►
From YouTube: Oklahoma City Arts Commission - May 18, 2020
Description
The regular monthly meeting of the Oklahoma City Arts Commission , via video conference, for May 18, 2020.
B
E
Well,
I
think
we
have
a
quorum
and
it's
safe
to
say
that
this
meeting
of
the
Oklahoma
City
Arts
Commission
for
Monday
May
18th
2020,
is
called
to
order.
Welcome
everyone.
As
you
are
aware,
this
meeting
is
live
streamed
from
remote
locations.
We
want
to
remind
everyone
that,
as
you
have
arrived
in
our
virtual
meeting,
we
have
muted
your
mic
as
instructed
in
the
agenda
those
who
called
or
emailed
us
in
advance
to
let
us
know
your
name.
Contact
number
and
agenda
item
you
wish
to
speak
about
will
be
recognized.
E
First,
your
text,
email
or
call
will
not
be
received
once
the
meeting
has
begun
before
the
arts.
Commissioners
vote
on
each
item.
I
will
ask
if
any
members
of
the
public
wish
to
speak.
Since
you
are
muted,
when
I
call
on
you,
please
unmute
yourself
on
a
phone,
you'll
use
star
six
and
then
state
your
name
and
address
for
the
record,
but
that's
again
your
name
and
address
on
a
desktop
computer
or
laptop
you'll,
hover
your
cursor
over
the
microphone
icon
to
remove
the
diagonal
red
line.
E
B
E
E
E
On
to
agenda
item
three
items
for
discussion
action
agenda
item
three:
a
AC
20
0,
0,
0,
0,
7
updates
to
Oklahoma
City,
Arts,
Commission's
definition
of
public
art.
This
item
was
introduced
at
the
January
27th
2020
Arts
Commission
meeting
and
referred
to
a
special
committee.
Further,
it
was
deferred
for
discussion
on
February,
17th,
2020
and
further
deferred
for
discussion
on
March
16,
2020
and
meeting
was
canceled
on
that
date.
E
A
But
since
you
have
discussed
I
think,
since
all
of
you
are
the
same,
that
we're
here
at
the
last
meeting
I'm
going
to
go
ahead
and
go
forward.
This
was
the
works
of
art,
how
it
should
be
categorized
and
I
apologize,
I
paint.
This
first
statement
right
here
needs
another
update.
This
should
read
short
term,
and
that
was
one
that
we
did
not
catch.
A
So
I
want
to
again
say
up
here
where
it
says:
works
of
art
shall
be
categorized
as
temporary.
That
should
be
short-term
or
permanent.
And
then
you
have
your
traditional
artists,
your
prior
to
placement,
of
any
short-term
or
permanent
work
of
art,
how
the
application
should
be
reviewed,
and
the
definition
is
a
very
broad
definition,
because
you
know
that
works
of
art
are
constantly
changing
and
you
want
to
keep
up
today
and
be
able
to
be
able
to
act
upon
anything
new,
that's
presented
to
me,
Robbie.
D
A
A
Here's
where
we
get
to
the
the
further
narrowing
of
that
definition,
though
so
permanent
works
of
art
are
either
structural
or
non
structural
and
they're
displayed
for
two
years
or
more
okay,
two
years
or
more
and
then
anything
less
than
two
years
is
temporary
or
short-term.
Okay,
the
temporary
is
more
than
six
weeks
but
less,
but
up
to
two
years
less
than
two
years
short
term
has
a
maximum
duration
of
six
weeks
and
here's.
Why
here's?
Why?
A
E
C
D
A
D
A
D
A
G
G
A
D
A
Everything
that's
put
out
in
the
public
realm.
That's
a
work
of
art
has
to
get
a
permit
okay.
So
what
we're
saying
is
that,
if
it's
less
than
six
weeks,
all
they
have
to
do
is
get
a
special
event.
Permit,
there's
no
reason
to
wait
for
Arts
Commission
review.
If
it's
a
six
week
project,
it
can
go
live
if
it's
structural,
it
needs
to
come
to
you,
but
it's
six
weeks.
G
Well,
at
some
point,
I
know:
I,
just
sound
like
I'm,
anti
artists
and
I
am
NOT,
because
the
area
that
we
have
some
concern
with
or
when,
when
a
permit,
whether
it
is
a
prospective
special
event
permit
or
actual
permission
from
the
Arts
Commission
there
are.
It
has
come
up
and
it
continues
to
come
up.
And
we
have
an
item
on
the
agenda
today.
One
of
those
that
was
where
no
approval
was
sought
and
after
the
fact,
they're
coming
for
approval
and
is
and
I
understand,
we're
talking
about
a
definition
here.
A
And
they
a
property
owner
that
allowed
the
painting
we'd,
receive
a
code
enforcement
violation
and
have
to
respond
to
that.
And
what
normally
happens
is
that
the
owner
asks
whoever
they
worked
with
to
be
the
applicant,
whether
it
was
the
artist
or
someone
else
and
that
they
seek
a
lawful
permit
for
the
mural.
So
it
can
stay
up.
E
And
Commissioner
Cooper
I
think
the
presumption
is
allowing
this
possibility
of
the
special
in
that
permit
would
allow
accessibility
for
artists
developers,
property
owners
to
do
something
legally
in
a
more
nimble
process
than
appearing
before
the
Arts
Commission,
any
design,
review
district
and
finally
Council
I.
Think
again,
the
presumption
is
this
prevents
your
concern
that
I've
heard
you
raised
many
times.
There
is
no
punishment
for
people
just
doing
what
they
want
and
then
asking
forgiveness
after
the
fact
I
wonder
if
this
makes
us
more
nimble
as
a
city.
E
G
G
The
special
permit
still
is
going
to
have
some
restriction
on
it
and
it
still
isn't
going
to
mean
it
requires
some
time
and
I'm
thinking
more
about
one
item.
That's
further
down
in
our
agenda
where
they
said
they
were,
they
were
asked
to
do
it.
They
wanted
it
up
right
away
there.
There
wouldn't
have
been
time
to
put
a
special
permit
because
that
they
wanted
it
immediately
and
that's
always
going
to
be
an
issue
that
we're
going
to
have
to
deal
with.
