►
From YouTube: Kohathon Part 3
Description
B
A
A
No,
this
is
I
made
this.
Yes,
that's.
B
I'm
gonna
go
ahead
and
introduce
Jess,
okay
good.
You
guys
kicked
off.
Okay,
hi
everybody
thanks
for
coming
back
for
part
three
and,
as
you
can
see,
Jessie's
arrow
is
on
deck,
so
it's
just
a
fantastic
job
with
her
presentations
and
I'm
really
looking
forward
to
and
I
hope.
You
are
too
to
her
marketing
kohada
your
users,
five
quick
tips,
take
it
away.
Jess
thank.
A
You
everyone
I,
am
going
to
talk
to
you
today
about
Marketing
your
koha
to
your
users
and
I'm
gonna
go
through
a
couple,
quick
tips.
Some
things
you
can
do
I'll
show
a
couple
examples
and
hope
that
you
can
take
them
away
and
implement
them
at
your
library.
So,
just
a
little
bit
about
me,
I'm
the
marketing
and
outreach
coordinator
at
Bywater
solutions
I'm
currently
serving
as
the
committee
chair
for
kohai
u.s.
education
and
before
I
came
to
buy
water.
A
I
was
the
Member
Services
Coordinator
for
a
consortium
in
Florida,
so
in
in
both
of
my
jobs.
I
have
worked
with
outreach
and
marketing
in
some
capacity,
so
I'm
gonna
share
some
tips
that
that
work
and
some
ideas
that
I
hope
you'll
be
able
to
take
away
with
you
and
I
had
to
share
a
couple
pictures
that
is
my
daughter
Frances
in
her
future
Quahog
developer,
I,
hope,
cats
still
watching
she
sent
her
that
that
cute
little
onesy
when
she
was
born
and
I
had
to
share
it
one
of
Kelly
and
I.
A
C
A
Let's
jump
in
I'm
gonna
start
off
with
this
quote
that
I
really
love
because
I
not
only
think
it
ties
into
libraries
but
into
marketing
too.
You
can
never
go
wrong
by
investing
in
communities
and
the
human
beings
within
them
and
I
just
love
this
so
much
because
libraries
are
part
of
the
community,
no
matter
if
you're,
a
public
library,
academic,
special,
no
matter
what
you
are.
You
know
we
are
the
thriving
center
of
those
communities,
and
this
also
ties
into
your
marketing
and
what
you're
sending
out
to
your
patrons
and
to
your
users.
A
You
know
in
the
system:
I
love
it
so
I'm
going
to
talk
about
the
following
five
tips.
The
first
is
planning
really
crucial
for
your
success.
You
know
these
are
the
things
that
you
know.
We
need
to
plan
out
what
you're
doing
when
you're
sending
formation
out
to
your
users.
You
want
to
make
sure
that
you're,
not
overwhelming
the
information,
so
planning
is,
is
crucial.
A
Number
two
is
content.
Of
course
you
know
you
want
them
to
keep
coming
back.
So
I
always
feel
that
you
know
if
you're
sending
out
that
content.
You
know
you
have
something
that
can
drive
them
back
to
either
your
OPAC
or
your
website
or
wherever
you're
pushing
that
information
out
on
next
we'll
talk
about
email
marketing.
You
want
to
keep
them
informed.
A
You
want
them
to
know.
What's
going
on
any
new
features
that
they
have
available,
your
newest
titles,
you
know
anything.
That's
integrated
within
that
OPAC
four
will
talk
about
social
media,
so
you
want
to
keep
them
engaged.
You
know
communication
and
for
them
things
teaching
them
how
to
do
things
and
really
keep
that
interaction
going
and
then
five
we'll
talk
about
networking
and
partnerships,
because
I
truly
believe
that
you
know
building
those
strong
relationships
in
your
community
will
also
keep
bringing
on
those
individuals
back.
A
So
first,
let's
talk
a
little
bit
about
planning.
So
the
first
thing
I
want
to
talk
about,
is
you
know,
setting
your
goals
and
objectives?
Who
do
you
want
to
target?
You
know
you
have
people
that
come
to
your
catalog
on
a
regular
basis,
they're
looking
for
items
in
the
collection,
but
then
you
also
have
people
that
may
not
even
know
about
the
library.
So
you
may
have
two
different
audiences
that
you
want
to
target,
so
you
want
to
make
sure
you
define
what
your
goals
and
are
your
objectives
when
you're
marketing.
A
The
next
thing
you
want
to
do
is
map
out
your
messages.
You
know
think
about
what
challenges.
What
service
is,
what
products
that
you
want
to
push
out?
So,
if
you're
sending
people
back
to
your
Koha
catalog,
you
know
what
is
that
message?
You
know,
what
do
you
want
to
send
out?
The
third
thing
is
going
to
be
outlining
your
strategy,
so
there's
many
different
platforms
that
you
can
send
material
out
on
whether
it's
email
or
social
media,
whether
it's
print,
maybe
you're,
getting
bookmarks
printed.
A
You
know
whatever
it
is
you
to
make
sure
that
you
have
a
strategy
that
you're
not
overlapping
or
spending
too
much
time
in
one
area,
so
making
sure
that
you
have
that
strategy
and
it's
clear.
The
fourth
thing
you
want
to
do
is
make
a
timeline.
This
is
also
also
really
crucial
when
I'm
planning
out
any
type
of
marketing
material,
that's
going
out.
A
Okay,
let's
talk
about
content.
This
is
really
true
to
my
heart:
I
think
that
creating
how-to
videos
is
so
big
and
and
so
crucial
for
our
libraries
these
days.
You
know
we
did
a
presentation
here
at
Bywater
a
few
weeks
ago
on
how
to
create
content
at
your
library
and
there's
some
really
good
free
resources
out
there,
screencastify
screencast-o-matic,
even
zoom,
you
can
use
to
record
things
and
then
you
know
edit
and
you
know
showing
your
patrons
how
to
place
a
hold
in
the
OPAC.
A
If
you
have
ebook
integration,
you
know
with
overdrive
or
recorded
books
or
cloud
library.
You
know
showing
them
the
process
of
how
they
can
check
out
an
e-book,
how
they
can
place
something
on
hold.
If
you
have
PayPal
integration,
show
them
how
to
pay
a
fine.
You
know
simple
features
like
resetting
their
password.
If
you
have
that
turned
on
you
know,
these
are
all
short,
quick
videos
that
come
backed
opak.
You
know
the
easier
you
make
things.
A
A
So
you
know
tell
a
friend
pass
it
on,
because
you
never
know
who
they're
gonna
share
that
information
with
ownership
people
love
when
they
can
make
something
their
own.
You
know,
koha
has
a
wonderful
feature
with
lists.
You
can
show
them
how
to
create
lists,
how
to
keep
track
of
things.
You
know
maybe
they're
working
on
a
DIY
project
at
their
house.
They
can
create
a
list,
you
know,
show
them
their
favorite
knitting
or
sewing
titles.
