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Agenda can be found here: http://bit.ly/ClearwaterCityCouncilMeetings
A
A
C
All
right,
I'd
like
to
bring
to
order
the
january
13th,
2
o'clock,
meeting
of
the
public
art
and
design
board
for
the
city
of
clearwater
and
asked
for
there's
been
a
public
request
for
board
members
to
give
their
names
and
the
organizations
that
you're
representing
my
name
is
neil
stralo.
I'm
an
urban
planner
and
a
long
resident
of
city
of
clearwater.
D
F
G
C
Fantastic,
we
we
appreciate
everybody
having
audience
members
today,
I'd
like
to
discuss,
item
2
approval.
Let
me
make
sure
approval
of
minutes
from
our
september
9th
2021
board
meeting.
Has
everybody
had
a
chance
to
review
that?
Were
there
any
questions
or
comments,
nope
a.
C
We
have
a
motion
to
approve
in
second
all
in
favor,
say
aye
aye,
any
oppose
great
item.
Three
is
citizens
to
be
heard
regarding
items
not
on
the
agenda?
Are
there
anybody
in
the
audience
who
would
like
to
provide
comment?
B
B
A
Member
olda
is
a
no
longer
with
creative
pinellas.
He
was
representing
the
organization,
and
so
we
have
contacted
them
to
approve
a
new
representative.
In
the
meantime,
the
ceo
and
ceo
have
been
invited
to
join
us
to
keep
up
the
speed,
and
so
we
just
await
their
appointment.
Our
appointment
of
a
representative.
B
I
understand
there's
two
openings
coming
up,
possibly
for
this
board.
I
talked
to
I
talked
to
judith
today,
the
city
clerk's
office
and
anyway,
that
just
I
posted
it
on
facebook.
So,
if
anybody's
interested
in
this
board,
whether
they
they
could
put
an
application
on
and
whether
they're
some
people
want
to
be
reappointed,
apparently
for
another
term,
and
they
can
be
which
is
normal,
but
there
could
be
an
opportunity
in
the
future
for
other
people.
Okay,.
B
You,
the
other
thing,
is
the
clyde
blue
shirt
exhibit.
Can
you
do
you
know
who,
how
much
that
cost
and
who
paid
for
it.
C
I
think
I
would
look
for
christopher
to
provide
the
information
that
he
provided
to
you
before
the
meeting.
I
just
wanted
the
public
to
hear.
A
About
it,
I
understand
the
cra
trustees
authorized
up
to
500
500
000
in
expenses
for
the
exhibition.
It
is
to
be
on
display
for
three
years
and
it
is
managed
by
the
community
redevelopment
association,
cra.
B
Yes,
okay
and
I
brought
a
friend
up
from
miami
she's,
a
pretty
well
known,
artist
and
she's,
also
an
environmentalist-
and
she
leads
sierra
club
outings,
and
there
was
no.
We
were
surprised,
there's
no
place
to
sign
ins,
you
know
to
say
her
name
and
what
artist
saint
petersburg
so
would
you
consider
maybe
that's
a
cra.
C
Issue,
this
is
managed
by
the
cra
and
I
would
recommend
that
you
contact
them.
Okay,
thank
you.
Thank
you
for
your
time.
C
A
Afternoon
ford
happy
new
year
to
you
2022.,
I
am
christopher
hubbard,
I'm
the
cultural
affairs
coordinator
for
the
city
and
our
first
item
of
business
today
is
the
arts
and
cultural
initiatives
for
the
calendar
year
2022.
A
Now
these
initiatives
are
informed
by
our
our
cultural
arts
strategic
plan
for
2022
through
2028,
that
was
adopted
by
city
council
in
december
of
this
year
of
last
year,
and
so
you
will
see
within
that
particular
document.
C
That's
fantastic
question
is:
is
the
intent
on
the
grant
program
to
have
neighborhoods,
provide
in-kind
or
matching,
or
is
that
to
be
developed.
A
That'll
be
developed,
I
would
say
if
they
have
an
organization
that
has
partnered
with
them.
It
would
be
ideal
if
that
organization
could
in
some
way
provide
support
to
the
neighborhood.
If
it's
a
neighborhood
individually,
we
recognize
that
their
resources
may
not
be
as
expansive
as
an
organization
or
the
city
itself,
and
so
it
could
be
done
as
a
partnership
level
of
a
you
know,
non-restrictive
grant
to
allow
for
the
purchase
of
materials,
payment
of
artists
and
compensation
for
labor
as
well.
E
Chris
on
that
one,
so
so
one
of
the
things
is,
you
mentioned
the
the
art
deserts
so
have
they
or
will
you
identify
kind
of
on
a
plan
to
show
where
those
kind
of
sparse
areas
are
that
will
be
focuses
of
attention
for
that
money
can
actually
maybe
kind
of
be
a
little
bit
more
pushed
towards
those
areas.
Absolutely
I.
A
Have
a
map
that
I'll
display
in
item
5.1
and
so
that
will
bring
up
a
visual
reference.
Thank
you.
Okay,
all
right
action,
number
two
under
strategy:
one
is
programming.
Expansion
to
the
neighborhoods,
extend
the
signal
box
assistance
and
the
storm
drain
program
to
more
neighborhoods.
A
These
programs
should
be
expanded
throughout
the
city
and
the
following
steps
should
be
taken
number
one,
develop
a
comprehensive
storm
drain
and
signal
box
inventory
so
that
we'll
have
an
idea
of
which
areas
are
available
and
which
areas
have
been
enhanced
already
and
number
two
determine
a
prioritization
schedule
for
program
rollout
that
encompasses
at
least
three
to
five
neighborhoods
annually,
and
so
that
will
allow
us
to
begin
getting
into
the
neighborhoods
ensuring
that
they
have
our
investments
that
can
exist
at
the
storm
drain
level
in
the
least
going
up
to
the
signal
boxes
and
then,
hopefully,
also
including
some
form
of
public
artwork
and
if
not
a
physical
representation,
representation
of
public
art
programming
in
their
neighborhood.
A
That
would
be
available
through
the
recreation,
centers
and
libraries
that
stimulates
the
arts
and
culture
for
the
residents
of
those
areas.
C
A
We
are
in
the
process
of
completing
a
community
aesthetic
feature
application
for
the
dot.
