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From YouTube: City Council Meeting | May 11, 2017
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A
D
B
D
D
B
D
B
A
B
You
miss
Hart.
Next
item
is
the
acceptance
of
the
agenda.
Do
we
have
a
motion
to
accept
the
agenda
as
printed
so.
B
Were
made
in
second
all
in
favor
aye
any
opposed
seeing
none
in
opposition,
though
the
agenda
is
accepted
as
printed
and
to
remind
everyone.
Tonight
tonight
is
a
presentation
from
mark
Rios,
Rios
Clemente
Hale
studios
on
the
downtown
park.
They
will
make
a
presentation
followed
by
public
comments
and
if
anyone
wishes
to
speak
tonight
for
two
minutes,
please
put
a
card
in
to
the
city
clerk
over
here
as
quickly
as
possible,
so
she
can
get
those
together
and
then
we'll
have
a
city
council
discussion
and
then
we'll
have
councilmember
comments.
So
with
that
mr.
G
F
Thank
you
very
much
for
very
excited
to
be
here
tonight
to
have
a
discussion
with
you
and
with
the
public
here
about
the
park
in
downtown
Palm
Springs
I'm,
here
with
three
of
my
associates
from
realistic
amenity,
hello,
Studios.
The
goal
of
tonight
really
is
to
start
talking
about
big
ideas
and
we're
presenting
three
potential
schemes
for
the
park
tonight,
and
each
of
one
of
them
are
embedded
with
different
ideas
about
program,
about
concept
and
about
experience.
None
of
the
projects
you'd
see
tonight
are
actually
a
final
design
and
various
parts.
F
One
project
or
another
project
may
all
come
together,
but
through
our
experience
we
find
that
actually
presenting
designs,
letting
people
comment
on
them
is
a
much
quicker
way
to
get.
Some
real
discussion
going
so
today
is
really
about
getting
everyone's
thoughts.
Then
pans
through
these
designs
as
a
vehicle
for
those
discussions,
I
think
it's
important
to
sort
of
iterate
for
everyone.
F
What
are
the
real
goals
of
the
project
and
we've
identified
six
goals
that
we
use
as
a
test
for
every
single
one
of
the
design
moves
we
make
number
one
is
to
foster
a
strong
sense
of
community
for
the
city,
two
is
to
provide
flexibility,
so
a
variety
of
different
kinds
of
activities
can
happen
to
recreate
a
cooling
respite
place.
The
real
soul
of
a
park
in
the
middle
of
a
downtown
area
is
to
have
that
sense
of
green
cool
resting
place.
Number
four:
to
promote
sustainability.
F
F
All
of
you
in
Palm,
Springs,
know
how
important
fostering
community
and
so
trying
to
make
a
place
that
can
serve
many
program
needs
and
have
lots
of
options
is
really
important
and
the
flexibility
about.
How
can
we
set
up
how
it
can
be
used
having
the
right
amount
of
infrastructures
that
people
can
plug
in
electricity
and
sound
all
those
things
are
essential
to
making
it
a
successful
place.
We
really
want
to
make
this
Park
Place
that
you
can
have
all
individual
quiet
moments
now
these
aren't
spaces
that
are
hidden
or
tucked
away.
F
F
This
is
the
opportunity
to
really
connect
downtown
to
nature
you're
connected
in
such
a
powerful
way
throughout
the
city
by
the
view
of
the
mountains,
but
at
this
opportunity
we
can
let
the
mountains
leak
down
to
the
downtown
grid
and
so
I'm
trying
to
promote
that
connection
to
the
outdoors,
which
is
so
essential,
I
think
to
the
character
of
Palm.
Springs
is
an
important
goal
for
the
park
and,
finally,
to
create
someplace,
that's
unique
and
memorable
and
iconic.
This
should
be
the
next
contribution
to
your
amazing
collection
of
architecture
and
landscape
architecture
in
the
city.
F
To
make
a
great
park,
I
think
that
you
really
need
to
study
other
parks
to
find
out
what
parks
are
successful
and
what
makes
them
really
work.
Most
of
us
have
all
been
in
Central
Park
in
New
York,
and
there
are
a
lot
of
reasons
why
it
works
a
variety
of
spaces,
sense
of
shade
and
Sun.
They
caught
the
views
that
surrounded
how
its
programmed
lots
of
lessons
in
a
very
miniature
kind
of
way
can
be
taken
from
Central
Park
and
applied
to
Palm
Springs.
A
High
Line
in
New
York
is
wildly
successful.
F
One
of
the
key
lessons
about
the
High
Line
is
that
it's
a
promenade.
It
connects
things,
and
so
here
we're
really
trying
to
find
a
way
the
park
will
connect
downtown
with
museum
with
Palm
Canyon.
It's
really
a
link,
and
so
the
High
Line
as
a
connected
piece
of
ribbon
fabric
is
a
great
sort
of
present
for
us
when
we
think
about
the
Park
gasworks
Park
in
Seattle,
the
typography
is
really
fundamental
to
the
experience
the
place
right
now.
F
The
ground
plane
is
basically
flat,
but
we
have
the
potential
to
do
some
grading
on
it
and
we
can
bring
in
some
soil
and
move
some
soil.
I.
Think
that
we're
all
interested
in
creating
a
sense
of
variety
of
experiences
and
so
the
ability
to
sort
of
get
up
a
little
higher
or
maybe
go
down
some
really
takes.
It
makes
it
not
an
urban
place.
It
lets
the
landscape,
come
into
the
city
and
create
that
kind
of
natural
environment.
The
new
Park
in
Santa
Monica.
F
Again,
it
has
a
really
great
set
of
experiences
of
really
a
wonderful
plant
palette,
but
also
it's
a
few
pieces
of
iconic
architecture
of
these
shade
structures,
and
so
shade,
really
is
an
important
element
for
any
successful
park
in
Palm,
Springs
and
so
perhaps
incorporated
in
the
park,
will
be
some
iconic
pieces
of
architecture
that
really
become
important
to
the
overall
character
of
the
place
and
distinguish
it
as
a
memorable
experience.
F
One
of
the
things
that
I
particularly
love
about
this
park
and
Sydney
is
that
you
feel
like
you're
in
a
naturalised
natural
environment
because
of
the
way
water
works
and
rocks
move,
and
things
are
sort
of
soft
in
play,
and
it's
not
particularly
geometric.
It
doesn't
feel,
though
it
it
as
if
it's
man-made,
although
it
is-
and
so
there
may
be.
Some
experiences
like
this
brought
into
the
park
said
it
feels
like
parts
the
landscape
may
have
been
there
before
the
city.
There
may
be
some
sort
of
memory
of
the
original
landscape
in
the
park.
F
Another
important
lesson
we
learn
and
we
study
a
lot
is
how
big
the
park
is
compared
to
other
places
in
the
world
on
the
Palm.
Springs
Park
is
about
half
an
acre,
it's
a
really
nice
size
urban
park
and
when
you
look
at
a
whole
series
of
other
spaces,
around
Los
Angeles,
whether
it's
the
LA
Zoo
grand
Park
and
Los
Angeles,
but
positive
art
design
cultura,
you
can
see
how
big
we
are
compared
to
those
kinds
of
places
and
the
immediate
lessons
to
be
learned
are
program
the
size
of
activities,
how
much
shade?
F
How
much
open
space?
What
are
associated
program
facilities
now
are
their
bathroom
is
what's
lighting
like,
and
so
you
spend
a
lot
of
time
on
cataloging
and
understanding.
All
these
other
places
is
case
studies,
so
that
the
designs
that
we'll
be
presenting
to
you
are
thoughtful
and
hopefully
tested
and
will
really
work.
I
think
it's
also
important
to
dream
big,
and
so
these
are
some
other
parks
across
the
country
in
San,
Francisco
and
Boston
and
Paris,
and
so
those
spaces
are
really
important.
