►
Description
Additional information at
https://lims.minneapolismn.gov
A
Quick
and
we,
you
know,
of
course,
if
something
else
comes
up
for
us,
we
can
address
it
if
there's
something
else
that
somebody
wants
to
bring
forward,
but
sorry
just
one
moment:
okay,
so
we
are
being
recorded
now,
just
so
everybody
knows,
and
that
doesn't
post
anywhere
tina
right,
that's
just
like
if
someone
requested
they
could
get
a
copy
of
the
meeting.
Is
that
my
understanding
is
that
right.
B
You
know
what
they're
supposed
to
be
putting
them
on
youtube.
I
don't
know
if
they
put
these
on
youtube.
I
know
they
put
our
regular
meetings
on
youtube.
C
C
C
Well
because
I
missed
the
march
one
because
of
work,
so
I
went
back
and
watched
it,
and
I
noticed
that
executive
was
listed
on
youtube
if
you
search
for
it.
B
A
Commission
and
we
are
happy
to
serve
you
feel
free
to
reach
out
to
us
anytime.
We
are
very
receptive
and
and
lovely
bunch
of
talented
people.
Okay,
great.
So,
let's
get
started,
we
were
going
to
review
the
open
meeting
lot.
Mary's
request.
It's
the
first
item
on
her
sorry
that
looks
kind
of
goofy
in
the
chat.
A
But
the
only
thing
I
can
say
about
it
is
that
we
all
know
that
we're
really
strict
about
the
reply
all
stuff,
because
we
start
to
kind
of
get
into
a
meeting
situation
if
there's
too
much
dialogue
happening
between
all
of
the
commissioners,
which
is
totally
fair
and
makes
sense,
so
that's
not
transparent,
but
we
find
our
workarounds
right
and
our
alts
and
our
smaller
committees
are,
are
welcome
to
meet
still
and
get
together
and
those
particular
meetings
don't
have
to
be
recorded
as
far
as
I'm
aware,
at
least
at
this
moment
in
time.
A
B
A
B
A
Thanks
all
right,
any
questions
about
that
again,
like
mary,
might
have
something
to
see.
Okay
and
then
lana
has
been
so
generous,
so
generous
with
her
time
and
her
thought
leadership
and
her
dialogue
with
golgoon
and
with
danielle
and
her
council
members
and
helping
us
like
really
reach
out
to
our
council
members
and
have
the
information
we
need.
I
just
I
really
gotta
hand
it
to
you
lana.
You
have
done
such
a
great
job
and
now,
of
course,
she
I
know
super
snaps.
A
She
drafted
a
letter
for
us
based
on,
and
this
is
like
you
read
the
letter
and
it's
kind
of
simple
and
really
to
the
point,
and
it
kind
of
just
lists
like
here's,
what
we
feel
strongly
about
and
why
we
support
the
initiative
and
it
brings
up
some
of
the
issues.
But
I
can
tell
you
that
the
the
simple
talking
points
within
that
letter
came
out
of
a
ton
of
dialogue,
a
lot
of
dialogue,
both
with
council
members
amongst
ourselves,
oh
and
danielle's,
joining
hi
danielle.
A
Should
I
just
get
your
sounds
hello,
nice
to
see
you
thank
you
for
joining
us.
It's
great
to
see
you
all.
We
were
just-
I
was
just
moving
into
the
second
item
on
our
agenda,
which
was
the
letter
that
we
are
putting
together
to
support,
advancing
the
formal
adoption
of
the
office
of
art
and
culture.
A
So
so
anyway,
lana
does
have
a
draft
of
this
that
she
shared
this
afternoon,
and
I
was
just
kind
of
going
into
this
diatribe
a
thanking
her
for
all
the
work
that
she's
put
into
this,
but
also
like
that.
A
The
letter
seems
really
simplified
because
it's
kind
of
like
we,
you
know,
want
to
support
this,
and
these
are
the
reasons
why,
but
that
the
process
to
get
to
this
point
has
not
been
simple,
and
it's
been
a
really
a
ton
of
meetings
and
a
lot
of
dialogue,
and
so
I
feel
really
good
about
it.
A
I
think
that
I
might
follow
up
lana
with
some
edits,
just
to
kind
of
maybe
add-
and
you
can
push
back
on
this
but
add
like
this
is
who
we
are,
even
though
I
know
our
council
members
sort
of
know
who
the
mac
is.
We've
also
just
recognized
through
our
conversations
that
there
has
been
some
just
some
confusion
about
our
role
and
about,
like
you
know,
kind
of
who
we
are
so.
I
think
it
might
be
nice
in
the
letter.
A
To
just
say
we
are
this
number
of
individuals
who
are
appointed
to
the
arts
commission
and
we
represent.
You,
know:
arts,
administrators
lay
people
and
artists
that
have
con.
You
know
deep
connections
in
the
community,
so
I
think
it
might
just
and
lana.
I
would
love
to
take
this
offline
if
that
works,
for
you
to
just
see
what
you
think
about
that.
A
And
then
I
you
know:
if
it's
okay
danielle,
could
I
ask
you
just
a
quick
question?
That's
maybe
it's
a
little
bit
tangential,
just
a
tit,
but
I
found
out
about.
I
found
out
a
lot
about
the
american
rescue
plan
dollars
today,
and
I
know
that
the
department
of
treasury
issued
the
numbers
of
what
that's
going
to
look
like
in
21
different
municipalities
across
the
state
of
minnesota,
and
so
this
really
is
really
interesting,
because
I
think
one
of
the
things
that
we've
been
kind
of
bellyaching
about
is
timing
is
about.