Okay.
What
they've
asked
is
retroactively
for
a
lot
of
projects
that
have
been
done
in
the
past
to
bring
them
into
compliance
with
their
basically
codes
and
standards,
but
it
is
an
application
that
they
have
said
they
they
are
eager
to
approve.
So
it's
just
a
matter
of
getting
it
done
and
out
to
them
we
have
the
support
of
our
traffic
operations
division,
as
well
as
the
clearwater
arts
alliance.
In
doing
that,.
A
A
Six
units,
as
far
as
if
it's
a
development
project
for
housing
sit
more
than
six
units
there.
Our
original
threshold
was
five
million
dollars
for
private
development.
We've
removed
that
monetary
threshold
and
have
allowed
it
to
apply
to
basically
significant
projects
architecturally
throughout
the
city
makes
sense.
C
And
and
that
looks
to
be
keyed
to
residential,
yes,
not
commercial.
A
Commercial
as
well,
this
would
be
units
of
of
any
kind
of
nature.
So
if
it's
a
strip
mall
and
it
has
six
stalls
as
if
there's
more
than
six
that
would
qualify,
it.
C
Okay,
typically,
that
is
either
a
gross
square
foot
or
an
far
versus
a
unit,
and
so
you
may
have
some
question
from
planning
or
legal
okay
about
what
that.
What
that
threshold
is
right,
the
50
improvement.
You
know,
that's
that's
fairly
standard,
but
you
may
this
I'm
reading.
This
is
key
toward
residential
development
and
non-residential
is
usually
a
floor
area
ratio
or,
or
you
know,
building
of
a
certain
size.
Okay,.
A
Years
ago,
when
we
first
instated
the
ordinance,
there
was
a
development
project
that
thought
it
was
related
entirely
to
the
building
permits
and
not
the
overall
project,
and
so
they
took
the
roof
off
their
building
from
one
permit
and
put
it
on
another
planet,
thinking
that
that
would
get
them
below
the
ordinance.
But
you
know
yeah,
they're,
creative
and.
C
C
A
Strategy:
three
invest
in
iconic,
public
art
and
strategic
locations
to
bolster
the
public
art
experience
action.
One
is
related
directly
to
imagine.
Clearwater
and
coachman
park
develop
a
public
art
experience
through
a
strategic
planning
exercise
to
impact
the
updated
park
through
two
strategies
should
be
considered
for
this
planning
exercise:
one
an
iconic,
large-scale
public
art
piece
by
a
nationally
recognized
artist
and
two
an
annually
rotating
exhibition
of
medium
to
large-scale
sculpture
every
other
year.
A
The
city
should
commission
a
piece
of
sculpture
as
a
permanent
addition
to
the
wall
or
purchase
a
popular
piece
from
the
rotating
exhibition.
This
would
increase
the
city's
holdings
in
public
art
and
also
provide
a
extension
of
the
rotating
program.
Success
we've
had
with
sculpture,
360
on
cleveland
street,
notably
that
is
going
into
its
11th
season.
A
If
I
can
bring
up
of
note,
this
would
be
a
strategic
planning
exercise
very
much
like
a
group
charet
or
a
public
town
hall
that
would
be
open
to
the
public
to
participate
very
similar
to
what
we
did
for
the
downtown
boat
slips
of
information
gathering
and
visioning
sessions.
A
So
item
number
one
will
be
specifically
created
only
for
imagine.
Clearwater
item
two
gives
us
the
flexibility
to
allow
for
existing
work.
It
depends
on
if
essentially,
the
market
of
sculptors
is
creating
at
that
time,
what
inventory
they
have
or,
if
they're,
creating
new
pieces
that
we
could
work
with
them
on
having
something
more
specific
to
clearwater
and
as
far
as
the
additions,
we
would
commission
a
a
new
piece
or
through
public
sentiment
and
input.
We
could
lengthen
the
stay
of
a
piece
that
has
been
particularly
beloved
by
the
community.
A
A
Action
two
trail
lines:
layer,
cultural
experiences
on
all
of
the
city
trails,
to
encourage
natural
experiences,
improved
health
and
exposure
to
the
arts.
Clearwater
has
seven
trails
that
lead
to
a
variety
of
locations
throughout
the
city.
A
color
theme
for
each
trail
should
be
developed
using
the
seven
colors
of
the
colored
wheel
along
each
trail.
Public
art
and
cultural
heritage.
Information
should
be
explored
by
color
theme.
A
So,
in
addition
to
the
green
trail,
we
could
have
a
blue
trail
that
explains
the
significance
of
water
to
our
region.
We
could
have
a
red
trail
that
could
be
history,
and
these
would
be
spread
throughout
the
significant
trails
that
we
have
here
in
the
city.
We
could
explore
cultural
trail
that
includes
literature,
the
arts
and
performances
that
we've
had
throughout
our
history,
and
so
there
are
a
lot
of
possibilities
for
this.
In
cooperation
with
the
parks
and
recreation
department,.
A
And
then
action,
three,
a
biennial,
temporary
art
festival,
develop
and
launch
a
biannual
temporary
art
festival
on
the
beach.
A
temporary
art
festival
should
be
planned
to
take
place
every
other
year
in
the
fall.
Special
attention
should
be
paid
to
developing
a
theme
of
the
festival
that
is,
unlike
anything
in
the
region,
as
well
as
the
state
building
an
audience
through
casting
a
unique
vision
and
artistic
movement
is
critical
to
the
festival's
success.
A
Installations
at
the
festival
should
be
interactive,
forging
connections
between
the
artwork
and
the
viewer.
The
festival
should
be
immersive,
causing
attendees
to
want
to
stay
longer
than
anticipated
and
plan
to
come
back
year
after
year.
The
festival
should
be
ticketed
to
cover
the
production
costs
and
to
support
the
work
of
the
public,
art
development,
public
art
and
design
program,
and
so
in
investigating
these
looking
at
existing
arts
festivals
in
the
southeast
region.
A
I
would
even
go
beyond
just
our
state,
but
looking
for
something
that
has
not
been
tapped
into
yet
in
our
area.
Maybe
that's
inflatables,
maybe
that's
light.
Maybe
it's
a
combination
of
different
styles
of
artwork,
but
having
it
centered
in
the
beach
would
be
providing
access
to
a
captive
audience.
