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From YouTube: Public Arts Commission | April 21, 2021
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A
B
I
think
we
have
five
shonda
told
me
that
she
would
be
a
little
bit
late.
So
I
think
that
I
would
like
to
call
to
order
this
regular
meeting
of
the
public
arts
commission
of
the
city
of
springs
for
wednesday
april
21st
2021,
and
I'd
like
to
ask
jay
to
call
the
role.
Please.
B
I
see
a
phone
that
says
I
thought
it
said.
Phone
tracy
well
come
back
to
her.
D
B
Okay,
thank
you.
I
would
like
a
motion
please
to
accept
the
agenda
with
one
amendment.
I
would
like
to
ask
the
indulgence
of
we
have
many
guests
today
and
probably
some
public
comments
to.
Let
us
go
directly
first
to
the
swearing-in
of
our
reappointed
members,
so
that
this
city
clerk
doesn't
have
to
wait
any
longer
than
that.
B
Commissioner
yani,
where
are
you
when
we
need
you
really?
Okay,
all
in
favor,
bye,
any
objections?
B
Great
okay,
now
anthony?
Are
you
here?
Okay,
the
first
order,
then,
will
be
the
oath
of
office
administered
by
the
city
clerk.
C
Thank
you
for
having
me
I'm
gonna
go
ahead
and
start
with
russell
prachard.
If
you'll
repeat
after
me,
I
please
state
your
name.
Russell
pritchard
do
solemnly
swear.
Do
you
solemnly
swear
that
I
will
support
and
defend
that
I
will
support
and
defend
the
constitution
of
the
united
states,
the
constitution
of
the
united
states
and
the
constitution
of
the
state
of
california.
B
Very
good
tracy
are
you
able
to?
Is
your
microphone
working.
C
Well,
madam
chair,
she
is
already
an
appointed
commissioner,
so
we
can
always
do
this
oath
at
your
next
meeting.
If
you'd
like
okay,
I.
B
Think
that
we
probably
should,
but
thank
you.
C
B
Okay,
now
we
have
a
lot
of
visitors,
which
is
wonderful
and
I'm
going
to
go
around
and
ask
you
each
to
just
introduce
yourself.
We
usually
ask
you
to
spell
your
name,
but
most
of
them
are
on
the
screen,
but
I
think
we'll
do
it
anyway
for
them
for
the
minute.
Okay,
so
barrett.
B
B
Okay,
kim
mcnulty.
C
I'm
sure
richard
noble
would
also
like
to
make
a
public
comment.
B
C
C
B
Okay,
did
I
miss
anyone
else?
Let's
also
mention
that
alicia
thomas
is
here
who's
working
with
us
and
we're
fortunate
to
have
cindy
carnes
again
to
keep
us
on
track.
Sid
hubbard
hi
introduce
yourself.
C
B
C
B
B
A
A
Sorry,
I'm
at
the
the
I
can't
breathe
art
piece
here
on
indian
canyon
laying
an
american
flag
down.
A
But
yes,
I
do
want
to
speak,
congratulations,
everybody
and
although
we
haven't
moved
forward
with
our
lgbt
leadership
memorial,
I
have
submitted
a
park
request
to
the
city
for
may
27th
harvey
milk
day
to,
as
you
can
see,
I've
got
350,
transgender,
small
transgender
flags,
and
I
want
to
feel
saint
francis
stevens
park
for
that
whole
saturday
and
sunday
with
three,
because
there
were
350
murder
of
transgender
people
last
year
in
honor
of
them
and
hang
a
big
american
flag
with
the
big
banner
that
we
spent
a
lot
of
money
on
500
on
that's
asking
congress
to
pass
the
equality
act.
A
So
I'm
only
here
to
see
if
we
can
either
have
some
funds
or
if
funds
can
be
waived,
they
want
us
to
pay
for
the
city
at
st
francis
stevens
park
for
two
days
plus
insurance.
On
top
of
that,
I've
asked
the
city
if
they
could
help
us
hang
the
banner
and
I'm
waiting
to
hear
back
from
them
on
that
and
any
volunteers.
A
In
three
days
I
raised
750
to
buy
all
the
flags
and
the
imperial
court
of
san
diego
is
going
to
come
out
and
they're
going
to
have
a
african-american
speaker
transgender,
to
address
the
the
current
crisis,
the
human
rights
crisis
facing
the
transgender
community
and
why
there's
such
a
pushback
in
the
senate
focused
on
transgender
equality
to
pass
the
equality
act,
and
we
think
you
know
we
think
it's
time
that
all
people
are
protected
under
the
full
force
of
the
federal
government,
and
that
includes
our
our
transgender
brothers
and
sisters.
B
Great,
thank
you.
So
if
anyone
is
interested
in
volunteering
to
put
up
and
take
down
these
flags,
I
know
we
had
talked
about
it
as
a
as
a
possible
art
project
where
the
flags
would
be
made
by
artists
and
it's
it's
morphed
into
this.
So
it's
really
not
a
project
that
we
can
give
money
to,
but
I
think
we
can
get
lots
of
moral
support
and
and
volunteers,
because
I
know
there
were
people
that
were
interested
before
all.
D
Right
so
I
just
had
a
question:
is
it's
also?
Have
you
talked
to
the
human
rights
commission?
Because
because
that's
another
question
within
the
city.
A
I
haven't
yet
I
have
not
yet
okay
and
I
don't
know
if
they
can
or
if,
if
jeff
course
or
lisa,
middleton
or
anybody
could
help
with
waiving
fees,
but
I'm
we're
happy
to
raise
some
money
to
pay
for
it.
All
I
mean
that's
really
not
a
big
deal
but
planting
you
know
within
an
hour
350
flags
into
the
grass
up.
There
is
going
to
be
an
undertaking.
B
C
I
have
a
question
amount
of
chair:
is
this
considered
a
rally
or
a
peaceful
protest
and
then
my
last
question:
had
you
considered
doing
this
at
city
hall
yeah?
They
did.
B
B
B
Okay,
then,
we
fortunately
have
a
pretty
light
agenda,
but
I
I
will
tell
you
that
the
deadline
for
applications
is
may
10th.
