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From YouTube: 08 23 18 Fine Arts and Culture Commission
Description
City of Laredo Fine Arts and Culture Commission Held on August 23, 2018 at City Hall Conference Room #3.
A
D
A
C
E
F
A
A
A
A
A
G
A
What
we
said
our
vision
was
was
to
enhance
the
arts
and
cultural
experience
in
our
community
and
promote
the
value
and
significance
of
the
visual
performing
and
literary
arts
to
citizens,
and
our
mission
was
increased
in
deficits
to
the
arts
and
culture
by
providing
leadership,
advocacy
and
support
for
art
there,
which
is
the
cultural
vitality
of
this
community
in
the
goals
and
policies
of
the
viva
Laredo
plan.
I.
A
A
I
understood
it
can
I
just
read
through
this
sure,
because
it's
important
that
this
is
what
was
presented
to
the
city
as
part
of
their
adopting
a
comprehensive
plan.
So
it
says
the
overall
goal
is
established
by
organ.
It's
a
department
for
education,
art
and
culture
to
include
an
education
liaison
and
an
arts
and
culture
yeaseong,
as
well
as
a
commission
of
Arts
and
Culture,
with
close
integration
with
the
Department
of
Economic
Development
I
won't
go
into
the
education
goals.
There,
I'll
read
the
arts
and
culture
goals
that
were
set
out
so
goal.
A
B
A
So,
but
that's
that's
what
they're
saying
it's
part
of
our
goal,
also
create
a
public
art
ordinance,
establish
a
2%
for
the
arts
program,
setting
aside
three
percent
from
every
capital
improvement
project
budget
for
the
acquisition
of
art
for
municipal
property.
Now
this
I
know
it's
not
going
to
affect
at
all.
No,
it
has
to
be
an
ordinance
right
right,
so
it's
an
ordinance,
but
that
has
not
happened,
but
it
was
pointed
out
to
me
that
that's
supposed
to
be
something
that
would
happen
in
the
future.
So.
B
A
Would
have
an
additional
2%
for
the
Arts
program,
satisfied
for
every
capital
improvement
project
budget
for
to
to
acquire
art
from
UNICEF.
It
also
says:
premark
promote
higher
education.
The
arts
support
creative
and
professional
growth
of
the
arts,
community
support
economic
growth
of
heritage
tourism
by
investing
in
historic
streets
of
Laredo
and
in
historic
architecture,
and
has
experienced
visitors,
have
memory
of
my
bestie
and
wayfinding
signage
and
apps
and
support
the
creation
of
a
tourism
bus
Charlie
well
promote
Laredo
is
a
unique
place
community
and
destination.
A
B
A
This
it's
worth
part
of
that
right
and
I,
think
that's
a
commission.
We
can
have
our
own
mission
and
what
we
did
I
think
all
that,
because
what
it
does
it
just
supports
what
the
city
is
going
to
do
so
I,
don't
think
the
city,
because
I
think
this
is
in
its
infancy.
Yes,
it's
just
you
know
we're
just
we're
just
starting
it
and
I.
Don't
think
the
city
has
a
plan
right
now
or
a
fully
developed
program
and
I.
A
Think
that
we're
just
starting
it
but
I
think
it
is
good
of
us
to
have
our
own
mission
and
don't
have
our
own
vision
and
then
maybe
what
we
can
do
is
and
I
and
what
I
did
I
researched
several
Commission's
all
over
Texas
and
even
in
California
and
came
up,
came
up
with
a
couple
of
objectives,
because
that
would
even
fine-tune
it
even
more.
You
know
it
becomes
very
specific
right
and
we
could
add
that
once
maybe
we
have
a
that
would
be
our
plan
or.
B
A
Know
what
what
would
guide
us
right
and
I
think
that
what
we
have
that
we
could
present
it
to
City
Council
and
have
them
say,
yea
or
nay,
and
then
say:
okay
now?
What
is
what
is
a
council,
a
vision
of
what
we're
supposed
to
be
doing?
We
already
have
something:
if
they
approve
it,
then
maybe
they
would
want
for
us
too,
because
what
happened
Galen.
You
know
that
you
know
we
can't
control
what
the
city
does
right.