A
But
you
know
the
timing
of
this
initiative
and
I
think,
for
the
most
part
we're
saying
like
if
the
time
isn't
now
when
is
it
and
and
I
and
actually
in
conversations
with
some
new
commissioners,
they
said-
oh
we've
been
talking
about
this
for
such
and
such
amount
of
decades
so
and
we
can
look
to
documentation.
A
It
shows
that.
But
I'm
also
curious
if
you
and
you
may
not
have
any
insight
on
this
and
if
that's
the
case,
no
problem,
but
I
just
wonder
you
know,
even
with
the
stabilization
proposal,
that's
coming
in
the
numbers
that
have
been
attached
to
it,
that
doesn't
necessarily
mean
that
there
couldn't
be
any
other
funding
for
the
arts
out
of
the
different
pockets
of
resources
that
are
coming
right.
So
it's
not
like.
I
guess
I
just
want
to
make
sure
that
everyone
understands
that
this
request
is
not
a
one
and
done
like
it's.
A
It's
a
request
to
stabilize
our
arts
across
the
enterprise
and
all
the
ways
that
we've
talked
about
this
at
length,
but
that
there
will
be
other
ways
that
art
and
artists
are
going
to
show
up
to
aid
and
lend
aid
to
recovery,
revitalization,
efforts
and
and
other
things
that
this
money
will
you
know
this
american
rescue
plan
specifically
and
and
coveted
recovery
type
funding
can
go
towards
so
just
to
make
sure
that
the
commission
is
clear
about
that.
Is
that
your
understanding
as
well
danielle
or
do
you
have
anything
to
share.
E
Yeah,
I
don't.
I
don't
know
if
I'm
gonna
answer
your
question.
So
if
I
don't,
let
me
know
so
yeah
when
we're
talking
about
the
creation
of
the
department,
we're
talking
about
a
an
ongoing
funding
source
that
is
coming
from
the
enterprise
in
some
ways,
shape
or
form
right,
either
in
general
fund
dollars
or
by
some
like
mechanism
like
taxes
or
something
something
that
we
could
tap
into
on
an
on
a
consistent
basis.
E
The
american
rescue
funding
is
another
source
of
funding
that
that
we
can
ask
for
to
support
arts
and
which
we
intend
to
do
to
support
our
artists,
and
so
you
know
we're
kind
of
we're
subtracting
it
in
our
heads
from
it's
supporting
the
department
simply
because
it
is
kind
of
a
one-time
funding
source
that
can
be.
E
That
can
be.
You
have
four
years
to
spend
it,
but
we
don't
think
that
the
foundation
for
an
arts
department
should
be
based
on
one-time
funding
right
that
that's
kind
of
what's
the
whole
foundation
of
this
whole
conversation
right
yeah
and
that's
what
we've
been
struggling
with
consistently
for
our
individual
programs
that
have
been
decentralized
in
the
in
the
in
the
city
for
a
long
time
and
we're
like
that,
needs
to
stop
and
so
yep.
And
so
it
is
another
source
of
funding
to
support
arts
and
the
artist
community
within
the
city
of
minneapolis.
E
A
Great-
and
I
think
that
that
the
fact
that
that
is
true
is
actually
going
to
be
enormously
helpful,
because
recovery
and
revitalization
is
hopefully
a
temporary
situation
for
us
right
like
it's,
not
an
ongoing
right.
Okay,
so
it's
nice
to
be
able
to
say
we
want
a
commitment
for
arts
funding
and
stabilization
and
the
centralization
of
our
arts
at
the
city.
That's
going
to
be
sustained
over
time.
A
We
also
recognize
that
the
council
has
brought
up
a
lot
of
very
valid
concerns
that
they
wish
to
get
money
to
artists
quicker
sooner
more
directly
and
at
from
a
recovery
standpoint
that
should
be
possible,
so
you
these
should
both
be
not
be
mutually
exclusive.
This
should
we
should
be
able
to
advocate,
for,
for
all
of
these
things,
to
be
prioritized.
A
And
that
was
kind
of
my
interpretation
as
well
just,
but
I
took
the
art
train
education
from
springboard
for
the
arts.
It
was
a
three-hour
session
about
how
the
arts
are
gonna,
be
kind
of
working
and,
like
we
know
with
you,
know,
public
safety.
You
know,
health
awareness
that
you
know
there's
you
know
the
arts
totally
across
a
lot
of
sectors.
So
anyway,
that's
great.
Does
anybody
have
want
to
make
any
comments?
A
Have
any
questions
or
feedback
that
they
want
to
share
just
about
us
presenting
this
to
the
mac
next
week
and
kind
of
coming
together
around
our
message
and
then
also
us
potentially
participating
in
the
public
hearing?
A
F
Yeah,
I
I
think
we
should
you
know
I
love
the
latter
lana
lana,
and
so
I
think
we
should
present
the
latter.
I
think
we
should
also
present
what
was
discussed
at
the
you
know
to
get
to
this
public
comment,
so
I'm
I'm
taking
it
that
the
the
council
members
had
a
discussion,
so
any
any
feedback
from
that
discussion
was
it,
like.
F
You
know
controversial
whether
everyone
like,
oh
my
goodness,
this
is
the
greatest
idea
ever
or
somewhere
in
between
yeah
just
kind
of
giving
some
flavor
for
the
conversation,
because
I
know
danielle
you
had
spoke
at
the
last
the
last
time
we
met
kind
of
setting
it
up
just
just
giving
them
that
continuity
of
oh.
This
is
how
it
went,
and
here
are
the
next
steps,
but
it's
all
good
stuff.
I
think
everyone
will
be
excited.
A
I
will
just
say
that
I
think
everyone
was
a
little
bit
surprised
that
the
vote
was
unanimous.
We
didn't
know
we
weren't
able
to
do
a
full
roll
call
of
what
everyone's
vote
was
going
to
be
because
we
weren't
able
to
reach
every
single
council
member,
so
that
was
that
was
very
encouraging.
