the
conversation.
A
About
the
strategic
plan
and
include
the
grand
schedule
in
there,
okay,
and
that
way,
we
tackle.
A
A
We,
the
bac,
communicates
with
its
audience
in
the
city,
not
sharing
you
know,
community
events
or.
A
A
A
A
A
A
Deadline
again
kind
of
using
that
art
night
representation
to
city
hall
as
our
deadline
for.
A
A
All
kinds
of
opportunities
that
could
be
possible,
so
it's
basically
taking
the
second
part
of.
A
A
Start
to
actually,
you
know,
create
the
public
art
after
some
artist
has
been
selected
or.
A
A
A
A
A
A
A
On
but
there
is
no
true
conversation
happening,
no
true
dialogue,
and
I
think
that
that
is.
A
A
A
A
G
I
I
think
it's
a
terrific
springboard,
what
you've
done
and
I
I
can
only
just
say
my
generic.
G
G
Consequence
I'll
put
it
that
way
and
that
and
that
there
just
doesn't
seem.
G
Other
than
you
know
giving
a
two
cents,
fourth
opinion.
I
I
I
think
that
maybe.
G
G
G
A
Yeah
and
that's
that's
the
idea
with
creating
the
teams
and
having
leadership
within
each
project.
A
A
A
Safe
to
do
so,
in
this
case
you
know,
my
guess
is
that
you
will
take
the
leadership
on
that.
A
Leadership
in
all
of
them,
and
nor
do
I
want
to
nor
should
I
you
know,
other
voices
need
to
be.
A
A
A
cap
of
how
many
hours
he
can
allocate
to
the
bac
because
he
needs
to
be
present
for
those.
A
Meetings
so
having
it
just
under
that
rigor
will
make
it
easier
to
actually
get
things
done.
G
G
The
easiest
way
to
implement,
but
if
you,
if,
if
I
can,
help
you
or
anything,
to
make
a.
G
List
of
what
we
need
people
to
volunteer
to
do
so
that
you
know
it
gets
done.
G
C
Yeah,
I
have
a
question
about
website
work.
Do
you
know,
if
do
we
have
to
like
know
how
to
code
or.
C
G
Somewhat,
but
I
guess
you
know
I
I
I
guess
my
frustration
is
that,
for
example,
I
would
be
happy.
G
To
work
on
identifying
public
art
or
or
some
anything
and
do
leg,
work.
G
E
I
love
your
idea
for
splitting
grants
into
two.
I
know
we
briefly
discussed
that
in
previous
grant.
E
Sessions
but
yeah,
I'm
pretty
sure
everyone
on
the
bsu
is
aware
that
we
have
additional
funding.
E
E
Both
a
spring
and
fall
grant
makes
sense.
I
also
want
us,
though,
to
communicate
with
the
buea.
E
I
I
don't
want
us
to
have
a
fall
grant
that
necessarily
overlaps
with
their
deadlines.
Just.
E
Because
that
puts
a
lot
of
pressure
on
arts
organizations
and
individual
artists
who
might.
E
Takes
up
time
so
I'm
hoping
that
we
can
communicate
with
them
and
if
they
have
a
summer.
E
Maybe
we
take
on
a
summer
program
a
spring
and
summer
program,
but
just
some
ways
that
there's.
E
Some
time
in
between
when
applications
are
open,
so
we
can,
we
can
really
get
stuff.
I
also.
F
Yeah
sure
so
I
noticed
that
the
grants
workshops
meeting
bac
help
that
is
listed.
F
And
I
I
was
wondering
if
we
would
want
to
do
that
again,
especially
since
again,
we.
F
Sent
in
the
suggestion
that,
instead
of
having
like
doing
the
grants,
workshops.
F
And
the
meetings
and
the
bac
help
again,
whether
it's
online
or
whatever,
it's
that.
F
Alongside
the
grants
guide
that
we
have
talked
about
creating
alongside
that,
the.
F
F
And
then
a
question
that
I
had
since
I
I
don't
see
it
on
the
the
spreadsheet.
F
On
the
guide
for
the
public
arts,
if
we
could
have
it
aligned
that
that
may
be
helpful.
A
F
Okay
and
then
at
essence,
just
just
to
your
point
about.
D
Like
like
the
public
art
guide
and
faq
toolkit
all
that
it's
it's,
maybe
not
explicitly.
D
Labeled
on
this
timeline,
but
that
is
part
of
the
public
art
master
plan
revision.
Okay,.
D
And
so
the
idea
is
that
we
have
at
least
an
initial
version
of
it
available
to
the
public.
E
And
also
I
signed
myself
up
for
content
under
website.