Essentially,
as
people
and
tourists
frequent
our
beach,
the
most,
we
would
be
able
to
essentially
insert
arts
and
culture
into
their
vacation
and
allow
them
to
experience
something
new
and
innovative
for
clear
water.
A
They're
recommending
fall.
We
can
investigate
with
the
special
events
division
as
to
what
it
has
been
a
success
with
their
participation,
numbers
for
other
music
festivals
or
other
sort
of
programming.
In
the
past.
E
C
A
Yes,
that
was
sort
of
just
a
recommendation
to
get
started.
So
that
concludes
our
look
at
priorities
for
2022.
F
Yes,
were
there?
Was
there
any?
Has
there
been
any
thought
or
discussion
about
the
beach
as
opposed
to
downtown
I'm
thinking
of
like
logistics
of
parking
and
probably
have
to
do
trolleys,
and
things
like
that?
It
seems
that
the
beach
is
already
there's
a
lot
of
people
there
already,
which
would
be
a
good
reason.
F
You
know,
would
provide
good
access
for
the
people
already
there,
but
it's
not
going
to
bring
them
to
a
place
they
haven't
been
before.
So
I
mean.
Has
there
been
any
discussion
about
other
parts
of
clearwater
that
maybe
would
draw
some
of
those
people
into
another.
A
F
F
I
don't
know
about
everybody
else,
but
we
don't
go
down
to
clearwater
beach
a
whole
lot,
because
it's
pretty
crowded
down
there,
so
I
mean
how
much
are
we
looking
at
bringing
people
in?
How
much
are
we
looking
at
it
being
an
experience
for
citizens
etc?.
A
F
A
question
I
had
a
question
about
the
neighborhood
strategy
is:
has
there
been
any
discussion
about
theater
or
music
as
part
of
those
things,
because
most
most
of
the
discussion
seems
to
be
about
static
art,
which
is,
of
course
has
a
benefit,
is
always
there.
It's
always
able
to
be
connected
with,
but
wonder
about.
A
Within
the
neighborhood
grant
program
that
would
be
more
focused
on
static,
however,
in
action
to
the
programming
expansion
into
the
neighborhoods.
That
could
cover
a
lot
of
the
cultural,
performative
and
ephemeral
arts
to
allow
for
support
for
a
variety
of
different
applications
at
city
facilities
that
people
could
participate
in.
A
A
But
the
desire
for
returning
a
lot
of
neighborhood,
specific
and
neighborhood
informed
programming
is
really
a
lot
of
the
heart
of
our
new
plan.
Understood.
C
Thank
you.
Thank
you
item
4.2
review
and
update,
grant
funding
request
by
the
you're
correct.
Is
there
any
public
comment
for
item
4.1.
B
B
D
Was
it
last
year,
the
year
before
there
were
several
focus
groups
that
were
conducted,
they
were
primarily
conducted
over
like
zoom,
you
know
over
the
computer
because
we're
in
the
middle
of
a
pandemic
I
participated
in
one
of
them.
It
was
really
interesting.
We
were
able
to
talk
with
the
consultants.
D
The
consultants
were
here
for
one
of
the
meetings
and
we
were
able
to
have
a
nice
dialogue
with
them.
I
think
we
also
met
with
them.
Virtually
I
don't
remember,
but
yeah.
There
was
a
lot
of
input
solicited.
B
D
Yeah
the
focus
groups
were
scheduled.
There
were
times
you
could
sign
up,
for.
I
think
the
one
I
attended
it
was
about
10
in
the
morning.
B
Did
more
than
one
member
of
this
board
attend
the
focus
groups?
I
I
did
well,
you
were
one
the
other
people
only
one
attended,
because
you
know,
if
more
than
we
want,
if
more
than
one
board
member
attends,
you
have
to
have
an
agenda
and
all
your
stuff.
Thank
you
yeah.
I
mean
because
there's
a
lot
of
information
there
and
I
mean
I'm
not
even
gonna
about
to
attempt
to
to
comment
on
it,
but
I'm
sure
that
you
know
anybody
who's
watching.
B
A
A
B
Yeah,
all
right,
when
you
are
going
to
put
the
map
up,
that
we
discussed.
B
Don't
I
is
that
a
different
comment.
I
know
I
was
trying
to
say
that,
but
this
is
great
that
the
board's
allowing
it
I
mean-
that's
wonderful,
okay,
thank
you.
Okay,
well
comment
is
that
I
don't
know
if
the
plan
you're
gonna
bring
up
with
the
map
is
the
same
plan
as
the
one
you
just
discussed
or
if
they're
two
separate
plans,
so
I.
C
B
I
I
think
in
my
head,
I've
already
told
you
this
that's
okay,
so
I
came
last
time
to
your
meeting
and
we
discussed
it
and
then
we
had
our
meeting
that
night.
So
this
was
the
final
I
don't.
Otherwise,
it's
not
showing
up
showing.
C
I
Ours,
okay,
y'all
see
it
so
this
we
have
gone
through
the
entire
process
with
our
board,
and
this
is
what
they
came
up
with
for
the
mural
on
our
on
our
two-story
building.
So
it's
going
to
be
quite
large
and
it
will
face
south
fort
harrison
and
we
have
since
gone
and
done
the
prep
work
for
it,
which
I
will
show
you,
because
I
had
to
call
christopher
because
we
realized
we
did
not
put
in
our
original
request
for
the
prep
work
to
be
done.
I
So
we
are
now
asking
for
additional
funds
of
2
900
from
the
original
part.
So
what
we
did
was
we
had
them
come
in,
they
pressure
washed
it
they
put.
They
worked
with
the
artist
and
they
put
the
right
kind
of
paint
on
there.
They
actually
even
put
the
black
frame
around
it.
So
when
they
put
the
mural
up
there,
it'll
be
framed
out,
so
you
can
see
now
the
in
duke
had
already
put
the
lights
up
there.
I
I
I
C
I
C
I
C
Okay,
that's
what
your
contribution
is
coming
forward.
Yes,
yeah
right,
so
I
think
what
is
there
any?
I
appreciate
it
is
there
any
public
comment
to
this
item.
C
No
they're
seeking
twelve
thousand
nine
hundred
dollars
in
grant
source
from
us
and
they
have
expended
up
to
six
thousand
dollars.
