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From YouTube: Next paradigm of book publishing
Description
Glggififfgogogog
B
C
What
happens
is
that
the
publishing
industry
has
a
kind
of
a
four
stage
process.
It's
involved,
first
of
all
and
creating
single-port
that
works
right,
so
the
works
are
created
by
an
author
and
a
very
linear
production
cycle.
Its
author
editor
proofreader
designer
right.
The
second
stage
of
this
is
actually
taking
the
object
to
of
creating
the
object.
C
C
Now
the
two
areas
they're
actually
the
most
interesting,
which
are
totally
untouched
by
the
publishing
industry
and
what
actually
breaks
the
publishing
industry
apart
their
first
and
last
parts
of
these
cycles.
First
of
all,
replacing
see
growth
of
works
with
collaboratively
produced
works
then
totally
pulls
apart
for
publishing
industry.
B
B
C
C
Everything
is
not
architect
out
of
the
people
in
this
way
and
on
the
other
side
of
things,
the
publishing
industry
can't
deal
with
the
collaborative
production
because
they
are
relying
on
this
romantic
post,
Renaissance
idea
of
the
artist
the
single
brain,
the
monolith
that
understands
everything
and
just
gives
you
the
truth
and
that's
it
has
real
marketing
value
and
their
and
their
world,
and
they
can't
dilute
that.
Even
though
every
book
in
the
world
has
been
produced
collaboratively,
you
always
only
see
one
or
thurs
name
that,
on
the
cover,
generally
speaking
right
so.
C
Yeah
yeah
absolutely
and
all
this
work
is
collaboratively,
but
these
people
are
cure
it.
You
know
even
see
stuff
in
newspapers
where
the
publishers
will
talk
about
the
ghost
writer
right
and
I
knew
the
region
the
go
today
I've
seen
interviews,
but
they
said
we
week
with
the
ghost
writer
for
lunch
and
the
ghost
writers
never
mentioned
you
know
so
that
so
collaboration
within
the
publishing
industry
is
absolutely
obscured.
It's
real,
it's
terrible.
So
what
book
type
does
is
that
actually
makes
the
whole
it
collapses?
C
It
gets
rid
of
the
parallel
the
linear
production
cycle
and
it
turns
it
into
what
we're
used
to,
which
is
online,
which
is
social,
collaborative
production
right
where
everything
is
transparent.
You
can
enter
in
at
any
point,
you
can
leave
at
any
point.
You
can
develop
the
works
as
a
transparent,
collaborative
group,
and
you
can
manage
a
book
not
as
that
as
a
sort
of
a
product,
but
as
a
community.
You
know
you
energize
people
to
come
to
it.
C
You
get
them
involved,
and
this
kind
of
thing
can
only,
of
course,
have
an
under
free
culture,
which
is
why
free
culture
licenses,
because
copyright
is
a
barrier
for
collaboration
on
this
level.
If
you
have
to
sign
away
rights
and
everything
before
you
can
actually
participate,
you
know
that
three
shoulders
for
me
too
I
to
that
will
deter
collaboration
and
it
puts
collaboration
in
a
funny
space.
So
you
want
to
have
these
processes
open
and
transparent,
and
you
want,
and
what
I've
found
is
that
there
are
enormous
efficiencies
and
enormous
gains
from
this
process.
One.
C
You
get
multiple
point
points
of
view
you
get
so
many
people
put
in
into
creating
a
piece
of
work
that
you
get
intensely
rich
dialogues
and
transfer
of
information.
That
process
of
creating
the
book
in
itself
is
a
community
building
process,
but
it's
also
an
educative
process
and
you
can
really
imagine,
for
example,
students
creating
their
own
textbook
stuff
I
this,
the
other
other
part
of
it,
is
that
the
the
you
have
when
you
build
up
a
community
around
a
book.
C
C
A
way,
but
it's
mostly
the
way
that
these
things
happen
if
people
are
bonding
around
a
content,
source
and
they're,
really
passionate
about
it
and
I'll
keep
working
with
each
other
for
a
long
time.
Some
of
the
other
amazing
things
you
get
out
of
this
is
that
you
can
produce
books
in
a
record
amount
of
time,
so
we've
produced
books
on
very
technical,
concrete
subjects.
C
So
this
is
these
are
quality
works
are
being
produced
and
these
been
produced
in
two
days
and
then,
of
course,
you
get
the
additional
advantage
that
environments
they'd
have
to
support
this
kind
of
production
and
naturally
open
right.
So
the
sources
are
available
and
they
available
to
be
changed
and
that's
not
often
the
case
of
and
the
open
publishing
world
where
the
sources
are
obscured
and
the
final
result
is
published
as
PDF,
which
is
and
not
a
reusable
format.
So
the.
C
Are
available?
There's
not
many
I
mean
I
only
know
a
book
type
that
that
enables
this
enables
also
for
the
ease
of
forking,
of
content,
of
remix
enough
content
at
and
reuse
of
the
content
and
by
reuse.
One
of
the
major
use
cases
is
translational,
so
content
can
migrate
across
languages
once
you
remove
all
these
barriers
and
it's
still
difficult,
you
know,
still
have
to
work
up
communities
and
get
people
convinced
to
do
these
kind
of
things
like
translation.
A
C
Content,
well,
the
thing
is:
is
that
you
community,
you
treat
the
book
as
a
community
and
you
manage
the
processes,
the
social
processes
and
the
social
processes
then
look
out
of
the
content,
so
everybody
wants
to
be
involved
in
producing
a
good
book.
So
you
work
with
the
people
involved
and
you
say
okay,
so
because
the
formulation
is
never
that
the
same
twice
right
to
work
with
the
people.
You
have
you
say,
okay,
so
what
do
we
have?
What's
your
opinion
of
it?
C
Do
we
need
to
bring
in
extra
eyes
as
they
someone
who
really
likes
proofreading?
What
do
they
want
to
go
through
the
whole
thing,
and
you
just
pass
the
rolls
around
so
there's
not
this
kind
of
often
there's
not
this
author
editor
proofreader
kind
of
linear
structure,
but
people
are
passing
rolls
around
all
the
time
and
the
production
process
is
one
of
people
talking
about
the
content,
swapping
roles
and
improving
things
on
small
chunks
at
a
time
right.
So
you
write.
C
You
will
restructure
something
or
whatever
and
and
it's
a
very,
very
I've
done
in
40
of
intensive
collaboration
processes,
which
we
call
box
prints
and
they
produce
very
good
books
and
very
short
amounts
of
time
and
actually
to
the
point
where
the
amount
of
that
quantity
of
the
books
producers
also
such
that
you
know,
you
can't
really
have
more
than
10
to
12
people
involved
in
the
process
of
producing
one
book
at
any
one
time,
because
the
amount
of
content
being
produced
in
five
days
is
just
too
much.
You
can't
maintain
an
overview
of
it.
A
C
So
you
know
so
that
the
disadvantages
I-
don't
you
know,
I,
don't
see
them
I
see
quality
books
been
producing
a
massive
amount
of
time,
but
you
do
need
to
have
an
understanding
of
facilitation
to
facilitate
these
things
of
community
management.
To
make
them
happen.
You
have
to
have
people
involved
in
this
production
process
which
are
not
editors
and
writers,
but
our
facilitators
and
collaborators
do.