A
You
know
we
were
just
advisors
here,
but
if
it's
going
to
get
to
a
point
where
they
go
around
us
and
then
so
we
lose
either
our
validity
or
credibility,
and
so
I
think
that
once
it
would
present
something
like
this,
that
would
say
hey.
You
know
we
mean
business,
we're
serious
about
this
Commission
and
you
know
we
would
like
to
say
you
know
we're
all
for
it
right,
but
we
need
to
get
guidance
from
you.
A
What
do
you
want
us
to
do,
but
and
also
because
they
did
task
us
with
the
mural
arts
program,
not
that
we
have
to
have
a
say
in
everything?
But
if
that
was
our
task
as
a
commission,
then
I
would
think
then
anything
anybody
who
went
to
them
on
a
personal
level
and
they
approved
murals.
That
should
also
we
should
have
known
or
we
should
be
informed
or
we
maybe
maybe
I,
don't
know
I
mean
they
can
say
yes
to
anything.
A
But
do
we
feel
like
we
need
to
have
some
say
or
I,
don't
know
well,
I
keep
thinking
about
like
the
third
party
funding
and
I
wish
we
had
legal
here.
So
we
could
ask
because
it's
the
same
thing.
You
know
the
third
party,
their
task
and
and
nobody
is
allowed
to
go
beyond
the
board
and
go
straight
and
say
and
go
to
one
of
the
council
members
right.
That's
he
legally
can't
write
that,
and
yet
they
do
it.
But
this
is
what
I
mean
maybe,
but
we
needed
clearance
yeah,
that's
what
I!
A
That's
what
I
was
requesting.
What
was
that
two
meetings
ago
and
we
didn't
have
a
we
just
had
a
discussion-
that's
exactly
what
I
was
hoping
to
get
some
kind
of
clear
idea
of
what
that
means
when
they
do
that,
and
how
does
that
affect
us,
and
are
we
supposed
to
be
part
of
that
and
I?
Don't
know,
you
know
well.
G
A
A
They
are
in
the
plans
that
were
submitted
to
the
city
by
human
burrito
group
for
the
city
to
adopt
as
their
comprehensive
plan,
because
they
need
to
upgrade
with
know
their
hive
renew
era
anyway.
This
is
included
in
what
was
submitted
to
the
city.
That's
why
I
was
given
this
body
I
printed
off
there.
H
A
H
A
Arts
and
culture,
the
cornerstone
of
Loretta's
identity,
by
encouraging
and
growing
our
cultural
arts
based
film
and
art,
festival,
theater
and
other
artistic
projects
promote
children's
art
programs,
promote
the
creation
of
an
art,
incubator,
studio
exhibition,
performance
and
office,
space
for
arts
organizations,
artists
and
creative
industry.
Businesses
create
a
standard
policy
for
selection
of
artists
for
public
art
to
rfqs.
A
A
So
that's
always
good,
because
what
they
allocated
for
the
mural
arts
permanent
is
strictly
for
a
mural
mural
world's
okay.
That
doesn't
mean
they
couldn't
allocate
more
funding
for
other
things
that
we
could
come
up
with
like
we
had
taught
from
the
very
beginning
about
music
festivals,
dance
things
we
want
and
it
encompasses
what
arts
and
culture
is
to
Moreno
and
I.
Think
that's
why
we
encouraged
like
the
council
members
who
did
not
submit
names
for
this
group.
A
A
A
Are
the
arts,
adults
exactly
but
I
think
it's
also
good,
even
though
they
haven't
adopted
it?
Yes,
to
keep
these
things
in
mind
when
we
consider
what
we
would
like
to
propose
and
the
other
thing
what
about
what?
If
we
were
going
to
the
I,
don't
even
know
if
we
can,
but
what
do
we
reached
out
to
individual
members
of
the
City
Council
to
request
use
of
their
discretionary
funds
for
projects
I
mean
if
our
individual
citizen
can
do
it
shouldn't?
We
absolutely
be
able
to
do.
A
We
don't
like
a
worthwhile
project
so
yeah.
That's
that
to
me
sounds
like
a
well,
maybe
one
project
that
could
reach
across
all
the
boundaries.