You
can
tell
what
my
hobbies
are.
A
A
You
know
once
somebody
falls
in
love
with
something
word
of
mouth
marketing
will
start
carrying
that
forward.
So
you'll
you'll
hear
me
talk
about
that
quite
a
few
times.
The
last
thing
I
talk
about
is
is
teach
them.
You
know,
and
this
kind
of
ties
into
your
how-to
videos,
but
you
don't
always
have
to
do
videos
I
thought
to
myself
earlier.
You
might
not
have
staff
who
is
willing
to
do
videos?
Maybe
you
have
you
know
teens
or
students
who
are
taking
a
class
or
who
are
really
savvy.
You
know
reach
out
to
them.
A
A
Next
email,
marketing,
I
have
a
couple
examples
up
here
of
of
ones.
I
know
that
people
use,
we
use
Constant
Contact,
yet
Bywater
solutions,
MailChimp
is
another
I
know.
Some
of
our
libraries
to
use
send
in
blue
is
another
email.
Marketing
is,
is
really
crucial.
I'm
going
to
give
you
a
couple
too
four
things
to
do
and
not
to
do
so.
A
If
your
emails
out
of
spam
folders,
so
you
don't
want
to
first
of
all
over
send
emails.
You
know
you
want
to
make
sure
they're
kind
of
spaced
out.
You
don't
want
to
overwhelm
people.
I
can
say
like
every
day
when
I
look
at
my
personal
email
and
I'm
pulling
up
and
I.
Have
you
know
emails
from
REI
I
have
emails
from
you
know
the
grocery
store
Walgreens
CVS,
whatever
whatever
it
may
be.
A
There
are
tons
of
free
things
out
there
that
you
can
use
like
canva
and
another
resources
that
are
free,
that
you
can
develop,
like
beautiful
images,
bring
in
different
types
of
you
know,
text
and
fonts
really
get
it
clear
and
crisp,
so
the
patron
can
scroll
through
and
easily
find.
Looking
for,
you
know
whether
you're
linking
out
to
you
know
a
current
event,
that's
going
on
at
the
library
or
a
list
of
new
titles
that
are
coming
in
whatever
it
may
be.
A
You
know
I
always
think
back
to
like
you
know
what
was
going
on
at
our
library
and
like
what
we're
repo'ing
like
right
now
we're
in
spring,
so
you
know
maybe
you're
sending
out
a
link
to
a
list
of
new
titles
that
are
in
the
collection.
You
know
there's
easy
ways
that
you
can
drive
people
back
to
the
catalog.
You
know
right
through
right
through
that
email.
Maybe
you
come
up
with
a
catchy
little
like
tips
and
tricks.
A
You
know
for
searching
for
things
in
the
catalogue
or
when
overdrive
does
the
I
think
they
call
them
big
read.
You
know
like
how
you
can
drive
people
back
to
certain
look
Asians,
so
think
about
how
you
can
tie
that
in
and
that
will
drive
them
back,
because
you
can
always
have
something.
That's
the
same
in
every
email
that
goes
out.
Maybe
it's
in
the
newsletter.
You
know
you
put
something
out:
I've
seen
Aloha
Koha,
Co,
hot
tips
and
tricks,
you
know
whatever
it
is
or
whatever
you
call
Euro
pact.
A
You
know
that
keeps
some
driving
back
social
media
know.
I
could
spend
a
whole
hour
talking
about
social
media
alone,
I
think
it's
a
super
powerful
tool
to
drive
people
back
to
your
opak.
You
can
do
tons
of
different
things
like
book
recommendations.
I
have
two
good
examples
on
here.
Topeka
is
not
a
Quahog
library,
but
I
think
they
do
social
media
and
driving
users
back
to
their
catalog,
really
really
well.
The
one
in
the
hand
corner
is
a
book
recommendation
by
a
patron.
A
They
send
in
submission
the
librarians
look
at
it
and
then
they
send
it
out
and
they
could
even
create
little
videos
so
again
they're
driving
people
back
to
the
catalog.
You
know
to
this
book
that
this
individual
recommended
great
idea
another
one
down
there.
They
are
doing
a
face
book,
live
of
a
book
recommendation
so
again,
another
way
to
interact
with
your
patrons
and
another
way
to
drive
people
back
to
your
oh
pack,
so
you
know
think
outside
the
box.
A
I
think
is
really
neat
to
see
is
like
customer
feedback,
whether
something
they
found
on
the
OPAC
easily.
You
know
the
east
of
resetting
your
password
when
you
forget
it,
because
how
many
times
have
we
tried
to
log
into
something
and
you're
like
okay
I'm
on
my
third
attempt,
I
can't
remember
to
remember
my
password.
You
know
just
easy
things
that
make
it
memorable
for
the
patron
two-way
communication.
A
You
know
pulls
what
book
are
you
reading?
You
know
share
with
us
the
best
book
to
video
or
a
movie
that
you've
read
watched.
You
know
getting
that
interaction
back
and
forth
is
a
great
way
to
to
drive
that
that
information
last
one
is
networking
and
partnerships.
You
know
working
with
other
community
members.
You
know
whether
it's
your
Kawana
Kiwanis
Rotary
Club,
maybe
you
attend
a
trivia
night,
a
grand
opening.
A
You
know
cooking
classes
with
a
grocery
store,
whatever
it
may
be,
there's
just
great
ways
that
you
can
integrate
that
into
into
the
system.
Vendor
integration
I
put
two
examples
up
here:
married
woody
University.
They
use
the
EDS
plugin
so
again
driving
people
to
one
location,
so
they
the
students,
don't
have
to
remember
to
go
back
and
forth.
Another
great
example
with
one
of
our
partner
libraries,
the
overdrive
integration,
so
they
don't
have
to
go
over
to
overdrive.
They
can
do
it
right
from
Quahog.
A
You
know
make
it
as
easy
as
possible
and
that
kind
of
ties
into
the
co-branding
you
can
see
overdrive.
You
can
see
Koha.
You
can
see
the
libraries
logos
in
there
so
like
bringing
that
all
together
and
then
think
about
non-traditional
things.
You
know
I
mentioned,
like
the
trivia
nights,
the
Grand
Openings
things
like
that
partnerships
with
your
community
members
also
get
people
thinking
about
the
library
again
driving
them
back.
So
everything
will
come
around
full
circle.
A
Yes,
sir,
by
water,
we
do,
and
you
know,
for
other
libraries
I
know
a
lot
of
libraries.
Have
you
know
some
type
of
at
least
marketing
individual
or
a
social
media
representative?
Sometimes
I've
even
seen
like
social
media
teams
for
large
systems,
where,
like
they
may
have
one
dedicated
individual
for
each
branch.
A
But
if
your
library
has
somebody
that's
dedicated
to
it,
that's
fantastic
because
then
they
can,
you
know,
keep
track
of
like
the
messages
that
are
coming
in.
