►
From YouTube: Bloomington Arts Commission, September 13, 2023
Description
Bloomington Arts Commission Documents:
https://bloomington.in.gov/boards/arts/meetings
A
All
right,
great
I'm
gonna
go
ahead
and
call
this
meeting
to
order.
This
meeting
is
called
order.
Thank
you
all
for
being
for
being
here
today,
we'll
be
an
exciting
and
Lively
meeting
like
like
they
all
are
so
yeah.
First
things.
First,
let's
go
ahead
and
go
through
an
approval
of
the
minutes,
so
the
minutes
have
been
distributed
in
the
materials.
Thank
you,
Holly
and
and
presumably
red.
Are
there
any
noted
corrections
to
the
minutes.
A
B
B
B
B
That
left
us
with
a
total
of
56
709
for
the
remaining
two
cycles
of
the
years
that
breaks
down
into
thirty
nine
thousand
three
hundred
sixty
dollars
coming
from
that
General
fund
allocation
and
sixteen
thousand
five
hundred
dollars
coming
from
the
bua
Zone
Arts
Grant
allocation.
Now
the
operations
Grant
Review
Committee
got
together
last
month
and
we
had
a
great
four
hour
meeting
and
we
awarded
a
whole
bunch
more
of
Grants
and
those
notification.
Letters
went
out
last
week.
B
Mousse
will
be
following
later
this
week
and
probably
into
next
week
and
once
those
mousse
are
out.
That's
when
we'll
actually
start
disbursing
those
funds,
and
then
you
will
start
seeing
that
number
going
down.
So,
even
though
it
looks
like
we
have
56
709
left
for
Grants,
we
actually
have
about
half
of
that
and
that
half
will
be
allocated
for
the
emerging
artist
Grant
cycle
that
is
coming
up
very
soon.
The
emerging
Grant
artist
cycle
is
open.
B
Now
it
will
close
on
September
29th
and
after
that,
we'll
reconvene
and
we'll
talk
about
how
we're
going
to
and
the
rest
of
those
Grant
funds
for
the
year.
In
addition
to
those
Grant
funds,
we've
got
five
thousand
dollars
kind
of
sitting
there
waiting
to
be
used
for
emerging
artist,
professional
development
opportunities,
I'm,
hoping
that
we
can
focus
on
doing
some
of
that
work
in
the
last
three
months
of
the
year.
Addition
to
that
we
have
16
500
in
the
public,
art
and
grants
fund,
and
this
is
a
a
pool
of
money.
B
We
have
designated
specifically
for
public
art
neighborhood
projects
in
relationship
to
our
public
art
master
plan,
which
we
are
planning
to
publish
next
week.
Simultaneous
to
that
plan
being
published,
we
will
be
announcing
a
micro
Grant
that
we
will
be
spending
out
of
this
public
art
and
grants
16
500
from
so
we'll
talk
a
little
bit
more
about
that
later
in
this
meeting
as
we're
going
through
the
presentation,
we're
planning
for
Council
next
week,
but
that's
where
we
are
now
and
I'm
happy
to
answer
any
questions
you
have
about
funds.
C
B
But
to
be
cooperating
with
a
significantly
short
stuff,
not
just
in
the
economic
and
sustainable
development
department,
but
unfortunately
across
the
city.
Sometimes
things
just
take
longer.
All
I
can
tell
you
is
that
my
colleagues,
including
Paulie
as
a
intern,
are
working
diligently.
Our
colleagues
in
the
controller's
office
who
disburse
those
funds
and
our
colleagues
in
the
legal
department
who
are
generating
those
legal
funds
are
also
doing
everything
they
can
to
get
these
things
out
and
as
timely
matter
as
possible.
I
acknowledge
those
things,
don't
happen
as
quickly
as
I
know.
B
Artists
would
like
to
see
them
happen
as
quickly
as
I
would
like
to
see
them
happen.
We're
constantly
trying
to
make
that
process
better
and
more
streamlined,
so
we
can
get
things
out
the
door
but
again
just
because
if,
if
one
of
my
people
is
out
sick
for
a
week,
that
is
just
that
slows
everything
down
and
that's
just
kind
of
the
world.
We
are
existing
in
right
now,.
C
I
think
from
my
experience
has
been
not
weeks
but
has
been
months
and
months
and
I
and
I
was
really
surprised
about
that,
and
I
would
think
that
other
people
would
be
equally
surprised.
So
I
wonder
if
maybe
in
the
letter
that
goes
out
there
can
be
some
something
in
it.
That
says
that
this,
the
time
frame
can
be
anywhere
from
30
days
to
90
days
or
something
you
know
whatever
it
is
yeah.
That's.
B
Helpful,
thank
you,
I
think
at
some
point
we
actually
did
have
that
language
in
the
letter,
but
I
suspect
just
kind
of
recalling
off
the
top
of
my
head.
What
it
reads
like
now
that
might
not
that
might
have
gotten
dropped,
but
I
think
that's
great
advice
and
we
can
put
that
in
especially
as
we're
doing
the
emerging
artist
cycle
when
we're
most
likely
going
to
be
dealing
with
a
large
number.
Okay.
C
B
We
are
really
good
at
getting
the
words
about
our
grants
out
and
there
are
a
lot
of
really
good,
preserving
folks
in
our
community,
so
I
I
did
advocate
for
just
bumping.
Those
numbers
up.