I
have
talked
with
anthony
the
city
clerk
and
he's
agreed
that
I
can
sit
in
on
the
interviews
which
I've
done
for
the
last
couple
of
years,
and
it
sounds
like
we're
going
to
have
a
lot
of
applicants.
B
I
also
had
a
chance
to
meet
with
justin
milton
the
new
city
manager
and
cindy
came
along
and
jay
to
help
sort
of.
We
tried
to
bring
him
up
to
date
on
what
we've
been
doing,
including
our
recent
request
to
have
some
alterations
made
to
the
mural
ordinance
and
also
to
the
public
art
ordinance,
because
it
still
says
things
like
we're
not
allowed
to
work
with
schools
or
we're
not
allowed
to
have
exhibits
and
language
from
1988
and
it
doesn't
accommodate
what
we've
been
doing
with
mini
grants.
B
But
we
went
over
the
mural
one
last
month
and
we
also
the
the
report
I
handed
out
to
all
of
you
the
other
day
that
sort
of
was
a
summary
of
what
we've
been
doing
with
the
mini
grants
and
what
the
language
could
be
is
what
we'll
we'll
give
to
the
new
city
manager.
B
B
B
Now,
if,
if
this
is
about
the
installation
on
the
chocolates
median
called
the
art
of
taming
horses,
which
I
hope
you've
all
seen
by
now,
the
original
request
that
we
made
to
the
city
council
was
to
pay
for
the
installation
in
return
for
having
the
loan
of
that,
the
piece
would
remain
for
a
couple
of
years.
B
The
city
council
was
quite
firm
that
they
didn't
want
us
to
pay
for
an
installation
by
desert
x,
but
that
they
would
be
happy
to
negotiate
with
the
artist
after
it
was
done
for
terms
under
which
he
would
be.
He
would
leave
it
here
for
a
couple
of
years.
It's
a
it's
a
great
piece
and
that
we've
just
begun
to
sort
of
have
conversations
around
it.
So
mara,
gladstone,
I
think,
has
been
in
touch
with
the
artist
and
can
tell
us
what
under
what
terms
he
would
allow
us
to
keep
it.
F
Yes,
hi.
Thank
you.
You
know
I
do
have
some
images
which
I'd
be
happy
to
share.
If
I,
if
anyone
would
like
to
see
the
current
images
taken
on
a
overcast
day
in
palm
springs,
so
it's
very
cloudy
actually,
but
would
you
like?
Would
anyone
like
me
to
to
share
those
images.
B
F
Super
cloudy,
so
just
so,
you
can
kind
of
see,
I
believe,
we're
working
on.
Well,
the
desert
x
is
working
on.
You
know
securing
the
the
flag,
so
they
don't
flap
around
as
much
but
I'll
just
quickly,
scroll
through
them.
B
F
Believe
we've
been
desert
x
has
been
adjusting
the
lighting
okay,
so
they
should
be
good.
F
Now
so
so,
yes,
you
know,
it
seems
like
it
makes
that
the
artist
is
is
willing
to
to
to
do
the
to
do
a
loan.
He
does
need
to
confirm
these
things
with
whatever
the
agreement
is
with
his
representatives
with
with
his
gallery,
but
yes
having
a
direct
loan
through
the
arts
with
the
city
and
the
artist
makes
the
most
sense.
F
You
know,
I
think,
with
with
that,
the
public
arts
commission
can
use
its
arrangements
to
sort
of
periodically
check
on
the
and
maintain
the
work,
and
you
know
if
there
are
any
issues,
there's
that
ability
to
take
care
of
the
work
after
the
desert
x.
Exhibition
concludes
since
most
of
the
staff
at
desert,
x2
also
disperse.
F
In
addition,
the
artist
has
made,
I
believe,
six
copies
of
the
flags
which
would
be
available
to
reinstall
in
case
there's
damage
over
time.
So
there's
been
some
preparations,
anticipating
that
there
may
be
a
need
for
duplicate
flags,
so
those
are
also
available
for
the
duration
of
the
loan,
and
you
know
I
would.
I
would
recommend
that
we
we
make
a
recommendation
to
move
forward
with
a
loan.
Just
with
the
you
know,
awareness
that
the
artist
does
need
to
review
it
and
sign
it.
This
is
not
a
ready
to
go.
F
You
know
we
don't
have
his,
he
he
wants
to
do
it
and
he
wants
to
do
a
loan
with
the
city,
but
he
does
need
to
you
know,
review
whatever
those
things
are
so
for
the
commission
to
make
the
recommendation
so
that
that
kept
process
can
move
forward
at
the
conclusion
of
the
desert
x
exhibition
makes
a
lot
of
sense.
F
F
I
think
the
current
events
over
the
last
few
weeks
have
drawn
attention
to
how
important
that
is,
and
we
also
see
the
the
human
rights
commission
you
know
has
also
been
making
recommendations
for
the
city
to
really
think
about
the
histories
and
the
way
these
histories
are
represented
in
in
our
visual
culture
of
the
city
and
also
the
kinds
of
declarations
that
are
that
are
made.
So
I'm
I
you
know.
I
think
this
is
a
really
it
it's
a
it's
actually
kind
of
a
subtle
work.
F
It's
a
more
subtle
work
than
I
think
some
of
the
other
public
art
pieces
that
we're
used
to
seeing.
But
I
I
like
that
quietness
about
it
and
personally
I've
been
enjoying
seeing
it
on
my
drive,
east
and
west
on
chocolates,
so
that
that's
the
update.
I
have.
D
B
Under
discussion
and
if
we
are
not
able
to
come
up
with
an
agreement
with
the
artist
on
may,
what
14th
or
something
the
the
pieces
would
have
to
be
taken
out
and
one
one
way
of
assuring
that
they
can
say,
is
to
for
the
city
to
for
the
arts
commission
to
offer
to
pay
to
have
them
taken
out
at
the
end
of
whatever
this
loan
is
because
it's
it's
not
as
much
as
it
would
have
been
to
install
them,
but
I
think
there's
still
a
lot
of
work
there.
You
know
there.
Oh.
F
Now,
if
I
can
recommend
yes,
you
know,
instead
of
I
see
in
the
agenda,
there's
something
about
a
payment.
