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From YouTube: Mayor's Magazine - November 2017
Description
Oklahoma City Mayor Mick Cornett's November 2017 program features:
:10 - Richard Kelley, Oklahoma City’s New Fire Chief
9:51 - Two new exhibits at the Oklahoma City Museum of Art.
19:27 - Pivot Project, NE Oklahoma City
A
Hello
there
and
welcome
once
again
to
the
mayor's
magazine,
I'm
Mick
Cornett,
the
mayor
of
Oklahoma
City,
and
this
is
our
program
for
November
of
2017,
glad
you're
with
us,
and
thanks
for
joining
us
today.
In
this
first
segment,
a
real
treat,
Richard
Kelly
who's.
The
new
fire
chief
has
joined
us
Richard.
Welcome
to
the
show
thank.
A
B
Was
definitely
I
was
a
static.
You
know
the
opportunity
to
serve
in
the
community
like
this
is
incredible.
I
was
just
humbled
for
the
opportunity
and
you
know
it
was
super
excited
to
wanted
to
tell
my
family.
You
know
my
family's
been
extremely
supportive
of
me
throughout
this
venture.
So
you
know
I
just
wanted
to.
Let
them
know
how
things
were
going
and
I
was
just
excited
now.
Where'd.
B
B
Went
to
Rose
State
for
two
years.
At
that
time,
I
thought
I
wanted
to
be
I
thought
I
wanted
to
be
a
CPA
I
thought
it
wouldn't
be
accounting
and
accounting.
Major
and
I
after
I
realized
that
probably
wasn't
my
field
of
expertise.
I
had
some
friends
that
were
testing
for
the
fire
department
and
I
moved
over
to
that
and
the
rest
is
history:
I
moved
to
osu-okc
finished
my
degree
program
there
and
then
a
sort
of
testing
for
the
fire
service
and
got
hired
in
1991
and.
A
B
Sir
I
definitely
remember
what
it
was
like
how
nervous
it
was
to
start
your
career,
how
you
wanted
to
do
everything
right.
One
thing,
I,
always
learned
that
you
were
going
to
make
mistakes,
but
the
most
important
thing
was
how
you
recover
from
them.
As
long
as
you
worked,
hard
was
dedicated
to
your
craft
that
he
was
going
to
be
able
to
take
care
of
the
people
that
were
sworn
to
serve
most.
A
A
A
B
Know
it's
we
look
at
the
world.
We
live
in
today
as
a
911
Society,
where
we're
there
to
respond
to
the
citizens
need,
so
you
can
go
from
anything
of
just
helping
someone
up
out
of
the
floor
to
a
full-blown
house
fire
to
a
cardiac
arrest,
vehicle
accidents,
lockouts
anything
of
it's
an
emergency
type
service,
usually
when
it
comes
to
the
9-1-1
system,
if
they're
unsure
who
to
you
know
who
to
notify
use,
it
comes
to
the
fire
department
and.
B
Is
very
difficult
to
train
for
everything.
I
think
it's
extremely
important
that
we
stay
diligent
and
and
dedicated
to
providing
and
emergency
services,
so
you've
got
to
look
at
all
aspects.
If
you,
if
you're,
very
well
crafted
in
providing
some
type
of
rescue
service
where
it's
vehicle,
extrication
or
a
collapse
structure,
then
you
can
apply
those
different
mindsets
and
tools
and
experiences
to
other
other
type
of
responses.
Typically,.
A
B
Sir,
usually
they're
ecstatic
to
see
us
there
they're
very
appreciative
of
what
we
put
the
services
we
do
provide
because
the
majority
of
the
time
when
we
show
up
we're
there
to
help
so
they're
very
appreciative.
We
have
great
citizens
that
support
us.
So
every
time
we
show
up
it
usually
they're
very
happy
to
see
us
through.
A
B
It
is
extremely
important
to
today's
society
and
everything
we
look
at
from
terrorism
to
weather-related
emergencies.
We
always
tell
people
you
need
to
be
prepared,
be
aware
of
your
surroundings,
know
where
your
exits
are,
how
to
get
out
of
the
structure.
If
an
emergency
happens,
you
know
how
to
make
contact
with
your
9-1-1.
How
to
take
care
we'd
be
prepared
to
you
know,
protect
yourself,
so
we
have
to
look
at
is
how
do
you
take
care
of
yourself
first,
so
those
are
some
of
the
most
important
things
we
look
at.
B
A
B
Thing
we
always
want
to
tell
children.
