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From YouTube: Barrio Latino Commission 06252019
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A
Site
plan
elevations
architectural
details,
wall
sections
staff
presents
staff
report.
We
will
then
ask
for
public
comment
following
your
presentation.
The
commissioners
will
be
asking
questions
in
the
same
order
as
the
presentation,
please
state,
and
spell
your
name
clearly.
If
you
are
here
to
speak
for
or
against
a
project,
your
time
will
be
limited
to
three
minutes.
So
take
some
time
now.
To
summarize
your
comments,
because
three
minutes
goes
by
very
quickly
following
public
comment:
the
applicant
will
have
five
minutes
for
rebuttal.
The
public
hearing
will
then
be
closed.
A
The
only
comments
which
will
be
allowed
after
the
public
hearing
is
closed
will
be
in
response
to
any
questions
from
the
commissioners.
The
commissioners
will
then
discuss
the
case
and
will
make
their
decision
based
on
the
city,
ordinance,
chapter
27
of
city,
zoning
code,
the
design
guidelines,
the
Secretary
of
Interior
standards,
design,
review
comments
and
the
testimony
given
at
this
public
hearing
the
BL
C
can
only
act
on
items
that
within
that
are
within
our
jurisdictional
responsibility.
Owner
agents
are
independently
responsible
to
obtain
any
appropriate
permits.
C
B
B
B
B
B
A
A
B
E
Good
morning,
commissioners
Ron
veal
on
staff
with
historic
preservation
under
continuations,
we
have
one
reflected
on
the
agendas
BLC
19
61
for
the
address
of
1718
East
Columbus
Drive.
That
request
was
by
the
agent
to
continue
to
a
future
date,
so
they
would
have
to
repost
at
that
time,
30
days
prior
to
coming
to
this
board.
If
we
could
get
a
motion
for
that
continuation,
please.
A
B
E
F
E
E
We'll
start
with
the
vicinity
map-
this
is
the
historic
district
of
Ybor
City
reflected
in
the
red
outline
is
the
boundaries
of
the
district,
the
the
district
used
to
in
the
northern
face
of
Columbus
tribe.
This
was
the
expansion
area
in
2013.
I
wanted
to
reflect
the
location
of
this
parcel,
as
indicated
with
this
arrow
over
here,
it's
towards
the
northern
boundary,
which
is
21st
Avenue
and
it
is
on
13th
Street.
This
is
moving
to
the
Sanborn
map,
showing
the
inventory
back
in
1929
property
in
question
is
highlighted
in
the
green
box.
E
E
E
E
This
is
looking
at
the
parcel
showing
the
tree
here
that
will
remain.
There
was
some
conversation
with
Natural
Resources.
That
shows
that
the
house
needs
to
be
set
back,
so
the
tree
and
the
new
construction
could
could
live
in
harmony
together.
Currently,
there's
a
chain-link
fence
that
surrounds
our
property
that
will
be
removed.
This
is
looking
at
the
corner
back
into
the
site.
You
see
the
canopy
of
the
tree
and
the
sidewalk
now
looking
at
the
northern
property
line
back
into
the
site
once
again,.
E
E
And
then,
to
conclude
with
a
couple
of
street
shots,
the
streets
vary.
Why
there's
ample
parking
parallel
parking
on
the
street?
This
is
looking
down,
13th
Street
towards
the
north
back
into
town,
and
this
is
looking
down
13th
Street,
which
is
the
front
of
this
structure
as
it
dies
into
21st
Street
and
that's
the
central
studio,
no
hospital.
That
concludes
the
photo
presentation.
I'll
have
the
owner
in
the
agent
come
for
it
at
this
time,.
G
Good
morning
Commission,
my
name
is
Francis
Margiela
I
am
the
owner
I'm,
also
a
licensed
realtor
I'm,
also
the
Builder
of
this
project.
This
will
be
my
second
project
in
this
historic
district.
I
met
here
a
little
over
a
year
ago
to
do
a
project
similar
a
little
bigger
house,
but
we've
just
wrapped
up
now,
so
we're
just
completing
that
I've
met
with
Ron,
Vila,
I'd,
say
three
or
four
times
on
this
project
to
go
over
everything.
G
G
So
jumping
into
the
Senate
came
here,
as
you
can
see,
we
have
the
structure
here.
There
is
an
existing
driveway
that
exists
going
here
in
the
back
of
the
parcel
already
which
you're
going
to
see,
because
it's
not
cleaned
up,
isn't
really
no
reason
to
destroy.
There's
no
other
place
to
put
the
driveway
as
well
being
that
you
have
this
tree
here.
That
is
the
36
inch
oak
tree.
That
is
president.
That
I
was
mentioning
with
the
umbrella
there,
but
this
would
be
the
driveway
for
the
home.
G
G
Obviously,
that's
not.
My
intention
is
to
put
a
privacy
fence
up
to
separate
the
two
and
use
this
driveway
for
me
again,
you
can
see
here
we
have
the
wraparound
reports
to
accommodate
the
treaty
walkway
in
the
front
everything
done.
Historically,
we
have
the
scoring
and
the
driveway
in
the
walkway.
This
will
be
being
that
this
was
a
solid
Drive.
G
Now
he
wanted
to
add
3
foot,
because
it's
only
6
foot
wide
currently
wanted
to
add
3
foot
to
make
it
to
complete
9,
which
is
required
and
we're
going
to
score
it
historically
as
a
neighboring
driveway,
which
is
the
center
of
being
filled,
if
that
makes
any
sense
to
get
the
cleanest
or
below,
of
course,
and
keep
it
appropriate.
You
have
all
our
mechanical
would
be
here
on
the
side
hidden,
so
it's
not
seen
from
either
corner.
We
have,
of
course
there
is
the
chain-link
fence
that
goes
there
now
around
the
corner.
G
G
Okay
and
then,
if
we
go
into
these
elevations
front
side
elevations
here
we
have
the
house
itself
again
very
appropriate.
The
house
is
going
to
be
all
wood.
Stick
though
it's
gonna
have
an
elevated
floor
system
house
when
people
bump
ears,
it's
got
all
that
is
covering
the
house
here,
well
har
deciding
which
will
be
smooth
five
inch
exposure.
All
the
trim
detail.
We
have
five
five
inches
on
the
sides
here:
seven
in
the
center
of
these
two
windows.
G
G
G
See
as
far
as
elevation
from
grade,
we
wanted
to
keep
it
consistent
with
the
rest
of
the
structures
around
and
again
I'll
show
you
illustrations
here.
In
a
moment,
all
the
houses
around
seem
to
have
four
steps,
keeping
them
as
far
as
a
height
about
the
28
inch
range,
which
is
what
we've
done.
We've
kept
our
front
porch
at
28
inches,
so
we
don't
have
a
solar
staying
under
the
30
inch
for
not
having
a
handrail
again
also
staying
consistent
with
the
fabric
of
the
other
homes
and
then
to
get
into
wall
section
here.
G
Again,
just
to
kind
of
point
out
some
things
we
have
showing
the
front
the
front
porch
here
through
the
side
view
does
show
a
be
a
true
would
be
bored
into
the
ceiling
of
the
porch.
It
shows
a
true
beadboard
and
all
of
the
to
overhang.
He
exposed
overhang.
It's
going
to
be
a
two-foot
overhang.
Of
course,
we
have
again
showing
out
the
Owens
Corning
architectural
shingle.
G
As
far
as
color,
we
are
going
to
use
a
light.
Green,
that's,
of
course
approved
through
the
palette
that
mom
provided
the
color
palette
with
a
white
trim.
I
do
again
I'm,
not
sure
if
this
matters
for
for
color
purposes
but
I
do
have.
This
house
will
have
portables
holding
up
the
front
and
rear
Gables
I
do
stain
them
again.
I
can
show
you
pictures
of
the
one
I've
done
before
I.
Don't
know
if
that
is
necessary.
G
G
This
is
kind
of
going
into
the
piers,
with
the
veneer
brick,
showing
you
an
actual
corner
with
the
lattice
to
represent
an
actual
true
column,
as
it
is
again
showing
you
just
actual
corner
itself.
They've
got
five
inches
on
this
side.
Five
inch
on
this
side
by
the
5
inch
exposure
on
the
smooth
hardy.
G
G
Again,
showing
you
kind
of
a
double
window
here,
but
the
five
inch
on
the
sides
and
the
seven
inch
in
the
center
two
inch
reveals
sill
on
the
bottom,
and
here
is
kind
of
giving
you
a
close-up
of
our
overhang,
showing
you,
the
the
beadboard
which
is
kind
of
hard
to
see
here
on
the
side.
But
the
white
is
the
beadboard
there
above
the
Korbel
and
on
the
left.
You
see
the
porch
roof,
which
is
stained
to
match
the
corbels
again
beadboard.
G
This
is
actually
two
houses
down
very
similar,
very
similar
color
to
what
we're
proposing.
Of
course,
this
one
does
have
the
rail
that
they've
added,
but
it
is
four
steps
very
similar
with
the
brick
pattern.
This
illustration
here
shows
you
natural
resources.
Mock-Up
of
what
pruning
will
look
like.
They
actually
had
me,
go
to
the
property
and
stake
out
where
the
structure
would
be,
which
shows
you
here.
G
If
you
can
kind
of
see
my
stakes
and
my
lines
to
show
natural
resource
where
the
structure
would
be,
and
then,
of
course
in
red
is
where
the
pruning
will
happen,
and
the
green
will
stay
for
that
tree,
and
this
is
just
a
front
facade
of
the
house.
We
just
did
just
to
kind
of
show
you
the
front
of
it
with
the
stain
corbels
very
similar
to
front
facade
just
having
the
wrap
the
wraparound
porch
added
to
it.
G
B
B
E
Good
morning,
commissioners,
Ron
Vila
staff
with
historic
preservation.
That's
funny
that
this
application
is
consistent
with
the
Ybor
City
design
guidelines,
with
the
plans
that
were
submitted
on
April
5th
2019.
Since
those
plans
were
submitted.
We
have
our
conditions
that
are
attached
to
your
staff
report.
On
page
3,
I
was
going
through
his
presentation
and
mr.
Magee
Leo
went
through
the
majority
of
these
items.
When
we
first
met
on
site
I
think
it
would
be
important
to
discuss
the
tree
in
question.
E
There
there's
some
discussion
with
previous
people
looking
at
this
parcel
to
remove
the
tree,
and
the
tree
is
a
huge
asset
for
the
community.
Much
like
for
this
parcel
as
well.
So
we
met
were
natural
resources
out
there,
and
you
saw
the
information
that
was
passed
from
natural
resources
to
the
agent.
As
far
as
keeping
the
tree,
the
proximity
of
the
house,
it's
a
little
bit
farther
back
than
the
face
block
face
of
the
rest
of
the
house
is
because
of
that
tree
on
the
site
plan.
