►
From YouTube: Bloomington Arts Commission, October 13, 2021
Description
No description was provided for this meeting.
If this is YOUR meeting, an easy way to fix this is to add a description to your video, wherever mtngs.io found it (probably YouTube).
A
While
we
will
have
kind
of
a
more
formal
moment
to
welcome
rachel,
our
latest
and
us.
B
Sure-
and
this
is
my
first
time
doing
this
so
just
if
I'm
leaving.
B
Anything
out
just
holler
at
me,
so
I'm
gonna
just
share
my
screen.
C
B
B
Funding
our
grants
fall
cycle.
In
addition
to
this
funds,
we
have
a
total
of
65
597.
B
Dollars
and
31
cents,
that's
split
between
two
accounts,
the
municipal
arts
counts
and
the.
B
B
A
It's
hard
to
yeah
yeah
and
I
can
clarify
that
just
with
my
colleagues
to
make
sure
we're.
B
All
on
the
same
page
about
what
that
is,
and
one
thing
and
I
think
again,
this
will
be
an.
B
B
B
A
Perfect,
thank
you.
So
much
do
you
have
a
initial
staff
report.
A
Anything
super
pressing
that
is
kind
of
big
picture
of
all
yeah,
so
really
big
picture.
B
I
think
right
now
and
I
can
do
this
update
now
or
I
can
wait
until
we're
further
down
into.
B
B
Bac
ball
grant
cycle
is
live.
I
attended
buea's
monthly
board
meeting
earlier.
B
D
Second,
perfect:
we'll
take
a
vote
nick
yes,
so
that,
yes,
karen
yes
all
right
rachel
did
you.
E
A
A
Go
ahead
and
take
it
okay,
so
I've
I've
never
done
this
before,
but.
F
Just
to
give
you
some
background
on
me,
I'm
I'm
an
artist
graphic
designer
my
background.
F
In
in
the
fall
of
2014,
I
did
small
spaces
lafayette.
That
was
a
project
that
a
friend.
F
F
And
and
then
in
2019
he
did
another
project
for
the
tippecanoe
art
federation.
F
The
art
culture
is
there,
the
street
art
is
there,
the
graffiti
is
there
and-
and
I
think
that.
F
If
we,
if
we
had
an
initiative
for
a
street
art
festival,
we
could
curate
our
own.
F
F
And
then,
and
then,
like
the
pay
tiers,
would
you
know
reflect
that,
depending
on,
like
the
the
level.
F
Of
talent,
the
amount
of
travel,
you
know
that
that
kind
of
thing
that
needs
to
be
considered.
F
But
but
yeah
I
I
don't
really
know
what
to
ask
for,
because
I
I've
never
been
in
this
position.
F
Or
had
this
audience
before,
where
I've
I've
had
access
to
a
board
like
this
one
and.
F
Yeah,
so
I'm
just
trying
to
to
to
navigate
this
as
I
go,
so
I'm
I'm
open
to
suggestions.
F
Learning
opportunity
regardless-
and
I
will
take
this
knowledge
with
me
in
the
future.
F
That
the
the
quality
of
the
festival
would
would
definitely
be
affected
by
that.
F
F
How
many
like
top-tier
artists
could
be
invited?
You
know
for
like
a
50
50k
project
or
you
know.
F
Top
tier
artists
and
maybe
three
mid-level
artists,
I
mean
then
we
could
have
like
five.
F
Four
or
five
like
local,
just
bloomington
local
artists,
that
was
kind
of
what
I
had.
E
I
would
love
to
hear
mitchell
if
you
have
thought
further
about
the
locations
that
you.
E
F
Yeah
she
had
told
me
that
I
forget
the
name
of
the
organization,
but
there
or.
F
I'm
not
even
sure
what
it's
called
ally
is
that
the
one
she
was
telling
me
that
there
was.
F
Like
a
like,
a
committee
that
that
was
like
in
charge
of
the
the
different
neighborhoods.
F
And
that
they
might
be
a
valuable
resource
to
to
point
me
in
the
right
direction
for
like
what.
F
Building
owners
to
approach
and
what
business
owners
to
approach
for
a
project
like
this.
F
Ideas
off
of
them,
once
artists
are
being
selected,
we
can
kind
of
bounce
off
the
the
building.
F
C
D
Small
spaces
and
wabash
walls
yeah
like
like
the
wabash
walls
project
in
particular,
I'm
I'm
not.
D
F
Yeah,
and
so
I
talked
to
my
friends,
zach
medler
from
lafayette
who
curated
small
spaces,
lafayette.