F
I
would
recommend
you
know
we
don't
make
a
recommendation
to
make
any
kind
of
payment,
but
rather
to
cover
the
de-installation
costs
for
the
loan,
which
is
kind
of
standard
practice
for
these
kinds
of
projects
like
usually
someone
can
install
it
and
covers
those
costs
and
then
whoever
it's
you
know
once
it's
concluded,
you
can
remove
the
remove.
So
there
is
an
estimate
available
from
a
local
contractor
who
installed
the
work.
F
I
believe
it's
well
under
ten
thousand
dollars,
but
the
commission
can
check
with
that
estimate
through
through
you
know
the
artist,
and
so
you
know
you
have
those
people
available
to
the
install
the
work
as
well.
So
that
would
be
my
recommendation
in
adjusting
our
recommendation
that
you
know
those
funds
be
allocated
towards
the
de-installation
of
the
artwork
at
the
conclusion
of
the
loan.
B
And
I
think
we
can.
We
can
reframe
this,
but
I
noticed
that
marcus
is
on
and
I
wondered
if
you
had
any
comment
about
the
ins,
the
current
installation.
C
B
C
B
That's
that's
what
we
would.
I
understand,
though,
that
I
understand
correctly
help
me
mara,
that
the
current
loan
agrees
agreement
is
with
the
artist
which
the
city
council
was
correct.
F
That's
not
correct,
and
I
would
recommend
just
for
clarity
here,
that
the
the
what
we're
we're
discussing
is
that
the
loan
be
a
new
loan,
there's
no
extension
of
a
loan
that
this
is
like
a
totally
new
thing,
that
is
a
contract
between
the
city
and
the
artists,
and-
and
you
know
his
representative,
who
will
be
the
gallery,
so
I
think
we
should
just
leave
the
current
loan
agreement.
Just
that's
not
what
we're
discussing
here
we're
just
discussing
you
know
once
that's
figured
out
future.
B
C
B
Okay,
all
right,
but
I
think
that
I
think
that
we
can
approve
a
resolution
from
the
public
arts
commission
that
we
would
like
the
city
to
negotiate
with
the
artist
a
way
to
keep
that
installation
for
some
period
of
time
that
we
are
prepared
to
pay
for
the
de-installation
from
the
arts
commission
budget.
If
that's
the
missing
piece
and
then
I
think
we
should
get
out
of
the
way,
because
it's
the
city
attorney
and
the
planning
department
and
everyone
else
that
will
have
to
work
out
the
terms.
B
F
D
I
just
had
a
sort
of
a
separate
comment.
I
I
did
see
the
piece
and
what
I
like.
I
like
it
a
lot.
It
is
subtle,
as
mara
said,
and
probably
a
little
but
different
from.
Maybe
what
what
we
thought
of
when
we
thought
of
those,
but
what
I'm
really
happy
about
is
that
there's,
finally
something
on
those
pads
and
having
something
there
will
now
inspire,
maybe
some
other
ideas
from
other
artists
for
future
work.
D
You
know,
because
we've
had
such
a
long-term
goal
of
getting
something
on
those
medians
and
now
that
there's
something
there
it
almost
like
it
stimulates
other
artists
to
sort
of
start
conceptualizing
ideas.
So
I'm
really
happy
to
have
something
there
to
inspire
others
so
that
we
will.
We
could,
you
know,
maybe
start
this
process
that
we've
discussed
so
often
of
having
an
rfp
and
having
a
you
know,
a
proper
program
to
install
pieces
there
for
a
longer
term,
or
maybe
it
becomes
another
type
of
thing.
B
Been
talking
about
it
for
quite
a
while
forever,
it's
also
it's
sort
of
fun
to
have
something.
That's
sequential!
You
know,
as.
D
C
B
E
Excited
I
just
want
to
quickly
say
that
I
wholeheartedly
support
this
and
reflecting
on
both
amara
and
tom
have
said.
This
gives
us
the
opportunity
to
to
recognize
an
important
part
of
palm
springs.
History
in
the
coachella
valley,
history,
in
a
very
quiet
manner,
and
it
gives
us
the
sense
of
art
continuing
from
city
hall
into
the
main
area
of
the
city.
It's
just
very
important
for
us
to
work
out
the
logistics
and
keep
it.
D
D
Yeah
right
so
now
it's
it
just
becomes
a
much
more
less
abstract
concept
for
an
artist
to
imagine
a
piece
going
there
in
the
future.
B
Super
so,
commissioner,
yani,
would
you
like
to
make
a
motion.
B
D
I
would
like
to
do
that
I'd
like
to
make
a
motion
that
the
city
proceed
with
an
agreement
with
the
artist
christopher
meyers
to
lend
his
peace
to
the
city
for
a
certain
period
to
be
determined
by
the
city.
I
will
second
that
motion.
E
B
Aye
any
any
opposed
okay
and
then,
as
a
second
motion,
I
suggest
that
we
also
agree
and
we
approve.
E
B
B
When
I
wrote
this
agenda
a
week
ago,
there
was
less
going
on
that
we
needed
to
talk
about,
and
I
would
like
to
suggest
that
we
skip
this
discussion
of
the
recommendations
we
made
about
the
murals,
etc
until
the
city
manager
has
had
a
chance
to
read
it
and
has
offered
to
help
us
and
also
council
member
coors
offered
to
help
put
it
in
a
form
that
could
go
to
council.
So
I
think
we
can.
B
We
can
table
that
for
now
and
the
discussion
on
developing
a
policy
regarding
the
removal
of
public
art
by
the
owner
or
by
the
city,
I
think,
can
also
wait
and
again.
You
know,
there's
going
to
be
practically
a
new
commission,
and
I
think,
sometime
in,
like
early
july
after
the
appointments
are
made,
that
it
might
be
worth
having
a
study
session,
bring
everybody
up
to
speed
and
talk
about
things
like
this.
E
E
B
You
know
it
should
probably
include
the
word
maintenance
or
restoration,
and
I
did
mention
this
to
the
city
manager
and
he
was
very
happy
to
hear
that
we
have
a
program
of
trying
to
maintain
and
repair
things,
though
you
know,
there's
80
pieces
of
art,
and
we
still
don't
know
where
some
of
them
are,
which
brings
me
to
the
fact
that
alicia
is
here
and
from
what
I
understand
is
still
not
quite
has
a
signed
contract,
but
maybe
cindy
you
could
tell
us
what,
if
there's
anything
the
commission
needs
to
do
to
you
know,
make
things
clearer
or
whatever.