A
A
The
city
was
having
a
lot
of
issues
with
graffiti
and
we
needed
to
make
a
distinct
separation
on
what
was
lawful
and
what
was
not,
and
it
appears
from
the
section
of
chapter
59
in
the
code
that
they
came
up
with
well
graffiti,
is
unlawfully
established
and
it's
a
detriment
to
the
neighborhood
or
the
district
or
the
surrounding
property
owners,
and
that
it
represents
an
area
where
there's
a
lot
of
crime
and
they
were
trying
to
make
a
distinction,
a
distinction
between
unlawful
per
painting
and
signs
and
which
was
art.
So
that's.
A
We
can
create
an
ordinance
and
we
can
take
it
all
the
way
through
all
the
review
committees
that
it
impacts,
go
to
the
Planning
Commission
and
that's
what
we're
doing
now
with
code
update.
But
what
we're
trying
to
do
is
establish
some
standing
rules
that
assist
the
arts
community
in
having
a
little
bit
of
quicker
action
from
their
requests.
A
H
A
So
so
let
me
give
you
an
example:
that's
not
a
mural,
then
okay,
we
had
a
a
work
proposed
that
was
in
conjunction
with
Oklahoma
contemporaries
opening
and
it
was
a
structural
work
and
it
was
by
Denis
Leung
and
Gabriel
Freedman,
who
were
scissortail
Park
and
they
needed
to
get
it
up
by
a
certain
day.
And
so
we
took
it
in
the
same
way
it
was
a
sculpture,
but
they
needed
to
get
it
up
before
they
received
Arts,
Commission
approval
and
downtown
designer
the
approval
and
a
permit.
A
And
so
we
had
engineering
review
it
and
suggest
some
changes,
and
then
they
submitted
all
their
applications
and
I
did
an
administrative
review
on
it.
And
then
we
asked
for
a
live
event
permit
so
that
they
could
build
it
live.
And
then
they
immediately
came
to
the
Arts
Commission
to
see,
received
approval
then
downtown
design
and
then
received
a
more
permanent
permit.
H
H
E
There
are
many
advocates
on
the
Commission
who
speak
on
the
working
life
of
practicing
artists.
Our
code
is
structured
that
way
that
formed
our
Commission
and
in
some
ways,
I
feel
like
we
are
trying
to
use
the
code
that
we've
been
given
in
our
city
to
work,
the
best
for
the
communities
who
we
serve
and,
in
our
case
those
are
artists.
Those
are
designers,
those
are
architects.
E
D
D
Guess
I'm,
just
thinking
out
loud
that
we
need
to
be
flexible
with
these
things,
and
this
is
trying
to
address
a
gap
between
a
much
bigger
code
change
and
if
somebody
comes
to
us
and
has
an
issue
we'll
we'll
address
it
and
have
the
capacity
to
make
a
change.
If
we've
made
a
mistake,
so
I
just
think
we
need
to
probably
move
on
and
see
how
this
works
for
us.
I
A
A
E
C
This
has
become
a
resource,
I
mean
over
the
years,
it's
sort
of
evolved
where
the
Arts
Commission
provides,
while
it's
City
regular.
It's
basically
for
city
projects.
Private
developers
have
adopted
some
of
the
standing
rules
that
we
work
with
and
live
by.
They're,
not
there
they're
not
required,
but
they
are,
but
they
do
see
it
as
a
resource.
Is
that
correct?
That
would
be
correct,
correct
Robbie?
Yes,.
A
It
is
it's
something
that
I
would
note
in
the
memo's.
Yes,
that
are
written
for
the
Arts
Commission
review,
reminding
you
that
you
looked
at
this
before,
and
this
is
what
you
said
to
keep
to
keep
all
of
your
information
consistent
that
as
a
group
you
liked
this.
You
discussed
it
at
length
and
you
adopted
it
for
your
rules,
so
this
would
be
a
way
now
anything
I
put
in
memos.
A
It
doesn't
mean
that
at
that
particular
Arts
Commission
meeting
when
you
discuss
it,
you
decided
to
different.
You
vote
a
different
way.
You
know
that
because
you're
the
Arts
Commission,
but
it
would
be,
it
would
be
noted
in
those
memos,
and
that
would
help
me
provide
you
with
some
kind
of
a
staff
recommendation
based
on
the
standing
rules
you
you
adopted
before.
E
F
E
Have
a
recommendation
from
Commissioner
Eichmann
and
a
second
Commissioner
kovash,
and
that
motion
is
to
recommend
that
we
adopt
this
language.
Actually,
we
don't
have
to
recommend,
because
this
is
our
rules
to
approve
with
I
believe
conditions
and
Commissioner
Eichmann,
a
kovash
correct
me
if
I'm
wrong,
that
included
the
conditions
of
speaking
to
the
three
definitions,
the
distinct
categories
that
mr.
Salyer
raised,
as
well
as
the
gender
specific
modifier
before
designee.
Omitting,
that
is,
that
correct,
Commissioner,
Eichmann.
E
A
D
C
A
From
the
last
week
was
that
we
bring
back
the
debt,
the
curatorial
plan
and
the
depth
of
the
minimum
required
qualifications
for
the
principal
curator,
and
that
has
been
received
by
the
special
committee.
But
they
would
like
some
time
to
be
able
to
meet
on
that
and
bring
that
back
separately.
So
I
just
wanted
to
make
sure
that
was
part
of
the
motion
that.
A
E
G
A
E
A
So
this
Bureau
is
located,
as
you
can
see,
there's
Barnes,
Avenue
and
39th
Street,
and
the
mural
is
located
in
an
area
behind
the
building
where
there
is
a
lot
of
parking
for
a
lot
of
the
activities
in
the
district.
Parking
is
at
a
premium
in
this
district
and
the
north
wall
in
the
alley-
and
this
is
the
business
establishment-
is
the
rec
room.
A
Even
though
a
lot
of
times,
you
would
look
at
this
and
say:
is
it
a
mural
that
the
words
glitter
alley
are
more
than
10%,
so
using
that
I
know,
you've
wanted
to
explore
a
lot
of
different
definitions
for
mural,
so
I've
ever
anything
that
has
lettering
that's
over
ten
percent
of
the
total
size
of
the
mural
I've
started
pulling
out
as
artistic
graphics,
and
so
you
can
see
here
what
it
looks
like
now.
This
mural
is
already
painted.
A
A
The
other
thing
I
went
back
and
did
is
now
that
we've
changed
to
our
different
different
minimum
format.
