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From YouTube: BLC 12/21/21
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A
Okay
and
today
from
staff,
we
have
ron
biela,
beverly,
dusak
and
kamaria
perez
mackel
from
legal.
A
Okay,
we
have
some
minutes
in
front
of
us
that
were
these
are
the
minutes
were
issued
electronically
to
the
commissioners?
There's
been
a
revision
that
I
caught
in
on
the
waiver
request.
We
clarified
some
of
the
waiver
requests,
for.
I
don't
have
the
minutes
in
front
of
me
on
case
number.
A
Blc
21-183
rezoning
2195.,
the
they
had
eight
waivers.
Some
of
the
language
had
repetitive
language
in
there,
so
we
clarified
that
miss
giusek
went
back
to
the
the
record
to
reiterate
what
that
was.
So
I
think
this
accurately
represents
what
we've
discussed
at
the
public
hearing.
So
I
can
entertain
a
motion
to
accept.
A
E
Good
morning,
commissioners,
kamaria
pettis
mackel
from
the
city
attorney's
office.
Will
the
commissioners
please
state
whether
or
not
they
have
any
conflicts
of
interest
regarding
any
of
the
items
that
are
listed
on
the
agenda
hearing,
none
for
the
record.
Additionally,
will
the
commissioners
please
state
whether
or
not
they've
had
any
ex
parte
communications
regarding
any
of
the
items
on
the
agenda?
D
D
D
There
is
a
period,
a
commercial
structure
there
that
dates
back
to
1918,
which
is
contributing
it
is
in
the
yc1
zoning
classification.
The
request
is
for
a
certificate
of
appropriateness
for
an
addition
to
this
contributing
structure.
Briefly,
I'll
walk
you
through
a
quick
photo
presentation.
D
On
your
monitors,
we
start
with
the
sanborn
map.
This
dates
back
from
to
1929.
D
You
see
that
the
structure
does
front
seventh
avenue
it's
on
the
corner
of
7th
and
20th.
You
see
the
fabric
within
the
concentrated
area.
You
see
the
the
colors
indicate
the
structural
elements
of
the
buildings.
You
see,
the
red
is
brick
construction,
and
then
you
see
some
yellow
frame
structures
that
date
back
to
1929.
D
That
kind
of
line
7th
avenue
as
well.
One
kind
of
unique
thing
that
I
wanted
to
point
out
is
that
you
see
in
the
back
facing
the
alley.
Usually
we
we
think
about
the
commercial
structures
that
go
from
property
line
to
property
line.
Some
of
them
fall
a
little
short
and
in
the
area
that
we're
looking
in
back
in
1929,
you
see
a
series
of
accessory
structures
that
are
along
the
alley,
so
continuing
down
the
photo
presentation.
This
is
the
general
map
of
ybor
city.
D
D
This
is
looking
at
the
front,
facade
and
the
west
facade.
You
see
the
step
parapet
on
that
west
facade,
and
then
you
see
how
the
more
elaborate
brick
face
of
the
front.
This
would
have
been
a
party
wall
that
would
have
had
another
building
so
really
no
reason
to
put
a
high
end,
brick
there.
That
was
not
seen.
D
This
is
looking
back
at
the
building.
This
is
the
east
facade
that
had
the
the
the
brick
that
that
complements
the
front
facade,
obviously
because
this
was
an
exposure,
an
elevation
that
was
exposed
as
well.
This
is
looking
down
20th.
This
is
to
the
railroad
tracks,
which
is
to
the
south
and
across
7th
avenue
to
the
north
and
just
focusing
back
at
the
subject
site.
This
is
the
rear.
D
Obviously,
this
will
be
removed
as
part
of
this
request
and
the
addition
I'll
go
back
in
this
area,
just
focusing
on
a
non-contributing
aspect
of
of
what's
currently
there
and
looking
down
the
alley.
This
is
to
the
east
and
down
to
the
west.
That
concludes
the
photo
presentation
at
this
time.
Mr
weylander
address
the
board.
Thank
you.
F
Thank
you
ron
that
was
a
a
very
informative
pictorial
of
the
building
that
we're
adding
on
to.
F
As
I
pull
up
the
screen,
I'm
gonna
start
with
the
the
site
development
plan.
What
we
go
through
today,
you're,
probably
going
to
see
some
reminiscent
qualities
of
a
project
that
was
reviewed
and
approved
a
few
months
ago.
If
you
recall,
we
were
in
for
a
rear
edition
at
the
other
end
of
the
block
on
the
corner
of
7th
and
19th,
and
so
we're
kind
of
classifying
this
as
kind
of
the
book
ends
of
of
the
block
to
two
additions
on
the
rear
of
the
property.
F
F
The
impetus
of
this
project
really
stems
from
building
up
grades,
we're
doing
some
ongoing
work
to
the
second
floor
and
so
to
to
accomplish
that
and
to
bring
up
code
aspects
we're
adding
a
new
stair
as
well
as
an
accessible
lift,
and
then
in
that
in
that
program,
we're
also
then
taking
the
opportunity
to
to
build
in
walk-in
coolers
and
a
a
receiving
office
for
the
the
bar
use
that
occupies
the
ground
floor.
F
Wood
store
front
windows
along
the
front
and
then
the
back
and
the
sides
are
the
the
kind
of
unfinished
brick.
F
The
side
courtyard
is
currently
an
extension
of
the
the
bar
space
in
the
design,
we're
taking
into
account
that
one
day
that
may
become
a
developed
site
and
a
building
there,
so
we're
kind
of
abiding
to
a
property
line
that
would
divide
the
site
into
two
east
and
west.
F
So
with
that,
this
is
kind
of
an
overview
of
what
we're
proposing
on
this
side
is
the
open,
stair
and
an
open,
accessible,
lift,
that's
off
of
the
the
20th
street
sidewalk
and
facade,
and
then,
as
we
extend
back,
we
we
bring
the
building
to
roughly
three
feet
from
the
rear
property
line.
F
The
plan
the
floor
plan
has
a
recess
with
an
existing
entrance
that
goes
into
the
the
rear
of
the
bar.
F
F
F
The
details
we
are
kind
of
drawing
from
what
we
presented
previously
at
the
other
end
of
the
block,
again
kind
of
a
smooth
face
blonde
brick
that
will
closely
match
the
finished
sides
on
the
the
east
and
north
of
the
main
structure,
and
then
we
have
where
we
have
hand
railing
for
the
deck
and
the
second
floor.
F
However,
we've
kind
of
given
it
a
little
bit
of
a
modern
twist
and
that
we've
created
a
more
decorative
screen
wall
that
encloses
the
exterior
stair
and
gives
a
little
security
and
enclosure.
There
we've
also
taken
this
opportunity,
under
the
the
mid
landing
to
provide
a
recess
for
the
the
trash
bins
that
roll
out
those
are
currently
just
right
on
on
the
side
off
the
sidewalk,
so
really
cleaning
up
the
alleys
and
these
access
ways
seems
to
to
be
a
very
beneficial
knee
bore
to
to
clean
those
up
the
sealing
system.
F
There's
some
hardy
trim
that
wraps
some
of
the
wood,
joists
and
kind
of
defines
that
second
floor
line.
All
the
fixtures
from
lighting
and
ceiling
fans
would
be
something
we'd
work
with
staff.
We
have
some
kind
of
period,
specific
fixtures
that
we
would
we
would
propose
and
I'll
show
those
later,
but
so
that
those
are
the
details
in
terms
of
how
we're
dealing
with
storm
water.
F
Currently
it's
a
single
slope
roof
from
north
to
south
and
it
all
comes
to
an
existing
gutter
and
drains
down
two
downspouts
at
either
side
and
so
to
kind
of
keep
that
and
not
disrupt
the
original
roof
line.
We're
tucking
in
a
low
slope,
roof
right
under
that
gutter.
It'll
allow
us
to
kind
of
flash
under
it.
F
F
On
the
upstairs
we're
looking
at
some
type
of
wood
system,
whether
it's
a
floating
overlay
on
on
a
roof
system
for
the
deck
or
or
it's
sealed
and
is
a
wood
look
tile,
we'll
be
going
through
that
there
are
four
existing
windows
on
the
back.
Two
of
them
will
be
converted
into
door.
Openings
that'll,
have
a
standard
painted
hollow
metal
door
and
frame
and
that'll
be
to
access
the
stair
and
then
access
off
of
a
break
room
to
the
to
the
deck.
F
More
of
the
construction
type
drawings
that
that
we
would
submit
for
final
approval,
so
we
have
an
overall
floor
plans
overall,
elevations.
F
And
then
just
defining
the
the
main
materials
on
the
exterior
being
the
the
brick.
This
should
be
a
blonde
brick
here,
it'll
be
a
face
face
brick
on
stucco,
the
dark
metal
will
be
a
powder
coated,
finish
color
to
to
be
determined,
but
we
would
assume
it
would
be
in
the
dark
bronze
hue
and
then
the
the
stained
wood
ceiling.
Those
are
the
major
elements
that
you'll
see
from
the
ground
and
then
the
other
remaining
elements
would
be
either
a
proposed,
tpo
or
sbs
modified
roof
that
you
basically
won't
see.
