►
From YouTube: Public Arts Commission | April 11, 2019
Description
No description was provided for this meeting.
If this is YOUR meeting, an easy way to fix this is to add a description to your video, wherever mtngs.io found it (probably YouTube).
A
B
A
C
D
E
A
E
B
A
A
Okay,
we
were
asked
first
of
all
throughout
anyone
who
doesn't
know
him.
This
is
dr.
Eddie,
the
city
manager,
and
it
is
budget
time,
and
so
we
have
been
asked
to
give
some
input
into
our
budget
and
Jay
sent
out
some
worksheets,
but
I
thought
I
thought
I'd
like
to
sort
of
make
it
simpler
to
tract
because
it's
a
little
hard
to
tell
from
the
city
print
out
exactly
how
much
we've
spent.
So,
if
you
look
at
the
top,
what
I
gave
you.
A
Okay,
we
put
this
together
earlier
in
the
year.
These
were
all
of
the
plans
for
the
30th
anniversary
and
what
we
had
budgeted
for
them
and
you'll
notice
that
the
contract
with
lumen
earring
industries
for
lighting
did
not
work
out.
We
weren't
able
to
get
it
bid
out
in
time,
but
I
have
added
in
the
two
contracts
that
are
in
process
right
now
for
flat
black
paint
and
David
Lee,
and
if
we
do
all
of
these
projects,
all
of
which
are
in
process,
our
projected
expenses
will
be
two
hundred
and
thirty-five
thousand
dollars.
A
Just
a
note.
It
says
here
that
we
gave
the
Palm
Springs
Art
Museum.
Seventy
three
thousand
dollars,
which
is
not
true.
We
gave
them
fifty
thousand
dollars
and
we
paid
for
gravel
on
the
art
park
and
somehow
the
two
got
sort
of
mushed
together,
so
maybe
someday
we'll
get
that
fixed
anyway.
If,
if
we
follow
this
budget,
we
started
with
five
hundred
and
ninety
two
thousand
dollars.
A
If
we
follow
our
projected
expense
and
we
get
to
do
all
of
the
projects,
there
would
be
three
hundred
and
fifty
seven
thousand
dollars
in
carryover
and
then,
if
you
look
at
the
last
page,
this
is
what
the
city
needs
to
put
together
for
our
budget
and
the
top
number
the
beginning
cash
balance.
They
won't
know
until
the
beginning
of
the
year,
but
it
looks
like
it
will
be
around
three
hundred
and
fifty
thousand
dollars.
The
income
is
also
a
guesstimate.
A
Last
year
week,
I
don't
even
know
what
the
actual
was,
but
it's
always
budgeted
at
a
hundred
and
eighty
one
thousand
dollars,
and
so
for
projected
expenses
we
no
longer
have
personnel
costs.
Most
of
our
programs
fall
under
artwork
maintenance,
materials
supplies
and
services.
So
if
we
budget
a
hundred
and
thirty
thousand
dollars
for
that
and
fifty
thousand
dollars
for
the
art
museum
it
would
come
to,
we
would
have
three
hundred
and
fifty
thousand
dollars
on
allocated
at
this
point
or
last
year
we
called
it
artwork
procurement,
but
it's
unallocated.
A
C
B
C
C
Refresher
and
a
couple
things
we
were
able
to
do
in
the
budget,
that's
helped
over
the
last
few
years.
Is
we
moved
all
the
maintenance,
for
you
know
the
fountain,
so
that
was
about
forty
or
he
didn't
move
that
back
to
general
fund.
That
was
good
and
we
took
all
the
personnel
out
so
that
would
the
idea
give
you
some
more
money
for
art,
so
those
two
things
we
did.
They
would
be
a
little
harder
to
undo
the
the
the
insurance
and
and
administrative
benefits.
A
I
just
wanted
to
make
sure
it
wasn't
and
thank
you.
