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Commission
process,,
but
it
required
us
to.,
just
you
know.
sort
of
pull
this
together
quickly,.
So
I
definitely
want
to
thank
all
the
the
commissioners
from
both
commissions
for
acting
quickly
on
this,
and
also
to
lisa
on
chris
for
being
nimble
with
this,
so
that
we
could
make
it
happen.
But
I
I
have
a.
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Boulder
going
to
be
at
these
parking
around
is.,
it's
also
about
accessibility,
for
people
to
work
and
to
and
to
live
in
boulder
is
these
garages,,
and
so
we
definitely
had
in
mind
for
a
long
time
that
there
could
be
arts
applications
to
the
garages
to
enhance
their
use
and
to
create
a
better
experience
for
people
overlaid
with
that.
There's.
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So
when
we
get
to
that
point
in
tonight's
discussion,
we
will
be
asking
for
your
advice
to
bring
to
the
artist
and
for
staff
to
carry
forward
on
how
this
could
be
best
executed
as
a
work,
of
public
art.
I
think
it's
important
to
note
that
the
actual
decision
on
the
the
right
artist
for
the
job
is
the.
D
The
construction
and
the
maintenance
of
the
project
to
meet
the
not
only
the
decision
of
the
selection
panel
about
the
best
artist,,
but
also
to
your
advice
and
to
the
spirit
of
the
proposal.
So
we
have
this
responsibility
going
forward
about
the
you
know.
Not
only
all
this
other
processes
happen,
but
the
discussion
tonight
that
we're
gonna
work
with
the.
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And
the
open
call
was
really
about
assembling
together
the
criteria
for
the
project,,
the
nature
of
the
space,
and
some
of
the
our
hopes,
for
the
success,,
so
that
artists
across
the
country
could
take
a
look
at
that
and
decide
if
they
were
if
they
thought
they
would
do
a
good
job
and
and
wanted
to
apply.
Thank
you.
welcome!.
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Mary,,
do
you
want
to
jump
in
here
a
little
bit
and
talk
about
their
piece
and
what
the
selection
panel
discussed
sure
I'm
happy
to
do.
That,
matt,
you
know,
with
david
franklin
and
his
team
member
erin.
they've,
basically
were
both
present.
During
the
we
put
myself
on
camera
there..
I
am
working
as
a
team
as
a
significant
experience
in
working
together
as
a
team
for
public
art.
Projects.
you
know,.
At
the
end
of
the
day,
the
selection
panel
felt
that
their
work
was
the
best
representation.
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of
what
you
know
a
garage
could
do
as
far
as
like
impactful
for
visitors
of
older
or,.
As
you
mentioned
earlier,,
you
know
people
that
live
there
and
worked
in
in
the
vicinity..
So
here's
a
rhythm
of
the
corner
that
that
is
being
proposed.,
so
there's
4
different
windows.,
we'll
just
call
them
windows
where
the
word
will
come
out,
and
basically
what
it
is,
is
more
of
a
hold
on
me.
F
Catch
my
thoughts.
here.,
it
is
made
out
of
aluminum
hold
on,.
Let's
see.
here.
give
me
1
s,
aluminum
other
water,
jet
cut
anodize,
colored
surface..
I
think
the
selection
panel
same,
really
interested
in
fascinating
by
the
colors
application,,
which
is
more
kind
of
like
a
in
my
mind.,
it's
kind
of
like
a
patina,
and
more
of
like
an
organic
look.,
visually,
and
then
also
being
in
the
in
the
interior
of
the
garage,.
You
also
get
an
impact
so
you're
you
know,
parking
and
they're
on
the
second
third
floor.
you'll
get
that
visualization..
G
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We
tried
to
walk,
walk,
walk
a
line
between
something
that
really
appeal
to
of
a
wide
variety
of
people,
children,,
adult
something
that
would
be
interesting
to
everybody
who
looked
at
it,
and
something
that
you
would
want
to
come
back
and
look
at
again,
because
it
would
change
over
time,.
So
I
I
think,
that's
that's
the.
I
I
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E
B
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But
getting
way
ahead
of
ourselves.,
I'm
gonna
stop
sharing,
so
we
can
all
see
each
other
and
just
try
our
best
to
answer
any
questions
that
you
have
to
clarify
the
process
about
the
artist
and
artwork
itself,
and
then
we'll
go
back
to
the
motion
when
you
feel
that's
appropriate.
I
see.
Caroline
has
raised
her
hand,,
but
before
we
get
to
that,
matt,,
can
you
bring
up
a
previous
slide
that
talked
about
what
we
are
here
to
consider.