F
Do
the
low
slope
in
the
recessed
vestibule
we're
showing
a
tile
a
two
pattern:
hexagonal
tile
and
then
again,
something
you
wouldn't
probably
see
from
the
ground,
but
the
floor
finish:
a
wood
texture
or
floating
floor
for
the
the
deck
area.
F
This
is
a
exterior
open-air,
lift
that
we're
looking
at
using
on
both
the
projects
this
one
in
the
the
previous
project
that
was
approved
a
few
months
ago
and
then
just
some
images
that
we
used
as
a
reference
in
terms
of
the
the
brickwork
color,
some
of
the
metal
work,
exterior
metal,
stairs.
F
And
then
the
high
clear
story,
punched
openings
with
decorative
brick,
work
and
kind
of
embellishments
on
on
those,
and
that
concludes
my
presentation.
A
D
D
Looking
at
the
project
completely
after
today's
presentation,
staff
finding
is
consistent
with
the
following
conditions:
to
provide
additional
information
on
the
final
brick
selection,
the
tile,
the
vestibule
and
the
final
window
selection.
D
Initially,
when
we
looked
at
the
plans
with
that
open
access
from
the
courtyard,
we
had
some
concerns
that
something
was
going
to
show
up
there
eventually.
So
the
agent
has
addressed
that
with
that
sliding
gate,
and
then
we
had
some
preliminary
concerns
with
the
ornateness
of
the
vertical
accessibility
through
working
with
the
agent
he
had
pulled
in
some
references
from
the
district
and
and
now
it
relates
more
closely
to
the
seventh
avenue
vernacular.
D
D
And
lastly,
just
if
there's
introduction
of
any
additional
colors
after
they
look
at
it
one
more
time
that
staff
will
look
at
that
and
if
there's
any
signage
associated
with
this
request
this
morning,
that
concludes
staff's
portion
and
I'll.
Be
here
answering
questions.
A
Thank
you,
mr
vila.
Does
anyone
here
in
the
audience
care
to
make
a
public
comment
on
this
case?
Please
step
forward,
seeing
none
we're
gonna.
The
commissioners
can
ask
questions
of
the
applicant,
starting
with
mr
chilotz
on
my
mr
perez.
Excuse
me
on
my
right.
B
A
couple
questions
for
you,
the
and
we
can
see
it
here,
a
little
bit
on
the
first
floor
plan.
We
have
open
air
vestibule
to
the
west
and
the
stairway
to
the
east,
and
you
can
go
back
to
the
model
and
show
us
what
you're
thinking
there.
But
I
noticed
some
different
colors
there
around
the
lift
and
around
the
walking
cooler
and
wanted
to
see
what
those
what
those
finishes
were
or
if
they're,
all
brick,
because
we
are
going
to
be
able
to
see
them.
F
Take
a
look:
we
really
focus
kind
of
on
the
on
the
backdrop
wall
that
you
see.
F
We
have
a
brick
recess
here
and
a
brick
recess
or
back
wall
to
the
stair.
Then,
where
the,
where
the
lift
is
we're
showing
the
the
same
brick
veneer
it'll
be
a
thin
brick.
B
B
Right
but
you
don't
see
that
from
the
street
correct
yeah.
F
What
do
you
see
so,
on
the
other
side,
the
the
office
and
the
the
walk-in
cooler
kind
of
you
know
block
that
right
now,
we're
just
showing
I'm
not
sure
if
this
would
be
stucco
or
just
a
maybe
an
epoxy
painted
exterior
grade
drywall,
but
it
was
going
to
be
kind
of
more
of
a
smooth
interior
type
finish
rather
than
continuing
the
brick
in
that
in
that
area.
B
Okay,
yeah.
B
One
of
those
weird
conditions
where
it's
kind
of
like
the
inside
is
now
outside
right,
and
so
we
need
to
probably
you
know,
since
it
is
part
of
the
presentation
nail
down
what
it
would
be
or
that
would
at
least
delegate
that
to
staff
probably
to
to
confirm
and
coordinate
the
in
on
the
railings.
There's
the
the
building
doesn't
have
any
other
railings.
Does
it
the
original?
No
okay,
I
I
guess
my
point
in
the
the
building
is
so
spartan
in
a
nice
way.
B
You
know
in
its
proportions
and
everything
and
the
addition
does
the
same
thing.
Long
story
short.
I
think
that
the
the
railing
should
be
consistent.
You
know,
you've
got
this
one
mesh,
that's
on
the
back,
and
so
don't.
I
would
think
that
mixing
and
matching
them
is
is
probably
something
that
we
need
to
discuss,
but
I
wanted
to
you
know,
get
your
take
on.
You
know.
Where
did
that
one
come
from
versus
the
the
one
that
you
have
on
the
stair.
F
Sure
so
that
that
was
just
really
kind
of
my.
My
interpretation
of
it
was
that
in
in
the
design
guidelines
that
typically
the
rails
are
like
balcony
rails
and
so
they're
very
specific
about
it,
not
being
I
guess
too
modern
or
rail,
and
they
and
you
know,
designate
some
of
that
level
of
artisan
and
articulation
there
on
the
on
the
detail
of
it.
F
We
would
definitely
entertain
that
if,
if
that's
something
that
the
the
commission
would
accept
and
then
we
would
tie
in
something
that
was
a
little
more
contemporary,
I
guess
you
would
say
for
for
the
handrail
portion
of
the
the
balcony,
but
essentially
this
this
rail
is
what
we're
doing
on
the
other
end
of
the
block
and
then
that
that
detail
is
is
shown
in
the
guidelines.
So
it
was
right,
there's
kind
of
a
default
to
that.
If
you
will
and.
E
F
Yes,
our
idea
is
that
we
want
to
try
to
match
that
that
blonde,
smooth
brick
as
closely
as
possible,
with
the
two
distinctive
bricks
on
the
building
we
felt
like
kind
of
adding
a
third,
would
would
probably
not
work.
So
that
seems
to
be
you
know
all
the
finished
edges
of
the
building.
Being
that
that
light
color
is
what
what
we're
shooting
for.
Okay.
A
Okay,
yeah,
I
think
the
brick
works
really
well,
I
mean
they're,
you
know.
Typically,
in
this
situation,
the
red
brick
would
be
more
like
sidewall
party
wall
utilitarian,
brick,
where
the
tan
brick
would
be
a
little
bit
more
decorative.
So
I
think
that's
very
consistent.
A
That
was
one
of
my
one
of
my
questions
to
confirm
that
on
the
railing
here,
I'm
seeing-
and
maybe
it's
just
the
rendering
are
there
two
different
colors
that
you're
using
here
one,
the
the
guards
look
like
they're
black
and
the
gutters
look
like
they're
black
and
then
the
decorative
railing
screening
looks
more
like
a
gunmetal.
A
F
That
intentional,
no,
that
probably
needs
to
be
cleaned
up,
be
one
consistent,
color,
okay
and-
and
this
would
all
end
up
being
a
powder
coated
finish
so
sure
it
would
be
well.
A
A
Can
you
talk
about
the
the
screening,
what
we're
seeing
there
at
the
bottom
of
our
screen,
because
I
know
this
changed
from
what
we
saw
in
our
original
packet
with
the
diagonals,
and
I
think
this
is
more
consistent
for
the
district.
I
just
like
to
understand
what
you're
trying
I
mean.
It's
like
it
seems
like
it's.
A
layered
type
of
metal
work,
they're
kind
of
putting
some
design
elements
behind
it.
You
want
to
elaborate
on
that
a
little
bit.
F
Right,
yes,
so
one
of
the
themes,
we've
kind
of
approached
in
many
of
our
designs
is
that
hexagonal
form
showing
up
that
shows
up
in
in
various
aspects
from
the
the
pavers
along
seventh
and
what
not.
And
so
while
we
wanted
a
pretty
dense
metal
work
so
that
it
kind
of
conceals
and
provides
a
level
of
security
to
that
that
stare.
We
use
that
opportunity
to
create
kind
of
that
multi-layered
assembled
look
that
gives
it
kind
of
a
contemporary
craftsman
style
to
it.
F
So
it
has
two
horizontal
bands,
one
that
aligns
with
the
the
second
floor
level
and
then
we're
incorporating
whether
it's
a
laser
cut
or
wet
water
jet,
like
sheet
metal,
that
that
would
back
the
center
band
and
gives
it
a
level
of
composition
and
detail
to
it
while
still
being
just
standard,
aluminum,
extrusions,
okay,.
A
Yeah
that
I
mean
once
you
zoom
in
you,
can
kind
of
see
that
there
are
hex
shapes
I
from
a
distance.
It
looks
like
circles,
so
I
think
that's
certainly
more
appropriate
here
and
then
I
think
in
the
renderings
it
kind
of
cuts
off
at
the
side,
but
there
it
looks
like
it
goes
all
the
way
to
the
to
the
end.
