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From YouTube: Public Arts Commission | February 8, 2018
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A
E
A
Very
good
any
opposed
that
we
are
accepted.
This
is
the
time
that
has
been
set
aside
for
members
of
the
public
to
address
the
public
Arts
Commission
on
items
of
general
interest
within
the
subject
matter:
jurisdiction
of
the
public,
Arts
Commission
and
agenda
items.
If
the
member
of
the
public
cannot
be
present
later
in
the
meeting
at
the
time,
the
agenda
is
heard
by
the
Commission.
A
Additionally,
members
of
the
public
may
address
the
Commission
on
each
item
listed
on
the
posted
agenda
at
the
time.
Each
item
is
heard.
Although
the
public
Arts
Commission
values
your
comments
pursuant
to
the
Brown
Act,
it
generally
cannot
take
any
action
on
items
not
listed
on
the
posted
agenda
and
five
minutes
is
assigned
for
each
speaker
before
we
do
that.
May
I
have
a
motion
please
to
approve
the
minutes
from
January
18th
2018.
A
A
C
B
A
A
Yes,
okay.
Now
today's
presentation
is
somewhat
unusual.
It's
really
got
two
parts.
The
first
is,
if
you
remember
at
our
December
meeting,
we
met
Ryan
Campbell
and
saw
his
plans
for
a
mural
at
Desert
Regional.
At
the
time
the
City
Council
was
in
the
process
of
redoing,
the
mural
ordinance
and
I
brought
with
me
copies
of
the
new
ordinance
okay.
So
anybody
would
like
to
have
one:
the
timelines
are
different.
The
fees
are
different.
A
The
number
of
Commission's
that
are
involved
are
different.
This
mural
was
proposed
in
the
middle
of
this
process
and
it's
not
exactly
clear
what
stage
of
the
process
we're
at
whether
we
need
to
formally
vote
it
or
simply
give
our
opinion
to
the
City
Council
or
what
in
the
meantime,
because
of
their
timelines.
It
has
been
painted
I
think
some
of
you
have
driven
by
and
seen
it
the
the
artist
and
the
sponsor
know
that
it
is
possible
under
the
new
guidelines
that
there
could
be
a
fine
for
not
getting
it
approved
first.
A
B
G
Hello,
yes,
thank
you
guys
for
making
the
time
today.
My
name
is
Warren
brand
I'm,
the
founder
and
president
of
branded
arts
with
pass
around
some
cars
and
pass
around
some
printed
materials.
We're
an
organization
dedicated
to
making
a
positive
social
impact
through
the
Arts.
Over
the
last
eight
years,
we've
made
managed
over
350
public
art
projects
worldwide.
G
Here's
the
latest
issue
of
Smithsonian
magazine
January,
February
2018,
where
they
profiled
our
big
project
at
the
Robert
F
Kennedy
School.
So
we
got
several
pages
in
there
very
proud
of
this
project.
Shepard
Fairey
did
a
55-foot
mural
of
Robert
F
Kennedy.
With
permission
from
Vicki
Kennedy
herself.
She
wrote
us.
Thank
you
letter.
Here's
the
cover
of
UCLA
education
magazine
2016,
which
talks
about
the
school
front
back
cover
and
there's
our
Shepard
Fairey
mural.
G
You
guys
may
know
Shepard
Fairey,
someone
who
did
the
Obama
hope
poster
the
women's
March
poster
one
of
the
more
prolific
muralists
living,
but
we've
been
very
fortunate
to
work
with
so
many
great
artists,
and
this
is
one
of
them.
This
is
Ryan
Campbell,
he's
from
Palm
Springs
and
the
project
that
we
did
in
Palm
Springs
a
desert
Regional
have
a
few
copies
of
this
that
we
can
pass
around
in
terms
of
where
we're
at
with
the
project.
There's
I
know
past
the
other
one.
G
So
this
was
a
project
with
the
organization
covered
California
to
promote
their
open
enrollment,
which
ended
on
the
31st
of
January.
So
we
were
on
a
tight
deadline
to
get
this
done.
This
was
a
full
donation
from
covered
California
with
permission
from
desert
Regional.
It's
important
to
note
that
this
that
the
the
words
are
not
any
kind
of
slogan
or
anything
like
that.
Ryan
thought
of
these
words
and
they
were
approved
by
the
hospital
and
everybody
involved,
unity
through
healthcare.
G
You
need
a
de
travis
del
senado
de
la
salud
to
say
that
okay
tried
and
the
idea
really
is
to
work
with
local
artists
to
create
impactful,
long-standing
art
pieces
in
the
community.
And
that's
what
we'd
like
to
talk
about
doing
long-term
with
you
guys
so
I
just
want
to
I.
Think,
and
you
said
it
best
in
terms
of
where
we're
at
with
this
project.
You're
gonna
correspond
with
people
that
sit
the
City,
Council
correct
and.
G
It's
important
to
note
that
we
did
spend
over
$900
for
the
permit.
We
spent
a
couple
hundred
dollars
to
get
the
labels
made,
which
we
delivered
to
planning.
Don't
know
if
they've
been
sent
out
to
the
local
neighbors
yet,
but
they're
they've
been
purchased
and
created
the
the
neighbors
there's,
not
that
many
neighbors
in
in
a
I
think
it's
a
certain
radius
500-foot
radius
of
this
wall.
