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From YouTube: Bloomington Arts Commission, December 8, 2021
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A
All
right,
let's
go
ahead
and
get
started
with
you,
holly
with
your
staff
report.
B
Sure
staff
report
so
first
of
all
I
know
so
my
boss,
director
of
economic
and
sustainable.
B
Development
just
had
his
two-on-one
with
the
mayor
and
deputy
mayor,
and
they
just
wanted
to.
B
Express
their
gratitude
and
their
excitement
over
the
trades
garage
opening
that.
B
That
I
think
everybody
was
really
pleased
with
it
and
I
know
esteban
had
a
great
time.
B
That's
really
where
the
energy
at
the
city
is
right
now,
and
so
among
that
is.
B
Arpa
funds,
so
I
think
as
many
as
as
many
of
you
probably
know,
we
got
some
unaffected.
Unexpected.
B
B
Just
kind
of
fell
into
our
laps
and
we
also
got
an
additional
set
of
funds
that
will
kick.
B
Still
have
them
available
to
use
for
fy
22..
I
I
think
just
like
with
I
think,
because
this
money.
B
B
B
B
So
we
can
give
them
money.
So
that's
something
I'll
be
talking
with
you
all
about
in
the
new
year.
B
Waldron
task
force
recommended
back
in
may
so
that's
we've
completed
all
the
renovations.
B
B
Can
get
even
more
performance
groups
in
there,
so
those
who
are
members
of
the
equity
equities.
B
Aster
actors,
equity
association-
can
be
in
the
space.
So
again
those
repairs
are
on
track.
B
B
Groups
that
include,
oh
here's,
elliott,
cardinal
stage,
bpp
and
others.
This
is
going
to
be
one.
B
B
B
B
Entire
facility,
the
second
thing
it's
going
to
do-
is
it's
going
to
celebrate
the
29th
anniversary.
B
B
B
Want
to
be
able
to
do
anything
before
we
all
get
back
here
in
january,
so
I
I
am
hoping
to
ask.
B
B
Knows
about
it
and
everybody
knows
to
come.
Luckily,
this
will
align
with
january
gallery
walk.
B
B
B
B
Yeah,
but
to
answer
your
question:
yes,
I
am
intending
to
work
with
a
couple
of
the
historic.
B
B
Visual
arts
galleries-
a
cafe-
is
not
going
to
swallow
that
space,
as
somebody
proposed
you.
B
Know
a
while
ago,
it's
just
a
matter
of
working
with
the
organization
who
is
most
likely
going
to.
B
The
grunwald
gallery,
ed
comentalia
from
the
cook
center
and
adam
nejas,
from
artisan
alley.
B
B
Because
the
waldron
will
be
under
the
city
of
bloomington's
management
for
the
first
six
months.
B
B
Facility,
I'm
working
with
a
couple
colleagues
at
the
city
to
in
hopes
of
being
able
to
do
a.
B
B
Including
artists,
like
local
artist,
larissa
danielle,
whose
work
is
like
collage
and
focuses
on.
B
People
of
color
and
disables
people
inability
to
access
certain
things,
so
I
will
keep
you
posted.
B
B
B
The
staff
report-
I'm
not
sure,
bryony
if
you
want
to
do
the
approval
of
the
minutes.
A
They
were
much
shorter
than
they
used
to
be
so
I
hope
you
did
any
comments,
suggestions,
changes.
C
Karen,
I
noticed
that
they
didn't
include
the
members
who
were
present.
B
Can
you
all
see
that
okay,
yes,
okay,
great,
thank
you,
okay!
So,
as
usual,
we
have
two
funds.
B
Fall
cycle
of
the
ac
buea
grants:
this
is
the
bac
grants.
The
bua
funds
of
840k
are
separate.
B
From
this,
so
this
will
represent
most
of
the
chunk
of
the
funds,
we're
going
to
be
getting
out.
B
In
the
next
few
weeks
to
the
awardees
of
our
fall
grant
cycle,
unfortunately,
the
applicant.