A
So
we
get
I
like
the
way
you've
worked
with
the
banding,
where
you
have
your
landings,
carrying
that
you
know
solid
all
the
way
around
and
designated
the
mid,
mid
landings
and
making
that
work.
Well,
I
guess
the
intermediate
landing's
a
little
higher
than
that
floor
slab,
but
I
think
it
reads:
well.
We
can
work
that
yeah.
A
To
get
that
more
consistent,
okay,
the
decorative
guard
rails
yeah-
I
don't
know,
I
think
it's
it's
fine,
but
like
you're
saying
I
mean
it's
a
very
spartan
building
very
little
detail
in
what
we
see
very
traditional.
A
A
F
Yeah
now
that
we're
doing
the
addition,
the
the
back
entrance
to
it's
the
dirty
shame
as
the
operation
has
very
limited
signage,
so
we've
we've
shown
something
whether
they
want
to
take
advantage
of
that
now
or
not,
but
we
would
work
with
staff
and
go
through
that
that
approval
for
graphics.
But
we
see
it,
you
know
being
relatively
that
size,
it's
about
about
six
feet
wide
and
maybe
a
foot
and
a
half
tall.
Okay.
F
Yes,
yes,
so
these
so
the
two
there's
four
current
windows
that
are
all
approximately
the
same
size,
and
so
this
one
will
be
opened
up
full
for
for
door.
Access
from
the
the
break
room
is
on
the
inside.
Here
you
would.
F
Oh
okay,
yeah
there's!
I
I
have
a
couple.
B
A
Any
other
questions
for
the
applicant
good.
Okay,
you
have
a
few
minutes,
mr
whaling,
if
you'd
like
to
summarize
rebut
anything
from
our
comments
and
we're
going
to
go
ahead
and
close,
the
public
hearing.
F
No,
we
we
welcome
your
your
comment
on
the
railing,
like
I
said
that
it
was
kind
of
my
initial
thought
was
to
keep
it
all
contemporary
and
and
kind
of
read,
as
an
entire
system
probably
were
over
analyzing
the
the
guidelines,
and
so,
if
there's
some
flexibility
with
that
that
railing
on
the
rear
to
to
tie
along
with
the
the
screen
wall,
we'll
work
with
ron
and
staff
to
to
fine-tune
that
and
make
it
look
more
homogeneous
consistent.
A
Great.
Thank
you,
sir.
I
appreciate
your
time
we're
going
to
go
ahead
and
close
the
public
hearing.
We
have
a
few
minutes.
We
can
discuss
the
case
among
ourselves.
If
there's
any.
F
B
The
railing
discussion
there,
because
that
particular
edition
on
the
other
side
of
the
block,
the
bookend,
had
a
much
more
formal
relationship
to
the
other
street,
where
the
the
balcony
that
was
being
created
on
that
one
was
also
relating
to
an
additional
balcony
in.
In
this
case.
I
think
that
the
since
the
that
second
floor
space
is
kind
of
tucked
away
and
in
and
off
the
road,
the
stairway
here
and
its
design,
which
you
know
I
I
like
very
much
and
the
hex
is
a
nice
detail.
B
I
think
that
that's
kind
of
the
the
driver
of
the
detailing
and
the
project
is
so
small
in
scale
that
it
needs
to
have
a
consistent
railing
detail
to
make
it
to
come
off.
So
I'm
a
proponent
of
kind
of
letting
the
work
that
the
applicant
has
done
in
the
in
the
stair
screening
become
part
of
the
the
railing
system
there,
even
if
it's
just
just
a
simple
modern
articulation
of
it,
because
I
don't
think
that
the
one
down
the
street
and
this
one
have
to
look
exactly
the
same.
B
A
Yeah,
I
would
agree,
I
think
you
know
I
think
ron
had
mentioned
some
things-
that
the
applicant
needs
to
work
with
staff
on
including
final
selection
for
the
windows,
the
brick
color
selection,
the
tile.
I
think
we
put
the
railing
and
the
guard
in
there.
I
think
I
think
our
feeling
is
that
the
the
screen
wall
there
kind
of
drives
everything
I
think
that's
well
detailed.
I
think
I
like
what
you've
done
with
that.
I
think
that
should
drive
the
rest
of
the
project,
so
I'd
say
the
guards
follow
the
the
decorative
screening.
A
I
have
a
little
bit
of
concern
about
the
the
stucco
finish
for
that
vestibule.
So
again,
I'd
like
you
to
work
with
staff
on
that,
and
I
know
you'll
come
with
a
responsible
solution
there.
So
I
just
think
those
those
six
items,
maybe
something
else
with
the
to
work
with
staff
on
and
we
should
be
good
to
go.
So
we
can
entertain
a
motion
if
anyone's
prepared.
B
Thank
you
make
a
motion
for
final
approval,
with
conditions
move
to
grant
a
certificate
of
appropriateness
for
the
drawings
and
documents
presented
at
this
public
hearing
in
blc
22-04
for
the
property
located
at
1929
east
7th
avenue,
with
the
following
conditions:
one
that
the
applicant
work
with
staff
to
refine
the
railing
system.
B
Two,
the
stucco
finish
on
the
interior,
exterior
portion
of
it
be
reviewed
with
staff
and
finalized
signage
and
its
location
would
be
incorporated
into
staff
level
approvals.
B
The
treatment
of
the
and
submittal
of
the
brick,
the
tile
and
the
windows
would
be
passed.
The
staff
for
review
and
approval
based
upon
the
submittal
today,
any
final
colors
final
color
selections
for
the
brick
and
if
we
do
have
a
painted
condition
at
the
at
a
stucco,
that's
also
passed
on
to
staff
for
review
and
approval.
B
And
the
metals
that
you
select
the
powder
coating
would
be
consistent
for
all
the
metal
work
throughout
the
project
because,
based
upon
the
finding
of
fact,
this
proposed
project
is
consistent
with
the
ebort
city,
design,
guidelines
and
city
of
tampa
for
the
following
reasons,
because
it
does
match
the
scale
and
character
of
the
existing
structure.
The
window
openings
and
the
scaling
of
the
the
detailing
is
appropriate
for
the
structure
and
meets
the
secretary
of
interior's
standards.
A
F
Thank
you.
Thank
you
again.
We
appreciate
your
participation
and
all
the
hard
work
you
do
here
being
involved
in
in
this
commission.
So
on
behalf
of
our
our
crew
and
all
the
other
practitioners,
we
appreciate
it.
Thank
you.
A
Merry
christmas
and
happy
holidays:
okay,
we'll
move
on
to
case
number
blc
22-14.
D
D
D
This
we
like
to
use
the
baseline
in
1929,
so
moving
forward
with
all
of
our
reviews.
You
have
like
a
base
point
to
start
with.
Looking
at
the
address
in
question
is
highlighted
in
the
screen
shaded
area.
This
is
on
11th
avenue
and
26th
street.
It
is
a
corner
parcel.
There
is
no
alley
that
runs
to
the
rear
of
this
project.
D
D
Looking
from
above,
there
are
some
opportunities
to
to
do
infill.
D
D
D
D
If
you
notice
here
the
setbacks
in
elevation
from
grade
for
new
construction,
that's
the
criteria
that
we
look
at.
First
of
all,
when
we
we
try
to
assist
the
applicants
coming
forward.
So
that's
a
reference
point
that
you
could
use
for
this
project
moving
forward.
That
concludes
the
photo
presentation
and
mr
gibbons
can
address
the
board
at
this
time.
G
G
Okay,
starting
with
the
ariel,
this
is
on
the
corner
of
11th
avenue,
26th
street.
The
property
is
approximately
38
feet
by
119
feet.
It's
currently
zoned
yc8,
I
actually
it
gained
control
this
property
back
in
the
early
2000s,
and
at
that
time
it
was
outside
of
the
district
and
zoned
rm24,
but
continuing
on
it's,
it's
currently
yc8
with
a
future
land
use
of
r20.
G
G
G
G
G
G
Moving
on
to
the
site
plan,
again,
it's
a
corner
parcel.
This
is
26th
street
11th
avenue.
Currently
there
are
no
existing
sidewalks
and
since
I'm
coming
forward
with
the
project
to
the
west
on
the
adjoining
parcel,
it's
my
intent
to
install
sidewalks
across
the
front
and
speaking
with
staff
in
an
earlier
meeting
because
of
these
existing
trees
that
we
want
to
preserve.
We
did
not
propose
a
sidewalk
along
26th
street.
G
This
is
the
structure.
It's
a
single
family,
home
two-story,
single-family
home
has
a
wrap-around
porch
and
we're
proposing
a
detached
accessory
structure,
two-car
garage
with
access
off
of
26th
street
separating
between
the
two
trees.
There.
Our
front
setback
is
at
10
feet
which
aligns
with
the
homes
to
the
west
and
the
detached
garage
set
back
off
the
east
property
line,
eight
feet:
our
east
side,
yard
setbacks,
10
feet
and
the
west
side
side
yard.
But
setback
is
at
nine
and
a
half
feet.
G
We
propose
to
have
the
condenser
in
the
rear
of
the
property,
so
it's
not
visible
from
the
from
11th
avenue
and
then
we'll
propose
to
put
some
landscaping
around
the
west
side
of
the
condenser.
