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From YouTube: BLC 11/22/22
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A
November
22nd
public
hearing
for
the
city
of
Tampa's
party,
Latino
Commission,
welcome
everyone
I'm
rich
Simmons,
chair
of
the
commission.
If
you
are
here
to
present
a
product
project,
you
will
have
limited
time
to
make
your
presentation,
so
we
suggest
being
thoroughbuck
concise
when
coming
to
the
microphone.
You'll
need
to
identify
yourself
and
your
relationship
to
the
project.
The
Commissioners
will
not
ask
any
questions
during
your
presentation.
A
Your
project
should
be
presented
in
the
following
order:
site
plan,
elevations
architectural
details,
wall
sections
staff
presents
staff
report.
We'll
then
ask
for
public
comment
following
your
presentation,
the
Commissioners
will
be
asking
questions
in
the
same
order
as
your
presentation,
please
State,
and
spell
your
name
clearly
for
the
record.
A
If
you
are
here
to
speak
for
or
against
the
project,
because
your
time
will
be
limited
to
three
minutes,
three
minutes
goes
by
pretty
quickly.
So
take
some
time.
To
summarize
your
comments
now
following
public
comment,
the
applicant
will
have
five
minutes
for
rebuttal.
The
public
hearing
will
then
be
closed.
The
only
comments
which
will
be
allowed
after
the
public
hearing
will
be
in
response
to
any
questions
from
the
commissioners.
A
The
Commissioners
will
then
discuss
the
case
and
make
their
decision
based
on
the
city
ordinance
chapter
27
of
the
City
Zoning
code,
the
design
guidelines,
the
Secretary
of
interior
standards,
design,
review
comments
and
a
testimony
given
today
at
this
hearing,
the
BLC
can
only
act
on
items
that
are
that
are
within
our
specific
jurisdictional
responsibility.
Owner
agents
are
independently
responsible
to
obtain
any
appropriate
permits
and
or
approvals.
A
A
C
A
B
A
F
Good
morning,
Commissioners
Dennis
Fernandez
architecture,
review
and
historic
preservation
manager.
Welcome
to
this
morning's
hearing
to
appreciate
the
the
working
with
us
on
this
particular
meeting.
It
was
difficult
to
put
the
the
Quorum
together,
but
we
had
some
schedule
rescheduled
cases
from
Hurricane
Ian
that
we
were
trying
to
accommodate.
So
we
appreciate
your
cooperation
and
in
gathering
this
morning
a
couple
points
of
business.
I
do
have
the
BLC
administrative
approvals
that
are
in
your
package
and
should
be
entered
into
the
record.
F
We
can
do
maybe
a
motion
to
receive
and
file
at
the
end
at
the
end
of
the
meeting
for
all
the
documents
and
then
I
do
want
to
make
one
announcement
change
to
the
agenda,
and
that
is
going
to
be
a
a
continuation
request
that
we
received
yesterday
towards
the
end
of
the
day.
So
it's
not
reflected
as
such
on
the
agenda,
but
it
is
BLC
22-185
for
the
property
at
1715
East
4th,
Avenue
adjacent
to
1411
North
17th
Street
in
1707
East
4th
Avenue.
F
And
with
that
we'll
move
on
to
conflicts
of
interest
and
ex
parte
communication,
disclosure
and
Susan
Johnson
Elizabeth,
our
legal
department
will
facilitate
that.
G
Thank
you
Dennis
at
this
time.
I
would
ask
any
board
members
if
you've
had,
if
you
have
any
conflicts
of
interest
with
respect
to
any
items
on
the
agenda
this
morning.
If
you
please
take
them,
and
thank
you
seeing
none
if
any
members
of
the
commission
have
had
any
ex
parte
Communications
with
anyone
with
respect
to
any
items
on
the
agenda.
F
You
having
taken
care
of
the
continuations,
already
we're
ready
to
administer
the
swearing,
so
anyone
in
the
audience
who's
going
to
be
presenting
or
providing
any
type
of
testimony
this
morning.
If
you
could
stand
and
raise
your
right
hand,
including
staff
for
The,
Square
Room,
he's.
F
And
with
that,
we're
ready
for
our
first
case
and
Ron
will
facilitate
that
discussion.
H
H
The
request
in
front
of
you
this
morning
is
for
a
certificate
of
appropriateness
for
new
construction,
there's
multiple
buildings
on
the
site
and
there
will
be
some
site
improvements
as
well
just
some
past
action
associated
with
this
request.
This
morning
this
did
receive
a
favorable
recommendation
from
the
BLC
on
June
28
2022.
H
H
Just
to
give
you
the
kind
of
the
lay
of
the
land
what's
under
your
purview
this
morning
is
on
page
three
also
of
the
staff
report,
the
application
of
standards
and
design
criteria
for
new
construction.
H
First
items
have
been
addressed
through
the
PD,
which
involved
the
height
and
the
width,
the
facade
width,
the
setbacks,
this
the
massing,
the
spacing
and
the
alignment.
So
the
remainder
of
the
application
of
standards
are
what
basically
you're
focusing
on
this
morning.
At
this
time,
I'd
like
to
briefly
go
through
a
photo
presentation
with
you.
H
The
property
in
question
faces
Nebraska
Avenue
is
highlighted
in
the
green
parcels
that
are
indicated
here.
Some
of
the
project
is
outside
the
Local,
District
and
I'll
show
that
on
the
next
illustration,
but
I
wanted
to
show
this
aerial.
So,
on
the
on
the
Northern
boundary
you
have
Henderson
on
the
eastern
boundary,
you
have
Nebraska
and
it
comes
through
Estelle.
H
This
is
our
vicinity.
Map
property
in
question
is
over
here
it's
in
the
Southwestern
portion.
You
see
how
the
Local
District
kind
of
bisects
the
the
project
that
is
coming
forward,
so
we're
looking
at
the
face
of
Nebraska
this
morning.
This
is
the
Sanborn
map
showing
the
fabric
that
was
there
in
1929.
H
There
were
a
series
of
homes
and
you
see
the
density
and
the
concentration
that
was
there,
but
once
again
we're
just
focusing
on
the
northern
part
of
Nebraska
and
and
Henderson
and
as
it
comes
to
the
South,
this
is
just
showing
a
current
photo
of
the
property.
Natural
resources
has
looked
at
this
as
far
as
zoning
and
transportation
as
it
goes
through
the
process.
So
your
focus
is
on
the
ca
this
morning
this
is
Henderson,
and
this
is
Nebraska.
To
give
you
a
point
of
reference.
H
H
This
building,
since
this
picture
was
taken,
has
been
demoed.
This
is
just
a
vacant
parcel.
It
used
to
be
a
Kentucky
Fried
Chicken
and
the
Saunders
library
that
was
reviewed
and
approved
by
this
board
is
non-contributing
building,
but
contributes
tremendously
to
the
environment
of
the
district.
That
concludes
the
photo
presentation.
This
time,
I'll
have
the
agent
address
the
board.
E
E
I
I
do
good
morning,
thank
you
for
having
us.
My
name
is
Michael
minsberg
principal
at
site
development.
We're
at
e-board-based
development
company
we've
been
there
over
10
years,
have
done
several
projects
in
the
district,
both
historic
Renovations
of
existing
structures
and
new
construction.
This
is
by
far
you
know
the
largest
project
that
we're
doing
in
the
district
and
partially
in
the
district
partially
outside
of
the
district,
but
excited
to
be
be
here
in
front
of
you
today.
We
think
this
is.
This
is
a
really
important
project.
You
know.
I
Nebraska
Avenue,
obviously
is
is
a
really
important
Corridor,
that
is
the
edge
of
the
district,
but
with
a
lot
of
traffic
coming
from
downtown,
as
our
city
grows
a
lot
of
people
coming
up,
Nebraska
Avenue,
you
know
passing
through
Encore,
which
there's
been
a
lot
of
recent
news
on
lately,
and
we've
got
some
elevations
here
of
you
know:
10
20,
30
story,
buildings
that
will
be
built
there
and
you
can
see
in
red
our
first
project
right
here,
which
we're
not
is
not
in
the
district
and
we're
not
talking
about
today.
I
But
it's
the
same
thing
part
of
this
project
and
then
the
part
within
the
district
here
I
think
you're,
going
to
immediately
see
the
difference
and
when,
when
people
are
traveling
down
they're
going
to
know,
oh
we've
hit
a
different
neighborhood,
even
if
they
don't
know
anything
about
Ybor
City.
I
You
know
coming
from
30
stories
to
now
a
three-story
project
and
I
also
think
it's
important
that
for
the
fabric
that
historically,
you
know,
there's
been
been
and
I
know
you
all
have
already
approved
the
use,
but
a
mix
of
uses
along
the
corridor,
both
commercial
and
residential
and
most
of
the
development.
That's
going
on
along
Nebraska
Avenue
is,
is
commercial
these
days
so
to
have
a
residential
use
there.
We
think
it's
important.
I
We
really
wanted
to
focus
on
on
that
when
you're
coming
through
Nebraska
here
here
we
are,
we've
entered
a
new
neighborhood
and
those
who
know
know
it's
Ybor
City
those
who
don't
just
can
feel
something
different,
but
we
also
wanted
to
to
find
find
the
design
that
contributed
to
the
neighborhood,
but
also
doesn't
take
away
from
the
true
historic
and
important
buildings
along
Nebraska.
Like
you
know,
I'm
going
to
say
it
wrong:
the
German
American
Club
and
some
of
the
other
clubs
along
that
Corridor.
I
J
Good
morning,
Stephanie
Gaines
with
Kurtz
Gaines
hall,
Jones,
Architects
and
I
have
Michael
with
me.