B
In
our
pocket
to
spend
as
a
new
cycle
for
the
next
fiscal
year,
I'm
confident
that
he
will
do.
B
That
I'm
not
anticipating
much
pushback
there
and
then
the
second
line
is
this
arts
commission.
B
An
awesome
performance
that
we
commission
so
again
that
will
this
fund
of
39.61
65
will
go
down.
B
B
We
will
not
get
this
out
by
the
end
of
the
year.
That's
where
we
are
there
any
questions
about
that.
D
D
Powerpoint
images
and
yeah
we'll
just
begin
and
yeah,
and
thank
you.
Everyone
for.
D
Fielding
this,
and
also
for
the
various
reschedules
that
were
required.
Let
me
share
my
desktop.
D
E
It
get
us
started
elliott,
so
the
exhibition
that
is
opening
in
july
of
next
year
is
called.
E
E
That
I'm
working
on
that
sort
of
explains
why
elliot
and
I
are
co-curating.
This
exhibition.
E
E
Records
and
information
about
women
artists,
it's
going
to
include
biographical
details.
E
E
In
early
modern
european
art,
so
the
and
that's
dr
heidi
gelt,
who
some
of
you
may
know,
she's
the.
E
E
E
All
centuries,
including
our
present
moment,
so
our
goal
for
the
expansion
of
this
database
is
why.
E
E
Records
for
every
artist,
every
woman
artist
whose
work
enters
our
building,
even
if
it's
just.
E
E
A
is
an
exhibition
comprised
entirely
of
women,
artists
and
all
of
those
women
artists
will
enter.
E
E
Of
the
records
that's
going
to
go
live,
obviously
not
a
contemporary
woman
artist.
E
E
So
the
real
impetus
for
this
work
is
a
survey
of
our
collection.
E
Male
85
white,
I
would
venture
to
guess
I'm
still
in
the
midst
of
a
sort
of
manual
survey.
E
E
But
in
the
meantime,
a
really
easy:
it's
not
really
easy,
a
really
cheap
way
to
get.
D
Yeah,
thank
you
so
much
clina
and
and
indeed
we
glena
was
laughing
when
she
said
cheap.
D
And
I
think
it's
something
that
we
at
least
I
often
neglect
to
say,
is
that.
D
Mentioned
is
put
together
by
the
the
from
the
jordan
schnitzer
collection
by
curators
at.
D
Is
is
preset,
some
lenders
of
shows
are
are
more
willing
to
allow
an
expansion
or
contraction.
D
Of
that
list,
with
this
particular
show
we're
fairly
set
on
on
who
we're
able
to
include.
D
Under
the
the
theme,
which
is
positive,
fragmentation,
which
is
the
title
of
the.
D
Show
and
it's
a
it's
a
fairly
generous
title
or
expansive
title,
one
might
even
say.
D
Vague
but
it
comes
from
a
quotation
from
an
essay
that
a
important
feminists.
D
Had
noticed-
and
she
theorized
this
idea-
that
that
women
artists
in
part,
because
of
maybe
the.
D
Play
had
a
kind
of
diverse
array
of
practices
that
could
employ
the
idea
of
fragmentation.
D
D
That
positive
aspect
is
about
re,
reconstructing
perspectives
and
ideas,
and
so
there
are
different.
D
That
we'd,
like
to
highlight
abstraction,
is,
is
a
really
key
one,
maybe
obviously
abstraction.
D
Whether
that's
just
kind
of
in
this
sense
I'm
more
kind
of
a
figurative
abstraction
where.
D
American,
but
if
you
come
from
outside
the
united
states,
so
so
a
kind
of
maybe
more.
D
And
as
she
says
here,
a
kind
of
exaggerating
and
reconfiguring
of
urban
signs
to
produce.
D
This,
this
wonder
and
vertigo
that
is
the
the
urban
experience
in
the
21st
century.
We're
hoping.
D
When
she's
here
and
we'll
have
more
updates
on
programming
as
well
as
we're,
of
course
very.