G
But
it
really
is
a
nice
spot
and
people
take
pictures
of
it.
Every
single
day
that
visited
the
hospital
and
we
went
by
there
earlier
and
people
are
out
taking
pictures
outside
so
funny
to
note-
or
it's
not
funny,
but
really
incredible
to
note-
is
that
Ryan's,
a
late
father-in-law
worked
at
the
hospital
for
40
years.
G
So
he
put
a
small
dedication
at
the
bottom
left,
pretty
special
project
to
everyone
involved,
and
it's
our
hope
that
we
can
continue
to
develop
projects
with
with
you
all
as
part
of
the
Commission
and
be
a
production
management
Ally
to
work
with
local
city
properties,
private
properties,
developments,
both
city
and
private,
to
develop
impactful
works
of
art
from
local
and
national
and
international
artists.
Really
doing
things
that
are
special
that
makes
sense
within
the
cultural
context
of
the
community.
I
think
that's
so
important.
G
A
G
G
Owen-
and
hopefully
we
can
continue
to
you
know,
give
artists
an
opportunity
to
have
art
in
their
in
their
community,
and
you
know
we
don't
always
love
filing
for
these
permits.
You
know
in
the
without
the
right
amount
of
time,
but
sometimes
there's
deadlines,
and
we
appreciate
your
support
and
helping
us
next
time.
A
And
we
will
try
we'll
get
back
to
you
on
what
will
finish
this
and
how
to
do
it.
According
to
the
rules
I,
when
the
mural
ordinance
was
being
discussed
at
the
City
Council,
several
of
the
City
Council
members
said
that
they
hoped
that
this
would
encourage
more
real
murals.
That's
why
they
were
happy
to
reduce
the
fee
and
the
number
of
steps
that
you
have
to
go
through
and
they
admitted.
If
you
read
the
report
from
when
it
was
first
done.
It
says
the
purpose
of
this
mural.
A
This
ordinance
is
to
discourage
people
from
doing
murals,
because
a
lot
of
people
were
doing
them
without
going
through
any
process
and
and
a
couple
of
them
were
not
everyone
liked.
But
so
it's
turned
around.
The
idea
is
to
have
it
reviewed
by
this
commission,
but
to
encourage
people
and
they
love.
The
council
love
the
idea
of
doing
things
on
my
construction,
fences
and
I
think
so.
Okay
Ryan,
you
want
to
just
tell
us
how
it
went.
H
This
who's
sailing,
you
can
slap
my
hand
now.
No,
it
was.
It
was
really
a
delightful
experience.
You
know
the
visitors
to
the
hospital
were
very
intrigued.
Very
and
I
almost
want
to
say
involved,
because
they
they
saw
this
kind
of
progressing
before
their
eyes,
and
I
actually
had
people
who
would
kind
of
make
it
their
daily
part
of
their
daily
routine
to
come
and
sit
with
me
for
a
few
and
watch
progress,
and
what
I
noticed
is
that
you
know
a
lot
of
people
going
into
that.
H
Hospital
are
not
necessarily
going
in
under
the
best
circumstances
and
being
able
to
share
a
little
bit
of
color
a
little
bit
of
light,
a
little
bit
of
hope
with
these
people.
You
know
that
that
made
a
huge
difference
for
me,
and
you
know,
as
as
an
artist.
You
know
you
always
want
your
work
to
be
well
received
by
the
public
and
I
can
say
without
a
doubt
that
this
piece
has
made
a
significant
impact,
I
think
at
the
hospital
and
and
just
the
overall
tone
of
going
to
a
hospital.
H
That's
not
quite
as
quite
as
harsh
so
and
as
as
Warren
had
mentioned,
my
late
father-in-law
was
dr.
there
for
40
years
and
so
on
a
pretty
regular
basis.
He
would
walk
by
that
wall
in
through
those
doors
and
so
mean
for
me
personally,
this
project-
it
was
a
very
personal
project.
It
was,
it
meant
a
lot
to
me
to
be
able
to
excuse
me,
create
this
project
in
this
location
and
in
addition
to
you
know
the
personal
note,
it's
also
the
fact
that
you
know
I've
was
born
and
raised
in
Los.
H
Angeles
I've
lived
in
the
desert
for
almost
20
years,
and
this
is
my
own
and
I
love
it
here
and
I
want
to
give
back
as
much
as
possible
for
this
community
so
that
other
people
come
here
and
they
feel
happiness
they
feel
rehabilitated.
They
feel
a
sense
of
welcome
and
a
sense
of
joy
and
an
excitement
to
be
here
and
to
come,
see
our
beautiful
city
I.
Just.
I
H
Just
the
generic
actually
that
entrance
is
an
exit
and
what
that
building
is
used
for
currently
is
it's
an
overflow
unit
for
the
ICU,
so
that's
actually
an
emergency
exit
so
generally,
when
people
are
coming
out,
direct
exit,
they're,
usually
being
wheeled
out
on
a
gurney
or
in
a
wheelchair
and
being
put
into
an
ambulance
or
some
kind
of
medevac
vehicle
generally.
What
they
do
is
that
side
of
the
hospital
is
now
mostly
used
for
I,
believe
childbirth
and
maternity.
H
Thing
I
sat
as
I
was
kind
of
finishing
my
last
couple
of
days
and
I.
