►
Description
The agenda for the meeting can be found on the city's website at http://bit.iy/clearwaterCityCouncilMeetings
C
D
F
G
G
C
B
C
A
D
B
H
A
D
Is
to
approve
the
recommendation
from
the
public
by
the
public,
our
design,
work
for
the
commission
of
the
public
art
installation
at
the
Morningside
Recreation
Center.
It
is
our
artist
guy
Kemper.
He
has
come
back
with
a
design
for
a
mosaic
piece
right
over
the
gymnasium
doors.
This
was
something
this
is
a
piece
that
the
selection
panel
is
recommending
which
our
liquor
couldn't
handle
is
on.
D
As
you
can
see,
it'll
be
a
mosaic
piece:
it'll
be
six
by
nine
dimensions.
They'll
be
divvied
up
into
three
different
panels,
but
they
will
be
installed
so
that
they're
close
together
and
flush.
You
won't
see
the
seams
in
between
the
three
different
panels,
color
scheme
use
and
all
that
is
was
decided
by
the
selection
panel
and
the
fren
homeowners
associations.
They
all
really
thought
that
this
place
I'm
a
good
representation
of
the
community
and
of
the
center
it
kind
of
played
a
little
bit
on
the
pool
that
was
there.
D
That
kind
of
was
like
the
the
element
of
the
rec
center
that
remained
when
all
the
construction
was
going
on,
but
it
also
kind
of
brings
ties
together
the
whole
community
and
we
decided
to
have
it
indoors
because
it'll
prevent
any
kind
of
vandalism
or
anything
like
that
that
can
that
have
kind
of
risen
up
in
that
community
during
the
construction
period.
So
yeah
any
questions
on
this
other
page.
B
D
E
E
We
had
another
one
that
was
more
straight
lines
at
the
hole.
He
gave
us
a
choice
of
two,
but
the
whole
building
was,
you
know
very
angular,
so
that
was
why
they
chose
this
one
and
he
also
seemed
to
favor
the
cool
color
scheme,
as
opposed
he
recommended
that
as
opposed
to
the
warmer
the
other
one
was
warmer.
Was
it
winds.
D
D
D
D
B
D
Would
be
in
addition,
so
this
would
be
something
that
the
parks
and
recs
would
have
to
assist
with,
just
because
of
the
error
that
had
occurred
previously.
We're
looking
to
that
this
would
cover
the
cost
of
the
piece
I
can
follow
up
on
that.
But
I
know
that
Leroy
was
going
to
assist
with
the
installation
because
of
what.
B
D
E
Good
nice
good
question,
I
know
at
one
point
and
I
missed
I
missed
one
of
the
meetings
there.
So
you
probably
know
the
answer,
but
at
one
point
we
had
like
two
that
his
designs
are
back
and
the
color
scheme.
I.
Don't
remember
why
you
didn't
include
that.
Did
he
say
what
those
were
with
a
reason
he
gave
us
totally
different.
You
know
both
of
them
were
totally
different
than
we'd
originally
seen
did.
Did
he
say
why
the
others
just
out
of
curiosity,
what
wouldn't
work?
What.
A
I
D
When
we
brought
him
down,
we
said
this
is
what's
left
in
the
budget
cuz.
Thankfully
there
wasn't
a
lot
that
was
used
when
we
dispersed.
If,
when
the
first
dispersal
of
monies
was
given
to-
and
so
this
was,
this
is
what's
remaining
in
the
account
and
then
he
was
able
to
make
a
proposal
specifically
with
the
dollars
that
were
left.
I
B
B
C
D
K
J
Hey
yeah.
Thank
you,
sorry
for
the
froggy
voice
that
the
nose
Yuka
met
me
before
I'm,
president
of
Clearwater
Arts,
Alliance,
Roberta
Chloe's,
here
with
me,
she's,
our
vice
president
and
she's.
Helped
me
prepare
this
presentation.
So
I'm
used
to
booming
out
my
voice
and
sorry
I'm
getting
over
a
cold
I
think
we've
got
the
PowerPoint
going
and
we
also
have
our
copies
if
anyone
needs
it
so
who
are
we?
J
We've
made
some
presentations
to
you
before,
but
CAA
was
formed
in
1999
as
a
501,
C,
3,
non-profit
organization,
to
support
art
and
artists
in
our
community,
and
it
was
formed
really
at
the
behest
of
the
city
and
Margo
wall
Volt.
Who
was
the
director
of
a
robust
at
that
time,
cultural
arts
department
in
the
city?
The
idea
was
to
be
able
to
have
volunteers
from
the
community
as
well
as
city
support,
to
be
able
to
further
support
art
and
artistic
efforts
in
our
community.
J
So
what
are
we
believe
in?
Well,
our
mission
is
to
advocate
collaborate
and
bring
visibility
to
the
Arts
in
our
community.
Our
board
is
all
volunteers.
Everybody
is
giving
both
monetarily
and
of
their
time
and
expertise.
We
have
some
artists.
We
have
business
people,
yeah
young
people
of
all
walks
of
life,
but
who
believe
that
having
a
vibrant
art
community
really
gives
our
whole
town,
you
know
more
open,
more,
more
livable
and
more
fun
place
to
live.