What
was
presented
was
acceptable
to
Natural
Resources.
E
So
it
comes
within
the
protective
radius
of
the
Grand
tree,
but
with
air
spading,
as
this
project
moves
forward
to
expose
the
roots
and
appears
in
an
appropriate
location.
Natural
Resources
is
comfortable
what
was
presented
today
on
the
plan
that
we
looked
at
on
April
5th.
There
were
some
inconsistencies
with
a
walkway
and
the
stoop
coming
up
the
modifications
that
had
been
made
to
the
plans
that
you
saw
today
also
there
was
it,
was
lacking
some
fenestration
on
some
of
the
elevations
and
he
incorporated
additional
windows
on
the
elevations
that
were
presented
today
as
well.
E
Another
concern
when
you
come
forward
with
info
property
is
elevation
from
grade
I,
believe
the
information
was
presented
with
four
steps
to
be
consistent
with
the
properties
that
are
buddy
or
in
the
surrounding
area.
So
having
said
that,
I
believe
this
presentation
is
consistent
and
a
complete
presentation
and
it's
ready
for
final
I'll
be
your
answer.
Any
questions
thank.
A
B
G
G
C
You
for
a
very
comprehensive
presentation,
just
one
quick
question:
the
column
seemed
to
be
a
little
bit
sore
spindly,
based
on
the
historic
patterns
of
the
neighborhood.
You
showed
a
previous
project.
Are
those
the
same
ones
are
proposing
here?
Okay,
did
you
consider
and
you're
walking
around
the
neighborhood?
Did
you
ever
consider
kind
of
modifying
those
to
give
them
a
more
of
a
historical
reference
as.
G
Well,
interestingly,
enough,
the
last
time
I
was
here,
we
actually
had
them
at
I
believe
it
was
a
foot
and
a
half
mm-hmm,
and
one
of
the
suggestions
that
you
guys
made
was
to
make
them
2
foot
and
also
extend
my
overhang,
which
we've
done
and
incorporated
into
this
one,
but
to
be
honest,
I
haven't
I,
haven't
I,
haven't
thought
to
change
that
I
just
figured
it's
looked
consistent.
It
was
one
of
those
things
that
worked
and
I
just
if
it
works
like
figured
I'd
keep
it
the
same.
Thank.
C
A
A
A
Follow
up
on
his
comment:
we're
we're
comfortable
with
the
two-foot,
pier
that
you're
that
you're,
showing
I
think
the
spindly
comment
comes
for
the
wood
portion,
where
you
usually
see
those
items
or
those
columns
flare
out
a
little
bit
and
have
a
little
bit
more
mass
to
them,
going
from
the
top
of
the
masonry
to
the
to
the
bottom
of
the
roof
yeah.
So
that's
an.
G
F
G
A
G
B
A
Then
window
jammed
up
next
to
it
and
that's
really
I
think
one
of
the
only
times
we
see
that
kind
of
detailing
and
spacing
in
this
project
is
there:
do
you
have
a
little
bit
of
room
in
the
inside
to
where
you
can
steal
a
couple?
Half
foot
here
have
foot
there
to
give
it
some.
You
know
balance
on
that
elevation
or
at
least
a
little
bit
of
River
relief.
We.
G
Currently,
don't
to
be
honest,
that's
why
we
unfortunately
have
to
kind
of
smack
it
up
against
that
door,
because
the
way
the
floor
plan
works
out.
This
is
actually
a
laundry
room
and
there's
a
wall
pretty
much
right
up
again,
almost
up
against
that
window.
I
guess
I
could
speak
with
my
architect
and
maybe
try
to
rearrange
some
things
to
relieve
it's
something
great.
A
Is
the
window
essential
for
that
I
mean
because
I
guess
you
could?
If,
if
you
only
have
the
door
there,
you
could
move
the
door
over
and
match
the
window
on
the
opposite
side,
the
the
right
elevation,
which
just
is
just
above
it
I
presume
that
that
is
the
laundry
room
as
well.
You
might
have
an
opportunity
to
incorporate
a
window
on
that
elevation.
Yes
right
right
there
too,
so
that
all
the
windows
and
the
fenestration
on
that
portion
of
the
building
are
a
little
bit
more
balanced.
I
mean
I.
C
G
A
B
A
Mean
if
you,
if
you
want
to
introduce
the
window
on
the
on
the
right
elevation
back
back
corner
in
a
similar
manner,
that
would
be
appropriate,
I
think
as
well
in
terms
of
the
the
setbacks
again,
if
you
put
the
site
plan
up,
is
there
I'm
sure
that
you've
tried
to
get
the
building
as
close
as
you
can,
to
the
to
the
front
or
to
the
front
of
the
property
line?
Yes,.
G
We
did
with
respect
to
the
tree
again.
The
tree
was
really
the
determining
factor
for
this
lot
and
the
existing
driveway
I
actually
made
the
size
of
the
house
to
accommodate
the
trees.
In
the
driveway
example,
the
last
house
was
almost
2,000
square
foot,
this
one's
only
1350.
But
to
answer
your
question,
the
setback-
yes,
is
it's
about
10
foot
from
where
I
state
to
the
to
the
base
of
the
tree,
with
a
tree
in
mind.
As
far
as
so.
G
G
A
G
G
G
That's
going
to
be
20
feet
from
the
from
the
actual
sidewalk
to
the
front
of
the
porch,
which
is
about,
ironically
enough.
It's
about
the
same
as
the
front
bill
to
line
of
the
rest
of
the
street.
So
the
front
porch
will
actually
line
up
rest
of
the
houses.
I
realized
the
front
of
the
house
one
because
of
the
tree,
but
that
porch
does
line
up
with
the
rest
of
the
front
of
the
houses.
So
it
does
keep
some
sort
of
dimension
there.
If
you're
looking
down.
A
A
A
G
G
G
B
C
C
Presented
the
good
portion
of
the
columns
do
look
a
little
bit
under
understated,
but
I'm
gonna
ask
Ron.
Have
you
had
a
chance
to
see
the
project
that's
completed?
What
is
your
opinion
because
I'm,
the
photograph
you
showed,
doesn't
look
completely
out
of
place?
No,
have
you
had
a
chance
to
do
a
site
visit,
I
have
and.
E
Upon
completion
of
all
the
projects
we
go
out,
staff
goes
out
and
looks
at
it
capability
and
the
success
of
the
project.
You
know
in
reviewing
thousands
of
homes
over
my
career
with
preservation,
there's
a
series
of
dimensions
that
the
columns
and
the
piers
have
in
the
relationship.
Sometimes
they're
the
piers
are
longer
and
the
columns
are
shorter,
so
I
think
with
variety
comes
the
success
of
the
project.
So
he's
done.
One
of
these.
This
is
the
second
one.
E
C
A
H
C
A
C
1984,
the
property
located
at
three
zero:
zero
eight
North
13th
Street
with
the
following
conditions
that
the
applicant
revised
the
rear
door
and
the
rear
window.
As
discussed
at
this
public
hearing
that
the
applicant
provides
and
meant
any
proposed
fencing
for
the
property
to
staff
for
final
approval
and
and
that
the
front
door
reflect
the
the
one
presented
in
the
presentation
and
on
the
drawings,
because,
based
upon
the
findings
of
fact,
that
approach
project
is
that
consistent
with
the
ybor
city
design,
guidelines
for
the
city
of
Tampa.
A
E
Commissioners
on
it
next
case
is
the
LC
1981
for
the
addresses
1607
East
6th
Avenue.
The
primary
structure
is
a
contributing
structure
that
dates
back
to
1908.
The
zoning
classification
is
YC
7.
The
request
is
for
an
accessory
structure
of
about
184
square
feet.
There
is
a
variance
attached
to
the
request
this
morning
and
on
the
last
page
of
your
staff
report
is
the
statement
of
hardship
addressing
the
need
for
the
variance
I'm
going
to
have
the
agent
move
forward
with
a
complete
presentation
and
then
upon
completion.
He
will
touch
upon
the
variance.
E
Starting
with
a
Sanborn
map
from
1929
property
in
question
is
here
you
see
the
primary
structure
was
there.
This
is
6th
Avenue,
which
is
for
the
railroad.
The
primary
structure
does
face
the
railroad
tracks.
You
see
the
concentration
of
the
brick
structures
that
flank
7th
Avenue
to
the
north.
You
have
to
fit
that
Avenue
to
the
south.
There
is
an
alley
that
runs
behind
the
alley.
E
This
is
the
area
here
see
some
surface
parking
around
the
subject
site
with
some
residential
structures,
6th
Avenue,
the
railroad
line
to
the
north
and
then,
as
you,
continue
7th
Avenue
and
then
to
the
south.
You
have
six
nap.
Excuse
me
Fifth
Avenue
and
a
blocks
in
between
or
16th
Street
and
17th
Street.
E
E
E
I
B
I
Outline
it
is
going
to
be
a
small
space.
This
is
showing
the
dish
well,
I
have
to
help
but
distance
than
anything,
but
just
want
to
go
over
the
concept
with
you
guys.
So,
basically,
what
I
want
to
do
is
just
add
a
garden
studio
to
the
back
of
my
house,
I,
like
being
in
my
yard,
I
like
being
outside,
so
this
is
kind
of
what
I'm
going
for
here,
trying
to
give
you
the
concept
a
little
bit
more
kind
of
what
I
hope
for
it
to
look
like
in
the
future.
I
Now
the
challenge
was
to
design
a
space
that
was
gonna,
be
you
know,
with
the
5
foot
to
5
foot
Eve
and
having
everything
I
wanted.
Now
we
got
rid
of
most
of
the
decking
just
because
it
didn't
correspond
which
I'll
be
able
to
show
you
in
the
rest
of
this
drawing.
So
this
is
the
back
of
it,
and
then
some
sexual
massing
and
I
have
new
elevations
are
that
these
are
my
cry:
let's
not
go
and
show
you
my
new
modes.
I
I
All
right
so
here
you
can
see
the
setback
from
the
lot
line.
Being
it
was,
the
minimum
was
sixty.
We
got
a
total
of
68
being
where
we
are.
We
got
the
five
foot,
Eve
Eve
and
then
I
have
the
three
foot
from
the
fence
line,
which
was
also
minimum,
and
then
you
could
see
we
got
an
8
foot
wide
by
22
feet.
You're
gonna
give
it's
about
170
square
feet,
which
it
will
be
a
loft
area
inside.
So
I'll
have
a
little
bit
more
area
in
there.
I
I
So
here's
my
previous
house
now
this
is
the
second
project.
I've
done
any
more
sitting
me
and
my
brother
did
one
on
23:17
East,
9th
Avenue,
where
we
took
the
entire
lean-to
off
and
we
extended
the
a-frame
which
is
in
the
historic
zone,
so
we're
very
familiar
with
the
material.