Another
thing,
I
propose
that
we
haven't
talked
much
about
in
here,
is
just
allocating
some
funds
towards
doing
more
of
a
strategic
plan
for
public
art.
B
Downtown
I'm
really
excited
about
the
work
we've
done
in
the
public
art
master
plan
to
think
about
how
we
can
do
better
public
art
activation
in
neighborhoods,
but
I
do
think
kind
of
based
on
a
lot
of
the
feedback.
We
got
from
the
2022
Arts
feasibility
study
that
beyond
the
city
and
us
just
saying
hey,
we
need
more
facilities
to
do.
X.
Y
and
Z,
it's
kind
of
like
hey.
We
need
to
do
all
these
things
around
downtown.
B
Okay
over
the
next
three
to
five
years.
Where
does
it
make
most
sense
to
put
x
y
n
z,
type
of
public
art
downtown?
What
kind
of
themes
do
we
want
to
focus
on?
Do
we
want
to
focus
on
alleys
like
how
are
we
balancing
performance
arts
with
murals
with
3D
installations
with
lighting?
How
are
we
making
choices
about?
What
kind
of
artists
are
we
working
with?
What
is
the
percentage
of
local
versus
regional
versus
National
artists
that
we
want
to
be
going
for?
So
this
is
another
Pool
of
money.
B
I
have
asked
Council
for
this
pool
of
money
will
be
this
pull
even
though
I
am
proposing
that
pool
of
money
or
I
am
proposing
that
project.
It
is
the
mayor's
office
that
has
made
the
larger
proposal
for
downtown
beautification
and
infrastructure
that
we
would
pull
those
funds
down
from
to
do
that.
So
it
is
very
I,
don't
have
specific
answers
yet
about
how
much
money
we
might
potentially
get
and
what
this
is
going
to
look
like,
but
I
do
want
you
to
know.
B
D
D
E
D
B
Coming
from
this
has
come
just
from
a
lot
of
community
members
and
a
lot
of
the
stakeholder
group
that
was
involved
in
the
Arts
feasibility
study
in
2022.
They
they've
just
reached
out
to
me
individually
to
say
Hey.
You
know
we
acknowledge
the
importance
of
art,
you
know
not
just
downtown
I
I
share
that
acknowledgment.
You
know
I
think
we
should
continue
to
do
both,
but
they
did
Express
a
feeling
of
the
paucity
of
just
a
more
formalized
plan
of
what
could
be
downtown.
That
is
not
here.
D
B
F
G
B
Okay,
so
there's
that
the
other
two
things
I
think
we're
gonna
kind
of
touch
on
at
other
parts
of
the
meeting.
I
think
Gerard
we're
going
to
talk
about
potential
end
of
year
party
later
in
the
agenda
and
I
also
just
want
to
acknowledge
a
conversation
that
is
rampant
amongst
around
Bloomington
right
now,
which
is
the
proposal
of
a
new
Gateway
structure
and
the
Miller
showers
Plaza
in
Bloomington.
B
B
C
A
H
H
But
at
that
meeting,
we're
planning
to
really
like
hit
the
ground
on
Hopewell
and
really
trying
to
nail
down
a
certain
project
that
we
want
to
move
forward
with
in
the
hopes
of
moving
towards
the
call
for
artist,
and
you
know
call
for
a
RFQ
just
as
soon
as
possible.
We
really
have
spent
a
lot
of
time
kind
of
looking
at
it,
but
now
I
think
we
need
to
you,
know,
wheel
all
those
thoughts
and
really
make
a
concerted
effort
to
be
like.
This
is
what
we
want,
we'll.
H
H
I
don't
know
what
day
it
is
at
any
given
time,
but
anyway,
another
exciting
update
is
that
we
have
20
applications
for
the
Duke
substation
mural,
so
that
you
know,
is
really
great
and
we're
hoping
to
get
moving
on.
Reviewing
those
and
we'll
talk
about
that
in
the
subcommitting
meeting,
as
well
as
we're
gonna
ask
for
a
few
to
help
review
those.
H
So
we'll
talk
about
that
and
then
yeah
like
Holly,
said
the
public
art
master
plan
will
be
released
next
week
after
the
rescheduled
council
meeting,
along
with
the
10
or,
along
with
the
call
for
the
micro
grants
that
there'll
be
10
of
those
thousand
dollars
each
for
neighborhood
projects,
and
please,
you
know,
share
those
widely
with
folks.
If
you
know
folks
who
want
to
do
art
in
your
neighborhoods
like
or
if
you
want
to
gently
nudge.
H
H
B
Yeah
yeah
yeah
I,
don't
think
at
this
point
in
time
with
this
just
this
is
this
is
a
beta
thing.
This
is
new.
We're
going
to
learn
a
lot
with
this
cycle.
I,
don't
I
I,
don't
want
to
put
too
many
constraints
over
who
is
applying
and
who
we
are
awarding
to.
I
would
like
to
use
this
first
cycle
to
kind
of
learn
who
is
interested?
Who
is
looking
out
for
these
things?
B
Who
is
taking
advantage
of
these
opportunities
and
based
on
that
and
think
about,
because
we
will
most
likely
do
this
again
in
2024
think
about
how
we
might
kind
of
hone
the
process
to
make
it
better?
We
might
also
say-
oh,
my
goodness,
nobody
from
this
app
this
neighborhood
or
this
area
of
town
applied.