I
did
want
to
under
issues
and
considerations,
to
point
out
why,
in
in
the
code
in
the
Oklahoma
City
Code,
the
definition
of
graffiti
was
established
and
a
lot
of
the
reason.
It
was
some
that
I
mentioned
on
the
previous
case,
that
it
was
related
to
criminal
street
gang
activity,
and
then
it
was
detrimental
to
the
beauty
of
the
community
and
rather
than
put
that
label
on
this,
even
though
it
was
unlawful.
A
We
established
I
wanted
to
make
sure
that
we
pointed
out
some
reasons
why
you
may
choose
to
recommend
it
for
a
permit.
The
other
thing
I
wanted
to
bring
up
is
the
39th
Street
District
as
you'll
see
in
the
next
case,
we've
been
working
with
them,
the
office
of
Arts
and
Cultural
Affairs
and
the
commercial
district
revitalization
program
and
we've
been
assisting
them
through
a
a
competitive
mural
process
and
working
with
them.
A
For
quite
a
few
months
and
I
encouraged
them
to
bring
this
to
the
Arts
Commission
and
have
it
lawfully
established
and
and
permitted
so
that
they
wouldn't
run
the
risk
of
losing
it.
And
so
I
wanted
to
point
that
out.
As
you
review
it
and
ask.
As
you
ask
questions
that
this
was
something
that
the
office
of
Arts
and
Cultural
Affairs
encouraged
and
and
so
that
if
the
mural
would
not
be
at
risk,
and
so
that
would
have
Vera
waivers
and
all
the
other
legal
recommendations
of
the
Arts
Commission
Thank.
G
G
Remember
the
conversation
at
the
Arts
Commission
meeting
when
the
police
came
and
talked
about
the
benefit
of
having
murals
and
in
the
war
against
destructive
graffiti,
and
this
certainly
couldn't
be
classified
that
way.
So
without
regard
to
the
fact
that
it
may
have
been
done
with
outside
the
process,
I
mean
it's
a
lovely,
lovely
piece
and.
D
G
I
think
that
narrative
that
was
supplied
with
it.
They
acknowledged
that
it
was
not.
Permission
was
not
requested
and
that
the
owner
of
the
building
came
to
him
and
it
was
sort
of
a
last-minute
deal
right
before
the
Pride
Parade,
and
they
wanted
something
done
right
away
and
there
wasn't.
They
just
didn't
feel
like.
There
was
enough
time
to
go
through
the
process.
I
don't
know
that
they
acknowledged
the
process,
but
it
was.
It
came
up
and
needed
to
be
done
right
away
and
it
was
a
response
to
an
event,
but.
E
D
E
E
E
K
K
Even
when
I
was
talking
to
ginger
in
regards
to
getting
it
permitted,
I
told
her
I
was
like
we
don't
have
to
get
this
permit.
This
was
such
a
quick.
You
know
job
if
you
guys
want
to
paint
over
it,
I'm
not
going
to
be
offended
by
that,
but
it
is
more.
It
is
much
more
special
to
that
community.
You
know
I,
look
at
it
and
I'm
just
like
that
was
a
quick
little
job,
but
it
really
was
appreciated
and
and
I'm
humbled
by
that,
and
so
that's
why
they
wanted
to
end
up
doing
that.
E
L
K
I
do,
and
you
know,
I
didn't
I
didn't
speak
up
earlier,
but
I
do
think
the
special
event
process.
That
is
something
that
I
like
I
love,
seeing
that,
where
we're
all
kind
of
working
towards
something
that
can
expedite
the
process
a
little
bit
more
because
I
think
you
know,
I
understand
that
that
you
guys
are
a
recommending
body
and
I've
definitely
spoken.
K
My
piece
on
this
a
lot
so
just
figuring
out
a
way
that
we
can
expedite
some
of
this
stuff,
because
there's
so
many
opportunities
that
artists
working
artists
like
myself,
have
where
it's
like.
We
need
a
mural.
Will
you
come?
Do
it
this
weekend
and
we're
paying
you
know,
and
this
one
wasn't
a
paying
job,
but
it
was
you
just
can't
wait
a
month,
sometimes
and
so
I
do
appreciate
the
work
that
the
Commission
is
doing
to
expedite
that
process.
E
I
E
Moving
on
to
agenda
item
3c
but
before
I
do
I
need
to
offer
this
reminder
that
if
we
lose
our
connection
for
this
meeting
for
more
than
15
minutes,
we
will
resume
at
our
next
regularly
scheduled
Arts
Commission
meeting
on
June
15th
at
4:00
p.m.
now.
Moving
on
to
agenda
item
three
C
AC
2
0
0
0,
0
1,
fabulous
mural
by
dusty
Gilpin
address
to
one
to
five
Northwest
39th
Street
for
39th
Street
district
Association
Robbie.
Please
introduce
this
item.
A
So
this
mural
artistic
graphic
is
located
on
the
east
wall
of
the
Apothecary
39th
and
it's
a
bar
offering
vintage
and
contemporary
cocktails
craft
beer,
bubbly
wines
and
their
website
states.
They
have
a
vintage
style
atmosphere
with
classic
Jed's
recordings
and
occasional
live
musicians,
and
this
is
meant
to
be
kind
of
a
gateway
welcoming
feature
of
the
district,
sorry
about
the
holiday
of
this
photo.
A
But
here
you
can
see
the
front,
and
this
is
the
wall
that
the
mural
would
be
located
on
this
east
wall
and
again
I've
used
the
civic
use,
use
unit
classification
for
artistic
graphics
because,
as
you
can
see,
the
words
and
the
numbers
on
this
take
up
far
more
than
10%
of
the
area.
The
recommendation.
A
E
Again,
artist
dusty
Gilpin
is
present
as
well
as
the
39th
district
volunteer
committee,
chair,
ginger,
McGovern
is
present
and
also
planning
staff.
Our
commercial
district,
revitalization,
representative,
Susan,
Atkinson
I
believe
you're
all
on
the
call
currently
or
on
the
meeting
conference.
Is
there
anything
we
can
go
in
that
order?
Artist,
the
district
representative
and
city
staff
Susan
that
you
would
like
to
add.
K
I
was
just
gonna
add
that
William
Larson
is
going
to
help
me
install
this
mural
just
as
another
artist,
and
we
worked
with
39th
Street
district
draft
and
come
up
with
this
concept,
and
we
went
through
probably
a
dozen
different
variations
of
this,
and
this
is
one
that
the
whole
committee
approved
on
and
I'm
stoked
on
it
and
humbled
by
it.