You
know
as
I'm
working
and
I'm
not
really
paying
attention
a
whole
lot
of.
What's
going
on
around
me,
because
I'm
really
focused
on
what
I'm
doing,
but
I
did
keep
noticing
that
I
would
see
babies
it
finally
dawned
on
me
I'm,
like
oh,
my
gosh.
This
is
where
people
come
to
have
their
babies.
H
So
again
you
know
that's
another
special
thing:
it's
not
just
a
you
know
painted
wall,
it's
something
that
and
worn
and
I
actually
got
this
comment
when
we
were
standing
there
earlier
this
afternoon
that
my
gosh
people
stop
and
they
take
a
picture
in
front
of
your
wall
and
that
alone,
for
me,
is
an
amazing
amazing
response
for
someone
to
stop.
They
just
have
a
child
and
they're
stopping
in
front
of
my
artwork.
To
take
a
picture.
I
mean
that's
that's
about
as
flattering
as
they
can
get
so
guess.
A
G
G
Know
identifying
areas
of
opportunities,
something
I
always
do,
and
we
have
a
big
building
like
that.
Wherever
we
go,
we
want
to
find
a
quote,
unquote
area
of
opportunity
that
is
the
most
impactful
the
best
for
photos,
there's
so
much
great
landscaping
around
that
wall.
Beautiful
plants,
beautiful
and
you
know,
a
lot
of
great
great
scenery
around
it.
So
I'm
always
looking
at
at
it
from
an
architectural
photography
perspective,
how
to
frame
art
and
with
it's
existing
space.
G
I
A
I
think
at
that
point
no
one
kind
of
knew
how
to
apply,
and
so
we
caught
it
very
early
because
there
was
a
press
conference
and
they
went
right
down
and
started
filling
out
the
applications
only
to
find
that
we
were
somewhere
doing
a
new
ordinance-
and
this
was
this-
is
on
the
agenda
later
to
report
on
this
ordinance.
But
I
made
some
copies
of
what
did
voted
by
the
City
Council
on
January
24th.
So
from
now
on,
we'll
have
that
to
refer
to
so.
A
There
is
the
there
is
the
possibility
of
levying
a
fine
on
someone
who
did
not
apply
ahead
of
time.
However,
in
the
discussion
at
the
City
Council,
several
several
councilmen
made
it
clear
that
they
wanted.
It
made
clear
in
the
ordinance
that,
if
someone
had
not
applied
first
and
paid
the
fine
there,
they
should
immediately
apply.
In
other
words,
this
is
what
this
happened
to
us
a
number
of
times.
A
People
applied
after
the
fact,
and
the
only
difference
is
that
the
city
can
levy
a
fine,
but
they
don't
want
people
to
think
that
you
have
to
take
it
and
you
have
to
paint
it
over
or
you
know
if
the
idea
is
to
them
go
and
apply
so
I.
Don't
you
can
read
it
over?
They
didn't
change,
I,
don't
think
very
many
of
the
things
that
we.
A
But
it
went
back
and
forth
once
or
twice
to
the
city
attorney
and
the
planning
department,
and
so
everyone,
but
again
the
discussion.
If
you,
if
you
like
the
sort
of
thing
you
can
listen
to
the
video
of
that
meeting
and
the
City
Council
members
were
very
positive
about
doing
this
and
they
said,
if
you
do,
if
you
launch
a
project
to
put
more
murals
and
more
art
installations,
they
hopefully
would
really
publicize
it
that
you
know
we're
sort
of
open
for
business
as
opposed
to
the
mural
police.
So
I
think
we
can.
D
F
Say
one
thing:
I
think
it's
beautiful
I
went
by
it
and
took
maybe
I
was
long
taking
the
photos.
C
C
H
Tell
you
what
it's
it's
really
funny.
I
was
really
surprised
at
how
many
health
workers
smoked,
so
I
would
get
kind
of
like
this
little
congregation
of
about
five
or
six
people
that
would
just
kind
of
hang
out
and
smoke
their
smoke.
Okay,
their
smoke
break
and
like
watch
me
paint
and
asking
questions,
and
it
was
really
cool
to
see
that
kind
of
group
grow
and
then
people
to
kind
of
talk
about
it
themselves.
And
it's
really
interesting
what
you
know:
the
power
behind
public
art
and
the
power
just
inspiring
the.
H
I
know
right
yeah,
we
do
have
some
video
of
working
on
that
we'll
get
that
out.
Very
soon,
I
was
lucky
enough
to
go
in
and
work
with
the
data,
tech,
Academy,
kids
at
Cathedral,
City
High
School
and
have
been
working
with
them
in
an
internship
program
in
my
studio,
so
I
have
a
couple
of
them
coming
in
every
every
week,
a
couple
of
days
and
they're
involved
in
a
lot
more.
That
goes
behind
the
scenes
than
you
see,
but
yes,
they
are
absolutely.
H
G
To
your
point
about
to
your
point
about
youth
engagement,
it's
a
big
part
about
what
we're
all
about
identifying
committees,
media
journalism,
publications,
it's
a
really
great
experience
for
kids
to
get
to
work
with
a
renowned
artist
and
have
their
have
some
stake
in
it.
So
when
they
go
by
that
mural
or
that
installation
they
say,
hey
I
had
something
to
do
with
that.