The
novelty
siding
and
everything
like
that.
That
is
gonna
go
into
it.
I
So
we
can
let
the
natural
lighter,
because
there's
going
to
be
a
smaller
space,
so
then
the
3
feet
foot
off
the
ground,
then
you
can
kind
of
just
see
how
everything
else
is:
it's
just
23
feet,
long
grant
total
the
inside
will
be
22
and
then
you
can
see
on
the
I.
Have
two
entrances
on
the
on
the
back
of
the
property.
F
Mr.
chairman,
if
I
may
a
point
of
order
here,
the
since
the
applicant
is
seeking
a
variance,
and
it
appears
that
the
variance
the
decision
on
the
variance
will
decide
whether
or
not
the
project
will
be
allowed
to
go
forward
for
certificate
of
appropriateness,
I
think
it
would
be
a
good
suggestion
to
just
address
the
variance
criteria
first
and
then
have
the
board
entertain.
That
variance
will.
A
A
I
I
Got
it
all
right,
so
I'll
go
ahead
and
just
get
right
into
the
hard
choice.
So
here
we
go
so
we
got
number
one
right
here.
The
alleged
hardship
of
practical
difficulties
are
unique
and
singular
with
respect
to
the
property
or
with
respect
to
a
structure
or
building
they're
on
and
are
not
those
suffered
in
common
with
other
property
structures
or
buildings.
Similarity
located
and
the
residential
plot
is
non-conforming,
because
it's
less
than
25
million
square
feet
so
and
and
number
two.
I
I
We
got
the
variances
if
granted
will
not
essentially
interfere
with
or
injure
the
health,
safety
or
welfare
of
others
whose
property
would
be
affected
by
allowance
of
the
variance
if
parka
barons
will
in
fact
increase
safety,
because
no
additional
cards
will
be
passing
through
the
narrow
alley
back
alley
and
other
surrounding
public
areas
which
you
see
through
the
picture.
That's
kind
of
just
like
just
just
there
and
then
the
variance
is
in
harmony
with
the
unserved
general
and
ten.
A
purpose
of
this
chapter
and
adopted
Tampa
compressed
the
comprehensive
plan.
I
A
parking
variance
will
advance
the
goals
outlined
in
the
places
chapter
page
44,
specifically
the
parking
variance
will
promote
walkability
in
the
block
and
within
the
seventh
Avenue
commercial
corridor,
and
then
five
allowance,
allowing
the
variance
will
result
in
substantial
justice
being
done.
Considering
both
the
pup.
Both
public
benefits
intended
to
be
secured
by
the
chapter
and
the
individual
hardships
are
for
practical
difficulties
that
will
be
some
suffered
due
to
failure
of
the
board.
I
To
grant
variance,
no
variance
will
require
a
parking
spot
that
does
not
meet
the
technical
specifications
of
a
parking
spot
and,
while
they're
on
the
unsafe,
any
violation
of
code
and
finally
number
six.
The
variance
if
grant,
will
allow
development
that
is
consistent
with
the
design
standards
and
compatible
with
the
historic
pattern
of
development
within
the
historic
district
cons,
conservation,
overlay,
district,
multiple
property
designs
or
the
local
design,
land
or
landmark
site
in
which
the
subject
property
is
located.
E
So
at
this
time,
I
believe
the
board
should
focus
on
the
variance
the
hardship
criteria
that
was
presented
into
the
record.
This
morning.
We
do
have
John
Marsh
with
transportation
that
wants
to
address
the
board.
All
of
the
discussions
should
take
place,
the
substantial
and
competent
evidence
that
was
entered
into
the
record
for
this
hardship.
If
the
variance
moves
forward,
then
we
could
go
into
the
certificate
of
appropriateness.
Thank.
B
D
I
did
I
always
want
to
do
a
boy
scout,
it's
kind
of
a
complicated
case,
so
transportation
finds
the
site
plan
inconsistent
with
chapter
27
178
to
be
8-3,
because
the
code
requires
one
space
for
single-family
dwelling
of
the
YC
7
district.
The
site
plan
doesn't
have
any
parking.
However,
staff
has
spent
a
lot
of
time
on
this
particular
project.
D
The
staffs
determined
there's
no
feasible
way
to
accommodate
the
required
parking
to
code
on
this
site
with
the
existing
structure,
regardless
if
he
builds
or
doesn't
build,
the
existing
lot
is
simply
too
small,
so
he
still
is
required
when
I
reviewed
to
provide
this
parking,
even
though
it's
not
feasible.
So,
therefore,
my
comments
were
he
needs
to
do
one
of
two
things.
D
One
has
come
before
you
and
asked
for
a
waiver
to
reduce
the
parking
from
one
to
zero,
therefore,
making
it
conforming
because
it
had
a
waiver
or
to
provide
for
offsite
parking
as
allowed
by
code
within
a
thousand
feet.
We
provided
him
the
language
so,
which
is
why
you're
here
Hawaii's
here
and
we
asked
for
him
to
clarify
if
he
was
going
to
do
offsite
parking,
but
we've
never
gotten
that
clarification,
because
there
are
additional
requirements
for
that.
D
But
I
don't
see
any
way
unless
the
entire
structure
was
raised
and
a
new
one
built
around
providing
the
one
required
parking
space
that
it
would
fit.
There's
just
not
enough
back
out
space
I'm,
not
saying
somebody
in
a
smart
car
or
a
Fiats,
not
gonna,
cram
their
way
in
that
parking
lot.
But
I,
don't
I'm,
not
okay,
with
that
it's
got
a
meet
code,
so
they're
just
distance
that
the
valleys
too
short.
It's
just
a
very
tight
law.
B
I
Do
you
pour
so
right
now,
I
have
a
parking
permit
through
Ybor
City,
where
I'm
allowed
to
park
South
Ybor,
so
actually
I
have
a
little
map
to
show
you
check
it
off.
I
D
A
And
then
back
to
the
applicant,
you
have
no
intent
to
pursue
the
offsite
parking,
as
described
by
transportation,
you're
looking
for
the
waiver
to
go
from
1
to
0.
Yes,
ok,
ok,
we're
clear
now
so
questions
right.
Do
we
close
the
public
hearing
year?
Is
there
any
other
testimony
for
the
variance
that
you.
A
Is
there
any
public
comment
that
needs
to
be
heard
for
the
variance
okay?
Well,
let's
do
public
comment
first,
if
there's
anybody
here
to
to
speak
on
behalf
of
this
particular
variance
request,
I,
don't
see
anybody
so
we'll
move
to
rebuttal
for
what
you've
heard
conversation
wise.
Thus
far,
we
understand
it's
a
difficult
lot.
We
understand
that
you
have
a
parking
pass
that
doesn't
meet
transportations
expectations
or
off-site
parking
and
you
want
to
go
from
1
to
0.
So
that's
anything
else
for
that.
No.
I
C
C
B
D
Thank
you.
So
he
needs
to
have
the
24
foot
backup
requirement
and
even
if
he
angles
that
he
just
can't
quite
get
the
backup
requirement,
no
matter
what
he
does
and
then
he
still
would
need
like
I
think
if
he
did
an
angle,
he
still
needs
like
side
and
all
these
other
setback
so
he's
back
to
variances
I
mean
there's
no
Ana.
D
A
A
I
I
I
I
A
I
I
It's
all
wood,
it's
all
gonna
be
historic.
It's
all
gonna
be
novelty,
siding
it's!
So
you
see
the
novelty
siding.
We're
gonna
have
the
drywall
on
this
side,
the
moisture
barrier,
plywood
setting
and
then
above
there's
gonna,
be
the
metal
roofing
with
the
plywood
decking,
and
then
the
wood
ridge
beam
running
all
the
way
across
and
then
the
same
as
it's
gonna
be
wood
stairs.
It's
not
gonna,
do
concrete,
so
nice
wood
stairs
so
that
and
decking
so
that
the
drainage
runs
off
historically.
I
I
E
Commissioners
up
this
application
is
consistent
with
the
Ybor
City
design
guidelines
I,
like
for
the
owner
to
present
additional
information
on
the
doors
and
on
the
final
color
palette,
as
well
with
the
completion
of
that
this
application
does
satisfy
the
standards
within
Ybor.
City
I've
been
here
answer
any
questions.
Thank.
A
G
C
I
I
go
real
historic
on
it,
because
I
want
to
do
something,
really
cool
that
stands
out.
So
that's
kind
of
like
a
thought
in
my
mind
and
then
they
get
accepted.
Then
I'll
just
painted
the
same
color.
That
is
my
house,
which
is
like
a
light
bluish
color,
which
has
been
there
forever.
So
that's
kind
of
my
goal
with
the
color.
I
Yes,
it's
gonna
have
our
ignition
yeah
I'm
gonna.
Do
a
little
like
on
the
back
side,
where
the
where,
where
the
8
foot
is
in
between
the
fence
and
the
building,
I'm
gonna
put
the
compressor
there.
So
it'll
have
light
AC
if
I
be
anything
crazy,
a
small
unit
and
and
if
I
don't
do
that,
I'll,
just
probably
just
put
like
a
nice
window
unit
or
something
really
good
in
there.
You
know
what's
really
good,
but
as
of
right
now,
I
want
to
go
with.
You
know
traditional.
I
I
I
Sorry,
yes,
sir
I'm
gonna
do
a
shower
a
stand-up
shower
with
we
don't
have
the
interior
done.
You
know,
I
didn't
I,
didn't
know
if
I
needed
that,
but
I'm
gonna
do
a
like
a
stand-up
shower
in
the
back
area
right
over
here.
That's
where
there's
that
long
window
on
the
back
side
so
that
it
lets
light
through
there
and
then
so
it'll
be
a
stand-up
shower
a
small
little
sink
in
a
small
toilet.
So,
okay.
I
No,
this
is
this
is
for
my
so
my
mom
lives
in
New
Mexico
she's,
my
she's
taking
care
of
my
last
the
last
of
the
grandparents
that
are
alive
and
she's
96.
Now
so
she's
gonna
end
up
moving
back
down
with
me.
So
this
is
all
just
trying
to
foresee.
What's
coming
because
it's
inevitable
so
I'm
trying
to
set
myself
up
where
we
can
all
be
comfortable
in
a
space
and
we
can
be
outside,
I
can
be
outside.
I
I
No
I
mean
it
won't,
be
your
residence
it'll
just
be
like
it's
gonna,
be
in
addition
to
the
house,
so
I
mean
I
have
the
room
inside.
So
it's
just
more
of
a
space
for
us
to
be
outside
together
pretty
much.
It's
not
gonna
have
a
kitchen
in
it
or
anything
like
that.
It's
just
gonna
have
a
bathroom,
no,
no
kitchen!
No!
Well,
then,
nothing
like
that
at
all.
I
understand.
C
I
So
yeah
we
have
all
the
whole
from
the
east,
the
west
and
north
in
the
south.