That
would
be
part
of
part
of
that
project.
That's
what
I
was
trying
to
ascertain.
B
C
C
J
Good
afternoon
my
name
is
beth
daniels
and
I'm
the
vice
president
of
the
clearwater
arts
alliance.
I've
been
a
practicing
lawyer
here
in
clearwater,
with
my
same
firm
for
42
years,
so
kind
of
know
my
way
around
this
town
a
little
bit
but
we're
here
on
behalf
of
the
clearwater
arts
alliance.
You
may
recall
about
two
and
a
half
years
ago
we
came
and
sought
some
funding,
which
would
come
from
your
discretionary
fund
where
there
were
monies
gathered
by
the
public
arts
ordinance,
but
not
expended
on
a
site
specific
place.
J
J
So
what
our
idea
was
was
to
take
that
concept
out
into
neighborhoods
that
don't
have
too
many
art
amenities
and
to
collaborate
with
specific
neighborhoods,
hoa
groups
etc
to
come
up
with
designs
that
were
specific.
Previous
to
that.
All
our
projects
had
been
where
we
found
already
created
artistic
images
that
were
bright
and
colorful
or
abstract.
You
know
not
making
political
comment
or
whatever,
but
just
something
that
would
be
suitable
and
bright
and
colorful
and
viewed
make
a
beautification
effort
to
the
boxes.
J
So
we
did
that
project
and,
let's
see
forward
bounce,
I'm
I'm
going
to
go
through
this
really
quickly,
because
this
is
sort
of
the
history
of
arts
alliance
and
when
we
were
formed,
which
were
a
little
over
20
years
now
and
part
of
the
city's
cultural
affairs
formation
was
to
start
a
501c3
organization
that
could
help
further
the
efforts
the
city
itself
was
making.
So
we
did
that
and
our
mission
is
to
collaborate
and
advocate
and
bring
visibility
to
the
arts
in
our
community.
J
We
have
developed
a
private
developer,
public
art
guide,
which
actually,
if
this
new
phase
of
going
back
into
having
that
in
the
ordinance,
will
be
even
more
helpful
because
it
really
shows
developers
the
many
ways
in
which
they
can
incorporate
public
art
in
their
developments.
So
hopefully
that
was
something
that
we
worked
on
and
that
can
be
a
real
resource
as
we
go
forward.
We
are
displaying
art
in
the
parking
garage
cabinets
we
have
done
the
thinking
outside
the
box,
which
is
our
signal
box
program.
J
J
The
thing
outside
the
box
you're
familiar
with
the
art,
wrap
signal
boxes,
we've
done
several
phases
and
all
one
two,
three
and
four
were
all
done
through
our
own
and
with
some
city
assistance
phase,
five
was
actually
a
phase
that
we
did
with
you
all
support
with
the
public,
art
and
design
board,
and
we
successfully
completed
six
boxes
for
six
separate
neighborhoods.
They
were
all
areas
with
the
exception
of
the
beach,
which
has
some
fair
amount
of
artistic
installations
out
there,
but
the
other
five
were
really
areas
lacking
in
public
art.
J
I
gave
you
these
little
pictures
today,
just
to
show
that
the
front
one
particularly
shows
after
that
that
box
was
dedicated,
that
neighborhood
came
together
with
quite
a
nice
showing
of
their
residents
and
their
board
to
sort
of
have
like
an
unveiling
event.
So
these
things
have
not
only
resulted
in
a
permanent
structure,
but
there
has
been
interaction
and
collaboration
with
the
neighborhoods
and
residents
being
involved
in
the
process.
So
we
thought
that
now
that
was
complete.
J
The
last
one
I
think
was
put
in
just
about
a
year
ago,
maybe
a
little
bit
more
a
little
less
than
a
year
ago
that
we
completed
the
last
one
of
that
and
we
felt
like
now
that
we're
new
plan
is
in.
It
would
be
a
good
time
to
ask
for
in
in
essence,
kind
of
another
tranche,
almost
a
reiteration
of
the
same
con
concept,
but
to
reach
out
again
to
six
neighborhoods
that
are
particularly
lacking
in
art
amenities.
J
This
is
an
overview
of
the
six
that
were
produced
during
the
last
phase
that
you
all
funded,
and
actually
we
got
one
extra,
because
the
beach
was
so
excited
about
the
turtle
design.
That's
the
upper
left,
the
nesting
sea
turtle
that
they
out
of
their
own
funds,
put
a
second
installation,
so
we
have
one
on
north
colorado,
beach
and
one
on
south
clearwater
beach,
so
sometimes
just
getting
in
there
and
getting
involved
gets
people
enthused,
and
so
there
was
kind
of
a
little
extra
gift
that
came
from
it.
J
J
It
was
1500
per
wrapped
box
two
years
ago,
we're
suggesting
that
it
be
1750,
because
the
artist
component
was
500
and
working
and
collaborating
with
neighborhood
groups
where
they
keep
going
back
and
forth
with
what
design
do
you
want
and
what
would
maybe
historically
work
with
our
neighborhood?
It's
a
rather
lengthy
process
and
we
figured
the
artists
have
been
struggling
enough
during
the
pandemic,
with
jobs,
canceled
and
fares
canceled,
and
this
that
and
the
other
that
their
piece
of
it
should
be
increased
a
little.
J
But
so
our
request
is
for
ten
thousand
five
hundred
dollars
which,
if
it
is
granted,
would
allow
us
at
this
slightly
increased
artist
fee
to
work
with
up
to
six
particular
artists
in
our
past
one
we
had,
I
think,
five
or
six
artists
suggested
four
were
selected
by
the
neighborhoods.
Two
artists
did
two
projects
just
because
the
neighborhoods
like
their
work,
the
best
and
that's
who
they
worked
with,
but
our
goal
would
be
to
make
it
available
to
a
new
set
of
artists,
albeit
local,
but
make
more
local
artists
have
opportunities
through
this.
J
So
that
would
be
our
proposal
to
you
today
would
be
to
basically
do
chapter
two
of
what
was
successful
two
years
ago
and
launch
into
with
christopher
and
the
neighborhood
coordinators
help,
because
that's
a
whole
department
to
identify
where
those
neighborhoods
that
are
most
lacking
could
be
found
and
then
try
to
marry
them
up
with
artists,
and
that
what's
been
was
particularly
fun
about
this
was
each
one
of
the
designs
was
unique
to
the
neighborhood
and
the
neighbors
had
an
input
into
that
design,
rather
than
just
it's
pretty
it's
there
and
it
looks
a
lot
better
than
a
gray
steel
box.