If
people
are
asking
questions
you
know
being
able
to
respond
to
the
tweets
when
they
come
in,
you
know
if
they're
on
Twitter
or
whatever
it
may
be
so
I.
If
you
can
have
somebody
dedicated
to
it,
I
would
definitely
recommend
it.
A
A
This
is
huge
like
this
is
one
thing.
I
truly
believe
in
like
how
you
can
get
some
really
good.
Ideas
like
when
you're
going
to
the
grocery
store
and
Publix
in
Florida
I
think
is
an
amazing
marketer
and
like
when
they
do
their
buy
one
get
ones
free.
You
know
how
do
they
market
those
things?
Look
at
that
bring
it
back
to
the
library,
because
you're
gonna
get
some
great
ideas
that
way
listening
to
podcasts,
you
know
listen
to
how
they
talk,
maybe
integrate
that
into
somehow.
A
You
know
if
you
have
a
library,
podcast
yourself
or
if
you
are
doing
those
how-to
videos
and
I
know
this
sounds
silly,
but
like
watching
commercials
like
see
how
other
people
outside
the
library
industry
are
like
marketing
things
steal.
Those
ideas
borrow
those
ideas.
Whatever
you
want
to
you
know
whatever
you
want
to
think
about.
A
A
You
know
you
never
know
where
things
are
gonna
take
you.
We
have
this
idea
to
do
this
streaming
months
ago,
when
we
did
the
virtual
hackfest
and
we're
like.
We
don't
know
how
it's
gonna
work,
but
let's
just
try
it
and
it's
been
great.
We've
been
able
to
communicate
with
people,
you
know
and
just
reach
out
to
you
know
other
individuals
all
over
the
world,
so
you
know
take
a
chance
when
this
comes
back
to
our
word-of-mouth
marketing.
You
know
the
more
people
are
driven
to
your
Koha,
o
pack,
them
easier.
A
A
B
B
C
B
C
Done
thanks,
I
think
this
is
where
heather
starts
clutching
at
her
pearls
when
I
start
talking
about
cataloging
for
the
non
cataloger
so
I
again,
my
name
is
Ivan
skee
I'm
I,
the
educators
with
my
water
solutions,
real.
B
C
So
I
make
no
bones
about
it.
I
am
what's
known
as
a
flexible
cataloger,
so
I
come
at
cataloging
from
a
public
service
perspective.
I
really
don't
care
if
it
should
be
in
a
650
or
the
651
I
want,
where
my
patrons
can
find
it.
So
just
putting
that
out
there
for
all
of
your
kind
of
loggers,
I'm
going
to
say
things
that
are
that
are
going
to
just
kind
of
go.
C
Oh,
you
can't
do
that,
but
that's
why
I'm
doing
this
presentation,
so
many
people
are
so
intimidated
by
cataloging,
but
a
favorite
line
from
Kelly.
One
of
our
other
educators
is
that
there
are
no
cataloging
police.
No
one
is
going
to
come
after
you,
no
matter
how
you
decide
to
go
ahead
and
do
things
so
I'm
gonna
talk
about
that
sort
of
thing
of
how
can
you
catalog,
if
you
don't
know
what
you're
doing
and
what
are
some
tools
that
are
built
in
with
an
Co
how
to
help
you
with
that
sort
of
thing?
C
So
one
of
the
first
things
to
talk
about
is
exactly
what
is
in
your
cataloging
record
when
you
go
into
cataloging
and
you
start
looking
at
these
records
a
lot
of
it
can
be
very
intimidating,
so
we're
gonna
just
start
looking
at
the
default
framework
and
talk
just
a
little
bit
about
some
of
these.
Some
of
these
things.
C
This
was
an
enhancement
and
I
believe
1905
and
one
of
the
folks
in
the
community
put
some
extra
code
in
in
the
bug
and
said:
hey
did
you
know
that
you
could
also
include
words
on
those
tabs,
so
I
may
not
ever
remember
what
the
proper
name
for
the
300s
are,
but
I
can
put
in
there
that
the
300
our
physical
description,
and
so
that
will
go
ahead
and
show
me
what
those
things
are.
Obviously
you
can
see
from
my
you
know,
really
advanced
terminology.
C
The
700s
yeah
I'm
never
going
in
there
and
then
the
900s
that's
an
important
one.
So
you
can
go
ahead
and
control
these
if
you're
interested.
We
do
have
this
into
Monday
minutes,
so
you
can
go
ahead
and
add
this
to
your
site
also,
and
that
may
give
you
a
little
bit
of
Health
as
you're
going
through
those
sorts
of
things.
Okay,
now,
as
we
scroll
down
here,
we
often
talk
about
the
leader
and
why
this
is
so
important
and
just
everyone
knows
it,
you
have
to
have
it,
but
what
is
it?
Basically?
C
What
this
is
is
the
it
defines
the
parameters
for
processing.
The
record
bottom
line
is:
don't
worry
about
it,
click
in
it.
If
you
want
to
get
more
advanced,
you
have
the
little
editor
over
here
on
the
right
hand,
side
that
you
can
go
ahead
and
modify
this
information,
but
this
walks
you
through
that
string
of
numbers,
which
is
a
code
that
explains
what
this
record
is
and
what
it
is
for.
So
this
is
a
new
record.
It's
for
a
language,
material
I
was
doing
something
else.
C
I
could
use
these
little
drop
downs
and
the
widgets
to
make
it
work.
So
you've
got
a
lot
of
different
options
with
those
sorts
of
things
there,
but
honestly
for
most
libraries,
if
you're,
just
if
you're
the
only
person
there
and
you're,
not
a
cataloger,
just
having
that
in
there
as
a
default,
it's
going
to
be
just
fine
for
you,
okay,
the
ol5
time
a
dated
last
transaction
again
Koha
has
it
set
up.
All
you
have
to
do
is
click
in
that
a
seal
and
it's
gonna
automatically
populate.
C
So
that's
another
great
thing
to
have
in
there.
Okay,
the
last
one
is
going
to
be
the
0:08,
and
this
is
the
fixed
length
data
elements.
Now
this
one
sounds
really
really
fancy
really.
The
most
important
thing
in
here
coho
runs
off
of
the
date
using
a
field.
So
if
you
are
creating
a
new
record,
you
do
want
to
make
sure
that
your
date
is
in
there
correctly.
C
C
We
need
to
do
we're
going
to
come
over
here
to
date,
number
one
I'm
gonna
go
ahead
and
just
type
in
2020
and
you
can
see
it
populates
up
across
the
top
there.
Okay,
so
again,
some
really
great
things
that
are
going
to
kind
of
walk
you
through
the
process.
This
does
have
a
relation
to
how
things
show
and
your
opak
and
your
staff
client
as
far
as
your
material
types
and
things
like
that,
so
I
do
encourage
you
to
kind
of
to
learn
about
this
much
about
it.
