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From YouTube: San Bruno Cable's Senior Moments "Boris Koodrin"
Description
San Bruno Cable's Senior Moments "Boris Koodrin"
A
Hello
welcome
to
senior
moments.
My
name
is
Dolly
semana,
the
lake
mythologist
Joseph
Campbell
said
we
should
follow
our
bliss.
He
said
quote
when
you
follow
your
bliss
doors
will
open
where
you
would
not
have
thought
there
would
be
doors
and
where
there
wouldn't
be
a
door
for
anyone
else.
In
other
words,
there's
something
that
only
you
can
do.
Have
you
discovered
it
san
bruno
resident,
bores
Kudrin,
believes
he
has
I
grew.
B
Up
in
San
Francisco
in
the
sunset
district,
forty
seventh
Avenue,
specifically
a
lot
of
people,
look
at
the
sunset
district.
Does
this
big
vast
sea
of
stucco
homes
and
rather
bland
place
and
I
never
saw
it
that
way
to
me
it
was
a
place
of
mystery
because
the
fog
would
roll
in
and
you
would
just
be
inundated
with
fog
and
I.
Just
love
taking
these
journeys
to
get
to
places
that
fascinated
me.
B
B
I
know
that
people
have
influenced
me
a
certain
way
and
and
and
I
see
them
as
signposts
in
my
journey
is
that
you
know
you're
going
down
this
way
and
had
this
not
happened,
you
never
would
have
gone
off
this
way
and
so
I
try
to
see
who
those
signposted
my
wife
are,
and
my
grandmother
I'd
have
to
say,
is
in
this
scheme
of
things
one
of
the
biggest
sign
posts
in
your
life.
She
she
originally
put
a
paintbrush
in
my
hand.
B
It's
like
what's
light,
doing
and
ask
questions,
you
know,
answer
them
on
the
canvas,
so
this
is
actually
the
last
painting
that
I
did
in
my
previous
life
right
after
this
painting,
I
lay
down
my
brushes
for
27
years.
The
painting
had
one
or
not
herbal
mentioned
at
a
show
that
it
was
in
the
technique
here
is
is,
is
one
of
photorealism
it's
just.
B
It
is
what
it
is
that
if
you
go
there,
that's
what
you'll
see
most
of
my
paintings
now
the
majority
of
them
have
no
planning
whatsoever,
and
they
just
I,
basically
just
start
pushing
paint
around
this
process.
Totally
frustrated
me
I'm,
not
a
good
envision.
Er
people
can't
believe
when
I
tell
them
that
I
don't
see
things
in
here
and
then
put
them
down
on
canvas
that
doesn't
work
for
me.
That's
what
got
me
away
from
painting.
B
B
The
title
heartwood
is
is
basically
a
tribute
to
my
marriage
of
35
years,
and
you
know
just
how
we've
grown
art
or
are
in
the
process
of
growing
older,
gracefully,
hopefully,
and
and
how
that
that
is
all
rooted
in
love
and
that
we
share
the
same
the
same
values,
the
same
values
for
understanding
who
we
are
and
where
we
come
from,
and
that
has
pretty
much
helped
us
to
build
a
very
strong
relationship.
There's
a
very
definite
element
of
nature
in
that
particular
one.
Just
the
textures
and
the
colors
are
very
strong.
B
B
The
thing
that
that
took
me
from
being
a
silkscreen
artist
painting
it's
not
what
you
might
think.
What
brought
me
back
to
my
art
was
working
with
you
that
log
cabin
ranch
log
cabin
ranch
is
650
acres
of
beautiful
land,
I
mean
it's
like
Christine
stuff,
and
so
the
students
there
are
generally
used
to
just
playing
basketball
on
what's
called
a
black
top
and
living
in
these
cinder
block
buildings,
and
really
they
never
get
off
of
that
and
vision
years.
B
We'll
do
is
we
take
them
out
into
nature
and
we
basically
create
rites
of
passages
for
them
in
the
wilderness
and
what
I
realized
one
day
and
doing
this
I
ultimately
become
the
director
of
the
program.