F
I
think
to
also
include
in
our
case
studies
now
the
climate
may
be
different
on
a
lot
of
these,
but
they're
still
the
same
fundamental
issues
going
on
how
people
get
together,
where
they
sit,
how
you
make
big
spaces,
how
you
make
small
spaces.
So
these
are
all
lessons
we
brought
into
our
our
designs
for
those
of
you
who
got
here
before
a
meeting.
F
The
exercise
on
the
table
had
all
these
different
program
pieces
and
we
were
asking
everyone
to
sort
of
prioritize
and
put
them
down
the
quickest
thing
you
learn
is
you
can't
put
all
the
pieces
down,
and
so
you
can't
have
everything
in
the
park.
It
just
isn't
big
enough
and
so
trying
to
figure
out
what
this
place
should
be
about.
F
What's
the
experience
is
it
sculptural
is
a
natural?
Is
it
architectural?
Is
it
open
and
flat?
What
are
your
preconceptions
and
those
ideas
may
evolve
and
change
as
we
all
learn
more.
But
what
are
your
preconceptions
about?
This
I
think
it's
really
important
to
say
that
this,
these
processes
of
designing
a
public
park
are
always
long
and
that
we've
gone
through
a
lot
of
designs,
collect
Li
the
public
and
the
council.
F
F
But
the
park
itself
started
changing
forms,
another
scheme
that
was
studied
about
two
years
ago.
There's
really.
How
do
you
do
this
kind
of
performance
place,
whether
it's
a
lawn
or
other
materials,
and
whether
all
the
support
things
you
would
need
to
make
performances
happening
in
a
productive
and
easy
way?
F
This
particular
scheme
combined
a
lot
of
those
ideas
and
looked
at
these
kind
of
paths
that
moved
in
different
ways
to
the
park.
It
also
looked
at
the
performance
or
is
this
was
an
early
idea
which
is
filmed
more
in
subsequent
change
about
maybe
to
performance
areas.
This
schema
is
really
weighing
heavily
on
sort
of
more
active
performance
usage
of
the
park,
or
some
of
the
prior
schemes
were
much
more
open
sort
of
landscape
schemes.
F
This
scheme
was
a
very
soft
scheme.
This
is
probably
the
most
naturalized
scheme
we
looked
at
of
letting
the
garden
just
kind
of
flow
into
the
park.
It
you
moved
around
in
there's,
probably
some
topography
there
shade
pockets
and
I
think
that
there
are
a
lot
of
really
wonderful
things
about
this
scheme.
One
of
the
things
to
always
note
is
the
more
you
have
typically
organic
and
soft
forms
and
big
masses
of
trees,
less
flexible.
F
It
may
be,
and
so
there's
always
this
balance
between
how
much
events
spaced
you
have
and
how
flat
is
it
and
how
garden
and
Park
like
it
is,
and
so
that's
something
we're
trying
to
sort
of
examine
and
we're.
You
know
in
a
way
trying
to
do
both.
We
want
to
have
a
place.
You
could
have
a
event
in
but,
most
importantly,
it
needs
to
be
I'm
a
garden
in
the
middle
of
the
city.
F
This
was
a
scheme
that
was
done
two
summers
ago
by
really
a
strong
team
really
saying
how
would
you
take
and
realize
that
idea
of
an
event
place
and
so
amid
explored
all
the
kinds
of
components
you
might
need?
As
far
as
tour
the
facilities
concessions
tickets
back
of
house?
How
would
it
be
arranged?
How
could
you
make
the
park
still
be
used
when
there
wasn't
an
event
there?
F
F
Shade
areas
in
its
capacity
was
much
smaller
for
events,
and
so
this
scheme
went
through
a
whole
series
of
pricing
exercises
with
the
with
a
larger
team
members,
and
we
learned
a
lot
from
that,
and
so
what
all
this
means
is
right
now
we're
in
a
really
good
place
that
I
think
collectively
can
make
really
good
decisions.
We
have
some
idea
about
money
and
budget.
We
have
some
idea
about
where
things
might
want
to
be
located.
F
We
have
ideas
about
connections
and
circulation
and
where
shade
may
want
to
happen,
and
so
the
last
eight
schemes,
your
seven
schemes
in
a
way
are
like
the
homework
you
do
before.
You
really
start
a
more
final
decisions,
and
these
were
some
of
the
views.
Some
of
the
ideas
for
shade
structure,
sort
of
a
desert
flower
idea
that
were
part
of
that
scheme.
F
So
our
next
steps,
as
I
mentioned
for
our
process,
is
to
take
test,
fits
of
what
a
story
might
be
test
fit
of
a
program
might
be
and
test
fit,
see,
look
at
the
character
the
park
might
be,
and
we've
developed
three
schemes
that
have
different
ways
of
looking
at
the
three
ideas,
and
those
are
the
ideas.
I
think
we're
asking
all
of
you
to
help
us
think
about.
In
today's
discussion.
So
scheme
number
one
which
you
saw
in
the
front
of
the
room,
was
an
idea
that
this
is
really
a
meeting
place.
F
This
is
a
common
ground.
People
have
come
to
Palm,
Spring
for
decades
and
decades
and
decades
for
a
communal
experience
and
today,
whether
it's
the
film
festival
or
modernism
week
that
that
sort
of
sense
of
community
and
coming
together
is
very,
very
important,
and
so
this
park
was
really
in
support
of
that
idea
of
common
ground.
And
when
you
look
at
the
design
of
this
you'll
see
a
couple
things
right
away,
that
it
has
a
fairly
large
open
space
in
the
middle
of
it
sort
of
like
Central
Park
right
now,
we're
showing
it
as
green.
F
It
may
not
all
be
green,
but
it
allows
us
a
lot
of
flexibility
to
how
it
can
be
used
and
programmed
another
distinguishing
feature
of
this
scheme
is
that
we've
moved
sort
of
the
plaza
down
to
the
museum
and-
and
there
might
be
a
water
feature
here
and
a
shade
structure
might
come
up
from
the
parking
garage.
This
may
come
in
sort
of
an
entry
area
and
so
we're
really
using
this
activity
space
as
the
magnet
on
the
other
end
of
the
park.
F
So
in
some
of
our
other
studies,
this
was
sort
of
the
main
place.
This
scheme
is
saying:
maybe
this
should
be
the
main
place,
so
it
really
makes
the
strong
connection.
It
makes
this
link
between
Palm
Canyon
and
the
museum,
this
sort
of
the
park
at
this
location,
where
we
all
know
that
to
make
a
park
in
this
climate
work.
We
need
lots
of
shade
and
so
there's
some
dense
shade
canopies
around
the
edges.
There
are
also
some
shade
structures,
three
shade
structures
in
this
particular
scheme
that
provide
year-round.
F
You
know
areas
of
seating
and
sort
of
gathering
we're
using
topography
here.
The
slope
rises
up
and
there
are
some
sort
of
inches
and
seating
that
have
ways
you
can
occupy
them,
so
the
park
I
think
functions
as
a
daily
park,
with
lots
of
really
great
shaded
spaces
for
people
to
hang
out.
But
this
scheme
says,
let's
dedicate
a
lot
of
space,
to
be
the
potential
for
using
it
for
a
lot
of
events
too.
F
This
is
the
entry
to
the
parking
garage
and
we're
saying
this
might
be
a
place
in
this
game.
Where
we're
in
locating
some
park.
Restrooms
you'll
see
there
are
all
these
sort
of
diagonal
path
movements
going
to
the
park
and
what's
really
nice
about
these
diagonal
path
movements,
they
are
from
an
experience.
You
get
these
really
great
long.
Angled
views
most
of
the
experience
of
being
downtown
or
walking
or
phagon
aliy
along
the
sides
of
buildings
along
the
grid.