C
So
the
commission
voted
already
to
approve
the
agreement.
I
think
what
we
need
to
do.
There
were
a
few
questions
and
not
really
concerns,
but
I
think
some
confusion
about
the
scope
of
of
the
work
that
alicia
is
going
to
be
doing
so.
D
C
B
B
So
well,
let
me
get
some
availability
and
I
can
reach
out
okay
super.
That
would
be
great.
Thank
you
both
and.
F
Just
if
you
want
to
mention
respond
to
russell's
comment.
Yes,
we,
you
know
actually
tom
and
I
spent
a
lot
of
time
actually
earlier
in
the
year
talking
about
a
lot
of
the
sites,
so
we'll
just
type
up
like
a
memo
with
some
of
our
thinking
behind
some
of
our
recommendations,
and
hopefully
that
will
be
helpful.
B
F
Now's
a
good
time
to
do
that,
yeah
shonda
and
I
have
been
looking
into
restoring
the
richard
wyatt
mural.
You
know
I
think
I
brought
this
up
in
an
earlier
meeting,
but
I'll
just
update
us
all
again.
You
know
I
think
there
has
been
when
we
I
first
joined
this
commission
six
years
ago.
F
The
the
the
the
funding
in
the
commission
was
just
much
more
limited
and
I
think
we
had
like
a
hundred
thousand
dollars
in
the
bank
and
it
was
just
it
didn't
feel
possible
to
to
restore
the
richard
wyatt
mural.
I
think
the
last
several
years
of
events,
the
increasing
like
growth
and
interest
in
the
city
of
palm
springs
as
a
cultural
center
and
all
of
the
current
events
about
equity
and
inclusivity
and
how
we're
thinking
about
public
art
in
the
city
have
drawn
attention
to
this
treasure
in
this
community.
F
You
know
a
grand
mural
by
a
relatively
important
artist
in
the
black
community
in
southern
california,
who
has
made
equally
great
and
important
murals
throughout
los
angeles
in
the
southern
california
area,
including
at
union
station
in
l.a.
It's
like
the
big
mural
that
meets
you.
We
have
this
in
our
community
and
it
is
falling
apart
and
yet
it's
you
know
widely
photographed,
especially
with
the
attention
that
desert
x
is
bringing
to
that
site.
F
I
mean,
I
think,
like
hundreds
of
thousands
of
people
who
are
not
from
palm
springs,
are
visiting
and
seeing
that
mural
and
taking
photos
in
front
of
it,
and
I
think
it
draws
attention
to
the
fact
we
should
restore
this
mural.
You
know
if
this
was
in
the
center
of
palm
springs
and
featured
featured
other
people
who
are
not.
You
know
black
and
brown.
F
You
know
children
in
the
community,
it
might
have
already
been
restored
and
I
think
it's
really
important
for
us
to
do
that,
and
so
we've
been
in
con
contact
with
richard
wyatt.
He
is
available
to
do
it
not
immediately,
but
in
the
next
year
year
and
a
half
it's
a
long
process,
he
would
hand
paint
tiles.
F
But
what
I'd
like
to
we'd
like
to
bring
to
the
the
as
a
proposal
for
our
next
commission
meeting
is
an
agreement
to
to
get
an
engineer
in
to
see
whether
the
wall
can
support
the
weight
of
a
mural
that
scale
and
if
not,
what
stress
load
it
could
take
to
see
how
big
a
mural
we
can
make
to
just
see
if,
if
tile,
if
a
tile
artwork
replacement
is
possible
for
that
wall.
F
So
you
know
we're
getting
information
about
pricing
for
that
as
well
and
the
actual
cost
for
that.
But
it's
around
two
hundred
thousand
dollars.
F
But
I
do
think
that
this
is
an
important
enough
project,
particularly
when
we're
seeing
million
dollar
maryland
sculptures
going
up
that
this
is
a
small
amount
of
money
for
an
artwork
that
is
really
important
to
so
many
people
in
our
community.
So
so
yeah.
We're
excited
that
the
community
is
interested
in
this
and
they're
they've
been
a
prize
of
our
interest
in
doing
this.
F
You
know
before
I
leave
the
commission
I'd
like
to
see
us
move
forward
with
some
steps
and
have
a
plan
that
hopefully
the
full
commission
coming
on
board
in
the
summer
can
be
able
to
continue
to
take
on,
but
we
have
a
strong
relationship
with
the
community
where
this
mural
resides,
and
I
really
would
like
to
see
us
move
forward
with
with
restoring
that
real
treasure
in
palm
springs.
D
Can
I
add
on
to
that
also
so
mara,
and
I
I
think
together
went
to
meetings,
as
this
goes
on
many
years
ago,
when
we
first
were
on
the
commission.
So
we've
been
dealing
with
this
for
a
very
long
time
and
I
think
maybe
mars
right
that
there's
something
that
suddenly
stars
somehow
realigned
and
like
now's.
The
moment,
which
is
great.
I
just
also
want
it
again,
since
we
are
leaving
the
commission
and
shonda.
D
This
might
be
something
that
you
can
speak
to,
but
it
was
my
understanding
that,
when
that
mural
was
made
why
it
worked
with
a
lot
of
young
people
who
lived
in
the
neighborhood
as
like
sort
of
interns
on
the
project
on
the
completion
of
the
project,
and
I
don't
recall
who
told
me
that,
but
that
a
lot
of
those
kids
are
now
adults
who
may
still
be
in
the
neighborhood.
D
So
there's
kind
of
like
an
almost
like
an
oral
history
element
to
it
that
I
would
like
to
somehow
see
brought
into
the
restoration
or
something
you
know
that
there's
a
there's
sort
of
like
ancillary
work
to
be
done
in
terms
of
the
memory
of
this
culture
and.
B
It
could
be,
it
could
be
an
oral
history
which
yeah
would
be
brilliant.
Dad.
I
wanted
to
ask
jay,
I
believe,
there's
a
photograph
of
the
mural
in
your
conference
room.