We
really
appreciate
that
the
person
now
no
longer
shows
on
our
budget,
because
that
was
hard
to
keep
realizing
that
we
had
that
money.
This
Kennedy
bust
apparently
is
some
sort
of
very
small
fifteen
thousand
dollar
fund
for
repairing
the
Kennedy
bust
I,
don't
know
I
just.
D
A
A
A
I
mean
they're,
just
saying
it's
in
our
budget,
but
you
know
last
year
the
budget
that
we
were
looking
at
until
this
latest
expense
form
showed
us
as
having
eight
hundred
and
forty
five
thousand
dollars
and
I
think
they
must
have
somebody
double
counted.
Yes,
the
unallocated
and
the
art.
That's
too
bad
I
sue
and
it
was
there.
A
Does
anyone
have
any
questions
about
just
this
is
if
I
understand
correctly,
the
city
would
like
us
to
budget
one
hundred
and
eighty
one
thousand
dollars
that
they're
pretty
sure
we're
going
to
get
and
then
anything
that
we
carry
over
doesn't
expire,
but
it's
just
in
an
unallocated
line.
So
whenever
we
want
to
spend
it
on
something
we
they
move
it
from
one
category
to
another.
A
C
One
we
voted
last
meeting
to
pay
a
photographer
thirty
five
hundred
dollars
and
some
of
taking
pictures
of
public
art
identified,
public
art,
and
my
question
was
then,
and
it's
now:
can
we
do
that
and
get
monies
as
a
result
of
that?
In
other
words,
the
pictures
will
be
taken,
PSP
will
sell
them.
Are
we
allowed
to
get
any
revenue
from
that
and
do
we
need
permission
from
the.
A
Artist,
no,
what
we
haven't!
We
haven't
gotten
that
far
okay
and
we
don't
have
a
contract.
Yet
okay,
but
we
have
had
a
line
for
photography.
Yes
every
year,
also
to
get
some
good
photographs
a
group
your
end
so
but
the
question
of
what
they
turn
into
since
we
don't
have
a
contract
yet
have
the
photographs
taken,
we
can't
figure
out
what
to
yes,
okay,.
C
C
Offer
on
that
is,
if
you
pay
to
have
the
photos
taken,
they're
the
property
of
the
Arts
Commission,
and
so,
if
you
choose
to
allow
someone
to
use
them
for
profit,
indeed,
you
should
get
a
portion
of
that
profit
which
would
go
back
to
your
art
fund,
and
that
would
be
done
through
a
you
know:
contract
language
and.
A
C
We
just
didn't
get
to
discuss
it
at
the
last
meeting,
I
had
to
leave
early
I
apologize,
okay.
My
last
question:
in
our
minutes
plan
for
$75,000
towards
a
desert
axe
piece
of
art-
yeah,
don't
you
haven't
even
I
understand:
okay,
just
an
ethical.
My
question
is:
can
we
get
the
community
to
donate
some
money,
our
monies
towards
that
project?
Sure,
okay,.
C
A
Available
money
will
be
a
hundred
and
eighty
one
thousand
dollars,
plus
whatever
carries
over.
So
this
is
just
a
guess
of
what
would
carry
over
approximately
okay.
So
if
it,
if,
if
we're
on
budget
from
what
we
set
out
to
do,
we
will
have
581
thousand
dollars
on
July
1st
or
some
something
close
to
that.
A
C
A
A
The
budget
and
I
didn't
give
it
to
anyone
else.
Cuz,
it's
just
a
mess,
it's
the
those!
No
you
got
it.
Those
budget
allocations,
which
is
the
same
thing
as
how
you
get
to
181
thousand
dollars,
but
the
budget
always
has
five
hundred
dollars
for
supplies,
and
you
know
it
doesn't
come
in
big
chunks.
It
breaks
things
down
a
little
bit
more
yeah.
So
I'd
marked
that
up
to
agree
with
this.
Okay
I
do
have
an
MBA
anyway.