C
Just
so,
you
kind
of
know
what
it
is,
but
you
don't
have
to
worry
about
it
too
much
now,
if
you
do
want
to
learn
about
what
this
is
again,
another
awesome
thing
in
Kohana,
you
have
the
little
question
marks
next
to
each
of
your
fields.
If
you
click
on
that
question,
mark,
it's
gonna
go
ahead
and
open
up
a
new
tab.
It's
gonna,
take
you
to
the
LOC
govt
site
for
that
field.
C
So
again
you
can
go
ahead
and
take
a
look
at
this
and
understand
a
little
bit
more
about
what
you're
looking
at,
what's
supposed
to
be
in
there,
how
it's
supposed
to
be
used.
All
of
that
great
information.
So
don't
ever
forget
about
these
little
question
marks
right
here.
Let's
go
explain
what
that
data
is
supposed
to
be
so
again
lots
of
places
that
you've
got
you've
got
help
in
that
record
as
you're
going
through
things.
C
Okay,
now
one
of
the
other
things
will
come
off
and
get
requests
about
is,
for
instance,
down
here
in
the
Oh
for
Oh
fields.
The
agency
is
required.
Okay,
if
you're,
not
the
transcribing
agency-
or
you
really
don't
care
about
this
or
it's
a
field
that
doesn't
matter
to
you
and
make
this
non
required.
This
is
when
you
go
in,
are
gonna
go
into
your
frameworks,
it's
not
as
scary
as
it
sounds.
Oh
I
can
through
the
process.
So
basically
what
I'm
going
to
do
is
in
administration.
C
Also
in
this
case
we
saw
that
it
was
the
O
for
OC,
so
I'm
gonna
be
looking
for
that
o
for
OC
subfield
and
again
just
looking
at
the
C
tab.
There's
the
mandatory
checkbox
I'm
gonna
go
ahead
and
save
those
changes.
Now,
please
note:
I
am
NOT.
Deleting
these
I
am
merely
not
making
making
them
non-mandatory.
C
We
strongly
recommend
that
you
not
delete
anything
in
your
default
framework.
If
you
want
to
hide
it.
That's
great.
Let
us
know
we're
more
than
happy
to
work
with
you
on
that
one,
but
it's
just
a
really
good
rule
of
thumb
that
in
your
default
framework,
you
really
don't
want
to
delete
any
of
your
mark
fields
or
your
mark
subfields
bad
things
can
happen,
sometimes
nothing
terrible,
but
really
what
it
is
is
when
that
data
comes
in,
there's
no
place
for
it
to
go,
and
it
just
kind
of
floats
around.
C
C
There
we
go,
but
no
4oc
is
no
longer
mandatory,
so
you
can
do
that
on
whatever
fields
make
sense
for
y'all
to
go
ahead
and
have
that
o4o
see
me
you
know
or
whatever
that
field
may
be
now
we
talked
about
you
know,
fields
and
subfields,
and
things
like
that.
A
really
good
example
is
gonna,
be
over
here
in
the
200s.
So
in
the
245
this
is
another
mandatory
field.
This
is
your
title
statement.
So
245
is
the
fields
the
subfield
would
be
a
B
or
C
a
common
notation.
C
The
dollar
sign
is
going
to
be
for
the
subfield.
So
if
you
saw
something
written
out,
that
was
two
four
five
dollar
signs:
C.
That
means
they're
talking
about
the
245
field,
subfield
C,
which
is
the
statement
of
responsibility
again,
no
clue
what
that
means.
You've
got
your
little
question
mark
right.
There
that's
going
to
go
ahead
and
show
you
that
information
in
the
L
of
C
sign
to
be
able
to
do
that.
C
Okay,
so
again,
not
too
terrible
right.
You've
got
all
this
information
in
here
again,
there's
no
cataloguing
police
they're,
not
gonna.
You
know
come
and
arrest
you.
If
you
don't
do
something
the
way
that
everybody
else
does
I
like
to
cause
trouble
when
I'm
doing
training
and
suggest
things
like
just
strip
out
all
of
your
RDA
fields,
you
don't
need
those
when
you're
importing
data,
that's
when
the
catalog
is
usually
pass
out,
but
you
know
you
do
what
works
for
you.
The
most
important
thing
to
remember
about
cataloguing.
C
Is
you
make
it
personal
to
your
library,
so
you
make
it
worth
for
what
your
patrons
need.
You
fill
in
the
data
that
you
want
to
do,
and
things
like
that,
like,
for
instance,
I,
want
to
give
a
shout
out
to
Caroline
that
she
went
ahead
and
sent
up
a
koha,
install
and
catalogues
the
plugins
that
we
have
available
in
koha,
which
is
a
really
neat
thing.
No,
it's
not
using
standard
cataloging,
but
it's
a
really
great
way
to
be
able
to
go
ahead
and
have
that
information
available.
So
you
use
the
catalog.
C
Whichever
way
makes
sense
for
you,
you
know
just
make
that
catalog
work
for
you,
the
most
common
thing
that
I
see
a
lot
of
libraries
using
is
copy
cataloging
and
basically,
what
copy
cataloging
means.
You're
going
out
to
another
library,
who's
agreed
to
leave
their
records
open
too
public
for
anybody
to
look
at
and
pulling
a
copy
of
that
bib
record
into
your
catalog.
So
we
do
that
through
the
Z
3950
setup,
so
I'm
just
gonna
go
ahead
and
click
on
new
from
Z
3150
and
you
can
get
your
Papa
box.
C
Okay,
you
can
go
ahead
and
set
up
whatever
Z
3950
servers
work
for
you.
We
just
have
a
few
in
here.
There
are
places
that
I'll
show
you
just
a
minute
what
you
can
find
others
ether
950
targets,
and
you
can
go
ahead
and
add
those
in
yourself
to
your
site.
So
it's
really
kind
of
exciting
that
you
have
so
much
control
here
about
how
you
want
to
be
able
to
do
things.
Okay,
so
I
happen
to
have
an
ISBN,
so
I'm
going
to
go
ahead
and
search
for
this
book
using
my
is
the
end.
C
C
Okay,
so
so
you've
got
these
three
records
here
now,
which
one
is
gonna
be
the
best
I
will
let
Sara
and
John
and
Hannah
have
the
argument
over.
You
know
which
one
is
the
best
record,
but
for
me
what
I'm
gonna
do
is
I'm
gonna
click
on
actions
and
I
can
either
look
at
the
mark
preview.
If
I'm
comfortable,
looking
at
the
mark,
record
or
I
can
look
at
the
card
preview,
which
is
gonna
basically
show
me
the
old-fashioned
card.
C
Catalog
look,
and
this
will
show
me
the
data
that
is
coming
in
to
my
records
now.
For
me,
this
is
much
closer
to
what
my
patrons
are
gonna
see
so
I'm,
probably
more
interested
in
this
view.
That
I
would
be
in
the
mark
view,
but
what
I
can
do
too
is
I.
Do
have
the
ability
to
go
ahead
and
look
at
that
mark
preview
and
see
the
mark
record
as
it
shows
all
of
its
fields
and
subfields
and
all
of
that
sort
of
thing.