It's
all
gonna,
be
you
know
one
foot
off
the
ground
all
around
the
whole
building,
so
it's
not
going
to
be
it's
gonna,
be
nice,
and
even
and
then
you
can
see
the
distance
off
the
top
defense
lines.
Gonna
be
three
feet
which
was
mandatory
and
then
five
feet
from
you
to
even
that
is
all
the
way
around.
Okay.
Thank
you.
Okay,.
A
I
A
I
A
I
A
I
A
A
So,
with
that
in
mind,
if
you're
gonna
have
that
detailing
there,
we
would
or
I
would
suggest
that
that
type
of
detailing
you're
everywhere,
because
when
you
look
at
your
shower
window
in
the
back,
it
goes
trim
board
to
trim
board
bottom
left
on
your
North
elevation.
You've
got
an
opportunity
to
maybe
that
other
the
top
right,
that's
any
vertical
window.
A
You
have
the
opportunity
to
kind
of
put
that
into
the
trim
board,
and
then
you
have
the
opportunity
on
the
bottom
right
to
detail
that
corner,
because
that's
going
to
be
really
the
the
main
facade
there.
You're
gonna
want
that
corner
to
be
as
open
as
possible
and
just
have
the
trim
boards
drop
and
then
the
glass,
the
sliding
glass
do
what
it
wants
to
do
on
both
sides.
There,
okay.
I
A
I
think
that
that
detailing
should
be
consistent
rather
than
kind
of
loosey-goosey
and
I,
think
that
you
can
get
there.
I
just
want
to
put
that
out
there
for
everybody
to
talk
about,
because
what
you're,
what
you're
presenting,
is
a
typical
and
that's,
not
necessarily
a
bad
thing.
We
just
want
to
make
sure
that
it's
a
typical
consistently
in.
A
H
A
A
I
A
I
I
I
A
A
I
A
A
A
A
I
C
C
You're
trying
to
do
here
is
create
a
really
distinct
architectural
object
that
relates
and
form
and
scale
to
your
existing
house
and
obviously
to
the
design
guidelines,
but
I'm
just
wondering
well
I
appreciate
you
proposing
a
brick
pier
system
with
lattice.
It
seems
to
be
like
unless
you
really
needed
that,
like
for
ventilation,
this
would
be
a
case
where
it
could
be
spear
with
a
simple
stone
wall
just
to
stock
down,
which
would
save
you
a
lot
of
expense,
but
also
make
the
project
more
consistent.
C
I
I
A
B
A
I
I
B
A
B
Additional
comments,
like
you,
I've,
been
sort
of
hinting
at.
It's
a
I
think
it's
a
modern,
simple
reinterpretation
at
the
a
frame
of
his
existence,
and
it
can
be
very
clean
for
sure
cleaning
up
the
pure
details.
It's
nothing
just
like
I
guess
on
the
underdrawing
super
simple,
just
keep
it
simple
and
I
think
we'll
be
successful.
They'll
audition
to
house
a
good
addition
to
to
that
blog
and
it's
close
to
the
heart
of
Ybor
City
and
seventh
Avenue
as
it
is.
C
A
Everybody's
encouraged
by
what
you're
presenting
all
right,
it's
it's
something!
That's
fresh,
it's
gonna
be
fun
for
you
tighten
up
the
detailing,
make
it
consistent.
I,
don't
see
the
reason
to
change
fenestration
stylings!
You
know,
let's,
let's
hope
something
up
out
of
your
backyard,
that
somebody
says:
hey!
That's
cool
yeah,.
I
A
A
Do
a
Polish
concrete
there
I,
don't
think
that
you're
bound
by
you
know
kind
of
trying
to
make
brick
piers
and
look
like
other
things,
because
I
think
you're
gonna
have
a
very
clean
box
sitting
on
a
very
clean
piece
of
concrete,
and
so
some
of
those
some
of
the
historical
things
that
we
would
tend
to
gravitate
towards.
I.
Think
that
your
project
is
it's
moving
away
from,
because
it's
trying
to
be
something
a
little
bit
a
reinterpretation
of
some
of
those
things.
So
I
think
that
that
gives
you
the
opportunities
to
do
that.
A
B
The
only
problem
I
have
with
this
is
not
his
problem
is
he
is
you
drive
down
Fifth
Avenue,
you're
gonna,
see
this
thing.
That
kind
of
looks
a
little
bit
like
a
silent,
but
that's
not
his
problem,
I
think
for
what
he's
doing
he's
just
right,
I'm
hoping
that
at
some
point
in
time
my
parking
lot
gets
built
up.
I.
A
J
A
Think
that
I
think
that
you've
made
a
good
presentation,
but
even
just
looking
at
the
drawings
that
are
on
the
screen,
the
elevation
that
the
roof
pitch
and
the
depth
of
the
roof
from
the
gable
end
to
the
eaves
is
inconsistent.
It's
two
different
buildings.
It's
it's
just
something
that
if
we
understand
what
you're
going.
I
I
Just
really
just
kind
of
put
this
in
front
you
guys
and
get
your
feedback,
and
now
the
variance
is
good.
Now
I
can
really
put
the
money
into
an
arc.
I
just
was
so
scared
about
coming
out
of
pocket.
So
much
I
really
tried
to
do
as
much
as
I
could
on
my
own
and
now
it's
time
to
really
put
some
horsepower
behind
it.
I
was.
C
B
A
C
Gonna
move
to
grant
a
continuance
and
BLC
for
the
property
located
at
ob
LC
1981
for
the
property
located
at
1607
6th
Avenue
to
the
next
public
hearing
with
the
following
conditions
at
the
applicant
adjust
the
drawings
to
reflect
discussion
on
the
various
points
at
the
public.
Hearing
specifically
provide
more
details,
provide
consistent
for
plans
and
elevations,
and
also
revise
the
stem
wall.
Construction
from
the
proposed
pier
wall
system
and
provided
up-to-date
site
plan
as
well.
F
Thank
You
mr.
chairman,
typically
I'm
I
am
standing
in
here
and
normally
I
sit
with
the
Architectural
Review
Commission,
but
it's
typically
the
practice
of
the
Architectural
Review
Commission
I.
Imagine
it's
similar
for
this
board.
Since
you
gave
me
a
look
that
that,
if
a
continuance
is
a
motion
for
continuance
is
made
that
that
that
we
do
discuss
with
the
applicant
and
the
applicant
consents
to
that
right.
A
So
you
you,
as
the
applicant,
have
the
opportunity
to
you,
you
see
where
the
motions
headed
we
haven't
voted.
Yet
a
continuance
would
give
you
the
opportunity
to
clarify
in
in
the
next
time
we
see
you
all
of
the
different
things
that
we're
talking
about
just
reconfirming
site,
elevations,
getting
the
drawings
and
consistent
detailing
you
have
the
opportunity
to
ask
us
to
vote
up
or
up
and
down
on
what
we've
seen
today.
That
would,
you
know,
put
you
at
risk
of
not
going
forward,
but
that's
your
prerogative,
those
as
the
owner.
Okay,.
I
F
Chairman,
if
you,
if
you
ask
for
an
up
or
down
vote
and
you
are
denied,
you
will
not
be
allowed
to
come
back
to
the
board
with
the
same
project
for
the
period
of
twelve
months.
If
you
made
a
substantial
change
to
the
project
and
that
would
be
determined
by
staff,
what
would
be
a
substantial
change,
then?
You
could
come
back
before
the
twelve
months,
but
that's
kind
of
the
risk
that
the
Chairman
is
talking
about.
If
you
ask
for
up
or
down
vote,
obviously.
E
E
E
E
Avenue
is
the
front
elevation
of
the
structure
and
for
this
request
to
the
rear,
there
was
an
alley
and,
as
you
move
to
the
north,
you
have
5th
avenue
6th
Avenue
and,
as
you
move
to
the
south,
you
have
a
3rd
2nd
and,
as
you
approach
animal,
this
is
looking
from
above.
This
is
the
building
that
dates
back
to
1973.
E
E
E
E
H
H
We
do.
We
are
land
surveyors
engineers,
architect,
firm,
we've
been
around
for
ninety
who
axes
a
hundred
hundredth
year
in
September,
and
we
proposed
and
had
had
a
accessory
structure.
Basically
a
con
X
or
a
storage
container
that
we
needed
additional
storage
for
survey,
equipment,
stakes,
hubs
and
also
our
what
we
call
two-man
ROV,
basically,
a
TV
and
a
one-man
ATV
for
our
survey.
Crews,
along
with
other
field
supplies,
the
existing
building
did
not
have
sufficient
interior
storage
space.
H
Unfortunately,
for
us
in
December
we
had
a
theft
of
both
our
ATV,
an
ROV
at
our
previous
location,
and
so
it
expedited
our
ability
or
need
to
bring
that
particular
structure
in
so
we
ordered
the
structure
got
delivered.
I
think
it
was
around
the
fourth
or
fifth
of
January,
and
then
you
know
basically
had
to
start
the
process
at
that
time
and
I've
been
in
constant
contact
with
with
Ron
and
his
staff.
Since
that
point
time
we
basically
we're
kind
of
handicapped.
H
This
is
an
existing
drainage
area,
which
was
already
on
site
and
also
a
masonry
wall
that
runs
parallel
to
our
property
loan,
our
North
right
away
back
behind
the
parking
area
and
because
of
this
existing
drainage,
we
it
it
forced
us
to
basically
have
to
kind
of
move
to
the
structure
more
to
the
south
or
to
the
front
of
the
structure.
We
would
prefer
to
have
it
back
in
the
back,
but
it
would
have
encroached
in
that
drainage
area.
We
we
did
research
and
make
sure
that
we
were.
H
We
met
all
guidelines
off
the
side
or
the
rear,
the
rear
of
the
parcel,
and
also
off
the
street
side,
to
make
sure
that
we
would
meet
those
standards,
and
then
we
went
ahead
and
put
fencing
across
the
street
side
of
the
structure
for
the
aesthetic
purpose
and
also
for
security.
We
we
kind
of
use
this
in
an
infill
area,
for
we
have
a
boat
and
some
other
things
that
we
we
the
door
back
there
so
from
a
practicality.
Now
our
operations
is
all
in
one
place.
H
As
it
relates
to
the
elevations,
through
numerous
discussions
with
Ron
and
his
staff,
basically
it's
a
40-foot
container
with
you
know.
A
vertical
just
has
vertical
metal
cladding
existing
one
end
has
doors
on
it
on
the
southernmost
end,
and
there
are
on
the
West
elevation
we're
missing.
We
had
a
man
door
cut
in,
so
we
could
access
the
kind
of
the
front
half
of
it
for
just
supplies.
Like
I
said,
we
have
states
of
just
survey
and
survey
equipment
primarily
that
we
keep
them
there.
H
We
had
agreed
to
paint
or
clad.