So
you
can't
see
it
from
26th
street
we're
proposing
to
have
appropriate
scoring
of
the
driveway,
which
is
a
five
by
five.
That
will
also
match
the
proposed
new
sidewalk,
which
would
also
be
scored
at
five
foot.
A
G
G
G
And
then
these
are
the
three
trees
that
saw
in
the
pictures
that
we're
going
to
preserve.
We
actually
kind
of
designed
the
home
to
sit
back
to
the
east.
So
we
can
preserve
those
those
trees
that
were
there.
G
G
This
is
similar
to
a
project
that
we're
doing
in
the
district
that
was
approved
a
few
months
back
that
we're
currently
under
construction
on
that
was
a
three
unit,
town
home
and
basically
just
took-
took
one
of
those
to
create
this.
The
single
family
home.
This
shows
the
rear
of
the
wrap
around
porch.
This
is
the
rear
door.
That's
actually
recessed
that
will
have
the
sidewalk
that
goes
down
to
the
detached
accessory
structure.
G
G
G
G
G
G
The
separation
between
first
and
second
floor
is
a
one
by
12
and
we
double
the
double
layer
it.
So
it's
actually
an
inch
and
a
half,
and
we
do
that
around
the
windows
as
well.
These
are
the
architectural
sight
windows
that
have
come
before
the
board.
The
javelin
sight
line
windows
that
are
custom
made
for
us.
G
G
G
G
This
is
the
detached
accessory
structure.
Again
that
will
have
the
exposed
rafter
tails.
We
did
not
in
implement
any
of
the
barge
rafters
just
because
of
the
the
size
of
it.
It's
the
one
or
I'm
sorry,
the
1
by
12
that
separates
the
the
gable
from
the
wall
section.
G
G
G
Windows
of
like
a
new
toy
here-
it's
kind
of
hard
to
tell,
but
this
is
the
crown
up
here
again
we
take
hardy
one
by
six,
we
double
layer
it
then
it's
got
the
historic
sill.
These
are
the
geldwin
sightline
windows
that
we
have
custom-made
they're,
a
clad
wood
window.
G
G
G
G
G
G
G
And
then,
as
far
as
the
colors,
we're
still
finalizing
the
colors,
but
typically
what
we
do
once
we're
into
permitting
we
get
with
with
ron
and
staff,
and
we
present
a
a
color
board
of
what
we
propose
and
present
that
to
staff
for
their
approval.
D
Thank
you,
mr
gibbons
ron.
Villa
staff
with
historic
preservation
staff
finds
this
that
this
application
is
consistent
with
the
ebor
city
design
guidelines
in
looking
at
this
project
and
then
working
with
the
agent.
Since
it's
a
corner
element,
the
introduction
of
a
wraparound
porch
would
be
period
appropriate.
D
D
Staff
reviewed
the
project
and
felt
that
the
the
right
and
the
left
side
could
use
a
little
more
defining
details
on
the
window,
placement
and
sizes.
The
simplicity
of
the
house,
as
I
said,
speaks
for
itself.
D
The
columns
were
not
defined
completely
if
he
could
go
through
the
columns
and
what
the
the
if
it
has
a
base
and
a
capital
or
any
collars
on
that
column,
to
indicate
him
this
morning
from
the
body
of
the
building
as
it
terminates
to
the
foundation,
is
there
some
kind
of
detail
that
is
required
at
that
location
of
the
multiple
roofs
in
this
simple
house?
I
believe
and
need
additional
discussion
as
well
and
then
the
final
solution
for
the
front
steps.
D
A
C
I
really
don't
have
any
questions.
I
I
think
we've
gone
through
a
couple
of
these
already
with
you
and,
like
ron,
said
the
simplicity
of
the
house,
the
detailing
that
you've
shown
in
the
other
homes
that
you've
done
they're
really
good
taste,
and
I
really
don't
have
any
any
questions
at
this
point.
I
think
the
columns
and
the
steps
and
all
that
that
can
all
be
clarified
and
by
looking
at
the
pictures
of
the
other
homes
that
you
know
that
you've
done.
C
B
B
And
so,
okay,
so
here
are
there
any
other
details
in
your
presentation
about
what
those
columns
are.
G
Not
at
this
time,
typically,
this
would
be
a
a
four
by
four
that
we
wrap
with
hardy,
and
then
we
put
a
tap
and
a
base
on
it
to
try
to
keep
it.
You
know
simplistic.
B
B
B
F
B
You
have
the
you
can
see.
The
steps
that
were
alluded
to
by
mr
villa
is.
B
To
have
them
just
exposed
stairs
with
with
no
sidewall
no
welcome
wall
associated
with
it.
G
That's
what
we're
proposing
to
kind
of
keep
it
that
simplistic,
it's
kind
of
a
transitional
area
right
now,
there's
a
lot
of
industrial
in
the
area
just
to
the
east
and
south
there's
some
industrial
businesses
that
are
there.
So
we
try
to
kind
of
keep
it
trying
to
bring
some
residential
to
the
area
without
trying
to
you
know,
overkill.
B
B
G
G
Okay,
yeah,
that
would
be
here
and
here
would
overlap
the
brick.
B
Okay,
so
there's
a
slab
edge
detail
there
that
makes
that
cleaner,
the
rest
of
it
terminates
into
the
into
the
hearty.
G
The
front
porch
would
be
recessed
down
from
the
hardy.
This
is
a
one
by
six
that
wraps
around
and
under
goes
under
the
front
door,
so
the
front
slab
is
recessed
below
that.
B
Okay,
so
in
this
particular
example
here
in
this
elevation,
we
would
expect
to
find
a
little
bit
of
the
brick
running
beyond
the
porch.
There
correct
and
then
wrap
around
to
another
point
of
bronze,
since
the
building's
so
small
and
so
discrete
in
its
detailing
is
there.
Is
there
any
way
to
align
these
windows?
Is
there
because
these
are
on
this
elevation
here?
We've
got
something
that's
pretty
close
to
an
alignment,
but
but
not.
D
D
We
understand
for
furniture,
placement
and
interior,
sometimes
the
floor
plan
kind
of
dictates
what
the
exterior
is
going
to
look
like
as
well,
so
they
have
to
kind
of
work
together
on
the
more
exposed
elevations
the
more
period
appropriate
proportions
taller
than
wider
windows.
I
think
the
punch
openings
can
strengthen
the
project
in
certain
locations,
but
when
it
takes
the
you
know,
the
whole
facade
is
a
punch.
Opening
is
pretty
atypical.
G
B
And
then
the
just
just
for
note
the
the
position
of
that
one
window
in
the
bottom
right
hand
corner
doesn't
seem
to
align
with
what
you're
showing
in
your
elevations.
It
has
a
little
bit
more
room
here
off
the
wall.
Maybe
that's
a
function
of
the
party
and
you
know
not
having
the
plans
together,
but.
B
Yeah
they
seem
to
be
in
different
spots,
but
I
guess
you
know
what
we
would
want
to
see
on.
The
exterior
would
be
where
we
can
make
alignments
make
the
alignments,
but
you
know
sensitive
to
the
fact
that
stuff
doesn't
lay
out
in
these
tight
spaces,
always
the
way
you
want
it
to
on
the
outside.
G
I
think
in
the
elevation
these
would
spread
apart
a
little
bit
as
you
can
tell
from.
B
E
A
E
One
question
that
I
have
because
the
others
have
been
answered.
Well,
too,
are
you
planning
on
fencing
the
property.
G
E
I
wasn't
sure
I
just
thought,
maybe
I
thought
I
saw
something
on
one
of
the
plans
and
that's
why
I
wanted
to
ask
and
then
the
second
question
I
have
is
in
one
of
the
pictures
in
your
picture
with
the
the
house
and
the
driveway,
or
I
mean
the
house
in
the
garage,
is
the
is
the
driveway
cement
or
paver.
G
Cement,
okay
and
then
we
score
it
to
the
historic
pattern.
A
A
A
You
know
single
slope
roof
coming
to
the
front,
and
I
think
in
your
what
we're
seeing
here
is
that
that's
a
lot
of
roof
right
up
front,
the
metal
roof
part
and
one
of
your
plans.
You
show
that
you
show
this
here
as
a
gable
end,
but
another
one
of
your
plans.
It
looks
like
it's
a
hip
where
you
actually
angle
out
to
the
corners
of
the
columns.
G
You
know
obviously
introducing
the
the
wrap
around
porch
because
of
the
corner
lot.
We
just
kept
that
that
same
or
continue
the
the
slope
the
same
and
then
just
you
know
creating
the
gable
on
the
side
here
in
previous
projects.
I've
kind
of
been
taught
that
the
district
likes
gables
more
than
hips
so
kind
of
kept.
It.
A
Yeah,
I
think
what
I
my
issue:
that's
a
lot
of
roof
right
right
there
you
know,
maybe
the
the
hip
is
maybe
a
little
bit
more
sensitive
to
for
a
wraparound
type
of
condition.
