►
From YouTube: Launching an NFT Collection: A Method to the Madness
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A
Hello,
oh
thank
you
for
the
introduction,
how's
everybody
doing
good.
Thank
you
got
one
okay.
We
got
a
little
bit
of
an
audience,
so
let
me
just
introduce
myself
real
fast.
Sorry,
I'm
looking
at
this.
I
haven't
seen
this
on
a
big
screen
yet,
and
I
just
like
I
like
the
art
but
yeah,
my
name
is
e-man.
I
come
from
new
jersey.
A
I
flew
in
like
an
hour
ago
to
be
here
and
give
the
speech
had
some
flight
complications
last
night,
but
thankfully
we
are
here
so
I
I
guess
I
come
from
more
of
like
an
entrepreneurship
background
in
like
the
web
2
space
but
jumped
into
the
nft
space
in
august
this
past
summer,
and
this
what
you
guys
see
on
the
screen
right
now.
This
art
is
actually
part
of
an
nft
collection
that
me
and
my
team
launched
in
january.
A
A
It
was
my
first
time
like
building
anything
in
the
web3
space,
so
I
really
had
to
like
figure
things
out
from
the
ground,
make
a
lot
of
mistakes
to
get
to
where
we
are
today,
and
so
this
this
talk
is
basically
to
go
through
kind
of
how
we
thought
about
launching
the
nft
collection-
and
you
know
just
try
to
break
it
down
and
make
it
a
little
bit
more
simple,
so
that
anyone
who's
here
or
anyone
who's
watching
this
who's
interested
in
launching
an
nft
collection.
A
Maybe
you
can
have
a
little
bit
of
an
easier
path
in
just
understanding.
What
are
the
key
elements
that
go
into
that?
So,
let's
jump
into
it.
Okay,
let
me
see
it's
just
the
play
button,
cool
all
right,
so
yeah.
I
think
I
just
I
I've
covered
kind
of
this
part
already,
but
this
is
just
kind
of
to
show
you
know
the
transition
that
I
had
to
make
this
past
summer
from,
like
you
know
me,
emanuel,
udatong,
business
consultant
entrepreneur.
A
The
first
thing
I
did
like
when
I
got
into
nft
space
actually
was
that
I
like
completely
rebranded,
who
I
was
right
like
I
changed
my
profile
picture.
That
was
like
the
first
thing.
It
actually
wasn't
this
at
the
time,
because
we,
you
know
this
is
the
one
on
the
right.
That's
like
the
project
that
I'm
working
on
now,
but
when
I
first
got
into
the
space
right
that
wasn't
a
thing.
A
So
instead
I
used
this
thing
called
pixel
portraits,
which
is
like
it's
kind
of
like
crypto,
punk
style
art,
but
you
take
a
picture
of
yourself
and
they
will
like
design
you
a
kind
of
fake
crypto
punk
that
looks
like
you
essentially,
so
I
had
that
as
my
profile
picture,
I
changed
my
twitter
bio
to
like
nft
collector
or
something
like
that
and
yeah,
so
that
was
kind
of
like
the
first
step
to
jumping
into
the
space,
and
I
think
like
before
I
started
my
own
project.
A
I
actually
was
able
to
kind
of
engage
with
other
different
communities
practice
like
collecting,
nfts
and
just
kind
of
tried
to
learn
a
little
bit
about
like
you
know
what
what
actually
goes
into
creating
these
projects
or
what
is
the
difference
between
a
good
one
and
a
bad
one.
So
you
can
see
in
the
bottom
right
there.
I've
just
listed
a
couple
specific
nft
project
communities
that
you
know
I
really
like,
and
I
feel
like.
I've
learned
a
lot
from
not
sure
if
anyone
is
familiar.
A
But
if
you
are,
please
raise
your
hand,
little
lemon
friends,
the
afro
droids
zen
academy
and
the
meta
angels,
which
is
a
newer
project
that
you
guys
should
check
out
and
let
me
actually
pause
real
quick.
So
I
want
to
get
a
sense
of
like
what
is
the
makeup
of
this
room
right
now.