So
we
don't
go
to
just
one
council
member
and
say
you
know
we're
doing
this
in
your
area.
If
it's
something
that
let's
say
we're
coming
up
we're
thinking
of
having
a
some
kind
of
an
arts
festival.
A
A
However,
they
have
chopped
drawing
competitions.
You
know
they're,
not
permanent,
but
they're,
amazing
and
or
whatever
competition.
It
is
that
there
would
be
three
prizes.
You
know
like
the
first
parts
would
be
$5,000.
The
second
price
of
wheat,
3000
and
third
prize
could
be
2,000
or
something
like
that,
and
maybe
another
mention
a
thousand.
So
what
are
we
looking
at
5,
3,
8,
9,
20
Evan,
attend,
let's
say
$10,000
if
that's
nothing
from
a
few
council
members
to
give
up
their
discretionary
funds?
It's
really
nothing.
A
A
Maybe
Mexico
and
Texas
I
don't
know,
but
that
could
put
in
the
rail
start
putting
the
right
on
the
map
for
arts
things
happening
in
our
community
and
if
we
did
a
mural
competition
like
that,
you
would
generate
people
coming
in.
Who
would
work
here
and
stuff
like
that?
I
mean
if
we
did
a
music
competition
or
encompassing
a
few
different
parts
of
what
we
consider
arts
and
culture,
some
kind
of
competition
and
say
you
have
three
different
areas:
music,
poetry
and
art,
or
something
I.
Don't
know
what?
A
A
So
these
are
things
that
I
think
we
really
need
to
start
thinking
about
very
seriously
and
come
up
with
ideas
amongst
ourselves
and
then
present
to
the
City
Council,
because
I
have
no
idea
if
we're
going
to
get
any
more
funding
until
next
year.
The
only
thing
they
was
that
mural
mm-hmm
arts,
competition
that
mural
competition
and
what
are
we
gonna
do
for
the
rest
of
the
year.
You.
B
A
E
A
B
A
A
G
G
G
G
H
G
G
G
A
A
C
F
C
G
B
A
C
D
D
Center
brought
to
Taylor
for
me,
it
was
on
it
running
a
crossed
over
with
the
belt
was
on.
It
got
Castillo,
who
is
on
it
Center
for
the
Arts,
maybe
gonna
Frank,
Frank
and
Frank
architecture
myself,
and
my
rethought
I
said
with
what
can
apparently
okay,
we
were
tasked
with
looking
at
the
creation
of
an
arts,
entertainment,
arts
and
culture
district.
Now
there
was
some
I
think
uncertainty
about
what
that
actually
entails.
Like
is
it?
What
how
do
you
make
a
little?
D
Do
we
just
like
get
a
boundary
settled
and
what
wound
up
happening
with
it
was
a
zoning
district
was
created,
not
an
overlay,
not
not
something
wasn't
overly,
but
an
actual
zoning
district.
So
we
have
a
zoning
ordinance
that
is
in
the
land
of
LT
code
Brook,
and
the
good
news
is
I.
Think
it's
good
news,
I
wrote
the
ordinance
so
I'm
pretty.
D
Try
to
play
something
up
for
you
anyway,
so
we
started
meeting
a
no.9
about
no
you're
good
by
the
spring
of
2010.
We
were
ending
with
something
a
little
more
solid
and
by
October
well
July.
We
created
the
district
and
then
by
October
we
had
to
do
some
rezoning,
ok,
quick
and
dirty
on
rezoning.
A
zoning
district
allows
for
certain
types
of
uses.
Given
residential,
you
have
commercial,
the
CBD
central
business
district.
Actually,
most
of
the
uses
that
were
allowed
in
the
CBD
came
to
be
used
for
the
arts
and
entertainment
districts.
D
I
think
that
was
one
of
the
confusion
or
confusing
aspect
aspects,
because
it
seemed
that
people
did
not
at
least
on
the
committee
and
I.
Think
in
general
did
not
understand
that
uses
like
residential
below
I'm.
Sorry,
commercial
Blair
was
info
on
top
our
galleries,
all
those
things
they
were
already
allowed
in
the
CBD,
so
that
could
have
gone
one
way,
but
the
Collis
work
getting
it
changed
to
an
actual
designated
arts
and
entertainment
zoning
district.