I
think
for
all
of
us
to
see.
A
I
think
that
if
you
watch
the
pogo
conversations
that
there
were
some
concerns
right
and
that's
what
you
know
why,
even
with
the
initial
presentation
it
was
like
there
was,
you
know,
council
members
had
a
lot
kind
of
a
lot
to
say
about
what
they
thought
about
it
and
the
questions
they
had
and
the
concerns
they
had.
A
So
we
didn't
know
we
didn't
know
if
what
way
they're
gonna
swing,
some
of
them,
you
know
and
if
they
were
gonna,
just
try
to
stop
it
in
the
stop
it
in
its
tracks
or
let
it
have
life
and
get
community
comments.
So
that's
my
takeaway
was
just
like
okay,
so
I
feel
like
it
was
a
comment
on
like
we
want
to
support
the
arts.
A
We
we
want
to
be
at
least
seen
as
supportive
enough
that
we
agree
that
this
needs
some
attention,
but
I
think
now
the
next
step
will
be
maybe
a
little
bit
more
difficult,
obviously
right
to
be
like
okay.
D
Sure
and
thank
you
for
bringing
that
up,
jeff
too,
because
I
think
that
would
be
a
good
point
to
frame
in
the
letter.
So
that's
you
know
some
of
the
feedback
that
we're
taking
away
from
exec
will
move
into
the
draft
of
the
letter
that
then
we'll
share
with
danielle
and
golgoon
too
for
further
feedback
before
we
talk
about
it
at
the
full
meeting.
D
But
you
know
we
reviewed
the
pogo
presentation
and
also
the
comments
from
council
members,
and
then
I
took
some
of
those
questions
that
I
heard
questions
that
we
had
from
exec
and
presented
them
to
the
team
and
got
some
really
nice
responses
that
were
well
thought
out.
That
gave
a
lot
of
supportive
information.
It
really
just
empowered
me
to
have
better
conversations
with
our
council
members
to
be
able
to
be
knowledgeable
about
answering
those
questions
and
also
have
you
know
some
sort
of
cohesion
in
the
message
I
think
is
really
important.
D
I
think
that's
what
centralization
really
affords
us
is
having
that
communication
and
for
me,
that's
one
thing
that
I
feel
is
really
strong
about.
You
know
our
current
back
and
forth.
Dialogue
has
really
improved
for
mac
to
be
like
have
an
open
door
and
have
you
know
an
ear
is
something
that
I
think
artists
will
benefit
from
too
if
the
efforts
move
forward.
So
yes,
we
heard
the
questions
from
the
pogo
presentation.
D
Yes,
we
brought
them
back
to
both
the
mac
team
and
the
broader
whole,
and
we
got
some
good
responses
and
now
we
feel
comfortable
as
a
commission
to
be
able
to
draft
a
proposal
for
this
letter
of
support.
So
I
think
that
that
frame
helps
me
being
in
support
of
the
movement
and
what
I
wanted
today
for
the
conversation
was
to
just
take
away
a
temperature,
if
there's
anything
else
that
people
feel
passionately
should
be
included
in
our
support
letter.
So
I
left
some
room
some.
You
know
some
wiggle
for
that.
So
thank
you.
D
So
far,
I've
heard
you
know,
joan.
I
heard
you
mention
framing
that
as
a
commission
and
where
we're
coming
from
a
little
bit
more
in
the
letter
you
know
jeff.
Thank
you.
I
heard
from
you
maybe
focusing
a
little
bit
more
on
how
we
came
to
the
conversation
and
understanding
it.
I
mean
I'm
assuming
our
council
members
know
since
we've
been
canvassing
and
talking
with
them
that
we
are
sitting
in
on
those
meetings.
We
are
listening
and
we
are
taking
both
our
own
questions
to
heart
as
well
as
theirs.
D
F
A
And
also
too
just
like
I
mean
this
is
an
aside.
You
know
between
us,
but
just
like
these
types
of
processes
that
have
that
here's,
you
know
a
proposal
and
us
moving
through
it
doing
due
diligence
with
our
council
members
and
with
our
commission
is
just
strengthening
us.
You
know
we
have.
We
have
strengthened
relationships
with
their
council
members
because
of
it.
We
have
strengthened
our
relationship
with
our
director
of
strategic
initiatives
because
of
it.
A
A
She
was
so
appreciative
to
hear
like
how
this
has
you
know
just
been
strengthening
your
commission
and
really
been
helping
us
have
a
better
relationship
with
the
city
coordinators
office,
and
you
know
all
of
the
people
that
we're
working
with
alongside
so
it's
a
nice
story
to
tell
this
thus
far,
and
we
will
keep
it
moving.
A
So
thanks,
lana
and
also
too
like.
If
I
think
lana
is
really
open
to,
I
know
you're
open
to
any
further
suggestions.
If
someone
thinks
of
something,
I
think
we
want
to
have
like
our
draft,
mostly
polished
and
buttoned
by
our
general
meeting.
Am
I
right
lana,
like
that's
the
plan,
yeah,
okay
and
then
mary?
You
might
be
able
to
help
with
this
too.
We
want
to
adopt
the
letter.
We've
done
this
a
few
times
before.
Are
we
or
tina?
A
Can
you
know?
Can
we
share
the
letter
at
the
meeting?
Do
we
have?
Is
there
a
certain
time
allotment
that
we
have
to
be
mindful
of
for
the
letter
to
approve
it
formally,
as
does
it
have
to
be
included
in
a
pre-read
like
by
tomorrow,
for
example,.
G
You
should
the
letter
should
go
out
with
the
agenda
in
advance.
It
would
be
good
if
tina
could
put
it
as
an
attachment
in
limbs.