B
B
It
was
photographed
early
on
when
it
the
colors
were
vibrant
and
it
would
give
people
an
idea
of
what
we're
talking
about
and
any
other
information
you
have
about
it.
The
discussions
four
or
five
years
ago
were
with
the
artist
about
repainting
it
so
doing
it
on
tile
is
a
whole
new
question
and
it
does
have
to
do
with
whether
the
structure
will
hold
the
weight
of
tiles
and
stuff,
but
I
think
we
need
you
know
we.
B
D
Can
I
I
just
want
to
again
it
just
that
what
you
just
said
just
triggered
something
from
one
of
the
meetings
that
mar
and
I
went
to
many
years
ago,
which
is
in
addition
to
having
arts
commission
funding.
My
our
sense
from
the
neighborhood
when
we
went
to
the
neighborhood
commission
was
that
the
they
were
interested
in
raising
money
for
it
as
well.
So
there
might
be
another
stream
or
something
there
among
sort
of
a
public
funding
for
this.
D
That
was
also
that
people
seemed
very
committed
to
so
that's
another
possibility
in
terms
of
you
know,
maybe
how
this
is
funded
if
the
dollar
amount
seems
high
or
something
or
maybe
funding
for
other
that
you
know,
maybe
a
booklet,
a
book
about
it
or
something
you
know
there's
there
was
just
so
much
enthusiasm
for
the
piece
and
that's
something
that
another
well
that
can
be
tapped
into
for
for
bringing
this
project
to
completion.
F
And
if
I
can
also,
you
know,
I
I
don't
know
if
this
is
the
right
time
to
talk
about
this,
but
because
of
the
the
the
wishing
well
by
serge
adtu
clothi
is
on
view
as
part
of
desert
x.
There
is
an
increasing
foot
traffic
and
you
know,
I
wonder
if
you
know
it
seems
like
the
potential
for
a
longer
term.
Loan
again
with
the
artist
is,
is
potentially
a
possibility.
F
So
there
is
this
additional
foot
traffic.
You
know
we
may
want
to
consider
putting
some
kind
of
a
sign
with
a
qr
code
with
information
about
the
project.
With
information
about
you
know,
intent
to
restore
it
like
once
we
have
this,
it's
possible.
B
They're
working
we're
getting
the
one
with
amanda
gorman
is
getting
lots
of
of
traffic
so
and
russell
is
now
a
pro
at
getting
signs
printed
right.
F
Awesome
needs
the
content,
and
so
I
would
like
to
I
would
I
was
going
to
work
with
shonda
to
kind
of
gather
up
to
again
in
my
last
few
months
on
the
commission
write
up
a
kind
of
more
art
historical
report
on
why
richard
wyatt
is
an
important
artist
and
then
also
we
have
the
community's
involvement
in
the
project,
so
that
again
we
have
this
documentation
that
you
know
the
next
commission
can
can
use
to
move
the
whole
project
forward
and
get
public
support,
because
as
much
as
it'd
be
great
to
tap
into
the
the
community.
F
I
also
think
it's
important
for
this
city
in
terms
of
thinking
about
equity
and
where
we
place
resources
for
public
arts.
You
know
downtown's
been
getting
a
lot
of
it
like
you
know.
Let's,
let's
see
if
I
think
we
can
find
two
hundred
thousand
dollars
in
the
public
arts
commission's
allocated
funds
to
restore
this.
It's
important
enough
to
do
that
without
having
to
do
a
separate
fundraiser.
B
So
we
should
try
to
get
some
kind
of
sign
up
at
least
the
qr
code,
because
a
website
is
easily
updated.
You
know
it's,
it
doesn't
have
to
be
it.
Can
the
message
can
change
as
things
develop
so
but
a
little
something
about
you
know.
I
don't
even
know
that
there's
anything
with
the
name
of
the
artist
and
there
must
be-
I
mean
there
must
be
a
plaque
or
something.
B
But
you
know
this
is,
as
tom
said,
for
as
long
as
we've
all
been
on
the
commission,
which
is
you
know,
six
years
mostly
we've
been
talking
about
this
and
it
just
seemed
overwhelming
until
really
people
from
the
neighborhood
started
asking
and
it
it
turns
out,
we
got
stuck
because
the
artists
felt
that
touching
it
up
would
be
an
enormous
job
and
he
probably
couldn't
use
kids
at
that
point,
and
it
was
hundreds
of
thousands
of
dollars
this,
at
least.
B
Okay,
anything
else
on
that,
and
I,
as
I
say
I
should
have
said
that
it's
not
just
removal
of
public
art,
but
there
is
an
issue
coming
several
places
where
people
who
applied
for
and
did
a
mural
with
you
know,
with
the
public
hearing
and
the
consent
of
the
city
council
now
want
to
paint
over
it
and
the
mural
ordinance
is
not
very
clear
about
what
you
can
do
or
how
long
it
has
to
stay
up
and
we're
kind
of
going.
B
The
other
way,
which
is
most
murals,
are
street
art
and
probably
shouldn't
last
more
than
a
couple
of
years,
but
anyway,
that's
that's
a
big
next
question
to
do.
Okay,
everything
on
that.
Okay,
the
last
item
of
approval
is
this
is
another
small
invoice
that
fell
between
david,
ready
and
justin
milton
it
doesn't
quite
fit.
The
pattern
of
our
other
mini
grants
that
have
most
the
payments
have
gone
to
artists
or
neighborhoods,
or
you
know
the
benches
or
whatever.
B
But
sarah
has
completely
updated
the
the
felt
eye
view
that
she
did
three
years
ago
when
we
had
the
opening
of
our
30th
seat,
our
30th
year
celebration
and
it
had
like
20
pieces
of
art
on
it.
Now
it
has
40
pieces
of
art
and
the
airport
would
like
to
hang
it
in
the
ticketing
area.
B
I
said:
welcome
to
palm
springs,
you
know,
here's
all
this
wonderful
art,
and
so
because
we
never
did
you
know
we
sort
of
it's
been
a
process
since
she
made
it
the
first
time
the
city
has
asked
us
to.
Please
recommend
paying
this
invoice
in
the
amount
of
3
500,
which
includes
the
plexiglass
case.
That
will
protect
it
when
it
goes
on
the
wall.