It's
a
really
great
way
to
enrich
and
empower
young
people
in
their
community
is
through
the
arts.
So
that
great
big
believer
in
that
which
is.
H
A
G
H
Cool
videos
in
there
I
will
say
this,
and
this
is
just
strictly
a
straightforward,
honest,
matter-of-fact
point
as
an
artist
I've
researched,
who
does
what
and
what
part
of
the
world
and
what
artists
make.
What
what
organizations
commissioned
artists,
because
this
is
how
I
make
my
living
and
I
will
tell
you
as
sure
as
I
am
sitting
here
to
my
left.
Mr.
A
Thank
you
yeah.
So,
since
this
is
just
a
presentation,
we're
not
going
to
act
on
it,
but
unless
anyone
objects,
I
will
write
to
the
city
manager,
the
City,
Council
or
whoever
it
is
to
just
ask
how
they
would
like
us
to
wrap
this
particular
mural
up
and
then,
from
now
on.
We
have
the
road
map
so
and
and.
A
B
D
A
A
I
On
site
location
timeframe,
sort
of
all
of
the
above,
so
we
have
now
a
very
comprehensive
from
Michael
with
his
CV
past
history
on
installations,
the
budget
breakdown
I'm
framing
all
of
that
and
since
our
last
meeting
with
Michael
Bronk
we're
development.
So,
rather
than
identifying
the
Virgin
Hotel
site,
we
are
now
focusing
on
site
F
of
the
downtown
site
plan
which
borders
museum
way
and
Gallardo.
That's
the
east
northeast
corner
right
now,
isn't.
I
D
I
F
C
I
They
want
to
seize
the
opportunity
to
move
forward
with
Michael's
installation
on
site
F,
which
we
have
access
to
as
early
as
March
1
Mike
phone
I
visited
the
site
this
afternoon
and
sort
of
eyeballed
within
the
space,
a
possible
location
for
sort
of
central
in
the
in
the
property
and
they've
just
deemed
it
the
art
kit,
because
of
some
pendants
excavation,
it
seems
like
an
appropriate
draw
for
young
hip
people.
Let's
go
downtown
see.
There
are
I,
think.
F
I
Really
something
well,
then
the
terrific
thing
is
the
combination
of
the
way
the
space
looks
and
the
message
that
we're
presenting
with
this
temporary
art
installation
is
the
movement
moment.
Change
and
that's.
This
is
the
start
of
this.
If
we
move
forward
with
this
installation,
this
will
be
the
first
of
hopefully
many
apieu.
I
F
I
A
F
F
A
I
But
I
think
it's
a
spectacular
piecing.
What
I
met
with
Michael
brought
a
great
development
showing
him
Michael,
Berg
Berg's
presentation.
Michael
Braun
was
totally
enthusiastic
about
the
look
of
the
piece.
The
message
is:
the
shape
the
size
and
he's
thrilled
to
offer
the
property
for
us
her.
This
is
a
starting
point,
something.
F
That
was
neat
about
the
design
that
I
made,
which
was
the
original,
and
we
went
through
three
different
sites.
Was
that
the
now
that
this
one's
sunken
down
I
had
this
kind
of
arrow
in
the
change?
A
of
the
change
so
now
I
can
actually
kind
of
even
makes
more
sense,
because
some
Canadians,
like
rising
up
him,
did.
A
I
A
very
simple
procedure,
and
that
will
be
what
I've
drafted
a
letter
for
grid
development,
which
they're
going
to
fine-tune
and
have
a
copy
to
us.
Speaking
with
planning.
We
do
not
need
to
do
an
easement
with
city
planning
for
this.
It's
just
a
matter
of
having
the
property
owner.
Do
an
authorization
letter
giving
us
usage
of
the
property
to
find
the
dates
and
it
gets
run
through
the
city,
manager's
office
and.
A
I
Know
it's
by
Indians
were
commissioning
Michael
bernburg
to
create
this
piece
and
lend
it
to
us
rented
to
us
for
the
period
of
the
installation.
It
remains
the
property
of
Michael
bernburg
at
the
end
of
the
install
period
he
can
take.
It
back
do
with
it,
whatever
he
wishes
and
her
perhaps
suggests
to
us
that
he
gives
it
to
the
city
as
a
donation
that
we
will
not
own
the
piece.
I
Okay,
as
as
I
see
it's
moving
forward
with
all
temporary
art
pieces
as
we
do,
if
we
do
an
RFP
for
other
sites,
part
of
the
push
would
be
for
artists
to
either
have
site-specific
pieces
that
they
want
to
create
or
pieces
that
are
already
made
that
they
just
wanted
to
install
with
us.
So
the
arts
will
always
become
and.
I
I
Temporary
art
installations,
just
the
approval
of
the
Builder
property
owner
to
us
as
the
Arts
Commission
for
usage
of
the
property
and
with
this
particular
site
there
is
public
access
which
I
don't
think.
We
will
enter
that
real
discussion
and
maybe
we
could.
But
if
we're
using,
that,
it's
an
art
to
something,
and
so
people
are
just
viewing
from
the
sidewalk
and
there's
no
issue
of
other
compliance,
whether
it's
a
DEA
or
fire
marshals
or
well.
A
And
that
there's
a
fence
all
around
it,
a
metal
fence
that
you
can
see
through
yes,
unlike
a
real
construction
fence,
so
it
will
be
visible,
yeah.