F
F
Friend
friend
of
mine,
and
I
consult
with
him
on
a
regular
basis
and
I've
been
trying
to.
F
Predict
any
kind
of
like
obstacle
that
I
might
face
preemptively
just
by
asking
him
questions.
F
On
like
a
hypothetical
basis,
but
I
think
that
certain
things
are
just
going
to
be
different.
F
Because
it's
bloomington
and
the
the
area
is
different
and
the
things
that
are
available.
F
Are
going
to
be
different,
but
but
yeah
I
have
a
general
idea.
I
also
talked
to
cameron
who.
F
Country
in
in
different
cities,
in
different
states
and-
and
I
also
consult
with
him
as
well.
F
So
I'm
not
worried
about
like
running
into
a
problem
that
I
won't
be
able
to
navigate.
F
I'm
pretty
good
at
thinking
quick
on
my
feet
so
and,
and
I
feel
like
that,
I've.
F
You
know
would
need
to
facilitate
them
in
in
pulling
off
what
you
know.
We're
asking
them
to.
F
Pull
off
and
you
know
what
would
be
probably
about
a
week
time
period
and
that
that's
that's.
D
Cool,
so
I
I
I
think
I
think
it
seems
like
there's
there's
three
big
stages
to
this
right.
D
There's
figuring
out
the
budget
and
the
source
of
funding
yeah,
there's
the
physical
locations
and.
D
Then
there's
finding
the
artists,
I
don't
want
to
diminish
the
last
step,
but
I
feel
like
that's.
D
Expertise
with,
and
so
maybe
focusing
on
on
the
first
two
points
you
know:
do
you
have
a
plan.
D
D
I'm
curious,
you
know
there
are
a
lot
of
unactivated
spaces
in
bloomington,
but
there
are.
D
D
D
Based
in
bedford
currently-
and
in
you
know,
I'm
sure
you
spent
a
lot
of
time
in
bloomington.
D
Have
you
do
you
have
any
like
local
colleagues,
you
know
that
you
might
be
able
to
work
with
as.
D
Out
to
businesses
and
organizations,
and
things
like
that-
oh
sure
yeah,
I
I
have.
I
have
a.
F
F
You
know
could
be
refreshed
and
and
could
use
new
life,
but
I'm
also
interested
in
you
know.
F
Using
this
project
as
like
a
beautification
project
to
beautify
spaces
that
you
know
are.
F
A
F
Yeah
about
yeah
yeah,
I
yeah
I
would,
I
would
think
so
probably
summer
would
be
preferable.
F
If
they
can
squeeze
in
a
festival
in
this
time
frame
with
their
busy
schedules
and.
F
As
as
far
as
paint
costs,
I
I
did
plan
on
reaching
out
to.
F
A
handful
of
like
graffiti
oriented
like
wholesale
paint
like
warehouse,
distributor
type
companies.
F
Know
that
a
handful
of
them
have
in
the
past
true
value
hardware-
local
here
also,
I
know-
has
a.
A
Grants
for
some
murals
and
things
like
that
that
you
can
apply
to
okay
now
the
other
thing.
A
A
To
mentor
you
and
help
you
put
this
together,
so
if
you're
interested,
I
can
make
that
connection.
A
A
We
can
offer
you
some
guidance,
some
mentoring
and
potentially
a
grant
if
you
apply
for
it
and
it.
A
A
The
members
of
that,
where
you're
looking
into
it
yeah,
so
the
thing
that
you
might
have
missed
is.
A
It
and
talk
about
it
and
get
more
information
on
your
own
okay.
I
I'm
actually
already
connected.
F
B
Hey
mitchell,
thanks
for
this
is
awesome,
so
just
so
you
know,
so
I'm.
B
A
good
opportunity
to
start
thinking
about,
but
I
think
kind
of
speaking
to
bryony's
point
about.
B
Thinking
about
actively
engaging
with
the
communities
that
are
here
sure
is
thinking.
B
In
the
city,
what
other
festivals
are
happening
and
I'm
wondering
and
like
not
just
for
conflicts.
B
B
B
Be
engaged
in
while
they're
already
sure,
so
that's
something
to
think
about.
I'm
also
happy.
B
B
There
are
some
immediately
immediate
concerns
about.
How
can
we
make
them
look
pretty
while
we.
B
Are
demolishing
other
parts
of
the
site,
so
I'd
be
happy
to
also
stay
in
touch
with
you
about.
B
A
A
All
right
does
anybody
have
anything
about
that
yeah
going
along
with
what
briana
said
is.