B
So
I
would
like
someone
to
make
a
motion
please
to
pay
sarah,
for
this
thing,
that's
been
going
on
for
nine
months
or
whatever.
F
I'm
happy
to
make
a
motion
to
recommend
that
we
pay
sarah
schneiderman
thirty
five
hundred
dollars
or
the
amount
in
her
invoice
right
for
her.
Her
felt
public
art
felt
project
that
is
currently
installed
at
the
palm
springs
international.
C
C
B
So
when
we
went
to
get
a
plexiglass
case
for
a
piece
of
art
that
was
like,
you
know
not
not
as
important
so
okay.
So
now
we
have
two
committee
reports
just
to
see
where
we're
going
everything's
kind
of
chugging
along
at
a
quick
speed.
But
shaun
do
you
want
to
tell
us
how
we're
doing
on
the
traffic
boxes.
G
Yes,
before
I
tell
you
it's
I'm
doing
on
the
traffic
boxes.
I
just
wanted
to
piggyback
on
what
thomas
was
saying,
because
I
have
done.
Research
in
the
community
and
and
people
in
the
community
have
a
real
passion
and
a
love
for
that
mural,
where
the
original
brochures
and
booklets
have
been
saved
and
archived
in
the
community
and
a
lot
of
the
the
kids
that
were
children
painting
it.
Now
they
have
children,
so
it
would
be
really
beautiful
to
encapsulate
that
oral
history.
G
Yay,
so
our
first
traffic
box
was
installed
last
week
by
cat
goddess
and
it's
on
the
corner
of
amato
and
indian
canyon.
The
second
traffic
box
is
being
installed
and
finishing
up
today,
that's
by
emmeline,
tate
and
that's
at
sunrise
in
east
palm
canyon.
Additional
boxes
will
be
arriving
in
this
upcoming
week.
They'll
be
coming
out
two
by
two
three
by
three
and
on
social
media.
Each
box
will
be
highlighted
with
a
soundtrack
inspired
by
the
commissioners
and
artists
illuminating
the
palm
springs
local
residents
on
vacation
vibe.
G
So
as
you're
sitting
there
at
the
traffic
light
you
glance
over
at
one
of
the
boxes,
there
is
a
soundtrack
to
accommodate
the
time
as
you
sit
there
and
gaze
into
the
beautiful
art
that
is
now
at
your
fingertips
in
palm
springs,
but
only
while
you're
at
the
red
light
right,
while
you're
at
the
red
light.
I
mean
the
the
it'll.
The
the
time
will
go
so
quickly
and
you'll
be
so
grateful
for
that
moment
of
respite
and
that
time
of
meditation
absorbing
the
art
in
the
next
couple
of
weeks.
G
Joanna
adams
is
one
of
the
artists
that
will
be
installing
zach
fleming
cheyenne
chavez.
Let's
see
kevin
smith
and
rachel
jacobs
are
on
the
list
to
do
various
boxes
in
different
locations
around
the
city.
G
So
I'm
hoping
that
the
next
round
of
call
for
artists
will
be
towards
the
end
of
the
month,
so
we
can
get
the
next
set
of
boxes
and
also
open
it
up
for
more
people
that
are
excited
that
maybe
didn't
get
a
chance
to
apply
the
first
time
now
they
have
another
chance
and
now
that
they
see
that
the
ambiance
we're
creating
in
the
city
they
want
to
be
involved.
G
So
I'm
really
excited
about
this
project,
and
also
the
desert
x
has
brought
a
lot
of
people
to
the
joj,
so
they
have
been
seeing
the
mural.
They
have
been
seeing
a
lot
of
the
artwork.
That's
been
installed
around
in
the
last
year
there
and
there
is
a
bit
of
a
talk
and
a
buzz
about
keeping
the
artwork.
That's
there
possibly.
B
C
B
Any
other
comments,
I
hope
some
of
you
have
seen
them
as
you
drive
around
okay.
Now
tom
is,
I
mean
russell-
is
working
on
two
or
three
mini
grants
that,
for
various
reasons,
have
have
need
temporary
use
permits
need
help
from
the
city
installing
them
so
they're
taking
a
little
bit
longer,
but
they
are
they're
they're
moving
along,
so
you
want
to
just
mention,
I
think,
there's.
E
Three
I'll
just
give
a
quick
update,
there's
two
of
them
actively
right
now,
working
with
the
little
tuscany
neighborhood
for
an
installation
by
e
tyler
burton
which
I'm
thrilled
about
on
mars,
familiar
with
tyler's
work.
This,
I
believe,
is
going
to
council
for
approval
on
may
13th
meeting,
but
it's
going
to
be
installed
on
the
crescendo,
city-owned
property
west
bracket
club
in
leonard
16-inch
diameter
of
there's
the
thanksgiving
forgot
to
queue
for
the
photo.
E
This
is
the
mock-up
of
the
photo
it's
16
inches
in
diameter
and
eight
feet
tall
and
her
work
is
a
combination
of
clay,
ceramic
and
tile.
So
very
stunning
fits
in
with
the
color
landscape
of
nature.
So
it's
a
brilliant
piece
again
would
be
temporary
through
the
end
of
2021,
with
the
possibility
of
extension.
E
Yeah,
what
we
will
most
likely
do
with
this
is
tyler
has
done
on
other
pieces.
Add
a
qr
code
with
her
speaking
about
how
how
she
makes
the
piece
and
its
interpretation
and
its
setting
and
then
the
second
one
jay
if
you
can
pull
up
the
slide
for
the
michael
bernberg
piece.
E
Yeah,
the
popsicles
are
at
605
sunday
dunes,
the
vacant
lot
across
the
street
from
county
bakery,
and
I
guess
I
shouldn't
be
surprised,
but
I
am
surprised
about
the
enthusiasm
that
the
public
has
met
with
this
installation,
because
it's
just
so
playful
and
amusing-
that
it's
drawing
lots
of
people
for
selfies
I've
seen
people
posting
online,
they're,
hugging
them
they're,
trying
to
lick
them
they're
doing
whatever
they
want
to
do
for
them.
E
But
it's
quite
fun
and
we're
still
there's
a
couple
of
details
because
we
did
land
use
permit
for
that
and
we're
doing
land
use
permit
for
tyler
burton's
installation
and
we
had
to
do
a
building
permit
as
well.