F
And
I'm,
just
on
the
note
and
your
concerns
about
its
construction
of
anything,
the
city's
requirements,
the
team
that
I'm
working
with
are
very
experienced.
They
did
two
of
the
large
fabrication
and
installations
for
desert
X.
They
did
the
ion
piece
which
is
like
the
largest
art
installation
in
California
history,
so
they
and
they're
licensed
in
Palm,
Springs
I
think
it
might
have
passed
that
around
earlier.
But
I,
don't
know
if
you
were
here
so
they're
well,
they're
well,
they're
well,
responsible
for
their
work
and
they're
they're
good
men
does.
C
Won't
yeah,
it
seems
like
a
great
first
project
to
install
there.
You
think
all
the
things
you
described
makes
sense
in
terms
of
not
owning
the
work.
I
also
think
it's
a
good
model,
because.
B
C
Seems
like
the
materials
will
weather
fine
in
this
climate,
but
for
other
projects
we
we
might
not
want
to
have
something.
You
know
there
are
some
finishes
from
some
other
works
public
artworks
that
I
know
about
that.
Just
they
don't
last
in
this
climate,
so
I
think
that's
that's
a
good
idea,
I
think
and
I'd
also
recommend
we
consider
a
slightly
shorter
time
frame
for
the
installation,
just
so
that
you
know
we
can
think
about
next
spring,
especially
as
all
these
ideas
and
all
of
these
processes
sort
of
get
going.
F
I
H
I
Spectacular
starting
point
for
us
for
this
site,
as
well
as
the
potential
of
the
other
two
sites
coming
up,
that
it
puts
an
art
piece
in
place.
We
do
an
art,
the
other
artists
can
visit
the
three
various
sites
and
they
get
more
of
a
vision
and
an
enthusiasm
above
what
they
could
create
or
what
they
already
have
to
install.
I
A
I
D
Have
a
question
first
app,
so
is
this
because
we
haven't
done
something
similar
to
this,
so
are
we
just?
Would
we
just
be
essentially
using
a
model
of
similar
to
how
we
do
the
art
exhibition,
where
I
mean
we're
sort
of
putting
up
a
temporary
exhibition?
In
this
case,
it
just
happens
to
be
outside
I
mean.
Is
that
the
model
that
we
would
use
well.
I
I
A
We
should
prison.
We
should
tell
the
City
Council
that
we
are
going
to
do
this
if,
if
a
permanent
piece
is
done,
it
clearly
goes
to
the
City
Council,
but
I
I
think
we
just
need
to
say
we're
working
sort
of
in
the
spirit
of
more
murals
and
some
temporary
pieces,
and
we
just
like
them
to
know
because
we
don't
need
their
authorization
for
this
amount
of
money.
If
we
do
one
that's
more
than
$25,000,
we
will
again.
This
is
a
good
way
to
start
searches
under
the
okay.
I
Well,
how
about
this
for
some
portage
for
a
motion?
I
would
like
to
move
to
approve
temporary
art
installation
type
of
movement
moment
change
by
just
Michael
Byrne
bird
for
installation
on
site,
F
of
the
downtown
Palm
Springs
site
plan,
northeast
loss,
Museum
way,
Abelardo
Road
budget,
twenty
thousand
five
hundred
and
install
period
March
1
2018
for
a
period
of
six
months
with
a
possible
extension
of
three
months.
A
B
A
F
F
A
Okay,
we
have
a
couple
of
pieces
of
unfinished
business.
I
I
report
on
the
juried
art
show
yes,
nothing
to
do
with
selecting,
but
you
enjoyed
it
right.
It's
not
the
gallery.
On
this
past
Saturday
I've
certainly
went
to
the
opening
party
want
to
commend
Jennifer
the
stellar
job
of
hanging.
The
show
spectacular
lots
of
people
through
their
show
on
Saturday,
very,
very
positive
results
or
opinions,
people
taking
pictures
of
the
artists
card,
so
they
can
get
in
touch
with
them.
So
hopefully
there's
going
to
be
sales,
one
of
them
actually
called
an
artist.
I
B
Right
and
just
before,
I
get
there
going
back
to
the
juried
art
show
we
here's
the
program.
If
anyone
hasn't
seen
it
we
had
over,
we
had
a
hundred
and
eighteen
artists
submit
works.
There
were
98
artists
that
were
juried
and
Mary
Ann
Faulk,
the
managing
director
of
desert
X,
was
their
juror.
She
did
an
amazing
job,
such
a
lovely,
individual
and
so
happy.
We
had
a
chance
to
work
with
her
and.
C
B
That
she's
coming
back
as
part
of
desert
X,
so
that's
gonna,
be
very
exciting
next
year,
when
does
Rebecca
launches,
but
that's
another
topic
anyhow,
the
show
was
up
until
February
24th.
So
if
you
haven't
gone
over
to
see
it,
I
suggest
you
take
a
few
minutes.
If
you
can
take
a
look,
there's
some
amazing
pieces
there
and
that's
it.
So
that's
that
moving
into
Cesar
Chavez,
the
prospectus
has
gone
out
to
all
the
students
V
I'm.
Looking
for
my
calendar
and
in
your
packets
in
front
of
you,
there
is
a
calendar
of
dates.