C
C
C
I
see
a
question:
the
chat
about
Seattle
public,
it's
a
very
common
one.
They
do
really
great
with
media.
So
that's
one
of
the
ones
we
really
kind
of
put
out
there
with
a
lot
of
our
or
a
lot
of
our
partners.
It's
one
that
we
have
pre-loaded
on
the
test
site
when
it
comes
up
or
your
your
production
set
when
it
comes
up.
Seattle
is
amazing
for
the
media.
So,
okay,
so
now
we
can
see.
C
I've
got
my
basic
editor
begin
and
it's
gone
ahead
and
populated
all
of
that
information
in
there
for
me,
so
I
don't
have
to
worry
about
changing
anything
I
double-check
that
right
there.
My
my
date
is
in
there
I'm
all
set
if
I
want
to
at
this
point,
I
can
go
ahead
and
delete
things
like
we
have
both
the
13-digit
ISBN
and
the
shorter
one
if
I
want
to
I
can
go
ahead
and
click
that
little
red
X
and
delete
that
tag.
It's
not
necessary,
but
it's
really
up
to
you.
C
If
you
want
to
clear
up
some
of
this
data,
it's
perfectly
fine
to
do
what
you
want
to
do.
So,
for
instance,
you
know
before
Oh
doesn't
matter
I'm
clearing
that
out.
Okay,
so
again,
just
some
examples
that
it's
your
data,
you
do
what
you
want
with
it.
I
am
gonna
clear
out
the
LLC
call
number
we
do.
It
doesn't
matter
to
me
and
so
on
and
so
forth,
so
that
you
can
just
go
through
and
go
ahead
and
change.
C
Whatever
data
you
want
in
there,
the
one
serious
caveat
I
will
tell
you
is
that
if
you
are
sharing
your
records
back
out
to
OCLC
or
to
other
libraries
you're
not
going
to
be
so
cavalier
about
this,
you
are
gonna,
want
to
go
ahead
and
make
sure
that
you
are
doing
it
properly.
But
if
it's
just
your
library
and
you're
not
sharing
those
records
or
uploading,
many
more
outs,
you've
got
a
lot
more
leeway
with
it.
Okay,
alright,
so
I
think
I'm
done
I've
imported.
That
record
I
verified
that
the
date
is
all
there.
C
C
It
highlights
for
me
what
needs
to
be
filled
in
so
it's
really
easy
to
see
what
you've
missed.
So
this
is
my
item.
Type
I
do
need
to
make
sure
I
put
my
item
type
in
here.
I'm
gonna
pause
for
just
a
second
and
talk
about
item
types.
There
are
bib
level
item
types
and
item
level,
item
types,
and
this
is
where
things
get
a
little
confusing.
Sometimes
so,
I
want
to
make
sure
that
everyone's
okay
with
what
we're
talking
about
bib
level,
item
types,
is
the
overarching
bib
record.
C
This
is
a
book
that
just
came
out.
I'm
probably
gonna,
be
circulating
this
one.
According
to
my
new
book
rules,
as
my
item
type
in
my
circle
rolls
nine
months
from
now
when
this
is
no
longer
popular,
though,
what
is
that
going
to
be?
Is
that
still
going
to
be
a
new
book,
or
is
it
going
to
circulate?
According
to
my
rules,
for
my
general
fiction
collection?
C
Think
about
that
when
you're,
adding
something
in
here
and
make
your
item
type
here,
what
it's
ultimately
going
to
be,
because
what
you're
going
to
want
to
do
is
make
sure
that
your
bid
is
set
as
the
ultimate
item
type,
that
this
record
is
going
to
be
otherwise
you're
gonna
wind
up,
not
only
changing
your
item
level,
item
types
but
also
your
bib
level,
item
type.
So,
two
years
from
now,
when
you're
searching
and
you're
looking
for
new
books,
warehouse
is
still
going
to
come
up
as
a
new
book.
C
So
again,
you're
942
C
should
be
a
long
term
perspective
of
what
this
record
is
going
to
be
another
one
that
is
really
handy,
the
942
n.
This
is
why
my
favorite
fields,
if
I
put
a
1
in
this
field,
942
n
all
I'm
entering,
is
a
1
that
is
going
to
suppress
this
record
in
the
OPAC.
So
that
means
nobody
will
see
it.
It
is
available
for
staff
to
view
in
the
staff
client,
but
it's
not
searchable
or
findable
in
the
OPAC.
C
Now
we
do
have
other
ways
that
we
can
do
this
with
system
preferences
and
things
like
that,
but
maybe
you're
not
trying
to
hide
an
entire
category
of
books.
You
just
want
that
particular
record
hidden.
That's
what
that
942
n
is
going
to
do.
I'm
gonna
go
ahead
and
leave
that
in
there
just
so,
you
can
see
what
it
looks
like
when
we
look
at
that
records.
C
C
C
Okay,
so
now
we
have
our
record
all
set.
We
have
our
big
record.
You
can
see
all
of
the
data
that
was
brought
in
from
that
c39
search
that
we
did.
We
can
see,
we
have
that
item
information
attached
to
it
and
then
right
here
suppressed
in
OPAC.
So
it's
really
clear
that
that
item
has
been
hidden
in
the
OPAC.
It's
only
viewable
in
the
staff
client,
when
I
am
ready
to
make
that
viewable.
C
C
Caralyn
brings
up
a
good
point:
the
the
942
n.
You
can
go
ahead
and
change
that
to
a
default,
yes
or
no,
also,
which
is
really
helpful,
and
that's
something
that
we
can
that
we
will
often
do
too.
So
the
other
thing
to
be
aware
of
is
that,
in
your
frameworks
that
are
quickly
wanting
to
showed
you,
you
can
customize
those
field
names,
so
it
doesn't
just
have
to
say,
suppress
and
OPEC.
You
can
actually
change
that
to
say
something
like
enter
1
to
suppress
at
OPAC.
You
can
control
those.
C
C
C
If
you
have
that
not
showing
in
Euro
pact
or
lost
status,
if
you
have
those
not
showing,
but
you
could
go
ahead
and
do
something
like
that,
where
you
would
assign
that
somewhere
else,
just
like
what
Carol
wanna
saying,
I'm
using
a
location
or
a
status
in
conjunction
with
it,
not
kiddin
items
to
hide
those
out
all
right.
So
now
you
can
see
that
that's
suppressed
from
a
pack
is
gone
so
again
pretty
straightforward
to
be
able
to
do,
but
really
handy.
C
The
other
thing
that
I
really
like
to
show
folks
is
under
the
edit
function
in
here
you
have
the
replace
record
viz
39:15.
So
that
is
something
that's
really
kind
of
cool.
If
you
look
at
a
record-
and
it's
a
very,
very
basic
record,
you
know
so
we'll
just
put
it
on
the
fly
or
just
something
really
really
needs
to
be
updated.