How
can
we
make
sure
that
folks,
in
this
neighborhood
specifically
know
about
this
again,
so
we're
like
we're
not
getting
these
deserts
on.
C
What
I'm
confused
about?
Are
we
saying
that
we
want
something
in
a
specific
neighborhood
like
if
there's
a
park
in
a
neighborhood
or
there's
an
area
that
something
that
is
can
be
visually
seen
by
I
mean
I'm
just
because
they
take
one
part?
There's
no,
you
know
visual
anything
defining
it.
You
know.
Are
we
saying
something
like
like
that
and
doing
a
mural
or
doing
some
kind
of
mapping
or
or
what
I
don't
know?
What
we're.
H
H
You
know,
Community
approach
to
it
into
what
they
want
to
see
in
there
and
we're
you
know
implementing
this
when
we
release
the
master
plan
in
hopes
that
folks
will
like
look
through
the
master
plan
and
kind
of
see
the
what
we've
done,
what
we're
like
suggesting,
and
what
kind
of
using
that
as
a
resource
to
then
take
these
grants
and
be
like
okay.
This
is
what
I
want
to
do
in
my
neighborhood.
H
B
Yep
so,
first
of
all,
I
just
want
to
answer
the
question
in
the
chat.
People
have
not
applied
yet
I'm
apologized
for
that
Mystic
communication.
This
is
not
a
call
that
has
gone,
live
yet
and
the
other
thing
I
I.
Just
again
this
the
reason
we
are
doing
this
micro
grants
is
meant
to
be
an
incentivation
and
an
incentive
for
folks
to
actually
take
advantage
of
this
public
art
master
plan.
A
lot
of
love
and
care
and
time
was
putting
into
creating
this
document.
B
We
don't
want
it
to
die
as
soon
as
it
goes
live,
so
we
want
to
encourage
folks
to
take
advantage
of
it.
A
lot
of
time,
especially,
was
put
into
defining
what
is
public
art
and
making
sure
that
included
things
like
performance
sound
light.
So
our
hope
is
that
folks
will
take
a
look
at
this
toolkit
and
they
will
use
that
to
guide
them
on
what
types
of
public
art
they
are
proposing
and
we
do
hope
it
runs
the
gamut
of
performance,
murals,
Street
Festival.
What
have
you.
J
And
two
questions
first
question
is
in
the
in
the
call:
is
there
a
definition
like
bevette
mentions
like
a
park
or
whatever
is
there
a
definition
of
What
kinds
of
spaces
are
feasible
for
this,
for
example,
where
I
live
there
are
these
roundabouts
and
there's
these
weird
Quonset
hut
things
in
the
middle
of
them,
whatever
I
don't
know
who
owns
those
I,
don't
know
who
like
if
people
say.
Oh,
we
want
something
in
the
roundabout
that
might
be
owned
by
you
know:
Nature's
Way
Landscaping
for
all
I
know.
J
J
E
H
Part
of
it
being
rolling
and
like
in
you
know
more
neighborhood
oriented
that
we'll
have
space
to
give
feedback
and
kind
of
help.
Folks,
like
think
about
places
to
do
that
like
if
they
propose
it
and
we
look
into
it,
we're
like.
Oh,
we
can't
do
it
around
or
wherever
they
want
to
like
we're
there
and
willing
to
like
help
kind
of
show
these
folks,
where
but
we'll
plan
to
have
some
spaces
recommended,
if
that's
not
already
on
the
call
yeah.
E
H
H
E
J
Then
I'd
have
to
talk
to
my
neighbors
and
maybe
they're
on
vacation
and
blah
blah
blah.
You
know
and
drumming
up
interest
and
getting
people
to
agree
because,
like
what
I
come
up
with
the
person
across
the
street,
isn't
gonna,
like
you
know,
yeah
to
get
that
kind
of
consensus
and
that
somebody
that
could
take
a
stretch
of
time
and
I'm
wondering
what
that
stretch
is.
B
B
J
B
We
are
learning
this
is
a
learning
year.
We
are
very
lucky
that
we
have
these
funds
right.
Council
like
we
are
just
trying
to
see
what
folks
really
want
to
do,
and
we
don't
I
don't
again
and
I
don't
want
to
put
so
many
constraints
on
this
that,
like
people
are
just
like,
they
can't
do
it
yeah.
You
know
yeah,
so.
F
J
Another
question
I
have
about
this
is
there's
certain
kinds
and
demographics
of
people
who
even
think
of
applying
for
Grants
and
I,
would
hope
that
we
would
want
to
reach
beyond
that
usual
demographic
and
I'm
wondering
if
we
have
ways
to
do
that,
both
in
terms
of
promoting
it
as
an
opportunity
encouraging
people
and
saying
you
can
do
this
too,
and
then
the
language
used
like
a
rolling
application.
That
might
not
mean
something
to
a
lot
of
people.
H
J
B
A
H
A
B
For
everyone
who
prepated
in
the
operations
of
review
session,
that
was
really
great.
It
was
a
really
nice
mix
of
kind
of
known
quantities
in
the
501c3
Arts
World
here
in
Bloomington
and
some
new
folks
that
were
really
excited
about.
So
again,
notifications
went
out
last
week.
We
will
do
our
best
to
get
those
mous
and
funds
out
the
door
as.