Our
people
were
dealing
with
this
most
of
time,
you're
afraid,
so
when
people
are
afraid
they
want
to
hide
so
want
to
tell
in
situation
like
that
know
how
to
get
out
of
your
house
know
how
to
open
your
windows
know
how
to
you
know
we
tell
people
sleep
through
door
shut,
because
that
keeps
the
smoke
and
contaminants
out
and
make
sure
you
have
a
working
smoke
alarm.
That's
the
most
important
thing
we
can
tell
people.
We
provide
that
free
to
any
citizen
in
the
city.
How.
B
A
B
Have
the
best
equipment
that
you
can
buy?
Our
citizens
support
us,
so
we
have
the
best
equipment.
We
wear
above
your
coat.
That's
essentially
like
a
large
winter
jacket,
parent
pants
that
are
like
a
pair
of
coveralls
but
they're.
Definitely
fire
retardant
material.
They're,
like
I,
said
they're
the
best
you
can
buy
they
when
you
put
your
se
Bay
on
your
back,
which
is
your
air
tank
and
everything
the
ensemble
weighs
about
50
pounds.
So
you
have
to
be
in
physically
good
shape
to
do
that,
but
we
have
that
equipment.
That's
there
available
to
them.
B
We
also
have
thermal
imaging
cameras,
so
these
are
actually
cameras
that
they
can
see
in
the
smoke
that
the
firefighters
can
utilize
to
search
structures.
We
have
that
type
equipment,
that's
available
to
them.
The
apparatus
that
we
respond
and
provide
our
services
on
are
all
very
well
maintained,
newer
equipment
and
again
that's
from
the
services
or
the
dedication
of
the
citizens.
A
B
Sir,
when
I
came
into
the
fire
department,
his
fire
recruit,
you
spend
that
as
one
year,
then
you
have
a
couple
years
that
you
do
and
that
time
you
become
a
firefighter
as
you
get
three
years
on,
you
become
a
corporal
and
then
you
go
to
driver.
I
was
fortunate
enough.
I
made
the
driver
rank,
which
is
a
sergeant.
Lieutenant
rank
was
six
years
on
the
job.
I
went
and
drove
a
chief
officer,
so
I
got
the
opportunity
to
drive
a
chief
I
made
captain
and
went
to
the
heavy
rescue
station.
B
B
After
that,
I
made
battalion
chief
went
down
work
south
on
the
southwest
side
of
the
city
and
Robinson
area
covered
all
the
way
southeast
was
my
first
district
and
I
came
downtown,
worked
in
the
downtown
area
for
almost
two
years,
promoted
to
deputy
chief
of
support
services,
which
is
over
the
hiring
promotion
processes,
the
recruitment
and
then
I
made
deputy
chief
of
operations,
which
is
over
the
personnel
and
then
again
on
September
29th
I
had
the
honor
to
be
named.
The
21st
fire
chief,
alright.
C
D
You
know
that
the
arts
make
a
significant
impact
on
education,
the
economy
and
our
quality
of
life
in
Oklahoma,
providing
more
than
ten
thousand
jobs,
statewide
filtering
more
than
three
hundred
and
fourteen
million
dollars
into
our
economy.
Yes,
the
arts
create
all
kinds
of
beautiful
things
and
making
Oklahoma
an
even
better
place
to
live
is
the
most
beautiful
thing
of
all.
It
doesn't
take
a
big
donation
to
make
big
things
happen,
support
allied
arts
today,
a
little
give
is
all
it
takes
peak.
E
A
A
We
have
a
couple
of
great
exhibits
at
the
Oklahoma
Museum
of
Art
that
are
coming
up
throughout
the
month
of
November.
First,
the
one
that
started
on
October
28th
is
master,
strokes,
Dutch
and
Flemish
drawings
from
the
Golden
Age
and
then
in
the
second
half
of
the
month.
We're
gonna
have
an
exhibit
called
the
art
of
Oklahoma
and
we'll
find
out
more
about
that
in
a
moment.
But
first,
let's,
let's
talk
to
dr.
Anderson
about
this
master
strokes
and
the
Dutch
works
that
are
coming
in.
So
we're.
F
Really
excited
we're
going
to
be
the
first
North
American
venue
for
an
exhibition
of
master
drawings
from
the
Netherlands
and
Flanders
from
about
the
16th
of
20th
centuries,
the
exhibition's
coming
from
the
Victorian
Albert
Museum,
which
has
one
of
the
best
collections
of
works
on
paper
drawings
in
Europe.
So
these
are
our
works
by
really
famous
artists
from
the
period
like
Rembrandt,
Rubens
and
so
on
and
in,
like
I,
said
we're
the
first
North
American
venue,
so
we're
very
excited
to
kind
of
kick
off
the
tour
of
this
really
remarkable
exhibition.