A
Who
here
has
purchased
an
nft
before
okay,
fantastic,
most
people?
Who
here
has
sold
an
nft
before
okay,
fantastic?
So
I
don't
have
to
like.
Do
the
basics.
So
here
ancient
warriors
there's
a
nice
little
banner
and
here
is
a
a
sample
of
some
of
our
fierce
warriors
owned
by
our
about
1100
holders
in
the
community.
A
So
you
can
see
all
of
these
warriors
kind
of
have
you
know,
clothing,
weapons
and
shields
and
headpieces
equipment.
That
is
actually
you
know.
If
you
went
online
and
you
looked
up
like
hey,
what
is
a
warrior
from
the
aztec
empire?
Look
like
you
know,
you
would
see
some
of
these
pieces
right
like
this
actually
came
from
a
lot
of
research
that
we
did
up
front
to
try
to
get
a
reasonably
accurate
representation
of
what
these
people
would
have
worn
back.
A
A
The
art
which
to
me
is
is
the
first
impression
right
of
any
nft
project.
You
look
at
the
art,
that's
the
first
thing
you
see.
It's
also
the
last
impression
it's
kind
of
the
thing
that
you
remember
the
most
anytime.
You
talk
about
it
right,
the
tech,
the
tech.
I
I
like
to
call
the
tech,
the
neurons,
that
power,
the
body-
if
you
don't
have
the
right
tech
in
place,
then
like
nothing,
will
work
right.
It's
just
you
don't
have
anything,
it's
not
an
nft,
it's
just
a
picture.
A
The
marketing.
Obviously
you
need
to
get
your
project
in
front
of
a
lot
of
people.
You
need
to
make
sure
that
you
have
visibility
for
your
project
and
then
the
community-
which
I
think
you
know
everybody
most
people
know-
is
the
biggest
success
factor
that
goes
into
these
projects.
The
community
I
see
as
the
lifeblood
of
any
project.
A
This
is
the
first
and
last
impression
once
again
to
your
project
and
it
goes
a
very
long
way.
Many
people
buy
into
projects
literally,
just
because
of
the
art
right
like
there
are
people
that
look
for
other
things
in
in
collections,
people
who
are
looking
to
make
profit.
It's
people
who
are
looking
for
some
type
of
utility
that
you
can
gain
so
that
like
right,
you're
making
an
investment,
and
maybe
that
investment
gives
you
access
to
certain
opportunities
or
something,
but
there's
a
lot
of
people.
A
That
literally,
are
just
like
okay,
I
love
the
art.
I'm
gonna
pick
up
this
nft.
You
know
more
of
like
a
traditional
art
collection,
type
of
mentality
right.
So
it's
very,
very
important
from
that
perspective,
and
even
you
know,
if
you
look
at
some
more
simple
art
styles,
like
the
crypto
punks,
the
the
the
mfers,
if
anybody's
familiar
with
that,
some
of
these
more
like
pixel
or
kind
of
simple
art
styles.
A
Even
these
types
of
styles
right,
they
make
a
statement
in
today's
artistry
landscape
and
it
gives
them
cultural
relevance.
So
you
know
because
I've
heard
a
lot
of
people
who
say
like.
Oh
yeah,
art
doesn't
matter
crypto
punks.
What
is
that
you
know?
Anyone
can
do
that,
but
it's
it's.
It
is
that
statement
that
they
make
right
the
simplicity
that
actually
gives
it
that
level
of
importance
right
and
a
lot.
A
I
feel
like
a
lot
of
projects
have
kind
of
followed
in
the
footsteps
of
that
in
terms
of
doing
derivatives
and
just
like
similar,
similar
style,
okay,
so
jumping
into
the
tech
once
again,
the
smart
contract,
it
creates
life
on
the
blockchain
right.
It
changes
a
picture
into
an
actual
digital
asset
that
you
know
you
can
verify
who
owns
it
when
it
was
created-
and
you
know
that
kind
of
gives
it
value.
A
I
think
the
key
with
the
smart
contract
is
like
you,
it's
not
just
okay.