J
But
in
this
case
some
were
historical.
Some
were
more
abstract
or
conceptual,
but
in
each
case
they
were
something
that
the
neighborhood
and
the
residents
contributed
to
the
ideas
on.
So
that's
our
proposal
and
I
can
you
know
christopher
just-
went
over
the
new
plan
with
you
anyway,
and
I
didn't
know
when
I
told
him
a
month
ago
that
I
wanted
to
make
this
presentation
that
it
was
as
clear
as
it
is.
J
C
E
Any
questions
seems
like
it
seems
like
the
the
art
deserts
can
be
applied
like
it's
a
it's
a
dual
like
two
versions,
one
stone
on
this
one,
pretty
simple.
I
think
yes,
absolutely
so.
J
Yeah
I
mean
it
is
a
bit
of
a
trick
to
to
locate
a
city-controlled
box
so
that
you
know
we
already
have
the
ability
legally
to
control
the
space
and
can
coordinate
as
we've
successfully
done
on
31
other
installations
with
the
city
traffic
department.
But
but
still
almost
every
neighborhood
will
have
something
nearby.
J
That
will
that
will
work
for
this
and
so
we're
anxious
to
you
know
and
any
help
you
can
give
us
on
narrowing
in
on
that.
Obviously
what
we
did
before
was
this
was
juliana
greene,
who
was
very,
very
proactive
and
helpful
in
that
department.
She's,
unfortunately
not
with
the
city
any
longer,
but
she
helped
us
send
the
information
out
to
the
neighborhoods
and
part
of
the
application
process.
Is
they
had
to
agree
to
collaborate
with
us?
It's
no
good!
J
E
We
approached
and
what
did
the
timing
work
out
chris
christopher,
with
the
the
finding
those
neighborhoods
that
are
going
to
fall
within
what
beth's
trying
to
accomplish
here
like
getting
putting
in
those
those
again
keeps
using
the
term
the
the
art
deserts
and
the
neighborhoods
that
were
a
big
deal,
because
I
know
the
last
time
we
had
this
discussion.
We
were
looking
at.
There
was
a
couple
of
questions
about
hey.
Are
we
hitting
the
neighborhoods
that
are
maybe
a
little
less
economically
feasible
for
that,
because
that
was?
That
was
another
purpose
for
what
we.
J
Wanted
we
only
sent
out?
Well,
I
shouldn't
say
juliana
with
the
city
neighborhoods
department.
We
we
coordinated
with
her,
but
she
put
the
invitations
out
and
then,
when
they
came
back
in
she
had
she
prioritized
them
and
said
these
are
the
most
of
the
people
who
responded.
Now
you
can't
make
somebody
respond
of
the
neighborhoods
that
responded.
She
put
them
in
the
order
that
she
felt
was
most
important
and
I
am
assuming
we
could
do
that
again.
I.
C
Think
yeah,
I
think
that
that's
a
critical
component
that
was
successful
in
the
application
previously
that
that
city
agency
was
being
used
and
as
an
outreach
right.
There's
things
that
the
organization
does
really
well
and
and
getting
the
neighborhoods
is,
is
key.
Yeah
so
and.
J
F
I've
mentioned
before
how
wonderful
the
idea
is
of
having
of
using
art
in
this
way
to
pull
communities
together
and
neighborhoods
together,
especially
now,
and
I'm
really
excited
about
that
part
of
it.
A
question
I
had
as
far
as
funding,
though,
was
the
older
boxes
you
mentioned
six
seven
years
ago.
How
are
they
holding
up
is?
Should
there
be
a
budget.
J
Well,
maybe
maybe
eventually
knock
on
wood.
The
oldest
is
the
one
that's
at
the
capitol
theater.
Now,
of
course,
it
just
got
physically
picked
up
and
moved.
Nobody
told
me
that
was
going
to
happen,
but
I
took
a
tour
last
month
and
I
went
whoo.
Where
is
it
and
it
was
about
a
half
a
block
down?
It
was
still
functioning
and
had
been
put
on
a
temporary
pedestal
because
of
the
imagined
clearwater
physical
construction
work,
but
as
a
wrap
it's
holding
up
to
the
sunlight
and
to
our
tough
weather
re.
J
You
know
really
remarkably
well.
Our
single
biggest
problem
is:
we've
had
three
different
ones
that
have
been
mowed
over
in
traffic
accidents,
but
oh
well,
you
know,
in
fact
I
I
just
I
just
I
just
wrote
an
email
yesterday
to
usaa
insurance,
because
somebody
mowed
over
one
and
I
had
to
ask
for
the
police
report,
so
I
could
find
out
who
was
responsible
and
we
have
gotten
money
from
the
insurance
companies
adequate
enough
to
re
reinstall.
J
The
wrapping
now
sometimes
there's
been
a
delay.
Obviously,
the
city
had
to
cart
away
the
old
box
and
it
might
be
months
before
they
put
a
new
one
in,
but
when
they
have
put
a
new
one
in
we've,
been
able
to
then
re-wrap
it
rather
than
lose
that
location
or
that
piece
of
art
so
because
it's
digital
the
way
it's
saved.
So
it's
been
kind
of
interesting.
I
didn't
think
about
that
when
we
started
this,
but
I
have
learned.
A
Just
want
to
put
in
the
alliance
really
did
their
homework
when
they
were
selecting
the
materials
and
they
found
a
very
professional
installer
that
puts
it
in
per
spec.
So
we
can
get
a
very
long
life
span
out
of
these,
barring
any
vehicular
accidents.
J
Smashing
they
can't
prevent,
but
holding
up
to
our
weather
so
far
has
been
very
good.
One
thing
I
would
like
to
see-
and
maybe
we
put
this
in
the
invitation
or
application
or
whatever
it
was
really
really
nice
when
this-
and
this
wasn't
the
only
one,
the
one
at
spring
branch-
there
was
also
a
big
hoopla,
you
know
unveiling
event
or
whatever,
and
there
had
to
be
at
least
25
or
30
members
of
the
community.