J
Our
vision
is
to
make
sure
that
artists
have
a
place
to
live
and
where
they
can
make
a
living
and
where
their
work
is
regarded
and
given
good
stature.
So
we
we
do
those
things
as,
for
instance,
we
assume
on
all
our
projects,
which
have
been
numerous
the
years.
The
artists
are
always
compensated
in
some
way
for
their
creative
efforts.
J
I
mean
it's
nice
to
sale,
we're
having
a
party,
and
will
you
donate
a
piece
so
that
we
can
raise
money
to
do
such
and
such,
but
that
doesn't
help
the
artists
in
our
community
make
it
make.
So
we
always
make
sure
that
the
artists
and
any
of
our
projects
receive
compensation.
It's
adequate
for
their
time.
J
So
what
is
the
cultural
plan?
Clearwater's?
We
were
instrumental
in
helping
with
that
through
Margo's
guidance
and
with
the
city
staff
going
all
the
way
back
to
2002
outside
consultant
was
brought
in
and
a
full
cultural
plan
was
developed
for
the
city.
This
board
wouldn't
exist,
but
for
that
plan
being
in
place
and
the
things
that
happen
as
a
consequence
of
that
there
was
a
community-wide
process
that
was
input
from
all
the
citizens
and
finally,
in
2003,
an
official
plan
was
enacted
now,
obviously
from
2003.
J
Now
we
or
only
2019,
you
know
it's
time
for
an
update
and
a
refreshment
of
that
plan.
As
a
matter
of
fact,
when
I
spoke
with
the
assistant
city
manager
about
the
new
position
being
created,
that
Christopher
has
come
back
to
now.
One
of
the
things
he
pointed
out
was
the
town
really
needs
to
do
an
updated
plan,
but
we
and
CAA
were
very
important
instrumental
and
getting
that
first
plan
enacted
so
part
of
that,
then
that
plan
was
enacted
and
part
of
that
was
to
make
public
art
a
focus
in
our
community.
J
Well,
there
has
to
be
some
way
than
to
provide
funding
for
that,
so
that
then
in
turn
became
a
strong
lobbying
point.
Our
volunteers
and
our
board
members
were
instrumental
and
speaking
to
all
the
City
Council
people
at
the
time
and
getting
the
public
art
ordinance
passed
so
yeah
and,
of
course,
that
was
passed,
which
then
created
this
board
because,
with
there
are
two
elements
to
it,
the
city
monies
and
funds
which
have
created
anytime,
a
capital
project,
is
produced.
So
there's
the
percentage
of
funds
that
comes
to
you
and
in
its
original
iteration.
J
The
ordinance
had,
of
course,
a
private
developer
function,
also
where
any
project
over
I
think
it
was
2
million
or
1,
or
had
to
have
a
component.
Unfortunately,
that
was
taken
out
some
years
later,
but
still
you
have.
This
is
the
fund
that
you
essentially
administer.
Obviously
what
you
just
voted
on
were
funds
out
of
the
capital
improvement
project
and
all
of
the
other
projects
that
we
hear
about
that
have
been
installed
in
the
community
have
come
about
that
way.
J
But
they're
also,
of
course,
are
some
some
general
projects
as
well
or
a
general
fund
or
discretionary
fund.
There's
not
always
sites
that
are
appropriate
for
the
piece.
Whatever
piece
is
created
to
be
there.
So
what
what
type
of
projects
is
Clearwater
Arts
done
that
you
may
be
familiar
with
most
folks
know
the
piano's
in
Pinellas
project.
That
was
a
lot
of
fun
that
went
on
over
several
month
period.
J
In
our
town,
so
we've
done
that
we've
recently
completed
the
private
developer,
art
guide,
which
again
visited
with
you
and
shared
with
you.
It's
a
tool
for
developers
to
use
since
they're
no
longer
required
under
the
ordinance
to
provide
public
art.
It's
an
encouragement.
So
we've
been
going
to
Chamber
meetings
and
business
meetings,
giving
this
out
and
offering
to
help
with
any
company
that's
willing
to
undertake
a
public
art
project
as
part
of
their
development.
J
We
very
recently
reactivated
a
space
was
originally
put
in
a
Christopher
will
probably
remember
this,
but
when
the
municipal
parking
garage
was
put
in
where
the
most
city
staff
parks
there
was
a
set
of
cabinets
built
that
are
secure
glass
in
the
front
lights
in
it
hanging.
You
know,
so
the
a
piece
of
art
can
be
put
in
it
and
secured,
but
it
had
been
probably
2
years
since
there
had
been
anything
in
it.
J
So
we
undertook
to
fill
that
with
fiber
art,
which
is
in
there
now,
and
we
had
a
plan
to
about
every
six
or
eight
weeks
to
swap
that
out
for
local
artists
who
couldn't
have
their
pieces
in
there.
So
those
are
some
of
the
things
we
have
been
busy
with
lately,
so
obviously
most
of
you
then
moving
on
to
the
specific
that
would
be
our
thinking
outside
the
box
project.
Most
of
you
have
seen
these
colorful
boxes
all
around
town.
J
Looking
to
give
you
a
little
background,
it
first
started
and
certainly
Christopher
was
instrumental
in
helping
us
in
2014
when
he
started
researching
and
learned
that
other
communities
had
taken
these
their
most
of
them
about
the
size
of
this
podium.