G
G
That
you
want
to
do
and
to
barany's
point
on
a
scaled
basis,
so
it
would
give
you
your
learning.
A
All
right
well,
thank
you
so
much
for
sharing
your
project
with
us.
Thank
you,
and
you
know
where.
A
A
You
with
adam
nehes
and
on
the
side
and
you're
more
than
welcome
to
stick
around
for
the
entire.
A
D
Yeah
I
mean
holly.
Where
do
you
want
to
start
on
this
I
mean
I,
I
shared
some
notes
with
the.
D
Public
art
committee,
from
from
our
last
meeting
where
you
gave
some.
D
And
I
can
sort
of
tack
on
sure
sure
and
and
I
actually
I
have
some
more
updates.
B
So
I
think,
as
you
all
know,
for
the
most
part,
the
two
installations
there
hoosier
line
and.
B
Then
those
north
star
are
pretty
much
done.
We
are
currently
in
contact
with
the
fabricators.
B
For
two
things
so
on
the
hoosier
line,
some
of
the
bolts
were
not
painted
and
since
we
last.
B
Talked
they
are
like
oh
yeah.
We
should
have
painted
those
bolts,
so
they're
gonna
go
paint.
B
So
that's
underway.
Another
thing
we
discussed
with
the
fabricators
was
adding
a
photocell.
B
For
the
norther
for
the
north
star
installation,
just
so
the
lights
only
come
on
when
it's
night.
B
B
When
you
can
actually
see
them,
so
they
are
looking
into
an
estimate
of
how
much
that
will
be.
B
To
do
that,
the
last
time
the
subcommittee
met,
I
shared
that
I
was
struggling
to
get
in.
B
B
Mid-November
before
it
gets
brutally
cold
outside
and
then
bring
resilience
to
switch
yard
in.
B
B
It's
a
long
time
coming
and
so
I
think
yeah
they're
their
person
power
at
their.
B
Studio,
it
sounds
like
just
ramped
up
immensely
in
the
past
two
weeks.
Right
now
they
are
looking.
B
At
an
installation
in
mid
november,
we're
gonna,
I
think
we're
gonna
have
to
stay
on
them.
B
About
that,
but
that
is
the
projection
at
this
point.
A
B
But
I'll
let
everybody
else
turn
them,
because
otherwise
activating
that
space
and
the
cold.
A
D
Usually,
try
to
go
beyond
that
is
in
activating
the
space
in
community
engagement
and
so.
D
Maybe
we
make
a
point
to
do
that
sort
of
follow-up
event
on
like
a
gallery
walk
friday.
D
Right,
you
know,
with
with
switch
yard,
this
might
be
good
to
sort
of
talk
with
parks.
D
D
D
Generating
from
zero,
you
know,
I
know,
that's
not,
you
know,
probably
totally
a
revelation,
but.
A
Rachel
are
you
familiar
and
slightly
with
these
two
projects
very,
very
slightly
yeah.
H
B
Talked
about
that
trey's
garage,
we're
they're
like
just
in
that
cadence
they
are
going
to
be.
B
Installing
the
final
week
of
october,
so
we're
in
conversation
with
the
parking
department.
B
B
B
B
B
The
space
again
and
we're
talking
about
doing
that
alongside
another
ribbon-cutting.
B
B
March
of
2022
and
that's
the
final
active
one
percent
project
that
we're
working
on
and.
B
That
one,
I
believe
at
this
point
stefan
has
the
renderings
and
he's
in
conversation.
B
With
ignatian
arts,
the
fabricators
to
just
kind
of
finalize
things,
ignition
arts
intention
is
to.
B
Do
their
portion
of
the
installation
in
january
and
then
stefan
who
currently
resides
in.
B
B
When
we
would
have
the
moment
of
celebrating
both
the
trades
gateway
sculpture
with
some.
D
Correctly
but
she's
a
a
professor
of
chemistry
with
iu
and
she
reached
out
about
wanting
to
do.
D
Nanoscience
and
so
she
wanted
to
do
something
related
to
that,
and
she
was
looking
for
advice
on.
D
Holly,
you
may
want
to
follow
up
with
her
and
just
sort
of
sort
of
talk
about,
like
the.
D
The
timing
of
things
you
know
it's
interesting
with
with
mitchell's
proposal
today.
D
Things
together,
but
I
I
think,
listening
to
mitchell's
proposal,
it
would
be
interesting
just.
D
Something
like
that
they're
trying
to
activate
a
space
around
you
know,
and
especially
with
with.