B
Thanks
for
everyone
involved
in
helping
me
get
that
stuff
out
the
door
thanks
to
laylov
for
facilitating
this
all
emerging
artist.
Grant
is
open.
Now
it
will
be
open
through
September
29th,
so
we'll
be
reaching
out
to
members
of
the
grants
subcommittee,
as
well
as
a
few
members
of
the
public
to
help
us
do
those
reviews.
B
B
We
will
not
read
an
application,
but
we
will
give
feedback
on
ideas
and
proposals
and
after
the
cycle
we
are
also
happy
to
meet
with
folks
tell
them
what
we
would
like
to
see
more
of
next
time.
Things
like
that
also
working
on
getting
some
Grant
report
forms
out
into
the
world.
That
is
a
high
priority
of
mine.
E
C
E
J
E
J
J
D
That
making
sense
yeah
personally
I
feel
like
that's
a
bit
rigid
I,
actually
like
the
form
as
it
is
now,
because
I
think
there
are
questions
that
overlap
a
bit
and
I
think
if
you're
gonna
have
to
score
each
individual
question
where
I
have
to
have
a
deeper
discussion
about
the
waiting
I
mean
and
not
not
like.
We
do
everything
strictly
score.
Based
like
we.
You
know
we
discussed
the
scores,
but
we
didn't
award
by
score.
You
know
we.
We
had
a
discussion
around
it,
but
I
don't
know
it's
probably.
C
J
C
A
C
G
B
E
B
I
think
there
I
I
think
just
acknowledging
the
amount
of
time
we
have
before.
We
need
to
get
these
grants
out
the
door
I
think
I
think
we
can
take
some
immediate
steps
to
just
help
us
do
our
best
practices,
evaluation
for
this
cycle
and
then
I
think
we
can
have
a
longer
conversation
about.
You
know
how
that
review,
process
or
rubric
might
change
in
2024
I
I
would
just
I
I
just
want
to
acknowledge
that
that
that
that
will
take
time
and
commitment
from
subcommittee
members
to
make
that
work
happen.
A
A
Walkthrough
of
our
presentation
that
we're
giving
next
week
with
with
slides,
then,
where
I
want
to
open
up
a
quick
sort
of
like
BAC
specific
discussion
related
to
the
the
monolith
project,
the
Miller
showers
project
and
then,
as
Holly
alluded
to
also
like
kind
of
get
a
rough
sense
of
like
what
the
what
arcadence
looks
like
for
the
end
of
the
year.
And
specifically,
you
know
how
we
want
to
end
it.
A
A
Okay,
so
before
I
I
throw
it
over
to
Holly
who
starts
the
presentation
and
also
I
think
we'll
give
some
other
other
points
of
context.
A
few
quick
things
is
one
we
we're
aiming
to
keep
this
to
about
like
eight
to
ten
minutes,
based
on
the
amount
of
time
that
we
have
and
the
sort
of
the
discussion
portion
that
we
also
need
to
sort
of
like
keep
time
for
so
yeah.
We
want
to
cover
a
lot
in
a
pretty
quick
amount
of
time,
so
we
are.
E
A
B
New
scholar
for
my
department
for
helping
us
gather
bar
charts
and
images
which
we
will
continue
to
add
and
I
will
just
re-emphasize
Gerard's
points.
What
what
I'm
really
looking
for
here
is
like
what
am
I
forgetting
like
what
are
you
so
proud
of
about
the
Arts
that
I'm
forgetting
and
what
specific
asks
should
we
be
making
Tech
Council?
B
B
Who
we
are
picture
here
will
be
your
lovely
headshots
again
thanks
to
Paulie
for
Gathering,
many
of
those
as
part
of
our
holiday
party
slideshow
last
year,
and
so
I'm
just
going
to
share
very
briefly
that
we
are
made
up
of
a
11
Commissioners
about
half
of
those
are
appointed
by
the
mayor.
Half
of
those
are
appointed
by
the
council.
Everyone
on
the
commission
is
an
expert
in
their
field.
They're
light
artists
curators,
they
know
Bloomington
and
the
Arts
are
inseparable.
B
They
are
committed
to
the
best
practices
in
arts
in
the
city
of
Bloomington
I'm,
going
to
share
that
you
all
are
a
very
Dynamic
group.
You
are
critical
and
you
aren't
afraid
to
challenge
each
other
in
the
most
respectful
of
ways
and
I'm
also
going
to
share
that.
You
all
hope
check
my
blind
spots
for
best
practices,
and
you
always
have
the
larger
Bloomington
community
in
mind
when
thinking
about
how
we
are
allocating
our
spending
and
the
name
of
our
mission.
B
What
the
heck
is
our
mission,
Holly,
okay,
so
I,
remember
our
mission
is
the
threefold.
It
is
to
provide
leadership
or
it's
your
mission
by
and
for
the
city
of
Bloomington
and
to
support
and
promote
the
Arts
and
artists.
It
is
to
recommend
policies
and
programs
that
develop
and
promote
creativity
and
artistic
excellence
in
our
community,
and
it
is
to
serve
as
a
liaison
between
the
government,
artists,
Arts
organizations
and
the
public
right
now.
What
that
looks
like
on
the
ground
are
a
few
specific
things.
B
We
focus
on
new
public
art
projects
within
City
Limits.
This
includes
the
one
person
for
the
arts
program.