D
D
So
figurative
fragmentation
is,
is,
I
think,
also
a
really
significant
theme
over
this
exposition.
D
Of
this
exhibition,
so
the
the
taking
apart
and
the
fragmentation
of
the
the
body,
particularly.
D
D
Case
of
this
louise
bourgeois
print,
this
drypoint
print,
the
repetition
of
this
study
of.
D
On
the
on,
the
right
is,
is
louise
herself,
behind
or
in
front
of
an
image
a
large
blown
up
image.
D
D
Of
quite
a
bit
of
it-
and
this
show
contains
a
number
of
of
her
dry
points
and
etchings.
D
Is
her
on
the
left
in
front
of
two
of
her
canvases?
She
she
takes
these
really
kind
of.
D
Painting
over
her
shoulder
on
the
right
there
and
paints
them
at
this
really
grand
scale.
D
Of
appropriate,
the
idea
of
like
a
snapchat,
snapchat
or
like
instagram,
face
filter.
D
D
Text
pieces
that
are
are
quite
strong
and
sometimes
strident
in
their
in
their
tone.
D
D
I
are
thinking
about
because
there
are
a
lot
of
these
in
the
exhibition,
we're
thinking
about.
D
Maybe
interspersing
them
throughout
the
other,
the
other
pieces
so
as
to
not
kind
of
punch
them.
D
Up
but
to
actually
fragment
the
fragments,
even
more,
I
should
say
we
haven't
seen
the
show
yet.
D
We're
hoping
to
see
it
in
the
in
the
new
year
if
omicron
doesn't
doesn't
just
change
everything.
D
Certainly
race
as
well
so
a
subset
of
this
show
that
is
exciting
is
works
by
women
of
color.
D
And
composes
them
collages
them,
often
with
textual
elements
that
are
poetic.
D
Evocative
kind
of
strange,
and
so
there
are
a
number
of
her
works
in
the
exhibition.
D
Really
interesting
to
see,
we
have
a
work
by
lorna
simpson
in
our
collection,
but
it's.
D
Than
than
what
she's,
typically
known
for
on
the
right
is
a
work
by
is
one
getchimutu,
the
artist.
D
And
then
a
work
by
one
getchimutu
called
the
histology
of
different
classes
of
uterine
tumors.
D
This
is
a
series
of
work
by
by
mutu.
I
should
say
first
of
all,
I'm
really
excited
about.
D
One
gecchi
being
in
the
exhibition,
she's
she's
kenyan
born
she
again
lives
and
works
in
new
york.
D
D
D
That
stare
back
at
you
using
these
illustrations
of
of
as
it
says,
uterine
tumors,.
D
D
The
museum
around
the
same
time,
another
artist
who
we're
really
excited
about,
is
micheline
thomas.
D
And
so
she
makes
these
really
incredible
interior
scenes
they're,
usually
involving
kind.
D
Of
domestic
interiors
that
are
fragmented
and
collaged,
sometimes
it's
like
rhinestones
and
like.
D
Really
shiny
acrylic
paint
and
and
female
figures
in
this
case,
they're
they're,
photographic,.
D
Modes
and
this
piece
here,
sleep
defend
noir,
is
related
to
the
the
work
on
the
bottom
left.
D
By
gustav
corbett
and
so
she's
taken
these
kind
of
bourgeois
white
women
and
replace
them
with.
D
Julie
moreto
is
another
exciting
artist.
She
was
born
in
ethiopia.
D
And
she
creates
these
really
large-scale
abstract
pieces
that
that
sometimes
look
like
graffiti.
D
Kind
of
mapping,
history
and
the
evolution
of
art,
architecture,
design,
she's,
also
thinking
about.
D
Really
urgent
ideas:
around
migration,
climate
change,
flows
of
bodies
of
of
temperature.
D
And
then,
lastly,
I
think,
lastly,
I'm
not
sure
but
another
artist,
I'm
really
excited
about.
D
Indigenous
of
the
crow
tribe
and
she's
she's
been
making
work
for
a
long
time
now.