A
Okay,
yeah
I'd
be
interested
in
having
your
present
to
everybody.
So
I
think,
maybe
december
is
the.
A
Next,
open
slot
got
november
covered,
but
do
we
don't
have
any
kind
of
active
directory.
G
Of
mural,
artists
of
anything,
no
that
exists
under
the
artisan,
no,
not
urgent
arsenal
lion.
A
If
they
cannot
find
something
specific,
they
can
also
reach
out
to
artisan
ally.
D
D
D
D
You
know
we
can
sort
of
connect
them
to
resources,
you
know,
but
I
think
if,
if
there
are
more.
A
The
directory,
the
master
plan,
all
of
the
other
little
loose
ends
that
we
have
yeah.
I
think
with.
D
The
submissions
that
we
have
are
being
reviewed
by
the
the
couple
reps
from
the
neighborhood
group.
D
And
and
members
of
the
commissioner
raised
their
hand,
I
think
we
gave
everyone
a
deadline
of.
D
This
friday,
I'll
I'll
check
and
see
where
the
sheets
at
and
can
give
folks
a
nudge
and
then.
D
In
terms
of
the
the
master
plan,
the
public
heart
master
plan-
bryony-
that
is
just
the
thing.
D
D
That
you
asked
about
sorry
and
the
directory
that
we
covered
on
the
subcommittee
meeting.
D
Yeah,
so
I
included
this
in
my
notes
to
the
public
art
committee.
I
know
I
bet
you
weren't.
D
In
that
meeting
you
know
so,
if
you
want
to,
if
you
have
any
questions
about
the
notes
in
there.
D
D
Seven
years
and
incomplete,
like
sort
of
google
sheet
inventory,
of
some
public
art
in
town.
D
A
lot
of
it,
you
know,
was
focused
on
like
art
holdings
within
like
offices
in
city
hall
and.
D
Lot
that's
been
added
since
then,
and
so
what
we
discussed
was
a
plan
for
people
to
basically
claim.
D
D
In
there
and
then
from
there
we'll
start
just
adding
and
filling
the
gaps,
and
I
think.
D
We
have
some,
you
know,
resources
both
with
like
a
limestone
post
piece
that
babette
has
shared.
D
In
a
couple
meetings
that
we've
discussed,
you
know
to
reference,
and
then
I
think,
particularly
for.
D
Know,
correspondence
with
sean
and,
and
you
know
older
bac,
folders
and
things
like
that.
Just
make.
D
Pretty
easy
recall,
for
you
know:
it's
not
going
to
get
us
all
the
way
there,
but
it'll
it'll
feel.
D
Like
some
some
good
measurable
progress
and
then
I
think
we
can
start
filling
the
gaps
from.
D
There
and
the
ultimate,
you
know
end
point
with
this:
I
think
there
are.
There
are
two
main
goals.
D
Just
for
everyone's
benefit,
one
is
to
simply
have
you
know,
an
accurate
inventory,
so
we
know.
D
What
is
where
and-
and
I
think
particularly
for
us
to
be
able
to
see
where
there
are
gaps,
you
know.
D
So
that
can
inform
our
efforts
in
the
future.
As
far
as
where
we
want
to
place.
D
Art
within
the
community,
I
think
the
other
big
goal
is
to
then
have
this
inventory
tied
to.
D
D
You
know
keeping
it
top
of
mind.
You
know,
while
we've
been
distracted
by
some
other
projects,
but.
D
D
G
About
we
have
the
the
postcard
project,
but
there's
got
to
be
like
if
you
ask
the
university.
A
G
G
The
cfo
or
whatever,
but
you
know
all
these
one-
the
projects,
the
other
things
they
have
to
it's
a.
G
D
Framed
you
know,
painting
of
a
boat
or
whatever
that's
in
whatever
conference
room
like
there
is.
D
A
lot
of
that
stuff
inside
that,
okay,
yes,
a
lot
of
that
is
in
that
sheet
that
we've
had
for.
D
D
D
Archive
we
have
but
the
stuff
that's
more
in
the
exterior
public
space.
You
know
you
think
about.
D
One
percent
projects-
I
think
my
guess-
is
the
way
the
city
would
look
at
those.
D
D
D
D
D
Public
space
that
the
city,
you
know,
wouldn't
have
any
financial
interest
in.
D
G
A
G
Different
pieces
are
all
now
in
one
place.
Yes
I'll,
go
ahead
and
add
that
here
to
the
chat.