It
also
includes
grants
for
individual
artists,
arts
groups
and
501c3s,
who
are
focused
on
arts,
and
it
also
means
doing
Arts,
advocacy
and
general
providing
guidance
and
doing
engagement
opportunities
for
artists
after
I.
Give
that
very
brief
overview.
I
am
going
to
turn
it
over
to
Gerard
to
talk
a
little
bit
more
about
why
we
exist.
A
J
A
You
know
as
individuals,
families,
communities,
States
and
as
a
con
as
a
country
there
are,
they
are
the
backbone
for
Innovation
prosperity
and
thriving
people
and
places
they
help.
Drive
income
for
local
businesses
retain
talent
and
improve
the
overall
quality
of
place,
both
publicly
and
privately
and
so
yeah.
The
next
Point
Arts
are
a
critical
part
of
bloomington's
Economic
and
cultural
landscapes,
so
Paulie.
Thank
you
for
like
pulling
together
some
like
stats
and
some
language
here.
A
A
89
of
respondents,
you
know,
respond
to
that
as
excellent
or
good,
and
then
you
know
for
context
sort
of
like
you
know,
you
know
things
like
educational
opportunities,
small
town
feel
cultural
activities.
Friendliness
of
people
like,
like
were
say,
am
I.
Getting
this
right,
I
need
to
unpack
that
a
little
bit
I,
don't
think
I'm,
not
presenting
that
correctly.
A
A
Expect
quality
and
arts
culture
experiences
in
Bloomington
as
we'll
get
to
in
the
next
section:
local
artists
and
stakeholders.
You
know,
need
and
expect
resources
and
opportunities.
You
know
this
is
particularly
true
with
our
our
grant
applicants
and
then,
according
to
the
Arts
and
prosperity
study,
you
know
there
are
three
times
as
many
full-time
employees
in
the
Arts
and
in
other
cities
of
a
similar
population.
A
A
For
that
section
already,
we
are
definitely
going
over
time
today.
So
then
I
will
move
to
Grants
and
all
right.
So
we've
with
the
grants
that
the
Bloomington
Arts
commission
does
you
know
we
found
a
really
good
Groove,
hitting
at
three
annual
Cycles
in
key
areas,
projects,
operations
and
emerging
artists,
and
the
next
slide.
A
Total
Grants
awarded
in
2022
versus
2023,
so
you
can
so.
This
is
sort
of
like
yeah
last
year,
over
80
Grants
awarded
and
we're
on
track
to
I
think
exceed
that
this
year
and
similar
amount
of
money.
But
it's
it's.
It's
nowhere
near
enough.
I
think
what
we
need,
based
on
the
the
number
of
applicants
that
we
received,
which
we'll
get
to
in
some
of
the
bar
graphs
here.
A
So
our
projects,
Grant
cycle
so
yeah.
This
hits
at
a
lot
of
different
a
lot
of
different
individuals,
Collective,
non-profit
profits,
Partnerships
of
all
mediums,
age,
Rangers,
backgrounds
and
audiences
apply
to
do
arts
projects
in
Bloomington,
so
wfhb,
blem
kid
Kazooie,
cicada,
Cinema,
The,
People's,
Market,
and
then
you
know
DIY
groups
that
put
together
events
like
Buffy
prom.
A
We
are
getting
a
ton
of
applications,
we're
doing
a
great
job
of
getting
the
word
out,
but
we
are
limited
in
the
number
of
funds
that
we
can
give
out
and
you'll
see
that
that's
a
trend
in
the
other
sections
as
well
so
operations
grants.
This
specifically
gives
operational
funds
to
501c3
non-profits.
A
So
you
know
we
have
the
Bloomington
poetry,
slam,
girls,
rock
Bloomington
stages,
Bloomington,
windfall
dancers,
Bloomington,
creative
Glass,
Center,
again,
groups
working
in
all
different
mediums
serving
all
different
types
of
audiences
and
but
moving
away.
We
are
moving
away
from
sort
of
supporting
our
larger.
You
know
Arts
entities
like
constellation
and
BCT,
because
we
simply
just
don't
have
the
funds
and
we
feel
we
need
to
support
these
sort
of
like
groups
with
smaller
budgets.
A
E
A
The
number
of
applicants
is
going
up
and
the
recipients
is
also
going
up,
although
slightly
less
dollars
per
recipient
and
then
our
final
final
Grant
cycle.
It's
an
emerging
artists,
so
these
are
artists
who
are
new
to
the
craft,
not
necessarily
like,
not
necessarily
young,
not
necessarily,
you
know,
like
you
know
like
like
some,
have
been
specifically
educated
in
the
area.
Some
others
haven't
it's
sort
of
folks
who
are
new
to
becoming
like
a
professional
in
this
particular
field
and
yeah.
A
A
A
I
have
some
more
bullet
points.
I
want
to
get
to
I
we're
already
at
eight
minutes,
though.
Oh
my
gosh,
but
the
story
here
is
that
there
are
a
lot
of
artists
in
Bloomington
who
want
to
do
public
facing
work
and
who
need
public
support
to
do
it
so
with
that
I
will
go
ahead
and
throw
it
to
Holly.
Thank
you.
B
Is
advocacy
for
public
art
projects
in
Bloomington
I'm,
going
to
Define
what
public
art
is
based
on
our
definition
in
the
public
art
master
plan,
I'm
going
to
read
it
now,
just
because
we've
been
having
conversations
about
it,
acknowledging
we're
going
to
push
this
way
over
time,
but
our
development,
our
definition
for
the
revised
public
art
master
plan,
is
a
form
of
collective
Community
expression
through
any
form
of
media
created
for
the
general
public.