They
have
a
motion
to
make
this
our
recommendation,
which
is
to
say
the
last
column.
A
A
C
B
A
C
B
E
C
A
The
lead
person
on
the
mural
at
st.
Paul's,
absolutely
stunning,
a
lot
of
publicity,
a
lot
of
and
since
father
Andrew
is
retiring,
it
was
particularly
nice
and
Commissioner.
Russell's
been
condemned
wrestling
up
graffiti
artists
and
we're
going
to
have
an
art
park
on
the
Virgin
site
and
mr.
American
and
several
others
have
been
we're.
Gonna
have
a
big
exhibit
in
May
of
all
the
things
we've
done
and
also
soliciting
ideas
from
the
public
public
art.
C
B
A
May
I
suggest
since
we
might
lose
our
quorum.
Let's
do
item
e2,
which
is
simply
to
take
a
formal
vote
on
something
that
we've
already
done,
which
was
when
the
rotary
had
their
chalk
art
festival
and
closed
the
street
and
I
know
several
of
you
got
down
there
to
see
it.
We
said
that
we
would
pay
their
fee
to
the
city.
That's.
A
A
A
E
A
But
this
is
the
time
that
has
been
set
aside
for
members
of
the
public
to
address
the
public
Arts
Commission
on
items
of
general
interests
within
the
subject
matter:
jurisdiction
of
the
public,
Arts
Commission
and
agenda
items
if
the
member
of
the
public
cannot
be
present
later
in
the
meeting
at
the
time.
Each
item
is
heard
by
the
Commission.
A
Additionally,
members
of
the
public
may
address
the
Commission
on
each
item
listed
on
the
posted
agenda
at
the
time.
Each
item
is
reserved,
although
the
Public
Arts
Commission
values
your
comments
pursuant
to
the
Brown
Act,
it
generally
cannot
take
any
action
on
items
not
listed
on
the
posted
agenda.
Five
minutes
is
assigned
to
each
speaker,
so
we
have
a
guest
but
not
a
speaker,
okay,
so
we
have
successfully
sort
of
broken
these
projects
down
into
subcommittees,
and
so
we
just
really
need
a
report
on
what's
been
set
in
motion.
So
let's
start
yes,.
B
D
A
D
D
A
A
In
fact,
it
did
not
start
out
with
a
hundred
and
twenty
seven
thousand
dollars
in
contractual
services.
It
started
with
I,
don't
know
50
or
something
and
there's
a
printout.
That's
like
10
pages
long
and
it
has
each
transaction
and
but
it's
very
confusing
because
it
will
say,
like
oh
art,
acquisition,
$50,000
contractual
services
plus
$50,000,
because
that's
how
they
just
moved
it
around.
So
nothing
was
spent.
D
A
So-
and
we
can
do
that
again
next
year,
because
right
now,
we've
only
we've
only
accounted
for
one
hundred
and
eighty
thousand
dollars,
so
maybe
at
the
first
meeting
in
the
fall
we'll
will
actually
we've
never
really
done
it,
like
all
at
once,
say
we'd
like
to
move
this
much
into
contractual
services.
I
think
we'll
have
a
better
idea
how
this
works.
Okay.
So
this.
A
Though
we're
increasingly
getting
to
contracts
where,
when
we
when
we
bought
a
piece
of
art
which
is
mostly
michael
bernburg,
it
goes
down
it's
sort
of
been
in
specialized
equipment
which
I
always
thought
was
like
plaques,
but
it
turns
out
that
that's
where
they
put
I
think
just
about
everything
we
paid
him.
So
again.
Maybe
next
fall
we'll
sit
down
and
we'll
say
you
know
if
we
actually
buy
something.
That's
have
a
line
that
says.
A
A
D
D
A
Basically,
we're
going
to
have
this
call
for
artists
on
social
media
and
get
it
out
to
as
many
lists
as
we
can
to
really
solicit
artists
to
to
submit
a
work.