Okay,
the
issue
you
guys
run
into
with
letters
in
a
meeting
is,
is
that
people
like
to
make
changes
to
letters
in
a
meeting
and
then
you're
not
sure
on
what
you're
voting
on,
because
the
changes
get
so
complicated
that
the
text
is
not
in
front
of
you
that
you're
voting
on.
G
So
it
might
be
good
if
people
could
share
with
lana
individually
in
an
email,
a
list
of
revisions,
or
you
know
their
revision,
so
lana
could
come
with
a
drafted
text
that
people
had
already
given
her.
You
know
input
on
for
for
approval,
because
you've
done
letters
before
and
it's
just
like.
Eventually,
you
always
end
up
saying
exec
will
rewrite
the
letter
and
sign
it
on
behalf
of
the
community.
A
Actually,
we
do
not
get
edits
in
our
general
meetings.
We
get.
We've
got
a
pretty
supportive
bunch,
although
there's
been
some
turnover,
so
that
may
not
be
always
the
case
or
in
every
situation,
but
we
have
come
to
the
commission
with
letters
in
the
past
and
we
have
been
able
to
move
them
forward
without
further
edits.
However,
I
don't
think
that's
the
way
we
want
to
work.
Necessarily,
I
think
input
is
nice
and
engages
people.
So
how
does
this
sound
for,
like
an
opera,
operationalizing
this
process
really
quickly?
A
How
about,
if
everybody
here
and
I'll
do
this
too
could
get
whatever
edits
they
want
to
lana
by
noon
tomorrow
and
then
lana?
You
can
maybe
get
that
out
by
the
end
of
the
day.
I
think
our
deadline
for
and
tell
me
lana
if
I'm
pushing
you
too
hard
or
if
that's
too
too
much
for
what
your
day
holds-
okay
and
then
tina.
I
know
you
need
all
of
your
materials
by
the
end
of
the
day.
Thursday.
Is
that
right
for
limbs.
B
A
Okay,
I'm
sorry
that
I
have
to
kind
of
think
this
out
loud
so
that
I
don't
mess
it
up,
but
so
exec
edits
by
noon
tomorrow,
wednesday
full
mac
edits
by
end
of
day
thursday,
and
I
and
I'm
only
making
that
type
timeline,
because
I
typically
we
won't
get
a
lot,
but
at
least
that
gives
people
a
chance
and
then
to
tina
with
the
agenda
by
noon
friday.
And
then
we
should
be
able
to
hit
all
of
our
deadlines
and
still
have
a
little
bit
of
time
for
participation.
A
E
No,
I
just
want
to
on
behalf
of
the
staff
and
myself
and
all
of
us
who've
worked
so
hard
on
it.
I
just
wanna.
I
just
I
can't
thank
you
enough
for
being
supportive
and
giving
your
input
and
we'll
be
asking
for
more
of
your
input
as
we
we're
gonna
reach
out
to
more
community
on
on
the
on
the
draft
of
the
of
the
ordinance,
we'll
have
a
draft
that
will
be
submitted,
but
we
have
time
in
between
there
to
to
get
some
feedback
and
before
the
public
hearing.
E
So
like
I
said,
I
just
really
thank
you
for
your
questions
and
your
canvassing
and
your
support.
We
just
it's
unbelievable,
quite
frankly,
and.
A
A
A
That's
great,
it's
helpful.
You
two
have
been.
I
mean
everybody's
been
really,
I
think,
really
been
tremendous,
considering
everything
we're
still
navigating
as
a
community.
So
that's
great
and
then,
as
far
as
the
public
hearing
is
concerned,
mary,
thank
you,
for
you
know,
making
sure
that
we're
aware
of
it
and
when
it's
happening
and
even
sending
out
a
calendar,
invite
that's
been
so
helpful.
I
don't
know
if
this
group
wants
to
comment
about
or
wants
to
discuss
about.
Like
do.
A
G
Okay,
I
think
there's
also
the
option
of
not
just
speaking
on
behalf
of
math,
but
I
think
you
could
also
come
up
with
some
ideas
of
other
key
people
that
you
think.
G
That
the
coordinator's
office
is
thinking
strategically
about
who
might
speak,
and
the
council
members
might
be
thinking
strategically
about
who
might
speak.
But
I'm
wondering
if
you,
if
you
can
think
of
a
constituency
that
you
think
might
be
impacted
by
this
ordinance
that
you
think
should
really
be
visible
both
because
you
think
the
council
should
hear
from
them
and
also
because
they
might
be
somebody
who
would
really
support
your
own
message.
G
I
think
that
might
be
a
good
idea.
A
Would
this
be
something
that
I'm
always
thinking
of
the
how-to
so
like?
Could
this
be
like
a
shared
doc
of
like
who
wants
to
speak?
A
What
hat
they
might
be
interested
in
where
because
I
think
that
we
can
like
support
them
and
give
them
the
information
they
need
and
help
them
if
they
feel
they
need
it,
not
just
commissioners,
but
also
like.
Maybe
there
are
some
community
members
that
might
you
know
want
to
speak
to
the
fact
that
they
used
to
live
in
seattle
and
they
had.
You
know
what
I
mean
or
whatever
you
know,
there's
just
like.
So
many
different
like
pieces
of
the
narrative
that
someone
could
pick
up
and
and
champion.
D
G
A
I
know
my
brain
instantly
goes
to
our
young,
our
youth
leaders,
our
arts,
youth
leaders,
but
I
also
just
think
that
trying
to
catch
them
up
to
it
and
understand
it
might
be
a
little
bit
challenging.
So
I
don't
want
to
exploit
anyone,
of
course,
but
I'm
like
you're
an
up-and-coming
arts
leader,
and
you
need
to
know
that
your
city
is
going
to
be
with
you
for
the
journey
right.