I
think
that's
a
historic
element
that
we
see
in
the
district
is
more
with
the
wraparounds.
They
do
go
with
the
hip.
I
think
your
roof
plan
showed
that
as
a
hit,
but
obviously
your
elevations
kind
of
there
was
some
45s
on
that
plan.
G
A
A
Let's
see,
garage
doors
are
good
column
definition,
so
you're
you're,
saying
you're
telling
us
that
you're
going
to
wrap
those
columns
in
with
hardy
board
and
provide
a
trim
detail
at
the
top
and
the
bottom
correct.
Okay,
I
think
that's
appropriate
one.
One
picture
that
you
did
show
on
your
example.
Project
was
the
brick
for
the
stem
wall
and
I,
like
the
continuous
brick
stem
wall
that
looks
good,
but
one
picture
the
brick
comes
up
above
the
porch.
A
I
don't
think
we
want
to
do
that.
I
don't
think
that's
an
appropriate
detail
and
I
think
what
it
is
you're
bringing
your
brick
up
to
your
finished
floor,
then
you're
dropping
that
down
your
porch
another
four
inches
right
and
that
brick
is
getting
exposed.
I
think
you'd
rather
trim
that,
out
than
seeing
one
one
solo
course
of
brick:
oh
yeah,
you
can
see
that
at
that
rear
door,
but
it
also
happens
at
the
front
door,
which
is
the
main
thing.
A
G
Here's
the
one
that
so
yeah
we
incorporated.
You
know
some
brick
underneath
this,
because
we
don't
run
the
the
hardy
all
the
way
down
flush
with
the
slab
so
that
you
know
typically,
if
we
wouldn't
have
the
brick
here,
then
that
would
just
be
a
like
a
sand
finish
stuck
stucco.
A
G
A
A
A
Yeah
yeah
and
I
think
that
works
that
works.
Well,
you
know
I
like
how
you
define
the
steps
here.
You
know
it's
got
that
front
knee
wall,
so
that
kind
of
carries
that
element
back
throughout.
I
think
your
stairs
probably
need
to
be
a
little
bit
more
detailed,
maybe
with
that
side
little
wing
wall
to
help
define
that
a
little
bit
more
too
and
like
on
the
front,
elevation
and
rear.
A
G
This
is
actually
at
the
top
of
the
stair
landing.
The
stairs
are
here
this
down
here
is
the
living
area
and
then
over
here
on
this
side.
G
This
is
the
laundry
area
and
then
that's
kind
of
like
the
dining
dining
room,
they're
kind
of
small
we're
trying
to
introduce
a
product
that
can
be
a
little
more
attainable.
I
guess
you
could
say
we
don't
want
to
say
affordable,
we
like
to
say
attainable
so
for
the
district
and
so
we're
trying
to
keep.
A
Cover
that
cover
that
back
to
the
site
plan,
what's
your
rear
yard
setback
required.
G
Right
this
on
the
26th
street,
this
is
where
the
three
trees
are
that
we
wanted
to
preserve.
So
we
kind
of
pushed
everything
over
here
to
the
to
the
east.
E
A
G
We
kept
the
garage.
The
distance
from
the
from
the
house
to
the
garage
here
is
20
feet,
so
we
didn't
want
to.
You
know,
have
too
much
of
a
a
walkway
from
there,
especially
on
days
like
this.
I
guess
and.
A
Yeah,
I
think
your
side
yard
is
appropriate.
It
seems
like
that's
a
lot
of
concrete
there
for
that
two-car
garage.
Would
you
want
to
consider
doing
ribbons
there
to
kind
of
minimize
a
concrete
exposure.
G
A
Because
you,
like
your
example,
project
had
ribbons
going
into
the
garage.
It
was
a
single
car
garage
right,
so
I
guess
transportation
dictated
that
they
wanted
solid
five
foot
scored
concrete.
I
think
that's.
D
Well,
I
can't
ron
villa
with
preservation:
we've
had
discussion
with
the
reviewing
agencies
to
get
the
project
to
move
forward
once
it
was
approved
at
the
site
plan
that
was
presented
this
morning
from
the
property
line
to
the
vehicular
entrance
transportation
has
a
requirement
for
a
two
bay
garage.
It
has
to
be
10
foot
back
so
that
10
foot
back.
D
A
Okay,
that's
all
I
have
right
now
I
mean:
do
you
want
to
go
back
and
talk
about
the
roof
a
little
bit?
B
Yeah,
just
on
the
roof,
the
detailing
of
the
roof,
one
of
the
things
that
stands
out
in
terms
of
a
detailing
issue
and
we've
talked
about
you-
know
kind
of
on
the
front
of
it
front,
elevation
how
you
know
much
roof.
You
see
there
when
you
get
that
roof
running
up
and
into
the
the
windows.
B
G
On
the
current
project,
these
ones
are
set
up
a
little
bit
higher,
so
I
can't
use
those
but
yeah,
typically
we'll
leave
ourselves
approximately
eight
inches
for
the
flashing
of
the
the
metal.
B
G
B
Understood
yeah,
I
think
that
one
of
the
things
that
you
know
that
commissioner
simmons
is
picking
up
on
is
you
know
how
much
roof
there
is
and
by
by
raising
the
pitch
you
get
to
see
all
of
it
right
so
or
even
more
of
it,
and
typically
on
on
a
front
porch
like
that,
the
the
wrap
around
porches
tend
to
get
a
little
bit
more
lower
in
profile
and
just
become
kind
of
the
visor
that
you
need.
So
I
think
I
think
that
might
be
some
of
the
the
conversation
here.
B
Some
of
the
you
know
pushback
against
it.
You
know
potentially
lowering
that
pitch
and
changing
the
material
out.
You
know
you
can
still
keep
it
metal
roof
if
you
want,
but
just
lowering
the
profile
and
then,
if
you
wanted
to
you
know
turning
it
to
a
hip,
you
know
would
begin
to
reduce.
You
know
how
much
of
that
we're
seeing
compared
to
the
rest
of
the
sure
the
volume
of
the
house
yeah.
A
I
think
that
would
help
him
out
too.
By
dropping
that
pitch
gives
you
a
little
bit
more
wall
to
work
with.
You
know
I
mean
if
you're
down,
you
know
eight
to
12
inches
here
and
that's
where
you're
work,
where
your
ridge
is
on
both
sides
and
you
get
a
lot
more
room
over
there.
I
think
that
would
probably
be
a
little
bit
more
appropriate.
I
don't
know
if
you
want
to
look
at
other
examples
in
the
district
of
how
they
do
these
wrap-around
portions.
B
A
G
G
See
I
think
if
we
left
it,
you
know
the
cable
just
brought
this
down
to
412,
then
that
still
leaves
this.
You
know
kind
of
an
element
here
on
the
side.
You
know
because
there
again
I've
got
the
hardy
and
the
you
know.
B
B
If
it's
going
to
be
6
and
12,
look
at
a
hip,
if
it's
something
that
you
want
to
go
to
4
and
12
on
and
keep
the
materiality
or
change
that,
that's
something
that
I
think
we
can
work
with
staff
on,
but
in
terms
of
the
goal
would
be
to
get
to
where
the
the
front
porch
isn't
the
primary
element.
It's
just
you
know
secondary
to
the
the
roof
or
to
the
primary
house
and
in
its
proportions
and
styling
yeah.
A
C
I
was
just
going
to
make
a
quick
comment.
I
mean
whatever
happens
on.
The
roof
needs
to
be
reflected
on
the
roof
plan,
because
I
think
the
this
is
what
you
caught
right.
The
roof
shows
something
a
bit
different
and
I
didn't
see
it
when
he
when
he
showed
the
first
thing.
Can
you
put
up
the
roof
plan.
C
A
Okay,
any
other
questions
for
the
applicant.
I
guess
we
can
go
ahead
and
wrap
this
up,
and
you
have
a
few
minutes,
mr
gibbons,
if
you'd
like
to
summarize
any
comments
or
if
you
want
to
propose
any
changes
to
your
application.
G
I
guess
the
biggest
thing
is
changing
that
front
porch
to
a
412,
I'd
like
to
keep
it
with
metal.
Just
you
know
the,
but
taking
it
down
to
a
412
with
you
know,
kind
of
the
keeping
it
you
know
the
gable
on
the
side
too,
just
to
kind
of
keep
that
and
instead
earlier,
I
kind
of
always
thought
that
eborla
was
always
pro
gable
so
and
then,
as
far
as
the
the
stem
wall,
brick
just
keeping
it
on
the
stem
while
not
carrying
it
underneath
the
front
door.
G
G
A
I
think
I'd
like
to
see
some
for
the
front
stairs-
probably
some
sidewalls,
to
define
that
I
don't
think
it's
necessary
on
the
on
the
back
side,
steps
off
the
back
rear
side
of
the
porch,
but
probably
on
the
front,
and
it
addresses
the
street
front
then
like,
like
you,
showed
us
in
the
example
photos
with
the
bricks
on
the
side.
A
All
right
we're
gonna
go
ahead
and
close
the
public
hearing.
Commissioners,
we
can
discuss
the
case
amongst
ourselves.