In
essence,
I
highly
suggest.
E
You
maybe
do
the
same
because
a
lot
of
these
like
videos
and
things
I
think.
H
I
say
no,
I
like
it.
I
just
think
when
you
were
mentioning
earlier,
your
conversation
with.
H
Karen
and
like
like
making
diversity,
equity
and
inclusion
more
of
a
priority,
and
should
it.
H
H
H
An
action
item,
as
opposed
to
something
that
just
is
something
that's
meant
to
desire.
D
D
Track
or
evaluate
you
know,
progress
you
know
or
or
whatever
I
I
I
could
see
value
potentially
in.
A
I
One
of
the
things
that
you
know
when
I
went
over
the
first
draft
there
and
there.
I
Were
there
was
an
item
in
our
strategic
plan
about
emerging
artists
and
new
artists,
and
I.
I
Think
we
more
or
less
we
met
part
of
that
in
terms
of
children,
but
I
still
think
that
there's.
I
Something
outlying
and
that's
emerging
artists
and
I'm
not
sure
exactly
how
to
catch
that.
But.
I
I
think
it
would
be
really
nice
to
have
sort
of
like
a
first
time.
You
know
like
a
non-professional.
G
It's
just
art
is
inclusive,
so
I
think
we've
got
to
be
careful
to
keep
that
in
mind.
A
B
B
About
like
what
what
do
we
mean
by
emerging
and
you
know
being
equitable
in
that
sense
too,.
B
B
B
Guide
to
break
down
the
year
rather
than
you
know,
it's
just
visually
helpful
to
see
it
that
way.
C
C
A
Just
identifying
what
what
we
want
to
focus
on
and
kind
of
the
when
yeah
and
to
the
point
of
the.
A
A
I
I
actually
think
that
the
not
the
public
art
toolkit
necessarily
but
some
of
the
things
we've.
I
Would
be
really
helpful
for
the
emerging
artists
you
know
having
a
little,
I
don't.
I
I
So
I
mean
maybe
we
could
you
know
we're
already
talking
about
doing
that.
I
think
that.
G
Events
again,
you
know
any
concept
or
tbd
tbd,
just
with
the
chronovirus
cases,
and
I
mean
we're.
B
Really
relying
on
the
health
department
as
a
field
post,
but
I
mean
I
don't
think
we're.
B
Vaccine
rollout
is
going
to
be.
You
know
timed
in
certain
ways,
for
you
know,
healthcare
workers.
G
Yeah,
don't
worry
about
that
and
then
by
already
my
other
question
is
with
I
saw
the
whole.
G
G
Or
four
real
estate
people
who
are
also
there.
I
was
just
curious
if
you
had
any
comment.
A
To
the
next
agenda
item
with
that,
the
first
meeting
is
next
thursday,
so.
A
Up
until
then,
I
don't
have
much
information.
Personally,
I
think
it's
okay
to
have
somebody.
A
In
real
estate,
because
they
will
bring
in
a
different
point
of
view,
it
is,
it
is
a
matter.
A
Of
figuring
out,
what
is
the
best
for
everybody
involved,
so
we'll
we'll
have
to
wait
and
see.
A
Items
here
that
you
feel
that
you
are
passionate
about
that,
you
want
to
get
involved
in.
A
And
as
you
see,
this
is
very
bird's-eye
view
it.
A
lot
of
information
would
be
needed
to
make
each.
A
A
A
C
Sam
same
as
your
questions
is
this:
is
this
the
moment
to
like
ask
for
a
little
more
detail
about.
C
Each
of
these
tasks
sure
go
ahead
just
like
so
I
already
put
my
name
under
the
public
art.
C
In
under
represented
areas,
so
does
that
mean
I
just
like
drive
around
and
look
for.
C
A
I
would
say
start
keep
an
eye
out
of
ideas
that
might
pop
to
your
head.
When
you're
driving.
A
Around
when
you're
biking,
when
you're
out
with
your
kids
and
start
to
put
together,
you
know.
A
This
is
when
I
hear
about
this
project.
This
is
what
comes
up
to
mind
and
for
in
that.
A
B
What
I
would
suggest,
if
you're,
if
you
all,
are
gonna,
go
on
that
approach.
B
B
B
Do
public
art
stuff?
I
mentioned
this
at
the
last
public
art
planning
committee
meeting,
but.
B
Just
so,
you
all
know
the
next
couple
years
are
not
looking
good
right,
financially
speaking,.
B
For
the
city,
so
the
likelihood
of
us
being
able
to
support
public
art
projects
is
gonna
slim
out.