And
then
we
added
two
or
three
things
when
I
remember
was
proposed.
D
And
so
what
we
did
when
we
created
the
district.
Of
course,
we
had
to
designate
geographic
boundaries
now
two
things:
what
I'm
gonna
tell
you
right
now
is
the
proposed
boundaries
that
have
been
designated,
but
they
not
all
the
areas
been
resumed.
So
the
area
I'm
going
to
talk
about
right
this
moment
is
the
area
in
which
anybody
wants
if
they
wish
to
rezone
their
property
ayyyy
they
may
now
and
then
I'll
show
you
what's
actually
been
rezoning.
The
city's
rezone
I'm
not
aware
that
anybody's
come
in.
B
D
A
request
to
rezone
their
property,
but
I
haven't
been
with
the
find
apartments
since
that
and
beginning
of
2015
okay.
So
the
way
the
ordinance
describes
it
with
the
arts
and
entertainment
district,
only
property
is
located
with
the
area
bounded
on
the
north
by
Scott
Street,
and
so
we
were
having
Scott
Street.
D
D
B
D
D
Intent
was
very
much
what
you're
being
tasked
with
arts
and
entertainment,
arts
and
cultural
culture
uses
in
that
area.
Oh
and
one
other
comment
when
at
least
the
way
the
ordinance
is
currently
written
if
the
property
owner
does
want
to
have
a
rezone
they're
going
to
need
to
get
everybody
on
the
block
all
the
landowners
to
agree.
Because,
according
to
that,
for
this,
you
have
to
bring
the
whole
block
in
a
little
bit
strange
though,
because
on
Flores
Street,
the
city
didn't
didn't
designate
the
rest
of
the
block
from
Flores
west.
D
On
the
other
side,
we
didn't
even
get
to
didn't
even
get
to
comment.
So
that's
what
was
designated
a
lot
of
talk
had
been
made.
Would
it
be
nice
if
we
could
work
with
traffic
and
have
some
different
one-way
street
patterns?
Block
traffic
offers
say,
like
a
make,
Alan
hasn't
art.
What
actually
we've
actually
come
a
far
away.
We
have
a
lot
of
our
first
grade
activity.
D
So
that's
the
background
so
far
of
what
you're
doing
so
in
some
ways,
you're,
not
I,
don't
want
to
say
you're
reinventing
the
wheel,
but
I
just
felt
it
really
important
that
you
understand
it.
A
lot
of
art
I've
been
created.
Then
there
is
looking
at
the
application
for
who
is
bright,
because
my
first
one
I
was
reading
in
front
page
I'm
like
okay,
they're
talking
about
cultural
district.
They
are
talking
about
a
geographical
district.
D
So
if
you
look,
if
we
were
say
see,
we
wanted
to
just
go
ahead
and
get
all
of
that
rezone
took
to
AE.
We
do
have
to
look
at
the
underlying
zoning
because
some
of
the
uses
are
not
compatible
if
you're
razones
there
would
be,
which
also
means
that
some
of
the
uses
in
some
of
the
districts
are
already.
D
Is
where
the
railroads
are?
This
is
an
one
zoning
district
and
does
leg
industrial,
almost
all
of
the
uses
that
you
could
think
of
are
allowed
in
that
district
from
big
time.
Even
like
boundary
kinds
of
things
to
you
know
any
kind
of
an
artist
studio,
I
the
thing
I'm,
not
sure
that
we
probably
have
to
go
look
at
would
be
dwelling
units.
Then
you've
got
these
long,
this
some
remembering
it
there.
The
comprehensive
are
three
zones,
and
so
usually
a
mixture
of
house
types.
D
Those
you
would
probably
want
to
resume
because
they
don't
have
the
commercial
component
to
them,
nor
the
other
artistic
component.
This
is
our
two.
It's
multi-family
I
think
a
lot
of
big
uses,
but
I'm
not
sure
all
of
them,
and
then
these
pink
ones
are
commercial
and
B.
One
bike
commercial
and
this
other
one
is
but
something
similar
that
would
be
acceptable
there.