They
bury
some
but
they're,
pretty
large
and
they're,
always
gray
and
pretty
I'm
very
attractive.
So
we
came
up
with
the
idea
of
putting
art
on
these
there's
three
different
jurisdictions
that
could
be
city,
controlled,
County,
controlled
or
DoD
control.
But
in
our
case
we
were
able
to
work
with
the
city.
J
J
The
design
has
been
done
as
an
original
painting,
but
then
a
digital
copy
of
that
is
made.
That
will
be
the
right
size
and
proportion
for
the
box
we're
working
on
and
then
it
is
applied
like
a
shrink
wrap.
So
there
was
significant
research
done
to
find
the
right
materials
that
would
hold
up
in
our
whether
it's
entrances,
obviously
with
the
heating
and
our
rains
and
everything
it
has
to
be
something
that's
gonna
relax.
J
So
the
initial
phases
were
for
us
to
explore
that
to
get
all
the
protocols
in
place
figure
out
how
the
artists
would
be
paid,
how
we
would
legally
have
control
of
the
image,
so
there
wouldn't
be
any.
You
know
copyright
or
anything
like
that
issues.
So
we
accomplished
all
that
and
in
2015
we
installed
the
first
three
that
we
did
on
our
own
nickel,
all
our
own
money
that
we'd
already
fundraise
and
put
them
in
three
places
as
a
prototype,
because
we
wanted
to
see,
is
it
really?
Is
it
going
to
be
attractive?
J
Are
people
going
to
take
to
them?
Are
they
like
them?
Is
it
going
to
hold
up?
So
you
probably,
if
there's
one
out
at
the
beach,
you
know
the
entrance
to
be
r60,
the
one
that's
right
by
the
Capitol
Theatre
and
also
the
one
across
from
O'keefe's
where
that
original
prototype,
so
that
got
us
going
so
then
that
would
I
would
call
that
our
phase
one
at
that.
Then
we
obviously
have
been
developed
a
relationship
with
the
city
traffic
people
so
that
we
knew
which
ones
they
controlled.
We
could
get
proper
approvals.
J
We
can
make
sure
there
are
certain
safety
images
that
have
to
remain
because
there's
electrical
guts
in
there
that
work.
Obviously
the
doors
still
have
to
open
and
all
that.
So
that's
the
function.
So
we
got
through
all
those
things
and
worked
that
out,
and
the
second
phase
was
that
the
ddb
funded
us
and
we
were
able
to
do
six
more
constantly.
Db,
of
course,
has
a
limited
footprint,
just
a
downtown
area.
J
So
we
did,
he
beat
authorizes
to
put
in
six
more
and
we
and
they're
all
really
pretty
much
up
and
down
Cleveland
and
the
one
that's
right
here,
kitty
corner
to
the
library
on
Osceola
and
drew
so
we
did
those.
Then,
as
we
moved
into
Phase
three,
we
got
a
little
bit
of
discretionary
post
budget
or
money
that
was
sort
of
left
in
the
budget
in
the
city
manager's
budget,
and
he
gave
us
some
more.
So
our
next
focus
was
to
say
well,
as
people
come
into
Clermont
from
another
town.
J
Let's
focus
on
some
of
these
key
entry
points.
So
if
you
are
coming
from
Glen
Eden
to
Edgewater
and
you
go
through
the
light
at
sunset
point,
the
first
thing
you
see
is
the
guy
playing
the
saxophone
on
the
side
of
the
box,
so
that
that's
just
an
example,
but
there's
several
all
around
the
the
entrances
into
the
city
coming
in
from
Bel
Air,
coming
down
from
Dunedin
coming
up
from
Largo,
and
also
we
placed
one
across
from
the
entrance
to
rethink
our
haul.
J
So
those
were
kind
of
not
was
done
with
any
money,
and
we
also
all
along
have
have
a
part
of
the
project
where
we
encourage
private
sponsors
and
businesses
to
make
a
donation
with
which
we
will
then
make
an
installation.
Let
them
choose
the
art
they
already
paid
the
artists
for
the
rights
to
use
the
images
choose
their
piece
choose
their
location
and
as
long
as
it's
approved,
then
we
have
installed
quite
a
few
more
with
that
sort
of
public-private
partnership
thing
going
on.
J
So
we've
done
nine
more
total
with
that,
including
that
last
just
this
last
month
we
installed
four
beautiful
new
ones
too-
that
are
right
now
by
Morton
plant
hospital
sponsored
by
them
and
to
buy
Bay
care
out
on
drew
Street
as
you
approach
their
beautiful
new
office
buildings.
So
those
four
were
just
accomplished
in
the
last
month
and
they're
really
very
handsome
pieces.
So
the
next
slide
shows
you
alt,
I,
think
26,
if
I
counted
right
that
are
now
all
around
town
in
various
places
that
are
under
control.
J
So
when
we
had
been
asking
for
some
time,
if
there
was
some
availability
of
funding
from
y'all's
piggy
bank,
so
to
speak,
because
with
these
discretionary
projects,
we
felt
like
another
phase
were
being
able
to
continue.
This
would
be
worthy
of
it
and
we
had
asked
them
to
consult
with
the
city
attorney
and
others
and
say:
can
a
group
like
ours
who
is
are
working
only
within
the
boundaries
of
Clearwater,
which
we
do
make
an
application
to
you
all
for
use
of
some
of
those
discretionary
funds
and
I?