I,
don't
go
anywhere
with
Michael
these
days.
J
And
he,
you
know
you
have
to
ignore
his
humble
demeanor,
because
he's
quite
a
talented
architect
himself
and
also
a
licensed
general
contractor.
Besides,
you
know,
being
my
Vanna
White
over
here
lately,
I
I
wrecked
my
car,
so
lately
he's
been
My
Chauffeur
as
well
I'm
kind
of
getting
used
to
used
to
that
okay
Michael
we're
going
to
start
with
just
reminding
you
of
the
PD
that
was
approved,
and
this
drawing
the
Civil
drawing
is
I'm
going
to
turn
it
around.
J
You
know
all
the
other
drawings
we're
going
to
see
will
show
the
site
oriented
with
North
up,
and
so
this
is
the
pro
the
project
that
was
approved.
The
waivers
that
came
with
it
that
were
approved,
went
through
city
council
and
were
approved,
reducing
Nebraska's
setback
to
from
54
to
41,
removing
four
Laurel
oak
trees,
reducing
tree
retention
from
50
to
14
and
allowing
one
to
several
of
the
units
to
not
face
a
public
right-of-way,
and
those,
of
course,
would
be
the
internal
internal
units.
J
The
PD
includes
all
of
this
property,
and
the
last
waiver
that
was
included
is
modifying
to
reduce
a
15-foot
separation
between
buildings,
10
and
11,
down
to
nine
feet.
J
This
is
again
just
a
just:
locating
the
map
and
and
bringing
more
to
the
point
what
Michael
mentioned
and
also
Ron
about
the
location
of
this
project.
So
you
see
only
the
right
half
of
this
there's
39
units
in
this
project.
J
26
of
them
are
outside
of
the
district,
and
this
is
phase
one
which
was
was
referenced
by
Michael
the
we
are
using
a
very
similar
cohesive
architecture
between
two
phases,
but
this
is
on
the
on
the
edge
of
of
the
district,
so,
hopefully
access
a
buffer
to
you
know
the
other
really
open-ended
developments
that
can
happen
on
the
outside
of
the
district
I
mentioned
yep,
okay,
a
quick
Ron
had
the
Ron
had
the
Sanborn
map,
here's
another
view
of
it,
and
we
just
did
some
research
and
collected
as
many
photos
as
we
as
we
could
of
the
area.
J
Historic
photos-
and
you
know
this-
the
use
of
this
road
evolved
over
time.
It
had
mostly
single-family
residences
for
some
time
and
then
commercial
buildings
were
brought
in
and
a
couple
of
the
special
use
buildings
that
Michael
mentioned
the
Centro
esteriano
and
the
German
American
Club.
J
You
know
this
road
was
really
ended
up
being
just
like
Florida
Avenue,
the
main
thoroughfare
that
connected
the
port
and
the
train
station
to
the
resort
area
of
Sulfur,
Springs
and
and
everything
North.
So
you
can
see
the
gas
stations
you
know
that
were
on
the
on
the
route.
These
photos
are
all
taken
within
three
blocks
of,
or
these
images
are
all
from
three
blocks
within
that
prop
the
property
line.
Okay,
now
I
I
know
that
our
zoning
process,
we,
you
know
we
dealt
in
that
process.
J
We
dealt
with
massing
orientation
and
all
that,
but
we
just
want
to
show
you
some
further
research
that
we
did
before
building
types
just
to
confirm
that
what
we
were
doing,
we
we
felt
good
about
the
direction
we
were
going.
We
felt
good
about
and
the,
of
course,
the
structures
that
we
felt
most
applied
to
what
we
were
proposing
were
cigar
factories.
J
You
know
those
are
normally
rectangular,
simple
rectangular
buildings,
one
long
side
and
one
narrow
side,
three
to
four
levels,
typically
over
a
partially
or
fully
exposed
basement,
they
mostly
had
brick
facades
and
simple
detailing
strong
patterns
of
fenestration
and
a
simple
ornamentation
and
painted
signage
was
a
thing
that
you
would
see
commonly
on
these.
This
is
this
is
ibor
square
I
still
call
it
a
bore,
Square
it,
and
it
is
one
of
the
few
that
is
located
right
on
the
edge
of
a
street.
J
This
is
this
project
is
an
apartment
building
of
the
same
era,
but
it's
in
Hyde,
Park
Village,
and
this
is
a
recently
approved,
building
right
near
the
property
which
is
the
tico
streetcar
Maintenance
building.
So
in
studying
these,
we
really
felt
reinforced
that
our
direction
of
Designing,
a
simple
building
and
form
focusing
on
the
window
patterns
and
minimal
carefully
placed
details
were
for
the
with
the
right
direction.
Foreign.
J
This
is
the
site
plan
as
it
stands
now
and
again,
the
strong
red
line
is
the
district
Edge.
All
of
the
buildings
face
the
right
of
ways
along
Nebraska
and
along
along
Henderson.
These
are
the
corners
of
these
the
end
in
buildings,
and
this
building
out
of
the
district
will
continue
that
facing
all
of
the
buildings
have
front
entries.
All
of
the
units
have
front
entries
along
Nebraska.
J
All
of
the
garages
are
internal
to
the
property,
so
the
drive
entries
here
and
here
come
in
and
then
all
of
the
garages
in
or
off
of
that
Boulevard
same
thing
here,
coming
off
of
the
internally
I'm
sorry
on
this
one
yeah,
the
garages
are
internal.
This
is
the
one
building
that
is
set
back
behind
the
trees.
Its
front
entries
are
actually
back
here.
This
dark
line
that
you'll
see
on
all
of
the
buildings
indicates
where
brick
is
applied
to
the
building
and
the
rest
of
the
facades
will
have
stucco.
J
Oh
sorry,
I
want
to
sense.
The
scale
of
this
is
hard
to
read.
We
want
it!
Why
don't
you
zoom
into
that
detail
a
little
bit?
J
We
just
wanted
to
show
a
little
detail
on
the
okay
on
the
entry,
a
typical
entry,
we're
three
to
nine,
to
we're
nine,
to
ten
feet,
away
from
the
edge
of
Nebraska
Avenue,
three
to
four
feet,
from
the
property
line,
and
because
there's
no
protective
Zone
here
between
the
street
and
the
sidewalk,
the
sidewalk
has
to
be
six
feet.
So
it's
we
have
a
six
foot
sidewalk
and
then
three
feet
for
the
front
entry
area
which
we'll
show
you
on
the
on
the
street
elevation.
J
J
The
the
design
of
these
units
is
is
quite
simple:
the
base
is
a
is
a
duplex.
It's
all
one
unit
type
except
the
end.
Units
have
Corner
windows
and
the
part
that's
in
the
district
comprises
three
duplexes
one:
four
unit
building
two
five
unit
buildings
and
one
six
unit
building
and
their
basic
plans
with
the
front
entries
on
one
side
and
the
two
car
garages.
On
the
other
side,
there's
a
bedroom
suite
on
the
ground
floor
living
space
is
on
the
second
floor.
J
Look
like
this.
The
majority
of
the
facade
is
Brick.
We
added
a
strong
base
water
table
base
which
will
be
stucco
on
block
the
window.
Pattern
is
very
strong,
although
we
have
Incorporated
a
alternating,
you
know
kind
of
grouped
pair
next
to
a
single
over
the
entries
and
that's
a
typical
pattern
throughout.
This
is
Nebraska
elevation
and
it's
hard
to
see.
J
So
are
we
zoomed
in
okay
that
do
we
have
one
step
on
these
entries
two
steps
on
these
entries
and
three
on
these,
but
we
are
keeping
those
steps
down
to
three
maximum,
so
there's
no
handrails
involved
on
those
these
are.
These
are
end
elevations.
These
are
all
all
of
these
are
viewed
from
right
of
ways,
but
this
is
the
end
elevation
of
of
this
building
farthest
to
the
north
and
on
that
and
I
will
say
that
we
have
added.
J
Since
our
last
hearing
our
zoning
hearing,
we
have
added
windows
on
the
ground
floor
to
wrap
the
corner
to
to
solve
that
issue.
There
will
be
painted
signage
on
this
portion
of
the
building
with
the
Project
logo
and
we've
greatly
reduced
the
stair
elements
taken
about
two
feet
out
of
those,
so
that
only
six
feet
of
Stucco
appears
above
the
simple
brick
facades
we'll
go
to
one
typical
yeah,
just
to
just
to
be
a
little
more
detail.
J
F
J
Thank
you
we're
using
this,
this
detail,
which
is
a
metal,
a
black
metal,
hoping
hoping.
No,
no,
not
the
coping
the
sorry
I
haven't.
He
hasn't
quite
learned
how
to
read
my
mind.
Yet
it's
a
it's
a
trim
piece.
It's
a
metal
trim
piece
for
these
and
those
are
not
scuppers.
This,
the
all
of
the
water
will
run
toward
the
center
of
the
site.
So,
on
the
back
side,
these
are
scuppers,
and
so
you
can
see.
J
This
is
a
typical
building
where
the
where
the
front
and
the
two
sides
have
brick.
The
windows
turn
the
corners
and
on
the
rear
is
stucco,
and
we
have
wrapped
eight
inches
more
of
brick
around
that
corner.
Just
to
make
a
nice
complete
detail,
okay,
these
will
just
go
through
those
quickly.
This
is
the
they're
they're,
all
detailed.
In
the
same
way,
this
is
a
four
Plex
building
the
five
unit
building
and
the
six
unit
building
yeah.
You
can
start.
J
Okay,
you'll
come
back
to
those.