The
mayor
was
there:
the
artist
was
there.
J
I
would
like
to
see
some
kind
of
I
mean
I
want
to
see
an
effort,
and
I
would
like
the
neighborhoods
to
commit
to
an
effort
to
having
some
kind
of
event.
You
could
have
music
there.
It
could
be.
You
know
these
were
kind
of
typically
a
saturday
morning
at
10
o'clock
in
the
morning
or
whatever,
and
really
make
a
nice
festivity
over
unveiling
these
and
saying
now
it
I
mean
now
it's
done
and
the
community
can
enjoy
it
and
there
can
be
other
things
that
take
place
with
that
musically
poetry.
B
East
alonsa,
my
neighborhood
got
one
of
the
boxes
and
we
are
one
of
the
underserved
neighborhoods
we're
way
out
at
where
hercules
meets
union
and
then
it
turns
into
county.
B
So
a
lot
of
people
think
our
neighborhood's
in
the
county,
but
we
we
have
a
box
and
I
go
by
it
four
to
four
times
a
day
and
it's
really
joyful,
and
it
is
it's
we're
valencia
park,
cedar
grove,
so
we
have
valencia
oranges,
cedar,
tree
branches
and
then
there's
a
parrot
colony,
so
there's
parrots
on
it
also.
B
I
just
wanted
to
say
that
we
didn't
have
that.
I
know
of
there
wasn't
a
celebration,
so
I
I
you
know
I
found
out
about
it
once
it
was
up
and
I
was
like
wow,
that's
really
cool
and
I
got
in
touch
with
beth,
but
it
would
be,
I
think,
important
to
me,
like
I
support
what
you're
saying
so
that
the
community
all
gets
to
enjoy
it
and
then
we're
going
to
discuss
the
county
boxes
or
the
other
cause.
I
can't
that's,
of
course,.
C
All
right
any
any
further
conversation,
all
those
in
favor
of
item
4.3,
an
award
of
10,
500
dollars,
say
hi
hi
hi
any
opposed
hearing,
none
so
moved
and
approved
item
4.4.
C
A
E
I
nominate
neil
again
for
sure.
C
And
I
want
to
verify
when
I
come
off
the
board.
I
think
it's
this
it's
year.
A
Yes,
it
would
be
later
on.
I
believe
it's
october.
C
I
would
be
glad
to
serve
in
that,
and
that
said
until
my
time
is
off
this
board.
C
I
know
I
was
waiting
for
somebody
to
throw
their
name
out
he's
stolen,
so
we
have
a
motion
and
a
second
for
neil
strailo
to
be
the
chair
of
the
board.
All
those
in
favor
say
aye
aye,
any
opposed
so
moved
and
approved
vice
chair.
E
You
don't
want
it
well,
we
can,
can
we
can
we?
I
guess
I
guess
we
could
ask
jerry,
just
don't
put
jerry
on
there
if
we
want
to
right
she's
still.
E
C
I
have
a
philosophical
problem
nominating
somebody
who's,
not
here,
okay,
so
we
need
to
find
somebody
else,
even
though
I
like
would
she
would
be
do
great.
It's
just
she's,
not
here.
C
All
right,
so
we
have
a
motion,
a.
H
C
Second,
second,
we'll
take
a
vote
or
any
others,
so
I'll
keep
offering
options.
Okay,
I
appreciate
it
all
those
in
favor
say
aye,
aye
aye,
any
opposed.
C
Guys
you
could
still
pass
still
pass.
Were
there
others,
christopher
nope?
Those
are
the
only
two
okay
item:
five
old
business
items,
5.1
review
and
update
as
a
status
of
the
cultural
arts,
strategic
plan.
Okay,.
A
A
One
of
the
things
that
I
did
want
to
bring
up
within
the
ordinance
is
the
proliferation
of
public
art
throughout
the
city.
This
is
the
map
that
was
mentioned
earlier
in
our
meeting,
and
so,
if
you
look,
the
existing
capital
improvement
based
public
art
commissions
are
in
purple
the
active
future
capital
improvement
projects
are
in
orange.
I
recognize
it's
a
little
difficult
to
see
them.
A
The
other
is
fire
station
47,
that's
located
sort
of
the
center
of
the
city
along
gulf
to
bay,
near
where
it
says
the
home
depot,
and
then
there
is
another
far
to
the
north
east.
That's
for
whatever
reason
not
coming
up
on
my
map,
that
is,
police,
substation,
three,
that
is
at
countryside
and
the
intersection
of
mcmullen
booth
and
580.
A
But
these
are
the
large-scale
capital
commissioned
projects,
and
so,
as
you
can
see,
towards
the
middle
of
the
city,
really,
if
you're
using
crest
lake
park
as
our
central
point
on
gulf
today,
three
miles
up
and
about
two
miles
down,
there's
quite
a
area
that
does
not
or
has
not
been
touched
by,
a
capital
improvement
project
commissioned
piece
of
artwork.
Now
we
do
have
a
lot
of
signal
boxes
and
storm
drain
murals
in
those
areas.
A
A
There
that
that
is
a
capital
price,
it's
an
orange
capital
project.
That
is
one
that
I
was
not
able
to
to
get
on
there,
but
that
is
just
to
the
west
of
the
fire
station.
C
And
this
is-
and
this
is
encapsulating,
all
all
projects
to
date
or
a
certain
time
horizon.
This
is
all
projects
to
date.
Okay,
all
right,
maine,
obelisk
at
state
road
60-
was
that
something.
C
C
You
know
it
takes
on
a
life
beyond
us
that
it's
part
of
the
physical
inventory
of
the
city
and-
and
you
know
it's
known
to
all-
who
are
working
in
the
city.
Yes,.
A
That's
a
very
good
recommendation.
I
wanted
to
bring
up
just
another
point
that
your
question
popped
in
my
mind
about
the
updated
cultural
arts,
cultural
arts,
strategic
plan-
is
that
an
overhaul
of
our
website
is
in
the
works
as
well.
That
includes
both
cultural
affairs,
sister
cities
and
public
art.
A
A
We
want
to
feature
a
partners
directory
of
organizations
that
partner
with
the
city
for
cultural
initiatives,
as
well
as
a
cultural
arts,
asset
inventory,
performing
arts
locations,
schools,
galleries
and
studios
within
the
city.