We'll
start
with
this.
Welcome.
B
I
think
we've
got
this
one,
so
we
can
put
some
conditions
to
staff.
Okay,.
A
Mr
brown's
any
questions,
no
okay,
yeah,
I
think
we've
kind
of
made
some
recommendations
here.
The
applicant
seems
fine
with
that
and
I
think,
given
its
track
record,
I
think
it's
safe
to
say
that
we
can
move
forward
and
these
items
are
relatively
minor
and
you
can
continue
to
work
with
staff
on
resolving
these
issues
for
the
direction
given
by
this
by
this
board,
you
can
entertain
a
motion
if
we're
ready.
F
B
Four
work
with
staff
and
revise
the
roof
plan
to
indicate
a
different
slope.
A
different,
the
gable
is
or
hip,
is
a
preference
of
the
applicant
and
can
be
worked
out
with
staff
as
well
as
materiality.
B
Because,
based
upon
the
finding
effect,
the
proposed
project
is
consistent
with
the
ibor
city
design,
guidelines
of
the
city
of
tampa.
For
the
following
reasons.
It
is
appropriate
for
the
design,
design
guidelines
and
the
secretary
of
interior
standards.
A
A
D
D
D
D
Once
again,
the
request
is
highlighted
in
the
green
area.
The
project
that
we
just
looked
at
is
a
budding
to
the
west.
It
was
on
the
corner
or
one
parcel
into
the
east
on
11th
avenue.
D
D
D
They're,
nothing
special,
there's,
no
retaining
walls
at
this
parcel.
There's
no
trees
to
to
question
about
you.
You've
got
a
pretty
blank
canvas
moving
forward,
just
looking
at
the
tree
line
in
the
back,
no
no
vegetation
of
substance.
D
D
G
G
G
Currently,
there
are
no
existing
sidewalks
previous
project
that
was
approved
here,
we'll
have
a
sidewalk,
and
I'm
going
to
continue
that
down,
proposing
to
have
the
historic
scoring
pattern
proposing
to
have
a
two
car
detached
accessory
structure,
bringing
in
a
ribbon
drive
and
then
a
parking
area
in
front
of
the
garage
so
as
they
back
out,
they
have
some
place
and
then
down
the
ribbon,
drive
10
foot,
front
yard
setback,
which
kind
of
is
in
line
with
the
contributing
structures
that
are
to
the
west.
G
This
is
the
structure
that's
to
the
to
the
east.
That
is
really
not
contributing.
We
have
a
10
foot
side
yard
set
back
here.
I
believe
this
is
a
eight
foot
side
to
the
to
the
ribbon
drive.
G
G
Moving
into
the
elevations
one
thing
I'd
like
to
propose
is
reducing
this
front
porch.
Currently,
it's
showing
as
a
612
I'd
like
to
reduce
that
down
to
a
412..
G
G
G
Some
barge
rafters
custom
vents
that,
although
they
aren't
vents,
they're
decorative
vents
again,
I'd
like
to
propose
reducing
this
front
porch
from
a
612
down
to
a
412
that
kind
of
matched
the
mainframe
of
the
house.
G
G
G
One
of
the
finished
products
we
actually
just
finished
this
earlier
this
year.
That's
in
the
district.
It
shows
the
brick
that
will
be
on
the
stem
wall.
G
G
A
Thank
you,
mr
gibbons.
Any
public
comment
for
today
seeing
none
we
can
ask
questions
of
the
applicant
starting
with
mr
perez
no
questions
at
this
time.
B
Courts
right
so
to
to
relate
to
our
prior
approval.
B
The
garages
are
aligned,
yes,
and
I
guess
this
would
be
a
question
for
ron
and
dennis
going
forward,
but
you
know
one
of
the
one
of
the
things
that
we
get
to
consider
here
with
your
applications
typically
is
more
than
one
project,
which
is
great,
but
when
I
saw
this
particular
example,
I
wanted
to
see
what
was
next
to
it.
B
You
know
so
that
we
can
make
sure
that
we're
getting
alignments
and
that
you
know
we
don't
have
to
go
back
to
the
other
one
and
say:
oh,
it
should
be
25
feet
or
this
should
be
2016..
So
I
guess
just
as
we
move
forward
through
other
projects
like
this,
where,
if
you're
developing
multiple
properties
give
us
the
the
hint
of
what
what
was
on
the
other
one
as
well
sure.
So
we
can
do
that.
But
I
appreciate
the
answer
there
on
the
garage
and
I
feel
like
I've
seen
this
one
before
so.
B
A
Don't
have
any
questions
yeah,
I
think,
with
the
with
the
site
there,
I
kind
of
we
kind
of
assume
that
it's
the
same
setbacks
and
everything.
So
you
know
your
front
yard
setback
for
the
house
is
10
feet,
which
was
on
the
same
adjacent
project,
and
I
think
it's
20
feet
between
the
back
of
the
house
and
the
garage
and
yes
they're
the
same.
The
houses
themselves
are
the
same
right.
What's
the
total
square
footage.
A
They're
small,
but
they
live
large,
yes,
and-
and
you
know
when
I
can
you
put
up
the
elevations-
you
know
this
one's
not
as
without
the
wraparound
portion.
You
know
we
can
understand
why
you
did
that
with
the
corner.
The
the
wrap
around
the
front
is
not
as
intrusive,
and
I
just
wanted
to
make
a
note
on
the
I
think
you,
you
said
you're
going
to
capture
the
things
from
your
previous
application
or
the
okay
yeah
a
little
real
skinny.
A
So
talking
about
your
barge
rafters,
I
think
this
is
an
appropriate
use
of
having
a
you
know:
a
bar
drafter
at
the
top
middle
and
bottom
your
example
project
that
you
showed
before
the
photo
only
has
them
at
the
top
and
the
bottom
and
you're
kind
of
missing
that
one
in
the
middle.
So
I
think
this
is
much
more
appropriate
to
have
in
top
middle
and
bottom,
so
I
just
asked
that
you
can
incorporate
that
into.
G
A
We've
had
it
there's
five
on.
G
C
A
It's
kind
of
missing
something
there
in
the
middle,
but
everything
else
I
think
is
is
in
line
here.
So
no
more
questions
of
the
applicant
you've
proposed
in
your
testimony.
Some
changes
that
you're
going
to
do
we'll
capture
that
in
the
motion,
if
you
have
nothing
else
to
add,
we'll
go
ahead
and
close
the
public
hearing.
A
B
B
There
it
is
blc
2215
for
the
property
located
at
2603
east
11th
avenue,
because,
based
upon
the
finding
of
fact
oops,
I
skipped
this.
I
skipped
the
conditions
with
the
following
conditions:
condition
number
one
applicant
will
reduce
the
roof
slope
to
4
and
12
per
request
and
relation
to
adjacent
project.
B
B
Applicant
will
select
colors
and
present
with
staff
for
final
approval.
The
trim
on
the
porch
will
eliminate
the
the
brick
detailing
by
incorporating
a
fascia
piece
that
extends
to
the
porch
level
in
future.
Fencing
which
is
not
part
of
this
application
will
be
brought
forward
to
staff
as
well
under
a
separate
approval.
B
A
D
D
D
D
D
D
There's
an
existing
curb
cut
there
that
doesn't
work.
There
is
a
sidewalk,
that's
there
that
has
has
some
challenges
to
it.
That'll
be
part
of
this
request,
moving
forward
just
to
get
you
familiar
with
some
of
the
fabric.
That's
there.
This
is
a
contributing
structure
that
was
to
the
east.
This
is
another
two-story
contributing
structure
to
the
west.
D
D
This
is
looking
down
15th
avenue
to
the
east
and
turn
it
around
to
and
it
terminates
into
nebraska.
D
And
to
conclude,
this
is
across
the
street,
so
you
see
a
period
home
here
that
has
been
renovated
in
the
past,
not
to
our
standards
but
just
receive
some
paint
and
kind
of
spruce
it
up.
And
then
you
see
another
two-story
volume
kind
of
peeking
over.
So
there
is
a
series
of
one-story
two-story
structures
along
this
block.
That
concludes
my
photo
presentation
and
mr
gibbons
can
address
the
board
at
this
time.
G
G
G
G
This
is
one
that
it's
a
new
version
that
we've
had
one
previous
approval
on
in
the
district,
we're
looking
to
do
a
10
foot,
front
yard
setback
ribbon,
drive
utilizing
some
of
the
existing
curb
cut,
we're
proposing
to
install
a
brand
new
sidewalk
across
the
entire
width
of
the
property,
as
well
as
improve
the
existing
boulevard.
That's
there
there's
some
existing
granite
and
we'll
propose
to
install
a
new
little
boulevard
here
between
the
public
sidewalk
and
the
granite
curb
moving
into
a
ribbon
drive
with
yc2.
We're
only
required
to
have
two
parking
spaces.
G
However,
this
area
of
15th
avenue
is
a
little
feels
a
little
narrow,
so
we
forgot
the
room
to
provide
four
parking
spaces
in
the
rear,
we're
going
to
have
the
condensers
as
well
as
a
pad,
that's
large
enough
to
accommodate
the
recycling
cans
as
well
as
the
refuse
cans.