The
social
media
will
direct
people
to
the
website
where
all
of
the
details
of
the
exhibit
will
be
and
then
embedded,
and
there
will
be
here's
how
you
submit
a
work
of
art
and
you
click
on
that,
and
it
goes
to
this
thing
called
call
for
artists,
known
as
cafe.
D
C
D
C
D
A
B
B
Yeah,
so
the
general
dates
are,
the
show
will
now
open
on
May
11th,
with
the
opening
on
maybe
the
11th
or
the
12th
during
the
afternoon
at
DAC.
This
is
a
gam,
we're
trying
to
do
it
on
a
weekend
instead
of
during
the
week
in
hopes
of
getting
more
young
people,
and
especially
the
young
people
who
were
submitting
the
works
that
they
did
in
the
workshop.
B
The
end
date
will
be
May
31st
and
then
the
pickup
date
for
works
of
art
will
be
June.
1St
Saturday
the
new
intake
day,
we're
projecting
for
Wednesday
May,
8th
so
from
10:00
to
noon.
So,
if
anyone's
available
for
that
I,
don't
think
it
should
be
too
difficult
because
it'll
only
be
30
pieces
that
we'll
be
taking
in,
but
if
anyone's
available.
For
that,
that
would
be
great
if
you
could
swing
by
its.
D
B
A
When
I
was
dealing
with
this,
this
call
for
artists
comes
from
something
called
the
western
states,
Arts
Foundation,
which
is
a
non-profit,
and
they
have
a
special
category
for
public
art.
Where,
if
you
don't
charge
for
submissions
which
a
lot
of
our
shows,
do
you
don't
pay
any
extra
for
the
number
of
submissions?
A
C
A
D
A
You
teach
it
Kayla
Mara's,
not
feeling
well
and
I,
had
some
e-mails
back
and
forth
with
Emily
little
bit,
but
I
have
not
gotten
a
real
update
on
how
far
they've
gotten
and
Jay
tells
me
that
their
contract
is
still
missing
the
insurance,
so
that
especially
for
being
here
at
a
meeting
I
mean
if
they're
writing
something
I
think
it's
probably
not
a
problem,
but
if
they're
here
on
site
so
we'll
try
to
make
it
they
seem
to
know
what
needed
to
be
done.
So
I'm
surprised
right.
C
A
D
I
ask
one
question:
yeah.
They
had
asked
us
to
tell
them
who
we'd
like
to
have
them
talk
to
and
I
didn't,
have
their
email
and
couldn't
get
it
out.
So
if
you
send
it
to
me,
I'll
send
it
to
them,
but
could
they
talk
to
Christian
Holman,
because
I
think
he
has
been
such
a
great
source
of
knowledge
about
getting
projects
done,
timely,
beautifully
and
and
mm-hmm
meeting
like
every
commitment
he
made
he's
and
he's
a
big
fan,
so
I
think
he'd
be
invaluable
for.
E
Alright,
so
boy
we're
on
track
for
the
Virgin
Hotel
graffiti
art
park
site,
the
contract
was
with
Pete,
saw
little
Sita
from
flat
black
paint.
I
think
he
was
just
wrapping
up
the
insurance,
these
hills
with
Jade.
This
morning
we
were
sort
of
pushing
for
the
contract
to
be
done
and
payment
him
to
him
by
today.
So
it
would
work
with
start
this
weekend
running
into
next
Tuesday
for
the
downtown
pop-up
event.
E
Very
strong,
modern
urban,
graffiti
images,
diverse
pool
of
artists,
african-american
watt
and
female
Caucasian,
covering
the
board
both
using
local
and
pulling
some
talent
from
San,
Diego
and
Los
Angeles,
which
it'll
be
a
nice
mix
horse
for
the
city,
spoke
with
Octavio
from
grit
development.
The
fence
and
the
graveling
will
not
happen,
probably
for
about
30
days.