D
D
These
textures,
which
are
taken
from
a
pendleton,
a
pendleton,
blanket
design,
I
believe,
which.
D
Itself
is
a
is
a
company
that
often
appropriates
indigenous
blanket
or
indigenous
designs
in
its.
D
D
D
E
Is
just,
but
I
think
you
mentioned
it
elliot
to
reiterate
that
this
was
organized
by
the.
E
The
schnitzer
foundation,
so
we're
also
seeing
this
really
as
an
opportunity
for
starting
out.
E
E
E
A
natural
partner
going
forward,
given
our
institution's
new
focus
on
work
by
women,
artists.
D
Yeah,
so
that's
the
the
gist
of
it
and
we're
very
happy
just
to
hear
responses.
F
I
was
going
to
ask
well
thank
you
both
for
presenting
I'm
very
excited
to
go,
see
the.
E
So
we
have
in
hand,
although
not
finalized,
so
not
yet
ready
for
public
distribution,
a
sort
of.
E
Plan
from
our
education
team
that
includes
a
range
of
programmings
from
sort
of
the
public
events.
E
Where
you're
going
to
bring
your
kids
and
then
all
the
way
up
to
those
sort
of
specialized.
E
Course-Connected
experiences
for
iu
students,
I
can
tell
you
that
we
are
reaching
out.
E
Visiting
artists
series,
but
we
do
have
plans.
I
think
he
mentioned
nicola
lopez.
D
Yeah,
that
is
the
kind
of
like
the
kind
of
most
obvious
programmatic
activity.
D
From
my
perspective,
doing
the
amazing
artist
series
so
we're
making
those
connections.
D
And
reaching
out
now
it's
it's
tough
with
kovid
and
you
know
people
will
want
to
be
back
in
person.
D
D
A
focus
of
ours
right
now,
but
glenn
and
I
are
also
thinking
more
broadly-
about
public
engagement.
D
And
the
you
know
the
museum
being
set
apart
from
the
the
rest
of
the
bloomington
community.
D
G
Docent
program
has
more
or
less
fallen
apart
and
community
engagement,
you
know,
has
just
fallen.
G
Through
the
wayside,
and
and
just
when,
we
think
we're
going
to
get
everybody's
going
to
get
back.
G
The
winter
months
now
you
know
who
knows
what
we're
hit
with
so
it's
it's
it's
hard
to.
G
To
do
this,
and
I
think
that
just
hanging
in
there
and
having
new
programs
and
hopefully.
G
That
we
had
that
we
lost,
so
I
don't
think
it's
anyone's
fault,
it's
just.
It
is
what
it
is.
E
E
That
was
the
highest
attended
exhibition
in
the
museum's
history.
I'm
happy
to
report.
E
E
E
In
the
spring,
or
maybe
summer,
that
there'll
be
people
sitting
around
thinking,
oh
we
had
so.
E
Much
fun
at
the
glen
close
exhibition.
I
wonder,
what's
up
at
the
museum
now
and
then
they'll.
E
Be
able
to
come
and
see
this
project
that
elliott
and
I
will
have
on
view
beginning
in
july.
H
H
See
that
exhibition
and
definitely
I'm
a
costumer,
so
it
does
fit
my
interests,
but
I
a
lot
of.
H
H
E
Job
is
pre-k
through
12.,
so
she
is
working
to
develop
programming
around
this
exhibition
for.
E
E
Has
collaborated
with
our
education
team
on
before,
so
our
hope
is
that
we'll
be
able
to
bring
in.
E
We
have
not
yet
returned
to
school
visits.
I
think
that
that's
related
to
policies
in.
E
The
school
district
not
to
our
own
policies,
previously
every
second
grader
in
monroe
county.
E
Comes
to
the
museum
every
year,
and
so
our
hope
is
that
that
will
be
back
in
place
by
fall.
2022.
D
Yeah
and
the
yeah
kelly's
amazing
and
the
nights,
the
notes
to
a
young
artist
series.