A
F
It's
opening
October
28th,
runs
through
January
21st,
so
it'll
be
here
for
three
months
and
it's
really
kind
of
good.
This
is
the
first
time
a
lot
of
these
works
are
leaving
Europe.
So
this
is
not
something
that
you
could
just
travel
to.
You
know
another
big
city
in
the
United
States
and
see
these
are
works
that
will
be
here
and
maybe
one
or
two
other
places
and
then
they'll
be
back
to
London.
So
this
is
really
kind
of
your
only
chance
to
see
this
exhibition
very.
F
F
F
This
is
a
time
it's
really
interesting
when,
for
the
first
time
middle
class
and
upper
middle
class,
people
could
really
start
a
fording
in
purchasing
art
on
their
own.
So
it
wasn't
just
the
the
the
king,
it
wasn't
just
the
crown
and
the
church,
but
it
was
this
kind
of
new
generation,
new
population
of
merchants
that
were
really
kind
of
changing
what
art
was
and
with
that
drawing
became
a
medium
that
you
could
kind
of
more
cheaply.
A
F
That's
a
the
Oklahoma
art
from
our
collection.
So,
as
you
said
it's
this
is
opening
on
statehood
day
and
kind
of
the
really
the
source
for
this
exhibition.
The
federal
government
about
a
year
ago
contacted
us.
They
had
a
sketch
a
large
oil
sketch
for
a
land
run
mural
and
they
said.
Would
you
be
interested
in
showing
this
in
your
Museum
and,
of
course
we
said?
Yes,
absolutely
we'd
love
to
show
this,
so
we
started
to
think.
Okay.
F
What's
a
good
way
to
you
know
include
this
in
our
galleries
and
we
came
up
with
an
art
of
Oklahoma
exhibition.
So
it's
an
exhibition.
That'll
start
with
this
large
oil
sketch
by
John
Steuart,
curry
an
important
American,
regionalist
painter,
but
then
from
there
we
have
different
depictions
of
landscapes.
We
have
different
paintings
of
people
from
Oklahoma,
there's
a
really
good
work
by
Ellen
Shepard,
who,
if
you
know
you
know
Shepard
Moll,
it
was
named
after
her
family,
that's
where
they
lived
and
Ellen
Shepard
painted
in
Paris
for
a
while.
F
She
and
her
sister
went
to
Paris
and
one
of
the
portraits
of
her
sister
Lottie
was
actually
exhibited
in
the
Paris
on.
It
was
one
of
only
two
works
out
of
800
submissions
that
were
chosen
by
American
artists,
so
out
of
800
American
artists,
only
two
were
chosen
and
one
of
them
was
Ellen
Shepard.
Who
is
one
of
the
first
great
painters
of
Oklahoma?
So
we
have
these
kind
of
historical
works
of
different
Oklahomans
different
Oklahoma
landscapes,
there's
a
kind
of
road
to
Chickasha,
painting
that
we
have
and
then
different
kind
of
monuments
and
historic.
A
F
She
painted
with
oils
we
have.
We
have
a
few
works
by
her
in
the
collection
with
this
oil
portrait
of
her
sister
Lottie
will
be
the
one
in
the
exhibition.
There's
also
a
really
interesting
painter
by
auto
painting
by
auto
Duker
of
a
drifter
that
he
met
in
Tulsa.
His
name
was
Robinson
and
it's
actually
it's
a
painting.
It's
it's
an
oil
painting,
but
it's
cut
out
in
the
actual
shape.
So
it's
not
a
kind
of
oil
in
a
you
know,
rectangular
canvas,
but
he's
actually
cut
out.
F
Hasn't
explained
it,
but
it
really
has
the
effect
of
kind
of
making
it
a
much
sort
of
more
impactful
work.
So
we're
really
excited
again.
This
is
one
of
the
works
that
people
always
respond
to
well
in
our
collection,
so
that's
included.
Then
we
even
have
some
more
modern,
abstract
paintings,
because
you
know,
even
though
they
might
not
depict
Oklahoma
in
a
literal
sense
of
a
landscape
or
somebody
from
Oklahoma.
That's
another
important
aspect
of
Oklahoma
art,
so
we're
really
trying
to
kind
of
a
create.
A
real
variety
of
works
in
the
exhibition
are.
F
There
are,
there
are,
so
you
know
the
rural
landscapes.