So
we'll
have
the
project
completed
and
then
they
will
wrap
up
the
finishing
of
the
site
and
removing
of
the
fence,
we'll
probably
have
access
for
the
public
once
the
work
starts.
E
On
it,
because
the
the
site
is
completely
clean,
except
for
the
removal
of
one
storage
container,
that's
sort
of
what's
been
dragging
on
so
that
they
all
have
the
site
ready
for.
So
once
we
work
at
the
timeline
with
the
start
of
the
artists
work
that
we'll
figure
out
with
good
development,
how
to
take
down
at
least
the
opening
part
of
the
fence
and
or
even
paint
the
fabric
that
covers
the
channeling
fence,
because
that
will
just
be
disposed
to
laughter
towards
anyone.
A
Yes,
well
I
asked
if
we
could
paint
on
if
we
couldn't
get
in
really
to
the
site.
If
it
was
not
quite
safe
to
be
in
there.
Could
we
start
painting
on
the
outside
of
the
fence
on
the
fabric
saying
you
know
coming
soon
or
and
Michael
Brown
said
he
didn't
see.
Any
reason
why
he
couldn't
I
mean
I
thought
they
might
need
to
recycle
the
burlap
or
whatever.
A
If
they're
staying
you
know
into
the
week,
they
don't
have
any
other
activities
really,
so
they
asked
us
if
we
would
have
something
going
on
and
it
works
out
well,
but
I
was
worried
if
you
know
if
the
gravel
wasn't
ready
and
the
fence
couldn't
come
down
and
whatever
that
we
would,
you
know
it
turns
out,
we
can
like
graffiti
the
the
defense
they
the
burlap
and
then
maybe
the
other
thing
we
can
do
is
just
take
down
some
of
the
fabrics.
So
you
can
see
in
yeah.
E
I
think
we
can
probably
do
a
combination
of
that
and,
if
all
speak
to
both
PETA
and
to
Aaron,
cuz
I,
think
Aaron
would
be
agreeable
to
perhaps
do
some
graffiti
on
the
fabric.
That
is
on
the
fence,
just
sort
of
a
couple
of
portions
of
it
take
some
of
it
down
and
maybe
paint
one
of
the
round,
but
we'll
call
them
support
things.
That's
on
the
properties
that
would
just
so
some
inkling
of
what's
about
to
happen,
and
we
could
probably
do
that
on
that
Tuesday
evening
or
start
a
Monday
yeah.
C
E
What's
the
project,
the
cost
of
it
of
materials
is
kind
of
significant.
So
if
we
just
sort
of
limited
and
use
just
Aaron
as
part
of
because
he's
part
of
the
management
of
the
project
I'm
sure
he
would
agreeable
to
come
down
and
do
a
couple
of
portions
which
is
minimal
expense
to
him,
knowing
that
funds
will
be
coming
on
Tuesday
in
her
Thursday
of
next
week
and
the
project
starts,
all
right
is.
D
E
B
A
A
A
E
A
E
A
A
The
artwork
may
fade,
and
this
on
the
sheet
here
is
some
of
the
specifications
that
we
got
from
the
artist
and
the
third
thing
that
it's
just
discussing
is
that
this
shouldn't
be
forever.
It
should
be,
perhaps
for
two
years
until
the
next
desert,
X
or
until
the
sun
line
decides
to
commission
some
more.
These
are
not
meant
to
last
forever,
however,
they
are
the
actual
bus
shelter.
So
if
some
line
will
keep
it
painted,
I
thought
we
might
help
maintain
the
art
itself.
D
A
A
A
What
I
thought
we
should
probably
should
do
with
this?
If,
if
there's
enough
interest
on
the
part
of
the
Commission
to
pursue
this,
any
expenditure
over
$25,000
has
to
go
to
the
City
Council
anyway.