If
you
need
any
questions
answered,
it's
our
typical
section
with
the
entry
on
the
right-
and
in
this
case
it's
Nebraska
Avenue
and
the
garage
on
the
left
side.
J
So
from
from
the
street,
we
have
a
concrete
curb,
which
is
what's
existing
now
and
concrete
side,
new
concrete
sidewalks,
with
the
scoring,
which
is
typical
in
a
typical
pattern
where
this
this
is
showing
a
three-step
condition.
So
the
steps
go
off
to
the
side
of
a
landing
outside
the
door
and
that
wall.
J
However,
whether
it's
three
steps,
tall
or
two
steps
will
be
covered
in
succo,
our
brick,
our
con
I
mean
our
stucco
base
here
and
then
the
brick
runs
up
to
this
point,
which
leaves
only
about
six
feet
exposed
of
the
stair
Tower
and
that's
really
at
the
parapet
height,
which
runs
around
the
building
we'll
have
we
have
an
aluminum
prefab
awning,
which
will
show
you
details
of,
and
then
our
windowsills.
J
We
have
single
family,
a
single
family,
single
hung
windows,
very
small,
curb
we've,
we've
reduced
the
height
of
this
squeeze
it
down
as
much
as
possible
and
reduce
the
very
residues
that
step
up
there
to
to
very
small
to
minimize
the
height
of
those
off
to
the
back.
We
have
asphalt
driveways.
J
Oh
and
I
and
I'll
just
mention
on
this
one.
This
is
a
longitudinal
section
going
the
other
way
through
the
building.
Really
nothing
new
to
show
here
again
that
brick
Seco
to
Brick
detail
would
show
you,
but
the
building
height
is
35
feet
which
is
measured
to
the
top
of
the
roof,
and
then
our
projections
go
up
as
much
as
10
feet
to
45
feet,
I
believe
our
zoning
allowed
for
46
feet
to
the
maximum
at
the
top
of
those
stairs.
J
Okay,
so
this
is
an
impartial
set
building
section
showing
the
ending
of
or
the
top
of
the
brick
and
the
parapet.
That
goes
above
that
the
at
the
top
of
the
brick,
which
is
six
feet
down
from
the
top
of
the
stair,
we'll
have
a
concrete,
soon
and
covered
with
flashing,
and
then
the
stucco
will
rise
above
that
we
have
a
this.
Is
our
indented
we'll
use
three
inch
brick
here
where
we're
using
four
inch
here,
which
will
have
our
applied
ornamental
screen?
J
This
detail
is
showing
the
prefab
aluminum
canopies
with
rods
and
turn
buckles.
This
is
the
corner,
a
plan
detail
showing
the
brick
wrapping
around
the
corner
with
another
eight
inch,
brick
and
then
ending
cleanly
on
that
stucco.
J
The
transition
between
the
lower
stucco
base
will
have
12
inch
block
and
that
will
support
the
a
ledge
for
the
brick
continuing
up
above
that,
typically
on
the
window
head
with,
with
in
the
brick
walls
which
we
didn't
I
did
not
point
out
on
the
elevations,
it's
kind
of
subtle,
but
it's
a
flush
Soldier
course
detail
above
the
windows
at
the
at
the
windows.
Sill.
We
have
a
typical,
concrete
and
or
foam
up
above
on
the
on
the
stucco
so
and
the
typical
window
detail
in
the
stucco.
J
J
This
is
a
rendering
from
the
corner
Henderson
off
to
the
right
and
looking
South
down.
Nebraska
and
again,
it's
just
is
a
demonstrates.
The
client's
desire
to
do
a
clean,
simple
building
but
elegant
and
to
have
it
really
speak
to
Ebor
most
people.
As
you
know,
most
people
think
the
entry
to
Ebor
and
the
historic
district
is
at
Nick
nusio.
But
it's
not.
This
is
the
edge
of
the
district.
So
it's
important
to
him
to
say
that
visually.
J
This
is
same
corner,
but
up
looking
looking
overhead
and
you
really
can
see
the
relationship
of
this
project
to
downtown
off
to
the
right
is
the
GTE
facility
and
in
this
area,
is
the
Encore
project
with
lots.
Lots
planned
to
be
in
the
high-rise
in
the
high-rise.
Look
there
south
of
us,
so
we
feel
this
project
is
perfect
to
transition
between
those
things.
J
We
have
some
materials,
I,
guess
I'm,
zoomed
out
a
material
sheet.
We
have
aluminum
single
hung,
Windows,
concrete
window
cells,
the
brick
Soldier
course
above
the
windows,
a
fiberglass
entry
door,
it's
hard
to
see,
but
this
is
a
single
panel
solid,
it's
not
a
flush
door.
It's
a
paneled
door,
but
it
is,
does
not
have
glass
in
it
along
Nebraska.
J
This
is
you
know,
just
an
just
a
close-up
of
that
of
the
water
table
base
and
trim.
That
could
would
be
above
that
here's
an
example
of
the
grill,
that's
the
word.
I
was
looking
for
the
the
metal
Grille
here
we
see.
The
painted
sign
on
the
edge
here
is
a
typical
painted
sign.
J
Although
you
know,
there's
lots
of
those
examples
in
Ybor
we're
not
showing
any
any
of
these
exhaust
fresh
air
intakes,
but
those
will
all
be
located
on
the
internal
sides
of
the
property
so
that
we
don't
penetrate
The
Brick
a
Precast
I
mean
a
prefab,
aluminum
awning.
J
This
is
our
brick
and
we
have
a
sample
of
it.
Our
typical
entry
light.
It's
very
simple.
You
know
this
kind
of
building
doesn't
usually
have
a
lot
of
signage,
so
this
is
actually
more
than
it
really
has
and
in
fact,
BLC
staff
have
to
give
them
credit
suggested
this
in
in
the
location
of
that
is
at
the
prominent
corner
of
Henderson
and
in
Nebraska
the
other
end
coming
south
from
coming
from
the
south.
We
wanted
to
do
the
similar
signage,
but
there's
two
giant
oak
trees
that
block
the
view
of
that.
J
So
it
doesn't
seem
that
that
will
work.
We
have
fiberglass
garage
doors
and
that's
just
a
close-up
of
the
logo,
which
you
know
will
bring
the
artwork
to
staff
when,
when
it
comes
to
that
time,
we
have
I,
don't
I'm
not
even
going
to
go
through
these,
but
we'll
have
them.
We'll
hand
them
out
these
are
just
literature
on
the
products
that
I
don't
think
we
need
to
go
through
them
unless
you'd
like
us
to
I.
Think
we'll
do
it
with
with
questions.
That
concludes
the
presentation.
H
H
and
on
page
three
are
conditions
are
indicated
on
your
staff
report.
Through
the
presentation
day,
some
of
those
items
have
been
addressed
so
just
to
keep
you
focused
on
your
mission
this
morning
is
the
the
height
and
the
width,
the
facade
width,
the
setbacks,
the
the
spacing
and
the
alignment
have
been
addressed
through
the
PD,
so
we're
looking
at
the
articulation
on
the
building.
H
The
first
bullet
item
that
we
have
under
conditions
is
that,
as
the
buildings
that
face
the
street
Frontage
are
indicated
in
brick
that
there
would
be
a
return.
As
indicated
on
some
of
the
period
buildings
within
Ybor
city.
Today,
we
saw
plans
that
there
is
a
return
of
eight
inches.
As
indicated
on
the
plans,
we
had
some
concerns
early
on
with
the
canopies
that
they
are
providing.
H
That
would
be
more
historically
correct
and
they
showed
a
indication
today
that
the
canopies
will
have
a
threaded
rod
with
the
tie
backs
that
are
very
period
appropriate.
They
did
show
some
signage
associated
with
the
project
they
focused
on
the
one
signage.
The
additional
signage
can
be
delegated
to
staff.
H
They
did
not
talk
about
any
fencing,
I
don't
know
if
fencing
is
part
of
the
request,
but
if
it
is
that
it
needs
to
be
addressed
this
morning,
the
stucco
pattern
is
usually
something
that
we
do
on
site.
We
usually
have
three
or
four
different
samples
and
then,
through
through
the
review
process,
with
the
owners
and
the
decision
makers,
we
come
up
with
the
pattern
that
is
most
consistent
and
then,
lastly,
is
that
the
we
had
some
concerns
on
the
Nebraska
elevation.
H
A
Thank
you,
Mr
Bela,
anyone
here
from
the
public
wishing
to
comment
on
this
case.
Please
identify
yourself
seeing
none
we'll
start
asking
some
questions
of
the
applicant,
certainly
Mr
Thompson
on
my
left
right.
J
D
A
couple
questions
for
you
in
Mr
Villa
touched
on
it.
The
the
doghouse
alignment
is
just
in
the
same
plane
as
the
the
first
three
floors
of
the
brick
as
we
go
up,
so
you've
got
the
CMU
that
goes
all
the
way
up.
You've
got
a
little
bit
of
a
detail
there.
That
makes
the
transition
yeah
and
so
the
I
guess
you
know.
D
The
the
question
is:
is
that
the
units
are
so
Compact
and
so
tight
that
there's
no
there's
really
no
way
to
push
that
off
of
the
front
of
the
building
based
upon
just
a
cursor
review
and
you've
looked
at
it
longer
than
I
have
the
detailing
is
is
intended
and
from
what.
E
D
So
we
we
still
have
this
piece,
that's
basically
on
the
front
of
the
building.
What
is
the
what's
the
parapet
detail
that
goes
around
there?
There's
you
I
can
see
that
there's
a
coping!
That's
across
that
and
then
when
that
goes
out
and
around
the
corner,
is
that
consistent
with.