So
we
definitely
want
to
support
our
infrastructure,
both
organizational
and
individual,
to
show
off
and
be
proud
of
the
artists
and
organizations
that
live
and
work
here
in
clearwater.
A
F
Looking
at
this-
and
I
was
thinking
about
near
pretty
close
to
my
neighborhood
up
on
king's
highway
north
of
crestlake
park-
you
can
see
that
yeah
right
in
there
there's.
There
are
two
schools
there
kings
highway
elementary
and
sandy
lane
right
across
the
street
from
each
other
and
very
close
to
their
a
an
art
center
as
well,
and
I
noticed
that
would
actually
be
a
really
fantastic
area
to
have
more
art,
because
there
are
students
there.
A
So
in
in
part
of
my
secondary
role
as
just
cultural
coordinator,
I'm
working
with
sandy
lane
elementary
to
establish
a
connection
with
them
to
serve
as
a
sort
of
an
arts
hub
out
there
and
exhibit
also
some
work
by
students
at
the
municipal
services
building
and
so
kovit
did
knock
that
sort
of
out
a
little
bit.
But
we
want
to
make
sure
that
that
area
is
considered
a
hub
for
programming
and
an
area
that
we
can
start
sort
of.
Concentrating
efforts
on
to
get
like.
You
said
a
hub
in
that
neighborhood.
C
Yeah,
I
think
that
that's
a
strong
recommendation
and
and
part
of
the
reason
that
I
was
asking
about
the
inventory
living
in
the
city
gis
website
in
in
that
program
is,
you
can
start
layering
in
the
trails,
the
networks,
the
sidewalks,
the
schools,
the
libraries
and
you
you
know,
and
when
christopher
starts
looking
at
the
you
know,
these
desert
areas
there's
a
lot
of
resources
in
our
community
and,
and
you
start
seeing
the
pattern
and-
and
you
know
obviously
from
from
the
exhibit
there
are
big
voids
and
it
helps
us
helps
a
a
team
determine
you
know
where
the
best
locations
are
at,
and
then
you
know,
certainly
with
with
education
locations
and
and
art
programs
are
already
going
on.
B
Yeah
I
brought
this
up
a
few
times
about
this
map,
but.
B
The
city
made
a
big
capital
project
there
they
put
in
they
redid
the
tennis
courts,
the
basketball
courts
they
put
in
a
large
playground
for
adults
and
not
adults,
but
older
children
and
little
children,
so
that
was
a
large
capital
improvement
to
that
neighborhood.
And
yet
so
I
I
don't
know
the
rules
on
the
arc.
You
know
what,
how
much
of
a
capital
improvement
you
have
to
make
to
be
able
to
qualify
for
an
art
project,
but
in
addition,
not
far
from
there
there's
another
park,
there
are
three
parks
within
with
it.
B
Around
montclair
you've
got
franktack,
which
is
constantly
they're
putting
money
in
frank
jack
park.
I
I
don't
know,
I'm
not
monitoring
it
daily,
but
I
could
see
what's
going
on
there
and
then
you've
got
montclair
park,
which
is
on
montclair,
just
east
of
keene
and
something's
been
they've
done
projects
there.
I
again
I
just
drive
by
it
every
day,
but
I
really
but
our
park
valencia
park.
They
did
a
major
capital
improvement
there.
So,
what's
the
rule
on
how
much
money
has
to
be
expended
to
qualify
for
an
art
project,
an
art
exhibit.
A
Thank
you
so
the
ordinance
for
city
capital
improvement
projects,
the
threshold
is
five
hundred
thousand
dollars
per
individual
project
that
excludes
utilities,
the
low-grade
improvements
street
resurfacing,
wastewater
treatment,
plants,
etc.
J
My
question
was
just
on:
the
map
was
just
whether
that
also
included
the
cra
murals,
because
they
have
been
significant
and
are
in
the
community.
I
didn't
know
if
either
that
was
represented
on
the
map
or
would
be
in
your
inventory
guide,
because
I
think
that's
important
to
to
have
a
sense
of
where
those
are
too
because
they
have
been
major
investments.
A
C
G
I
actually
have
a
question
as
far
as
getting
some
of
the
neighborhoods
involved
for
the
neighborhood,
the
art
deserts.
G
This
is
kind
of
going
back
to
the
ca
signal
box
program,
some
of
the
neighborhoods
that
would
benefit
the
most
from
having
some
kind
of
public
art
may
not
have
neighborhood
representatives
is
there
in
cultural
strategic
plan?
Is
there
anything
to
help
these
neighborhoods
develop
something
so
that
they
feel
like
they
have
more
of
a
say,
because
they
may
not
know
where
to
start
in
doing
something
like
that?
Is
there
going
to
be
like
public
programs
available
so
that
they
can
learn
how
they
can
start?
A
A
But
right
now
the
neighborhood's
coordinator
position
is
vacant,
and
so
the
planning
assistant
director
and
I
are
trying
to
cover
as
much
of
that
position
as
possible
in
the
interim.
So
it's
certainly
something
that
we're
going
to
speak
with
the
new
coordinator
when
they're
placed
about
providing
that
that
assistance
to
the
community.
F
What's
the
relationship,
I
guess
this
is
a
question
for
christopher
of
infrastructure
in
a
particular
area
or
a
particular
neighborhood
with
art
that
may
be
brought
to
that
area.
I'm
thinking
of
you
know,
let's
say
we
get
a
clearwater
art
alliance
comes
up
with
an
idea
for
a
mural
in
a
particular
area.
F
F
A
That
being
said,
sort
of
two
paths
of
support
beyond
that,
the
first
of
which
is
if
the
arts
alliance
or
a
501c3
or
arts
and
cultural
organization
wishes
to
develop
a
grant
application
through
our
program
that
very
similar
to
what
the
historical
society
and
arts
alliance
have
brought
before
you
this
afternoon.
A
Secondarily
within
the
operations
of
the
recent
cultural
arts
strategic
plan,
we
have
implementation
funds
that
have
been
earmarked
for
supporting
programs
within
the
scope
of
the
new
strategic
plan,
and
so
if
there
is
an
opportunity
in
the
neighborhood,
regardless
of
the,
I
would
say,
regardless
of
the
source
of
the
funding,
tell
us
about
it.