I
think
we
don't
want
the
park.
F
Experience
to
have
those
experiences
and
just
by
angling,
the
paths
and
moving
them
and
change
them.
It
really
reinforces
this
as
a
break
in
the
city
as
a
respite
and
as
a
garden.
One
last
thing
about
this
schemes:
common
ground
is
in
this
one.
We
had
the
illuminator
house
in
this
location
and
we're
trying
to
cite
it
in
this
scheme
like
it
was
really
designed.
F
So
it
was
designed
with
a
north,
south,
west
and
east
elevation,
and
so
we're
sighting
like
that
who
used
to
have
a
drive-thru
garage
and
so
we're,
maybe
thinking
about
changing
the
paving
set
it
symbolically
shows
how
you
could
drive
through
it.
So
this
particular
scheme
says:
let's
put
the
luminaires
right
out
in
front:
let's
give
a
lots
of
visibility
and
let's
make
it
really
authentic,
as
far
as
how
it
was
designed
and
what
its
position
should
be
on
all
of
our
schemes.
F
We're
doing
this
sort
of
scale
where
we
can
compare
them
between
large
event,
capacity
and
small
scale
experience
so
scheme.
One
is
looks
like
it's
sort
of
75
percent,
flexible,
larger
spaces
and
25
percent
sort
of
smaller,
quieter
landscape
moments,
and
these
are
just
some
images
of
what
that
might
be
like
again.
Some
stepped
areas
for
seating,
but
also
that
helps
the
performance,
we're
always
looking
back
into
the
history
of
landscape
architecture
and
that
helps
to
sort
of
think
about
the
future.
This
is
Lawrence.
Halprin.
F
Excuse
me,
Garrett,
Ekpo
I'm,
on
a
really
an
amazing
California
landscape
architect.
It
was
really
a
part
of
the
case
study
movement,
which
was
so
important
here
in
Palm
Springs,
so
we're
letting
his
some
of
his
work
help
also
inspire
us
for
the
future,
we're
not
going
to
copy
it
that
it
can
help
inspire
us
and
some
of
the
pavilions
and
shade
structures
that
could
be
associated
with
this
common
ground
scheme
and
simple
Minori
plant
palates.
F
The
second
scheme
pursues
a
really
different
kind
of
big
idea,
a
reason
for
being
and
that's
the
idea.
The
Palm
Springs
has
always
been
a
place
of
healing
and
we
can
look
at
Palm
Springs
for
50
years.
This
place
for
a
hundred
years
or
more
because
of
the
hot
spring
is
because
of
the
weather
because
of
the
air
that
the
Sun
people
have
come
here
to
heal
and
to
promote
health.
F
So
this
could
be
a
really
big
idea
for
the
park
also,
and
it
may
be
structured
around
these
ideas
of
really
making
a
healthy
place,
and
that
could
be
you
know
showing
through,
for
example,
this
is
just
areas
for
yoga
different
kinds
of
exercise.
Maybe
the
water
feature
might
have
some
of
these
kind
of
memories
of
these
Springs
that
the
design
for
this
particular
Park
really
looks
at
trying
to
make
a
large
garden
and
to
really
organize
it
around
this
idea
of
a
Healing
Place
in
the
city.
F
Again,
it
has
a
lot
of
the
same
components,
but
then
some
really
different
ones
here,
we're
saying
the
main
gathering
spaces
down.
At
this
end,
we
have
a
limited
amount
of
lon,
not
a
lot,
but
we're
saying
in
this
humid
said
we
wanted
to
put
on
both
sides
of
the
street
as
opposed
to
just
on
one
side
of
the
street,
so
it
really
starts
linking
the
intersection
together.
The
park
has
a
lot
of
paths
you
can
move
through
there
places
for
other
kinds
of
events.
F
These
are
shade
structures,
and
so
you
could
have
sort
of
events
or
things
happening
underneath
those
shade
structures
we're
also
looking
at
potential
different
spaces.
If
the
Marilyn
statue
is
located
here,
and
so
this
one
shows
it
being
along
Bilardo
you'll
see
in
other
schemes
we're
sort
of
test-fitting
if
it
should
go
here
as
a
location
which
will
I'm
sure
hear
more
about
all
of
these
forms
are
all
sort
of
a
very
lightweight
shade
structure:
we're
trying
to
make
a
landscape
that
will
kind
of
way
cloak
the
parking
garage,
but
also
be
a
place.
F
F
They
would
just
close
this
part
of
the
street
which
allows
any
future
development
still
have
access
or
you
could
close
a
bigger
area
depending
on
what
the
event
might
be
in
and
traffic
patterns,
and
this
particular
design
is
more
equally
weighted
between
sort
of
larger
event,
capacity,
sort
of
a
garden
Park.
It's
about
half
and
a
half,
and
some
of
the
images
that
this
park
could
be
about.
I
think
this
park
might
be
the
most
quote:
unquote:
natural,
looking
really
soft
flowing.
F
It
might
look
like
the
city
kind
of
built
up
around
this
area
of
landscape.
It
doesn't
mean
again
that
we're
going
to
imitate
nature,
we're
going
to
be
inspired
by
nature
and
if
we
pursued
that
scheme
I
think
if
there
are
shade
structure
kinds
of
build
forms
that
all
want
to
have
more
of
a
naturalized
character
as
opposed
to
a
more
contextual
character
and
that
particular
design
probably
have
a
more
of
a
wide
variety
of
plant
material,
as
opposed
to
a
tighter
palette
to
try
to
create
a
really
soft
naturalized
garden.
F
The
last
idea,
where
we're
exploring
in
the
series
of
schemes
was
what,
if
you
made
the
park,
really
a
sculpture
garden,
it
seems
that
it's
relationships
in
museum
and
also
Palm
Springs
as
a
destination
of
art
and
culture.
This
might
be
an
appropriate
story
to
pursue,
and
so
we've
started.
Looking
at.
You
know
the
various
pieces
of
land
to
art,
the
illuminator
house
pieces
of
the
museum's
collection,
and
in
some
way
would
they
just
inspire
what
the
design
of
this
Park
might
be
about.
F
So
this
scheme
looks
at
the
landscape
in
a
much
more
sculptural
way.
Lanes
of
Earth
are
sort
of
tilted
up
and
down.
There
are
lots
of
areas
here
or
seating.
These
are
all
sort
of
sloped
areas
which
sort
of
look
into
the
park
really
along
water
feature
again
shade
structures
and
multiple
locations,
and
it
has
a
much
more
of
a
feeling
as
if
in
some
sort
of
way,
the
mountains
sort
of
filtered
down
into
the
city.
F
So
there's
a
direct
connection
here
between
the
skyline
of
the
mountains
and
the
ground
plane
or
below,
and
this
scheme
shows
that
it
probably
has
the
three
schemes,
the
smallest
event
capacity
and
the
largest
number
of
sort
of
smaller
garden,
park-like
spaces,
and
so
I
think.
One
of
our
goal
tonight
is
to
hear
everyone's
thoughts
on
that.
How
do
we
weigh
this
as
opposed
to
creating
a
park?
F
That's
really
a
series
of
gardens
or
a
park
that
really
has
ability
for
lots
of
events,
and
how
do
you
balance
those
two
concerns
and
some
images
of
what
a
park
like
that
might
be
like
this
is
a
park
in
Seattle.
Some
of
you
may
have
been
to
it,
and
it's
really
an
amazing
place
to
move
through
it
and
I.
Think
one
of
its
strengths
is
again
you're.
F
Moving
across
angles
to
the
city
you're,
getting
from
oblique
views
of
the
mountains
and
within
that
there
could
be
a
whole
series
of
sculptural
paths
like
this
image
that
you
might
move
through
the
park
have
a
whole
different
series
of
planting
experiences.