So
these
can
be
hidden
behind
the
structure
during
the
days
that
it's
not
picked
up,
working
with
staff
they
had
suggested,
maybe
putting
in
some
stepping
stones
along
the
west
side
to
allow
people
the
residents
to
park
and
walk
across
the
front
here.
G
G
G
G
G
Appropriate
windows:
we
try
to
stack
everything
a
little
bit
larger.
These
are
some
bedrooms.
We've
got
the
crown
and
the
historic
sill
with
one
by
six,
that's
double
layered.
To
give
it
the
inch
and
a
half
reveal.
We
have
a
1
by
12
that
separates
the
first
and
second
floor.
That
continues
all
the
way
around.
G
The
cut
section
here
that
shows
front
porch,
which
is
seven
feet
in
depth.
This
is
a
kind
of
a
planter
that
is
incorporated
into
the
the
stem
wall
and
then
a
welcome
plan
around
the
the
other
side.
So
it
gives
it
some
some
massing
for
the
entryway.
G
G
G
G
G
A
little
bit
of
a
close-up
there
again,
this
will
be
faced
with
the
brick
exposed,
rafter
tails
one
by
six.
This
again
is
the
entrance
to
the
second
floor
unit.
G
G
G
This
kind
of
shows
how
we
do
a
ribbon
drive
coming
back
to
the
parking
area.
What
we've
done
now
is
expanded.
This
concrete
pad
here,
where
the
condensers
are
to
for
them
to
place
their
trash
cans
and
stuff
back
here
shows
the
five
by
five
historic,
appropriate
scoring
of
the
parking
area
shows.
Just
this
is
a
over
on
1307
east
columbus
drive
ribbon
drive
along
the
side
coming
into
the
parking
area
that
has
the
scoring
pattern
kind
of
shows.
The
piers
exposed
rafter
tails.
G
G
D
Good
morning,
commissioners
ron
vilo
moving
to
the
staff's
finding
that
this
application
is
consistent
with
the
ybor
city
design
guidelines.
We
have
some
conditions
that
are
reflected
on
your
staff
report
on
page
three.
This
is
the
second
time
that
we
saw
this
model
coming
forward
with
that
elevated
additional
entrance
to
the
structure.
D
D
The
the
sidewalk
is
a
little
tighter
condition,
they're,
usually
six
foot
across,
so
the
three
by
three
modules
are
what's
reflected
within
the
historic
district
I
like
for
mr
gibbons
as
he
moves
forward
towards
permitting
to
work
with
transportation
and
preservation
to
straighten
out
the
approach
to
the
site
for
the
vehicular
access
it's
a
little
cocked
right
now
and
in
working
with
transportation.
Sometimes
we
get
them
to
be
a
little
more
flexible.
D
With
the
pattern
that's
established
within
the
district
to
straighten
that
out
also
to
revisit
some
of
the
site
paving
on
the
property
to
the
rear
of
the
subject
site.
There
is
a
72
inch
oak,
I
believe
that's
there
and
it's
going
to
need
the
protective
radius
to
be
reflected
on
the
plan.
I
don't
believe
it
is
currently
reflected
properly
and
he's
going
to
have
to
provide
that
as
he
moves
forward.
D
Since
this
is
a
pretty
large
two-story
structure,
he
is
right
now
providing
us.
I
believe,
16
inch
overhangs
to
the
structure
24
inch
overhangs
would
be
more
appropriate
for
the
massing
of
this
structure
and
then
to
conclude,
mr
gibbons,
can
you
put
the
front
elevation
of
the
perspective
that
you
have
on
the
on
the
porch
area
on
on
the
front?
Elevation
he's
got
an
entry
door
and
he's
got
paired
windows
and
he
showed
some
examples
and
the
facade
had
a
little
more
flexibility
that
they
could
there.
D
There
was
some
more
room
there
on
what
he's
presenting
today.
If
you
look
at
the
door
and
the
windows,
it
looks
kind
of
forced
with
the
paired
windows.
It
would
not
be
inappropriate
to
put
a
larger
one
single
large
window,
not
at
the
proportion
at
the
opening
to
to
reflect
the
the
paired
windows,
but
a
larger
one
window
to
let
in
the
natural
light
under
the
cover
you
see
that
at
times.
D
So,
if
you
look
at
the
casing
for
the
door
and
the
windows,
it
looks
a
little
challenging
there,
so
there
might
be
an
opportunity
to
to
get
what
he
needs
to
to.
Let
the
natural
light
into
the
floor
plan
while
being
a
little
more
sensitive
to
to
this
particular
request.
D
A
Does
anyone
in
the
audience
would
like
to
comment
on
this
case?
Please
step
forward,
saying
none.
We
can
then
ask
questions
of
the
applicant
starting
on
the
right
as
well.
E
E
E
G
No,
this
is
a
new
model.
We
had
it
approved,
we're
doing
it.
We
just
got
the
permit.
It's
going
in
at
1313
east
15th
avenue
a
couple
blocks
east
of.
B
Okay,
so
what's
what's
your
detail
for
how
that
stair
hits
the
building
as.
B
Well,
go
back
to
rewind
in
your
presentation.
You
said:
here's
the
inspiration
for
this
unit,
that
inspiration
is
a
stair.
That's
you
know
kind
of
it's,
not
a
mass,
it's
just
the
stringers
and
stuff
that
goes
up
alongside.
We
see
those
all
over
the
place
in
historic
structures
where
they're
kind
of
secondary
to
the
to
the
house.
B
Ever
interface
with
the
side
of
the
house,
they
just
kind
of
go
up
free,
so
in
this
particular
model,
you're
showing
something
that's
a
big
cast,
stair
you've
got
the
siding
coming
down
you're
going
to
have
water
driving
down
into
there.
I
mean
practically.
What
is
that
detail
for
how
that
comes
across.
G
G
We
use
a
there's,
a
flashing
detail
that
we
use
to
whip
the
water
away,
and
this
whole
side
is
actually
the
the
sheathing
is
actually
a
a
dura
rock
product
that
we
use
as
well.
B
Okay,
so
there's
a
flashing
detail,
you're
treating
it
like
all
of
your
other
conditions.
Okay,
I
guess,
then
I
think
that
one
of
the
things
that
you
does
does
that
one
that
you
have
that
you're
building
does
it
have
a
trim
board
on
the
side
as
it
goes
up.
G
We
just
got:
we
just
actually
started
breaking
ground
last
week.
Okay,
so
you'll
figure
it
out
yeah.
I
would
think
it
would
have
a
trim
piece
along
that
too.
G
B
Okay,
you're
intending
to
the
same
message
here:
you're,
not
showing
any
guard
rails,
I'm
assuming
that's
just
left
off
the
drawing
correct,
okay
and
then
we
would
have
here
you're
showing
is!
Is
that
a
are
there
multiple
columns
in
the
in
the
brick?
I
see?
Oh,
that's,
a
dimension
string.
Okay.
I
was
trying
to
figure
out
what
the
articulation
of
this
was
and
so
on
the
stairs.
B
With
that
two
and
a
half
inch,
you
know
kind
of
way
that
you've
talked
about
on
the
top.
The
way
the
brick
veneer
or
the
thin
brick
would
stay.
B
Okay,
I
think
we've
got
some
kind
of
detailing
there
to
stop
the
brick.
A
B
B
B
B
Want
to
have,
is
you
don't
want
to
have
thin
brick
that
just
comes
up
and
looks
like
wallpaper
sure
you
know
you
want
to
have
a
way
to
terminate
it
in
any
application.
So
we
would
want
to.
You
know,
work
with
you
there
to
figure
out
the
appropriate
stop
for
that,
and
then
you
know
when
the
when
the
stair
hits
the
building.
You
know
what's
the
appropriate
stop,
because,
as
I
mentioned
typically,
that
stair
would
have
been
free
floating
from
the
from
the
clabberts.
B
B
G
B
B
The
doors
would
line
up
nicely
these
single
single
homes
or
double
hungs.
Would
you
know
pair
nicely?
I
think
that
that
would
unclutter
that
porch
a
little
bit.
B
B
B
Yeah,
you
know
where
you've
got
a
little
bit.
You've
got
a
little
bit
of
break
in
there
to
pick
up
on
the
the
breaks
that
you're
going
for
with
the
with
the
brick
detailing
on
the
front
elevation
there.
Okay.
A
Yeah,
I'm
trying
to
recall
what,
because
we've
seen
this
before
I
know
we
had
a
lengthy
discussion
about
hey.
What's
what's
going
to
happen
here,
are
we
going
to
do
this
full
brick
or
is
it
just
going
to
be
stucco?
How
did
we
resolve
that
in
the
last
case?
It
might
I
just
don't
understand,
because
where
I'm
I.