E
Is
so
far
we
married
I'm
sorry.
What
did
you
say.
A
So
lana,
do
you
mind
adding
when
you
give
your
update
about
this
on
wednesday?
Do
you
mind
just
saying
like
we
are
also
trying
to
strategize
about
the
public
hearing
and
if
you
have
ideas
about
who
might
be
a
good
candidate
in
the
community
that
would
want
to
support
you
know
we
want
to
support
you
in
any
way
like
maybe
just
throw
it
out.
Does
that
sound?
Okay,
okay,.
E
I
maybe
it's
helpful
if
you
think
about,
if
you
know
about
you
know
when
we
think
about
our
strategy,
we
think
about
those
large
and
small
arts
organizations
within
minneapolis
trying
to
kind
of
hit
at
on
every
ward.
E
We
also
think
about
those
organizations
that
can
or
even
individuals
who
can
tell
the
story
of
how
arts
has
been
impacted
because
of
the
pandemic
and
and
really
understanding.
E
Why
we're
we're
supporting
stabilization
of
arts
within
the
city
and
intentional
investment,
and
also
we
think
about
what
other
people
they
can
be
individuals,
but
al
and
organizations
who
can
talk
about
the
different
areas
of
how
art
intersects
with
the
values
that
the
city,
the
priorities
that
the
city
says
that
it
has
such
as
economic
development,
public
safety,
health,
those
things
and
so
getting
an
arts
leader
like
I
said
whether
it's
an
individual
organization
who
can
really
talk
about
how
arts
contributes
to
those
things
and
how
we,
as
by
stabilizing
arts,
can
help
that
to
grow.
E
A
That's
helpful.
Thank
you,
yeah.
It's
very
helpful,
it'd,
be
really
interesting
to
have
someone
who's
outside
of
the
art
sector.
Give
a
plug
too.
That
like
is
maybe
in
one
of
those
like
aligning
or
a
budding
sectors
or
intersections.
You
know
that,
like
having
someone
who
speaks
to
public
safety
and
saying
like
when
we
get
young
people
doing
you
know
arts,
programming,
blah
blah
blah
right
like
that,
could
be
really
interesting
because
those
are
I
mean,
I
think,
the
funding
like
just
a
personal
tale.
A
The
funding
that
I've
received
more
recently
to
support
the
arts
has
not
been
arts
funding,
and
now
that's
happening
more
and
more.
So
it's
just
as
a
metric
to
tell
you
that,
like
it
is
it's
public
safety,
it's
health
and
wellness.
It's
you
know.
You
know
all
that
stuff.
So
awesome
thanks.
You
guys,
I
think
I
think
we're
in
a
really
good
spot
and
I'm
kind
of
in
a
way,
I'm
kind
of
glad
that
the
public
comment
moved
out
a
little
bit.
A
I
think
that
that's
going
to
give
us
afford
us
a
little
bit
of
time
to
kind
of
get
a
plan
together
around
who
we're
gonna
support
to
speak
and
our
approach.
So
anybody
else
wanna,
ask
any
questions.
Have
any
comments?
Ask
danielle
anything
okay,
great
well,
thank
you
and
thanks
for
coming
tonight,
danielle.
We
appreciate
it
yeah.
A
All
right,
we'll
see
you
soon:
okay,
bye,
everyone,
bye,
okay,
awesome,
all
right!
The
next
item
on,
oh,
oh
mary,
we
did
skip
over
the
open
meeting
law,
we're
kind
of
running
short
on
time.
A
little
bit.
I
did
talk
about
the
replying
all
the
you
know,
some
of
the
basics,
but
was
there
something
specifically
we
wanted
to
cover
and
couldn't
wait
until
our
next
meeting
or
do?
Is
it
pressing.
A
Okay,
thank
you
appreciate
that,
okay.
So
the
next
item
is
just
the
updates
about
vacancies
and
the
you
know
kind
of
where
we're
at
with
all
what
we've
got
still
have
a
tremendous
amount
of
vacancies.
So
commissioner,
henry
and
commissioner
kevorkian
officially
resigned,
so
I
think
you
all
knew
about
a
commissioner
henry.
You
maybe
didn't
know
about
kevorkian,
but
you
know.
No,
that's
so
sad.
I
know
it's
really
unfair
big
loss.
A
It
really
is,
but
understandably
I
mean
I
think
I
will
say
that
I
I
want
to
believe
that
it's
almost
more
so
circumstances
outside
of
the
commission
itself
than
really
so.
I
don't
want
anyone
to
like
internalize
that
somehow
we're
not
doing
a
good
job.
A
Our
commissioners,
I
think
we're
really
we're
in
a
cool
place
right
now
with
the
commission.
In
my
opinion,
it's
it's
more.
It's
a
lot
more
interesting
right
now
than
it
has
been
in
many
many
many
many
months.
So
I'm
a
little
bit
re-engaged
and
I
hope
others
are
feeling
that
way
as
well.
But
just
life
is
life,
and
these
are
very
difficult
and
intense
times,
so
everybody
gets
some
grace
about
what
they
can
and
cannot
just
cannot
do
and
fit
into
their
life.
So
your
time
is
all
really
valued
as
well.
Just
so.
C
F
A
Okay,
lucy
thompson
is
joining
the
commission
and
she
is
wonderful,
wonderful.
I
met
with
her
one-on-one.
We
talked
about
kind
of
the
history
of.
As
far
as
from
my
vantage
point,
my
tenure
as,
as
you
may
or
may
not
know,
lucy
brings
a
lifetime
of
policy
experience
with
her
working
for
saint
paul
and
minneapolis
and
has
a
good
relationship
with
mary,
and
it's
just
a
really
talented
person
that
is
gonna,
be,
I
think,
wonderful.