Another
great
one
is
there's
an
artist
Alexander
Hogue,
who
painted
kind
of
the
you'd
say
sort
of
the
the
the
landscape
after
kind
of
poor
agricultural
practices,
the
ones
that
led
to
the
Dust,
Bowl
and
so
on.
But
then
we
also
have
depictions
of
the
city
of
Oklahoma
City,
specifically
so
there's
a
photo
of
Santa
Fe
Station,
for
instance,
including
the
exhibition
or
the
the
structure.
That's
now
a
city
center.
There
was
a
photograph
of
that.
F
F
So
we've
been
in
our
current
location
since
2002,
and
the
museum
itself
was
founded
in
1945.
So
in
another
three
years
we'll
be
celebrating
our
75th
anniversary
and
our
collection
is,
it
does
kind
of
run
the
gambit.
So
we
we
actually
have
everything
from.
We
have
a
Dutch
painting
currently
on
view.
We
have
a
lot
of
American
paintings,
that's
really
kind
of
the
strength
of
our
action.
F
We
only
started
collecting
in
the
1940s,
which
was,
after
a
lot
of
other
large
cities,
had
already
kind
of
built
their
collections,
so
our
collection
is
really
strong
in
the
second
half
of
the
20th
century.
We
actually
have
one
of
the
strongest
modern
art
collections
in
our
region,
which
is
I,
think
something
that
surprises
people
sometimes
when
they
come
and
see
our
Museum,
but
we've
also.
You
know.
We
also
often
hear
how
strong
that
particular
collection
is
especially
abstract.
Art,
yeah.
A
A
A
F
A
F
A
A
This
is
Michael
Anderson
he's
the
director
of
Kura
toriel,
Affairs
and
again
we're
gonna
have
master,
strokes,
Dutch
and
Flemish
drawings
from
the
Golden
Age
that
exhibit
started
on
October
28th
and
then
starting
on
November
16th,
the
art
of
Oklahoma
I
think
both
of
them
are
probably
gonna,
be
very,
very
popular.
That's
right.
We
hope
so
thanks
for
coming
by.
Thank.
G
If
one
word
could
describe
Auto
bill
pay
from
oklahoma
city
utilities,
customer
service
division,
it
would
be
simple
Ematic,
because
auto
bill
pay
makes
it
simple
to
schedule
automatic
payments
for
your
utility
bill
and
that's
simply
symptomatic,
go
to
OKC
gov
and
click
online
payments
to
schedule.
Payments
from
your
bank
account
and
boom.
Your
bill
gets
paid
automatically
on
time.
Every
time.
Month
after
month,
you
can
review
bills
on
your
computer
or
smart
device
and
set
limits
to
avoid
overdrafts
with
Auto
bill.
H
H
A
A
I
My
parents
might
say:
I
was
born
in
Colorado
and
lived
in
Arizona
then
moved
to
Stillwater
and
so
I
consider
Stillwater
my
hometown
and
grew
up.
There
went
to
college
I
met
my
wife
at
Oklahoma
State
and
then
we
were
really
part
of
the
movement
where,
when
we
had
a
choice
between
Tulsa
and
Oklahoma
City,
we
begrudging
Lee
went
to
Oklahoma
City,
always
thinking
we
would
leave
to
go
to
Tulsa
and
within
the
first
year
too,
we
loved
it
and
swear.
I
I
I
Blair
Humphries
right
before
he
left
to
go
to
MIT,
and
he
gave
me
three
books
to
read
and
I
was
a
banker
at
the
time
and
so
I
read
those
and
became
fascinated
and
ended
up
lending
money.
As
a
banker
to
my
current
business
partners
and
really
that
led
to
a
partnership
when
I
left
banking
and
Tower
Theatre
was
our
first
project
and
we've
been
doing
fun
projects
ever
since
all.
A
J
C
J
A
I
Phase
one
it's
been
about
a
year,
that's
been
underway,
and
so
we
acquired
phase.
One
and
phase
two
is
about
40,000
square
feet
of
space
and
then
six
Lots,
and
so
we
started
partnering
with
Oklahoma
City
clinic
and
they
agreed
to
move
their
headquarters
and
from
kind
of
a
Health
Science
Center
to
the
east
side,
and
they
had
a
vision
for
what
we
were
trying
to
do.
And
so
we
think
we've
got
another
tenant.
I
That
would
take
up
the
rest
of
that
18,000
square
foot
building
and
we
consider
that
kind
of
the
health
phase
one
as
the
healthcare
component.
And
then,
if
you
know,
people
are
familiar
with
the
plaza
district.