So
you
know
I
think
ginger
can
take
it
from
here.
Thank.
M
I'll
just
elaborate
a
little
bit
on
our
process.
We
did
have
a
committee,
we
used
the
city's
pre-qualified
list
of
artists
for
murals
and
took
samples
of
their
work
and
then
voted
to
our
favorite
and
that's
how
we
select
a
dusty
and
then
he
submitted
some
drafts
for
our
consideration.
We
picked
the
one
we
like
the
best
and
then
we
worked
with
the
property
owner
and
we
also
had
a
city
councilman
on
our
committee,
James
Cooper,
who
represents
Ward
2,
which
covers
this
district.
He
was
on
our
committee
and
he
provided
input
to
us
also.
M
M
Group
called
OKC
pride
Alliance
that
actually
solicited
the
painting
of
that
mural,
but
since
we
we
had
selected
dusty
for
this,
it
was
pointed
out
to
us
that
this
was
a
great
opportunity.
If
we
wanted
to
keep
the
glitter
Island
mural
that
we
could
take
responsibility
for
it
and
get
the
permit
for
that,
you
know
apply
for
a
permit
right,
correctively
for
that
mural.
N
Yes,
thank
you
so
much
Arts
Commission
I
want
to
just
thank
ginger
for
being
a
very
able
chair
of
this
committee
process
and
I
want
to
thank
dusty
for
being
very
patient.
As
the
committee
work
through
its
process,
39th
Street
is
one
of
our
dozen
commercial
districts
in
the
city's
commercial
district.
Revitalization
program
I
am
fortunate
enough
to
be
their
staff
person.
I.
N
Think
I
cannot
underscore
the
importance
right
now,
particularly
to
a
bar
and
entertainment
district.
That
has
been
completely
shuttered
for
the
last
two
months.
How
significant
getting
this
mural
legally
permitted
and
installed
in
the
very
near
future,
is
to
the
district.
It
gives
everyone
a
degree
of
hope
that
you
know
the
new
normal
can
can
can
start
to
begin
and
I'm
really
grateful
for
the
Commission's
consideration
of
this
very
worthy
project.
N
E
L
L
I'm
very
excited
about
the
nail
and
and
I
couldn't
agree
more
with
city
staff,
on
how
much
adding
art
into
commercial
areas
is
going
to
matter
of
the
next
year,
so
I'm
happy
to
see
several
pieces
and
commercial
districts.
The
second
question
I
have
is
actually
for
the
artist,
and
this
is
in
reference
to
the
art
marker.
L
K
Haven't
really
thought
about,
but
yeah
we
can
make
an
art,
yeah
and
I
think
there
is
actually
about
a
little
two-foot
spot
just
to
the
south
of
that.
That
would
be
brick
that
won't
be
painted,
that
we
could
affixed
an
art
marker
on
and
there's
also
a
little
light
pole
in
that
like
right
in
front
of
that
parking
area
too,
that
we
could
have
fixed
like
some
sort
of
little
vinyl
sign
or
something.
If
we
need
to
do
that,
that.
K
H
M
H
D
You
know
Commissioner
chairman
I
would
just
like
to
add
my
congratulations.
I
really
think
it's
wonderful
to
begin
to
see
some
activity
on
39th
Street,
that's
gonna,
brighten
up
that
stretch
of
the
neighborhood
and
there's
there's
a
lot
going
on,
but
it
doesn't
speak
as
well
as
this
kind
of
thing
does
so
I'm
really
excited
to
see
this
happening
and
appreciate
dusty
coming
before
us.
First
chairman.
E
N
Fyi,
the
39th
Street
District
will
be
very
soon
be
the
recipient
of
a
streetscape
revitalization
project
that
is
set
to
begin
in
August.
This
will
be
a
long
39th
between
Penn
and
Young's
Boulevard.
So
it's
about
a
three
block
area
that
encompasses
the
district.
It
is.
This
is
funded
by
sales
tax
money.
So
this
the
the
I
think
you
could
think
of
this
mural
and
its
companion
now
to
resources
by
world
famous
Oklahoma
City
based
artist,
dusty
Gilpin.
N
E
G
E
Have
a
a
motion
from
a
commissioner
Cooper
in
a
second
from
Commissioner
Seward?
Is
that
correct?
Yes,
any
further
discussion
and
that
motion
was
to
recommend
with
the
two
conditions
of
the
Vera
waiver
and
the
art
marker
hearing,
no
further
discussion.
Jennifer.
Will
you
please
conduct
the
roll
call
vote.
H
B
I
B
E
A
This
is
a
mural
that
that
we
were
in
a
hurry
to
get
painted
because
the
idea
came
about
you
know
to
thank
health
care
workers
and
the
downtown
Oklahoma
City
partnership
in
working
with
Midtown
wanted
to
go
ahead.
This
is
the
Midtown
district
was
their
partner
on
this.
They
wanted
to
support
health
care
workers
at
SSM,
health
in
the
Midtown
community
and
throughout
Oklahoma
City,
and
so
you
can
see
here.
A
This
is
a
vacant
lot
owned
by
Rico
or
so
know
them
as
Midtown
Renaissance
the
they
received
a
special
event
permit
within
24
hours
of
applying
and
immediately
erected
a
10-foot
wide
by
8
foot
high
fence.
It
has
wood
on
both
sides
to
kind
of
close
it
in
you'll
see
another
item
later
on
the
Don,
your
agenda
about
the
east
wall,
but
the
west
wall
is
the
subject
for
for
this
particular
item.
Here
you
can
see
it
as
you're
exiting
st.
Anthony's
surface
parking,
and
here
is
the
mural
design
itself,
which
it
is
already
painted.
E
J
K
Kristen
was
excellent
to
work
with
we
tank
and
I
have
been
painting
together
for
like
10
years,
and
we
like
really
kind
of
coke
or
collaborated
on
this
and
his
style
kind
of
shines
through
with
the
floral
patterns
and
he's
an
aerosol
artists
as
well,
and
so
we
got
out
there
and
we
created
a
couple
drafts
and
they
approved
the
drafts
and
we
just
installed
it.
I
mean
there.
It
was
a
pretty
seamless
process
and
I
know
they
did
that.