A
I
think
with
the
with
that
brick
and
it
kind
of
takes
away
from
your
peers
that
you
know
where
you
do
the
exposed
brick
for
the
piers,
and
I
don't
know-
maybe
it's
it's
just
doing
like
the
corners
out
of
brick
and
then
into
them
with
stucco
in
the
middle
or
trim
it
out
somehow
so
that
you
have
two
different
materials
there
right,
even
if
even
if
we
did
a
full
breaking,
maybe
you
know
I
don't
know
if
we
want
to
spend
the
money,
but
maybe
that
gets
painted
white
to
match
the
trim
and
then
even
though
it's
brick
it's
you
know,
then
why
are
you
using
that
material?
A
So
I
think
it's
you
know.
The
concrete
by
itself
is
probably
too
bland
and
nondescript.
All
the
brick
by
itself
is
probably
too
heavy
for
brick.
So
maybe
it's
trimmed
out,
and
I
don't
know
if
that's
too
busy,
I
don't
know
it's.
You
know
it's
a
unique
element
that
we
don't
see
in
the
district.
So
it's
right
and
it's
small.
So
it's
like
you
know
when
you
spread
out
your
cut,
your
peers,
you
can
see,
you
can
use
the
brick
and
it
it
accentuates
in
a
way.
You
know
it's
appropriate
here
it's.
B
Rendering
has
the
benefit
of
a
little
bit
of
high
shrubbery.
You
know
where
you
know
in
what
we're.
What
we're
considering
here
is
going
to
be
a
driveway
right
next
right,
so
you're
going
to
have
nothing
which
is
fine,
because
it's
the
way
it
needs
to
work.
But
then
the
question
is
you
know?
What
are
we
going
to
see
as
you?
You
know
you
drive
by
the
property,
and
you
see
this.
You
know
huge
amount
of
brick
on
this.
B
What
is
the
second
secondary
entrance?
You
know
it's.
It's
a
smaller
version
of
the
front
entrance
and
it's
more
massive
and
imposing
than
what
you're
doing
on
the
front.
I
think
you
can
take
a
lot
of
the
the
articulation
that
you
have
on
the
front
of
the
wing
walls
and
the
way
it's
proportioned
kind
of
bring
that
into
this
side,
one
here
and
and
work
with
staff
to
try
to
reduce
the
heavy-handedness
of
it.
C
C
As
well
so-
and
I
think
rick
can
you
zoom
out
or
swim
into
the
top
elevation
the
front?
I
think
one
thing
we
talked
about
too
on
the
previous
one.
Well,
first
of
all,
I
agree
with
the
window
on
the
on
the
porch.
It
should
be
a
single
window,
maybe
align
the
heads,
it
looks
really
cluttered,
but
then
on
the
big
window
on
the
left
on
the
top.
Didn't
we
talk
about
being
too
tight,
I'm
trying
to
recall,
I
know.
C
Feel
right
with
the
top
window,
it
just
felt
too
high
or
I
think
it
was
abandoning
on
top
of
it.
That
was
an
issue
I
can't
remember
now,
but
I
know
it's
something
that
we
brought
up
during
the
last
time
we
looked
at
this
yeah.
It
kind.
A
A
E
A
C
Gonna
help
you
with
with
something
on
the
right
too
inside
the
porch.
If
you
align
those
two
I
think
yeah,
I
just
had
another
quick
question
on
the
driveway.
Can
you
put
up
the
sight
point.
C
G
C
G
B
G
B
E
G
This,
oh
you,
this
line
right
in
here
yeah,
it's
probably
about
18
inches
in
there.
A
A
E
E
E
E
A
A
G
A
Okay,
I
have
a
few
questions
if
you're
good,
so
on
the
on
the
back
side,
there's
a
lot
of
concrete
back
there.
A
G
Or
no
during
our
hd
rc
meeting
that
was
addressed
and
transportation
was
more
than
happy
with
what
we
had
provided,
although
they
had
stated
too,
we
just
needed
the
two,
but
we
wanted
to
provide
the
four
just
because
this
block
of
15th
avenue
is
extremely
tight.
A
Since
you're
going
to
have
to
do
some
impervious
concrete,
would
you
want
to
consider-
and
it's
not
really
within
our
purview
per
se,
but
consider
maybe
doing
half
that
driveway
or
something
pervious
and
half
concrete
to
kind
of
of
the
parking
area
yeah?
Maybe
that
that
back
20
feet
goes
impervious,
would
help
the
tree
and
maybe
get
a
little
less
concrete
back
there.
I
think
you
just
still
have
to
score
it
a
five
foot
on
center.
I
think
you
could
score
perfect
concrete,
maybe
something
to
consider.
I
think
it's
not
really
within
our
purview.
A
A
One
other
comment
was
a
24
inch
overhang
versus
18.
Are
you
proposing
18?
Are
you
going
to
go
16
inch,
16.
C
G
Because
on
the
west
side,
you
know,
I've
only
got
a
three
foot
overhang,
but
I
was
able
to
locate
fire
rated.
G
Since
I
have
exposed
rafter
tails,
I
was
able
to
locate
some
fire
rated
two
by
six,
that
I'll
be
able
to
use
for
for
that.
So.
G
Depends
on
it
depends
on
the
project
like
some
of
the
larger
duplexes
that
have
come
before
the
board
were
wider,
so
we
went
with
wider,
but
some
of
the
narrower
ones,
we've
taken
it
down
to
16
inch.
G
B
A
So
I
think
we're
okay
with
16,
then
with
the
gutters
okay,
and
we
talked
about
the
one
you're
going
to
make
one
larger
window
up
front
on
the
porch
on
both
first
and
second
floor.
First
and
second
floor,
yeah,
there's
another
spouse
and
then
the
ribbon
drive.
You
can
slide
that
one
foot
to
the
east.
A
Okay,
I
have
no
other
questions,
anyone
else.
Okay,
if
you
want
to
summarize
any,
I
think
we've
talked
about
a
few
changes
here.
I
guess
we'll
kind
of
summarize
those
in
the
comments,
but
I
think
you're.
You
seem
to
be
okay
with
everything
that
we
talked
about.
As
for
both
changes,
yeah.
G
What
what
I've
done
in
the
past
is
I'll
get
these
changes
with
the
designer
and
get
with
ron
and
staff
get
their
approval
before
it
goes
into
permitting.
G
You
know
summarizing
we're
going
to
make
some
changes
to
this
second
floor.
Stair
entry
with
the
with
the
brick
and
kind
of
coming
up
with
something
to
kind
of
decrease.
With
you
know
the
feeling
of
the
massing
there
changing
the
first
and
second
floor.
These
are
actually
the
living
rooms
so
coming
up
with
a
smaller
window,
same
height
but
smaller
bringing
down
this.
You
know
second
floor.
G
I
noticed
here
I
I
need
to
add
the
brick
columns
on
the
back
elevation
here.
You
missed
that.
A
B
Move
to
grant
certificate
appropriateness
for
the
drawings
and
documented
documents
presented
at
this
public
hearing
in
blc
22-16
for
the
property
located
at
915
east
15th
avenue,
with
the
following
conditions,
condition
one
sidewalks
would
be
scored
three
by
three
drives
would
be
scored.
Five
by
five
applicant
will
work
with
transportation
to
see
if
the
curb
cut
and
access
into
the
site
can
be
straightened
out.
B
Applicant
will
work
with
transportation
and
staff
for
the
extent
of
pervious
pavement
that's
required
at
the
72-inch
tree.
Considering
perhaps
taking
half
of
the
pavement
there
and
making
it
pervious
applicant
will
work
with
staff
regarding
the
second
floor,
entry
stair
for
the
use
and
termination
of
the
brick
the
amount
of
the
brick.
B
The
potential
to
use
stucco
as
a
breakup
of
the
brick
and
using
columns
rather
than
a
mass
of
brick
applicant,
will
work
with
staff
to
develop
the
appropriate
terminations
of
the
brick
both
at
the
stair.
The
welcome
walls
and
the
second
floor,
stair,
where
we
had
talked
about
not
having
a
wallpaper
type
approach
to
the
brick
applicant,
will
refine
detailing
for
how
the
concrete
stair
hits
the
clabbered
walls
with
the
incorporation
of
probably
a
trim
board
at
the
bottom,
like
a
stringer
piece
that
goes
along
with
it
detailing
will
be
coordinated.
B
Staff
applicant
will
coordinate
with
transportation
for
the
movement
of
the
ribbons.
Maybe
a
foot
away
from
the
stair
element
to
avoid
having
collisions
in
the
future
and
taking
advantage
of
a
foot
on
the
other
side
of
the
property
applicant
will
revise
the
windows
at
the
porches.
Instead
of
a
pair
of
double
hungs,
it
would
be
single
double
hungs
that
are
more
appropriately
spaced
and
proportioned
from
the
door
to
the
edge
of
the
porch
applicant
will
work
with
staff
on
final
color
selections.
B
Applicant
will
work
will
eliminate
the
brick
detailing
at
the
porches,
where
bricks
are
evident
between
the
concrete
and
the
detailing
of
the
fascia
or
the
trim
board
coming
down
in
lieu
of
the
brick.
We'll
have
just
a
trim
board
that
hits
the
concrete
porch
there
and
because,
based
upon
the
findings,
I
get
again.