However,
the
board
felt
was
appropriate
for
its
area.
There
are
other
containers
in
the
immediate
area.
We
also
you
know,
thought
that
putting
on
a
roof
would
help
for
the
from
the
architectural
standpoint.
So
we
proposed
a
shallow
for
on
12
pitch
roof
and
we'll
bring
aluminum
siding
up
to
match
the
metal
siding
of
the
existing
structure,
along
with
you
know,
painting
it
to
match
our
existing
building,
not
as
exciting
as
the
previous.
It's
just
a
shed.
E
E
E
We
start
with
it's
kind
of
difficult
to
see,
so
what
I
did
I
circled
in
the
red,
the
the
buildings
there
period,
buildings
that
were
plotted
in
metal
once
again,
the
Sanborn
gives
us
a
lot
of
illustration.
The
red
indicates
a
brick
construction
or
a
brick
veneer
on
the
exterior
blue
is
concrete
block,
yellow,
is
frame
construction
and
then
anywhere
that
there's
gray
our
index
tells
us
that
that
was
clouded
in
metal.
E
So
if
you
look
at
the
buildings
here,
there's
a
building
a
couple
buildings
on
6th
Avenue
that
flank
the
railroad
tracks
that
back
in
1929
would
have
had
that
cladding
on
it,
though
these
on
Fifth
Avenue
that
are
pretty
close
to
the
front
property
line
that
have
the
cladding
on
it.
So
frame
construction
was
cladding
over
it
and
then
a
series
of
buildings
as
it
above.
The
alley
I
took
a
broader
approach
to
it
and
just
kind
of
panned
out
a
little
bit
to
show
the
accessory
structures.
E
A
lot
of
times
are
indicated
with
aids
for
automobile
access.
As
this
one
is
that's,
you
know
post
proximity
to
a
primary
street
as
this
one
sits
on
the
property
line,
then
you
have
a
series
of
buildings
off
the
alley
and
then
a
different
orientation
on
17th,
Street
and
then
down
here
as
well,
on
8th
Avenue
back
from
1929.
E
And
then
inspiration
here
changing
what
was
a
storage
structure
behind
a
period
house
in
Ybor
City
as
well,
and
they
turned
it
into
a
residence
or
no
different
use.
So
with
the
with
the
information
that
I've
provided
with
the
Sanborn
map,
with
the
other
faces
that
I
showed.
This
is
where
staff
is
pulling,
that
it
can
be
consistent
if
it's
done
properly.
I'm
here
answering
questions.
Thank.
C
K
C
A
B
B
Around
it
already,
it's
look.
It's
an
eyesore,
of
course,
the
containers,
an
eyesore
as
the
way
it
is.
We
were
told
when
they
put
it
in
that
they
were
gonna
paint
it
and
that
has
not
happened.
I
do
like
what
they
show
today
that
they're
gonna
do
when
I
still
think
that
the
fencing
needs
to
be
addressed
to
make
it
a
more
appropriate
fence.
If
you
Shh
I
tried
to
send
pictures
that
didn't
work,
they
were
too
big,
but
it's
all
cracked
and
broken
and
kicked
in
in
parts
already.
B
The
main
problem
with
that
end
of
the
building
is
that's
what
it
looks
into
and
now
we're
afraid
to
be
a
storage
unit
back
there
storage
lot,
for
it's
already
got
a
boat
trailer
and
some
junk
back
there.
So
that's
all
I
had
to
say
I
do
like
what
they
are
proposing
to
do
with
the
roof
and
making
it
fit
a
little
better
than
this
rusted
thing.
One
of
my
concerns
is:
how
is
it
tied
down?
B
F
C
C
C
H
We
we
did
go
ahead
and
place
that
order
in
late
November.
We
were
hope
we
were
starting
the
process
of
getting
the
approval,
but
during
that
process,
when
we
had
to
break
in-
and
so
we
just-
we
had
to
make
a
corporate
decision.
Like
said
our,
we
had
vacated
our
prior
location,
which
was
out
in
East
Tampa.
There
was
no
one
in
the
building
and
with
that
equipment
sitting
out
there,
you
know
we
we
just
didn't
have
any
way
to
secure
it.
H
So
we
we
ordered
it
in
and
brought
it
in
and
and
then
to
the
gentleman's
point-
and
there
was
a
we
need
to
secure.
You
know
thirty
thousand
dollars
worth
of
equipment.
You
know
before
it
take
takes
legs
and
walks
off
again.
We
were
fortunate
to
recover
it,
but
then
that
was
just
a
corporate
decision
that
we
needed.
You
know
we
needed
to
have
it
where
it
was
close
to
us
when
we
could
have
eyes
and
hands
on
it
on
a
regular
basis
and.
H
That
fence
isn't
is
new,
there
I
mean
they
were
I.
Could
I
can't
get
a
call
on
Monday
morning
saying
Hank,
someone
kicked
the
fence
and
you
know
we
have
to
go
out
and
try
to
make
repairs
fix
it
that
that
fence
was
all
been
put
in
in
the
past
couple
months
since,
since
the
container
was
placed
to
address
the
comment
about
painting,
we
were
advised
not
to
do
any
type
of
exterior
modifications
until
we
came
before
the
board.
So
not
the
painted,
not
I
mean
we've
talked
about
stuff
over
talked
about
aluminum
siding.
H
H
A
Long's
your
lease
think
five
years,
do
you
I
guess
my
kind
of
the
trajectory
of
this
question
is:
do
you
see
this
as
a
permanent
location
for
you?
Are
we
trying
to
do
a
temporary
band-aid
here
to
help
the
community,
or
is
this
something
where
you're
putting
down
stakes
and
we're
gonna
be
looking
at
this
forever?
No.
A
A
B
A
I
think
that,
from
my
perspective,
the
a
metal
roof
and
a
roof
pitch
that
is
for
matching
the
neighbors
would
be
more
appropriate.
You
know
trying
to
work
with
the
folks
there.
The
four
and
twelve
seems
pretty
pretty
slight
than
their
day.
The
construction,
that's
next
door
PVC
and
have
you
have
you
done
anything
else
to
address
the
notion
that
it
needed
to
be
tied
down?
Is
it
in
its
final
spot
with
all
of
the
appropriate
engineering
in
place?
Yes,.
H
A
H
Originally
one
of
the
discussions
had
us
having
to
go
to
a
horizontal
cladding,
but
after
seeing
Ron's
examples
and
seeing
some
other
examples
in
the
neighborhood,
the
metal,
the
building
has
vertical.
As
an
you
know,
natural
vertical
cladding
in
itself,
so
we
were
just
going
to
cap
it
and
match
a
vertical
metal
with
instead
of
would
put
metal
and
paint
it
to
match
a
match.
Our
structure,
okay,.
B
A
So
painting
existing
roof
on
top
with
the
metal,
fascia
or
metal
gable
end
to
right,
tie
it
all
together
and
add
an
appropriate
pitch
right.
Is
there
any
other
site
improvement
that
you
need
to
do
you
have
all
the
access
that
you
need?
We
have.
We
have
sufficient,
so
the
trailers
that
we've
talked
about
or
you
there's
no
modifications
any
fences
which
what
we
see
here
is
the
way
you
guys
need
to
operate
any
of
the
aesthetic
considerations:
correct.
Okay,
okay,
that's
my
questions.
I
think
one.
H
We're
kind
of
a
contention
about
that
damage
when
I
was
there
when
it
was
installed,
the
driver
drove
the
only
way
to
install
those
types
of
containers
is
basically
to
pull
straight
down
straight
back
tilt
the
tilt,
the
bed
of
the
truck
and
let
it
slide
off
and
that
the
damages
of
2530
feet
away.
There
was,
we
were
never
our
truck
was
never
or
the
delivery
truck
was
never
that
far
to
the
east,
I'm,
not
sure
when
it
was
damaged,
but
it's
not
in
alignment
with
the
container
itself
as
it
crosses
the
sidewalk
and
perhaps.
C
C
E
Get
code
enforcement
involved
not
with
Google
Earth.
We
could
go
back
a
series
of
time
and
see
if
we
could
put
it
together.
We
heard
from
the
neighborhood
that
it
was
damaged
through
the
process,
but
we
wanted
to
see
exactly
what
was
gonna
come
out
at
today.
Okay,
while
I'm
at
the
podium
I
want
to
make
a
position
that
it's
a
very
important
week.
E
We
get
requests
for
these
containers
that
come
into
the
area
quite
often,
and
if
it's
more
in
the
industrial
sector
with
a
proper
YC
zoning,
it
might
be
something
that
could
be
reviewed
as
it
currently
states
I
believe
this
one
needs
to
be
clouded
appropriately
with
the
vertical
siding.
This
is
a
corrugated
metal
on
all
sides.
Any
doors
need
to
be
credit
as
well
as
well
as
the
roof,
so
I
believe
his
illustrations
show
that
the
cladding
is
coming
up
to
a
certain
point
and
then,
on
top
of
that
is
wood.
E
The
proper
YC
zoning
that
he
has
it's
YC
six
I
believe
he
could
go
to
six
foot
high.
If
it's
more
residential
in
nature,
then
we
look
for
a
four
foot:
high
picket
fence.
The
alternatives
are,
he
could
do
a
wood
fence
or
he
could
do
a
metal
fence
or
some
kind
of
stucco
combination
to
kind
of
mimic.
The
primary
structure
I
think
the
most
sensitive
in
this
area
was
the
wood
fence
and
that's
why
we
kind
of
I've
steered
him
in
that
direction.
Have.
C
E
A
spa
caged
fence,
it
is
individual
there
side
by
side,
it's
not
like
a
shadow
box
that
has
a
little
more
structure
to
it.
When
I
went
out
there,
the
fence
was
fine,
you
know,
but
over
time
it's
an
urban
environment
and
it
gets
you
know,
damaged
at
time
to
time.
So
you
know
that's
on
there
responsibility
as
well
to
keep
up
to
the
area.
C
E
Went
through
a
design
exception
because
they
need
a
certain
buffering
through
there
and
the
design
exception
was
approved
by
zoning.
There's
certain
dimensional
requirements
from
the
proper
line
that
this
structure
needs
to
be
away
from
and
it
was
granted
administrative
leaders
owning
department
or
where
this
and
the
condition
that
that
the
site
is
in
now
with
the
buffering
around
the
hood
and.
E
A
Okay,
thank
you.
We'll
close
the
public
hearing
I
think
we
can
cut
to
the
chase
on
this.
One
probably
in
terms
of
getting
I,
think
we
need
to
see
it
again.
I
think
that
I
think
that
the
applicant
is
trying
to
put
their
best
foot
forward
to
satisfy
the
requirements
of
the
barrio,
but
we're
going
to
need
to
see
some
additional
input
based
upon
what
staff
has
said
and
what
we
want
to
see
as
well.