I
realized
one
day
that
I'm
setting
up
ops,
not
obstacles
but
doors
for
these
guys,
these
young
men
between
15
and
19
years
old
and
I'm,
asking
them
to
do
very,
very
difficult
things
in
the
walk
through
their
fears
and
I
realized
that
I
myself
had
not
done
that
with
my
art.
C
B
Realized
that
I
could
not
be
teaching
these
guys
about
walking
through
the
fears,
if
I
didn't
feel
this
in
my
own
life
and
so
I
stopped
being
the
director
there
and
I
decided
I
needed
to
be
an
artist
right
now
and
that's
why
I
am
right
now,
I
am
in
the
process
of
being
an
artist.
My
art
is
not
about
putting
beautiful
things
on
when
I,
when
I
create
a
painting.
B
It's
it's
not
a
something
that
I'm
doing
just
I
mean
I.
Look
around
me
and
I,
see
I
see
how
beautiful
nature
is,
and
my
desire
is
not
to
try
to
replicate
it
or
to
capture
that
beauty.
My
desire
is,
is
it's
a
little
different
than
that?
I'm
creating
doorways
when
I
paint
I
want
somebody
to
stop,
and
yes
I
want.
I
want
you
to
see
the
beauty
that
I
see
him
in
creation,
but
more
than
that,
I
want
you
to
get
involved
with
the
painting.
A
C
There
is
no
time
like
the
present
to
make
a
personal
life
saving
contribution
to
your
community.
The
American
Red
Cross
is
in
dire
need
of
blood
donors.
You
your
family,
coworkers
or
neighbors,
to
respond
to
major
calamities
and
the
deeply
personal
and
quiet
disasters
requiring
the
gift
of
blood
for
more
information
and
to
schedule
your
donation
appointment
call
the
American,
Red,
Cross
blood
services
or
visit
their
website,
be
a
local
hero,
be
a
blood
donor.
C
A
B
B
The
one
big
thing
that
I
that
I
did
learn
from
football
was
that
you
can
do
a
lot
more
than
you
think
you
can
do
and
in
that
sense,
I
am
in
the
process
of
learning
that
in
my
art,
because
I
actually
walked
away
from
my
art
early
in
life
in
my
mid-20s
I
I
walked
away,
and
a
lot
of
that
had
to
do
with
really
not
believing
in
myself
and
thinking
that
I
was
a
good
enough.
Artist
and
I
took
a
27-year
leave
from
from
painting
and
I'm
just
now
getting
back
into
that.
B
B
I
just
start
pushing
paint
around
and
it
becomes
something,
and
then
that
leads
to
something
else
and
and
a
painting
may
morph
into
different
directions
while
I'm
doing
it
and
but
by
the
time
I
finished,
my
paintings
look
planned
and
it
looks
like
I
had
a
specific
intent
and
I
didn't
I.
You
know
now.
My
only
intent
is
to
allow
things
to
come
through
me
and
they
become
something,
and
so
that
is
what
I'm
finding
is
that
I
have
this
in
this
wonderful
reservoir
inside
of
me
that
I
didn't
know.
B
B
Printer
has
made
me
a
creator
of
doors
more
than
it
has
an
artist,
and
that's
that's
really,
and
you
can
see
that
reflected
in
my
art,
not
only
in
the
fact
that
that,
yes,
my
paintings,
will
take
you
somewhere
if
you
really
delve
into
them
and
there's
more
than
that
meets
the
eye,
and
in
most
of
my
paintings,
but
I'm
actually
painting
on
doors,
I
didn't
plan
that
this
door
behind
me.
It
was
the
first
door
I
ever
did,
and
that
was
a
result
of
my
wife
Bharti
asking
me
to.
B
I
want
people
to
use
these
doors
to
create
beauty
in
their
lives
22,
maybe
when
every
time
they
stop
and
have
to
open
that
door,
it's
not
just
the
door
that
you
would
kick
open.