B
Start
and
you
can
go
ahead,
yeah
cool
thanks,
so
the
fall
grant
cycle
is
now
live.
We
are.
B
Emerging
artist
category
for
this
cycle,
we've
gotten
a
few
final
applications
in.
B
Not
too
many
at
this
point,
I'm
not
sure
how
typical
that
is
so
early.
It's
not
physical
at
all,.
B
B
Or
emerging
artists,
so
hopefully
those
will
get
up
there.
I
feel
like
we
had
a
pretty
successful.
B
There
who
helped
support
and
share
information
that
was
great.
What
else
can
I
tell
you.
B
B
Those
of
you
who
are
on
the
grant
subcommittee,
if
you
haven't
already
to
send
me
some
hours.
B
A
Out
the
door
reach
out
to
us,
if
you
have
somebody
with
questions,
I'm
sure
somebody
can.
A
B
B
Be
reading
what
grants
get
all
that
information
out
to
you?
One
thing
we
haven't
done
yet.
B
But
perhaps
it
would
be
best
to
do
this
to
a
google
poll
specifically
to
those
who
are
on
the.
B
A
All
right
well,
hopefully,
we'll
have
more
updates
after
our
next
subcommittee
meeting.
A
A
A
I
I
A
Will
go
ahead
and
update
that,
instead
of
having
other
commissioners
work
on
that
and
as
soon
as.
A
A
A
A
A
I
D
Which
is
easy,
like
I'm
seeing
a
couple
like
one
percent
public
art
things.
D
E
Yeah
thanks
brady.
I'm
really
grateful
to
be
with
you
all,
and
I
have
to
give
a
shout
out
to.
E
Essence
and
bryony
both
who
were
really
wonderful
with
the
the
grant
cycle
experience,
I.
E
E
Teacher
at
a
high
school
in
mississippi,
so
I
bounced
around
a
little
bit,
but
I'm
very
excited.
A
A
Join,
if
not
both,
I
don't
know
she
might
surprise
us.
Does
anybody
have
any
questions
for
rachel.
A
Okay,
well,
I
was
hoping
some
oh
sam
sam,
say
hi.
J
Yeah,
oh
my
needs
a
wrench
here.
Well
I
have
news
we're
moving
away
to
madison
wisconsin.
J
C
Sorry,
I've
been
packing
all
day,
long
and
yeah,
just
kind
of
forgot.
We
leave
tomorrow
or
friday.
J
A
So
you're
moving
quickly,
no
worries
yeah
any
words
for
sam
from
other
commissioners.
J
Contributed
that
much,
but
I
hope
I
did
so
thank
you.
No,
you
absolutely
did
never
doubt
yourself.
A
All
right
in
other
news
essence
will
be
leaving
the
commission
as
well,
so
she
will.
A
A
A
A
A
Those
are
my
commissioner
updates.
I
believe
we
had
some
chat
about
the
implementation,
but
overall.
A
That,
based
on
our
public
art
and
grants
in
website
touch
points,
the
only
other
thing
would
be.
A
Social
media,
which
has
fallen
essence,
has
been
doing
other
than
the
last
couple.
A
Members
of
our
community
were
highlighting
all
of
the
information
we
had
for
the
grants.
A
H
To
like
the
mic
was
coming
through
there
anyways
I
had
a
meeting
with
bryony
earlier.
I
just.
H
Recently
moved
to
bloomington,
but
I
used
to
volunteer
for
the
design
conference
that
they
run.
H
Opportunity
so
I
wanted
to
pop
in
and
say
hi
I
might
get
more
involved
down
the
road.
If
I.
H
Learn
more
about
it,
but
I'm
a
graphic
design
faculty
at
iu,
and
this
is
my
first
semester
so.
K
Hi
everybody,
my
name
is
jack
kovalevsky.
I
am
a
librarian
at
the
public
library
and
I
just.
K
K
K
Wants
to
talk
about
working
with
the
library,
we
would
be
happy
to
to
do
that.
K
You
know
help
market
and
bring
our
our
clientele
to
to
your
events,
so
I
just
wanted
to
say
hi.
K
L
Hi
everybody
for
those
who
don't
know
me
hi,
like
welcome
rachel,
charles
moddinger.
I
work.
L
L
L
L
Then
we'll
have
a
open
to
the
public
free
to
attend
poetry,
reading
local
poets
in
town.
L
J
I
I
hear
you
or
I
I
don't
know
where
no
sorry,
sam
there,
there
was
another
scam.
A
A
And
that's
it
we're
early
today
anything
else
before
we
log
off.