This
is
a
really
interesting
piece
of
architectural
landscape,
art
in
Lincoln
Center,
and
they
just
pulled
up
the
core
of
one
of
these
planes
and
they
stuck
a
cafe.
F
You
can
occupy
so
in
that
park,
we're
putting
like
the
bathroom
and
the
storage
room
and
things
kind
of
tuck
them
under
the
landscape,
so
that
it
doesn't
feel
like
there's
a
building
sitting
in
the
park,
those
balloons
kind
of
tuck
within
them
and
again
the
kinds
of
place
making
the
kinds
of
canopies
might
all
be
inspired
by
pieces
of
art,
and
they
might
also
be
curated
and
rotating.
This
might
be
a
place
where
there's
ulcers
and
installation
pieces
that
are
cycled
through
the
park.
That
would
actually
perform
a
very
strong
program
aspect.
F
F
So
this
is
really
a
series
of
brainstorming,
we've
taken
all
the
rangering
and
tried
to
apply
them
in
various
schemes,
so
you
can
see
how
those
ideas
might
turn
out
if
we
really
pursued
them,
but
tonight
we'd
love
to
hear
from
the
council
and
all
over
here
tonight
on
really
those
three
areas.
If
you
have
some
idea
what
this
Park
should
be
about,
what
is
its
reason
for
being
what's
its
identity,
how
much
programming
should
have
versus
how
much
does
sort
of
garden
space?
F
B
Thank
You
mr.
Rios
we're
going
to
have
public
comments,
followed
by
City
Council
discussions,
but
we
have
a
subcommittee.
That's
been
working
on
this
for
a
long
time
with
mr.
Rios
is
councilman.
Roberts
customer
mills
are
on
that
subcommittee.
Would
you
like
to
make
any
comments
before
we
go
into
public
comments?.
H
Other
than
just
that,
this
is
the
first
step
is
a
step
that
was
that
we've
been
looking
forward.
You
do
letting
the
public
see
where
we,
where
we've
been
not
that
we've
been
working
in
a
vacuum
anything,
but
this
is
an
opportunity
to
get
your
your
input
based
on
what
what
what
mark
has
shown
us
and
marks
mark
has
done
a
lot
of
things
to
tease
you
here
and
so,
and
I
think
we
we've
kind
of
looked
at
it.
H
E
It
won't
be
anything
of
what
we're
looking
at
today,
but
it'll
be
a
way
for
us
to
actually
be
down.
There.
Maybe
have
a
few
events
in
it
kind
of
see
how
it
feels
and
as
we
go
through
the
design
process,
it'll
come
from
a
place
of
actually
getting
to
spend
time
in
it
see
it's
view
lines
and
see
how
we
like
using
it
see
what
the
sounds
are
like
so
I
think
that's
a
great
opportunity
for
us,
but
I
think
Chris
covered
everything
else.
Okay,.
B
With
that
we
will
open
for
public
comments,
then
we'll
have
a
city
council
discussion,
so
anyone
wishes
to
speak
and
you
haven't
turned
in
a
card.
Yet
please
turn
it
in
to
the
city
clerk
over
here.
Miss
Hart,
our
first
speaker
is
each
speaker
will
have
two
minutes
and
please
talk
only
on
the
subject
to
the
downtown
park.
Our
first
speaker
is
Jeb
Bonner
from
the
Palm
Springs
Art
Museum,
then
Brooke
Hodge,
also
for
the
Palm
Springs
Art
Museum.
G
Good
evening,
mayor,
boo,
councilmembers
and
concerned
residents,
and
thank
you
mark
for
a
very
thoughtful
and
inspiring
presentation
and
your
staff
for
being
here
today,
I'm
Jeff
Bonner,
the
deputy
director
at
the
Palm
Springs
Art,
Museum
and
I'm
pleased
to
have
with
me
today,
Melissa
temple,
who
is
our
new
manager
of
community
programs
on
her
second
day
on
the
job
and
also
with
me,
is
Leonardo
Bravo,
our
director
of
education
and
public
programs.
Now
veteran
at
nine
months.
G
Their
goal
is
to
break
down
the
often
formidable
flight
of
steps
where
physik,
whether
physical
or
emotional,
to
the
temple
of
art.
That
is
our
building
to
bring
the
museum,
its
collections
and
programs
out
into
the
greater
Coachella
Valley
and
in
turn,
to
invite
all
residents
and
visitors
of
the
valley
that
gives
the
museum
and
so
we're
especially
gratified
to
see
the
focus
of
the
park
move
westward
to
the
face
of
museum.
We
see
the
downtown
park
is
an
integral
part
of
those
plans
being
that
it
will
be
our
front
yard.
G
We
look
forward
to
working
with
the
city
on
planning
events,
programs
and
installations
that
can
bring
a
sense
of
place
and
action,
downtown,
Palm,
Springs
and
for
the
park
to
become
the
center
of
Palm
Springs
a
gathering
place
for
all
of
its
residents
and
visitors.
We
are
very
excited
to
have
Marc
Rios
working
on
the
park
because
we
know
his
track
record
means,
but
the
design
will
fit
into
the
iconic
architectural
heritage
that
makes
Palm
Springs
unique
home
and
destination
that
it
is.
Thank
you.
B
C
You
and
good
evening
mayor
moon
and
councilmembers
I'm,
Brooke,
Hodge,
director
of
architecture
and
design
at
the
Palm
Springs
Art
Museum
I've,
been
in
the
field
of
architecture
and
design
for
more
than
three
decades
and
I
understand
the
importance
of
good
design
to
the
places
that
we
live
in
in
a
city
like
Palm
Springs,
that
is
known
for
all
of
its
extraordinary
design
and
architecture.
Olney
design
should
live
up
to
and
aspire
to
these
high
standards.
I'm
really
heartened
by
what
I've
seen
today.
C
A
I'm
David,
Vogel
and
I'm
the
present
chair
of
the
measure,
J
Commission
I,
would
like
to
reiterate
what
I've
heard
so
far
this
evening
and
to
also
thank
the
council
for
inviting
mr.
Rios
back
and
very
appreciative
of
the
thoughtful
designs
that
have
been
presented
this
evening.
As
you
know,
the
measure
JTACs
was
initially
and
primarily
funded
in
order
to
support
the
creation
of
the
downtown
and
as
part
of
that,
the
downtown
Park.
We
believe
that
the
downtown
Park
is
iconic
or
should
be
iconic
and
should
be
a
visitor
destination
for
the
city.
A
The
same
way
that
our
architecture
is.
These
are
beautiful
designs
and
we're
here
to
say
that
we
support
them.
As
you
know,
we
have,
as
measure
J,
suggested
the
three
million
dollars
that
is
part
of
the
budget,
and
we
have
recently
also
said
to
the
council
that,
while
we're
not
encouraging
you
to
increase
the
budget,
we
are
here
to
support
the
idea
that
if
the
budget
has
some
overages
the
measure
J
Commission
is
it
feels
that
is
very
important.
A
B
G
G
While
people
are
watching
whatever
performance
there
was
going
on
and
in
the
cooler
months,
it
would
allow
it
would
if
they
were
properly
constructed
it
would.
It
would
make
for
additional
seating
in
that
area
and
because
they
were
built
out
of
boulders
or
something
natural,
it
would
fit
with
the
environment.
G
Create
ever-changing
projections
that
would
create
a
nice
backdrop,
for
whatever
the
performance
is
and
would
be
performance
specific.
You
could
also
hang
things
from
it
that
would
be
performed,
it's
specific.
So
those
are
those
are
my
suggestions
and
and
then
I.
Thank
you
again
for
the
opportunity.
B
E
I'll
jump
into
it
I,
you
know
we
are
so
fortunate
to
have
Mark
and
his
team,
and
thank
you
all
for
the
work
that
you
put
into
this
so
far.