D
D
Is
right,
the
feeling
of
it
I
I,
noticed
in
the
package
that
there
there
is
a
blow
up
detail
of
that
condition
where
the
stucco
comes
down
to
that
cap,
and
there
seem
to
be
a
lot
of
exposed.
Fasteners
on
that
detail
is:
is
that
still
what
you're,
presenting
and
intending.
J
Well,
I'm,
not
specifically
aware
of
the
detail
you're
referring
to.
Are
you
talking
about
this
detail
at
you,
these
just
interlocking
it's
just
an
interlocking
detail
of
flashing
at
this
wall,
location,
Okay,.
D
Something
more
kind
of
rooftop
kind
of
behind
the
scenes,
standard
flashing
detail,
but
here
you
know
it's
it's
very
high
up,
but
it's
it
seemed
like
it
was
an
inappropriate
detail
for
what
we're
trying
to
accomplish.
There
I
think,
which
is
to
try
to
make
that
as
seamless
as
possible.
G
D
Material
to
the
other,
so
it
as
long
as
that's
that's
an
overlapping
detail
where
we
don't
have
exposed.
D
D
We've
also
it's
just
a
little
bit
different
from
what
was
presented.
Yes,
I
understand
and
you
said
no
rails
on
the
stairs
down
low
on
the
on
the
Nebraska
side,
we're
not
going
to
have
any
kind
of
metal,
railings
or.
D
With
those
the
base
material,
that
is
the
plinth
of
the
building,
that's
a
stucco
with
a
concrete
cap
on.
J
D
K
D
The
rooftop
Terraces,
the
rooftop
Terraces,
are
only
partial
or
partial
to
the
roof.
Not
they
don't
cover
the
whole
room.
D
L
D
For
what
you,
the
reference
that
you're
making-
and
you
know
we
understand
that
you
know
in
the
historic
fabric
that
those
are
open
and
doing
something
here-
I
think
that
you've,
you've
done
in
the
facade
you've
got
you're,
also
showing
the
detail
where
you've
got
at
least
four
inches
of
setback
on
the
window,
which
is
great
and
I.
Think
that
it's
going
to
be
kind
of
it's
going
to
contrast
with
the
grill
that
you
have
so
I
would
I
would
request
that
you
look
for
a
detail
to
remove
the
brick
behind
the.
D
Of
depth
there,
which
I
think
would
be
more
appropriate
and
then
we
talked
about
the
stucco
detail
at
the
cap,
which
does
not
have
an
exposed
fashion.
It
has
lap
flashing
and
then
Mr
Vila
made
note
of
any
fencing.
Is
there
any
fencing
there.
L
Thank
you.
Thank
you
for
a
very
thorough
presentation.
I
just
have
a
couple
questions.
The
first
is
regarding
the
plant
that
he
just
referred
to.
Is
that
going
to
be
a
smooth
stockto?
Are
you
proposing
some
kind
of
rustication
tutor
our.
J
L
I
too
concede
from
from
reviewing
the
plants
that
you're
in
a
really
tight
situation
there.
It
is
really
unfortunate
that
that
they
are
on
the
basically
the
same
plane
as
the
the
main
facade
appreciate
your
willingness
to
bring
it
down.
I'm,
just
wondering
if
you
thought
about
maybe
in
historic
situations,
sometimes
those
were
actually
covered
in
like
a
metal
system.
L
They
were
more
industrial
appendages
to
the
you
know,
the
more
fireproof,
brick
and
stuff
I'm
just
wondering
if
you
explored
that
idea,
not
sure
if
it
would
call
more
attention
to
it
or
not,
but
I
think
it
might
be
interesting
to
make
them
appear
not
so
much
because
my
concern
is
they're
going
to
appear
very
similar
to
the
plinth,
in
which
case
it's
going
to
register
as
all
like
one
thing
metal
would
be
great,
maybe
even
like
a
vertical
siding
of
metal.
You
know
something
to
really
give
a
distinction
again.
L
It
may
call
more
attention
than
you
want,
but
I
would
just
ask
you
to
to
think
about
treating
it
differently.
Even
if
it
stays
stucco.
Maybe
it
gets
a
different
scoring
pattern
that
makes
it
look
more
industrial,
it's
different,
because
I
do
think
it's
going
to
look
a
particularly
odd,
especially
obviously
on
the
Nebraska
side.
Yeah.
K
D
To
the
stucco
and
the
plinth,
so
the
plinth
is
wraps
around
the
backside
right
and
then
then
we
have
the
whole.
We
have
the
whole
interior
facades,
which
are
stucco
as
well
so
you're
proposing
that
that's
all
the
same
stucco
finish
yes,
texture,
okay,
then
I
would
second
that
comment
about
the
the
dog
houses
are
typically
utilitarian
access
to
the
roof.
They
typically
are
a
metal
core,
a
metal
type
panel
that
helps
differentiate
them
and
I
think
it
would
be
appropriate
to
have
a
plinth.
That
is
one
texture,
a
secondary
stucco.
D
K
L
B
Right
now,
I'm
good,
they
answered
a
couple
questions
that
I
had
one
thing:
I
do
ask:
is
the
hardware
I
don't
remember
if
you
showed
that
I
missed
it?
Sorry.
B
E
A
All
I've
got
to
go
back
to
the
dog
houses,
real,
quick
so
and
the
other
section
that
you
showed
you
know
the
I
also
share
the
concern
that
that's
flush
with
the
front
front
elevation
there
is
that
block
for
the
doghouse,
or
is
that
a
stick
frame,
type
of
condition
on
the
other
frame
walls,
the
other
three
walls
of
the
doghouse?
How
are
they?
Is
it
a
stick
or
is.
A
A
The
CMU
with
no
you
know
Foundation
under
it,
so
yeah
I
think
that's
my
biggest
concern
too,
is
just
that
change
of
materials
up
front
on
in
that
same
plane.
On
that
front
facade
all
the
AC
units
are
on
the
roof
correct.
They.
J
Are
behind
the
I?
Don't
want
to
call
it
a
doghouse,
but
I
will
yeah.
J
J
Yes,
you
know
on
adjustable
support.
A
Right,
okay,
okay,
I,
think
your
move
on
the
you
return,
the
brick
on
three
sides
of
the
elevations,
so
that's
good,
Windows,
insets,
so
I
think
on
the
front
on
the
brick
facade,
it
looks
like
you're
you're
mounting
to
the
outside
face
of
CMU.
So,
but
you
have
the
brick
there,
so
you
have
a
nice
reveal
on
the
back
side,
where
it's
stucco.
It's
still
mounted
to
the
flush
face
the
outside
face
of
the
CMU,
which
is
typically
a
standard
detail
of
how
you
mount
these
windows.
A
But
that's
not
going
to
get
you
very
much
depth.
Can
we
move
that
back?
Maybe
like
two
inches
or
something
like
that?
I,
don't
know
if
it's
changing
your
Windows
system,
but
it's
you
know
when
you
get
to
the
stucco
side,
that's
going
to
be
very
flush
compared
to
the
inside
of
the
windows
on
the
on
the
brake.
J
It's
quite
a
you
know,
Dilemma
on
all
of
these
projects
that
have
stucco.
As
you
know,
we
can.
We
can
look
into
that,
although
we've
looked
into
it
on
other
projects
and
I
I
can't
get
it
added
to
the
right
it
added
to
the
to
the
dollars.
J
So
we
felt
like
it.
We
felt
like
this
project.
At
least
you
know
internalized
all
of
that
and
and
very
little
side
of
it
from
the
streets.
I.
A
Think
the
majority
of
your
moves
in
the
brick
are
going
to
be
well
received,
and
it's
going
to
add
that
depth,
it's
just
a
suck
to
the
side
and
you're,
not
just
to
confirm
you're,
not
doing
any
stucco
heads
or
Jam
or
any
sill
special
sill
details.
It's
no.
A
J
D
A
couple
of
other
ones
on
on
the
the
two
bands
of
foam
that
are
on
the
top
that
wrap
around
the
building.
Do
they
wrap
around
the
back
side
as
well?
They.
J
On
the
rear
regulation,
you
can
see
that
banding
continuing
and
this
this
elevation
itself
has
a
mistake.
I
don't
know
it's
showing
a
brick.
J
D
J
D
L
What's
the
oh,
what's
the
the
distance
from
the
edge
of
the
corner.
J
L
K
L
K
J
Yeah
I
understand
what
you're
you're
saying
we
can
check
it,
we're
you
know
restricted
with
this
bedroom
layout,
so
we
can
check
this
and
see
if
that
can
be
at
least
24
inches.
D
J
J
A
J
I
apologize,
I
wasn't
sure
you
were
talking
to
me.
No
I
think
that
we've
you've
done
a
great
detailed
review
of
it,
and
hopefully,
we've
answered
all
your
questions
and
you
know
can
move
forward.
Thank
you.
Okay,.
A
D
Appreciate
the
presentation
very
much
and
thank
you
for
the
discussion.
I
think
that
you
know
the
what
we've
talked
about
is
a
lot
of
little
details
here
and
there,
but
I
think
that
the
the
top
piece,
the
doghouse
access
and
it's
kind
of
the
way
it's
right
on
Nebraska
in
both
the
same
plane
as
well
as
the
materiality
of
it,
is
something
that
I
think
that
if
it
gets
and
I'm
not
sure
if
it
can
get
pulled
back.
D
But
if,
if
you
change
from
block
to
stick
and
figure
out
a
way
to
at
least
get
a
little
bit
of
relief
off
of
that,
it'll
it'll
be
a
much
more
successful
project.