B
The
opening
reception
for
the
Cesar
Chavez
show
will
be
on
March
20th.
We
have
reached
out
to
Congressman
Ruiz
and
we
are
trying
to
confirm
that
he
will
be
there
to
give
awards
and
say
a
few
words.
I
spoke
in
his
office
today.
What
day
of
the
week
is
I'm
not
sure
what
day
of
the
week,
but
it's
March
20th
and
it
will
be
at
the
Palm,
Springs
library
it
starts
at
6:30
p.m.
and
the
in
center,
so
I
hope
everyone
can
make
it
and
in
between
that
the
Martin
Luther
King
jr.
B
exhibit
comes
down
on
March
1st.
So
once
again,
if
you
haven't
had
a
chance
to
go
over
to
the
library,
please
you
know
take
a
few
minutes
and
I
hope
you
get
to
see
it.
There's
some.
We
had
so
much
amazing
work
come
in
for
the
Martin
Luther
King
show
so
super
excited
too
bad.
We
had
to
you
know
we
actually
had
to
jury
and
make
choices,
but
that's
the
way
it
happened.
Did
anyone.
B
Definitely
have
photographs
al
you
I
know
you
took
photos.
I
was
not
at
the
commemoration
event
on
Sunday,
but
if
you
could
share
some
of
those
photos,
I
can
work
with
Paula
to
get
them
up
on
the
website.
Any
others
you
might
have
I
know
you've
been
great
at
taking
pictures.
I
have
some
but
I
guarantee
yours
better.
C
A
B
Residency
project
today
we
actually
held
and
made
meet-and-greet
where
we
invited
all
of
the
selected
subjects
to
meet
at
the
school,
so
they
could
interact
with
their
students
that
are
doing
their
portrait.
We
had
a
really
good
turnout,
considering
that
it's
zero
period
and
starts
at
7
a.m.
and
then
so,
let's
see
Ruth
Moyer
was
there
from
the
Steinway
society.
B
Karen
Baroni
Karen,
Riley,
Irene,
Rodriguez,
bonny,
Rutan
I,
know
I'm
missing
some
ladies
and
I
apologize,
but
several
of
the
ladies
showed
up
some
of
the
people
that
were
selected
and
I.
Don't
have
my
list
in
front
of
me
so
I'm
gonna
have
to
go
through
this,
mostly
from
memory.
The
ladies
that
the
students
selected
were
patty
delgado,
Barbara,
Keller,
Donna,
Macmillan,
Helene,
Galen,
Ruth,
Moyer,
Keisha,
Dee,
Karen
Riley,
who
else
Bonnie
Rutan
Lisa
Houston
missing
like
three
more
Jackie
Autry
Jacqueline
Lopez
from
congressman
Rita's
office
and
I'm
missing
a
couple
and
I
apologize.
I.
B
But
anyhow,
those
are
some
of
the
ladies
that
have
been
there
and
the
portraits
are
coming
along
just
so
beautifully.
The
students
are
great
to
work
with
we're
working
with
the
artist
Sophia,
Sophia
and
Rica's.
She
is
just
absolutely
lovely.
She
was
there
this
morning
as
well.
She's
been
doing
great
with
the
students
check
on
Instagram
we've
been
posting
photos
of
the
progress
that
everyone's
making
also
check
on
Facebook
and
on
a
side
note,
so
yeah
also
entered
a
piece
in
the
juried
art,
show
and
wound
up
winning
first
place.
A
B
B
You
know
what
it
might
be:
March
1st
I
will
have
to
send
out
an
email
and
confirm
that
so
yes,
I'm
sorry,
I'm
gonna
have
to
confirm
that
I
have.
C
B
Confirm
that,
like
I
said
it
is
going
to
be
the
very
beginning
of
heart
of
March,
so
I
will
absolutely
be
sure
to.
B
B
B
E
B
B
Going
to
be
over
tea
and
it's
going
to
you
know
what
once
again,
there's
been
a
couple
of
changes
because
of
the
students
and
scheduling.
So
I
will
have
to
come
back
okay
with
a
date,
and
but
it
might.
E
B
Yes
right,
it's
we
really
are.
The
scheduling
really
is
based
around
the
students
so
that
that's
really
it
so
when
we
had
to
schedule
this
meet
and
greet
at
7:00
a.m.
this
morning,
it
was
like,
but
it's
just
that's
when
we
can
get
all
the
students
together,
so
I
apologize
in
advance
for
whatever
time
it
might
be,
those
kids
I
tell
ya.
I
will.
D
A
D
A
F
A
A
D
In
terms
of
this
started
last
year
we
started
actually
stepping
in
and
organizing
some
of
the
events
right
and
so
just
to
you
know
so
that
started
and
then
I
think
we
kind
of
decided.
Maybe
we
would
do
four.
We
didn't
want
to
do
too
many
so
anyway,
so
that
so
this
is
a
pretty
ambitious
for
this
year
from
last,
but
I'm
not
I'm,
still
not
quickly
run
exactly
what
are
like
in
the
ones
that
we've
done
before.
We've
actually
provided
people
and
all
that
stuff
right.
D
F
C
Just
want
to
add,
though,
that
this
this
did
come
about
because
we
pushed
on
it.
I
do
want
to
make
that
clear.