What
we
realized
is
that
a
couple
restaurants
create
a
place
that
everyone's
willing
to
go
to
and
that's
where
interaction
happens,
and
so
part
of
our
goal
is
to
create
healthcare,
but
then
to
create
a
social
and
or
maybe
people
aren't
used
to
driving
past
the
Capitol
eastbound.
I
We
want
them
to
keep
driving
because
there's
so
many
great
restaurants
over
there
that
people
just
don't
know
about,
and
so
if
we
can
create
a
couple
places
that
seem
like
they're.
You
know
something
similar:
they
might
see
on
the
west
side
that
opens
up
the
whole
kind
of
East
Side
corridor
to
them,
and
so
Quentin
and
one
OKC
has
been
super.
He
says
he's
not
a
developer,
but
he's
a
social
developer.
I
J
To
find
my
wife
here
so
I'm
rooted,
but
you
know
this:
if
this
opportunity
of
this
development
works,
we
I
really
look
forward
to
the
opportunity
to
replicate
a
similar
model
where
they've
really
created
something
that
that
encourages.
You
know
the
tenants
to
to
really
be
a
part
of
the
development
because
they
do
end
up
with
equity
stake
in
it,
and-
and
so
you
know,
I'd
like
to
see
something
like
that-
be
able
to
be
replicated
in
different
parts
of
northeast
Oklahoma
City
to
really
add
to
the
the
overall
Renaissance
there
and.
I
That's
what
we
found
is
that
in
a
gentrifying
market,
the
people
who
always
get
pushed
out
are
the
tenants
because
all
the
value
they
create.
They
then
get
assessed
higher
rents
until
they
can't
afford
that
anymore.
So
then
they
have
to
leave
and
go
to
another
area,
and
so
what
we
were
trying
to
do
in
this
development
is
to
create
a
model
where
the
value
that's
created.
I
The
tenants
actually
get
to
recognize,
and
so
our
and
our
retail
component
in
Phase
two,
the
tenants
will
actually
have
ownership
in
the
real
estate,
so
the
value
they
create,
they
actually
get
to
be
a
part
of,
and
so
at
the
term
at
the
end
of
their
lease
they
can
stay
or
they
can
go,
but
there's
still
an
owner
in
the
real
estate
and
so
to
us.
We've
been
talking,
we've
been
traveling
all
over
the
country
and
we
really
think
that's
a
model.
I
A
I
I
We've
done
market
research,
part
of
it
is,
you
know,
being
in
the
community.
We've
we've
done
several
with
maps
maps
for
neighborhoods.
We
met,
you
know
with
the
community
there
and
asked
them
what
they
needed
and
then
part
of
it
is
knowing
that
when
you
create
a
great
food
product-
and
you
you,
you
consolidate
that
Millennials
spend
20
percent
more
on
food
and
beverage
than
any
other
generation,
and
so
we
know
that
we
can
capture
a
market
that
will
will
go
to
good
food
and
they're.
J
A
J
Well,
I
think
it's
gonna,
I,
think
our
perceptions
and
our
ability
to
include
and
fill
in
and
feel
like
an
inclusive
society
or
our
city
and
so
I
think
we've
made
some
positive
steps,
but
I
think
we
could.
We
can
do
better
and
a
lot
of
Millennials
are
really
drawn
to
that
type
of
culture
and
that
type
of
mix
and
so
I
think
that's
one
thing
that
we
can
be
focused
on
I
think.
I
We've
got
all
of
the
components
of
an
incredible
place,
but
we
haven't
figured
out
how
to
embrace
it
and
so
I
think
about
the
South
Side
and
the
restaurants,
the
Hispanic
restaurants,
that
are
there
and
that
culture,
the
Latina
culture
and
Latino
culture.
That's
there
it's,
and
so
it's
learning
to
embrace
some
of
those
things
that
I
think
it's
kind
of
a
lie,
sometimes
where
we
say
a
rising
tide
lifts
all
boats,
but
community
has
holes
in
it.
It
actually
floods
the
holes,
you
know
it
floods,
those
communities,
and
so
so
much
of
what's
happened.
I
Downtown
has
had
to
happen,
and
it's
really
good,
but
I
think
part
of
it
is
learning
how
the
when
do
we
take
that
next
step
and
connect
those
communities
that
have
been
on
the
periphery
periphery,
because
when
I
go
to
San,
Francisco
or
Detroit
or
Chicago?
What
I
love
is
the
culture
and
the
young
folks
that
are
there
and
I
feel
like?
Aren't
we
one
of
the
fastest
growing
millennial
cities
in
the
country
right
now,
so
much
of
the
groundwork
has
been
laid
now
for
I.
Think
the
next
steps
that
could
come
so
Jonathan.