A
She
is
interested
in
a
seat
on
executive,
which
is
exciting
that
she's
ready
to
make
the
jump
straight
out
of
the
gate.
I
would
love
to
be
able
to
seat
her
on
our
exec
committee.
I
think
we
could
use
someone
with
her
just
wealth
of
knowledge
and
just
the
ins
and
outs
of
governance.
A
C
F
A
She
also
intends
on
joining
the
policy
alt,
so
it's
gonna
be
very
nice
to
have
her
yeah,
jeff
or
lana
any
thoughts
about
lucy
joining
exec.
Would
you
would
you
would
you
feel
more
comfortable
to
have
one
exchange
with
her
before
ever
in
a
group.
D
A
We
do
have
to
we
you're
right.
We
would
have
to
it
would
delay
it
by
a
month,
so
she
wouldn't
be
able
to
join
us
at
our
next
exam.
C
A
That's
great
tina,
if
you
don't
mind
as
an
action
step,
just
making
sure
that
lucy's
invited
to
the
next
exec
meeting.
Okay,
yes,
but
we'll
wait
to
move
her
forward
until
then.
A
Okay,
thank
you
all
for
figuring
that
out
and
then
the
next
just
item
is
just
you
know.
We
still
have
a
lot
of
vacancies
and
what
are
we?
A
You
know,
it
almost
seems
like
one
of
our
biggest
and
best
opportunities
is
the
fact
that
we
have
this
tremendous
slate
waiting
to
be
filled,
but
we
just
we
continue
to
attract
you
know
a
constituent
or
commissioner,
that
oftentimes
doesn't
live
or
work
in
minneapolis,
and
so
we've
determined
that
we
just
we
don't
feel
comfortable
seating
people
that
don't
have
some
vested
interest
in
the
city
that
they
can
speak
to.
C
So
we
kind
of
talked
about
that
a
little
bit
I
might
be
jumping
ahead,
but
we
kind
of
talked
about
that
a
little
bit
in
our
access
and
engagement
catch
up
that
we
had
this
morning,
because
I
saw
that
that
was
on
our.
We
saw
that
that
was
on
our
work
plan
and.
D
C
Kind
of
thought
about
incorporating
the
list
of
organization
and
artists
that
we
would
like
to
well.
Originally,
we
were
going
to
hold
our
meetings
at
their
location,
but
then
now
we
started
to
try
to
invite
them
into
our
zoom
or
our
team
meetings,
maybe
getting
them
involved
as
well
and
trying
to
get
a
representative
from
their
community
to
come
and
apply
to
become
a
commissioner.
I
don't
know,
that's
one.
That's
one
pipeline
we
could
try
to
feed
from
because
we
do
want
to.
C
We
do
want
to
hear
their
voices
so
trying
to
get
them
inviting
them
in
to
maybe
do
a
little
15-minute
chat
in
the
in
our
in
our
basic
meetings
every
month,
but
then
also
to
forge
a
relationship
to
maybe
find
more
people
in
their
world
to
come
into
ours
and
to
be
a
commissioner.
It
was
just
one
of
our
thoughts
that
we
had.
A
That
makes
a
lot
of
sense.
I
think
that
it's,
you
know
engaging
people
and
understanding
what
it
is
that
we
do
hopefully
would
then
lend
itself
to.
You
know
someone
wanting
to
be
involved
and
so
inviting
someone
to
give
us
a
presentation
and
courting
them.
If
you
will,
as
like
a
constituent,
that's
important,
you
know
to
us
that
that's
a
great
strategy,
I
think
that's
great
mandy
and
I'm
glad
you
guys
are
thinking
about
it.
A
So
I
would
say
mandy
you
need
to
say
the
word
when
you
want
us
to
reserve
some
time
on
our
agenda,
for
whoever
it
is
or
whatever
organization
it
is.
Next
we
talked.
C
About
that
too,
we're
just
jumping
right
into
the
access
engagement
update.
Is
that
what's
happening
right
now?
That
is
what's
happening,
but
I'm
all
I'm
here
for
it.
Let's
do
it,
I'm
pushing
it
right
through
it's
kind
of
connected,
so
it
makes
sense.
But
but
jeff
was
on
the
call
as
well,
so
he
can
he
can
jump
into,
but
we
thought
about
trying
the
rojo
collective
again
since
they
weren't
able
to
come
in
december,
and
we
wanted
to
know
what
you
guys
thought
about
doing
that
for
june.
C
Yeah,
and
with
that,
like
you
know,
tapping
into
their
community
of
people
to
see
if
they
have
somebody
that
they
would
want
to,
you
know,
nominate
or
push
to
kind
of
jump
onto
the
board,
but
they're
on
to
the
commission
with
us
too,
would
be
great.
C
A
Sounds
really
great.
Does
everyone
else
feel
good
about
that?
I
say
we.
We
we
green
light
that
for
june
for
sure
yeah.
F
Yeah
I'll
be
reaching
out
this
week
and
I'll
through
emails,
I'll
I'll.
Let
you
know
kind
of
what
can
they
make
that
date?
You
know
and
are
they
receptive
and
in
that
conversation
I'll
also
bring
up
the
potential
for
them
to
at
least
start
to
think
about
one
of
their
members
being
part
of
the
commission.
A
That's
excellent.
Thank
you.
So
much
that's,
I
think.
A
great
a
really
great
and
practical
strategy
and
rojo
is
someone.
That
is
a
group
that
we've
been
talking
about
for
quite
some
time
now
and
I
know
has
had
you
know
a
lot
of
interaction
with
the
city
as
well
like
as
artists,
so
I
think
that'll
be
their
great
group
to
tap
right
now.
A
Awesome,
okay!
I
know
that
ahava
was
working
on
purpose.