You
know
this
idea
of
these
short
like
shorten
how
things
actually
the
educator
Melissa
humble
at
the
museum.
Have
this
really
good
idea?
C
Well,
why
don't
we
work
with
what
the
wool
idea
of
Warhol
in
fifteen
minutes
of
fame
and
and
so
it
really
she
she
I
just
I,
just
want
to
emphasize
it
it's
it's
that
they
had
some
artists
in
mind
that
they
had
wanted
to
work
with,
but
because
we
were
kind
of
pushing
them
to
try
to
program
on
a
Thursday.
That
is
actually
why
it
happened.
So
I
think
it's
a
it's
a
good
partnership,
because
they've
been
really
wanting
to
find
different
ways
to
bring
in
different
artists
and
I.
C
F
A
F
A
D
A
A
But
what
we
talked
about
at
the
last
meeting
was
having
someone
help
us
figure
out
what
our
goals
are
for
social
media
and
where
do
we
want
to
the
so
that
we're
attracting
more
people
so
I
think
if
we
go
on
to
the
next
item,
which
is
the
work
that
Commissioner
Renner
did
to
find
a
someone
as
a
consultant
on
really
being
effective
with
social
media
and
making
sure
that
all
the
all
these
wonderful
programs
get
photographed,
and
then
we
do
something
with
the
photographs.
So
do
you
want
it
tell
us?
Yes,.
E
The
progress
that
we've
made,
not
only
with
our
partnership
with
the
art
museum
and
creating
the
popups
and
really
making
that
happen
and
I
was
going
to
make
it
during
my
commissioner
comments,
but
I'm
gonna
make
it
now
just
hats
off
to
miss
Henning
for
the
juried
art
show.
I
was
involved
much
more
last
year
when
I
wasn't
chairman
of
the
committee
this
year
that
full-time
work,
but
I
was
blown
away
with
the
quality
of
the
work
there.
E
E
They
were
so
excited
to
submit
because
of
the
caliber
of
the
jurist
and
to
have
that
opportunity
so
again,
kudos
and
bringing
her
in
because
I
think
that
again
brought
brought
the
show
up
to
it
just
a
whole
new
level.
So
we're
doing
these
amazing
things
and
yet
we're
still
not
getting
the
eyes
on
it
and
letting
the
community
know,
and
last
meeting
I
had
brought
the
idea
of
bringing
on
actually
the
name
of
her
company
is
the
very
best
services,
Maddalena,
Garza
and
I.
Think
at
this
point
everyone,
but
commissioner
Gladstone,
has
met
her.
E
E
The
first
thing
that
will
sit
down
is
coming
up
with
goals
and
she
does
want
to
speak
with
each
of
the
commissioners
to
kind
of
get
feedback
from
them,
but
having
sort
of
a
clear
path
of
what
we
want
to
see,
so
it
will
be
quantifiable
at
the
end
of
that
five
months,
so
we
can
determine
from
that.
Yes,
this
is
something
that
we
do
want
to
continue
with
and
then
even
figure
out.
E
If
it's
going
to
be
broader
than
opening
up
the
process,
so
that
it
is
always
very
fair
and
very
transparent,
I
did
get
word
just
before
I
came
here.
There
was
a
question
about
some
paperwork
that
she
needed
to
finalize.
That
is
with
the
city
now,
so
my
understanding
is,
she
will
be
able
to
go
forward.
E
I
think
the
question
that
I
have
for
staff
is
what
will
be
the
ability
to
access
and
how
does
the
process
work
and
I'm
not
expecting
you
to
necessarily
have
this
answer,
but
so,
as
she
creates
content,
we
had
created
the
Facebook
site
before
the
city
had
one
that
we
certainly
have
access
to.
That's
very
simple
for
her
for
us
to
give
her
access
to,
but
if
she
is
going
to
be
also
posting
on
city,
Instagram,
city
Facebook,
how
does
that
process
work.
A
D
E
That's
gonna
be
something
that
we
need
to
figure
out,
but
she,
you
know,
including
artists
residents.
She
wants
to
go.
Do
interviews
mini-video
one
of
the
things
I'm,
not
good
at
social
media
and
I.
Don't
understand
this
stuff
and
my
facebook
feed
now
says
I'm
only
to
see
things
with
things
from
25
people.
There's
there's.
E
E
E
C
C
She
is
accessible
approachable,
available,
kudos
to
you,
I
invited
her
to
our
History
Month
History,
Month,
gala,
Oh
Fisher
and
the
Hilton
she
was
there
so
was
Tracy.
Thank
you.
She
knew
some
of
the
people
there.
In
addition,
we're
having
a
Black
History
Month
art
exhibit
at
the
Museum
this
Sunday
at
2:00.
If
you're
there
were
having
some
of
the
works
of
Mark
Bradford
and.
F
A
C
A
Yeah,
okay,
so
I
would
items
number
six
and
seven
we've
actually
touched
on
in
the
discussion
about
Michael
bernburg
and
some
of
the
other
installations
are
just
not
ready
to
be
talked
about,
and
I've
reported
somewhat
the
mural
ordinance
and
given
you
that
we
guys
20
so
I,
just.
D
F
B
Pieces
have
been
painted,
okay,
we're
going
to
it.
So
after
Christmas
they
were
all
painted,
lovely.