I
think
the
reason
we
don't
have
as
many
comments
as
I
would
have
expected.
Marcus
I
think
you
you
bring
in
things
that
are
so
inspiring
I.
Think
you
brought
trust
into
this
round
and
yeah
you.
E
You
brought
trust
and
I
think
that
what's
going
to
be
important
and
we're
not
going
to
know
this
right
away,
I
guess
until
we
get
we
dig
down
a
little
deeper
into
programming
is
exactly
what
it
should
be
and
you
kind
of
cover
all
the
bases
and
the
hard
part
and
and
the
part
that
we're
going
to
help
you
with
as
much
as
we
can
is
figuring
out
what
that
programming
can
and
should
be.
So,
fortunately,
with
your
great
experience,
you're
going
to
help
us
with
that
we're
kind
of
counting
on
it.
E
F
All
of
these
schemes
really
represent
ideas
and
attitudes
and
I
think
that
any
of
those
schemes
can
be
dialed
up
financially
or
sort
of
dialed
down
financially,
not
necessarily
to
its
detriment.
There
will
be
some
choices
we
make.
You
know
we're
going
to
get
back
numbers
that
say
well.
Can
we
have
for
shade
canopy?
Is
there
only
three
shade,
canopies
or
two
Chait
canopies?
We
know
that
we
can't
have
enormous
amounts
of
water.
F
Absolutely
water
is
an
important
part
of
this
design.
So
I
think
we
need
first
to
be
clear
about
where
we're
going,
what
are
the
intentions
and
on
goals?
And
then
we
have
the
budget
and
we'll
marry
those
together
and
I
think
that
we
all
are
committed
to
making
this
happen
and
make
it
happen.
We
have
to
be
really
thoughtful
about
hitting
a
bull's-eye
on
the
budget,
while.
E
You're
standing
there,
you
know
this
is
you
know
from
from
from
my
standpoint,
this
is
going
to
be
Palm,
Springs
front
yard.
This
is
this
is
going
to
be.
You
know
in
the
heart
of
our
downtown
and
hopefully
the
place
that
people
really
come
together
and
what
is
the
next
process?
How
do
we
get
from
here
to
three
really
interesting
designs
to
that
next
programming
level
of
what
will
actually
work
and
what
will
be
best
for
our
lifestyle
and
how
do
we
continue
to
engage
the
community
in
that
process?
I
think.
F
That
I'm
really
looking
forward
to
after
this
we're
going
to
go
back
and
look
at
all
that
stuff
back
there,
and
it's
going
to
be
interesting
to
see
what
people
think
as
far
as
how
programmed
or
how
unprogrammed
this
part
wants
to
be.
That's
going
to
tell
us
a
lot.
I'd
really
like
to
hear
from
all
of
you
you're
sort
of
an
attitude
about
that.
F
I
think
it
definitely
needs
to
have
some
open
space
for
programming,
but
I
think
this
is
one
of
the
few
places
and
Palm
Spring
is
also
to
just
really
have
a
soft
garden
space.
So
there's
a
park
in
the
city.
There
is
a
tradition
and
we
need
to
study
it
of
using
some
of
the
streets
for
public
events.
Also,
so
I
think
we
have
to
look
at
how
we
combine
those
things.
F
So
the
entire
Park
isn't
about
public
events
that
it
really
becomes
a
garden
for
the
city,
but
it
that
balance
is
something
we
need
to
really
talk
about
and
define
I.
B
B
Springs
and
it
is
like
the
front
yard,
also
of
the
Art
Museum,
and
we
want
to
make
sure
that
that
beautiful
iconic
Museum
is
always
visible
and
is
really
sort
of
the
focus
point
of
that
of
that
west
side
of
the
park,
and
also
just
so.
This
is
a
minor
mighty
detail.
One
thing
that
councilmember
Mills
has
brought
up
several
times
in
the
past
and
others
have
too
is
we
have
I
wrote
this
down
because
you
commented
on
tradition
and
Palm
Springs.
B
F
About
them
and
I
think
the
idea
of
making
that
have
a
place
that
Park
is
really
terrific,
I,
don't
know
where
they
might
be
yet
and
so
I
think
the
park
wants
to
be
layered
and
one
step
whole
series
of
different
kinds
of
events
and
memories
and
things
you
find
and
discover
lessons
you
learn
and
so
well,
it
doesn't
want
to
be
a
big
stew
of
too
many
things.
It
can
be
curated,
it
can
have
a
selection
of
things
within
it
and
the
gates
are
important
of
the
city.
So
yes,
okay,.
B
Another
question
is
I,
don't
know
my
that
much
about
landscape
architecture,
but
I
know,
as
we
start
talking
about
and
designed
to
cost,
which
we're
doing.
Will
we
also
be
looking
getting
a
beginning,
an
estimate
of
what
the
maintenance
will
cost
for
us
on
an
ongoing
basis,
because,
depending
what
we
do
is
going
to
depend
on
you
know,
if
there's
a
lot
of
different
plants
that
are
complicated
are
hard
to
take
care.
F
B
F
One
of
the
most
important
definitions
today
of
sustainability
that
it's
holistically
sustainable.
So
that's
more
than
two
sort
of
environmental
issues.
It's
also
financial
issues,
so
we
will
yes,
we
will
be
looking
at
all
of
those
things.
Any
public
place
takes
care
and
maintenance.
It's
just
inevitable
an
understanding
how
much
and
where
you
put
the
maintenance,
where
you
don't
put,
the
maintenance
is
really
a
part
of
the
design
process.
So
we
will
yes,
we
will
be
talking
about
that
and
looking
at
that
and.
B
Another
thing
question
I
had
is,
since
we
are
going
to
be
starting
out
with
the
grass
and
and
just
a
very
simple
space
and
then
you're
going
to
build
on
that
pallet.
Once
we
see
how
it's
used.
Well,
you
do
it.
Would
you
foresee
doing
this
in
stages,
so
the
whole
park
wouldn't
be
closed
and
we
do
everything
at
once.
I
mean
when
we
do
this
of
this
portion
and
block
off
a
part,
while
that's
under
construction
and
do
another
portion
and
then
sort
of
do
it
in
stages.
We.
F
Have
to
look
at
coupled
from
sequences,
and
that
may
be
one
sequence
to
look
at.
Unfortunately,
it
costs
money
to
do
that
because
you've
extended
general
conditions.
So
if
we
want
to
get
the
most
money
out
of
things
we're
building
in
the
park
or
it's
the
way
to
do,
it
is
all
at
once.
Ok
now
you
may
decide
that.
Ok,
it's
ok
to
pay
more
money
to
keep
part
of
the
part
and
you'll
do
a
second
phase,
but
ideally
I
think
we
want
to
make
all
decisions.
F
D
This
is
one
of
the
kind
of
areas
that
that
I
think
we
need
a
lot
public
input
on
and
so
I
would
love
to
see
us
just
call
a
town
hall
kind
of
meeting
and
really
advertise
it
with
thee
with
thee
with
such
short
notice.
For
this
we
just
announced
it
this
morning
at
the
neighborhood
group,
they've
only
had
a
day
or
so
notice
of
this,
and
so
I
think
we
have
a
lot
of
talent
that
lives
in
this
city
and
can
give
a
lot
of
a
lot
of
feedback.
F
Help
we're
happy
to
facilitate
anything
like
that.
I
agree
too.
Right
now
is
a
time
we
want
to
get
as
many
opinions
as
possible.
We
want
everyone
just
to
like
Buttle
all
out
there,
then,
with
that
we
can
start
evaluating
prioritizing
understanding
it
see
how
they
overlap
together.
One
thing
we
did
I
mention
the
city
of
Santa
Monica.
We
had
a
series
of
public
meetings
like
this,
and
maybe
we
would
get
50
to
100
responses,
and
then
we
had
an
online
presentation.