J
J
Are
there
several
things
the
city
wanted
to
do
they
had
a
this
is
reading
from
the
ordinance
that
there's
a
vision
for
public
art
in
Clearwater
that
will
add
to
the
visual
identity
of
the
city,
will
create
memorable
images
in
the
city
for
visitors
and
residents
alike,
and
it
will
reinforce
clear
waters
role
as
an
emergent
regional
leader
in
culture,
recreation
and
environment.
A
good
place
to
live,
work,
learn
and
play,
and
so
there
were
several
themes
under
that
including
items
or
projects
that
would
help
in
shaping
the
image
of
the
city.
J
That
was
one
another
that
would
strengthen
civic
connectivity
and
the
third
was
to
support
neighborhood
identity
so
and
there's
more
detail
in
the
ordinance
than
that.
But
we
particularly
focused
on
devising
a
project
where
we
thought
we
could
support
neighborhood
identity
and
we
in
a
way
I
think
feel,
like
we've
already
to
some
extent,
contributed
to
the
city
image
thing.
J
We've
already
got
26
of
these
out
there
that,
through
cobbling
together,
our
various
funding
sources
is
already
a
fairly
big
presence
for
public
art
in
our
community,
and
some
six
local
artists
have
already
been
compensated
for
their
work
in
producing
those
images,
but
particularly
for
a
presentation
deal.
We
thought
we
should
focus
on
supporting
neighborhood
identity.
So
after
that
presentation
by
the
guy
last,
your
last
quarterly
meeting,
we
started
to
meet
with
Clearwater's
new
neighborhood
coordinator
to
flesh
out
the
ideas
of
what.
J
A
J
Active
neighborhoods
that
would
like
to
do
something,
but
would
really
be
a
source
of
pride
for
their
neighborhood
and
also
missing
a
source
of
identity.
So
we
started
working
with
Julianna
and
we
came
up
with
with
new
concept.
We
have
already
examined
a
bunch
of
different
neighborhoods
she's,
given
us
they're,
very
active,
very
anxious
to
do
things
that
would
be.
J
J
Instead,
we
would
be
picking
artists
who
would
agree
to
create
a
unique
image
by
going
and
meeting
with
community
leaders
HOAs
whatever
they
are
coming
up
with
something
that
might
be
historical,
I've
already
heard
from
one
neighborhood,
where
there
used
to
be
fields
of
gladiolas
that
were
a
whole
big
part
of
clear
water
for
50
years.
It
was
a
giant
nursery
with
all
these
flowers.
J
Well,
that
may
be
a
design
concept
that
comes
to
them,
but
the
artists,
in
their
call
and
in
paying
them
for
their
time
would
say,
I'll
show
you
what
my
skills
are,
but
before
I
created
an
image.
I
will
go
meet
with
these
folks,
give
them
some
concepts
and
let
those
individual
neighborhoods
then
help
craft
and
pick
that
unique
image
for
them
and
then,
of
course,
we
would
go
forward
with
the
digitization
of
it,
so
it
can
be
properly
installed
and
and
so
forth.
J
So
that
would
be
the
way
we
would
tie
to
that
and
the
particular
points
for
for
neighborhood
identity
were
to
create
projects.
It
would
be
appropriate
for
the
expenditure
of
your
funds
if
it's
a
project
that
would
create
points
of
pride
within
individual
neighborhoods
or
it
would
be
give
that
that
community
stronger
levels
of
community
involvement.
So
we
feel
like
this.
What
we're
suggesting,
especially
the
way
we
would
structure
it
would
in
fact,
do
that
so
Giuliana
is
here
and
is
in
support
of
this
project.
She
was
she
had
another
meeting.
J
L
And
the
time
that
Beth
and
I
have
been
working
together,
we
have
vetted
this
across
several
neighborhoods.
We
have
more
than
75
neighbourhood
associations
in
the
city
of
Clearwater,
even
in
the
very
informal
stages
of
vetting,
this
I'm,
confident
that
we
could
get
more
community
partners
that
we
could
possibly
even
be
able
to
fund
even
prior
to
starting
to
invent
this
idea.
L
I
had
gotten
a
call
from
a
neighborhood
association
that
seen
what
a
bet
signal
boxes
and
wanted
to
do
that
same
program
in
their
own
neighborhood,
but
establishing
like
a
program
that
would
emphasize
neighborhood
identity
that
would
kind
of
be
unique
to
them.
I
do
think
that
this
is
a
really
extraordinary
opportunity
for
neighborhood
associations
to
come
together
to
work
on
a
public
art
idea
that
then
specifically
supports
neighborhood
identity
and
neighborhood
pride.
So
I
really
can't
say
enough
great
things
about
the
project
and
I
really
hope
you
will
consider
funding
it.
Thank.
J
That
indicates
a
very
active
interest
in
pursuing
something
like
this,
so
so
the
next
question
is
what
would
it
cost?
Well,
we
know
already
from
our
experience
having
them
26
of
these
now
that
it
plus
or
minus
a
little
bit,
it
basically
costs
$1,500
a
piece
to
do
these
well.
500
of
that
is
the
artist
fee.
If
in
this
case
we're
suggesting
each
one
is
a
lot
off.