I
was
working
on
minneapolis
college
and
just
was
able
to
elicit
the
dean
applying
which
I
was
so
grateful
for,
but
I
was
like
that's
not
what
we
were
after.
A
A
reception
there's
actually
a
reception
happening
right
now
that
I'm
missing
of
their
students
work
in
that
gallery
in
city
center.
So
there's
a
lot
of
students
there's
a
lot
of
faculty.
I
you
know
she
I
explained
to
her.
C
So
with
that
said,
do
you
want
us
to
forge
a
relationship
with
her
from
the
access
engagement
perspective
to
help
with
this
and
take
it
off
your
plate?
Because
I
know
her
and
lisa
have
a
relationship
too
right.
So
maybe
she
could
become
a
point
of
contact
to
try
to
push
stuff
forward
to
bring
that
into
the
access
and
engagement
committee.
Yeah,
I
mean.
A
G
A
G
A
Right,
yes,
thank
you
for
considering
that.
I
appreciate
it
because,
honestly,
the
college
is
really
a
wellspring
of
talent
and
we
we
should
be
able
to
get
like,
even
if
the
faculty
to
jeff's
point
earlier
like
when
we
talked
about
this
like
there's,
also
some
really
great
faculty
that
have
rep,
you
know
good
representation
and
could
be
really
strong
on
the
commission.
So
thank
you
for
offering
that
tonight.
C
All
right
I
will,
I
will
give
that
update
then
to
the
committee
after
this,
so
that
she
can
kind
of
reach
out.
Is
there
anything
that
she
needs
to
know,
that's
applicable
to
what
you
guys
had
been
talking
about
prior
to.
C
No,
she
understood
after
after
we
explained
it,
she
understood.
So
it
was
all
good,
but
as
long
as
we
yeah
so
I'll
just
talk
about
maybe
having
her
become
our
point
of
contact
and
see
if
we
can
get
some
because
not
only
could
we
feed
the
commission
and
possible,
you
know
youth
commissioners,
but
we
could
also
help
with
the
access
engagement
part
of
what
we're
trying
to
do
as
a
committee.
So
I
think
that's
a.
G
A
Sounds
excellent
awesome.
There
also
is
opportunity
at
fair,
high
school,
but
I
I
you
know
I
work
with
fair
all
the
time
as
well
in
downtown,
but
more
to
come
about
that.
I
think
that
might
come
later
and
then
we
also
like
I
have
a
5
to
10
on
hennepin
artist,
cohort.
That's
like
youth
from
culture
club
that
are
downtown.
A
F
I
had
a
question,
as
the
city
said
anything
yet
on
in-person
meetings
and
as
as
I
know,
the
government
made
some
changes
as
as
the
city
had
a
response
on
that
or
or
some
timing.
So,
as
we
think
about,
as
a
committee
like
in
you
know
the
fall,
could
we
go
somewhere?
Could
we
have
a
meeting
at
you
know
at
a
location,
just
just
curious.
G
And
also
so,
I'm
not
sure
on
how
many
people
can
gather
at
a
time
indoors,
but
whatever
the
governor's
current
guidelines
are,
I
think
we
could
do.
There
could
also
be
outdoor
meetings
in
the
summer
too.
If
people
didn't
want
to
gather
inside,
you
know,
block
clubs.
Do
it
all
the
time
so.
A
G
I
think
that
you
know
to
meet
in
the
parking
lot
of
an
arts
organization
could
be
an
option
right
and
then
at
some
point
we
can.
You
know
I
was
at
a
meeting
here
in
this
building
today
that
had
25
people
in
it
and
we
were
all
around
a
table
that
was
six
feet
apart.
So
I
think
that
that
could
be
an
option
as
well.
Okay,.
C
A
Also
too,
if
it's,
I
know
that
we
want
to
get
out
to
our
like
bipolar
organizations,
and
I
think
it's
really
important
for
us
to
prioritize
that.
But
if,
for
any
reason
we
are
not
able
to
find
a
partner
that
has
the
capacity
to
host
just
know
that,
like
the
rooftop
at
hennepin,
theater
trust
is
available
to
the
arts
commission
for
meeting
and
it
is
really
fun.
It's
got
a
great
view.
That's
nice.
A
Yeah,
it's
so
funny:
it's
become
it's
going
to
be
overrun
by
young
people
all
summer,
long
like
the
fair,
high
school's
moving
in
for
their
summer
camps,
and
I've
got
culture
club
moving
like
we're
moving
all
these
kids
and
it's
just
it's.
It's
really
delightful,
but
it's
also
kind
of
hilarious.
Definitely
not
what
leadership
envisioned
about
our
invent
center,
but
it's
all
good,
it's
all
good
anyway.
Okay,
so
any,
let's
see
we
were
just
talking
about
applications
and
onboarding
and
we
moved
into
access
updates,
which
is
fine.
We
can
jump
around
a
little
bit.
B
A
B
C
A
You're
so
nice,
thank
you.
You
could
just
be
like
just
respond
to
your
emails.
Lady,
sorry,
but
yeah
that'll
be
helpful,
great,
okay,
cool
and
so
that'll
be
good.
Maybe
there's
somebody
in
there
honestly,
I
haven't
had
a
chance
to
look
so
I
don't
even
know,
but
let's
keep
pushing
because
we're
I
mean
slowly.
We
really
are
getting
good
people
like,
even
though
it's
happening
much
slower
than
we
wish
for,
and
I'm
I'm
really
happy
with
who's
coming
in.
So
that's
good,
at
least
okay.
A
So
the
next
item
we
have
to
formally
move
commissioner
mansfield
from
artist
to
commissioner's
seat
on
our
public
art
advisory
panel
with
commissioner
kavorkian
leaving.