People
go
online
and
they
would
go
through
surveys.
F
They
would
look
at
information
and
we
had
like
500
responses
or
800
responses
and
was
really
helpful
doing
that
people
could
do
it
on
their
own
time.
They
could
look
at
the
drawings,
and
it
was
also
interesting
to
see
the
difference
of
what
information
you
got
from
the
ones
who
were
there
in
person
and
the
ones
who
did
it
online.
So
we
catalogued
all
that
information
and
it
was
helpful.
So
those
are
all
ways
I
think
of
engaging
more
people
and
it
depends
on
what
you
think
would
work
for
Palm
Springs.
Yes,.
D
That
that
is
that's
a
great
idea.
I
grew
up
in
Central
Park
know
is
where
there
was
my
hometown
and-
and
we
never
went
to
Central
Park
for
the
event
space.
It
was
great
event.
Space
I
mean
it.
You
know
many
a
concert
has
been
held
in
Central
Park,
but
there
are
so
many
different
things
that
suit
so
many
different
people.
D
So
in
any
given
time
you
can
find
somebody
reading
a
book
or
somebody
skating
or
somebody,
you
know,
do
giving
a
little
lecture
or
something
and
so
there's
all
sorts
of
different
things
that
are
happening.
That's
what
I
would
love
to
see
this
Park
be
that
kind
of
thing,
although
we
also
do
would
love
to
have
that
event
space.
We
don't
like
in
Palm
Desert.
D
But
it's
kind
of
all
that
it's
used
for
because
once
there's
nothing
happening
in
that
stage,
part
it's
just
kind
of
just
a
big
lawn,
and
so
so
the
things
that
you're
talking
about
or
the
possibilities
that
you're
talking
about
and
I
think
we
have
some
great
fundraisers
in
this
city,
because
I
don't
think
that
budget
is
going
to
be
enough.
I
think
we
need
to
get
some
more
money
from
somewhere.
Thank
you,
Mayor.
B
Pro
Tem
to
AB
Dante.
That
was
a
great
idea
about
having
a
big
public
block
party
meeting.
But
perhaps
if
this
park
the
basic
part
of
it
is
done
in
the
late
summer,
perhaps
in
the
fall,
we
could
have
a
me
a
can
have
a
meeting
on
the
park
site
where
we
could.
You
know
ever
because
everybody
could
see
it,
they
could
see
the
size
of
it
to
get
a
good
feel
of
it
and
I
think
that
would
give
people
more
of
a
feel
than
looking
at
a
well.
F
F
Nothing
should
really
be
over,
like
36
inches
tall,
and
you
have
to
be
able
to
see
through
the
entire
park
and
know
that
it's
really
safe.
The
best
kind
of
safety
is
this
eyes
on
the
park,
and
so
but
it's
amazing
through
typography.
If
you
have
something
that
goes
up,
36
inches
and
it
slopes
down
or
raises
up,
there's
a.
E
F
E
H
You
mr.
mayor
I,
think
I
think
we
need
to
take
a
couple
steps
back
here
to
our
first
meeting.
We
have
interviews
but
with
cows
and
we
established
scheduled
I.
Don't
remember,
it
was
two
meetings,
the
public
meetings.
This
is
number
one.
They
had
another
one
input
and
then
what
mr.
Rios
was
if
I
remember
correct,
was
to
come
back
but
from
the
input
he
receives
now
to
come
back
with
some
different
schemes
to
look
at
receive
input
on
those
again
and
then
really
come
back
with
something
more
detailed,
budget-conscious,
etc.
H
H
Generate
activity
in
the
in
the
downtown
must
be
everything
that
we
have,
that
with
that
that
we've
heard
but
it,
but
but
it
is
it's
important
to
get
it
done
and
or
the
completion
of
our
downtown
space.
So
I
just
want
to
mention
the
counsel
we
had
that
meeting.
We
agreed
on
it.
This
is
our
first
one,
so
to
talk
about
meetings
in
the
fall,
etc,
etc,
etc.
H
You
know
I,
don't
think
that
follows
our
schedule
that
we
that
we've
outlined
I
think
marks
idea
of
the
email
thing.
I,
think
that's
something!
That's
very
I
get
a
mixed
up,
so
I
think
that
opportunity
certainly
is
something
that
could
play
in
well
and
not
really
affect
the
overall
schedule,
but
I
think
I.
H
Think
the
first
thing
that
we
need
to
get
through
the
designer
is
a
program
of
what
we
want
and
we
talked
about
a
little
last
time,
but
I
think
we
need
to
revisit
it
and
tell
him
you
look
at
the
functions
that
have
to
go
in
there
that
he
asked
the
work
so
his
fix
areas
or
parts
that's
somewhere.
He
needs
to
make
this
work
into
his
scheme
and
I,
so
I
I
wrote
down
a
few
of
them
and
some
of
them
we
saw
in
what,
but
what
Mark
has
shown
us
so
far.
H
The
location
of
the
a
luminaire
house,
but
is
one
the
location
of
the
Marilyn
Monroe
sculpture,
is
another
events
that
we
have
not
really
defined
for
him.
What
size
of
event,
whether
it's
one
spaces
two
spaces
or
that
type
of
thing,
I,
think
hope.
We
can
talk
a
little
bit
more
about
that.
We
talked
about
toilets
and
we
talked
about
allowing
for
the
connection
of
portable
toilets
for
large
events
and
just
day
to
date.
Well,
that's
for,
for
for
day-to-day
use
and
to
give
us
another
opportunity
for
toilets
down
than
the
one
that
we
have.
H
The
other
thing
we
talked
about
was
a
police,
substation
presence
in
some
way
shape
or
form,
not
a
not
a
big
item,
but
something
that
would
give
our
officers
essentially
a
downtown
location
with
some
with
some
with
some
high
exposure
in
the
sense
that
it
would
be
related
to
the
park
in
some
way,
shape
or
form,
and
the
other
thing
the
the
mayor
brought
up.
That
I
thought
was
very
important.
H
A
B
E
Just
wanted
to
add
a
little
bit
more
to
something
councilman
Mel
said
so
one
thing
we
decided
earlier
in
the
process
when
we
first
sat
down
with
with
Mark
and
his
team
was
that
we
wanted
to
keep
it
simple.
So,
in
some
of
the
earlier
designs
that
we
saw
tonight
from
2015,
we
saw
any
number
of
buildings.
You
know
there
were
police
substations.
There
were
different
ideas
for
storage,
potentially
that
could
be
used
for
green
rooms
or
food
service
for
events
and
where
we
we
went
with.
E
That
was
that
this
is
going
to
be
an
evolving
Park
and
we
have
a
limited
budget,
and
maybe
we
start
with
the
minimum
we
bring
in
bathrooms
that
we
would
need
on
a
daily
basis
to
use
the
park.
We
thought
you
know
over
the
long
run.
It
would
probably
make
more
sense.
We
do
this,
for
all
of
our
events
by
the
way
is
bring
things
in
as
we
need
them
for
events.
So,
if
we
need
catering,
we
can
bring
catering
trucks
we
can
bring
in
facilities
for
that.
E
E
But
I
was
most
excited
in
one
of
our
first
meetings,
with
the
concept
of
starting
off
gently
starting
off,
slowly
focus
more
on
potentially
some
event
space
and
then
just
daily
use,
keeping
it
cool,
keeping
it
comfortable,
keeping
it
appealing,
keeping
it
as
an
oasis
or
a
break
in
in
in
this.
You
know
our
very
urban
center
now
with
all
these
buildings
around
it.
So
I
just
wanted
to
to
highlight
that,
because
we
talked
a
lot
about
that
in
our
original
designs.
Our
original
original
thoughts
and,
of
course,.