I
have
a
smart
contract
that
can
make
an
nft,
but
when
you're
thinking
about
a
large
collection-
and
you
want
to
get
that
to
a
lot
of
people-
you
want
to
distribute
it
in
a
way
that
is
both
fair
and
efficient.
Let
me
you
know,
try
to
unpack
that
a
little
bit
right,
fairness,
there's
a
lot
of
people
who
have
a
ton
of
ethereum
right,
there's
some
big
whales
that
could
literally
buy
out
an
entire
collection.
A
So
how
do
you
prevent
that
from
happening?
How
do
you
make
sure
that
the
nfts
are
actually
being
distributed
to
a
larger
amount
of
people
which
kind
of
forms
a
much
stronger
community,
as
opposed
to
like
one
person
or
a
few
people
just
buying
out
all
the
nfts?
And
then
it's
all
really
in
their
hands?
What
happens
right
so
thinking
about
ways
to
make
sure
okay
yeah
in
my
smart
contract?
A
I'm
writing
in
a
code
that
says
you
know
the
maximum
amount
that
someone
can
mint
is
maybe
three
nfts
or
maybe
five
nfts
right
and
that's.
You
know
one
way
to
ensure
that
it's
kind
of
distributed
in
a
more
fair
fashion
when
it
comes
to
efficiency,
I
think
about
efficiency
in
terms
of
low
cost.
A
A
So,
when
you're
making
your
smart
contract,
you
know
you
have
to
be
thinking
of
ways
to
lower
that
transaction
fee,
because,
like
there's
people
right,
I
mean
there's
times
where,
if
the
network,
if
the
ethereum
network
is
very
clogged,
you
might
pay
just
as
much
or
more
in
gas
than
the
actual
nft
itself,
and
you
definitely
don't
want
to
do
that
for
a
couple
reasons:
number
one
that
could
make
the
nft
inaccessible
to
a
lot
of
people
right
like
there's
people
who
might
say:
okay,
yeah,
I'm
willing
to
spend
200
in
his
nft,
but
if,
like
the
gas,
brings
it
up
to
300,
then
you
know
it's
outside
of
my
budget.
A
You
don't
want
that
to
happen,
and
I
think
another
reason
for
the
like.
You
know
you
should
clearly
have
low
gas.
Is
that
if
someone
has
a
300
budget
and
they
can
pick
up
two
nfts
for
that
300,
you
know
they
should
be
able
to
do
that.
So
you
don't
want
your
gas
to
be
a
barrier
that
prevents
someone
from
getting
more
of
the
nfts
in
your
collection
than
they
would
have
gotten
right.
A
So
the
the
good
thing
about
the
tech
part
right,
because
the
tech
can
be.
You
know
a
little
bit
complicated
a
little
bit
confusing
a
little
scary.
If
you're
not
you
know
a
developer,
but
there
are
thousands
of
collections
that
are
all
on
the
etherscan
website.
Etherscan
is
kind
of
like
the
wikipedia
for
the
ethereum
blockchain,
I
would
say,
and
those
collections
you
can
literally
just
copy
their
smart
contract
code.
A
Now,
of
course,
there
is
always
going
to
be,
like
particular
nuances,
that
you
you
want
to
go
in
and
change
for
your
for
your
collection.
But
I
guess
my
point:
is
it's
not
actually
a
huge
lift
to
if
for
a
developer,
to
put
together
a
smart
contract?
A
Negligence,
though
you
know,
if
you
just
think
you
can
copy
and
paste,
and
you
kind
of
ignore,
making
sure
that
you
know
it.
It
is
well
suited
for
your
launch
and
the
people
that
you're
kind
of
going
for
negligence
can
lead
to
launch
day
disasters
and
and
post
launch
bugs
and
I'll.
Just
give
a
quick
example.
There
was
an
issue
in
our
collection
with
the
I
don't
want
to
get
too
too
technical,
but
the
metadata.
A
A
Instead
of
the
person
like
holding
on
to
a
spear
in
their
hand,
you
saw
the
spear
was
like
in
front
of
their
hand,
and
it
was
like
a
bug
that
that
we
ran
into
once
we
launched
and
we
and
that
caused
us
to
have
to
like
go
back
and
do
a
lot
of
extra
work
and
kind
of
freak
out
a
little
bit,
because
we
were
like.