You
actually
have
to
take
care
of
it.
It's
a
piece
of
art
now,
and
so
you
consciously
have
to
stop
and
open
it
carefully
and
close
it
carefully.
B
This
painting
took
a
twist
and
it
became
a
South
San
Francisco
biotech
door
instead
of
a
San
Francisco
psychedelic
door
and
and
in
it
I've
incorporated
all
kinds
of
symbology
and
symbolism.
Everything
from
Native
American,
hawk
symbol,
Catholic,
Madonna
and
Child
symbols
to
the
tree
of
life
and
the
double
helix
symbol.
The
the
scare
of
itself
is
the
doorway
to
the
Sun,
which
is
an
Egyptian
symbol.
Then
you
can
find
a
lot
more
in
there,
but
you
in
the
background
you
can
see
the
san
francisco
airport
and
the
jet
taking
off
and
san
bruno
mountain.
B
B
B
B
If
you
look
at
the
top
part
of
the
painting,
it's
very
much
true
to
life,
but
as
a
painting
comes
down
and
get
into
the
canyon
itself,
it
becomes
a
dreamscape
I,
just
was
playing
around
with
the
different
levels
of
sleep
and
dream
and
consciousness,
and
just
help
there's
different
areas
that
you
can
work
in.
There's
there's
areas
where
you're
just
basically
victim
to
your
dreams
in
a
sense
or
where
they
take
you
or
were
you
just
basically
unconscious,
and
then,
when
you
dream,
there's
an
awakening
process
that
happens
there.
B
So
if
you
look
throughout
the
painting,
you'll
see
that
there's
that
there's
faces
in
the
rocks
and
there's
people
in
there
then
words.
You
can
see
a
woman
descending
into
the
dream
world
and
you
can
see
birds
coming
out
of
a
cave.
So
all
these
things
are
meant
to
just
touch
on
the
different
aspects
of
dream
and
sleep
and
consciousness.
The
birds,
for
example,
in
the
painting
or
carrying
the
consciousness
of
people
that
have
just
gone
into
the
sleep
room
and
they're,
not
consciously
going
anywhere
they're
being
taken
somewhere.
A
C
Sanburne
okay
bill
is
now
offering
digital
phone
service.
That's
right
phone
service
through
your
cable
for
one
low
rate
you
can
make
calls
throughout
the
US
and
Canada
and
two
key
international
locations,
along
with
loads
of
comprehensive
features
like
call
waiting,
caller
ID
and
voicemail
for
an
unbeatable
price,
and
you
can
even
keep
your
old
phone
number
save
even
more
when
you
bundle
services
with
TV
and
Internet
so
sign
up
today
with
San
Bruno
cable,
your
local
cable
company
serving
the
community
since
1971
Alan
babin
chose
to
serve
his
country
as
an
airborne
combat
medic.
C
He
was
critically
wounded
in
Iraq
when
he
rushed
to
help
an
injured
soldier.
That
was
my
job
and
I
would
learn
to
do
it.
Ellen
will
require
daily
care
for
the
rest
of
his
life.
Paralyzed
Veterans
of
America,
helping
veterans
get
all
the
benefits
they've
earned.
If
I
can
do
it
over
again,
I
would
Paralyzed
Veterans
of
America
to
help
visit.
Pva
org.
A
B
B
My
wife's
I
to
really
like
show
a
mandala
of
the
forces
of
nature
and
how,
when
we
tap
into
those
things,
we
begin
to
tap
into
ourselves,
because
nature
is
not
something
that's
outside
of
us,
but
it's
really
something
that
is
part
of
us
and
it
can
be
reached
this
way,
rather
than
looking
out
this
way
and
you'll
just
find
the
different
natural
forces
in
their
water
fire
earth.
Wind
all
the
different
things
in
there
that
the
earth
is
actually
made
up
out
of
where
that
creation
is
made
of.