Obviously
they're
individual
things
created
for
a
specific
neighborhood.
J
We
have
paid
$1,000
to
the
artist
before,
but
they
have
given
us
the
rights
to
a
couple
images
that
then
can
be
repeated.
So
we
know
that
we've
stretched
that
expense
out
over
multiple
boxes,
but
we
felt
like
that.
That's
I
mean
even
at
that.
It's
that's
a
fairly
inexpensive
price
to
pay.
If
somebody
is
going
to
create
the
piece
and
go
and
collaborate
with
the
neighborhood
to
come
up
with
the
design,
some
boxes
cost
a
little
less
than
a
thousand
to
wrap
some
cost
a
little
more.
They
are
not
uniform
in
size.
J
Interestingly,
the
way
we
are
actually
billed
for
it
is
by
the
square
inch
of
that
expensive
material.
But
if
we
don't
use
the
good
material,
you
know
you're,
not
you're,
not
gonna
get
some.
Alas,
our
first
box
was
installed
in
the
early
15
out
on
the
beach
and
it
still
looks
great,
but
we
spec
the
materials
that
are
supposed
to
last
seven
or
eight
years
so
and
that's
probably
a
conservative
guess
on
how
long
they
would
life,
but
at
any
rate,
so
we
figured
there
would
probably
be
some.
J
J
J
Know
that
a
hundred
percent
but
I
mean
we've
already
identified
at
least
35
more
locations
that
would
be
city
Detroit
I
mean
sometimes
you
will
find
out.
Okay,
jurisdictionally,
the
city
owns
it.
Technically,
it
would
work
the
first
site
we
sent
our
guy
out
to
install
in
countryside.
He
came
back
and
says
you
know
what
there's
too
many
shrubs
around
that
one.
It's
not
going
to
be
well
seen.
This
would
be
a
better
corner,
so
sometimes
there's
things
that
just
you
know.
H
J
They
just
aren't
always
located
in
the
best
most
visible
place
or
here's
a
perfect
example.
We've
been
contacted
directly
without
knowing
about
any
of
this
proposal
by
a
neighborhood
Woodgate
up
in
countryside
that
wants
to
put
a
box
in
well
the
turn
into
their
neighborhoods
on
Belcher
Road,
the
county
controls,
Belcher
wrote:
I
have
been
working
seriously
hard
and
literally
easily
50
to
80
hours
of
work
over
two
and
a
half
years.
Try
to
get
the
county
to
approve
these
and
they
have
not
yet
approved.
J
So
if
they
own
and
control
the
box
and
they've
decided
that
they
were
not
going
to
allow
us
to
do
these
you're
stuck.
The
turn
in
the
Morningside
is
on
Belcher
it's
a
county
control
box.
It
would
be
a
perfect
place
very
visible,
highly
identified
with
that
neighborhood.
So
you
know
we
can't
tell
you
how
many
for
just
how
many
do
we
come
up
with
Julianne
I
made
her
list
I
just
drove
the
western
part
of
the
town
like
from
about
the
high
school.
J
This
way,
not
counting
any
of
the
ones
we've
already
done
and
I
came
up
with
30,
more
locations
and
I
ran
them
by
burr
tells
it
was
the
chief
guy
traffic,
and
there
was
like
two
that
he
said:
nope
that
one's
actually
on
the
edges
technically
done
even
ordinal,
that
one's
a
County
box,
but
in
other
words
just
in
that
one
segment
of
the
town
we
came
up
with
another
30
available
locations
so
and
not
all,
would
be
perfect
for
a
neighborhood.
You
know
there
will
be
some,
but
I
mean
there's
one
on
island
estates.
J
That's
not
been
done
where
you
turn
to
go
to
the
aquarium.
That's
a
pretty
big
neighborhood!
There's
one
on
the
causeway.
We
already
did
that
one,
but
the
one
that's
within
interior
of
that,
where
you
turn
in
yeah.
So
those
are
just
examples.
We've
done
a
lot
of
background
research.
We
know
there's
plenty
of
places.
What
we
would
want
to
do
is
match
them
up
with
these
neighborhoods
who
really
do
want
to
get
involved
in
an
active
project.
J
B
J
There
yet
they
they
say
on
the
face
of
it:
FDM
t
I've
worked
with
them
too.
They
say
in
the
face
of
it.
Yes,
it's
been
done
in
other
communities,
we'll
do
it.
Here's
the
40-page
community
facility
agreement
you
have
to
execute
before
you
do
one
we're
working
with
a
bunch
of
volunteers.
You
figure
out
who's.
Gonna
go
do
that
40-page
agreement,
so
so
far,
I
mean
maybe
through
Christopher
being
back
and
having
more
backup
to
share
this
the
work
we
may
be
able
to
get
approvals
from
those
areas.
J
J
C
J
Don't
have
an
answer
for
that
precisely
other
than
to
say
we
would
be
looking
to
Juliana.
Who
is
you
know
her
full-time
job
is
a
neighborhood
coordinator,
and
you
know
the
people
who
stick
my
statement
would
be
the
people
who
stick
their
hands
up
first
to
say
we're
ready
to
go.
We
want
to
support
this
would
be
cross.
J
Is
there
one
that
would
work
right
and
we've
already
identified
a
lot
of
potential
ones?