I
You
know
and
sort
of
I
agree
with
both
of
you
on
that
point,
and
you
know,
as
you
went
through
this
and
I
think
we
started
from
our
last
meeting.
Wanting
the
flexibility
have
large
events
that
was
sort
of
one
of
the
things
that
was
important
and,
of
course,
that's
where
you
started
as
you
go
through
it,
and
each
one
is
fabulous,
so
we
want
to
do
all
of
them,
but
I
do
think.
I
Well,
it's
harder
to
sort
of
go
the
other
way
right
once
we
have
other
things
in
pull
them
out,
so
I
like
to
sort
of
still
see
that
ability,
because
we
have
talked
about
moving
things
from
Palm
Canyon
into
the
park
and
using
the
park
as
a
way
to
draw
more
people
to
our
downtown.
That's
one
of
the
real
goals
here,
I
think
so
that's
just
from
my
perspective.
I
I
do
want
to
note
I've
seen
some
bunch
of
notice
about
this
sort
of
on
Facebook,
but
I
do
think,
and
this
is
by
the
way,
a
much
bigger
turnout
than
we
had
two
days
ago
for
our
budget,
so
that
at
least
is
a
good
thing
yeah.
But
you
know,
given
everyone
who's
here,
who
needs
to
be
here
for
the
next
meeting
you
know
maybe
before
we
leave
tonight,
we
can
set
another
date
because
I
don't
think
we
want
to
slow
the
process
down.
I
I
think
we
want
to
move
it
forward
and
maybe
in
between
that
is
when
we
do
the
online
input
that
all
of
us
staff
and
everyone
here
can
help
really
push
out,
because
I'd
like
to
hear
a
lot
more
from
the
community
about
what
people
want
what
our
residents
want
in
the
park,
because
I
think
that's
going
to
help
us
make
a
decision
and
give
you
better
feedback.
So
thank
you.
D
One
of
one
of
the
things
that
I
think
we
also
need
to
look
at
is
this:
is
such
a
small
piece
of
land
relative
to
all
the
things
that
we
want
and
I
think
we
also
need
to
look
at
maybe
relocating
some
of
those
things
that
we
want
to
put
there
like,
for
instance,
I.
Don't
think
that
the
police
substation
has
to
be
there
I
could
see,
is
renting
a
space
in
another
building
for
the
police.
D
Substation
I
mean
I
want
to
take
as
much
out
of
this
in
that
kind
of
thing
that
we
possibly
can
at
one
point
we
even
talked
about
having
a
ticket
ticket
booth
there,
which
I
don't
think,
is
there
anymore?
That's
out
that's
good
and,
and-
and
you
know,
maybe
it
may
be
a
restroom
or
two
or
whatever,
but
but
there's
other
places
in
you
know
in
this
development.
Now
that
we
have
a
little
leeway
with
this
with
some
of
the
land.
D
That's
on
this
development
we
also
have
across
the
street,
which
is
where
we're
now
currently,
the
luminaire
house
has
cited.
What's
what
else
can
be
on
that
that
doesn't
have
to
be
in
the
main
park?
And
so
I'd
really
like
the
committee
to
take
a
look
at
what?
What,
in
those
kinds
of
things
that
take
up
X
to
take
up
space
that
could
be
maybe
relocated
in
other
parts
of
the
development.
E
D
E
The
way
he's,
as
we've
been
talking
about
doing
the
temporary
park,
and
things
like
that
he's
expressed
on
many
occasions
that
he
very
much
wants
to
to
be
part
of
this
park
and-
and
it
obviously
makes
a
difference
for
what
he's
doing
you
know
in
all
and
in
as
much
as
it's
altruistic
that
he
wants
to
temporarily
give
us
some
sort
of
service,
whether
it
be
grass
or
gravel
or
whatever.
We
do
and
that's
going
to
benefit
him.
E
He
plans
to
open
that
hotel
and
open
the
streets
and
the
new
landscaping
around
that
project
by
the
end
of
August.
So
it's
important
for
him
to
not
have
a
dirt.
You
know
a
dirt
parcel
sitting
there,
but
you
know
in
conversations
that
I've
had
with
him
as
we
go
through
this
process.
You
know
he's
offered
to
even
potentially
help
us
find
sponsors.
If
we
need
more
dollars
and
and
be
involved,
he
wants
to
be.
You
know
he
wants
to
be
involved
with
it
and
and
show
his
company's
goodwill.
At
this
point,.
H
Am
NOT
an
agreement
with
the
supposed
suggestion
of
not
having
the
substation
there?
First,
it
doesn't
have
to
take
up
space.
It's
even
potentially
could
be
located
within
a
parking
structure
into
it
with
the
observation
out,
but
I
think
we
discussed
last
time,
I
think
in
unfenced
space,
if
I'm
not
the.
H
Space
like
it
or
not
as
issues
and
the
more
police
presence
you
have
deal
with
that
with
that
potential
issue.
The
better
and
I
think
it's
highly
important
that
the
substation
with
the
exposure
to
with
exposure'
to
the
park
is
part
what
we
look
at,
because
it
will
be
an
issue
and
so
I
think
that's
that's.
A
very
good
way
to
deal
with
is
establish
a
presence
whether
there's
anybody
in
there
or
not.
We
will
be
working
on
that
on
June
in
June,
so
so,
but
but
I
think
it's
important.
H
That
I
mean
it
is
not
a
focal
point
of
the
park.
I'm,
not
thinking
that
at
all,
but
I
do
think
that
that
presence
is
important
and
so
again
whether
it
could
be
I'm
sure
mr.
ryo-san
is
his
firm
will
come
back
with
with
several
different
options
and
I.
Think
I
personally
I
think
if
we
have
to
move
uses
like
that,
even
the
toilets
back
into
the
space,
that's
already
there
and
lose
a
few
parking
spaces,
it
might
be
worth
and
so
so
I
think
there's
different
things
to
I'm.
G
D
Know
and
and
because
also
for
me,
it
was
the
feeling
of
it,
the
having
an
office
space,
the
office
space,
that's
on
Indian,
with
no
police
officers
ever
in
it
does
not
tend
to
scare
anybody
away,
and
you
never
see
anybody
in
the
office
space.
It's
not
the
office
space.
It's
it's
the
presence
in
the
in
the
park.
It
will
be
it'll,
be
the
the
the
way
that
the
park
is
is
created
where
it
is
not
that
it's
not
conducive
to.
D
You
know,
tents
and
and
bed
rolls
and
whatever,
but
but
the
the
the
important
thing
for
me
is
that
that
as
much
of
the
things
I
think
all
of
those
things
are
important,
but
as
much
of
it
that
we
can
figure
out
and
if
we
can
put
it
in
the
parking
garage
I
think
that's
a
great
idea.
We
could
even
you
know
it's
it.
You've
got
all
that
empty
space
in
where
that
ramp
goes
down.
I,
don't
know
if
you
could
build
something
over
that
to
even
place
it
in.
F
D
Over
over
the
down
ramp,
which
is
wasted
space,
which
we
left
there
I
think
for
events
for
parking
and
and
things
of
of
trucks
and
whatever
and
so
I
mean
we
could
even
cantilever
something
over
that.
But
I
just
am
thinking
that,
with
such
a
small
space
and
I
looked
at
all
those
numbers
that
were
on
these
other
parks
and
our
little
2600
and
my
favorite
Yiddish
word
is
fish
Duncan
a
park
we
have
to.
You
know
utilize
as
much
of
it
as
we
can,
and
so
did
you
really.
H
You
know,
and
I
and
I
think
we
saw
a
couple
ideas
and
the
slides
that
that
mr.
riah
showed
about
uses
really
tucked
under
the
park
and
and
so
I'm
sure
he's
turning
on
all
this
stuff
as
ribbon
and
but
I
think.
But
we
need
to.
We
need
to
give
him
a
program.