Oh
no.
A
We
don't
want
anyone
to
see
that,
like
there's
a
whole
bunch
of
warriors
on
our
openc
collection
that
have
this
like
wrong
type
of
layering
with
the
art
right.
So
that's
the
type
of
thing
that
you
know.
You
really
want
to
make
sure
you
do
testing
before
you
launch
and
and
really
be
rigorous
about
the
tech
part,
because
it
can
really
be
disastrous
if
you're
not
serious
about
it
right
so
getting
into
marketing
and
also
let
me
pause
also
as
well.
A
If
anyone
has
any
questions,
please
feel
free
to
just
interrupt
me
if
it's
burning,
but
also
we'll
we'll
have
some
time
at
the
end
for
q,
a
as
well
so
for
marketing.
I
think
marketing
is
kind
of
it's
interesting,
because
sometimes
you
look
at
collections
that
do
really
well
and
you're.
A
Like
oh,
like
you
know,
it
almost
makes
it
seem
like
it's
easy,
but
what
you
don't
know
is
that
a
lot
of
times
for
especially
for
these,
like
very
kind
of
cookie
cutter
types
of
collections
where,
like
there
isn't
much
innovation,
it
might
just
be
like.
Oh,
the
the
the
proud
pandas
or
the
the
the
capable
kittens
you
know
whatever
it
may
be.
A
If
there
isn't
like
much
innovation
to
it
and
like
they're,
able
to
sell
out
like
very
very
quickly-
and
you
don't
really
know
like-
oh,
how
did
they
do
that?
Like
you
know,
I
don't
see
them,
I
didn't
see
them
in
twitter
spaces.
Whatever
a
lot
of
times,
it
tends
to
be
the
same
kind
of
people
who
are
who
are
anonymous
and
they
are
kind
of
launching
a
lot
of
different
collections
right.
They
have
contacts,
they
have
funding
because
they've
sold
out
collections
before
and
so
they
can
afford
to
pay
for
the
best
marketing.
A
There's
a
there's,
a
page
there's
an
instagram
page
at
nft
that
mark
cuban
runs
where
you
can
pay
a
hundred
thousand
dollars
for
like
a
marketing
campaign
with
this
page
and
it's
what
they
say,
it's
the
closest
thing
to
a
guaranteed
sellout
right.
So,
like
just
think
about
you,
know
people
who
were
able
to
sell
out
collections
back
in
like
august
or
september,
or
something
like
that,
and
they
have
like,
maybe
a
million
dollars
at
their
disposal.
They
could
literally
launch
like
10
more
collections
all
at
the
same
time.
A
You
know
pay
this
instagram
page
and
they're
going
to
do
well
right,
they're,
going
to
have
a
good
launch.
They
might
not
have
longevity
necessarily,
but
the
hype
will
be
there.
So
that's
just
something
to
be
aware
of.
If
you
don't
have,
you
know
ridiculous
amounts
of
funding,
then
you
really
need
to
do
it.
The
organic
route,
and
I
would
say
that
the
organic
route
generally
is
what
leads
to
a
more
sustainable
and
long-term
success
for
a
project,
because
you
know,
if
you
just
build
a
lot
of
hype
and
you're
just
paying.
A
You
know,
mark
cuban
to
shill
your
work
everywhere,
you're,
probably
going
to
attract
people
who
are
just
looking
to
flip
your
project,
not
really
like
real
believers
or
people
who
really
identify
with
the
art
or
the
values
of
the
community.
A
So
if
you
track
those
flippers,
if
you
track
those
people
who
are
you
know,
you
know
just
trying
to
make
money
off
of
it,
you
tend
to
see
a
quick
rise
in
the
beginning
because
of
the
hype,
and
then
you
see
a
quick
fall
and
then
it
just
you
know
tapers
off
into
the
distance,
and
you
forget
about
the
collection
a
month
later.
A
A
I
have
an
example
that
I
showed
here.
This
is
rug,
radio,
I'm
sure,
there's
people
here
who
are
familiar
with
them.