We
didn't
talk
about
it,
but
when
you
look
at
the
what
they're
proposing
they
have
like
the
same
scale,
scuppers
and
the
same
scale
detail
for
those
as
you
have
on
the
main
roof,
and
all
of
that
can
become
much
lighter
and
you.
K
D
Little
bit
different
experiences,
you're
gonna,
one
you're
gonna,
see
it
everywhere
as
you
as
you
move
by
the
the
project.
Two,
when
you
go
up
on
the
roof,
it's
supposed
to
feel
different.
You
know,
look
we're
up
here
on
the
roof,
and
so
you
have
a
different
scale:
a
metal
A
different
light
fixture,
a
different
scale,
a
gutter
just
out
of
you
know
utilitarian
type
considerations,
but
obviously
in
your
hands.
It
can
become
something
special.
D
So
I
think
that
you
know
we
need
to
look
at
the
ways
to
kind
of
pull
that
off
the
off
Nebraska,
at
least
by
you,
know,
eight
inches
or
a
foot
or
something
like
that
and
consider
the
materials,
the
rest
of
it's
just
kind
of
working
with
I
think
staff
to
get
the
detailing
correct
on
the
stucco.
How
we
want
to
see
that
and
and
help
move
forward.
L
L
Yeah
I
would
just
also
reiterate
in
terms
of
the
the
dog
Trot.
You
know,
color
might
be
another
way
to
further.
L
It
so
that
it's
not
the
same
color
as
the
stucco
on
the
bottom
or
the
back
yeah.
So
that's
really.
The
dog
taught
the
detailing
the
materiality,
the
recessing
of
the
the
grill
detail,
which
we
discussed
and
then
the
corner
window
placement.
Those
are
the
three
things
that
I
think
would
just
just
further.
Some
would
warrant
some
further
investigation.
A
Okay,
yeah
I
I,
like
the
the
overall
scale
of
the
project,
excellent
use
of
materials,
excellent
use
of
the
scale
I
mean
we've
already
looked
at
the
site
plan.
I
think
we're
all
comfortable
with
that.
Arrangement
we're
packing
a
lot
in
there
on
a
tight
site.
I
think
you
guys
have
done
an
excellent
job
of
pulling
up
all
that
together.
My
heartburn
is
the
stucco
window.
A
The
dog
house
I
think
you've
heard
our
comments
on
that
I
think
if
you
could
think
you
carry
your
CMU
wall
up
and
maybe
inset
that
and
it's
a
stick
frame
just
at
least
give
it
a
change
of
you
know
material
color,
especially
just
pulling
that
back
off,
and
it's
not
just
on
Nebraska
Avenue
but
I.
Think
that's
where
you're
going
to
see
it
the
most
but
I.
A
Know
you
change
it
for
all
the
all
the
units
so
I
think
that's
a
good
one,
and
then
we
talked
about
pulling
back
but
I'd
like
to
commend
you
on
the
project.
I
think
you
know
I
think
everything's
really
kind
of
worked
out.
It's
nothing
comes
together,
really
really
well
just
a
few
things
kind
of
straighten
out
there.
L
Yeah
this
project
does
a
wonderful
thing
in
recreating
the
traditional
Street
Edge
for
a
an
earlier
more
Suburban
development.
D
Motion
time,
I'm
ready,
okay,
I'd
like
to
propose
a
motion:
final
approval
with
conditions
move
to
Grant
a
certificate
of
appropriateness
for
the
drawings
and
documents
presented.
The
pub
this
public
Hearing
in
BLC
22-221
for
the
property
located
at
1614
North
Nebraska
Avenue,
with
the
following
conditions.
D
D
Depth
that
you
have
applicant
will
revisit
the
corner
window
placement
along
the
project
to
ensure
that
you've
got
an
appropriate
kind
of
depth
and
offset
from
the
corner
and
applicant
will
work
with
staff
to
revise
the
detailing
for
the
windows
in
the
stucco
plane
to
provide
additional
depth
as
much
as
speaking
can
be
provided
so
that
we
get
something
that's
comparable
to
the
front
windows
because,
based
upon
the
finding
effect,
the
proposed
project
is
consistent
with
the
Ebor
City
design.
Guidelines
of
the
city
of
Tampa
for
the
following.
K
D
A
Okay,
yeah
there's
been
a
number
of
conditions
placed
on
this
application.
I
just
want
to
have
the
applicant
verify
that
they're,
okay,
with
the
conditions.
H
Good
morning,
Commissioners
Ron
Villa
staff,
with
historic
preservation
moving
to
the
next
agenda
item,
which
is
BLC
22-130.
This
is
for
the
address
of
1913
East
5th
Avenue.
Currently,
it's
a
vacant
parcel
under
the
yc7
zoning
classification.
The
request
is
for
a
certificate
of
appropriateness
for
a
new
construction
for
a
multi-family
building
with
site
improvements.
H
H
H
This
is
looking
at
an
aerial
because
some
of
the
vacant
parcel
that's
to
the
East
and
I'm
going
to
continue
my
photo
presentation
to
show
you
what
has
been
approved.
So
you
get
a
larger
contact,
so
I'm
going
to
walk
you
through
from
19th
to
20th
Street,
both
sides
of
south
side
and
the
north
side
of
Fifth
Avenue
in
just
one
minute.
H
This
is
showing
the
property
it's
vacant,
and
this
is
the
vacant
to
the
east.
This
is
just
showing
the
curb
cuts
that
are
currently
there.
They
are
flanked
with
granite
curbing
at
the
a
if
the
curb
cuts
are
to
be
moved.
The
the
Granite
needs
to
be
replaced
to
continue
the
continuity
of
the
historic
fabric.
This
is
the
new
construction
non-contributing
to
the
West.
H
H
You
know
we
try
to
retain
and
put
in
the
historic
fabric
when
we
can
so
as
part
of
this
project,
the
re-implementation
of
the
granite.
This
is
looking
down,
Fifth
Avenue.
This
is
to
the
East.
You
see
some
parallel
parking
spots,
and
this
is
looking
to
the
west
and
once
again,
some
other
parallel
parking
spots
jumping
across
the
street.
This
is
directly
across
the
street.
Is
vacant
parcel.
H
I
wasn't
able
to
go
out
so
I
had
to
use
Google
Earth,
but
I
wanted
I
thought
it
was
important
for
you
to
understand
the
immediate
vicinity
and
the
fabric.
That's
there.
So
we
have
19th
Street.
H
H
This
is
staying
on
the
Fifth
Avenue,
the
south
side.
Again
just
inching
our
way
down.
You
see
the
empty
land.
That's
there
and
I
wanted
to
provide
you
with
projects
that
have
been
approved,
so
there's
three
projects
that
are
in
that
empty
parcel,
I'm
just
showing
their
front
facade,
so
you
get
kind
of
an
understanding.
This
is
one
of
them.
You
see
the
elevation
from
grade
and
and
the
porch
and
how
it
relates
to
the
pedestrian.
H
H
Going
back
to
Fifth,
Avenue
and
19th
Street,
Fifth,
Avenue
and
19th,
we
just
went
down
this
side
of
the
street
now
the
north
side
of
the
street.
This
is
the
corner
element
that
has
a
different
orientation
and
then,
as
you
continue
down
the
block,
you
have
some
period
homes,
contributing
structure,
contributing
structure
this
one
the
porch
has
not
been
enclosed.
H
This
one
has
not
through
us,
but
you
know,
through
the
50s
and
60s
continuing
down
the
east
on
the
north
side
of
Fifth
Avenue
couple
empty
sites
continuing
down,
you
have
non-contributing
contributing
and
non-contributing
new
construction
that
was
reviewed,
but
once
again
you
see
the
expression
there
and
how
The,
Pedestrian
and
and
the
street
works
all
together
and
then
to
conclude
at
the
end
of
the
block,
this
is
20th
Street,
Fifth
Avenue
the
north
side.
So
hopefully
that
was
helpful
to
you.
They'll
be
here.
If
you
need
them
as
the
presentation
goes
forward.
Thank
you.
M
Thank
you
good
morning,
ladies
and
gents
same
name
spree
with
all
our
homes.
I
have
been
sworn
in.
It's
obviously
a
very
hard
act
to
follow,
especially
when
one's
architect
has
chosen
to
be
away
on
vacation,
so
you're
stuck
with
me,
I
chose
if
I
can't
answer
all
your
detailed
questions,
but
I
would
try
my
best.
This
is
a
presentation
to
hopefully
get
your
approval
to
move
forward
with
the
design,
1913
East
Fifth,
Avenue,
Tampa
Florida
33602
case
number,
BLC
22-130.
M
M
Here
we
go
so
the
agenda
points
to
light
to
cover,
following
your
structure,
site
plan,
I'm,
going
to
look
at
the
elevations,
the
wall,
sections,
renderings
material
samples
and
summarize.
M
Starting
off
with
the
site
plan,
this
is
south
side
of
East
Fifth
Avenue,
with
apartment
buildings
to
the
west
and
empty
lots
of
the
East,
as
shown
by
Ron.
The
surrounding
blocks
as
well
consist
of
single-family
homes
and
apartment
buildings
and
parcel
is
zoned
for
yc7.
At
this
point,
I'd
like
to
introduce
Russell
odenberg
who's
going
to
talk
about
the
site
plan,
in
particular.
C
C
Very
briefly,
of
course,
this
property
is
in
the
yc7
zoning
district
and
the
yc7
District
allows
the
development
of
land
use
is.
This
is
not
the
full
verbatim,
but
it
allows
the
development
of
land
uses
that
encourage
maximum
Land
Development
opportunities
that
are
well
designed,
including
residential
uses,
which
contribute
to
the
approximate
mix
of
land
use,
is
needed
to
ensure
a
viable
economic
base
to
the
historic
district.