So
we
can
put
it
on
our
radar
and
look
for
the
most
logical
and
connected
source
that
we
might
be
able
to
fund
it.
A
Basically
me
taking
off
one
hat,
putting
on
the
other
and
switching
it
back
and
forth,
but
essentially
our
two
programs
then
support
one
another
in
the
goal
of
supporting
the
community.
G
A
A
It's
something
that
I
can
investigate
with
them,
but
they
do
have
different
funding
mechanisms
than
we
do
as
far
as
being
able
to
fund
individuals
and
businesses,
and
so
that
that's
a
kind
of
a
cra
legal
and
finance
question.
Okay,.
C
Yeah,
I
I
would
I'm
not
aware
of
those
are
for
physical
facade
improvements,
building
structural
improvements,
I'm
not
aware
of
an
art
related
grant
on
private
property.
Okay,
I
wouldn't
say
no,
it's
probably
a
much
higher
standard
if
it's
a
plaza,
if
it's,
if
it,
if
there's
public
domain
use
there,
I
I
could
imagine
there
might
be
an
opportunity,
but
it's,
but
it's
more
challenging.
G
A
Yes,
we're
going
to
port
over
the
artist
seeking
walls
and
wall
seeking
artists
forum
that
we
created
for
the
cra
that
is
going
to
be
adapted
over
into
the
updated
cultural
affairs
website,
so
that'll
be
available
as
well.
C
A
A
The
focus
was
the
plot,
the
entrance
plaza
the
corner
and
the
travel
lanes
of
north
martin
luther
king.
Unfortunately,
we
did
not
receive
funding
for
that.
However,
within
the
structure
of
the
implementation
budget
for
the
new
cultural
arts
strategic
plan,
we
do
have
some
funding
available
that
we
can
investigate
using
that
funding
towards
supporting
a
mural
at
that
location.
A
A
C
C
A
Okay,
so
our
artist
don
has
finished
his
work.
I've
got
three
examples
here.
This
is
the
flag
fish
that
he's
created.
We
have
a
frog
for
the
southwest
corner
of
the
park.
A
The
little
fly
that's
about
to
be
eaten
and
a
water
strider
spider
for
the
northwest
corner
near
the
rain
garden,
where
these
spiders
are
quite
proliferous,
and
so
these
these
works
are
finished.
All
five
of
them
are
complete.
I
was
working
with
the
parks
and
recreation
department
on
a
few
questions
about
pads
and
plants
for
these
works.
A
We
are
going
to
be
doing
a
in-house.
Slash
contractor
based
pour
the
dragonfly
in
specific,
is
going
to
be
a
water-based
installation,
and
so
it
will
be
even
more
protected
from
people
trying
to
climb
on
it
with
those
delicate
wings
and
so
that'll
be
about
seven
feet
out
into
the
water
away
from
the
shore,
and
so
those
artworks
are
available
to
put
in.
However,
it
will
take
a
couple
weeks
to
get
those
pads
in
there.
In
the
meantime,
I
do
have
a
request
from
the
artist,
because
the
city
needs
to
create
these
pads.
A
He
has
requested
to
be
able
to
store
them
in
a
facility.
The
cost
of
that
for
the
basically
from
now
till
we
get
the
pads
in
is
approximately
six
hundred
dollars,
and
so
that
would
be
a
request
to
draw
from
the
public
art
fund,
since
it
is
a
city,
persian
essentially
right.
C
And
you
know
if,
if
you
need
that
formally
or
put
it,
do
you
need
that
from
us
today
since.
A
I'm
accessing
it,
I
I
would
ask
for
a
formal
approval.
Okay,.
F
Is
it
would
it
be?
Is
there
a
place
where
those
they
could
be
stored,
kind
of
on
display
where
people
could
see
here's
what's
going
to
be
going
on
without
being
formal,
just
kind
of
saying.
C
Things
that
are
going
to
be
in
there-
and
this
is
where
they
and
chris
jump
in
and
say
that
probably
its
point
of
control
and
having
it
in
a
public
location
allows
it
to
be
damaged,
and
then
it
is
the
artist
or
is
it
the
city?
You
know
we're
dealing
with
a
with
a
product
and
until
it's
turned
over,
it
needs
to
be
secured.
E
A
Take
possession
of
it
and
if
anything,
were
to
happen
to
it
before
it
is
installed
completely,
it
would
be
on
our
insurance,
so
the
the
preference
is
to
have
the
artist
be
complete,
installed,
turn
the
keys
over
to
it,
and
then
it
becomes
our
piece
to
maintain.
C
D
C
So
do
we
have
a
motion
and
a
second
all
in
favor,
say
aye
aye
any
opposed
hearing,
none
so
move,
no
proof.
Okay.
Thank
you.
A
Very
much
items
5.5
and
5.6.
I
can
sure,
update
you
rather
quickly.
Clearwater
substation
3
project
is
moving
along.
If
you've
been
in
the
area,
you
can
see
the
modular
walls
are
starting
to
go
up
on
the
facility,
and
so
it's
important
that
we
and
I
will
work
to
convene
the
selection
panel
by
the
end
of
this
month.
So
we
can
take
action
on
that
site.
C
Okay,
any
public
discussion
seeing
none,
you
don't
need
any
actions
on
those
right.
No
just
updates,
okay
item
six
directors
report.
A
Let
me
just
do
item
5.6:
okay,
the
fire
station
46
public
art
project,
we've
reissued
the
call
to
artists
to
include
more
expansive
kind
of
applications
at
the
site,
both
the
under
overhang
area,
as
well
as
different
iterations
of
accessible
sculpture
on
the
street
side
of
the
project.
And
so
we
will
convene
the
selection
panel
for
that
in
february.
C
I
should
have
highlighted
that
one.
I
do
appreciate
you
re-looking
at
that
and
I'm
very
hopeful
that
we'll
get
some
good
responses.
A
I
just
wanted
to
say:
2022
is
going
to
be
a
very
active
year
for
us.
I
look
forward
to
serving
the
board,
as
well
as
the
citizens
and
the
elected
officials
of
clearwater
and
bringing
more
arts
and
culture
to
our
area.
So.
C
Thank
okay
item,
seven
board
members
to
be
heard
any
items.