I
think
that's
a
great
example
of
a
team
that
you
know
has
been
building
for
a
long
time
and
providing
value
to
the
nft
space
for
quite
some
time
like
they
have
been,
they
do
daily
twitter
spaces.
A
They
have
been
promoting
diversity
in
the
space
and
inclusion.
They've
been
really
doing
a
lot
before
they
came
out
with
their
collection.
So
when
they
came
up
with
a
collection,
I
think
everyone
was
kind
of
just
like
oh
well,
we've
already
seen
them
demonstrate
their
work
right.
They
they've
been
building
first,
so
they're
able
to
engender
trust
from
the
wider
space
before
putting
out
a
project,
and
I
think
that's
really
really
really
important.
A
If
you
show
up
to
a
party-
and
you
just
walk
into
a
party
where
no
one
knows
you
and
you
just
start
yelling
like
hey
everybody,
my
name's
e-man,
I'm
I'm
come
by
this
thing
for
me
and
like
no
one
really
knows
who
you
are
you
know,
you're
gonna
have
a
hard
time
engendering
trust
and
a
lot
of
people
are
going
to
be
wary.
That,
like
hey,
is
this
a
cash
grab?
Is
this
person
trying
to
rug,
pull
me
there's
going
to
be
a
lot
of
those
types
of
concerns
and
so
yeah?
A
I
think
I
couldn't
emphasize
enough
the
importance
of
building
first
or
demonstrating
some
level
of
evidence
of
building
before
you
really
start.
You
know
just
promoting
your
project
right
and
then
the
last
point
is
just
kind
of
a
nice
adage
I
like
to
think
about
it.
Doesn't
matter
how
amazing
the
art
is,
the
utility
is
again.
A
They
tapped
in
and
bought
their
first
nft
through
my
collection.
So
that's,
I
think,
that's
an
example
of
kind
of
like
leveraging
that
network
like.
If
you
are
someone
who
you
know,
is
deep
on
linkedin
or
reddit
instagram.
Whatever
it
is
you
you
have
to
find
a
way
to
kind
of
leverage
that
and
bring
that
into
your
space,
because
it
can
be
super
super
powerful
and
it
is
kind
of
what
gives
your
community.
You
know
a
little
bit
of
uniqueness,
that
is,
that
is
specific
to
you.
A
Now,
speaking
of
community,
that's
the
most
important
pillar
for
long-term
success.
Again
there's
you
know,
people
can
just
pay
money
to
market
and
get
your
product
in
front
of
a
lot
of
people.
I
can
pay
for
a
a
a
billboard
in
times
square
right
and
you
know
people
will
see
my
project
and
maybe
it'll
sell
out.
But
what
comes
after
that?
I
think
it's
important
to
think
about
an
nft
collection
and
I'll
I'll
go
into
more
detail
on
this
later.
A
But
it's
important
to
think
about
an
nft
collection,
the
same
way
that
you
think
about
starting
a
business
or
a
company
you're,
not
just
launching,
and
then
you
know
you
sell
and
then
you
leave.
No.
It
is
a
long-term
thing
where
you
are
trying
to
continue
creating
value,
and
hopefully
right
like
it
becomes
a
sustainable
venture.
That
can
you
know
you
can
you
can
actually
be
spending
a
lot
of
time
working
on
that,
rather
than
just
like
a
quick,
a
quick
thing
right,
so
I
think
the
most
successful
projects
you
look
at
the
board
apes.
A
You
look
at
doodles
cool
cats.
I
think
they
have
the
strongest
and
most
integrated
communities
in
the
space.
One
thing
that
you
often
see
with
these
groups
is
you
see
that
holders
of
these
nfts
start
relationships
together
that
extend
beyond
just
twitter
or
discord?
I've
heard
of
examples
of
literally,
like
you
know,
boyfriend
and
girlfriend
coming
together
because
they
are
holders
of
apes.
I
mean
that,
that's
not
that's
not.
I
don't
know
if
that
would
necessarily
happen
for
me,
but
that
is
that
is
a
testament
to
how
far
those
connections
can
go
right.