Most
of
those
uses
already
allowed
in
in
those
areas
and
I
think
even
the
kind
of
residential
that
you
would
be
looking
for
would
be
allowed.
D
Then
actually
the
CBD,
which
is
the
part
around
where
we've
rezone,
all
of
that
hasn't
had
had
the
zoning
uses
that
you
would
want
to
find
in
an
artisan
arts
and
cultural
district,
but
I
am
to
think
o
be
one.
That's
what
the
deal
is.
This
is
probably
a
v1,
and
this
is
v2
so
yeah
you
would
not
have
any
issues
they're
trying
to
think.
D
If
there's
anything
else,
crucial
to
mention
I
guess
going
back
to
the
application,
it
would
be
I
thinking
the
committee,
as
in
your
commission
looking
and
determining
if
you
want
it
to
try
to
or
bring
somebody
in
front
planning
to
see.
Okay,
what
you
do
we
want
to
do.
Do
we
want
to
take
the
big
bite
would
just
try
to
the
whole
thing
in
one
word
of
warning.
D
If
you
do
decide,
but
well
actually,
I
think
that
the
either
the
city
or
the
landowners
have
to
unless
they
instigate
but
start
off
with
a
zoning
request,
so
I'm
not
sure
that
you
as
a
commission
could
come
and
do
that.
But
certainly
we
wouldn't
want
to
talk
with
the
planning
department.
They
do
a
lot
of
state
law
would
require
on
a
zone.
Change
always
have
to
notify
all
the
landowners
and
get
their
input
doesn't
mean
if
they
say
no,
that
you
won't
get
the
change.
It's
just
that
that's
the
law,
I'll.
A
D
C
A
A
I
I
Recognized
labels
mixed-used
area,
the
community
in
which
there
exist
a
high
concentration
of
arts
and
cultural
facilities,
individual
artists,
and
even
if
that
are
promoted,
to
attract
cultural
tourists.
So
let
me
meet
my
recognized.
That
means
that
community
needs
to
recognize
it.
Theater
of
the
city.
I
I
Okay,
pca,
the.
I
will
look
at
those
letters
of
intent
and
be
in
touch
with
all
of
the
applicants
and
answer
any
questions
and
perhaps
schedules
and
visits
to
those
communities.
But
there
is
you,
don't
have
to
wait
until
I
say
go
where
you
can
start
preparing
your
application
and
these
deadlines
occur
every
year.
I
I
With
your
elected
leadership,
perhaps
you
have
a
city
manager
and
you
need
to
discuss
the
possibility
with
them
all
of
the
people
in
your
community
that
are,
the
important
decision
makers
need
to
be
aware
of
your
plans
to
apply
for
this
designation
for
your
coastal
district.
You
need
to
vote,
conducted
some
planning
and
that
planning
ever
needs
to
reflect
the
diversity
of
your
community,
and
that
means
ethnically
age-wise
all
the
segments
of
the
community.
You
have
different
types
of
communities
in
here,
City
that
they
need
to
all
the
part
of
this
planning
effort.
I
F
I
Need
to
have
marketing
and
promotional
strategies,
so,
if
you're
going
to
try
to
bring
people
to
your
community,
you
need
to
have
some
target
target
target
audiences
in
mind.
If
you
want
to
try
to
bring
people
from
the
next
town
over,
that's
fine,
a
good
rule
of
thumb,
about
bringing
people
to
your
city
and
having
them
countless
cultural
tourists
is
I
need
to
come
from
50
miles
or
more
away
from
your
community,
and
the
next
point
is
that
you
need
to
think
about
what
enough
there's
strong
support
for
the
arts
and
cultural
leaders.
I
Are
they
aware
that
this
is
going
on?
That's
important
for
them
be
on
board?
You
need
to
have
an
agency,
hopefully
an
arts
agency
that
has
the
staff
and
the
management
capacity
to
act
as
the
administrative
and
fiscal
agent
for
the
cultural
district.
This
is
even
more
important.
Now
the
TCA
has
dollars
available
for
project
funds.
For
these
cultural
districts,
you
need
to
have
an
accent.
Researchers,
plenty.
I
Come
across
new
ideas
and
new
pepper,
she
needs
to
be
able
to
plan
to
valid.