The
special
event
permeate,
which
made
it
go,
super
smooth,
so
yeah,
Thank.
M
D
D
A
question
mr.
chair,
but
I
do
know
just
from
several
conversations
with
staff
at
st.
Anthony.
How
grateful
they
are.
They
really
appreciated
seeing
this
and
you
know
driving
up
and
down
Walker,
it's
so
visible,
but
you
know
from
Joe
Hodges
Tammy
and
they
just
were
really
grateful
that
everybody
stepped
up
so
fast
to
say.
Thank
you.
Joe
I'm
really
proud
that
this
was
it.
E
E
E
B
H
E
Is
carried
moving
on
to
agenda
item
three
e
AC
2
0
0
0,
0
1
fool
territorial
plan.
Curated
exhibition
focused
on
design
in
the
selection
of
graphic
artists,
illustrators
and
commercial
artists
for
the
automobile
alley
door.
Tour
at
21
sites
listed
on
the
agenda
and
I
apologize
to
our
counsel
Rita,
because
I
have
not
asked
the
citizens
who
are
speaking
to
state
their
address.
I
will
do
so
henceforth.
A
They
also
included
examples
the
before
and
after
shots
of
what
they
thought.
The
doors
would
look
like
so
I
wanted
to
go
through
these
for
you,
so
you
can
see
the
amount
of
change
that
what
this
will
cause
in
the
alleyway
in
the
district,
and
it
will
certainly
provide
much
more
interest
and
hopefully,
a
lot
more
pedestrian
activity.
A
You
can
see
in
a
lot
of
places
it's
going
to
erase
some
of
the
you
know,
just
the
rest
and
the
need
for
updated
paint
it
also
in
some
cases
it
even
helps
to
connect
what
might
be
going
on
there,
where
the
curator
could
do
that
in
our
civic
use
unit
classifications.
We
do
have
a
category
for
cultural
exhibits
and
that's
where
I
placed
us
I
asked
Kristen
why?
She
really
because
she
already
knew
what
was
being
proposed
and
the
artists
names
I
asked
her
lying.
A
There
are
several
conditions,
though,
because
this
was
quite
a
bit
to
put
together
each
artist.
Well,
we've
recommended
that
they
sign
a
visual
arts
rat
Rights
Act
waiver,
so
that
way,
if
their
work,
they'll
have
to
be
removed,
there'd
be
no
problem,
replacing
it
with
another.
The
downtown
Oklahoma
City
Partnership
is
currently
collecting
all
the
partner
chip
owner
permission
forms.
A
In
fact,
I
do
believe
that
we
did
receive
those
already
after
we
process
this
application,
and
we
know
that
there's
plans
for
an
art
marker
to
be
installed
at
each
location,
so
just
making
sure
that
we
reinforce
that
some
of
these
stores
I
know
the
downtown
design
review
group.
When
they
looked
at
this,
they
were
worried
that
there
might
be
some
exit
doors
that
were
important
for
emergencies
and
they
wanted
to
make
sure
the
fire
marshal
reviewed
it
so
I
listed.
E
J
Twenty
Kristen
bales
22:28
Northwest
15th
Street
Oklahoma
City,
seven
3107.
So
this
project
was
the
automobile,
a
board
of
directors,
a
place
making
project
that
they
had
budgeted
for
this
year.
And
so
we
were
excited
to
kind
of
use,
something
different
to
activate
the
alleyways
and
the
opportunity
to
do.
J
A
call
to
designer
specifically
was
interesting
for
this,
because
we
got
to
end
up
working
with
a
lot
of
artists
that
we
haven't
had
the
opportunity
to
work
and
within
the
past,
by
kind
of
opening
it
up
to
graphic
designers
and
freelanced
and
designers
and
stuff
like
that.
And
so
I
worked
with
between
the
artists
and
the
property
owners
to
kind
of
determine
what
would
be
good,
fits
for
each
location
and
made
my
recommendations
to
each
property
owner
and
kind
of
got
their
feedback.
J
Though
it
was
quite
a
process
working
and
with
21
doors
and
getting
the
permissions
and
matching
those
with
the
artists.
But
it
was
really
fun
and
I
think
we
had
a
good
outcome
and
we've
even
discovered
some
new
artists
that
we
weren't
aware
of
in
the
past
so
and
I.
Think
it's
a
great
project
to
highlight.
Artists
in
Oklahoma,
City
and
designers
that
really
kind
of
reflects
the
care
of
automobile
alley
of
design.
We've
got
a
lot
of
passionate
designers
and
architects
in
the
neighborhood
and
so
I'm
happy
to
answer
any
questions
and
Robbie's
right.
J
G
J
Kind
of
got
feedback
on
which
artworks
that
they
likes
more
and
then
I,
just
kind
of
went
with
from
their
feedback
and
placing
and
some
of
the
images
where
I
thought
they
might
look
better
than
others.
So
it
was
kind
of
a
partnership
project
because
I
got
their
feedback
but
ultimately
made
the
selection
on
what
went
where.
Okay.
Thank
you.
D
Gary
this
is
Commissioner
Saylor
and
as
a
happy
recipient
of
some
of
these,
it
was
really
a
great
process.
We
did
get
to
review.
You
know
some
of
the
designs
and
Kristen
and
Joe
and
I
got
to
talk.
There's
one
of
them
that
looks
like
slices
or
pieces
of
pizza
and
that's
ended
up
on
the
back
of
hideaways
door,
and
so
there
were
just
some
really
cute
things
that
were
very
good
fits
and
seemed
like
they
would
work.
G
L
A
The
right
now
in
the
curatorial
plan,
it
says
that
the
designs
will
be
on
display
not
more
than
one
year,
but
the
CA
that
will
be
issued
will
be
a
2a
at
two
years
CA.
So
if
they
wanted
to
come
back
and
amend
the
plan
for
a
different
theme
or
a
longer
term,
that
would
be
easy
to
do.
That
would
just
be
an
agenda
item
to
the
Arts
Commission
and
we
would
most
likely
hold
it
under
the
same
CA
and
permit
so.
Okay
goodnight.
A
J
Believe
it
would
be
our
desire
to
continue
this
project
and
even
expand
on
it,
so
possibly
get
new
locations,
new
door
designs
that
we
could
add
in
in
the
future,
as
well
as
the
opportunity
to
swap
out
any
designs
if
we
needed
to
based
on
the
duration
of
the
vinyl
and
because
these
are
vinyl
and
we
kind
of
went
with
that.