A
Now,
there's
also
people
who
are
starting
like
business
ventures
together
because
they
met
in
these
types
of
communities
a
great
example.
This
is
the
two
board
apes,
nft
podcast.
This
is
zenika,
who
is
a
influencer
in
the
space
and
I
don't
recall
the
na
his
partner.
His
name
is
actually
jamie,
his
partner.
A
They
met
through
the
board
apes
community
and
they
started
a
podcast
together,
and
I
mean
it's:
it's
a
pretty
cool
podcast,
so
you
know
again,
this
is
just
to
emphasize
you.
You
want
to
measure
your
community,
not
just
in
terms
of
the
size.
Okay,
how
many
people
do
we
have
on
our
discord?
Not
just
the
noise?
How
many
messages
are
we
making?
How
many
mentions
are
we
getting?
But
what
are
the?
A
What
kind
of
real
life
connections
are
being
formed
right
like
how
are
the
holders
or
the
people
in
your
community
internalizing
values
and
aspects
of
that
project
into
their
own
life?
That's
a
really
really
important
thing
that
we
try
to
think
about
a
lot
and
and
for
us
right
we
we
do
a
lot
of
irl
events.
We've
been
doing
these
like
nft
galleries,
in
different
cities.
A
A
A
A
You
know
their
trust
that
you
will
deliver
some
type
of
value
back
to
them
or
you
will
follow
through
on
your
promises
or
your
roadmap
that
you
set
your
community.
Is
your
lifeblood
once
again
do
think
long
term?
A
successful
project
is
one
that
extends
far
beyond
launch
day.
Far
beyond
the
initial
pump,
your
collection
is
your
company
think
about
it.
The
same
way
that
you
think
about
starting
a
business.
It
can
literally
be
a
10-year.
A
You
know
10-year
venture
who
knows
where,
where
the
space
is
going
to
go,
but
if
you,
if
you're
thinking
long-term,
you
can
stay
way
ahead
of
all
those
who
are
thinking
short-term,
be
innovative
and
be
different,
think
long
and
hard
about
what
you
can
uniquely
contribute
to
the
space
you
know
like
when
I
hear
people
say
hey:
oh,
I
want
to
launch
an
nft
collection.
I
ask
why,
like
what?
Why
do
you
want
to
do
that?
Is
it
you
know?
A
Hey
money
is
cool,
I'm
not
I'm
not
knocking
anyone
for
wanting
to
make
money
off
of
it.
But
what
are
you
actually
bringing
to
the
space
right
like?
Are
you
just
selling
someone
something?
That's
just
gonna
kind
of
sit
in
their
wallet
and
and
disappear,
or
are
you
is
there
some
type
of
new
innovation
from
a
technological
perspective
or
a
new
kind
of
way
of
thinking
about
collection?
A
For
us,
I
think
we
have
maybe
the
one
of
the
first
collections
that
is
exclusively
black
and
brown
characters
in
our
collection
right.
That
in
itself
is
a
form
of
innovation
right.
There
are
not
many
collections
that
you
can
say
hey.
It
is,
you
know,
specifically
focused
on
the
black
and
brown
community,
so
that's
something
that
that
is
important
to
think
about
and
now
in
terms
of
the
don'ts
don't
focus
on
the
hype.
A
Of
course
you
do
need
to
create
some
hype
to
get
people
excited,
but
if
you
create
hype
with
no
real
value,
you're
building
on
a
sand
foundation-
and
it
will,
it
will
topple
and
people
will
not
be
happy
so
yeah
over
promise
do
not
over
promise
unrealistic
outcomes.
We've
all
seen
the
many
road
maps
that
promise.
Oh,
we'll
make
a
game
we'll
make
a
movie
we'll
like
everything
right,
and
you
know
generally
more
often
than
not
they
fail
to
deliver.
A
So
I
personally
would
rather
under
promise
and
over
deliver,
say
you
know
the
bare
minimum
of
what
you
know
that
you
will
achieve,
even
in
the
absence
of
your
collection
selling
out,
that's
the
thing
about
our
collection.
We
started
on
a
road
map.
Before
we
even
launched.
We
started
doing
these
irl
events.