D
Is
essentially
where
we
ask
an
artist
to
just
it's
really
lo-fi,
you
know
on
their
their.
D
Phone
or
their
computer
record
very
briefly,
a
minute
or
two
of
advice:
they
would
give
them.
D
To
themselves
as
a
young
artist
or
reflections
and
yeah
kelly
is
awesome,
she's,
great
and
and.
D
For
different
age
groups,
but
it's
pretty
cool
and
it's
it's
really
fun
and
it's
it's
you.
You
know.
D
It's
a
unique
program
that
we
asked
them
to
do
specifically
with
us.
It's
I
I
just
love
it
yeah.
A
A
F
You
I
was
just
gonna,
ask
one
other,
because
you
both
did
such
a
nice
job
of
outlining
how
this.
F
Exhibition
will
be
a
way
to
remediate
some
of
the
inequality
in
the
museum's
collection.
F
And
I
wondered
if
one
there's
any
data
on
the
museum's
visitorship
that.
F
That
also
speaks
to
potentially
the
inequality
of
of
who
is
benefiting
from
these
shows
and
then.
F
Because
you
know
you
touched
on
julie,
muratu
one
gets.
You
moved
to
lorna
simpson.
F
Campus
be
looped
in
will
like
african
studies
or
what
are
the
in
terms
of
the
racial
aspect.
How.
F
Have
what
what
are
the
plans
for
kind
of
broadening
the
scope
in
that
sense,.
E
A
variety
of
committees,
both
elliott
and
I
are
on
the
audience
committee
among.
E
Others,
everyone's
on
multiple
committees
and
the
audience
committee
is
really
tasked.
E
Is
that
representative
of
bloomington
southern
indiana,
and
how
do
we
attract?
How
do
we
make.
E
E
Since
we
reopened,
there's
like
a
desk
at
the
front
and
our
guest
services
associates
asked,
have.
E
E
E
About
this
exhibition,
we
have
contacts
for
some
of
those,
but
I'd
be
so
grateful
if.
E
E
E
Make
people
feel
really
included
and
considered.
So
my
hope
is
that
we
can
send
that
list
to
you.
E
B
Kind
of
piggybacks
on
what
rachel
said
just
about
expanding
your
audience,
you
know
one.
B
Conversation
I
have
over
and
over
as
I'm
meeting
visual
arts
community
members
is
about
town
and.
B
New
people
to
you
know
who
you
know
are
not
the
usual
suspects
to
get
out.
So
I'm
happy
to
help.
B
B
B
Bloomington
I'm
also
presenting
to
them
tomorrow,
so
I'm
happy
to
share
it
with
them
and
their.
B
This
like
running
spreadsheet
of
members
and
they
share
email,
addresses
it's
a
little
insane.
B
But
so
you
have
access
to
those
people
and
the
organizations
that
they
represent
and
then
you.
B
Can
also
just
post
events
on
their
facebook
page
and
again,
because
I'm
kind
of
like
a
known.
B
Quantity
in
that
group
and
we're
trying
to
be
bffs
right
now,
I'm
happy
to
help
share
information.
B
On
that
page,
I'm
thinking
too,
and
you
might
all
be
thinking
about
these
groups,
but
I
think
I.
B
B
B
B
B
B
To
organize
with
I'm
wondering
too,
if
you've
thought
at
all
about
working
with
the
monroe.
B
County
public
library
for
any
cross,
promotion
or
programming
they
again,
I
met
with
them.
B
Yesterday
and
was
just
absolutely
blown
away
by
the
amount
of
programming
they're
doing.
B
B
Blown
away
and
then
finally
I'll
say,
I
think
another
group
that
I
can
help
connect
you
with.
B
Is
actually
it's
an
internal
department,
it's
community
and
family
resources.
B
Good
option:
yeah-
terrific,
thank
you
so
much
for
those
leads
I'll,
be
sure
to
I've
made.
E
A
Okay,
galena
there's
one
more
message
for
you
in
the
chat
room
that
you
can
catch
up
on.