I'm
I'll
give
you
a
couple
four
instances:
you
drive
down:
Drew
Street,
you
come
to
Betty
Lane,
there's
a
golf
course
there
that
the
city
has
owned
that
land
for
almost
hundred
years.
There's
not
anything
on
that
single
box
in
this
and
there's
a
sign
that
identifies
the
Country
Club
Estates
neighborhood
about
a
half
a
block.
From
that
turn,
I
mean
we
without
knowing
anything
about
this.
J
Somebody
from
the
country
club
called
and
said
why
do
one
on
our
corner
and
I
said?
Well,
let's
see
how
this
plays
out.
Maybe
your
neighborhood
would
step
up
for
that.
But
there's
anyway,
I
mean
there's
a
couple
examples:
Glenwood,
there's
a
prominent
visible
box
at
Highland
and
Highland
Andrew
Glen
woods
on
one
side
and
Hillcrest
is
on
the
other
long
term
neighborhoods
that
have
been
here,
you
know
and
and
and
active
groups
that
have
been
here
for
a
long
time.
So
those
are
a
couple
examples,
but
I
you
know.
J
If
you
guys
wanted
to
say
they're,
you
know
how
do
we
decide
what
neighborhood
I
don't
know?
Other
than
to
say
that
there
are
some
that
have
been
working
with
her
that
are
very
anxious
to
perceive
they.
In
my
view,
they
probably
ought
to
get
the
first
crack,
but
you
know
it
needs
to
work
with
there
being
a
good
location.
Some
balance
of
that.
I
I
I
think
that
we,
since
it's
a
use
of
public
dollar,
we
have
to
ensure
that
there's
a
process
in
place
so
that
all
neighborhood
organizations
understand
that
that
opportunity
is
there
and
show
interest.
Okay,
I
do
believe
that,
since
it's
a
use
of
public
dollar,
that
HOA
should
should
belly
up
to
do
in
kind
before
straight
payment.
I
Benefit
to
it
because
we
do
not
have-
and
this
will
be
a
question
coming
back
to
Medaille
on
the
funding
side.
What's
our
funding
balance?
What's
our
decision
process
on
other
things
that
we
were
committed
to
as
an
organization
and
a
board
and
how
does
$9,000
sit
into
that
all
of
those
things
being
said,
I
applaud
the
program
and
and
I
want
to
support
it.
I
just
think,
and
where
we
sit
in
terms
of
a
publicly
appointed
agent,
we
need
to
ensure
that
there
is
a
definition
of
how
selection
is
made
and
that
there's
equity.
J
J
J
Are
all
available?
That's
right
and
I
mean
I.
Think
all
those
things
are
points
well
taken
and
they
can
certainly
be
built
into
the
rollout
of
this
and
I
think
he
would
excuse
me,
but
we
also
want
to
consider
we've
already
with
our
own
money.
We
raised
some
other
way
put
some
in
a
lot
of
these
spots.
So
if
you
know
so,
there's
like
an
enterprise
and
countryside,
there's
a
there's,
a
basketball
court
and
the
big
community.
You
turn
it
well,
we
did
that
I,
don't
own
it
all
some
time
ago.
K
I
And
it's
just
typically
Chris
I,
think
you
know
in
the
past
and
I
would
assume
in
the
future
as
funding
items
come
forward.
We
just
have
a
point
in
place
of
where
we're
at
what's
committed
and
it
gives
us
the
ability
to
say
whether
or
how
much
we
want
to
commit
with
our
reoccurring.
Fees
are
reoccurring,
programs
that
we're
involvement,
yeah.
G
G
Allow
us
to
say:
okay,
how
do
we
prioritize,
as
you
were,
saying
which
projects
are
going
to
receive
those
City
dollars,
but
the
anodized
review
process
in
place
would
also
support
the
individual
neighborhoods
who
want
to
move
forward
on
a
project
that
doesn't
use
city
funds
and
ensuring
that
a
process
is
followed
with
that
that
supports
them,
but
still
keeps
that
level
of
quality
and
provides
them
with
the
access,
and
you
know,
working
with
our
neighborhood
coordinator,
to
get
a
project
that
does
brighten
their
community.
It's
a
good
way
of
doing
that.
E
E
Every
time
you
want
to
increase
the
membership
$10,
you
know
it's
a
big
deal,
the
that
that
would
be
be
one
concern,
and
even
when
they
have
a
surplus
of
money,
usually
they
hold
on
to
a
certain
amount,
but
in
case
of
their
hurricane
you
know
they
have
so
I
think
that
you
know
I'm
not
sure
and
I'm
sure
that
least
some
neighborhoods
who
can
afford
it.
But
I
would
bet
there's
not
too
many.
J
As
asked
the
program
exists
today,
uh-huh.
If
an
HOA
says
we
got
the
fifteen
hundred
bucks
there
box
can
go
in
next
week.
I
mean
we've
been
doing
that
already
yeah,
okay,
so
I'm
just
saying,
and
he
it
could
be
Bill's
black
shop.
It
could
be
friends
of
such-and-such.
You
know
the
guard
friends
of
the
bargain
level.
It
could
be
anything
we
are
already
doing
that
now.
If
they
come
up
with
the
money.
This
proposal
to
you
is
has
to
do
with
the
discretionary
pot.