Traditionally,
through
a
public
process,
including
artists,
Community
leaders
and
residents,
I
mean
many
many
others.
B
It
may
take
the
form
of
a
mural,
a
3D
installation
or
a
performance
and
many
other
things.
It
must
be
visually
audibly
and
physically
accessible
and
then
I'm
going
to
talk
about
why
public
art
is
important
and
what
I'm
going
to
say
is
what
I
love
about
public
art
in
Bloomington
is
that
it
reflects
the
community.
B
B
It
reflects
our
past
our
presence
and
our
hopes
for
the
future,
and
it
recalls
relevant
themes
that
we
can
all
connect
over
and
discuss
to
progress
into
the
future
and
then
I'm
going
to
talk
about
a
few
examples
of
public
art.
We've
done
recently
focusing
first
on
the
one
person
for
the
arts
project.
I
will
quickly
say
this
is
the
Hoosier
Northline
installation
down
at
switch
Sharp
Park
we've
got
Aurora
Almanac
over
at
the
trades
District
garage.
B
We
have
the
4th
Street
Garage
Urban
fabric
project
as
well,
and
I
Depending
on
time,
I
may
or
may
not
say,
and
we're
going
to
do
something
in
a
hotel
and
then
I'm
going
to
say
not
all
public
art
projects
that
we
advocate
for
are
necessarily.
These
are
large
scale,
one
percent
for
the
Arts
projects.
We
also
often
collaborate
with
City
entities
and
other
entities
to
do
installations
in
Parks
like
the
most
recently
completed
Rogers
family
park,
installation
at
the
Rogers
family
park.
B
That
was
done
in
collaboration
with
Parks
and
then
I'm
going
to
second
two.
So
we
take
on
a
lot
of
these
projects
ourselves,
but
we
acknowledge
that
there
is
a
lot
more
creativity
in
this
community
and
a
lot
of
folks
that
want
to
do
a
lot
of
things
that
we
don't
have
capacity
to
manage
that
all
on
our
own.
B
As
an
member
of
this
community
as
part
of
releasing
this
plan,
which
will
go,
live
at
8,
am
on
September
21st.
We
are
going
to
release
a
series
of
10
Micro
grants
to
incentivize
folks
to
take
advantage
of
this
opportunity.
This
will
be
an
Opera.
This
will
be
an
invitation
to
folks
to
review
this
public
art
master
plan
and
to
propose
to
us
to
do
a
project
that
is
based
on
the
information
they
find
here.
We
will
be.
B
A
F
Section
I
think
like
good
language
for
that,
and
we
spent
so
much
time
talking
about
this.
So
I
feel
like
it's
good
to
bring
it
up,
but
I
always
liked
the
language
of
like
I'm.
An
emerging
artist
is
like
an
artist.
That's
going
to
use
the
money
is
capable
of
using
the
money
to
advance
and
develop
their
art
practice.
F
You
know
what
I
mean
like
leveling
up
I,
don't
know
if
there's
some
way
of
saying
that
that's
more,
you
know
professional
or
whatever,
but
like
just
you
know,
we're
kind
of
like
judging
people
based
off
of
their
ability
to
do
so.
Like
actually
do
the
thing
and
like
you
know,
show
how
it's
gonna
help
them
the
money
guys
and
then
the
murals
I
would
also
include
they
function
as
landmarks,
which
is
like
a
practical
thing
that
they
might
appreciate.
F
J
J
First
is,
and
in
order
of
the
presentation
do
we
know
how
many
people
responded
to
that
survey
that
you
mentioned,
because
that'd
be
good
to
drop
in,
because
you
know
give
it
context
of
how
widespread
one
of
the
questions
I
first
thought
of
when
you
started
talking
was
well.
Was
this
based
on
public
feedback
or
not,
and
obviously
it
was
because
of
the
survey.
But
you
know
you
could
say
x
thousand
people
respond
or
whatever.
J
A
A
E
J
J
G
J
J
Another
Point
on
your
SL
on
your
slide
that
lists
in
2021
54
how
many
grants
or
excuse
me
in
2022
versus
2021
how
many
grants
and
the
amount
of
money
awarded
you
have
to
put
to
date
because
2023
isn't
finished
yet
right,
because
it's
it.
It
was
like
54
grants
to
date,
80
000
awarded
to
date
with
one
cycle
left,
because
otherwise
it
looks
like
it's
full
year
versus
full
year.
A
J
A
K
A
A
H
H
B
Maybe
oh
yeah,
I
would
say
I
think
we
talked
about
this
briefly
at
last
month's
meeting,
but
I
think
one
thing
we
have
learned
in
doing
this
is
holy
geez.
We
need
to
build
up
our
photo
library,
and
so
we
are
we
we
are
I.
I
am
starting
now,
anytime.
We
do
a
public
event.
We
just
hire
a
photographer
to.
H
B
H
H
E
E
H
D
H
J
B
E
B
E
B
E
K
B
K
C
And
they
are
responsible
for
taxpayers
and
that
which
means
families,
children,
gray,
hair
and
and
the
students.
This
is
you've
got
a
lot
of
the
things.