Multi-Family
residential,
which
this
project
is
proposed
to
be,
is
a
principal
permitted
use
in
the
yc7
district
in
terms
of
the
site
plan.
C
The
the
ground
floor
is
what
you're
looking
at
right.
Now,
you
can
see
the
perimeter
of
the
building
and
we
have
internalized
the
parking
under
the
residential
units.
There
are
five
parking
spaces.
There
are
five
units
we
have
worked
with
the
transportation
and
Mobility
departments
to
ensure
that
the
parking
meets
city
code,
and
so
we
do
have
that
working
per
city
code.
C
Excuse
me
this
site,
the
site
plan.
That's
up,
there
does
not
show
the
the
actual
flare
for
the
proposed
driveway.
There
is
a
another
site
plan,
I
apologize
that
is
more
current,
that
shows
the
existing
driveway
being
removed
and
a
a
driveway
consistent
with
City
of
Tampa
standards
being
proposed.
C
C
One
of
the
items
that
was
also
discussed
previously
with
staff
is
storm
water
for
this
particular
project
and
in
the
packet
that
I
submitted
you'll
see
that
staff
is
opined
that,
while
this
particular
property
is
in
the
cra2
district
storm
water
section
has
determined
at
least
on
a
previous
project.
We
would
expect
to
be
similarly
treated
that
the
cra2
district
is
handled
the
same
as
the
CRA
district
and
that
this
is
an
exempt
area
from
storm
water
treatment
attenuation.
So
we
haven't
proposed
any
stormwater
treatment
or
attenuation.
C
However,
there
will
be
downspouts
and
gutters,
as
is
standard
for
this
type
of
development.
I
believe
that's
all
I
have
for
the
for
the
site
plan.
Obviously,
at
the
end,
if
you
have
any
questions
I'm
here
to
answer
them,
thank
you.
M
So,
just
dealing
with
the
same
slide
here.
One
of
the
comments
on
the
staff
report
was
regarding
alignment
being
inconsistent,
because
further
information
was
required.
As
you
can
see
here,
the
front
facade
of
the
property
is
proposed
to
be
the
same
facade
alignment
with
both
the
yeast
and
the
West
properties.
The
West,
the
East
property,
is
one
that
was
approved
by
the
board
a
little
while
ago.
I
have
renderings
of
that
showing
that
as
well
coming
up
moving
on
the
agenda.
M
Just
look
at
the
elevations
the
front
elevation
here
doesn't
do
it
justice,
but
you'll,
see
from
the
side
elevation
that
we've
set
back
the
different
levels
of
this
property,
so
the
top
floor.
Actually
from
street
level,
you
will
not
be
able
to
see
the
top
floor,
the
top
level
there
I
also
wanted
to
point
out
that
the
driveway
flood
you
see
onto
the
existing
site
has
been
in
existence
for
a
while,
demonstrating
that
vehicle
access
is
being
from
the
front
for
some
time
and
we
tend
to
we.
M
We
intend
to
keep
vehicle
access,
OFF,
Fifth,
Avenue
into
the
property
and
then
out
through
the
alleyway,
which
is
as
Ron
demonstrated
is.
You
know,
is
well
used
and
wide
service
alleyway.
M
This
is
the
rear
elevation
very
similar
to
the
front
and
again
click
on
there.
We
go
and
the
sciatic
side
elevation
again.
M
The
staff
report
stated
the
setback
in
elevation
from
grade
was
inconsistent.
I
want
to
show
this
overview
here.
Unfortunately,
the
text
on
my
site
is
over
the
top
of
that,
but
you
you
can
see
the
consistent
front
elevation,
the
zero
setback
on
that
sidewalk
and
we
intend
to
keep
that
you
see
from
the
rendering
it's
all
flush
and
maintaining
consistent
setback.
M
The
elevation,
whilst
we
recognize
that
we're
not
we
don't,
have
steps
at
the
front
because
it's
an
apartment
building,
we
have
Ada
code
regulations,
we
have
to
comply
with,
so
we
can't
have
steps
for
handicap
access.
We
talked
to
Ron
about
this
and
what
we,
what
we
hope
to
provide
permitting
if
permitting
or
lattice,
is
We're
recessing,
The
Pedestrian
gate,
which
is
in
the
middle
there.
I
don't
pointer.
I
can
point
to
you
on
this
one.
M
As
is
shown
here,
I've
got
an
example
of
what
we
hope
to
achieve
with
that
I
look
looking
around
the
immediate
vicinity.
There's
plenty
of
precedent
for
zero
elevation,
obviously
set
back
the
top
right
hand.
Corner
is
a
property
just
at
the
end
of
our
block.
That
is
obviously
vehicular
access
at
ground
level.
There
are
other
parking
structures,
as
you
can
see
there,
just
in
our
immediate
vicinity.
They've
got
zero
elevation
and
other
buildings
where
the
doors
the
entrance
waves
at
zero
elevation,
two.
M
Looking
at
the
sections
of
building,
as
I
mentioned
earlier,
we've
set
the
top
floor
back
to
help
with
the
massing
so
that
top
floor
unit
there.
You
will
not
be
able
to
see
from
ground
floor
level.
It
helps
to
give
some
we've
helped
to
give
us
some
Dimension
and
depth
as
well.
By
setting
back
each
of
the
floors.
M
And
you'll
see
those
in
the
wall.
Sections
I've
got
here
as
well
able
to
provide
depth
and
help
with
the
massing
of
the
property,
because
it
is
a
an
apartment,
building,
keeping
it
consistent
with
the
next
door
properties.
You'll
see
from
this
first,
the
renderings
I've
got
here,
we're
sandwiched
between
the
property
on
the
left
is
newly
approved
and
the
existing
properties
on
the
right
or
the
West.
There
very
different
styles
on
both
sides
of
the
property.
M
So
we're
trying
to
blend
the
two,
which
is
one
of
the
one
of
the
requirements
of
the
the
guidelines.
M
The
property
on
the
left
here,
the
photographs
is
one
street
away
and
you
know,
is
one
example
of
numerous
apartment
buildings
where
it's
a
flat
facade.
You
mentioned
in
the
last
presentation
being
concerned
about
top
higher
floors,
the
top
floors
being
flush
with
the
lower
floors,
and
this
is
what
we've
proposed
here
on
the
right.
M
M
Staff
reports
stated
the
similarity
of
details
and
form
is
inconsistent,
because
it
does
not
provide
a
visual
link
between
the
old
and
the
new.
That's
what
we've
tried
to
do
here,
and
we
hope
that
you
agree,
and
you
know,
we've
got
to
the
east
of
this.
These
properties,
we've
got
a
very
Craftsman
style
house
and
then
we've
got
to
the
West.
M
Much
like
the
property
that
we've
used
as
a
bit
of
a
focus
this
one
that's
on
the
corner,
very
historic,
it's
on
the
on
the
bottom
of
your
slide
there
with
the
breakfast
side.
That
is
something
we
would
like
to
mirror
as
much
as
we
can
in
our
project,
the
grills
that
we
use
for
the
garage
door
on
the
rendering
there
the
style
has
not
been
determined,
so
we're
open
to
suggestions
about
what
style
to
have
there.
What
we,
what
we
want
to,
try
and
ensure
is
for
safety
sake,
visual
lines.
M
Obviously,
we've
got
vehicles
coming
in
pedestrians
coming
out.
We
just
want
to
make
sure
that
you
know
you
understand
we
can
you
can
see
both
in
and
out
for
safety's
sake,
but
the
style
could
be.
You
know
there
are
numerous
examples
for
any
more
city
of
metal,
fabricated,
grates,
grills,
balustrated,
balcony,
railings
Etc,
so
we're
open
to
suggestions
of
different
styles.
That
would
help
foreign.
M
So
I
on
the
next
couple
of
slides
here,
I'm
showing
some
of
the
neighboring
garages
with
this
one
on
the
bottom
right
is
one
block
away
again,
the
one
on
the
top
right,
Windows,
one
block
away
opposite!
That's
this
one
on
the
bottom.
M
We
receive
comments
at
the
form
of
this
building's,
not
commonplace,
which
we
understand
refers
to
the
parking
at
ground
level
well
and
trying
to
show
examples
here
of
of
similar
properties
around
around
the
subject:
parcel
that
are
parking
structures.
All
agreed,
brick
facades,
all
the
sorts
of
styles
and
characters
that
we're
trying
to
Encompass
in
our
project.
M
M
So,
in
summary,
running
through
some
of
those
points
that
are
raised,
the
construction
guidelines,
new
construction
guidelines,
talk
about
designed
to
complement
the
new
and
old.
That's
what
we
are
you
know
hopefully
have
shown
that
on
those
renderings,
the
projects
to
the
East
and
to
the
west
and
in
the
vicinity
as
well.
M
M
M
M
Report
referring
to
the
staff
report
findings,
all
the
properties
are
zero.
Almost
zero
sat
back
at
the
front.
M
M
Showed
a
satellite
view
of
the
the
parcel
showing
the
vehicle
access
has
already
been
in
place
in
the
past.
For
for
the
subject,
property
we've
got
Ada
guidelines
that
we
have
to
comply
with
codes
that
we
have
to
comply
with
we're
going
to
look
at
recessing
that
pedestrian
gate
so
we're
providing
a
bit
of
a
stoop
and
defining
The
Pedestrian
access
and
we're
going
to
use
materials
that
are
in
keeping
with
the
neighboring
eboard
styles.