You
have
and
a
way
to
continue
to
grow
this.
What.
E
I
was
going
to
suggest,
as
you
might
try
approach
it
to
them
as
a
fundraising
project.
You
know,
maybe
in
conjunction
with
the
neighborhood
picnic
or
something
like
that,
where
a
neighborhood
could
could
do
something
like
that.
That
might
might
give
a
little
bit
more
to
it
because,
like
I
said
I
think
I
think
it
could
be
I
mean
get
it
everywhere.
E
I
J
Right
I
mean
well
our
original
idea.
Didn't
have
you
know
any?
We
don't
have
built
into
our
concept
that
a
neighborhood
has
to
give
the
same
amount
on
top
of
or
whatever
we're
telling
you
what
we
know
based
on
doing
26
of
them.
If
you're
gonna
pay
the
artist
anything
reasonable,
it's
gonna
cost
you
that
much
to
do
them.
So
that's
what
we're
saying
and
if
you
decided
that
neighborhoods
couldn't
get
approved
unless
they
came
up
with
a
way
to
throw
in
exit
Mountain
or
so
we
could
do
more
of
them.
L
Their
piggy
bank
right
now
is
somewhat
less
than
$200,
so
there's
no
way
that
they
would
ever
participate
in
a
project
of
which
they're
contributing
those
funds,
because
those
200
dollars
are
gonna
go
to
their
neighborhoods
day
event.
That's
about
it!
It's
gonna
go
to
buy
some
hamburgers
like
that's
fun,
so
there's
that
aspect
of
it,
but
to
address
the
equity
concern.
L
It
would
be
really
really
simple
to
just
roll
out
an
application
process
where
we
might
say
you
know,
if
you
can
both
have
you
know
some
roads
that
have
these
applicable
signal
boxes
and
you're
willing
to
submit
this
application,
and
then
we
might
just
do
those
applications
on
maybe
a
first-come,
first-served
basis,
but
I
think
we
can
address
it
really
easily
through
an
application
process.
As
opposed
to
me,
picking
up
the
phone
and
saying
your
neighborhood
has
a
great
signal
boxed.
Would
you
be
interested
in
partnering
with
us.
F
J
Mean
give
you
a
perfect
example:
I
am
sure
the
people
in
Harbour
Oaks
could
afford
to
be
a
sponsor
right.
Martin
plant
just
paid
to
have
one
foot
on
the
corner
of
Southport
Harrison
and
druid
Road,
because
it
was
the
next
closest
thing
in
the
hospital.
Besides
the
entrance
at
Pinellas,
they
paid
for
both
of
those
they're,
beautiful
and
they're
now
in
place.
J
C
F
F
Our
project
come
in
anyway,
so
it
seems
that
if
this
could
be
part
of
their
project,
then
that
would
be
equitable
if
it
instead
of
putting
a
statue
in
maybe
the
first
step
is
put
a
signal
box
in
and
it
would
be
a
way
to
quickly
facilitate,
is
something
that
wouldn't
take
a
year
to
get
up
there,
but
and
quickly
facilitate
some
type
of
art
and
I.
Think
some
of
those
neighborhoods,
most
socioeconomically
challenged,
which
you
know
a
lot
of
them-
are
not
getting
the
art
that
the
big
corporations
are
putting
in.
C
And
that's
something
that
I
was
gonna
mention
because
for
us
to
use
some
of
our
discretionary
income,
one
of
the
things
we
need
to
take
a
look
at
is
what's
a
highly
trafficked
area.
That
would
benefit
the
majority.
That's
where
the
jurist
Reed
and
the
Myrtle
streets,
those
types
of
places
would
be
so
beneficial,
but
it
would
potentially
preclude
some
of
those
other
places
that
might
show
up
in
report.
I.
J
Luckily,
like,
for
instance,
we've
already
done,
it
was
part
of
our
kind
of
idea
of
picking
some
ideal
places
that
were
entrances
into
the
city,
so
we
have
one
at
Palmetto
and
Highland.
We
also
have
one
on
Kings
Highway,
which
we
did
to
commemorate
installed
it
when
arts
for
life
had
like
a
tenth
anniversary
celebration-
and
we
put
it
in
that
week
the
same
week,
the
kids
did
a
mural
on
their
building.
So
it's
about
a
block
and
a
half
that,
but
we
have
already
to
our
own
auspices.
B
C
C
B
Personal
experience
with
vinyl
wraps
wherever
they
come
from
is
when
they
degrade.
When
that
time
comes,
they
don't
and
we
talked
I
think
we've
seen
a
couple
of
presentations
previously
about
some
of
the
murals
that
happen
as
they
degrade.
They
start
to
kind
of
look
not
so
high,
so
maybe
something
to
think
about
for
long-term.
Not
for
this
group
is
the
replacement
plan,
because
you
said
something
that
was
very
impacting
on
my
ears.
B
C
J
Know
I
mean
I,
didn't
think
of
this
either,
but
I
mean
we
had
one
the
other
day
we
had
two
or
three
months
ago
paid
to
put
one
in
at
the
corner
of
drew
and
murder
the
Florida
Bar
offices
there.
Whatever
anyway,
there
was
a
car
accident,
somebody
went
off
the
road
and
knocked
over
the
little
box
smashed
it
to
smithereens.