A
We
had
an
event
at
a
miami
art,
basel
featuring
black
and
brown
artists
in
a
gallery,
and
we
knew
hey
even
if
we
don't
necessarily
have
a
super
successful
launch
most
of
these
things
on
our
roadmap,
we
can
still
do
with
even
the
cash
in
our
pockets
and-
and
so
even
now
I
mean
our
project
actually
hasn't
sold
out.
Yet
it's
doing
pretty
well,
but
it
hasn't
sold
out
and
we're
moving
like
we're
continuing.
A
We
haven't
slowed
down
whatsoever
in
terms
of
delivering
on
our
roadmap
because
we
did
not
set
goals
that
were
contingent
on
having
a
million
dollars
in
our
in
our
in
the
treasury.
Okay,
don't
make
a
copycat
project.
Some
people
might
get
mad
about
this,
but
hey
there
are
thousands
of
board
ape
derivatives.
We
don't
need
any
more.
I
I
don't
need
any
more
any
more
ape
projects,
let's,
let's,
let's
do
something
new
okay!
A
B
A
Yeah,
I
think
that's
a
good
question.
I
think
it's
something
that
we
can
actually
do
a
lot
better
at
so
we're
actually
kind
of
currently
re-strategizing
on
how
to
improve
that.
But,
yes,
I
think
for
us,
I
think
twitter
spaces
are
are
a
really
good
tool.
We
don't
do
as
much
of
kind
of
little
competitions
and
stuff
like
that.
We
did
that
more
so
pre-launch.
A
But
now
I
think
the
main
kind
of
the
main
things
that
keep
people
coming
back
to
artists
cord
is
the
events
so
like
twitter
spaces,
the
irl
galleries
that
we're
running
and
then
also
different
forms
of
of
utility-
and
I
guess
what
I
mean
by
that
is
like
if
I
am
able
to
connect
with
another
project
that
is
about
to
launch
that
people
are
pretty
excited
about
and
get
some
you
know,
pre-sale
access
for
our
community,
that's
something
that
people
will
definitely
get
excited
about.
A
They
want
to
come
back
because
that's
an
opportunity
for
them
to
you
know,
get
in
cheap
on
a
project
that
they
might
be
interested
in.
It
makes
it
easier
for
them
to
make
money
off
of
it
as
well.
A
C
D
Do
you
think
it's
essential
for
every
project,
because
I
do
think
that
there's
somewhere,
that
everyone
needs
to
go
and
talk,
but
I
think
it's
kind
of
difficult
to
keep
everyone
there,
because
everyone's
like?
Oh,
you
need
this
many
levels
to
get
white
listed.
You
need
this
and
that-
and
it
just
seems
like
a
grind
more
than
an
experience.
Yeah
yeah.
A
Yes,
like
95
percent
of
the
time,
I
think
discord
is
necessary.
Now
this
is
going
to
be
a
nuanced
answer.
I
think
it
is
necessary
because
of
the
current
perception
of
this
base,
if
you
don't
have
a
discord,
most
of
the
people
that
are
like
really
deep
in
the
space
will
kind
of
you
know
be
like.
Oh,
this
is
weird
you
know
they
won't
really
understand,
but
I
do
know
some
communities
that
actually
are
just
building
on
telegram
and
they
don't
even
have
a
discord.
A
Yet
they
haven't
launched
yet
the
community
that
I'm
thinking
of
it's
called
the
royals,
which
is
like
an
africa
focused
collection
as
well
they're
launching
on
the
25th
but
yeah
they
they
did
the
telegram
only
route,
and
I
think
they
will
do
pretty
well.
So
that's
again
my
point,
I
don't
think
it
is
absolutely
necessary,
but
I
think
it
certainly
will
help
a
lot,
because
there's
just
people
that
I
don't,
I
think,
there's
people
that
would
just
be
turned
off
if
they
don't
see
that
discord.
A
I
fully
agree
with
your
point
on
like
the
grinding
aspect.
Like
that
is
not
what
I
enjoy
and
I
think
the
space
is
gradually
moving
away
from
that
type
of
behavior
yeah,
any
other
questions
for
a
wrap
up.