If
you
have
a
university
or
a
City,
Planning
Department,
to
help
you
push
out
those
plans.
That
would
be
great
for
you
and
you
need
to
answer
the
question
about
a
wine.
You
need
a
coastal
district,
be
ready
to
answer
that
question
because
it
will
come
up.
I
So,
let's
start
at
the
very
bottom
and
talk
a
little
bit
more
about
what
cultural
tourism
is.
It's
the
travel
industry's
term
of
describing
travel
and
visitation
activities
that
are
directly
for
arts
and
heritage,
recreation
and
Natural
Resources
top
of
visitors
to
your
community.
It's
not
a
new
phenomenon!
That's
been
going
on
for
years,
and
tech
people
have
been
coming
to
Texas
for
decades
to
see
and
experience
these
type
of
things.
It's
a
good
way
of
connecting
visitors,
many
variants,
authentic
lots
of
experiences.
I
That
means
that
you
can
bring
people
to
your
community
and
you
can
perhaps
have
an
artist
to
create
their
works
with
them.
In
close
proximity,
you
can
maybe
take
them
backstage
of
their
the
performance.
You
might
be
able
to
offer
those
experiences
so
that
cannot
hit
other
places.
One
of
the
things
that
you
need
to
know
is
that
these
multicultural
and
multi-channel
visitors
they
make
their
choices
about
where
you
know.
According
to
the
performances,
the
artistic
activity,
perhaps
the
architecture
and
the
historical
operates,
so
it's
important
that
you
can
touch
and
get
into
their
knowledge.
I
I
I
I
They
have
hunter
attractions
at
the
center
of
their
districts
in
they
usually
are
aimed
at
a
younger
audience,
and
they
tend
to
have
more
of
a
bohemian
feel
to
them.
They
don't
have
as
many
of
the
major
arts
institutions
and
some
examples
of
those
might
be
the
Deep
Ellum
area,
Dallas
for
Austin,
63
or
McAllen
70
Street
area
and
the
downtown
focus.
This
is
a
district
that
encompasses
most
of
the
downtown
area,
including
the
central
business
district.
I
Some
examples
of
those
include
the
Clifton
and
Cultural
Arts
District,
downtown
line
cultural
district
of
a
downtown,
El,
Paso,
cultural
district
and,
finally,
the
focus
on
arts
production.
These
are
a
little
bit
different
in
that
the
focus
of
these
districts
is
more
on
the
presentation,
it's
less
on
the
presentation
of
the
arts
and
more
on
the
arts,
production
or
art
education.
I
I
Setting
up,
how
do
you
do
that?
Well,
you
need
to
select
an
area
of
your
community
that
is
contiguous
and
this
rock
wall.
It
needs
to
be
close
enough
together
that
people
can
either
walk,
walk
or
bicycle
or
easily
navigate
in
order
to
work,
work
hold
together
and
work.
Well,
it
needs
to
include
lots
of
arts
activity
of
things
for
visitors
to
do
as
well
as
the
citizens
of
the
community,
and
these
activities
need
to
be
occurring
on
a
regular
time
schedule.
I
I
I
I
In
ways
formally
defined
as
the
built
environment
for
building
these
out
the
things
that
are
made
by
man,
this
is
friendly,
and
it's
good
for
people
that
live
there,
that
shop
or
visit,
and
it
encourages
people
to
spend
time
in
these
areas.
So
some
characteristics
that
you
want
to
think
about
for
the
walkability
is
that
you
have
sort
of
the
natural
center
to
your
district,
and
that
means,
if
you
like,
via
a
Main
Street
or
a
public
square,
that
voters
around
there
needs
to
be
enough.
I
People
in
this
area
for
business
take
place
right
Nikita,
so
if
you
have
it,
and
it's
sort
of
away
from
the
community
is
after
trial
to
get
there,
there
may
not
be
enough
people
for
you.
Get
a
foothold
for
the
district
to
grow
would
be
good
if
you
have
mixed
income
and
Knicks
use
of
these
of
this
area.
So
that
means
that
you
need
to
have
some
areas
that
and
some
individuals
that
perhaps
a
wealthier
I'll
have
a
higher
income,
and
also
you
don't
want
to
neglect
those
that
have
a
lower
income.