H
Good
morning,
Commissioners
ronville
I'm
staff,
with
historic
preservation
moving
to
the
staff
report,
the
design
criteria
for
new
construction
and
the
Ybor
City
design
guidelines
are
on
pages
51-54
and
putting
that
design
criteria
in,
in
reference
to
the
request,
that's
in
front
of
us
today,
there
are
seven
criteria,
bullet
items
in
between
those
pages
and
I
address,
each
of
them
on
the
staff
report
stats.
Finding
that
this
application
is
inconsistent
with
the
design
guidelines,
where
the
plans
that
we
reviewed
on
September
7th.
H
H
The
setbacks
in
elevation
from
grade
are
inconsistent.
Additional
information
is
required,
showing
the
block
averaging
setbacks,
which
are
consistent
along
Fifth
Avenue.
That's
why
I
went
through
that
extensive
photo
presentation
showing
both
sides
of
Fifth
Avenue,
the
south
side
and
the
north
side
of
Fifth
Avenue,
and
the
request
in
front
of
you
is
not
consistent.
H
Moving
to
the
next
bullet
item
is
spacing.
Spacing
is
consistent
as
I
indicated,
that
is
dictated
by
zoning,
then
moving
to
alignment,
which
is
inconsistent,
additional
information
is
required,
showing
the
south
side
of
Fifth
Avenue
in
the
dimensions
from
the
front
property
line
to
the
building.
That
is
in
question
once
again.
I'm
going
to
go
back
to
Ybor
city
is
that
Urban
feeling
that
Urban
experience
you
have
the
transition
through.
My
photo
presentation
I,
try
to
show
the
street
at
the
Kirby
in
the
parkway.
H
H
As
that
transition
comes
from
the
public
space
to
the
private
space,
he
did
Show
additional
materials
that
were
not
reviewed
at
the
staff
level,
but
it
seems
to
be
adequate
as
presented
today.
Just
in
summary,
Ybor
city
has
a
feel.
You
know
you
could
design
a
building,
but
one
needs
to
walk
down
there
and
get
the
experience
of
the
sidewalk
and
how
the
buildings
are
brought
more
forward,
but
still
has
that
transition
and
has
that
Urban
environment
feeling.
H
That
concludes
the
staff
report
and
I'll
be
here
to
answer
any
answer.
Thank.
A
Seeing
none
we'll
ask
some
questions
of
the
applicant
starting
with
Mr
Thompson.
D
With
what
Mr
Villa
just
shared
with
all
the
inconsistencies
and
the
findings
of
the
staff
report
for
those
shared
with
you
prior
to
the
presentation
and
going
forward
with
this
yeah.
M
This
has
been
that
we've
been
continued.
What
what
wrong
three
times,
I,
think
yeah
through
hurricane
and
various
you
know
no
getting
core
and
so
on.
So
it's
been
a
long
process.
We
had,
we
had
a
lot
more
consistencies,
but
through
work
with
Ron
we
Whittle
them
down
gradually
and
gradually.
Obviously,
the
staff
report
is
an
opinion
and,
as
is
an
opinion
as
well
as
presented
to
you,
so
we
are
looking
for
guidance.
M
D
Sure
well,
I
appreciate
the
you
know,
kind
of
the
insight
into
the
process
because
you
know
from
I
guess
from
my
perspective,
the
application
is
incomplete,
I
won't
say
it's
inconsistent
I
can't
quite
tell
what
you're
getting
at
in
a
lot
of
the
in
a
lot
of
the
presentation
and
a
lot
of
the
design
intent
the
wall
sections
don't
exist,
really,
there's
a
lot
of
material
selections
and
choices
that
you
discussed,
but
I
don't
understand
what
you're
asking
for
in
the
presentation
the
materiality
of
it.
You
know
what
are
these
overhangs?
D
D
I
will
say
that
the
massing
the
way
that
the
the
way
that
the
garage
presents
itself
and
the
screening
that
you
have
on
the
front
is
inconsistent.
There's
there's
there's
nothing
about
that
experience.
D
That
is
Ebor
that
you,
you
want,
as
a
residential
feel
you
I
know,
understand
you're,
trying
to
make
a
multi-use
project
that
has
all
these
criteria
and
challenges
associated
with
it,
but
the
the
way
that
it's
assembled
is
kind
of
a
stacking
of
things
that
doesn't
create
a
hole
and
it
doesn't
create
a
pedestrian
engagement
with
it
along
a
long
Fifth
and
it
it
it's
it's
very
hard
to
engage
as
a
sitting
here.
D
You
know
listening
to
the
presentation,
because
of
all
of
these
unresolved
components
that
are
in
it
and
I
think
that
the
the
the
guidelines,
the
mass
and
the
scale,
the
character,
The
Pedestrian
experience.
These
are
cues
and
places
to
interrelate
with
the
neighborhood
and
I.
Don't
see
any
of
that
in
the
in
the
presentation,
I
I,
with
with
all
the
balconies
and
the
stepping
back
that
you
have
on.
D
It
seems
to
be
your
intent
to
be
part
of
the
neighborhood.
You
know,
offer
the
people
on
the
inside
the
outside
the
experience
of
the
building,
but
the
the
way
that
it's,
the
way
that
it's
structured,
both
literally
and
in
the
presentation,
is
one
of
just.
You
know
one
level,
one
level,
one
level
one
level
and
you
look
at
the
presentation,
it's
these
big
black
lines
where
we
would
be
able
to
engage
it.
You
know
what
is
it
made
out
of?
D
What
are
the
walls
made
of
it's
It's,
a
mystery
right
when
you
look
at
the
the
references
that
you
have
on
each
side
of
the
project,
the
one
building
that's
built,
the
one
building
that's
approved,
I
believe
and
your
proposed
intervention
or
intermediary
between
the
two,
the
thing
that
I
noticed
because
I
was
trying
to
figure
out
how
would
I?
How
do
I
explain
this
to
you?
How
do
I
explain
it
to
myself
when
you
look
at
those
buildings,
they
are
essentially
volumes
that
are
carried
up
right.
D
One
of
them
has
a
little
bit
more
modern
articulation
on
it
with
a
porch
and
maybe
a
Juliet
balcony,
a
different
roof.
The
other
one
is
a
three-story
volume
as
well,
with
porch
porch
porch
applied
to
the
front
so
that
you
you
end
up
with
a
volumetric
that
has
a
has
a
layer
in
front
of
it.
That
is
the
kind
of
the
zone
between
The
Pedestrian
and
between
the
residents
both
of
them
have
it
just
one
to
a
larger
degree
than
the
others.
D
Your
project
that
you're
proposing
is
this
layering
of
things
that
that
doesn't
relate
to
either
of
those
in
a
meaningful
manner.
It
ignores
the
street
completely
by
having
a
screen,
then
it
goes
up
one
level
and
pushes
back,
and
so
the
volumetric
and
the
mass
and
the
scale,
although
it's
the
height,
that
it
needs
to
be,
and
it's
zero
lot
line.
You
know
you've
got
some
constraints
there
that
you
can't
go
beyond
it
doesn't
relate
to
those
other
things,
and
so
it
it's
very
difficult
to
engage
and
help.
D
You
know
tease
an
appropriate
response
out
of
you,
so
I
think
that
there's
there's
a
lot
more
actual
information
that
needs
to
go
into
the
presentation.
What
is
it
made
out
of
show
us?
Because
that
means
you
will
have
had
to
have
made
those
choices
with
your
with
your
designers
and
then
we
can
engage
it.
How
is
it
made?
D
You
know,
how
are
you
stepping
back
all
those
things,
a
number
of
different
levels
and
what's
what's
the
net
result,
because
at
this
point
with
what
what
you've,
what
you're
bringing
to
us
I
don't
feel
like?
We
can
make
a
emotion
that
allows
it
to
to
do
anything
but
continue
to
develop,
and
then
we
see
it
again
and
that's
that's
my
opinion,
so
I'll,
let
it
move
forward.
Yeah.
L
I
would
agree
completely
there's
a
disconnect
between
what
you're,
saying
and
showing
in
terms
of
reference
points
from
the
historic
neighborhood
and
then
what
you're
actually
where
you're
drawing
represent,
there's
a
complete
disconnect,
and
it
makes
it
very
hard
to
to
even
review
the
project
quite
frankly,
but
that
said,
I'm
going
to
concentrate
on
the
massing
and
your
approach
to
the
front
of
the
building
in
particular
I'm
curious
about
well,
it's
been
commented
on,
but
one
of
the
the
most
character,
designing
features
of
any
building
in
a
residential
section
of
historic
airport
is
the
entrance.
L
Your
entrance
is
completely
submerged
I.
Think
the
building
type
you're
trying
to
create
an
Ebor
is
possible.
The
five
unit
apartment
building
with
a
you
know,
the
predominantly
first
floor
of
parking
is
possible,
but
I
think
they're
going
to
have
to
make
it
compatible
they're
going
to
have
to
really
restructure
it
so
that
there's
a
a
pedestrian
entrance
that
talks
to
the
experience
of
a
front
porch
a
front
entry,
a
vestibule
that
leads
to
to
the
units
and
then
the
second
question
is
again
it's
very
hard
to
to
understand
the
drawings.
L
L
I
mean
based
on
the
typology
of
what
you're
trying
to
present
to
me.
It
seems
like
it's
gonna,
probably
need
to
look
a
little
bit
more
like
a
storefront
on
the
street
level
with
an
entrance,
and
maybe
an
opening
that
gives
you
access
to
the
garage
with
the
appropriate
screening
or
landscaping
and
then
a
more
consistent
second
third,
fourth
level,
I
think
you're.
Looking
at
the
wrong
building
types,
you're
looking
at
a
full
full
block
garages
I
would
encourage
you
to
look
more
at
multi-family
residential
buildings
in
the
historic
district
and.