You
can
go
ahead
and
launch
as
ii
3950
search
right
from
here
go
home,
we'll
go
ahead
and
populate
yours,
e39
search
box.
C
This
with
the
information
from
that
record,
and
then
you
can
go
ahead
and
just
completely
overlay
that,
as
you
go
so
again,
a
quick
little
way
to
be
able
to
finesse
the
records.
But
you
can
see
right
here.
It
went
ahead
and
put
in
that
is
beyond
a
title.
The
author
things
like
that
it
does
have
both
ISBN,
so
I'm
gonna
go
ahead
and
clear
that
out,
but
again,
I
would
be
able
to
go
ahead
and
replace
that
record
right
from
there
using
that
edit
function
replace
record
community
3950.
C
We
keep
talking
about,
see
3950
the
site
that
I
go
to
the
most
often
to
find
z,
3950
spots
or
sites
is
called
ir.
Spy
index
data
calm,
it's
a
really
handy
place.
I
found
it
to
be
fairly
accurate,
as
I'm
going
through
and
looking
for
things
all
you're
gonna
do
is
click
on
find
a
target
go
ahead
and
type
in
what
your
looking
for
prospector,
which
is
out
of
Colorado
I,
can
go
ahead
and
type
that
in
here
it
shows
me
that
site
it's
a
nine
out
of
nine.
As
far
as
reliability
goes.
C
Here's
my
hostname,
my
port
name
and
my
database
name.
Those
are
the
things
that
you
need
to
go
ahead
and
have
target,
but
again,
we've
got
a
whole
and
we've
got
a
whole
Monday
minutes
on
that,
but
just
the
aware
of
it.
Those
are
the
three
pieces
of
information
that
you
do
need
in
order
to
add
libraries
adds
new
3950
targets.
Okay,
so
I
think
I
hit
right
at
my
30
minutes.
I,
don't
think
anyone
has
completely
died
from
my
radical
list,
but
any
questions.
B
You
did
great
done.
There
are
a
number
of
remarks
you
know.
Barb
Johnson
wants
to
know.
Is
there
a
way
to
suppress
one
of
the
several
items
on
bib
Carolyn's,
making
a
suggestion
here,
so
it
looks
like
maybe
they've
resolved
a
lot
of
their
own
questions,
but
they
know
how
to
reach
you
in
the
slack
Channel.
If
they
have
any
questions
so
they
can
always
catch
you
there
or
you
folks
know
how
to
reach
Donna
at
Bywater
solutions
and
donny
did
a
fantastic
job.
Thank
you.
So
much
I.
B
Don't
know
if
I'm
stuck
here,
Donna
you
still
there,
but
I
saw
my
screen.
Freeze,
sorry,
okay,
so
we're
gonna
go
we're
gonna
head
on
out
then,
and
we're
gonna
go
to
Jason
Rob
Jason
you're
on
deck
Jason's
gonna
be
talking
to
us
about
stream
lighting
item
addition
with
JavaScript.
Take
it
away.
Jason.
B
B
B
D
And
then
we
also
do
central
cataloging
for
things
that
they
can't
find
on
Ana's
each
target
search.
So
we
do
try
to
come
up
with
ways
to
to
keep
our
data
clean
just
so
that
patrons
aren't
struggling
with
something
that's
kind
of
miss
entered
shelf,
location
or
collection
code,
or
something
like
that
so
to
get
started.
The
goals
for
this
customization
were
to
logically
group
various
item
fields
together.
D
Type
field,
especially,
is
awkwardly
placed
between
the
two
note
fields
so
and
that
gets
missed,
sometimes
and
that's
a
very
important
field,
because
it
does
control
our
shelf
locations
or
not
shelf
locations,
circulation
and
fine
rules.
So
if
that's
filled
out
wrong,
then
it's
not
going
to
work.
We
also
have
a
new
item
sharing
policy.
So
when
they're
adding
new
items,
they
need
to
be
switching
their
item
types
to
the
new
item
type
rather
than
the
default
item
type
coming
in
from
the
record.
D
Otherwise
the
sharing
policy
doesn't
hold
up
and
can't
be
enforced,
so
putting
that
in
a
better
position,
make
sure
that
it
doesn't
get
missed
again.
Like
I
said
you
can
hide
unused
fields
using
the
frameworks,
the
benefit
of
hiding
with
jQuery
is
that,
then
you
can
unhide.
So
and
that's
my
fourth
bullet
point
here
we
had
a
lot
of
librarians
using
the
serial
enumeration
field
for
things
that
we
didn't
really
want
in
their
copy
numbers.
D
Donation
notes,
general
notes,
and
really
we
just
want
that
used
with
magazines,
periodicals
so
you're
putting
in
your
your
issue
number
your
month
or
something
to
tell
it
to
distinguish
what
the
magazine
is.
So
since
the
field
is
exposed
in
the
frameworks,
we
can
then
hide
it
with
jQuery
when
they're
not
using
a
shelf
location
related
to
magazines
and
then
when
they
pick
it,
we
can
make
it
appear
and
if
they
pick
a
different
shelf
location,
we
can
make
it
disappear.
D
D
Not
always
we
do
have
some
odd
shelf
locations
that
don't
really
fit
cleanly
into
a
collection
code,
but
for
the
most
part,
adult
blue-ray
juvenile
blue-ray.
That's
gonna
go
into
the
blu-ray
collection
code,
adult
fiction
in
adult
mystery,
adult
Western
and
that's
gonna
go
into
adult
books.
So
I
thought
was
that
if
they
picked
the
shelf
location,
I
can
fill
in
the
collection
code
for
them.
That
makes
sure
they're
not
doing
the
wrong
thing,
we're
accidentally
picking
something.
It
also
saves
them
a
click
and
a
search
through
the
drop-down.
D
D
D
If
we
wanted
to
I
did
set
up
what
I
called
pseudo
required
fields,
so
you
can
set
fields
as
required
in
your
cataloging
frameworks
as
well,
so
you
have
to
fill
it
in
kind
of
like
Donna
was
talking
about
in
the
in
the
Marc
record.
The
transcribing
agency
is
set
to
require
dat
by
default.
So
you
can't
save
that
record
in
total.
You
do
that.
D
So
I
think
that
capability
is
also
there
in
the
item
ad,
but
I
felt
like
requiring
item
fields
was
kind
of
obnoxious,
especially
when
sometimes
you
do
need
to
leave
a
field
blank
for
whatever
reason
so
I
created
just
a
pseudo
required
field
with
some
CSS.
So
it
looks
like
it's
required,
but
you
can
actually
click
through
without
actually
having
to
fill
it
in,
and
that's
just
to
emphasize
the
important
fields
for
my
librarians
for
their
statistical
purpose
purposes.
D
Challenges
of
this
customization,
the
complexity
of
it,
makes
it
hard
to
kind
of
share
with
you
guys.
I
do
have
the
code
dumped
into
github
and
I've
got
a
link
at
the
end
of
my
slides.