So
yeah.
C
I
would
agree
because
the
success
of
this
project,
we
is
determined
by
the
the
finesse
of
the
detailing
and
the
current,
drawing,
still
reflect
that
and,
and
then
I
just
have
to
say
that
I
am
concerned
about
the
fence.
We've
heard
pulp
this
testimony
that
it
perhaps
isn't.
Does
it
look
up
to
the
standards
of
the
district
and
would
it
with
even
though
a
design
exception
was
granted,
we
still
maybe
have
some
jurisdiction
over
the
fence.
C
A
Quality,
what's
right,
right,
yeah
I
would
say
to
that
effect,
I
mean
you
know.
You've
you've
got
an
applicant
who's,
trying
to
provide
a
context,
or
some
kind
of
storage
structure
work
with
the
community
to
make
it
its
appearance
in
sync,
with
the
barrio
but
they're
trying
to
protect
$30,000
worth
of
equipment,
which
is
important
for
them.
I
need
to
you
know,
have
to
put
in
more
improvements
than
you
know:
the
equipment
that
they're
trying
to
protect
so
with
that
I
think
mr.
F
F
According
to
the
guidelines
that
were
interpreted
by
staff
and
as
far
as
the
fence
being
able
to
stand
up
and
and
obviously
can't
be
falling
over,
those
are
those
are
separate
code
violations
and
and
are
code
enforcement
issues.
If
the
fence
is
in
disrepair,
then
they
would
be
subject
to
a
code
enforcement
process,
which
is
a
separate
process
than
than
this.
One
just
wanted
to
add
that
to
the
Congress
I
think
you
any.
B
B
C
A
B
E
Good
morning,
chemistry,
Ron
Vila
staff
with
historic
preservation.
This
will
be
the
last
agenda
item,
which
is
BLC
19-97
for
the
address
of
2309
East
Third
Avenue.
Currently,
it's
a
vacant
parcel
was
a
YC
6
zoning
classification
reading
from
the
code,
the
zoning
code
for
YC
6
is
this:
sub
district
comprises
land
devoted
to
general
and
intensive
commercial
uses
located
in
the
southern
fringe
of
the
historic
district
and
will
which
provide
a
transition
to
the
industrial
use.
E
This
is
a
fairly
new
construction.
That's
came
forward.
This
is
a
single-family
residential
building.
There
has
been
you
construction
approved
here,
which
the
applicant
will
bring
for
some
massing
indication
to
show
the
sensitivity
that
they're
coming
in
with
for
it
here.
There
has
been
new
construction
approved
here
and
here
so
you
see,
there's
been
a
series
of
interest
in
this
area.
This
is
looking
straight
on
from
3rd
Avenue.
Subject.
Site
is
within
here
this
building
to
the
east
of
the
new
construction.
E
That
I
stated
seek
the
approval,
which
is
single
family
to
the
west
of
the
subject
site
just
a
vacant
parcel,
and
we
have
another
one
of
those
sensory
structures
back
there
directly
across
the
third
Avenue.
This
is
to
the
north
and
then
some
street
shots.
This
is
looking
down
third
Avenue
to
the
east
as
a
reference
point.
This
is
the
new
construction,
our
buddy
into
the
east.
E
A
J
Good
morning,
everyone,
my
name-
is
Kevin
McGinnis
I'm,
the
owner
of
the
property,
extremely
excited
to
present
this
proposed
project,
as
part
of
you,
I
just
want
to
start
off
with
baking.
Iran
we've
been
working
together
for
a
couple
of
months
now
and
where
we
started
and
where
we
are
now
is
pretty
awesome
from
what
I
can
see.
So
we
were
looking
to
do
some
mixed
base.
J
We're
have
three
lofts
in
the
rear
right
of
the
property
if
we
have
three
levels
of
office
space
on
the
left
side
of
the
property,
with
parking
below
both
of
those
structures
I'm
here
with
my
architect,
mr.
Laura
Lewis
Laura,
and
he
can
explain
some
of
the
elevations
for
you
and
go
over
some
of
the
questions
that
you
have
may
have
in
more
detail.
Just
want
to
tell
you
a
little
bit
about
myself,
though.
First
I've
lived
in
Tampa
for
32
years,
I've
been
coming
to
Ybor
for
probably
twenty
four
of
those
years.
J
I
currently
have
an
office
in
Ybor
City
on
Fifth
Avenue
and
we're
expanding
our
business.
So
this
is
kind
of
why
we're
moving
forward
trying
to
hopefully
moving
forward
with
this
project.
This
is
a
place
where
I
want
to
be
I
love
Ybor.
My
son
is
actually
16
years
old
I'd
like
him
to
be
part
of
this.
J
This
business
is
well
moving
forward,
so
this
is
something
I
plan
on
keeping
in
the
family
and
I
also
work
with
my
two
other
brothers
that
that
would
be
with
me
on
this
as
well,
so
no
we're
just
we're
just
extremely
excited
to
to
hopefully
be
able
to
move
forward
with
this
project.
Thank
you.
So
much.
K
This
is
a
this
was
a
very
challenging
project.
The
site
is
only
a
hundred
feet
by
my
fifty
actually
is
95.5
by
50
and
the
wisely
sixty
is
a
very
generous.
You
know
code.
It
allows,
for
you
know,
a
multi-use
zero.
You
know
lot
line
setbacks
and
in
several
other
issues,
so
in
order
to
you
know,
take
advantage
and
be
within
code
without
requesting
a
variance
for
the
project.
K
We
basically
you
know,
try
to
to
stay
within
the
limits.
You
know
you
can
form
and
in
order
to
do
that,
we
we
got
a
one
point:
five
floor
area
ratio,
meaning
that
I'm,
you
know
if
we
go
by
the
site
dimensions,
we're
allowed
to
have
seven
thousand
one
hundred
sixty
two
square
feet
of
habitable
space.
G
K
With
that
space
was
to
have
two
components:
a
residential
component
with
three
loft
one
stack
on
top
of
the
other
and
then
and
and
the
office.
You
know
professional
office
section
and
I'm
interesting
enough.
You
know
if
the
building
is
about
the
width
of
this,
this
chamber
choice.
It's
not
really
a
you
know,
big
massive
building,
the
first
thing
that
we
did
and
in
order
to
be
you
know,
respectful
of
massing.
K
You
know
that
is
existing
in
the
one
that
is
in
the
future
is
to
to
create
that
mass
that
you
see
the
first
mass
is,
you
know
two
feet
off
of
the
you
know:
it's
a
setback,
two
feet
up
of
the
property
line,
and
it's
only
two
storey
high
from
there.
We
we
push
the
rest
of
the
building
back
ten
feet.
You
know
that
messy
and
then
we
have
a
secondary
mass
up
about
the
the
driveway.
You
know
that
that
is
that
is
located.
You
know
the
model
was
pretty
specific
about
that.
K
Now,
keep
in
mind
the
model
was
the
first.
You
know
variation
that
we
went
through.
We
can't
you
know,
fine-tuning
and
massaging
the
you
know
the
massing
to
get.
You
know
to
make
it
even
more
attractive
and
respectful
of
you
know
the
area,
even
though
the
other
advantage
we
had
was
that
up.
This
is
a
at
the
urban
age
of
a
what
I
would
call
residential.
You
know
industrial
part
of
the
city,
you
know
to
the
to
the
east
and
south.
K
You
know
what
you
see
is
a
lot
of
you
know,
warehouses,
you
know
two-story
high
and
then
to
to
the
to
the
left.
Maybe
half
a
block
away
is
where
there's
some
residential
houses
that
that
end,
where
the
our
Torah
Fuentes
you
know,
building
is
so
at
the
it's
a
pretty
interesting
site,
because
he
has
a
little
bit
of
everything.
K
K
The
the
first
level
is
a
is
a
parking
you
know
we
are
coming.
We
were
able
to
accommodate
the
eight
parking
spaces
that
are
required
and
we
actually
came
up
with
pink
parking
spaces.
We
have
no
need
to
use
the
the
alleyway.
That
is,
you
know
right
now:
it's
not
being
used,
it's
actually
undeveloped,
so
we're
staying
within
that.
K
You
know,
within
our
you
know,
site
with
all
the
you
know,
ten
parking
spaces,
but
we
took
the
the
decision
to
to
bring
the
walls
down
on
on
two
sites
on
that's
on
the
sites
that
are
front
in
the
street
and
and
on
the
site.
You
know
adjacent
to
the
to
this
neighbor
and
then
the
rest
of
it.
It's
a
pretty
much
screen
by
by
a
staircase.
K
B
K
K
Good,
this
is
the
North
elevation,
the
one
front
in
the
street
and,
like
I,
said
this
math
that
you
see
right
here.
It
kind
of
you
know,
matches
the
the
massing.
You
know
we're
trying
to
be.
You
know
consistent
with
what's
there
and
what's
coming,
probably
in
the
future,
so
that
mass
is
there,
then
this
the
the
rest
of
the
mass,
that's
the
one
that
is
pushed
back
ten
feet
and
then
the
the
the
dwelling
units
are
set
back
50
feet
from
the
streets.
So
you
know
we
like
I,
said
we
went
through
several.
K
K
F
K
K
Are
and
where
the
loft
are
we're
using
this
type
of
canopy
with
tie
backs,
you
know
over
the
storefront,
you
know
doors
and
and
sight
lights,
and
then
you
know
we're
using
metal
railing
again.
You
know
to
be
consistent
with
some
of
the.
This
is
another
building
that
we
found
on
seventh
Street.
That
I
is
doing
it's
doing
similar.
It's
doing
a
similar
move
that
that
we
have
on
the
other
model,
so
that
was
a
inspirational
st.
for
that
one.
This
is
only
two
stories,
but.
K
K
K
We're
going
to
have
an
entrance
we're
going
to
have
a
metal
door,
you're
gonna
go
in
through
there.
However,
you
still
going
to
be
out,
you
know
outside
on
the
roof
of
course,
and
then
there's
a
there's,
a
step
in
there's
a
two-foot.
You
know
step
in
and
then
you
know
this
is
where
the
the
one-story
level,
the
second
level,
is
going
to
be
up
to
the
you
know
two
feet
from
the
property
line,
so
the
third
level
is
going
to
have
a
terrace,
a
pretty
sizable.
K
K
As
you
can
see
here,
we
you
know
we
intend
to
do
the
two
levels
of
concrete
block
and
we
basically
use
a
Lester
Mary.
He
knows
well
know
the
first
few
levels,
it
kind
of
be
brick
we're
going
to
use
the
brick
veneer
and
you
can
see
it
on
the
elevation.
The
the
second
level
is
gonna,
be
a
medium
coarse,
stucco
and
I
have
a
sample
that
I'm
going
to
show
you
with
a.
K
This
is
the
fine
stucco,
so
we're
gonna
use
between
the
two.