1
to
2
year
range,
anticipating
that
there
might
be
and
weather
issues
or
you
know
something
hitting
them
or
something
like
that.
So
mr.
L
E
A
So
the
first
one
is
that
Visual
Arts
Rights
Act
waivers
be
submitted
to
the
author
office
of
Arts
and
Cultural
Affairs
prior
to
installation,
property
owner
permission,
forms
be
completed
and
submitted
for
the
owner
of
each
site,
where
the
artwork
will
be
located
that
an
art
marker
be
installed
at
each
location.
Fire
marshal
review
an
approval
of
the
proposed
plan
and
then
a
CA
by
the
downtown
design
review
committee
and
an
appropriate
permit.
Thank.
E
I
B
E
A
So
this
is
the
sister
agenda
item
de
which
was
the
west
side
of
the
wall,
this
side
of
the
wall
and
instead
of
the
Midtown
district.
You
heard
that
this
is
the
Midtown
Rotary
sponsoring
this
one,
and
so
the
artists
on
this
one
is
Rihanna
dead
and
she
unfortunately
is
traveling
to
deliver
a
painting.
So
she
can
join
us,
but
we
do
have
the
applicants
downtown
Oklahoma,
City
partnership
representatives
here
this
is
another
one
that
we
reviewed
with.
A
We
approved
for
a
slice
painting
permit
within
24
hours
of
a
completed
application,
the
first
time
the
application
did
come
in.
It
was
not
in
ten
color,
so
we
requested
full
color
so
that
we
could
process
it
and
then
immediately
applied
for
a
little
bit
more
permanent
through
Arts
Commission,
downtown,
Design,
Review
and
in
fact,
downtown
Design.
A
Review
will
actually
add
this
to
the
same
agenda
item
on
my
review
get
so
there
was
only
one
fee
and
then
we're
hoping
for
only
wonderfully
on
the
Action
Aid
comment,
but
I
kept
it
two
different
items,
because
it's
two
different
works
of
art
for
the
Arts
Commission's
docket.
There
were
no
conditions
recommended
by
staff
on
this
item,
so
we'll
be
happy
to
answer
any
other
questions.
A
J
At
our
Midtown
board
meeting,
we
had
discussed
that
we
didn't
really
have
enough
funds
to
do
the
east
wall,
but
that
would
be
something
that
we
would
hope
to
do,
and
so
out
of
that
conversation,
Midtown
rotary
expressed
some
interest
in
helping
us
complete
both
sides.
So
they
went
through
their
own
process
and
did
a
very
quick
called
two
artists
I
believe
they
selected
a
few
artists
and
asked
them
to
submit
designs
and
pick
them
to
do
those
designs
quickly
and
selected.
Rihanna
and
downtown
Oakland.
J
City
partnership
has
experience
working
with
her
on
our
underpass
Harrell,
and
so
we
were
excited
to
have
we're
gonna
join
us
again
and
do
this
wall
that
speaks
more
to
the
essential
workers
and
kind
of
shouting
out
our
workers,
our
Midtown
restaurants
and
waitresses,
and
everyone
who's
kind
of
keeping
Midtown
going
throughout
this
crisis.
Thank.
E
E
E
E
F
Okay,
if
I've
done
this
correctly,
we
have
in
full
screen
four.
It
says
1%
for
art.
For
us,
a
softball
Hall
of
Fame,
the
Hall
of
Fame
stadium,
has
been
with
us
with
City
for
a
little
over
30
years,
among
other
things
that
hosts
the
Women's
World
softball,
the
World
Series
for
women's
collegiate
sports.
One
thing
that
we
learned
during
the
selection
process
is
that
the
culture
of
women's
softball,
it's
a
little
bit
different
from
some
in
sports.
It
isn't
just
the
coaches
and
the
players
that
show
up
when
they
come
to
Oklahoma
City.
F
F
E
F
From
overseas
in
the
30th,
the
first
election
committee
meeting
met
Anjos
four
finalists
Commissioner
Bailey
was
on.
The
selection
committee
still
is
on
the
selection
committee.
For
that
note,
at
a
mandatory
site
to
her
on
March
6
and,
of
course,
all
of
these
meetings
were,
we
were
able
to
do
in
person.
At
that
time.
We
did
discuss
that
the
mandatory
cycler
that
there
was
something
a
little
trembling
on
the
horizon.
That
may
change
our
agenda
after
that
and
sure
enough.
F
We
ended
up
having
the
April
10th
final
presentations
online,
and
we
liked
it
so
well
Robin
this
later,
but
we
liked
it
so
well,
but
we'll
probably
continue
doing
the
selection
process
online
as
much
as
possible.
There
can
be
a
significant
savings
for
the
city.
By
doing
so,
the
committee
chose
the
conceptual
design
trajectory
by
PB.
Minh
Pete
is
an
artist
who's
based
in
both
Portland
Oregon
and
in
New
York
City.
The
committee
after
looking
at
his
conceptual
design
report,
instructed
him
to
research.
F
Do
some
further
research
on
materials
and
lighting
a
couple
of
questions
that
had
come
up
during
the
presentation?
They
wanted
him
to
to
come
back
with
a
final
conceptual
design
report
which
he
did
and
then,
when
I
received
that
about
a
week
and
a
half
ago,
I
circulated
that
to
the
selection
committee,
all
of
whom
weighed
in
and
said.
Yes,
this
looks
fantastic
and
and
reiterated
their
recommendation
to
the
Arts
Commission.
F
So
this
is
a
part
of
the
piece
trajectory
and,
of
course,
you're
seeing
a
trajectory
of
a
softball
that
has
been
knocked
out
of
the
statement,
that's
stadium
and
is
bouncing
down
into
the
entry
Plaza.
So
this
is
this
is
the
main
interest
you
can
enter
around
this
and
then
there's
a
companion
piece
to
this
over
on
this
other
side
of
the
entry
and
so
a
lot.
F
Congregate
into
this
area
and
what
you're
seeing
is
stainless
steel
tubes
that
create
the
trajectory
bouncing
down
to
a
cast
glass
softball
that
is
three
feet
in
diameter
and
will
be
internally
lighted
with
LED
lights.
So
it
was
particularly
the
glass
that
was
the
question
about
the
material.