So
you
can.
You
can
take
a
look
at
it,
but
it's
it's
a
lot
of
relating
myshelf
locations
to
my
collection
code,
so
you
would
have
to
go
in
there
and
insert
yours
if
your.
If
your
structures
aren't
the
same
as
mine,
it's
obviously
not
going
to
work
the
same.
D
If
your
shelf
locations
can't
directly
relate
to
collection
codes,
it
wouldn't
work,
but
you
could
probably
adapt
the
code
so
that
maybe
your
shelf
locations
relate
to
item
types.
Instead,
it's
flexible
in
that
way,
but
you're
not
going
to
be
able
to
just
go
to
the
link
I,
give
you
a
copy,
it
paste
it
into
your
system
and
it
works.
So.
D
A
D
Required
fields
and
that
just
adds
a
little
asterisks
and
colors
at
red,
so
not
not
nothing
to
end
up
there
and
and
the
internet
user
jeaious,
of
course,
is
where
I
do
all
my
stuff
and
that's
how
you
customize
Kohala,
with
jQuery
and
JavaScript
I
I
didn't
I
glanced
when
I
was
putting
this
together.
I
think
I
have
like
1600
lines
in
there
and
it's
a
mess,
but
I
was
able
to
kind
of
excavate
the
cataloging
item
helper
for
this
presentation,
so
I
can
at
least
share
what
it
looks
like
and
go
through
some.
D
D
So
as
far
as
modifying
how
the
screen
looks,
this
is
these
are
just
little
chunks
of
code.
I'll
show
you
the
full
thing
towards
the
end,
but
I
wanted
to
just
like
point
out,
because
each
field
has
its
own
line
and
also
I
will
say.
I'm
I
didn't
put
my
disclaimers
in
at
the
start.
I
guess:
I
am
I,
have
a
biology
degree
and
a
library
degree
and
I
didn't
learn
any
of
these
things
in
either
of
those
course
course
thing.
D
You
know
loads
I'm,
all
self-taught
and
a
lot
of
this
stuff
is
probably
messy
and
you'll.
Be
able
to
probably
do
this
in
a
cleaner
manner.
I
think
that
I
watched,
Lucas's,
jQuery
hacks
thing
earlier
this
week
and
I
think
there's
probably
cleaner
ways
to
do
what
I'm
doing
here.
You'll
notice
that,
on
my
number
one
add
class
each
field,
I'm
searching
for
a
span
that
contains
the
term
withdrawn
status.
D
So
that's
the
label
for
the
the
field
in
the
form
and
then
I'm
I'm,
going
up
to
the
parent
of
the
parent
of
the
parent
of
that
and
adding
a
class
and
I
added
classes,
because
it's
easier
than
referring
to
these
things
as
the
parent
parent
parent
of
that,
but
I
think
there's
probably
a
cleaner
way
to
do
that
same
thing
with
the
hidden
classes.
I
am
looking
for
the
label
and
then
going
up
up
up
and
then
adding
a
class
hidden,
and
some
of
these
classes
are
already
defined
in
your
CSS.
D
A
A
D
Abcd,
whatever
and
I,
don't
I
think
there's
probably
some
things
hidden
already
in
the
framework
that
we
don't
want
to
see.
You
like,
between
the
J
and
the
oh
there's,
a
gap
between
the
P
and
the
T.
There's
a
gap
up,
and
you
can
see
those
there
and
I
wanted
to
get
rid
of
even
those
gaps
that
are
there
from
the
absence
of
the
field
just
to
make
it
look
a
little
cleaner.
So
on
the
right
is
my
final
product.
So
you
can
see
that
the
the
statuses
are
all
grouped
up
at
the
top.
D
So
my
librarians
know
that's
pretty
much
where
they
need
to
start
for
the
most
part
at
some
of
them
use
in
processing
not
for
loan
status
and
that's
where
they'll
start,
but
for
the
most
part
they're
starting
at
that
acquisition
level,
where
that
first
red
label
is
and
then
they're
filling
it
in
from
the
top
down
you
can
see
which
fields
I
hid.
You
can
also
tell
how
out
of
order
they
are
based
on
the
letters.
So
shelving
location
is
C.
D
Collection
code
is
8,
but
I
wanted
those
together
because
they're
both
used
to
classify
and
then
the
call
number
in
the
barcode
are
still
next
to
each
other.
Copy
number
is
something
we
don't
use
a
lot.
So
that's
why
it's
not
read
and
then
I
put
the
item
type
in
that
same
block
and
then
the
notes
are
at
the
bottom,
so
I
just
thought
it
gave
it
a
cleaner
look.
I
made
it
easier
to
know
where
to
start
and
stop
when
you're
filling
out
the
form.
D
Ok,
then
so
that
was
modifying
the
interface
with
jQuery,
pretty
straightforward.
You
find
what
you
want.
You
move
it
around
with
all
the
little
keywords.
Catalog
helper
is
a
whole
different
thing.
So
this
is
the
thing:
that's
gonna
relate
shelf
locations
to
collection
codes
and
then,
when
you
pick
a
shelf
location,
it's
going
to
do
stuff.
So
when
I
pick
adult
books,
it's
gonna
or
when
I
pick
adult
fiction,
it's
kind
of
fill
in
adult
books.
D
D
So
so
within
the
function,
we're
defining
arrays-
and
you
can
see
here
that
I
have
a
bar
adult
book
so
that
my
my
variable
is
named
adult
book
and
then
all
of
the
shelf
location
codes
are
going
in
the
array,
so
my
shelf
locations
are
very
fun
so,
where
you're
seeing
one
zero
zero
one
zero
zero
advic.
Yes,
that's
Christian
fiction.
The
next
one
is
adult
fiction.
D
This
is
a
very
long
list,
so
I
appreciated
it
and
then
there's
adult
Spanish
books,
adult
Kansas
historical
collection,
maybe
I'm,
not
sure
what
that
last
one
is,
but
they
all
qualify
as
adult
books
for
their
collection
code.
So
they're,
all
in
that
array
and
I
have
an
array
for
each
collection
code,
so
juvenile
books,
DVDs,
periodicals
and
hopefully
that'll
be
clear.
When
I
show
you
all
the
pieces
together.
D
C
D
D
That's
what
that
that
stripper
code
does
again,
there's
probably
cleaners
ways
to
do
it
then
selecting
the
parent
of
the
parent
of
the
parent,
so
someday
I'll
revisit
that
and
then
the
other
thing
I
want
to
do
in
each
cycle
is
change
the
value,
if
it's
true.
So
if
my
shelf
location
is
in
the
adult
book
array,
then
I
want
my
collection
code
to
be
a
B.
D
D
D
If
it's
true,
then
change,
then
the
a
B
will
be
populated
in
the
collection
code,
so
that
was
probably
really
in
the
sticks
and
complicated,
but
I
have
a
little
gift.