B
Something
to
keep
in
mind,
does
that
mean
for
more
like
private
property
and
like
see.
C
B
Public
art
projects
paid
for
that
way,
so
there
is
money
out
there.
Once
again,
we
don't
know
what.
B
B
And
whatever
their
kind
of
neighborhood
groups
are
on
the
east
side
go
for
it
yeah.
I
would
start.
A
We
can
think
of
in
a
spreadsheet
and
then
start
to
reach
out,
but
I
was
going
to
do
that
after.
C
Like
an
easy
obvious
thing
is
a
mural
and
in
particular
the
one
on
revolution,
bike
and
bean.
B
Well,
they,
you
know
covid,
you
know,
you
know
there
there's
a
variety
of
different
other.
B
B
Facilitating
conversations
I
brought
that
up
in
the
last-
maybe
not
this
previous
public.
B
B
B
B
But
you
know
the
other
conversation
is
the
role
of
public
spaces
are
going
to
be
really
important.
B
B
Not
very
complete
because
there
was
so
we
have.
I
have
a
pretty
good
index
of
what
the
city
owns.
B
B
Heard
about
you
know
the
possibility
of
your
art
here
no
longer
having
access
to
the
property.
B
G
Does
the
city
own
a
lot
of
art,
paintings
and
other
things
like
that.
B
We
own
a
few
at
a
couple
different.
We
own
a
few
at
city
hall
and
a
few
original
works.
B
Of
art
there,
but
that's
not
really.
We
don't
have
a
collection
that
that
sense
now.
B
B
B
D
D
Right,
like
is
that
all
of
those
different
teams,
all
those
those
tasks
or
initiatives.
D
A
Now
and
continue
to
work
on
it
forever
little
things
like
that,
but
overall.
A
D
You're
talking
about,
like
the
you
know,
small
small
public
art
projects,
you
know.
D
And
you
don't
want
to
wait
till
july.
You
know,
I
think
that
that's
something
that.
D
A
A
A
B
B
Figure
out
what
the
future
and
what
the
potential
use
is,
and
so,
but
you
know,
maya
michelson
was.
B
You
know
ron
is
very
active
in
the
communities
on
the
bct
board.
Also,
you
know
meg
ledowski.
B
B
It
and
it
doesn't
look
like
there's
any
return
to
normalcy
for
use
until
november.
You
know.
B
B
B
Look
like
it
used
to
until
the
fall
of
21.
Frankly,
which
is
kind
of
a
very
challenging.
B
And
dark
time
for
the
arts
all
around
yeah.
My
other
update,
just
staff
report
wise,
is.
B
The
paper
pavilions
project
will
be
coming
to
far
center
for
the
contemporary
arts,
starting
in.
B
B
B
B
It
safely
outdoors
on
fourth
street
and
then
they'll,
be
you
know,
obviously
open
by
appointment.
B
And
limiting
folks,
so
I'm
really
excited
about
kind
of
closing
out
that
project.
You
know
we
got
a.
B
Right
all
right
all
right!
Well,
let's
jump
up
to
commissioner
announcements.
D
Okay,
I'll
brag
for
a
quick
minute
just
just
for
secretly
our
our
affiliate
companies
did.
D
Rack
up
seven
grammy
nominations
which
is
pretty
exciting,
including
four.
D
For
one
of
our
artists,
phoebe
bridgers,
so
that's
pretty
cool,
including
best
new
artist.
C
C
Combine
art
stuff
with
that,
but
our
family
just
decided
for,
like
our
baby
bubble.
C
C
A
C
Thank
you,
I'm
going
to
be
doing.
My
brother
has
a
couple
websites,
so
I'm
going
to
do
like.
C
Blogging
and
some
website
stuff
so
like
I'm,
pretty
darn
familiar
with
wordpress
and
all
that
sort.
C
Of
stuff,
that's
why
I
asked
about
the
website
and
I've
been
doing
it
for
a
while.
I
kind
of.
C
A
You
never
know
conferences
will
come
back,
yeah,
there's
the
spring
point:
architects,
gals.
A
E
Okay,
rebecca
this
semester,
we
had
a
girls,
rock
bloomington,
songwriting
and
social
justice
club.
E
E
That
event
as
well
and
they're,
actually
we
have
a
suggested
donation,
though
it
is
free.
You.
E
Can
watch
it
via
youtube,
but
we
because
it
is
a
social
justice
club
as
well.
We
asked
the
girls
to.
E
Shalom
community
center
in
the
trevor
project,
so
all
donations
that
come
in
through
the
event.
E
This
saturday
will
get
split
among
those
organizations
and
yeah.
It's
at
4pm
eastern.