So
there's
a
couple
of
technical
things
you
just
need
to
submit
through
city
planning,
but
it's
pretty
I
mean
it's
installed.
So
it's
just
wrapping
up
a
couple
of
details,
but
it's
been
a
great
hit,
got
great
publicity
on
whatever
station
it
was
cbs,
I
guess
in
desert,
sun,
so
very
good
press.
B
Okay,
so
now
we
get
to
the
section
for
commissioner
comments
or
requests.
B
We've
had
some
good
ideas
talked
about
in
the
last
couple
of
minutes
about
things
that
we'd
like
to
see
happen
next,
but
does
anyone
else
have
any
comments
about
where
we've
been?
I
what
I
tried
to
put
in
that
report
that
I
gave
you
all
a
copy
of
is
three
years
ago.
We
said
you
know
what
let's
put
this
sign.
That
says,
imagine
art
here
and
ask
for
for
solicitations
for
some
submissions
from
artists
of
what
they
would
do
in
the
city,
and
you
know
it.
It
really
worked
magic.
B
I
mean
there's
things
in
the
pit.
The
car
sculpture
is
now
up,
and
I
think
that
the
next
thing
we
have
to
do
is
have
some
sort
of
a
public
contest
for
where,
where
the
sign
should
go
next,
you
know
which
park
or
which
section
of
the
city
that
hasn't
had
as
much
done,
but
it
seems
to
work
pretty
well,
but
three
years
ago
we
thought.
Well,
you
know
we
really.
B
D
I
just
have
a
commissioner
comment.
I'm
sorry
if
I
have
background
noise,
but
I
just
want
to
commend
commissioner
favo.
I
remember
two
meetings
ago
that
she
was
a
little
disappointed
with
the
progress
and
I
commend
you
for
sticking
with
it.
I
think
a
lot
of
us.
You
know
we
knew
that
you
could
do
it,
and
I
also
I
just
I
that
that
piece,
the
first
one
is
on
one
of
my
walks
in
the
morning.
D
So
I've
watched
it
from
day
one
and
I've
seen
the
artist
one
of
the
things
that
I'd
like
best
about
the
benches
and
the
boxes
is
that
it
gives
the
public
a
chance
to
interact
with
the
artist
I
mean
every
time
I've
walked
by
and
the
artist
was
I
mean
she
was
talking
to
someone
someone
had
stopped
by
to
ask
questions
about
it
and
stuff.
So
it's
like
almost
like
this
way
of
communicating
more
of
it.
It's
like
a
person-to-person.
D
You
know,
discussion
of
the
arts,
commission
and
the
work
that
we
do.
So
I
particularly
wanted
to
comment
on
that.
I
also
wanted
to
comment
picking
up
on
what
ann
said
about
that
that
all
of
these
things
have
come
together
in
a
really
beautiful
way,
but
also
you
know
so
much
of
it
is
driven
like
the
artists
applying
to
to
do
work
and
to
put
their
portfolios
out
there.
That's
all
done
through
the
website,
which
has
been
done
so
well
by
madelina.
D
D
And
I
just
I
want
to
recognize
shonda's
work
and
russell's
work
and
al's
work
and
mars
work
and
anne's
work
and
tracy's
work
for
doing
all
of
that,
because
I
think
you
know
we
talk
about
a
piece
here
and
a
piece
there,
but
there's
also
this
kind
of
infrastructure
that
people
like
sarah
and
madeline
are
also
constantly
working
on
that
kind
of
makes
all
that
possible.
So
I
just
wanted.
D
C
I'd
like
for
us
to
continue
to
strengthen
our
relationship
with
the
palm
springs
art
museum
because
of
covet.
We
were
not
able
to
do
too
much
with
them
as
we
have
in
the
past,
but
even
with
the
new
commission,
you
know,
for
example,
we
would
give
them
50
000
a
year
for
programming
or
whatever
that
was
used,
for.
My
hope
is
that
the
commission
would
continue
to
do
that
as
we
strengthen.
C
E
B
D
B
Hope
to
extend
it
back
to
five
to
eight
when
they
have
more
staff,
and
volunteers
apparently
are
are
in
short
supply
at
the
moment,
because
there's
a
lot
of
people
who
haven't
been
vaccinated
and
they're
a
little
tentative
about
doing
that.
But
you
know,
hopefully
by
summer
a
lot
of
these
things.
Restrictions
will
be
lifted
if
we
keep
going
in
the
right
direction
so
mara.
But
you
have
to
unmute
yourself.
F
Sure
yeah
you
just
had
you
had
mentioned
where's
a
place
where
we
could
do
more
projects.
I
would
like
to
recommend
palm
springs
biggest
park
dumuth
park,
which
also
is
a
home
to
a
very
large
filipino
community
that
we
have
also
not
really
been
paying
attention
to.
So
I
would
just
like
to
propose
dumuth
park.
Has
some
great
walls
on
the
community
center?
F
Has
a
lot
of
space
largest
acreage
in
the
city
and
again
serves
really
serves
a
community?
It's
you
know,
it's
it's
just
it's
a
it's
a
big
important
park,
and
could
you
know
it's
already
very
beautiful,
but
I
think
there
are
is
space
and
opportunity
for
more,
like
with
the
benches
right
and.
F
And
and
there
might
even
be
room
for
some
sculptures
so
exactly.
D
D
Yeah,
I
just
was,
I
saw
something
recently
I
mean
I,
I
think,
there's
a
section
of
cv
link
that
goes
through
goes
right
behind
dumuth
park
as
well.
So
I
mean
that's
another
opportunity,
you
know.
Maybe
it's
an
opportunity
to
you
know,
create
a
synergy
or
something
like
that.
F
I've
been
talking
to
by
a
nihon
desert,
of
which
I'm
also
a
member
about
how
to
activate
spaces
in
that
neighborhood,
especially
because
it
borders
like
a
more
industrial
area,
but
you
know
there's
also
chef,
tanya's
kitchen
and
there's,
like
you,
know,
other
small
businesses
there.
You
know
my
plumbing
guys
there.
You
know,
there's
a
funeral
home
there's
like
a
really
good
asian
market.