A
C
A
C
A
A
A
So
I
would
like
to
propose,
because
this
is
I
mean
there's
so
many
things
we
could
do,
but
that
might
tie
together
all
this
I'd
like
to
know
if
everyone
would
be
willing
and
available
to
have
a
study
session
on
the
22nd
I've
just
picked.
It's
a
Thursday,
also
where
we
can.
As
long
as
we
put
these
ideas
on
the
agenda,
we
can
discuss
them
a
little
bit
more
freeform
and
I
thought
it
might
be
fun
to
have
it
at
the
desert
arts
center.
If
it's
available.
A
B
A
A
So
part
of
sort
of
the
last
stage
of
this
process
of
getting
art
downtown
and
making
some
fuss
about
it
and
much
more
social
media
and
a
history
or
whatever
would
be
along
the
way
to
finally
find
out
how
we
can
integrate
into
the
public
park.
There
is
supposed
to
be
a
meeting
of
all
the
Commission's
that
have
anything
to
do
with
the
park
like
the
Park
Commission,
which
hasn't
been
part
of
it
so
anyway,
this
this
just
was
some
thoughts.
If
you
can
think
of
other
things
that
you
think
would
be
talking
about,
would.
E
F
A
I'm
not
sure
that
they've
changed
it
since
the
last
time
they
get
it
gave
a
presentation,
I
think
a
lot
more
people
would
like
to
see
it
I
think
we
still
have
a
luminaire
house
and
we
have
Marilyn
and
we
have,
but
we
don't
have
how
we
can
put
some
art
in
it.
That's
part
part
of
the
infrastructure
or
part
of
the
design
or
or
a
playground.
I
mean
just
all
these
ideas.
F
A
C
A
C
B
A
A
I
A
I
A
E
E
A
A
A
D
F
F
A
E
About
that,
okay,
who's
going
to
take
that
on,
so
that
when
we
walk
out
and
we
kind
of
have
an
idea-
this
is
what
one
is
start
thinking
about
for
next
year,
because
you
know
we
got
into
that
a
lot
and
we
were
in
our
meetings
about
the
exhibitions
and
the
fact
that
this
year
is
really
done
and
the
kinds
of
things
that
we
want
to
see
for
next
year.
This
is
the
time
to
start
talking
about
them
now.
E
D
All
right
so
just
to
go
back
to
the
day,
I
think
that's
probably
enough
right,
because
there's
so
40th
anniversary
discussion,
temporary
projects
in
downtown
mural
promotion
goals,
social
media
goals
and
preliminary
planning
for
2018
2019,
okay,
so
we're
good.
So
we
don't
need
to.
We
don't
need
to
go
through
that
again
right
with
that
agenda.
B
B
City
yeah.
A
B
A
C
A
A
Of
the
things
that
was
added
to
the
mural
ordinance
at
the
very
last
minute,
due
to
a
letter
that
someone
wrote
to
Jeff
course-
and
he
asked
me
and
I
went
back
and
I
looked
at
the
original
definition
of
a
mural.
This
writer
was
concerned
that,
if
someone
wanted
to
put
something
on
the
side
of
their
house
on
a
single
family
property
with
that
count,
so
in
the
definition
of
the
mural
at
the
top
of
the
mural
ordinance,
it
says
that
are
visible
from
the
public
right-of-way.
A
F
A
It
cost
half
as
much
as
it
did
and
it
can
be
done
probably
within
the
time
span
of
the
next
meeting
of
this
commission.
It
doesn't
have
to
then
wait
another
month
for
another
Commission.
Then
another
Commission
I
think
Lula's
took
six
months
because
they
were
very
good
about
doing
everything.
So,
but
now
I
mean
you
can
tell
them
that
now
there
is
a
fine.
If
you
don't.
A
F
A
D
I
just
had
a
Commissioner
comment.
I
just
wanted
to
add
my
thanks
to
everyone
for
participating.
I
thought
it
was
great
that
we
had
so
many
people
because
I
this
is
my
third
year
and
it
just
seemed
to
me
that
there
were
far
more
entries
than
we've
had
in
the
past,
so
that
was
really
refreshing
to
see,
which
of
course
made
it
a
really
difficult
installation.
Then
again
you
did
a
terrific
job,
Jennifer
I'm
hanging,
all
the
pieces
and
lighting
them
and
everything.
So
it
looked
really
good
and
I.
D
D
I
F
F
F
D
A
College
of
the
desert
and
other
places
have
much
more
space
and
they
do
a
lot
of
these,
and-
and
this
is
a
building
that
belongs
through
the
city,
which
is
nice
and
it's
an
Art
Center,
not
just
the
library
or
some
of
the
other
spaces,
so
I
think
moving.
It
would
be
a
shame.
It
wouldn't
have
the
same
or.
I
A
B
Just
I'm
Tom
Tom
what
you
were
saying
about
the
show
that
we
have
not
had
this
many
entries
in
several
years.
So
it's
great
to
see
that
people
know.
Artists,
know
that
you
know
the
show
is
back
and
also
what's
very
encouraging
is
that
there
were
several
young
artists
and
new
artists
that
had
not
applied
before
and
they'd
sure
that
with
me-
and
you
know,
we
had
a
moment
to
chat,
but
it's
wonderful
to
see
a
new
crop
of
artists
who
have
moved
into
the
valley
and
hearing
about
this
and
joint.
You
know,
but
it.