In
his
original
proposal,
Pete
mentioned
that
glass
may
be
a
possibility,
also
considered
resin.
F
E
F
The
piece
would
be
lighted
both
of
those
items
came
through
in
the
final
conceptual
design
report.
This
is
another
view.
A
second
trajectory
is
on.
What's
called
the
spine.
This
is
a
concrete
area
that
is
the
muck
way
leading
up
to
the
step
to
the
stadium,
and
there
will
be
the
second
trajectory
and
it
has
another
softball
and
of
course
it
will
be
lighted
as
well.
So
the
committee
felt
like
that
this
design
really
achieved
one
thing
that
the
chief
operating
officer
of
us
a
softball
asked
for,
and
that
is
an
Instagram
of
a
moment.
F
So
all
the
people
that
I
talked
about
earlier
that
show
up
at
the
Hall
of
Fame
they're,
just
the
beginning
of
it
up.
My
players
are
really
dedicated
and
look
the
USA,
Softball
Complex
and
visit
throughout
the
year
happen
to
be
in
the
area.
You
said
people
just
stop
by
hop
out
of
the
car
look
around
as
long
as
I
can
they
do
go
to
the
museum
and
take
a
picture
that
they
Instagram
get
everybody
and
they
know
up
in
the
country.
So
this
gives
them
weepin
like
that
opportunity
to
do
exactly
that.
F
F
This
is
the
budget
we
looked
at
it
and
felt
like
that.
He
had
adequately
covered
everything
that
he
needed
to
be
needed
to
cover.
It
seems
like
a
reasonable
approach
for
this
particular
size.
Project.
I
want
to
point
out
three
things
here,
so
this
is
the
cost
per
for
one
softball
in
one
trajectory,
there's
the
cost
for
the
second
one,
a
lot
of
the
costs
for
the
first
thing
in
creating
the
first
one
are
excuse.
M
F
Cost
for
the
second
one,
alright
sub
sub
sub
student
into
the
cost
of
the
first
trajectory
and
the
first
softball.
The
thing
is
also
a
little
bit
lower.
The
third
thing
I
wanted
to
point
out
is
the
contingency
of
around
10%,
which
seems
appropriate
from
this,
as
was
famously
said
by
Donald
Rumsfeld.
There
are
a
lot
of
unknown
unknowns.
Pete's
been
around
long
enough
to
know
that
a
project
like
this
can
have
a
lot
of
moving
parts
that
don't
show
up
and.
I
D
F
Artist,
rendering
we're
people
up
on
the
upper
deck
of
the
stadium,
and
so
with
that,
let
me
recommend
to
you,
or
the
selection
committee
recommends,
to
the
Arts
Commission
trajectory
USA,
softball,
Hall
of
Fame
stadium,
public
art
by
artist,
Pete
Beeman,
and
projected
completion
if
City
Council,
if
you
recommend
a
City
Council
and
they
act
on
this
with
with
a
contract
in
the
next
two
to
three
months,
the
fall
of
2021
is
when
we'll
see
the
light
of
softballs.
That's
the
whole
offense
Iggy.
Thank
you
and
are
there
any
questions?
Thank.
E
F
Yes,
I
didn't
include
a
close-up
of
that
in
this
presentation
that
he
has
suggested
that
he
will
probably
paint
that
onto
the
concrete
Robbie
suggested
today
that
we
forward
to
him
the
information
about
the
Ruby
lake
glass,
the
the
glass
that
is
going
to
be
used
on
the
excuse
me
the
deep
Fork
River
Trail.
You
might
remember
a
Friedman
and
Denis
gwang's
proposal
for
that.
So
that's
something
that
would
be
a
permanent
piece
that
would
be
applied.
Probably
far
more
long-lasting
than
just
paint
would
be.
But
that's
the
intention
is
a
little
bit
of
humor.
G
G
Was
in
the
selection
process
that
was
there
any
and
I
guess
it
has
to
address
this
to
Commissioner
Bailey,
since
she
was
there
any
discussion
about
people
I'm
looking
at
it
and
I'm
wondering
whether
or
not
people
are
going
to
be
attracted
to
it
to
want
to
interact
physically
with
those
big
hoops.
I,
don't
know
if
it's
I
couldn't
tell
how
wide
it
is.
If
it's
something
that
people
will
want
to
hang
on,
try
to
climb.
L
That
it
was
addressed
in
the
description
that
you
know,
engineering
would
be
taken
into
consideration
and
he
had
already
done
some
level
of
engineering
in
his
first
presentation
to
the
selection
committee
and
then
obviously
it
would
go
to
further
engineering
from
there.
All
the
materials
are
really
durable
on
this
particular
project,
with
the
understanding
and
knowledge
that
teams
are
going
to
be
congregating
around
the
piece,
and
that
may
mean
that
they
have
some
unconventional
Arrangements
on
how
they're
interacting
with
it,
and
so
that
was
taken
into
consideration.
G
L
F
Know
by
experience
that
somebody
will
try
to
climb
this
piece,
maybe
multiple
somebodies
will
it'll
be
constructed
so
that
it
can
stand
up
to
that.
It
certainly
isn't
going
to
encourage
that,
but
it
will
be
constructed
to
stand
up
to
that
at
when
the
complex
is
closed.
The
gates
are
closed.
There
is
security,
so
there.
F
A
A
Want
to
point
out
that
there
are
three
conditions
in
the
staff
report.
Just
make
sure
that
all
the
commissioners
are
aware
of
this,
about
specific
landing
areas
for
the
arcs
to
be
determined
and
that
the
artist
provides
specifications
and
warranties
to
inform
the
language
and
the
final
agreements
and
that
the
artists,
science,
the
bare
Rights
Act
waiver,
prior
to
it
being
presented
to
Council
I,
just
wanted
to
make
sure
that
you
knew
those
were
the
conditions
recommended
by
staff.
That,
if
a
motion
should
be
made
in
support,
was.
A
First,
one
is
that
specific
landing
areas
for
the
artworks
arcs
to
be
determined
and
that
the
artist
provides
specifications
and
warranties
to
inform
language
and
the
final
agreements
in
any
maintenance
requirements
and
that
the
artist
signs,
Visual,
Arts
Rights
Act
waiver
prior
to
the
artists
agreement
being
presented
to
Council
this
particular
piece,
as
Randy
mentioned
the
softball
Hall
of
Fame.