The
second,
this
this
the
second
level,
is
Brickman
here.
The
third
level
is
gonna,
be
a
medium,
coarse
stucco
in
the
fourth
level,
it's
gonna
be
a
fine
or
the
stock
of
these
are
the
colors
that
we
picked
the
color
scheme.
If
I
run
this
case
by
Sharon.
K
The
repose
gray
is
gonna,
be
the
color
for
this,
the
third
and
the
fourth
floor,
and
then
we're
going
to
use
the
extra
boy
for
the
banding.
As
you
can
see
on
the
model,
you
know
we
created
a
twelve
inch
band.
That
goes
all
the
way
around,
but
that's
another
way
to
you
know,
break
up
the
end,
the
massing
of
the
building.
K
K
K
K
We
also
choose
just
to
get
a
little
bit
more.
You
know,
shadows
around
the
windows,
we're
pushing
we're
going
to
be
pushing
the
glasses,
for
fact
it's
possible,
but
in
addition
to
that,
you
know
we
created
a
little
band
around
the
windows
just
to
get.
You
know
again
to
get
some
shading.
This
is
the
Paris
that
the
second
level
is
gonna.
If
I
have
access
to
you.
This
is
the
terrace
for
the
third
level,
and
this
is
a
balcony
for
the
fourth
level.
The
rest
of
it
is
parking.
K
Is
the
reader
the
revelation?
This
is
the
one
that
is
for
acting
the
alleyway,
the
temple
alleyway
again,
this
is
the
condo.
You
know
volume,
and
this
is
the
office.
You
know
section
we're
using
that.
You
know
the
same.
You
know
office
type
of
window
and
then
on
the
residential
side.
Where
we're
doing
a
single
long
single
hung
windows
with
a
maybe
an
applique.
You
know
Josephine
staircase
metal
staircase.
This
is
the
elevator
an
elevator
shaft,
and
then
we
have
a
machine
machine
room.
One.
B
K
That
would
be
the
East
elevation
again
we
have
the
elevator
shaft,
we
get
the
volume
of
the
you
know
condominium,
you
know
side
of
it
or
the
left
staircase,
and
then
this
will
be
a
concrete
wall.
All
the
way
up,
not
a
concrete
wall
I
mean
that
a
stuck
between
ease,
you
know,
wall
with
some
openings
for
valuation
and
then
little
windows,
clerestory
windows,
just
to
bring
light
in
the
reason
why
you
know
I
picked
little.
Winters
was
because
this
is
gonna,
be
fire
rated.
So
you
know
we
decided
to
say
small.
K
K
Again,
you
know
we
took
the
façades
element
and
you
know
we're
using
that
a
seer.
You
know
color
right
where
the
brick
been
here
goes
and
then
over
in
this
also,
you
know
Paris
that
happens
with
the
second
level.
This
will
be
the
medium
course.
You
know
stucco
and
then
there
would
be
the
fine,
coarse
tucker
same
thing
applies
to
the
condominium.
K
K
K
K
G
K
Disability
will
not
be
a
problem,
the
units
but
as
I
got
be
higher
than
three
foot
six,
which
is
the
parapet
height
as
a
roofing
material.
Were
you
know
we
had
we've
been
successful
with
the
BPO
of
60
and
some
of
the
projects
of
some
of
our
sites
in
nature,
and
you
know
we
tend
to
use
that,
but
we're
gonna
create
some
walking
areas
for
accessibility.
J
At
60
feet,
so
we
moved
the
moved
it
down
six
feet
and
then
I
think
the
best
elevations
will
look
at
it.
We
had
a
straight
down
from
from
there
to
there
and
then
Rommel
say
you
need
to
push
this
back.
We
added
another
rooftop
kind
of
terraced
they're,
all
these
all
the
detail
there,
rather
than
just
kind
of
an
office
building
that
we
looked
at
before
there
was
a
little
more.
This
is
this:
has
a
lot
more
detail
to
it?
You
know
again
we're
going
to
have
that
little
entryway
door.
There.
J
J
E
Good
morning,
commissioners,
Ron
Villa
and
staff
of
historic
preservation
status,
finding
that
this
project
is
consistent
with
the
Ybor
City
design
guidelines
under
conditions
under
page
3.
On
your
staff
report,
we
advise
the
agent
to
provide
multiple
wall
sections
I'd
like
for
him
to
go
through
the
wall,
sections
again
the
different
sections
and
call
out
all
the
materials
as
it
goes
through.
I
believe
he
has
the
information
here.
E
It
was
a
little
bit
out
of
order,
but
if
he
could
go
through
it
more
in
a
systematic
manner
on
the
front
elevation
on
the
eastern
side
of
the
building,
there
seemed
to
be
a
knotch
there
and
I
wanted
him
to
to
provide
additional
information
on
that
knotch,
the
earlier
drawings
that
we
saw
there.
These
are
working
drawings
on
prop
progress,
but
the
earlier
drawings
had
multiple
materials.
They
incorporated
some
horizontal
siding
and
in
staffs
opinion,
when
we
sat
down
and
review
the
project,
it
got
a
little
too
busy.
E
So
the
the
material
palette
on
the
exterior,
the
the
cladding
we
kind
of
simplified
and
moving
forward
some
of
the
railings
that
he
had
were
wood,
railings
and
and
this
more
industrial
use
in
this
section
the
metal
would
be
more
appropriate
which
he
engaged
in
now.
This
is
the
first
time
we're
seeing
him
as
well,
but
I
think
it
works
as
presented
the
additional
drawings
it's
a
complicated
project.
He
does
have
multiple
viewpoints
of
this
request
that
can
be
seen.
He
provided
a
model.
E
The
lighting
he
kind
of
touched
upon
real,
quick
like
for
him
to
touch
upon
the
lighting
as
well
the
hardware,
the
signage
that
could
be
in
court
into
this
building
can
be
very
successful
and
then
the
windows
are
very
important
component
of
this
project
as
well.
I
think
he
showed
an
inspiration
for
the
windows,
but
if
he
has
additional
information
as
cut
sheets
and/or
from
from
the
manufacturer,
he
should
express
that
at
this
time
also,
we
had
John
Marx
with
transportation.
If
he
wishes
to
address
the
board.
D
John
Marsh
transportation,
planning,
I
reviewed
the
site
plan
that
was
received
may
7th.
The
the
material
are
seeing
today
is
more
recent
and
I
have
not
had
a
chance
to
review
it.
Transportation
would
really
like
the
opportunity
to
review
this
project.
That
said
from
just
looking
at
what
has
been
presented,
even
though
the
camera
cut
off
on
some.
It
appears
that
he's
met
many
of
my
issues,
but
there
is
one.
That's
that's
fairly
important.
That
I
would
like
you
to
ask
about.
D
D
There
was
another
one
that
they
had
originally
not
presented
the
number
of
dwelling
units
and
office
space
in
order
for
us
to
verify
the
parking
calculations.
In
fact,
there
weren't
even
floor
plans.
Originally
I
saw
what
looked
like
a
parking
calculation
I
can
eyeball
it
and
they
probably
have
more
than
enough
parking,
but
I
really
like.
We
always
verify
that,
and
we
always
like
to
verify
that
all
the
parking
spaces
are
correctly
designed.
D
It's
a
it's
probably
not
important
to
the
DLC,
but
I
do
deeply
care
about
driveway,
radii,
radii
and
corners
and
I
had
made
a
comment
on
that
and
I
see
a
couple
different
ones:
the
drawings.
Don't
all
agree,
that's
kind
of
a
just
a
twiki
one
that
we
had
an
issue
with
was
we
had
found
it
inconsistent
with
chapter
22
230.
They
had
proposed
this
industrial
gate
and
the
problem
was
when
you
do
that.
D
You
need
to
have
at
least
18
feet
for
vehicles
to
wait
on
private
property
or
you're
blocking
the
right-of-way
or
it
becomes
what's
considered
like
a
gatehouse.
That
needs
to
be
regulated,
and
we
mentioned
that
at
the
DRC
that
they
needed
to
do
a
cut.
They
we
gave
them
a
couple
options.
One
option
was
you
can
apply
to
transportation
division
for
a
design
except
Det,
a
design
exception
transportation
to
to
wrangle
out
whether
you
can
do
that.
D
Sometimes
there
are
details,
I'm
sure,
you've
seen
some
of
these
gates
downtown,
and
that
is
a
separate
process
or
they
could
just
remove
the
gates
from
the
plan
and
leave
it
open,
in
which
case
I
don't
have
a
way
to
object,
and
they
could
come
back
at
a
later
date
and
resolve
that
issue.
I
saw
present
on
the
drawings
presented,
I
saw
both
no
gates
and
gates.
So
I'm
not
really
sure.
If
there
are
gates
then
I
have
to
object.
D
D
There
appeared
to
be
like
originally,
they
have
proposed
like
a
metal,
roll-up
gate,
very
industrial,
it
look,
cool,
okay,
I'll,
take
a
look
I
understand
why
they
want
to
do
that.
It's
just
that.
There
are
rules
for
that,
and
I
think
there
is
probably
a
technical
way
forward.
That
would
not
be
my
determination.
Okay,.
B
K
H
Some
of
the
architect
and
I
also
am
friends
with
the
owner
here
and
I.
Just
want
to
I
guess.
Take
this
opportunity
express
my
excitement
not
only
as
by
relation
to
the
project,
but
as
a
president
and
my
whole
life
and
I
also
work
and
live
in
Ybor
City
I
live
in
Casa
Oliva,
another
fantastic
building.
Frankly,
and
so.
A
B
J
Lose
him
over
the
wall
section
with
that
one
other
thing
I
want
to
talk
about
the
signage
too
I
don't
plan
on
putting
you
know,
a
big
advertising
sign
up
there
for
the
company.
I
would
just
like
to
do
something.
You
know
classy
and
simple,
maybe
just
the
address
or
something
like
that,
so
that
you
don't
have
to
worry
about
some.
B
K
D
K
K
K
B
G
K
K
A
K
K
K
D
A
Right,
I
think
that
if
you
look
at
the
West
elevation,
what
we're,
what
we're
getting
at,
or
at
least
while
I'm
trying
to
get
at,
is
especially
on
the
residential
side.
I
can
see
a
little
bit
of
the
medium
coarse
at
the
third
floor
or
that's
the
brick
wrapping.
Then
I
can
see
the
medium,
coarse
wrapping
and
so
and
then
the
rest
of
it's
fine.
K
A
And
so
the
hatching
that
that
particular
hatch
for
the
medium
coarse
stucco
is
and
is
not
applied
to
the
office
portions,
where
we
would
typically
I
I'm
assuming
we
would
see
it
yeah
that
it
was
on
the
second
floor
in
the
third
floor
so
that
medium
coarse
kind
of
goes
in
through
there
and
then
wraps
around
and
stops
yep.
That.