So
what
I
thought
we
might
do
is
tell
them
about
it
ahead
of
time
and
talk
about
where
it
might
go
and
the
possibilities
that
have
been
mentioned
so
far
are
the
Art
Park,
depending
on
the
weight
of
the
piece
the
Virgin
site
has
been
offered.
You
know,
sort
of
only
at
the
far
side
from
the
graffiti
and.
A
Several
people
have
suggested
that
it
could
go
on
a
rhiness
after
the
Indian
Canyon
has
made
those
ways,
but
any
of
those
decisions
would
be
up
to
the
City
Council.
Also,
it
says
not
only
the
amount
that
they
have
to
approve,
but
the
siting
of
pieces
of
public
art
has
to
be
approved.
So,
instead
of
coming
up
with
a
plan
and
asking
them
to
approve
it,
I
think
we
should
involve
them
in
and
the
decision.
C
D
So
the
husband
of
the
artist
is
an
architect
and
he's
the
one
that
engineered
this
piece
for
this
site.
So
if
it
moves,
it
has
to
probably
be
re-engineered
for
whatever
site
it
will
go
to
so
I've
been
thinking
about
this
a
lot
over
the
weekend
and
what?
If,
because
it's
kind
of
an
expensive
purchase
if
people
are
into
the
purchase?
If
we
ask
the.
B
D
J2,
actually,
if
this
becomes
kind
of
an
arenas,
wayfinding
thing,
maybe
they
could
help
fund
this
because
it's
acute
it
would
be
a
huge
chunk
of
our
budget,
but
but
I've
talked
to
Christine
Hammond
about
those
artistic
crosswalks
and
everything,
maybe
those
things
kind
of
come
out
of
transportation.
So
now-
and
this
is
the
second
of
these
rainbows-
the
first
one
is
in
Mexico
at
a
resort-
so
it's
this
is
a
second
iteration
of
it.
So
I
don't
know
if
it's
the
idea
behind
it
could
change
well.
A
I
think
we
should,
you
know
present
all
of
these
issues
to
the
City
Council.
It's
I
think
there's
also
the
arenas
Road
Business
Association
or
whatever
it's
called,
who
I
think
would
certainly
probably
help
with
murals
and
maybe
with
this
and
again,
depending
I,
don't
even
know
if
it
can
go,
expand
the
street,
it's
42
feet
wide
and
16.
D
A
A
E
There's
one
other
thing:
I
would
like
this
to
also
give
some
consideration
to,
and
that's
the
ghost
tree,
which
is
Kathleen's
Ryan's
piece
and
DHS
as
all
of
the
friends
of
mine
who
have
toured
most
of
the
desert.
X
installations,
the
rainbow
and
the
ghost
tree
are
the
most
talked
about
as
the
most
significant
and
most
interesting
of
the
installations.
From
this
year,
I
did
reach
out
to
Kathleen
Ryan,
the
artist
and
her
gallery
rep
in
Los
Angeles.
E
It
comes
with
an
approximate
$35,000
price
tag
and
I
thought
that
would
have
been
a
nice
piece
for
the
Virgin
Hotel
site
as
a
temporary
piece.
So
just
in
our
food
for
thought,
general
discussion
I
think
we
might
want
to
add
some
consideration
to
gostrey.
It's
pretty
cool
piece.
It
needs
some
rework
for
it.
D
E
A
The
two
of
you
to
serve
as
a
ad
hoc
committee
to
sort
of
prepare
an
idea
of
what
things
from
desert
X.
We
would
like
the
city
to
consider
and
then
we'll
meet
with
the
downtown
subcommittee
and
also
just
find
a
way
to
run
it
by
the
council.
That's
not
the
sort
of
thing
you
want
to
like
just
put
on
the
agenda
for
them
to
like.
D
E
D
A
So
if
you
look
at
the
fourth
page,
the
top
sign
is
in
Los
Angeles
near
the
Convention
Center,
and
it
has
all
of
the
sister
cities
of
Los
Angeles.