They
operate
this
site,
so
they
will
be
responsible
for
maintenance
and
some
of
the
questions
that
you've
already
asked
about,
wear
and
tear.
And
you
know
people
if
someone
climbs
on
it.
L
L
Was
a
really
rewarding
selection
committee
to
serve
on
and
I
learned
a
lot
about.
Softball
I
also
learned
a
lot
about
the
contribution
that
the
softball
Hall
of
Fame
stadium
has
to
the
city
of
Oklahoma
City
and
to
our
region.
Really
I
mean
it
is
a
destination
for
a
lot
of
young
female
athletes
and
a
lot
of
people
that
love
to
experience
the
adventure
district
on
a
regular
basis.
So
the
interesting
thing
about
this
selection
committee
and
this
kind
of
goes
to
why
we
do
these
artist
proposals
as
part
of
our
process.
Is
that
I?
L
E
F
E
I
H
E
A
A
The
city
also
voted
to
specify
that
$300,000
go
to
nonprofit
arts
organizations
specifically
to
artists
and
to
low
mod
income
programs.
That
would
respond
to
help
respond
to
koban
19,
and
it
was
also
proposed
that
Allied
Arts
be
the
sub
recipient
to
manage
and
administer
those
funds,
and
allied
Arts
will
not
will
not
accept
any
management
fees
to
to
do
this
service,
but
that
they
were
certainly
in
a
position
to
help
the
city
assure
a
really
good
distribution.
E
You
Robbie
and
thank
you
to
Council
and
of
course
thank
you
to
our
friends
at
our
United
Arts
Fund,
Allied
Arts,
for
we
know,
will
properly
manage
and
distribute
these
funds
to
organizations
who
keep
our
arts
and
cultural
landscape.
Vibrant.
Moving
on
to
agenda
item
4b
air
force,
monument,
commissioners,
Salyer
and
seward.
D
Be
brief-
and
just
please
add
in
but
I'm
happy
to
report
I-
think
we're
really
making
some
forward
movement
with
regard
to
the
air
force.
Culture
Robby
had
a
couple
of
conversations
with
some
folks
that
actually
in
the
library
system-
and
it
provided
us
some
great
history
for
Woodson
Park
as
it
relates
to
Oklahoma
City's,
early
air,
craft
history
and
history
with
flight,
and
there
may
be
a
very
nice
fit
for
this
piece
to
end
up
at
a
location
in
South,
Oklahoma,
City
in
Woodson,
Park
and
so
we're
working
on
developing
a
budget.
D
E
H
E
Just
as
a
reminder,
those
you
may
not
remember
the
composition
and
the
organization
of
that
sculpture.
It
speaks
not
only
to
the
Air
Force
as
defense,
but
Ford
looking
into
space
travel.
It's
really
layered
in
me
in
meaning
and
I
got
to
read
the
funny
male
response
from
Buddy
Johnson
and
if
you
are
not
familiar
with
them,
he
has
been
my
lifesaver
more
than
once
as
our
downtown
Oklahoma
City
librarian
responsible
for
the
Oklahoma
City
archives.
E
If
there
is
ever
an
image
of
Oklahoma,
City
and
I,
don't
know
what
it
is
and
it's
related
to
an
art.
Museum
exhibition
I
go
straight
to
Buddy
and
as
always,
he
had
a
list
of
reasons
historically
validating
why
this
could
be
a
good
fit
again.
Commissioner
Seward
and
Commissioner
Sally
er.
Thank
you
so
much
for
your
service.
This
time
this
has
been
a
tough
booger
of
a
committee
appointment
but
you've
navigated.
It
wonderfully
for
our
study
in
the
commercial.
L
A
D
E
E
A
Thank
you.
So
your
projects
report
is
in
your
packet
and
I
hope
you
have
had
time
to
review
it.
I
won't
go
over
each
item
separately,
but
please
do
call
me
or
Randy.
If
you
have
any
questions
about
any
of
the
projects
listed,
I
didn't
want
to
mention
two
other
things.
Randy
mentioned
that
the
softball
Hall
of
Fame.
A
Now
that
we've
learned
that
there's
a
beautiful
Leonard
McMurray,
it's
quite
large,
called
play
at
home
at
the
softball
Hall
of
Fame,
we're
going
to
be
researching
the
origins
of
that
work
and
find
out
who
owns
it,
because
if
the
city
owns
it,
we
don't
have
it
listed
in
our
collection
and
we
don't
have
a
new
shirt
as
of
now
so
wanted
to
report
that
to
you
as
well
and
that's
my
report.
Thank.
E
Hearing
none
moving
on
to
agenda
item
six
comments
from
commissioners.
The
comments
for
me
agenda
item
6a
I've
I've,
asked
commissioners
Hasson
back
and
Loftus
to
form
a
special
task
force
to
investigate
the
integration
of
how
we
approach
the
project
funds
of
those
construction
costs.
That
say
this
is
your
budget.
This
is
your
1%,
so
in
working
with
the
maps
office,
Public,
Works
planning,
of
course,
Robbie
and
Randy
finding
ways
to
stabilize
that
moving
target
of
a
budget.
What
is
our
1%?
What
is
transferred?
E
In
the
beginning,
so
it's
not
convenient
to
say:
oh
we've
actually
subtracted
some
of
that,
and
you
only
have
this
to
work
with
I
may
be
speaking
too
much,
but
in
Robbie's
defense
and
in
Randy's
defense
and
in
the
selection
committees,
participation
in
their
defense.
That
needs
to
be
as
efficient
as
possible.
So
we
are
properly
using
taxpayer
funds.
It's
a
great
responsibility,
Commissioner
Hasson
Beck.
Is
there
anything
you'd
like
to
add
or
share
no.
I
E
You,
commissioner,
has
them
back
for
serving
and,
of
course,
to
Commissioner
Loftus
as
well.
I
would
also
like
to
thank
again
Commissioner
Hasson
Beck
and
Commissioner
Eichmann
they're
reviewing
that
particular
language
in
the
curatorial
plan.
That's
rather
speaks
to
curatorial
plans
and
in
defining
the
role
of
curator
and
I.
Believe
you'll
have
report
to
us,
perhaps
at
the
next
meeting
commissioners
Eichmann
or
a
Hasson
beca's
there.
Anything
like
you'd
like
to
add
to
that
report.