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No,,
I'm
thinking,
yeah,
yeah.
go
so
as
here
as
it's
written
here..
The
arts
commission
may
approve
the
acquisition
process,
deny
approval
or
delay.
approval.
Is
that
kind
of
what
we
are
here
to
cover
right
now,,
because
you
also
talked
about
like
what
are
their
considerations??
Might
we
give
to
the
artist
and
things
like
that??
I
wanted
to
make
sure
we're
aligned
on
what
we
are
here
to
just
talk
about.
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I
can't
imagine
how
hard
that
was
to
narrow
it
down..
My
question
does
have
to
do
with
the
process
and
potentially
feed
into
a
recommendations
for
successful
implementation,
and
I'm
wondering
what,
if
any,
discussions
were
had
around
safety
protocols
or
anything
on
safety,.
Because
I
look
at
that
and
I
think
oh,
climbers
and
per
core
and
I
want
to
climb.
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J
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Ultimately,
the
answer
to
your
question,
though,
comes
down
to
the
design
process
in
which
the
artist
will
have
to
employ
a
certified
engineer.
Who
will
make
sure
that
all
contingencies,
including
making
sure
that
it's
the
least
climbing
possible
that
it
is
going
to
be
secure
to
the
building?
In
such
a.
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E
Thanks,
mary.,
I
might
add,
just
yeah,
the
the.
What
we
communicated
technically
was
that
we
didn't
necessarily
want
to
have
our
just
celebrating
the
fact
that
this
is
a
garage
where
people
are
driving
into,
but
more
a
really
important
building
in
the
downtown
that
contributes
to
the
overall
experience
of
of.
E
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E
C
Got
it.
great
maybe,
chris,.
You
may
be
the
one
to
know.
the
answer
to
this
when
we're
thinking
about
kirk
cuts
and
where
we're
trying
to
target
for
uber,
pickups
and
stuff,
like
that.
How
that
that's
also
in
that
right,
same
area.
future,
where
this
could.?
Actually
there
could
be
an
entrance
on
the
11
street
side,
as
well.
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It's
our
highest
utilized
garage..
It
does
regularly
fill
up..
So
I
don't
know.,
that's
the
problem
that
we
necessarily
need
to
solve
here.,
but
certainly
should
be
part
of
the
conversation
moving
forward
here
in
other
locations,,
you
know,
as
just
educating
folks
on
where
they
they
can
and
should
park,,
and
I
think
that
this
art,
again
as
one
it's
our
first
application
and
what
will
hopefully,
be
many
more
that
we
wanna
to
explore
at
this
location
than
others
in
the.
C
Just
this
week.
yeah,,
just
as
we
start
to
think
about
more
public
art
and
things
like
that.,
how
could
you
know?
bring
it
in??
You
know
I
just
I
like
interactivity,,
you
know,
making
it
so
like
the
kids
want
to
park
there,
and
they
hit
a
button
and
they
can
turn
on
the
lights.
If
you
have
those
light
features
make
it,
you
can
hit
it
and
it
makes
a
sound
or
yeah,.
You
know
the
kids
want
to
park.
C
L
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And
so
we
could
certainly
start
exploring
whether
or
not
you
know,
folks
have
seen
the
art,
whether
or
not
it's
improved
their
perception
of
their
downtown
experience
or
not,.
So
we
certainly
could
talk
with
our
partners,
and
see
if
they
want
to
incorporate
those
types
of
questions
to
try
to
eat
those
types.
M
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Okay.
yeah,
bye..
I
just
wanted
to
make
that
comment
before
it
was
too
late.
well,.
I
would
like
to,
instead
of
proposing
this,,
because
to
me
this
is
the
last
thing
we
do..
If
you
can
take
this
off,,
I
would
like
to
just
make
sure
that
is
anyone
that
have
any
comment
as
to
the
process,
being
followed
or
anything,
any
missteps
or
concerns
about
the
process
and
don..
Did
you
wanna
introduce
lane.
B
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E
C
She
is
great.
Do
we
have
a
set,?
I
will
second
it
that
so
what
I
would
propose
is
that
we
do
an
I
may
vote
on
this,
or
is
that
even
appropriate
at
this
time?
Chris,?
That's
not
what
we
need.
We
just
need
to
second
it.
and
we're
done
as
long
as
no.
so
yet.
now,.
If
there's
unless
there's
any
final
discussion
about
the
motion
or
friendly
amendments,,
if
we're
ready
to
make
it,,
there's
no
more
discussion
than
can
go
to
vote.