I
mean,
I
think,
there's
a
lot
of
opportunity
to
beautify
and
do
work.
F
You
know
in
you
know
either
on
in
some
of
the
the
commercial
sites,
but
also
in
the
park
around
there.
It's
it's
a
it's
a
heavily
trafficked
area.
You
know
it's
kind
of
like
a
a
through.
F
You
know
the
mesquite
is
a
little
busy,
maybe
a
little
too
busy
sometimes,
but
I
think
I
think,
there's
just
a
lot
of
opportunity
in
that
part
of
palm
springs
and-
and
you
know
in
the
redistricting
with
the
city
you'll
recall
that
the
the
district
that
grace
garner
now
represents
takes
the
north
part
of
palm
springs
runs
along
the
eastern
side
and
folds
into
demuth
park
area
as
well,
so
those
communities
are
connected
and
the
reason
why
the
the
the
districting
was
drawn
that
way
was
to
bring
in
and
represent
communities
that
have
not
been
represented
in
our
city,
council
and
decision
making.
F
So
I'd
encourage
the
next
commission
to
you
know
really
think
about
what
that
means
that
we
took
you
know
and
pay
attention
to
those
communities
that
have
been
benefited
from
that
redistricting.
D
I'm
I'm
sorry
to
keep
that
just
in
connection
that
when
I
went
to
I
met
with
the
dumuth
park
neighborhood
in
connection
with
the
I'm
totally
blanking
on
the
sign
pieces
that
we
installed
around
the
city
by
the
native
american
art
artist,
gerald
clark,
daryl
clark.
When
we
were
talking
about
the
gerald
clark
pieces
and
the
demouth
park
neighborhood
also,
they
have
a,
I
believe,
a
piece
of
land
that
is
owned
by
the
city
somewhere.
It's
like
a
little
triangle
that
they
had
mentioned
specifically
about
doing
a
public
art.
D
You
know
involving
the
public
arts
commission
on
so
there's.
There
was
some
question
at
the
time
of,
like
you
know
what
the
land
was
or
whatever,
but
but
there's
that
they're.
Definitely,
the
neighborhood
is
very
interested
in
it
as
well.
So.
B
However,
again
during
covid,
not
only
was
it
easier
to
work
downtown,
but
they
really
needed
the
the
sort
of
livening
up
and
attracting
people
back
downtown.
But
now
I
think
you
know
we
go
back
and
the
one
on
sunny
dunes
has
turned
out
to
be
so
popular.
You
know
it
just
shows
you
when
you
go
across
from
towny
bagel
that
you
know
anybody
will
come
all
right
anything
we
should
let
everybody
go
pretty
soon.
Anything
else.
C
Across
the
street
from
dumuth
park,
I
photograph
the
installation
of
the
cats
that
are
at
the
veterinarian
services
there.
So
there
is,
there
are
a
few
pieces,
but
I
agree
with
you
mara,
more
the
more
the
better,
especially
from
that
filipino
community,
with
all
due
respect.
B
Well,
I
think,
all
of
the
commissioners
who
are
leaving
the
commission
after
june
30th.
You
know
how,
on
new
year's
eve,
you
write
your
sort
of
predictions
or
wishes
for
the
next
year.
I
think
everyone
should
leave
a
few
wishes
for
the
new
commission
of
things
we
wish
we'd
gotten
to
and
it
just
we
just
didn't
so
all
right.
If
there's
a
couple.
G
Of
things
that
I
wanted
to
bring
up
before
the
future,
I
also
wanted
to
call
it
to
attention.
There
is
a
candle
night
light
peaceful
vigil
at
the
george
floyd
mural
tonight
at
6
30..
So
it's
really
beautiful
that
our
community
is
using
our
art
in
order
to
enable
healing,
especially
after
such
a
huge
tumultuous
couple
of
years
that
we've
had.
I,
I
also
wanted
to
call
the
attention
to
demuth
park
and
something
also
that
yani
said.
G
One
of
the
envisions
that
I
have
for
the
traffic
box
project
is
like
a
morris
column
that
particular
box
at
a
motto
and
indian
canyon,
the
back
of
it's
silver.
So
I
have
a
envisioned
an
idea
of
having
the
codes
there,
maybe
having
a
public
arts
logo
there
for
being
like
a
public
arts
hub
of
information
where
the
benches
are
you
can
scan
to
get
to
the
different
boxes,
different
benches.
G
It
gives
you
like
a
map,
so
it'll
be
like
a
corner,
morse
column,
hub
of
information
that
when
people
are
walking
down
the
street,
they
see
a
utility
bot,
a
traffic
box
and
they
can
get
art,
information
and
information
about
the
city.
From
that
with
dumuth
park,
I
do
have
my
eye
on
the
benches
that
are
there
and
inside
of
their
garden,
there's
a
dome
that
flowers
would
look
amazing
on
inside
of
their
garden.
G
So
there's
been
a
couple
of
projects
that
I
am
scoping
out
for
that
that,
and
I
would
love
to
get
the
wishing
well
extension
and
to
also
beautify
the
parks
there's
a
a
composting.
G
A
team
for
master
gardeners,
haley
is
putting
up
they've
got
a
grant
in
order
to
to
create
a
composting
garden
and
where
public
arts
would
come
in
would
help
beautify,
maybe
the
walls
or
the
murals
or
the
boxes,
and
get
a
lot
of
community
participation
and
gathering
with
that,
as
well
with
the
wishing
well
being
able
to
have
workshops
and
programming
and
have
days
with
the
artist
there
to
continue
to
create
like
from
whatever
artwork
we
create
in
the
community
that
there's
programming
and
information
behind
it
and
supporting
it.
G
B
I,
yes,
I
think
it's
going
to
be
those
of
us
who
are
leaving
the
commission
are
going
to
be
cheering
you
on,
because
it's
really
been
a
great
three
years
now.
If
there's
no
other
comments,
I
think
we
should
let
everybody
get
to
dinner,
and
I
do
want
to
say
thank
you
to
cindy
and
marcus.
Thank
you
for
sticking
with
us
and
this
because
most
of
these,
these
issues
end
up
on
your
desk
anyway,
so
and
to
jay
for
putting
up
with
us.