A
A
E
Elliot
is
staying
on
the
call,
but
please
also
know
that
all
of
you
should
feel
free
any
time.
E
To
email
me
my
information's
all
on
the
museum
website,
so
even
if
it's
silly
things
like
oh.
E
So
I
can
do
all
those
sorts
of
things
as
well,
but
please
keep
me
in
mind
if
you
didn't.
E
If
you
need
a
sort
of
museum,
curator
who's
not
elliot,
you
also
have
me
sounds
good.
I
I
Since
our
last
meeting,
thank
you
bryony
for
running
point
on
switchyard
park.
Everything.
I
Went
well
there
had
a
high
school
student
gave
a
gave
a
reading.
That
was
part
of
the
programming.
I
And
sounds
like
that
all
went
well
as
mentioned
earlier.
The
trades
garage
opening.
I
While
afterwards
had
had
a
good
time
with
a
few
of
us,
he
just
seemed
over
the
moon
about.
I
About
things,
and
so
it
just
it
felt
really
great.
You
know:
holly
worked
out
the
stipend
for.
I
I
So,
jumping
to
another
big
one,
fourth
street
garage,
it
is
happening.
The
installation
is.
I
In
progress
now
the
south
facade
or
sorry,
the
the
north
facade
facing
the
walter
and
wfhp
is.
I
Fully
up
and
installation
is
happening
now
along
the
west
facade,
so.
I
So
far
so
good,
if
you
haven't
been
by,
I
definitely
check
it
out.
I
You
know
holly
anything
you
want
to
add
on
fourth
street
working
with
the
mayor's
office.
B
B
Announced
soon
there
but
yeah
they're
working
really
hard
to
have
the
garage
done
by
december.
B
Do
a
really
another
really
engaging
public
performance
of
some
sort
to
activate
that
space.
I
I
Next
year,
I
think
we've
mentioned
previously,
but
the
artist
stefan
reese
is
no
longer.
I
Doing
a
us
residency
that
was
sort
of
dictating
some
of
our
ideal
timeline
to
overlap
with.
I
The
project
fabricated
and
installed
next
year,
but
we
have
a
little
bit
more
runway
to
work.
I
With
to
figure
that
out
and
then
holly,
you
want
to
speak
briefly,
there's
not
much
to.
I
Say
here,
but
but
with
the
hospital,
the
the
old
hospital
redevelopment
site,
I
mean
just
as
holly's.
B
Just
met
with
my
colleagues
here
in
economic
and
sustainable
development
today
just
to
talk.
B
Vocal
on
these
meetings,
but
we
are
present
at
these
meetings,
so
they
know
that
we
are
there.
B
B
Of
and
where
is
the
art
gonna
go
so
more
to
report
on
in
the
new
year
on
that
one.
I
Great,
so
I
think
that
covers
one
percent
projects
you
know
so
can
I
guess
before
I.
D
Because
when
I
first
moved
here,
I
was
given
through
to
my
work
at
the
museum
under
the.
D
D
Exploring
those
other
options
yeah,
I
I
I'm
right
there
with
you
and
so
as
when
I
was
like.
Oh
my.
B
B
B
B
They're
definitely
at
the
table.
I
have
also
been
in
conversation
with
sean
starwitz
and.
B
B
B
These
other
recommended
fabricators
and
finding
the
best
one
and
making
the
determination
about.
B
B
Answer
for
me,
yet
I
think
it's
going
to
be
a
matter
of
us
finishing
terminating
the
agreement.
B
Of
re-addressing,
what
the
steps
are
going
to
be
to
find
this
new
fabricator
in
the
new
year.
But
I.
B
Will
definitely
keep
you
all
posted
and
I
guess
we
can
talk
once
I
learned
this.
What
the
bac's.
I
Okay,
then,
moving
along
with
our
agenda,
the
public
art
master
plan,
oh
yeah,
go
in
yeah.
G
I'm
just
curious
about
one
thing:
with
with
the
project
with
the
garage:
did
we
come
in
below.