We
want
to
just
position,
commissioner
mansfield,
like
appropriately,
even
as
she
identifies
as
an
artist
her
commission
seat
on
the
committee
is
the
more
appropriate
seat
for
her
to
make
room
for
another
artist
in
the
community.
Does
that
make
sense?
A
G
G
B
A
Not
yet
that's
the
next
thing
we
need
to
do.
I
think
we're
gonna
have
to
unless
anybody
has
anything
significant.
I
think
we
can
skip
item
number
seven
on
our
agenda
with
work
plan
updates,
because
we've
addressed
access,
we've
talked
pretty
extensively
about
policy,
we
are
exec
and
open
seats
is
kind
of
an
issue
that
we're
trying
to
deal
with
and
then,
as
far
as
public
art
is
concerned,
I
could
talk
for
an
entire
hour
about
the
updates
for
the
public
art
panel,
but
we
just
don't
have
the
time.
A
So
I
think
I
have
to
just
save
my
updates
and
sell
another
time
if
that's
okay
with
everybody.
G
A
G
So
joan
I'm
struggling
with
curry
park
being
on
the
agenda,
because
the
artist
has
come
back
to
me
and
said
that
they
would
prefer
to
just
do
a
detailed
design.
You
know
the
issue
was
their
design
was
so
conceptual.
G
It
was
just
a
really
raw
sketch
with
a
lot
of
ideas
about
what
would
be
included,
and
then
our
plan
was
to
have
a
review
process
that
was
commissioner
mansfield
and
myself
reviewing
the
the
concept
as
it
is.
It
evolved
and
the
artist
came
back
and
said:
why
don't
I
just
do
a
detailed
sketch
and
so
I'm
kind
of
thinking.
B
G
Go
through
that
he
doesn't
want
to
go
through.
You
know
a
lot
of
meetings
about
it,
so
he's
going
to
do
a
detailed
sketch
and
he's
also
done
a
number
of
things
that
we
requested,
that
he
do
anyways
he's
hired
marlene
and
miles
to
advise
on
the
dakota
he's
gotten
permission
from
the
mille
lacs
band
of
ojibwe
for
his
concept
on
the
turn
on
turtle
island
he's
done
a
lot
of
it
sounds.
A
Good,
I
just
pulled
it.
A
You're
welcome
okay,
I'm
gonna
share
my
screen.
Are
we
ready
to
just
talk
about
this
agenda
and
get
it
approved
so
that
we
can,
or
whatever
make
our
updates?
I
know
that
we
might
add
a
little
bit
too,
but
okay,
all
right.
Thank
you
guys.
G
A
A
Done
done
all
right,
so
we
are
going
to
welcome
commissioner
thompson.
Commissioner,
introductions
voted
on
our
regular
stuff.
We've
got
one
item
on
the
consent
agenda,
the
utility
box
projects,
and
then
we
have
our
discussion.
The
formal,
the
adoption
of
the
arts,
stabilization
proposal
and
and
letter
adoption
right
and
that's
actually,
commissioner
aylesworth
correct.
C
C
A
G
I
think
it's
more
appropriate
for
somebody
who
nominated
her
too.
I
mean
I
know
her.
I
have
a
great
deal
of
respect
for
her.
Okay,
believe
it.
A
A
C
There's
five
of
us
yay?
No,
I'm
just
kidding.
Yes,
I
mean
with
that
said,
do
you
want
do
you
would
that
tie
into
how
we
were
just
talking
about
trying
to
find
arts
organizations
to
be
a
pipeline
as
well
as
the
schools?
Is
that
all
part
of
that
conversation,
or
are
you
just
talking
about
who's
empty.
A
C
A
Okay
and
then
for
work
plan
updates.
I
have
myself
for
exec
that
we
have
two
at
large
positions
in
a
vice
chair
position
that
are
available.
Also
too,
commissioner
mansfield
had
asked
me
to
bring
up
the
idea
of
a
bypoc
subcommittee
like
its
own
alt.
A
A
C
A
It
might
just
kind
of
fall
flat.
The
idea
is
that
if
our
commissioners
who
represent
communities
of
color
could
have
their
own
safe
space
without
commissioners,
who
are
white,
identifying
that
that
could
be
of
value
to
create
a
series,
a
set
of
recommendations,
potentially
for
not
only
the
commission
but
just
processes
and
stuff,
like
that,
I
mean
really
create
their
own
agenda
and
their
own
action
items,
but
that's
sort
of
the
that's
the
idea
that
she
was
working
with.
A
Okay:
okay,
thank
you.
Okay
and
then
access
policy.
C
F
Like
when,
joan
yammers
on,
I
just
wanna.
F
She
can
talk
through
the
whole
meeting
now
yeah.
No,
you
know
I'm
just
joking.
Yes,
yes,
I
can
do
that.
A
D
Sure,
that's
fine.
I
think
the
formal
adoption
of
the
letter
is
currently
what
we're
working
on
so
an
interest
of
time.
You
know,
that's
that's
the
next
steps
and
then
preparation
for
the
public
hearing,
which
seems
to
be
all
above.
So
I'm
wondering
if
I
should
save
the
public
hearing
information
for
this
category
there
we
go
great.
A
That
looks
good,
okay,
cool
and
then
the
public
art
wait.
I
don't
know
this
is
not
looking
right.
Sorry.
A
Sounds
good
we're
at
the
end,
so
we
good
and
I'll
lana.
Do
you
want
to
forward
or
anybody
do
your
edits
by
noon
tomorrow,
to
lana
then
lana.
If
you
want
to
send
it
out
to
the
full
commission
by
end
of
day
thursday
and
then
get
it
back
to
tina
by
noon.
I'll
clean
up
this
agenda,
but
I
think
we're
good
to
go
sorry
to
keep
you
over.
You
guys.