My
first
thought
in
seeing
this
is
that
there
are
too
many
university-centric
photographs
and
that's
the
way,
a
lot
of
it
just
and
this
listening
to
the
comments
everybody's
making
that
a
lot
of
it
reads
that
way
and
that
these,
what
is
the
first
grant
cycle
the
special
project
grants
there
were
a
ton
of
things
in
there
that
were
all
different
ages.
C
There
was
a
lot
of
diversity
in
and
I,
don't
think,
I,
don't
think
that
we're
showing
we're
not
showing
the
kind
of
thing
you
know
some
of
the
and
and
and
and
the
the
things
that
are
what
that
I
think
were
important
to
the
council.
Some
of
the
the
things
that
that
have
gotten
a
lot
of
people
in
here
and
that
are
more
you
know,
are
big.
A
C
You
know
see
what
I've
got,
but
I
mean
I
missed
a
poo
all
we,
you
know
the
grants
and
the
concerts
that
were
given
the
huge
amount
of
people
that
were
at
the
oh
God
I,
can't
Suzanne's
concert
one
of
the
you
know
showing
the
Arts
Alliance,
which
has
I,
don't
know
how
many
members
showing
things
that
have
member
you,
know,
membership
and
how
we
are
hitting
on
all
different
pieces
of
this
community.
You.
C
Well,
maybe
you
have
to
you
know,
see
what
you
can
find
from
anything
from
that
I.
Don't
know
whether
we
don't
do
that
much
in
the
west
side,
but
maybe
there's
some
other
things.
The
weren't
there
some
really
good
pictures
that
we
did
of
the
that
west
side
or
any
of
the
other
things
or
a
Banneker.
If
anything
over
there,
I
mean
try
to
get
yeah.
I
G
Are
are
we
required
to
use
the
template
that
you're
using
no
I
find
it
heavy
I,
find
it
lacking
any
sort
of
gentle
reaching
aesthetic
and
and
I'm,
not
saying
like
if
something's
got
to
be
covered
in
Texas
or
whatever,
but
I
just
find
this
really
abrupt?
So
that's
just
my
response
to
it.
It
doesn't
look
like
Arts
to
me
other
than
the
content.
G
E
G
And
and
and
I
appreciate
it
going
to
the
classical
music
I
get,
this
is
in
Trinity
and
then
there
was
more
performance
at
the
city
market
and
then
there
were
dancers
and
then
a
little
bit
of
glass
up
in
the
corner
do
emerging
artists
make
t-shirts.
That's
what
I
got
from
the
picture.
I
didn't
get!
What
that
picture
was
about.
Okay,.
B
B
B
Okay,
so
what
I'm,
what
I'm
hearing
broadly
and
I,
think
we're
all
in
agreement
about
this
is
we
need
more
better
diverse
pictures
across
age
across
genre
across
color
and
I?
Think
that
is
something
we
can
definitely
work
on
in
the
next
week.
That's
why
I'm
glad
we
still
have
a
week
to
work
on
this
I
think
that's
what
we're
going
to
be
focusing
on
in
the
coming
days.
I
can
also
hear
your
point
Rob
about
I
think
the
first
slide
like
right
now.
It's
like
meh.
B
I
G
I
appreciate
you
talking
about
Bloomington
and
we
do
have
an
identity
with
the
Arts
and
we're
an
art-centric
culture.
I.
Think
it's
a
a
simple
way
of
putting
that
I'm,
not
sure
about
the
switch
yard.
Art
was
on
the
side
of
the
building.
The
one
I
played
with
was
like
tracks
in
the
train,
so
I
don't
know
what
that
one
was
so
that's
who's.
D
G
I
didn't
I,
didn't
get
it
yeah
and
yeah
more
funds
based
on
requests
and
the
number
of
applications
I
mean
you
know
we
have
to
justify
that
people
are
wanting
this
and
and
it's
not
only
the
applications,
but
there
are
requests
coming
in
to
do
things
and-
and
is
there
any
reason
why
we
can't
show
some
of
the
older
established
art
pieces
that
have
been
invested
in?
You
know
like
the
table.
That's
right
out
here
at.
G
D
B
A
E
G
G
B
D
So
I
just
I
just
have
one
quick
note.
I
know
we
want
to
wrap
this
up.
These
are
purely
like
time.
Saving
suggestions
do
with
them.
What
you
will
we
already
talked
about
putting
stats
on
the
screen,
I
think,
with
the
exception
of
maybe
like
the
big
collage,
where
you
have
two
or
three
images,
you
can
label
them,
so
you
don't
have
to
verbally
contextualize
them.
A
E
A
B
J
B
I
A
E
A
A
G
D
To
be
respectful
of
everyone's
time,
historically,
we
have
gone
over
before
I
know
we
don't
like
to
but
I
guess.
The
question
is:
if
people
need
to
leave
at
6
30,
that's
totally
fine
sure,
but
for
the
people
in
the
room
is
there
a
desire
to
go
over
to
spend
more
time
on
that
topic
now
or
do
we
want
to
defer
it
to
another
meeting.
J
J
G
A
B
A
So
you
know
this
is
a
park
initiative
that
just
came
out
of
a
bicentennial
fund,
a
bond
in
2018..
The
BAC
did
have
an
initial
review
of
the
project
back
then,
but
then
you
know
this
was
pre-covered
before
I.
Think
any
of
us
were
a
part
of
the
commission,
then
the
project
was
restarted
in
2022,
that's
and
then
the
BAC
was
brought
in.