I
Is
all
you
even
have
a
variety
of
things
that
no
one
that
they
can
take
advantage
of
when
they
use
the
cultural
district
and
it's
very
advantageous
to
have
affordable
housing
nearby,
your
cultural
district,
their
parks
and
public
spaces
are
important
for
attracting
people
to
to
gather
and
play
experience
the
arts.
So
it's
really
a
do
thing
brings
points
to
your
cause.
You
have
parks
and
public
spaces
in
your
cultural
history.
These
need
to
be
designed
for
public
use
and
pedestrian
use.
I
The
buildings
would
be
good
at
their
close
to
the
street,
and
the
parking
areas
are
further
away,
perhaps
at
the
back.
They
need
to
be
close
to
schools
and
workplaces,
and
that
will
help,
particularly
if
you
have
residential
areas
with
a
history
that
will
make
people
think
that
it's
an
attractive
place
to
live
and
to
work
and
the
streets
need
to
be
designed
for
bicyclists
pedestrians
and
for
public
transport.
All
those
areas
are
important
or.
I
So
when
you're
putting
the
application
together,
I
think
it's
very
important
for
you
to
realize
that
you
have
to
satisfy
some
criteria
that
are
set
forth
through
the
CCM
911,
and
there
are
three
different
areas
that
you
need
to
be
thinking
about.
The
first
is
you
need
to
demonstrate
high
artistic
quality
and
so
the
design
elements
of
the
cultural
district,
the
architecture.
That's
there.
I
If
you
have
some
fine
artists
who
have
their
studio
space,
their
variety
of
types
of
artists,
those
are
the
type
of
things
that
you
can
talk
about
in
the
application
that
lets
the
designers
know
that
the
artistic
quality
is
important
and
that
you
thought
about
it
and
that
you're
showcasing
it
and
featuring
it
prominently.
There
needs
to
be
capability
for
you
to
carry
off
this
plan.
So
here
we're
talking
about
your
organizational
capability,
which
means
you
have
staff
or
volunteers
that
carry
out
the
work
are,
is
needed
and
necessary
for
a
district
to
be
successful.
I
Have
you
done
some
planning?
Do
you
have
the
ability
to
measure
its
success
and
implement
your
plans
in
the
district?
And
finally,
I
mean
having
a
strong
impact
in
the
communities.
Are
you
contributing
to
the
economic
impact
of
this
area
of
the
city?
Are
you
bringing
visitors
from
outside,
so
they
can
spend
their
dollars
in
your
community?
Those
are
the
type
of
things
that
the
evaluators
are
going
to
be
looking
for
when
they
are
evaluating
these
three
criteria.
I
Pointers
because
when
they
look
at
these
applications,
sinusoid
assign
point
values
to
your
application
in
each
of
these
areas.
And
now,
let's
move
on
to
talk
a
little
bit
about
the
division,
will
pull
together
to
develop
the
district,
the
sort
of
core
group
of
stakeholders
that
are
important
treated
utilize.
I
Our
arts
organizations,
artisan
arts
agencies,
governmental
agencies,
if
you
have
a
developer
or
development
authority
that
student
planning
in
the
city
and
the
area,
particularly
that
you
are
involved
with,
and
business
associations
like
Chamber
of
Commerce
or
Business
Association,
any
of
those
are
important
for
you
to
be
involved
to
be
involved
in
the
planning
of
the
sculptural
district.
Others
that
you
may
want
to
include
it
in
would
be
quite
important
in
the
community,
so
the
chambers
of
commerce
mentioned
in
mr.
spiro
any
kind
of
blend
developers.
I
It's
good
to
have,
thanks,
representative,
represented
on
the
planet,
made
your
school
district
or
districts
on
universities,
any
foundations
that
might
have
some
insight,
and
hopefully
some
funding
and
other
nonprofits.
There
may
be
other
social
service,
nonprofits
or
other
groups
that
you
think
would
be
important
and
have.
E
I
This
one
shows
the
community
at
the
top
and
then
the
steering
committee,
that's
below
that,
and
then
the
manager
of
the
district
or
executive
director
and
then
the
communities,
the
variety
of
committees
that
are
doing
the
work
of
the
cultural
district.