This
one
on
the
left
is
I'm,
not
sure
where
it's
from
and
the
one
on
the
right
is
one
that
Scott
did.
You
know
he
has
a
lot
of
sort
of
philosophical
statements,
but
and
it's
a
little
hard
to
read,
but
the
one
that's
colored
signs
has
a
couple
of
quotes
about
art.
So
we've
been
talking
about
and
also
Michael
Brown,
who
might
split
this
with
us.
A
They
would
like
some
wayfinding
to
get
people
off
of
Palm
Canyon
to
the
art
pit,
the
museum,
etc,
and
so
I
asked
God.
What
would
he
do
and
first
he
said:
wouldn't
it
be
fun
to
have
the
distance
to
some
other
museums
and,
as
the
reason
I
threw
in
the
contemporary
Austin
is
today
they
announced
the
new
director.
A
Austin
Museum,
so
that
might
be
fun.
These
are
just
some
quotes
that
I
had
found,
and
then
it's
not.
We
opted
to
also
direct
people
to
the
architecture
and
design
center
because
that's
something
they
have
trouble
finding
the
Uptown
Design
District.
There
could
be
something
another
area
of
downtown
and
the
eat/drink
Park
I
thought
might
be
helpful
because
they
have
this
giant
parking
garage
and
no
one
goes
there.
A
We
don't
want
to
advertise
any
particular
businesses,
but
the
parking
which
belongs
to
the
city
I
think
we
should
do
so
again.
If,
if,
if
you
like
this
idea
or
have
some
suggestions,
we
could
try
to
I
could
try
to
work
with
him
to
bring
it
as
a
real
proposal
at
the
next
meeting.
So
it
would
be
specific
what
it
would
say.
Yeah.
E
A
Love
them,
it's
I
mean
if
you
have
a
minute
look
at
his
website
this.
This
is
sign.
He
makes
other
things
besides
science,
but
they've
called
word
on
the
street,
and
you
know
it's
like
I
have
one
that
says:
relax,
that's
one
that
says
breathe,
and
then
we
have
imagined
art
here
and
he's
gonna
sell
his
magnets
and
mugs
and
things
at
destination
PSP.
A
A
E
A
B
A
B
A
C
A
A
C
A
B
A
B
A
A
B
E
E
B
A
B
A
B
B
The
idea,
the
idea
was
that
we
were
that
with
the
pushback
with
the
date
being
moved
a
week
later,
so
then
it
would
be
being
installed
or
just
about
installed
on
that
Thursday,
and
then
that
would
could
be
a
chance
for
commissioners
to
get
some
preview
photos
and
things
like
that
and
take
advantage
of
promoting
it.
Those
couple
days
prior
to
the
opening.
So
it's.
B
A
And
we
may
have
some
of
these
are
projects
to
vote
on,
in
which
case
I
think
we
should
probably
do
it
here,
because
we
have
video
and
stuff
and
it's
fine
to
meet
over
there.
You
know
if
we're
like
having
a
just
a
discussion,
but
also
we
have
a
plan
on
May
16th
to
have
some
kind
of
program
at
the
Art
Museum,
based
on
sort
of
what
Dyson
and
Womack
come
up,
come
up
with
and
sort
of
the
future
of
public
art
so
and
I
think
it'll.
A
And
we'll
try
to
sum
it
up,
maybe
look:
maybe
we
can
do
a
you
know.
A
slideshow
I
think
we
should
hold
it
in
the
there's.
A
lecture
room
upstairs
in
the
museum
tell
it's
about
80
people
as
opposed
to
the
big
auditorium,
but
it
has
great
audio
and
video
capability
and
I'm
also
tempted
to
in
the
very
first
at
the
beginning
of
the
year.
The
first
person
we
interviewed,
we
talked
to
about
doing
a
big
mural
project
was
called
branded
arts
Warren
brand
and
they
had
just
done.