That
shows
how
it
actually
works,
and
hopefully
that
makes
it
a
little
clearer,
so
I'm
picking
adult
biography,
that's
an
adult
book
for
us
at
all,
blu-ray
that
goes
to
a
blu-ray
collection
code.
D
D
So,
like
I
said
there
are
some
connections.
I
couldn't
make,
and
if
that's
the
case,
then
it
hides
the
periodical
field
and
doesn't
fill
in
the
collection
code.
But
for
the
most
part
this
this
streamlines
the
item
edition
flow
for
for
my
librarian,
so
they
don't
have
to
actively
pick
the
collection
code
and
their
data
and
their
stats
come
out
clean.
D
So
some
ideas
for
further
improvement,
filter
replacement,
cost
based
on
purchase
price.
So
most
of
my
libraries
don't
deviate
so
they
use
the
same
purchase
price
as
their
replacement
cost.
But
I
do
have
a
few
that
add
a
processing
fee,
so
it
would,
it
would
be
cool
to
by
default,
just
copy
the
value
there.
So
they
only
have
to
type
it
once
and
then
for
the
libraries
that
do
charge
a
processing
fee
set
it
up
so
that
it
automatically
adds
that
to
the
copied
value
and
then
my
my
serial
enumeration
thing
is
very
janky.
D
So
this
is
the
full
item.
Cataloging
helper
code-
and
this
is
what's
gonna-
be
in
the
in
the
jQuery
Bailey
link.
So
you
can
see
that
I've
added
classes
to
each
one
of
those
fields.
I
went
through
I
added
one
too,
with
John
when
the
last
one,
but
not
for
loan,
all
the
way
down
to
public
note,
just
so
that
I
could
manage
them
easier.
So
I
didn't
have
to
keep
using
the
parent
parent
parent
to
get
ahold
of
things.
A
D
Top
piece
of
code
is
part
of
the
Genki
nasai
just
mentioned
so
it's
looking
in
the
URL
and
a
dupe
item
is
in
the
URL.
Then
it's
hiding
this,
it's
not
in
the
URL.
Maybe
I
haven't
looked
at
that
in
a
while.
It's
not
it's!
It's
trying
to
get
around
the
fact
that
when
you
edit
something
that
needs
to
show
that
serial
field,
it.
D
And
then
I
went
through
and
hid
the
fields
we
don't
use
by
adding
the
hidden
class
there
and
out
of
the
required
class
to
all
of
those
fields,
and
those
are
the
ones
that
were
read
in
my
screenshot
and
then
the
CSS
in
the
linked
file.
It
shows
you
how
to
do
how
to
style
that
headings.
This
is
what
the
headings
look
like
and
there
I
do
have
an
if
statement
in
there,
that's
just
applicable
to
our
our
local
catalog.
D
We
use
share
it
for
our
external
I
ll,
so
I
wanted
the
headings
to
not
show
on
that,
because
we
do
like
fast,
add
cataloging
with
those
so
I
put
an
if
statement
in
there
to
to
not
show
it
when
I'm
we're
editing
a
fast
cataloging
record.
Otherwise,
it'll
put
these
headings
in
above
wherever
it
says.
So
if
it
contains
withdrawn
we're
putting
in
statuses
if
it
contains
permanent
location,
we
put
in
location.
D
D
B
D
D
B
What,
if
you
keep
going
and
then
we'll
we'll
just
circle
back
if
they
come
back
in
with
responsible.
D
Yeah
yeah,
let
me
let
me
know
which
tabs
you're
referring
to
and
we
can
take
a
look.
So
this
is.
If
then,
if
else,
if
statement,
whatever
I
thought
I
was
talking
about
earlier,
so
we
cycle
through
each
of
the
arrays
to
see
what's
going
on
and
then
apply
our
collection
code.
If
our
shelf
location
is
in
the
array,
so
we
also
hide
the
serial
enumeration
if
it's
in
the
array.
D
So
if
my
shelf
location
isn't
in
any
of
those
arrays,
then
we're
just
gonna
hide
the
serial
enumeration
and
we're
not
going
to
fill
in
a
collection
code.
So,
like
I,
said
it's
kind
of
super
complex
and
I
at
a
ridiculous
level,
but
it
does
really
help
us
and
it
helps
keeps
our
data
clean
and
I
just
wanted
to
share
it
out
as
a
possibility.
We
talked
about
earlier
how
coha
is
so
customizable
for
us,
and
there
are
definitely
things
you
can
do
with
koha
that
you
don't
have
to
pay
for
them.
D
Wait
for
on
a
full
development,
and
some
of
the
stuff
like
I,
could
see
how
this
could
be
built
in
to
Koha.
You
would
have
to
set
it
up
where
you
made
those
relationships.
You'd
have
to
have
an
interface,
it
would
take
a
lot
of
work
and
time
and
effort
where
I
can
just
sit
around
and
fiddle
with
it
and
make
it
work
on
my
own.
So
that's
what
I
did
and
now
I'm
sharing
that
with
you
guys
in
case
it's
something
that
you're
interested
in
so
here
are
the
links
again.
D
D
Okay,
good
Donald
good
to
get
you
an
answer
there.
So
if
there
are
any
questions,
I'm
happy
to
answer
them,
I
know
that
was
fast
and
clunky
so
again
feel
free
to
reach
out
to
me.
If,
if
you
want
to
talk
about
this
stuff,
I
do
typically
just
bumble
my
way
through
it
until
I
find
it
Google
my
way
around
steel
bit,
harvest,
sorry
harvest
things
from
George
and
others.
The
jQuery
wiki
is
a
good
place
to
go
to
Koha
jQuery
wiki.
If
you're
trying
to
do
something-
and
you
think
there
might
be
something
similar.
B
Great
Jason
thanks
so
much
so
I'm
just
looking
to
see
if
we
have
any
other
questions
here
for
you
and
looks
like
there's
been
a
couple
comments,
a
comment
that
was
from
Don's
presentation
and
George
Stephen
Arps
and
some
of
the
set
up
from
Jason
too.
So
a
lot
of
people
appreciate
the
work
that
you're
doing
thanks
Jason.
What
do
you
say?
You're
a
you're,
a
millennial
that
likes
instant
gratification.
Yes,.
D
B
Your
tips
last
year
and
fabulous
cleaner,
more
logical,
efficient,
so
good
job.
Well,
folks,
if
you
have
more
questions
for
Jason,
he
can
be
reached
at
secretary
at
co.
Us
thought
works
so
feel
free,
go
ahead
and
reach
out
and
he
does
take
care
of
it.
So
is
that
any
stuff
to
it,
so
you
probably
find
new
jQuery
out
there
at
some
point,
so
just
keep
looking
at
Kona
US
side
work.
B
We
are
gonna,
go
ahead
and
take
a
ten
minute
break
and
then
we're
going
to
come
back
and
Rocio
dress
turn,
and
you
first
hear
me
are
going
to
be
presenting
on
importing
your
patrons
on
first.
So
thank
you
very
much
and
we'll
see
a
bit.