Well,
obviously,
the
traffic
department
came
in
to
put
a
temporary
one.
It's
the
light
has
to
function
there
and
they
took
the
cabinet
away
cuz.
J
It
was
all
you
know,
really
crunched
up
and
you
know
had
thought
about
it
before,
but
yeah
I
have
been
a
lawyer
for
40
years,
so
I
felt,
like
all
the
I
said,
who
was
responsible
for
the
accident
found
out
the
driver
who
caused
the
accident.
If
you
know,
if
they'd
run
into
my
car
and
I
had
an
expensive
paint
job,
it
wouldn't
had
to
cover
that
I
wrote
them
a
letter.
J
I
sent
them
the
pictures
and
they
sent
us
a
check
to
replace
that
wrapping
when
the
new
buy
in
the
new
box
isn't
in
yet,
but
we
have
that
check
in
our
account.
So
that
when
the
new
city
is
done,
putting
their
new
box
in
place,
it'll
get
rewrapped
almost
instantly.
So,
although
when
I
went
by
cuz
they're
still
working
on
it
so
last
week,
I
will
say:
there's
a
good
comment,
the
guys
that
were
putting
the
box-
and
he
says
you
know
we
have
had
no
instances
now.
J
This
is
some
26
I'm
out
there
and
the
oldest
is
about
four
year
four
or
five
years
now.
No
instances
of
vandalism
says
the
ones
that
are
covered
with
the
art
are
not
the
ones
that
are
getting
spray-painted,
it's
anecdotal.
Clearly,
it's
not
scientific,
but
this
is
the
guy
fixes
them
and
guys
to
go
out
and
deal
with
them
me
that
I
didn't
solicit.
That
I
was
driving
by
saying
whenever
you
can
be
finished.
C
G
I
I
will
check
for
you,
I
believe
Commission's
done
through
discretionary
funds.
I
know
that
any
of
the
permanent
artwork
is
covered
by
the
city's
insurance
policy.
I
can
double-check
for
you
to
see
if
discretionary
fund
would
go
that
way
as
well,
that
would
provide
you
at
least
with
them
recompense.
If
something
happens
to
it,
you
know.
J
E
Something
one
time
before
I'd
like
to
submit
it
again:
I
I
think
it
would
be
a
good
idea
if
we
use
some
of
our
funds
to
create
a
prototype
of
a
bus,
shelter
and
used
it
with
a
submitted
to
artists.
Excuse
me,
architects,
ask
them
to
come
up
with
a
prototype
as
a
contest.
I
think
thank
you
idea
to
have
a,
for
example,
a
bus,
shelter
that
is
unique
and
stands
out.
It's
clear
water
I
think
it's
a
good
use
of
our
funds.
I!
Don't
think
that
we
have
to
just
do.
Sculpture
and
paintings.
E
I
mean
I!
Think
that
you
know
the
bus.
Shelters
are
kind
of
pathetic
and
usual
looking,
but
I
think
it
would
also
be
good
for
the
architect,
the
architecture
student,
to
have
an
opportunity
to
do
something
like
this
to
you
know,
put
in
this
resume
and
I
just
think
it
would
be
an
interesting
thing
for
us
to
do.
I
C
E
In
other
words,
you
know
they
would
put
some
money
into
it
and
we
would
supplement
it.
That's
a
good
point.
Yeah
it's
a
potential
but
I
know
at
one
time
they
did
have.
A
I
saw
a
design
one
time
for
when
it
was
really
unique,
but
I
don't
think
it
was
ever
implemented,
and
this
was
going
back
about
10
years.
So
I
don't
think
they'd
be
against
it.
But
you
know
the
interesting
thing
is:
why
was
never
implemented,
but
very
approachable.
G
Know
that
PSTA
has
done
a
few
in
city
there's
one
in
Dunedin
near
the
hospital
right
now,
so
they
are
starting
to
work
with
organizations.
I
think
this
was
North
Ellis
Cultural
Alliance
that
partnered
with
them
on
Dunedin,
so
it
may
be
getting
more
affordable
and
they
may
be
more
open
to
exploring
that.
G
E
Also
naming
rights
that
could
come
in
to
that
so
that
you
could
name
the
stations
after
say
Morton
plant
and
things
like
that
and
when-
and
you
know,
organizations
tend
to
like
naming
rights
even
if
it's
not
really
at
their
place,
you
know
it
might
be.
Raymond
James
has
one
but
I
think
thinking
about
that
might
be
another
possibility.
G
One
of
my
main
focuses
right
now.
Coming
back
to
the
position
is
refreshing,
the
cultural
plan,
that's
one
of
the
priorities
that
was
put
forth
for
this
position
and
with
the
backing
of
the
city,
manager's
department
and
transitioning
the
position
out
of
public
parks
and
recreation
into
city
management,
it
allows
for
more
partnership
and
collaboration
across
different
divisions.
G
So
I
think
that
this
cultural
plant
will
be
very
inclusive
of
a
lot
of
different
issues
that
are
happening
in
the
city
and
we
will
get
a
really
good
perspective
out
of
what's
been
accomplished
previously
and
where
we
can
go
with
that
momentum
into
the
future.
So
it's
good
to
be
back
glad
to
be
working
with
you
again
and
look
to
the
future.
I
know.