G
Budget
on
budget,
or
I
didn't
realize
how
much
they
were
going,
this
size
was
going
to
be
reduced.
I
It
was
something
that
sean
had
flagged
previously.
You
know
we,
we
weren't
in
a.
I
Position
to
significantly
increase
budget,
I
the
the
the
thing
that
we
ran
into.
I
As
I
understand
it
is
obviously
the
the
aluminum
being
one
of
many
items
where
costs.
I
Material
costs
have
skyrocketed
over
the
last
couple
years.
I
think
one
point
of
frustration
that.
I
The
project
he
certainly
wished
that
material
orders
would
have
been
made
earlier.
You
know.
I
When
we
were
a
little
bit
lower
on
the
cost
curve,
as
things
have
continued
to
increase,
but.
I
That
I
know
we
discussed
in
one
of
these
meetings.
I'd
have
to
look
back
at
minutes
and
see.
I
G
About
the
fourth
street,
because
actually,
when
I
drove
by
it-
and
I
only
saw
it
for
this
side.
G
I
About
that
frankly,
yeah
yeah-
absolutely
I
I
was
sort
of
working
with
the
same.
I
I
had
the
original,
you
know
renderings
in
my
mind,
for
so
long
it
was
you
know
I
had
to.
I
Acknowledge
when
I
first
looked,
I
was
like
that's
a
little
smaller
than
I
wish
it
was,
but.
I
In
context
with
what
else
exists
in
this
town,
you
know
parking
structures
and
what
we've.
I
G
Other
garage
and
and
the
the
artwork
to
me
it
looked
significantly
smaller
than
it
than
I.
G
I
And
look
at
like
what
details
we
had
when,
but
it's
in
scale.
I
think
with
what
I
expected
you.
A
A
G
That
that
wasn't
something
I
was
looking
at
and
and
and
I
think
it
looks
really
nice.
G
I
I
I
guess
original
final
proposal,
yes,
that
we
reviewed
amongst
other
finalists,
and
you
know
I.
I
I
Know
I'd
have
to
double
check
and
see
if,
if
that
particular
rendering,
you
know
how
that
compares.
I
Know
esteban
communicated
scale
of
the
pieces.
How
many
tiles
there
would
be
size
of
the
tiles.
I
I
In
in
in
scale,
I
I'm
not
sure
if
we
ever
got
that
or
or
if
we
were
circulated
it,
but.
I
I
think
at
least
the
the
decel
details
of
the
pieces
were
were
followed
through
on.
You
know,.
I
Of
remarkable
how
close
esteban's
original
concept
is
to
what
was
created,
you
know
it's
it's
and.
I
I
Imagine
you
know
how
it
could
turn
out
and-
and
I
so
I
think
considering
this
is,
if
I'm
correct.
I
His
first
public
or
first
permanent
public
art
installation,
you
know,
I
think
it's
it's.
You.
I
Through
more
of
these
projects,
especially
where
there's
opportunities
for
revisions.
I
Versus
you
know
the
work
we're
asking
them
to
do
for
the
fee.
You
know
that
that
that
they're.
I
Where
we
sometimes
end
up
sort
of
tight
on
this
budget,
but
I
think
that's
really
good
feedback.
I
I
G
Be
surprised
you
know
in
the
future,
it
could
end
up
being
something.
You
know
that
could
be.
A
A
A
Continue
very
very
quickly:
public
art
master
plan
bryony
and
I
exchanged
a
couple
emails
and.
I
She
all
put
together,
you
know,
sort
of
the
the
lingering
to-do
list.
Her
availability
in
mine.
I
I
So
that
we
can
tidy
it
up
in
the
month
of
january
when
we're
all
sort
of
getting
back
to
normal.
I
And
then
holly
also
provided
the
update,
the
the
near
west
side,
mural.
I
She's
working
on
you
know
getting
invoicing
together
and
things
like
that.
I
Project
the
bike
garage
people,
people's
park,
adjacent
mural
and
the
rogers
family
farm
aka.