K
K
K
K
A
K
E
K
K
Here
we
have,
you,
know,
cross
sections
head,
German
seal
details,
distillation
I
spoke
to
the
manufacturer,
actually
they're
inside
of
it
and
I
asked
them.
If
if
we
can
push
the
glass
or
back,
they
said
the
glass
can't
be
moved
fatback.
You
know
we're
going
after.
You
know
some
shade,
even
though
these
are
energy.
You
know
e
glass.
K
Efficiency
bit
up
just
to
get
that
dance
shadow
and
then
that's
the
reason
why
I
went
with
that
band
all
the
way
around
the
weather,
to
give
it
a
relief,
because
they,
the
case
study
that
we
looked
at
they're,
almost
flush
and
you're
right.
The
profile
is
the
the
weight
company.
If
you
build
it
the
way
you
come
you're
only
gonna
get.
You
know.
C
One
question
one
question
regarding
the
access
to
the
parking
garage
more
traditionally,
these
kind
of
masonry
buildings
on
which
you're
basing
your
design
on
earth
tend
to
be
pretty
symmetrical,
and
you
have
two
different
size.
Openings
I'm,
just
wondering
if
that's
being
driven
by
something
I'm,
not
picking
up
or
could
they
indeed
be
to
similar
sized
gates
or
not
gate.
J
K
C
C
C
C
B
K
K
A
K
K
K
A
K
A
K
A
A
black
metal,
it's
an
exterior,
stair
exterior
metal
stair.
You
have
you
have
one
stair,
which
means
that
it's
serving
the
the
furthest
distance
in
those
offices
right
and
so
you
got
to
get
out.
You
got
to
get
to
the
south
and
down
the
stair
into
a
public
way,
because
you
have
you
have
a
number
of
windows
that
are
facing
that
stair,
which
to
me
I,
don't
know
I,
don't
know
which
way
you're
going
on
the
code.
A
Research,
but
I,
don't
know
that
those
windows
can
be
there
in
order
to
get
the
people
out
with
just
the
ones
there.
So
I
would,
if
that
needs
to
change
or
if
those
are
fire
rated
windows
or
whatever.
That
has
the
potential
to
affect
the
facade
that
we're
seeing
there
I
know
it's
the
south
side
on
the
alley,
but
I
don't
see
how
it
works.
Currently,.
A
K
B
A
I
K
A
But
I'm
saying
that
right,
but
all
of
those
windows
probably
won't
be
able
to
be
there
is,
is
a
concern
right
and
so
now
it
looks
completely
different,
not
saying
that
it's
a
make
or
break
just
kind
of
getting
everybody
up
to
speed
on.
What's
actually
gonna
be
there
because
you,
you
know,
let's
assume
that
you
leave
today
everybody's
happy,
then
we
go
and
look
at
it
and
say
well.
Why
is
it
different
anyway?
My.
F
A
A
A
K
K
A
K
K
A
Think
that
you
have
an
opportunity
there
at
that
location
to
kind
of
bring
that
residential
component
down
and
land
it
with
some
brick.
You
know
and
secure
that
corner
of
the
site,
because
it's
the
massing
of
it's
really
strange
on
the
back
side
compared
to
the
front
side,
because
you've
you've
done
you
know,
you've
got
this
two-story
brick
front
and
opening
that
you
go
through
and
then
on
the
back
side.
It
all
kind
of
flies
up
into
the
air.
A
Is
is
everything
I'm
just
trying
to
get
it?
So,
if
I'm
up
on
the
fourth
floor
and
I,
there's
a
fire,
I've
got
to
go
down
the
stair
go
through
the
door
through
my
to
our
rating
down
the
stair,
and
then
where
does
the
stair
go?
Do
I
have
to
go
out
back
to
the
front
or
can
I
go
through
the
alley
or
how
does
that
work?
K
A
K
A
K
A
A
Those
are
my
technical
questions
for
the
building.
I
think
that
the
I
think
that
there's
a
lot
of
banding
and
stuff
that
doesn't
necessarily
need
to
happen
every
floor.
You
know
I
understand
that
you
maybe
want
to
articulate
and
go
from
stucco
to
stucco,
but
you
you've
got
the
two-story
volumes
and
then
you
might
have
the
opportunity
to
have
you
know.
The
third
and
fourth
floor
come
together.
K
A
I
think
that
that's
it's
just
you
you're,
like
pulling
from
both
sides,
and
it's
not
working
I-
think
that
the
the
the
North
facade
with
with
the
articulation
at
the
pediment
or
at
both
sides
is
fine,
but
the
the
West
one
is
odd,
because
it's
not
fronting
the
street.
You
would
typically
have
that
on
the
front
of
the
street,
so
I
mean
I
straighten
out
that
parapet
there
and
you've
got
you've
got
a
great
opportunity
to
articulate
that
side
with
a
bunch
of
sun
shades
too,
because
there's
the
Sun
around
you
you
can.
A
You
can
shape
those
windows
because
those
are
all
going
to
get
blasted
at
the
end
of
the
day
and
did
the
way
you
have
the
massing
kind
of
allows
you
to
make
that
side
more
interesting.
How
do
you
another
minor
point,
but
you've
got
all
these
terrorists?
You've
got
two
terraces
they're
gonna
need
to
drain
I'm
sure
that
we'll
have
some
scuppers
in
there.
That'll
need
to
be
coordinated
with
what
you're
doing,
but
I
think
that
I'm
excited
for
you
guys
I'm
excited
for
the
energy
that
you're
putting
into
the
project.
C
A
B
Sure
I
mean
not
to
get
too
much
into
detail
in
with
my
my
one
sort
of
comment
before,
because
you
do
have
the
two
separate
masses
and
I
would
like
to
see
just
a
bit
more
articulation
term.
The
differences
between
sort
of
residential
law,
the
residential
side
versus
the
commercial
side
for
devoting
they
look
almost
identical.
C
I
agree:
it's
an
exciting
project
and
I
like
the
direction
it's
going,
but
it
does
seem
like
you're
trying
to
do
a
little
bit
too
much
buildings
in
this
more
industrial
area
of
a
varsity
tended
to
be
not
as
decorated.
So
I
think
you
have
an
opportunity
here
to
still
accomplish
what
you'd
like
to
accomplish
in
terms
of
trading
and
building
of
quality
and
of
substance,
but
maybe
with
a
little
bit
less
articulation.
C
That
said,
specifically
on
your
West
elevation,
for
instance,
when
you
turn
the
brick
and
the
texture,
it
falls
into
one
of
your
small
square
windows
in
a
very
awkward
unresolved
area.
I
mean
I,
think
either
you
need
to
pull
back
the
material
further
so
that
the
quatrefoil
window
looks
like
it's
some
kind
of
bay
and
perhaps
to
Commissioner
Thompson's
point.
Then
it
meets
the
ground
in
some
way
again
to
give
the
building
some
kind
of
like
a
serene
looking
mass,
because
that's
what
it's.
C
What
you're
trying
to
do
is
create
a
brick
clad
mass
around
the
bottom
on
which
these
other
volumes
kind
of
slip
into.
So
that
would
also
apply
thing
for
me
on
the
East
elevation,
where
you
turn,
but
again
just
kind
of
superficially
two
feet.
It
seems
to
me
like
that
kind
of
expression
would
be
better
off
going
back
to
where
the
building
sets
back
to
give
the
base.
C
Also,
just
some
suggestions:
a
commission
of
other
commissioners
comments
about
your,
not
really
articulating
between
the
office
section
or
the
residential
section
that
you
could
go
either
way.
But
when
I
look
at
the
front
elevations,
you
have
very
high
ceilings
because
it
is
a
loft
building
but
I'd
like
to
see
maybe
some
variation.
It
seems
to
me,
like
you,
have
an
opportunity
at
the
very
top
when
I
to
maybe
do
higher
windows
higher,
like
maybe
some
clear
stories
above
the
where
the
balcony
condition
exists.
C
If
you
went
a
little
higher
to
the
clerestory,
it
gives
you
a
way
to
kind
of
terminate
the
vertical
mass
in
an
elegant
way.
That
also
starts
to
reflect
the
fact
that
the
penthouse
apartments
are
there
a
higher
ceiling
back
there.
Also
just
an
this
is
just
an
aside
will
be
probably
in
our
notes,
but
the
railing
I
don't
think
we
really
have
enough
detail
on
the
railings
are
proposing.
They
seem
to
be
continuous
horizontals,
but
in
reality,
you'd
probably
have
to
have
some
verticals
and
how
do
they
die
into
the
building?
C
And
then,
lastly,
with
the
canopies
or,
let's
see,
you're
calling
them
the
metal
yeah,
the
metal
canopy
is
on
the
front.
You
have
them
in
a
very
modern,
detailed
way
where
they
hit
the
top
of
the
windows.
I.
Think
if
you
look
at
the
district,
a
more
traditional
opportunity
would
be
to
to
raise
them.
Let
express
some
of
the
masonry,
that's
sort
of
a
punched
opening
in
the
Maestri
and
let
the
canopy
be
more
decorative
just
slightly
above
and
again.
G
C
A
C
A
A
Out,
if,
if
there's
no
gate,
you
don't
need
the
middle
column,
you
can
just
get
a
beefier
column
and
still
have
the
articulation
I.
Think
there's
opportunities
here,
I,
don't
think
we're
at
the
finish
line.
That's
my
personal
opinion.
So,
since
we're
still
in
we
have
the
opportunity
for
a
motion
now.
Mr.
F
A
Process
we
kind
of
closed
up
quickly
and
indicating
that
the
applicant
had,
you
know,
been
working
with
us
and
answering
the
questions.
But
if
there
isn't,
if
there
is
something
that
you've
heard,
that
you
don't
feel
like
you've
had
an
opportunity
to
discuss,
I
can
open
back
up
the
public
portion
so
that
you
can
have
a
minute
or
two
to
maybe
add.
I
G
J
C
C
Brought
up
at
this
public
hearing,
specifically
the
amount
of
detailing
in
regards
to
the
expression
of
the
masonry
base,
the
stucco
higher
floors,
how
those
materials
turn
and
are
expressed
at
the
ground
level
on
the
east
and
the
west
elevation,
and
also
on
the
upper
floors
as
well
additional
details
regarding
the
light
fixtures,
the
railings
that
are
being
proposed,
the
windows
and
how
they
sit
within
the
wall.
Sections
at
each
level.
K
C
A
A
A
Is
that
your
okay?
Do
you
understand
the
conditions
that
have
been
discussed?
I
would
see
just
cheap
get
with
staff
after
this
and
watch
the
tape
and
go
through
them
they're
fairly
encompassing,
but
they
will
be
enumerated
for
you
in
the
record.
Okay,
okay,
we
have
a
motion.
We
have
a
second,
we
have
another
agent
on
board
with
that
all
in
favor
hi.