A
You
know
remember:
they
came
to
us
basically
with
the
plans
and
we
we
gave
our
feedback,
which
was
I,
I,
think
fairly
critical
of
of
it
says,
and
a
little
disappointed
that
we
weren't
brought
in
to
actually
like
really
give
like
artistic
input
but
yeah
they
they
weren't
gonna,
they
weren't
gonna,
go
back
or
start
from
scratch,
or
anything
like
that.
So
we
just
we
gave
our
feedback,
and
that
was
that
the
parks
department
did
host
General
feedback
sessions
for
the
public
and
yeah
I.
A
So
I
or
the
one
last
thing
is
in
the
press
release
that
came
out.
We
are
referred
to
as
the
Bloomington
Arts
Council,
which
we
are
not
yeah,
the
Bloomington
Arts
commission,
but
we
are
listed
as
a
group
that
provided
feedback
and
I
think
you
know
we
know
what
that
process
looked
like,
but
having
our
our
name,
albeit
Miss,
written
our
name
in
the
press.
Release
as
a
group
that
provided
feedback
sort
of
implies
a
sense
of
like
approval
and
like
input
and
things
like
that
and
so
I
think.
That's
it
like
me.
A
I
D
D
E
F
E
G
I'd
just
like
to
share
something
before
I
express
my
opinion,
sure
this
is
from
Dale
Enochs
and
he's
talking
about
symbols
and
comes
down
to
this
I
believe
this
Bloomington
symbol
might
not
speak
of
the
Bloomington
I've
known.
This
image
appears
to
be
similar
to
a
commercial
sign
devoid
of
depth
of
warmth.
Bloomington
has
always
been
an
island
of
Orem.
From
my
perspective,
it's
a
sign.
It's
not
a
piece
of
public
art
and
therefore
I.
Don't
know
why
we
should
be
associated
with
it.
K
G
C
B
E
J
E
D
I'm
I'm
happy
to
I
mean
I,
don't
know
right,
I'm
happy
to
send
something
around
and
it
doesn't
have
to
be
like
a
voted
BAC
like
statement,
you
know,
but
you
know
if,
if
anyone
wants
I
I
can
send
something
around
probably
tomorrow,
and
if
anyone
has
feedback
you
know
or
wants
to
like
co-sign
yeah,
we
can
do
it
that
way.
I.
A
B
D
E
K
J
I
B
B
H
H
B
B
My
brain
is
gone
because
I
I
think
I.
The
the
one
thing
I
want
to
share.
First
of
all,
thank
you
for
being
excellent
allies
and
doing
your
job
as
I
was
putting
together
the
presentation
and
just
kind
of
reviewing
the
mission
statement.
I
was
like
yeah.
This
is
our
job
to
or
your
job
too.
You
know,
I
thought
right
and
I
forgot.
B
The
first
thing
I
was
going
to
say,
which
I
think
is
more
important
than
the
second
thing
I'm
going
to
say,
but
again
the
one
thing
I'm
hoping
comes
out
of
this.
Ultimately,
regardless
of
where
this
project
lands
is,
we
do
have
a
commitment
from
Parks
going
forward
that
we
will
be
involved
early
stages
going
forward
and
and
I
I
think
I.
Think
I've
shared
some
of
this
with
you
all
before.
Sometimes
the
Arts
is
1.5
people
at
this
city.
B
Right
now,
if
Chaz
and
I
are
not
clamoring
at
meetings,
people
just
aren't
thinking
about
the
Arts
I
wish
that
she
and
I
could
be
at
every
meeting
when
things
like
this
are
discussed.
Unfortunately,
at
this
point
in
time,
that's
not
the
case.
We
are
trying
to
do
better.
I.
Think
another
thing
reviewing
this
press
release,
which
was
not
shared
with
me
before
it
was
made
public,
so
I
couldn't
catch.
The
commission
versus
Council
thing
is:
there
is
still
a
lot
of
Education
that
I
can
do
amongst
City
colleagues,
I
I
do
think.
B
There's
an
issue.
The
council
is
20
years
old.
At
this
point
it
is
old
news
and
the
fact
that
people
are
still
using
that
vocabulary,
something
that
I
should
be
able
to
do
something
about.
In
my
capacity
and
I
apologize
for
not
being
better
about
that
in
the
future,
but
or
in
the
past,
but
going
forward,
we
will
work
on
that
education.
The
last
thing,
I
will
say,
acknowledging
we
are
at
time
is
like.
B
There
are
some
trainings
that
we
have
to
do
in
the
city
for
best
practices
and
record
retention
and
blah
blah
blah,
and
my
my
dream
is
that
we
do
one
called
what
is
an
art
where
we
just
describe
for
the
city.
What
art
is
and
I
would
ask
you
all
to
be
part
of
the.
You
know
the
drums
are
dramatic
conversations.
C
B
B
E
A
A
C
D
D
There's
a
butter
Art
Fest
up
in
Indianapolis
also
focused
on
specifically
like
black
African-American
artists.
A
few
of
us
went
up
and
just
want
to
mention.
There
were
a
couple
of
Bloomington
artists
included
in
that
show,
and
there
was
cross-pollination
between
that
and
the
one
drop
show
that
we
had
previously,
and
so
that
constellation
of
events
feels
really
awesome,
so
good
job.
Everyone
thanks.