I
The
goat
farm
space
that
I
think
we
talked
about
last
month,
rfqs
for
all
of
those,
will
be.
I
In
the
works
at
the
top
of
next
year
january
february
march,
hopefully
posting
in
first
quarter.
B
To
grants,
but
the
the
city
is
going
to
contract
with
an
entity
to
have
grant
software.
B
So
this
is
a
software
that
I'm
hoping
will
be
implemented
very
early
on
in
2022,
so
we
can
think.
B
B
B
B
Seriously,
yeah
yeah
and
their
the
projected
budgets
they
put
into
place
for
us
were
just.
B
A
A
B
Our
grant
applicant
was
applicant
pool
was
small.
This
cycle,
I
think
I
I,
as
I've,
been
reflecting.
B
On
this,
I
think
there
are
a
few
factors
that
contributed
to
this
fact
and
I'd
like
to
work.
B
B
Operations
like
time
that
people
can
apply
in
makes
more
sense
things
like
that,
but
so.
B
In
all,
we
had
26
applicants,
most
of
them
were
for
arts
projects
applications
only
two
for.
B
Emerging
artists
and
then
I
think,
about
seven
for
operations
fund
of
those
26
applicants.
We.
B
Awarded
17
and
we
awarded
anywhere
from
500
for
the
emerging
artists
up
to
5
000
for
the.
B
Organizations
who
were
applying
for
operational
funds
in
all
we
awarded
about
35
000.
B
As
part
of
their
recover
forward
initiative
as
part
of
like
an
off
cycle
opportunity.
B
B
B
A
Of
them
did
not
qualify
for
funds
because
they
were
operational
and
they
had
applied.
The
last.
A
A
A
Their
operational
budget
and
for
for
project
I
think
it's
the
cap
is
2000,
so
we
cannot
like.
A
We
could
not
give
away
more
money
just
because
we
have
the
money.
We
have
to
find
a
different.
A
Yeah,
thank
you
and
for
all
of
those
who
did
not
receive
awards
who
applied.
I
have
been.
B
B
And
we
can
ultimately,
hopefully
give
them
some
money.
Karen
dumb
question:
are
these
funds
do.
C
B
Is
a
question
that
has
been
in
my
mind:
you
know,
as
I'm
kind
of
like.
Oh
my
god,
like
you
know,.
B
B
B
B
A
A
A
Elliot
as
the
new
chair
for
the
grants
committee
elliot
thanks,
bernie
I've
I've
been
on
both.
D
Sides
of
the
grant
writing
process
in
my
decade
plus
time
in
the
professional
institutionalized.
D
Arts
written
a
few
earned
a
few
evaluated
many
and
it
is
I've,
become
to
realize
again
after.
D
This
being,
I
think,
my
maybe
my
fourth
grant
cycle
reading
I
enjoy
it.
A
D
D
I
I
saw
hassan
minaj
speak
last
night
and
he
said
you're.
What
did
he
say.
G
A
G
I
think
we
should
just
give
her
a
special
thank
you,
because
I
know.
A
The
end
of
the
agenda,
but
I
will
make
sure
that
I
reach
out
to
her
in
space.
A
All
right:
well,
I
notion
that
we
vote
elliott
as
our
pr
grants,
chair
committee.
A
A
A
Just
ideas,
as
always,
are
more
than
welcome
anything
else
on
grants.
Holly.
C
A
G
G
And
that
we
could
just
brainstorm
on
it
sure
I'll
I'll
send
something
out
in
this
video
yeah.
A
A
Mention
that
we
started
this
month,
but
with
gallery
walk
and
the
stuff
esteban's
event.
A
A
Nothing
for
today
and
we
lost
chaz,
so
that
was
our
one
community.
Our
public
comment.
A
I'm
sure
you
can
all
check
the
far
website.
There's
going
to
be
some
workshops
coming
up.
A
A
And
other
than
that
have
a
great
holiday
season
and
we'll
see
you
all
back
in
january
unless.