So
and
this
one
there
is
the
organizational
committee,
the
marketing
mini,
the
Cultural
Resources
Committee,
the
design
committee
and
the
business
development
that
ended
below
that
Ardis.
I
So
it's
up
to
you
on
how
you
structure
this,
but
I
have
found
in
my
experience
that
this
is
sort
of
a
delicate
area
for
you
to
put
together.
But
it
is
very
important
because,
as
you
move
forward-
and
you
start
applying
for
grant
and
bringing
resources
to
your
cultural
district,
then
you'll
need
to
have
this
organizational
structure
that
helps
you
make
the
decisions
and
that
can
create
policies
to
govern
what
you
do
in
your
cultural
district.
So
don't
don't
forget
this
step
and
you'll
need
something
like
this
when
you
put
the
application
together.
I
So
once
you
get
to
the
point
of
the
planning-
and
you
know
that
you're
ready
to
move
forward
and
put
your
application
together,
then
we
good
now
about
what
you
should
put
into
your
letter
of
intent.
Those
letters
of
intent
are
due
on
January
the
30th,
and
they
need
to
include
about
one
page
400
words
in
there
abouts
that
talks
about
the
history
and
the
development
of
the
district.
I
In
addition
to
that
description,
you
can
put
a
map
if
you
have
it
available,
and
then
you
have
about
a
half
a
page
to
articulate
your
major
goals
for
the
district,
and
then
you
have
another
half
a
page
talking
about
marketing
and
promotion
plans
and
what's
your
kind
you're
going
to
bring
people
and
visitors
to
the
district.
And
finally,
you
have
about
a
half
a
page
to
talk
about
here,
the
overview
of
the
district's
management
structure
and
who
is
going
to
do
what,
if
you're
partnering
with
the
Main
Street
program.
I
If
you
have
the
Chamber
of
Commerce
or
the
convention
is
Visitors
Bureau
involved
or
if
you
have
a
tax
increment
district,
that's
going
to
be
involved,
then
those
need
to
be
described
and
given
some
some
weight
in
the
description
here.
So
this
is
important
for
you
to
put
together
and
to
think
about,
and
this
is
what
you'll
need
when
you
write
the
letter
of
intent.
This
will
give
you
about
a
five
page
document.
We
don't
want
it
to
be
25
pages.
This
is
a
concise
description
of
the
cultural
district
and
your
plans
for
it.
I
So
that's
sort
of
our
brief
orientation.
What
the
program
is
that
what
the
expectations
are,
and
we
couldn't
begin
three
other
webinars
that
will
be
available
in
the
near
future.
The
first
one
is
called
planning
for
a
cultural
district
and
it
talks
about
how
you
do
the
planning
and
the
particularly
the
cultural
planning
for
a
cultural
district.
I
Finally,
I'll
say
that
you
can
send
your
questions
to
me.
I'll
be
glad
to
get
back
to
you
them.
You
can
either
come
on
me
or
you
can
email
me
and
I'll
respond
to
you
and
if
you
would
like
a
copy
of
the
slides
here
in
this
presentation,
now
they're
going
to
email.
Those
to
you,
I,
look
forward
to
hearing
from
you
and
thank
you
for
your
attention.
A
Mean
are
nowhere
to
be
female,
but
my
something
is
available
to
anybody
who
want
and
said
if
we
want
to
have
a
group
text
message
er.
The
other
thing
also
I
know
it's
not
here,
but
gobernador
didn't
say
he
wasn't
going
to
be
able
to
be
with
us
yeah.
So
we
want
to
think
about
that.
Maybe
we
need
another
member
to
replace
him.
A
A
H
B
A
C
A
B
A
E
B
A
B
H
B
A
Fabrics
that
are
making
clothing
fabric
arts
is
a
very
interesting
I
think
they
have.
They
have
exhibits
and
a
lot
of
artists
who
live
in
I
want
to
say
around
the
hunt
area
of
the
hill
country.
They
do
have
that.
As
a
matter
of
fact,
my
mind
went
blank
from
it.
What's
her
name:
boss,
Phineas
and
mother,
my
Mickey
Mickey
Mickey
Mickey.