We
need
to
tell
him
what
he
needs
to
work
that
got.
E
Have
this
how
fortunate
we
are
to
have
this
pool
of
money
where
most
cities
are
scrambling
just
to
get
near
the
level
of
services
that
we
provide
on
a
daily
basis,
so
we're
arching
it
in
this
time
I'm.
So
you
know
I'm
not
going
to
say
fast-track,
but
I
think
mark
you're
ready
to
go
we're
ready
to
work
with
you
we're
you
know
it's
why
we're
kind
of
pushing
the
community
we
want
to
get
feedback.
We
want
to
kind
of
get
going
on
this
mark.
What
else
do
you
need
from
us
right
now?
I
think.
F
A
defined
program
would
be
really
fantastic,
so
thank
you
for
that.
Getting
the
public
involved
is
essential,
and
if
we
put
this
online
one
of
the
things
that
might
be
really
helpful
to
say
it
is
an
online
event
for
one
week
or
its
online
event
for
ten
days.
So
then
it's
publicized-
and
it
says
the
online
event-
is
starting
on
this
day
and
it's
ending
on
this
to
everybody
go
online
and
make
comments,
because
then
you
actually
get
something
I
know
that
a
lot
of
times
are
things
are
posted
over
the
summer.
F
It's
just
not
going
to
be
very
helpful
or
effective.
I
think
we
should
try
to
develop
this
schedule.
I
realize
summers
upon
us
that
really
changes
sort
of
meaning
schedules,
but
I
think
in
the
next
short
period
of
time.
If
we
could
get
this
up
online
and
have
something
defined
publicized
online
event,
that
would
be
a
way
to
take.
A
next
step.
Could.
B
E
It's
kind
of
skeleton
schedule
that
we've
worked
out
and
I
just
didn't
think
to
bring
that
file
tonight
with
me,
but
we
we
can
definitely
refine
that,
and
you
know
the
great
thing:
I
love
this
idea
about
putting
it
online
and
maybe
making
it
interactive
or
at
least
giving
people
opportunities
to
walk
through
everything
we've
seen
tonight
at
their
own
time,
and
you
know
the
good
news.
Is
it
doesn't
matter
where
you
are?
You
know?
E
If
people
are
going
away
this
summer,
they're
going
to
still
have
access
online,
it's
never
too
hot
to
be
online
and
they
can.
They
can
give
us
our
ideas
and
input,
but
I
also
love
your
ideas
of
giving
deadlines
for
that.
If
you
have
something
you
want
this
park
or
you
have
a
great
idea
and
I
already
heard
a
few
good
ideas
here
tonight
for
as
few
people
that
spoke,
we
need
to
get
those
ideas
and
so
I
think
that's
what
we
should
focus
on
I
know,
dr.
Reddy
will
be
very
instrumental
in
helping
us.
H
F
H
H
B
D
E
F
Think
it
needs
to
be
after
we
have
this
online
event
with
enough
time
that
we
can
take
that
online
information
actually
do
something
with
it.
So
it's
meaningful,
so
I
think
we
should
probably
refine
the
schedule
put
that
into
it
and
then
choose
a
date.
I'd
like
to
do
it
now,
but
I
think
we
need
to
be
careful's.
The
informations
really
used
well.
A
F
F
Their
public
talking
and
I
think
ten
days,
I
think
would
be
a
great
time
for
the
online
event,
two
weekends
to
participate
and
that's
it,
and
then
we
probably
need
two
weeks
to
take
that
information
and
generate
some
design
ideas.
We
can
have
a
meaningful
presentation
like
this,
so
that's
probably
a
six
week
time
period
mark.
F
H
F
Heard
that
we
need
to
make
this
place
flexible,
we
need
to
make
it
simple.
We
need
to
let
it
grow,
as
it
defines
itself
over
time.
Those
wrongly
really
good
comments.
The
comments
about
Central,
Park
I
think
are
really
important.
Central
Park
is
probably
20%
event
space
in
80
percent
park
space,
and
so
this
place,
my
gut
feeling
is
it
shouldn't
be
more
than
50%
of
n
space
and
we
need
to
have
at
least
50%
of
it
as
park
or
garden
space
and
so
I
think
we're
going
to
start.
F
Taking
all
these
comments,
we're
going
to
look
at
it.
From
that
point
of
view,
it
shouldn't
be
75
percent
event.
Space.
Is
this
all
the
space
you
have
for
Park
in
the
city,
so
we're
going
to
probably
look
at
some
options,
but
that's
how
I
would
start
and
balance
it
from
the
information
I've
heard
tonight
and.
H
I
think
mark
your
your
comment.
You'd
showed
us
in
the
schemes
that
you
increase
your
embed
space
by
using
the
streets
and-
and
that's
that's
a
it's
a
simple
way
to
do
it.
It's
got
some
a
few
few
drawbacks,
but
that's
an
opportunity
to
to
use
something:
that's
usually
be
hick
Euler
and
and
make
it
useable
a
band
space
which
again
gives
us
that
flexible.
You.
E
Know
I'd
like
to
add
that
I
want
this
to
not
be
defined
in
people's
heads,
as
we
would
say,
define
a
ballpark
where
okay
cool
it's
great
when
we're
there
and
then
it's
just
this
unused
place.
I'd
like
this
to
be
thought
of
as
one
of
those
places
that
when
people
come
to
visit,
Palm
Springs
very
much
like
say
when
they
went
to
sunny
lands,
you
go
to
see
the
gardens
there
that
this
is
a
world-class
garden
or
place.
E
That
is
one
more
gemstone
in
the
crown
that
makes
Palm
Springs
unique
different
than
any
other
city.
We
continue
to
be
that
and
adding
something
like
this
and
I'm
going
to
say
it.
Hopefully,
the
CV
link
things
that
make
us
and
keep
us
truly
unique
and
give
people
all
people
an
opportunity
to
have
a
great
moment
without
it
costing
anything
so.
F
F
Yes,
so
the
park
has
to
have
some
iconic
immediate
kind
of
immediacy
that,
when
it's
done
for
the
first
time,
somebody
comes
there
and
they've
arrived,
and
so
we've
got
it
we're
going
to
balance
both
those
things,
but
we
want
to
deliver
something
that
really
is
special
day
one
but
make
it
simple.
It
can't
be
anonymous.
It
needs
to
have
a
point
of
view.
The.
B
A
A
Up
if
we
could
kind
of
look
at
your
schedule,
mark
just
working
around
the
council's
normal
schedule,
potentially,
if,
if
you
would
start
thinking
about
potentially
either
it
could
be
the
off
weeks
of
June,
28th
or
July
12th,
so
I
don't
know
if
you
could,
if
you
want
to
commit
to
one
of
those
now
but
but
that
would
I
think
be
the
time
frame.
Mark.
E
A
Reddy,
what
were
those
dates,
and
potentially
June
28th
or
July
12th?
Those
are
off
week
off
Wednesdays.
That
council
doesn't
have
meetings,
so
I'll
coordinate
with
mr.
Rios
in
his
office.
We'll
get
that
up
immediately
and
we'll
work
with
your
schedules
to
see
if
one
of
those
days
now,
certainly
we
could
do
a
different
date
during
the
week
as
well,
and
this
doesn't
have
to
be
super
elaborate.
A
B
They're
in
this
moment,
more
of
those
other
duties
as
assigned
yes,
okay,
anything
else,
okay,
well
seeing
nothing
else
going
going
on.
The
City
Council
will
adjourn
to
the
next
regular
meeting
on
Wednesday
May
17th
at
six
o'clock,
preceded
by
closed
session
at
the
Palm
Springs
Convention
Center.
That
will
be
in
Primrose
B,
which
is
a
change
to
what
this
says
here
so
Primrose
B
and
we
are
adjourned.
Thank
you.