B
B
B
He
can
create
anything
that
you
want
to
create,
and
it's
like.
That's
the
power
it's
like
when
you,
you
can
tap
into
the
powers
of
nature,
but
if
you
don't
know
what
how
to
use
them,
they're
meaningless
to
you
when
you,
when
you
turn
that
energy
and
know
how
to
use
these
things,
you
can
create
anything
in
your
life,
and
so
this
little
guy
is
he's
creating
universes.
But
there's
a
there's
a
light
side
to
that
in
the
dark
side
to
that,
because,
while
he's
creating
universes,
you
can
also
see
stars
crashing
below
that.
B
B
In
2005
I
got
the
the
bid
on
doing
a
mural
for
st.
Ignatius
high
school.
It
was
in
2005's,
I
was
celebrating
a
hundred
and
fifty
years
of
Jesuit
education
in
San
Francisco
I
got
a
40
by
10-foot
wall
to
do,
and
it
was
concerning
the
history
of
Jesuit
education.
So
you
know
at
first,
I
was
like
well
what
am
I
going
to
do
here
and
I?
B
Have
this
big
blank
wall
I've
not
done
a
mural
before
you
know
how's
this
going
to
translate
so
I
started
off
with
a
smaller
canvas
and
I
did
a
small
canvas
painting.
First
by
smile
eyes,
it's
six
foot
by
bike,
22
feet
and
I
plotted
everything
that
way
and
so
I
then
was
able
to
transfer
to
the
wall.
But
I'm
still
looking
at
the
canvas
going.
All
I've
got
a
blank
canvas
here.
B
How
do
I
fit
the
history
of
Si
entier
and
looking
through
the
archives
I,
I
came
across
one
character
by
the
name
of
father,
Bouchard
I
looked
at
his
picture
in
the
archives
room.
I
go!
Oh
my
god
there's!
This
is
the
first
step
in
my
mural,
and
it
was
this
Jesuit
with
a
long
pointed
beard,
white
beard
and
and
a
big
crucifix
stuck
in
his
jesuit
belt,
and
I
was
like
wow.
You
don't
normally
see
that
you
know.
B
Self-Expression
is
not
all
that
welcome
to
a
Jesuit
150
years
ago,
and
and
so
I
started
delving
into
that
story.
I
wanted
to
give
the
Catholic
somewhat
of
a
Catholic
version
of
the
deven
of
the
davinci
code,
but
something
that
was
just
as
involved
just
as
mysterious
and
in
more
real
and
so
I
picked
the
personal
journey
into
the
dark
night
of
the
soul.
I
was
kind
of
my
guideline,
and,
and
so
this
mother
is
pointing
the
girl
and
she's
plenty
of
something
very
specific,
and
you
have
to
follow
her.
B
Her
point
very
specifically
and
it'll.
Take
you
to
one
thing
and
then
another
and
then
another,
and
so
you
will
end
up
taking
a
journey
through
this
mural
and
there's
all
kinds
of
symbolism
in
it
and
a
lot
of
historical
aspects,
but
they're
all
giving
you
little
hints
of
something
and
they
aren't
answered
in
the
mural.
You
would
actually
the
only
answers,
you'll
really
get
our
more
questions,
but
they
will
act,
cause
you
to
have
to
ask
questions
that
will
take
you
somewhere
within
yourself.
A
At
the
end
of
the
summer
of
two
thousand
eight,
you
can
find
Boris's
latest
work
at
its
temporary
location
at
the
intersection
of
San
Mateo
Avenue
at
Jenna
vein
in
San
Bruno.
Do
you
remember
the
dreams
you
had
when
you
were
young?
Did
you
put
them
on
hold
when
you
met
your
responsibilities
of
raising
a
family,
putting
food
on
the
table
and
a
roof
over
your
heads?
Did
you
get
a
safe
job
and
stay
there
until
you
retired
now
that
you're
retired,
or
about
to
retire,
there's
nothing
to
stop
you
from
following
your
bliss?