D
D
That
that
you
can,
you
know,
kind
of
refer
to,
but
to
commissioner
gillette's
point
you
you've
you're
you're,
showing
the
wrong
typology.
You
know
with
you
know,
picking
a
parking
garage
for
a
five-unit
residential,
isn't
you
know
you're
sending
mixed
messages
and
we're
getting
the
mixed
message
in
the
presentation
and
in
the
design
development.
Thus
far.
Okay,.
L
And
then
the
last
thing,
I
want
to
say
is
and
I
hope,
I'm
allowed
to
say
this,
but
I
I
know
you're
involved
with
the
project
next
door,
which
is
still
not
fully
approved
my
understanding,
but
because
you
have
this
unique
opportunity
where
you
clearly
you're
the
agent
for
both
properties.
L
What
you're
proposing
today
I
feel
completely
ignores
how
it
abuts
the
adjacent
property
which
you're
involved
with
and
so
I
would
really
encourage
you
to
to
really
think
about
how
these,
how
these
properties
interact
or
what
condition
you're
creating
on
this
one
and
how
it
relates
to
the
one
that's
being
proposed
for
right
next
door,
because
the
drawings
that's
presented
showed
some
very,
very
odd
conditions.
E
B
H
Ron
Villa
staff,
with
historic
preservation
and
going
through
the
process
for
all
of
those
empty
Parcels
that
I
that
I
showed
and
that
were
approved,
that
there
was
some
challenges
with
the
with
the
addressing
of
that
property.
We
have
engaged
the
proper
City
departments
to
to
look
into
that
and
find.
M
A
A
A
Well,
yeah
I
think
I
share
Mr
Thompson,
Mr
gillette's
opinion
here,
you
know
I,
you
know,
there's
there's
so
many
inconsistencies
here
that
we're
looking
at
here
but
I
also
think
it's
very
incomplete.
You
know
you
guys
don't
have
a
vision
for
this.
This
parcel
and
it's
a
great
parcel,
has
a
lot
of
opportunity.
A
You
know
you
have
you
have
cues
all
up
and
down
that
street
of
what
to
do,
and
this
looks
like
it's
something
that
would
be
like
stuck
in
South
Tampa
or
maybe
my
little
Miami
Vibe
with
the
the
curved
balconies
which
overhangs
I
don't
understand
that
at
all.
But
you
know
the
the
the
the
slide
that
we
see
on
on
here
and
you.
You
specifically
stated
this:
the
design,
guys
that
specifically
say
that
these
standards
are
for
a
large
multi-family
apartment.
Complex
multifamily
home
is
defined
as
residential
property
as
five
or
more
housing
units.
M
E
A
Well
bring
this
down
to
four
and
it
solves
a
lot
of
your
problems.
It
really
does
you're
trying
to
pack
too
much
stuff
into
a
small,
smaller
site
than
normal,
that
you
would
get
five
units.
I.
Think
this
you
know
going
forward
might
alleviate
some
of
your
parking
issues
might
alleviate
that
whole
Drive
aisle
going
through
the
building
you're
trying
to
do
too
much
with
that
site
and
that
site's
not
allowing
you
and
that's
exactly
what
we're
seeing
in
your
presentation
here.
A
So
you
know
I,
don't
even
have
any
questions
because
or
you
just
because
we
we
can't
you
know
you
continually
say
we're
we're
thinking
about
doing
this
or
we're
open
for
suggestions.
Well,
that's
not
our
role!
That's
that's
your
work.
A
You
need
to
propose
what
you
want
to
put
on
that
site
and
then
come
to
us,
and
you
know
we'll
guide
you
a
little
bit
but
right
now,
there's
just
so
many
things
that
are
just
not
working
with
a
project
like
this
in
the
Ebor
City
or
for
that
site,
or
for
that
block
it
doesn't
matter
imagining
adjacent.
You
know
the
forming
the
massing,
the
setbacks.
We
didn't
even
talk
about.
You
know
the
setbacks.
You
know
we're
block
averaging
finish
floor.
Heights.
Not
even
you
know
consideration
at
this
point
in
time.
A
A
You
know
so
I
mean
there's
nothing
there.
That
says
this
is
how
we're
interacting
this
home
somebody's
home
with
the
street
Edge.
There's
nothing,
there's
nothing
there!
It's
it's
like
an
office
building
in
South
Tampa
and
like
Beta
Bay,
where
you
go
through
and
you
drive
through
and
you
park
and
you
go
up
into
your
office
building
and
that's
the
wrong
typology
for
this,
for
residential
in
general
and
in
Ybor,
City,
so
I
know
it's
just
kind
of
hard
to
really
put
any
more
thoughts
on
this.
F
M
Just
coming
back
to
you
on
that,
so
I
mean
I
totally
understand
where
you're
coming
from
and
obviously,
if
my
architect
was
here,
I'd
put
him
in
front
of
you,
but
in
terms
of
it
being
an
apartment
building
is
there
any
any
like?
Is
that
something
in
this
particular
lot
that
we
can
get
approval
on
it
being
a
small
apartment?
Building
like
is
that
I'm
trying
to
move
forward
with
some
positives
and
what
we've
got
to
develop.
C
A
A
I
think
there's
different
things
that
you
can
do
with
just
the
massing
of
that
how
it
addresses
the
street.
Like
Mr
Charlotte,
said
it's.
This
is
yours:
entry
into
your
home
and
how
do
you
transition
from
the
street
to
pedestrian
experience,
which
is
critical
and
Ybor
City
back
into
someone's
home
right.
M
D
A
Bit
better
so
that
you
know
five's
an
odd
number,
you
know
I
mean
it's
an
odd
number.
How.
D
D
A
D
That
there's
we
we
wouldn't
be.
We
aren't
in
the
position
to
tell
you
what
you
can
and
can't
do
with
property.
You
know
you
have
all
of
the
all
of
the
legal
and
property
rights
associated
with
that
person
with
that
zoning
and
it's
up
to
you
and
your
design
professionals
to
figure
out.
You
know
how
do
you
achieve
your
vision
and
you
know
if
you,
if
you
control
the
lot
next
to
it,
and
this
one
wants
to
be
unique
and
distinct
from
it.
That's
great,
you
know
it
can.
D
It
can
be
a
cousin,
it
can
be
completely
different,
but
we
are
as
we
we've
mentioned.
You
know
we,
we
have
an
incomplete
presentation
and
it
needs
a
vision.
It
needs
a
it
needs.
You
know,
kind
of
a
heart
and
soul
to
it
to
say
how
are
we
going
to
do
this?
It's
not
just
a
technical
challenge
of
how
do
we
stack
this
stuff
up
here?
It's?
D
How
do
we
relate
to
the
rest
of
the
neighborhood
and
the
environment,
so
you
know
I
think
that
you're,
you
know
looking
for
guidance,
you
know
how
do
you?
How
do
we
help
you?
You
know,
I
would
say,
find
a
good
typology
and
find
the
problem
you
want
to
solve
and
marry
the
two
together.
L
L
Perhaps
the
best
thing
to
do
would
be
to
treat
this
as
a
sort
of
storefront
that
has
access
to
the
units
access
to
a
car
park
and
then
some
kind
of
sensible
stacking
above
it,
because
there
are
examples
like
that
within
the
district
that
you
know
with
the
right
information
and
the
right
treatment,
I
could
I
could
understand
what
fit
the
fabric
of
the
neighborhood.
Thank
you.
E
L
D
M
Yeah
no
I'd
appreciate
that.
Thank
you.
We,
you
know
it's
combined
confined
site,
so
we
suffered
from
a
lot
of
challenges
of
that
but
yeah
we
will
I'll
get
with
Ron
some
more
and
come
back
with
something.
C
A
Okay,
so
we're
gonna
go
ahead
and
close
the
public
hearing
I
think
we're
going
to
forego
any
discussion.
At
this
point.
We
move
right
into
a
motion
for
the
applicants
request.
D
H
H
H
And
the
following
agenda
items
are
kind
of
together,
I'm
going
to
show
one
complete
photo
presentation,
but
they
needed
to
be
handled
separately,
so
we're
gonna.
We're
gonna
address
the
first
agenda
item,
which
is
205
for
the
relocation
and
then,
if
that
passes,
then
we'll
go
into
the
second
item,
that's
associated
with
this,
but
one
photo
presentation.
If
you
need
to
look
at
this
in
the
future,
for
some
guidance,
we
could
pull
it
back
up
so
on
the
monitors
that
you
have.
This
is
the
Sanborn
map.
The
area
in
question
is
down
here.
H
You
see
the
fabric
that
was
there
back
in
1929
Ybor
city
was
very
dense
and
and
heavily
populated
with
that
Urban
environment
that
we
spoke
about.
This
is
our
vicinity
map.
So
you
kind
of
see
it
in
context
where
it's
at
it's
at
the
south
of
7th
Avenue
once
again
on
the
corner
of
fourth
and
Angel
Oliva,
which
is
18th.
H
This
is
the
the
site
that
will
be
for
the
new
construction.
This
is
the
contributing
structure
that
will
be
relocated.
One
parcel
over
to
the
to
the
West.
You
see
4th
Avenue,
as
it
has
some
parallel
parking
spots.
Those
will
not
be
interrupted
as
a
project
comes
forward.
There
is
an
open
alley
that
needs
some
attention
and
that
would
be
apparent
through
the
presentation.
H
H
And
then
this
structure
will
move
over
one
parcel
currently
that
they
have
no
parking.
There
will
be
parking
Associated
and
that
will
all
be
indicated
off
the
alley.