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From YouTube: Heritage Preservation Board January 3, 2022
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A
Okay,
it's
about
6
30..
Let's
start
the
meeting.
A
A
C
A
I
have
no
minutes.
Do
we
have
any
public
comments
before
we
start.
A
Okay,
okay,
then
I'm
we
have
an
organizational
meeting
first
and
I'll
turn
it
over
to
the
yeah.
D
Yes,
thank
you
good
evening,
happy
new
year,
everybody
we
get
to
have
some
elections
tonight.
This
is
your
first
organizational
meeting
of
january.
Your
only
meeting
of
january,
but
per
your
rules.
Tonight
is
the
night
for
you
to
make
a
determination
of
who
this
year's
chair
and
vice
chair
will
be.
And
yes,
I
know,
miss
ryan
is
not
here,
it's
okay
to
move
forward
without
her.
She
also
can
be
nominated
and
elected
in
her
absence,
if
you
so
choose
to
do
that
for
one
of
the
positions.
D
So
the
first
thing
we
need
to
do
is
elect
a
chair,
so
any
of
you
can
make
a
nomination
as
to
yourself
or
someone
else
that
you
think
would
be
a
good
chairperson
moving
forward,
and
then
we
have
to
have
a
vote
and
if
there's
a
majority
of
you
that
agree
with
that
recommendation,
you
then
have
that
officer.
F
A
F
D
Do
you
agree
yeah?
Okay,
then
you
have
a
chair.
You
will
continue,
which
also
means
you
can
continue.
Tonight's
meeting.
You
don't
have
to
step
aside
for
the
conclusion
of
the
tonight's
meeting,
but
now
you
need
to
address
a
vice
chair
same
process.
Just
need
someone
to
nominate
an
individual
again,
it
can
be
miss
ryan
or
it
can
be.
Anybody
else
nominate
an
individual
and
we'll
have
a
roll
call.
F
D
A
D
A
Okay,
you're
still.
D
So
I'll
make
the
quasi-judicial
announcements
and
I'll
swear
everybody
in
that's
going
to
speak
tonight.
First,
let
me
explain
this
is
the
quagga
judicial
proceeding
where
the
heritage
preservation
board
acts
in
a
quasi-judicial,
rather
than
a
legislative
capacity
at
a
quasi-judicial
hearing?
It
is
not
the
board's
function
to
make
law,
but
rather
to
apply
law
that
has
already
been
established
and
a
quasi-judicial
hearing.
D
The
board
is
required
by
law
to
make
findings
of
fact,
based
upon
the
evidence
presented
at
the
hearing
and
apply
those
findings
of
fact
to
previously
established
criteria
contained
in
the
code
of
ordinances
in
order
to
make
a
legal
decision
regarding
the
application
before
it.
The
board
may
only
consider
evidence
at
this
hearing
that
the
law
considers
competence,
substantial
and
relevant
to
the
issues.
D
If
the
competent,
substantial
and
relevant
evidence
at
the
hearing
demonstrates
that
the
applicant
has
met
the
criteria
established
in
the
code
of
ordinances,
then
the
board
is
required
by
law
to
find
in
favor
of
the
applicant.
By
the
same
token,
if
the
competent,
substantial
and
relevant
evidence
that
the
hearing
demonstrates
that
the
applicant
has
failed
to
meet
the
criteria
established
in
the
code
of
ordinances,
then
the
board
is
required
by
law
to
find
against
the
applicant.
Anyone
that's
testifying
tonight.
Could
you
please
stand
and
raise
your
right
hand.
D
A
G
Yes,
pat
mcneese,
principal
planner
and
I'll
go
through
this,
hopefully
try
to
go
through
this
quickly.
I've
got
a
several
slides
here.
This
is
located
at
121,
east
tarpon
avenue.
G
G
There
was
a
wall
on
the
first
floor
that
separated
those
and
a
set
of
stairs.
Apparently
that
isn't
there
anymore
and
then
the
upper
second
floor
was
the
dance
hall
they
labeled
it
dancehall,
but
social
gathering-
and
this
is
a
two-part
commercial
block
in
your
guidelines-
you'll
notice
that
the
fernald
building
is
displayed,
as
you
know,
basically,
the
type
of
commercial
block
as
as
one
of
the
best
really
the
best
example
in
tarpon
the
this
is
a
just
a
picture
of
the
building.
It
is
two
stories
as
you
can
see.
G
We
have
one
story,
buildings
flanking
this
one
and,
as
you
know,
we
do
have
several
two-story
of
these
older
commercial
block
buildings
on
tarpon
avenue,
probably
the
most
other
most
prominent
one.
Besides
this
one
would
be
the
mirs
building
and
there
are
others,
two
frogs
and
some
of
those
other.
I
think
where
the
replay
is
museum
is
some
of
those
are
two
stories,
so
the
applicant
is
proposing
to
more
than
double
the
footprint
with
this
addition
is
going
to
be
to
the
rear
of
the
building.
This
is
the
front.
G
This
just
shows
the
masking
and
scale
and
we'll
come
back
to
this
in
a
minute,
but
this
is
the
original
building
that
shows
the
painted
brick
design
and
the
flat
roof
with
parapet.
This
building
has
parapets
on
the
front
and
the
sides
not
on
the
back
and
a
flat
roof.
This
will
be
the
addition.
It
will
be
a
masonry,
cement
or
plaster
type
of
surface.
The
applicant
is
here,
and
they
can.
G
They
can
describe
this
in
better,
more
detail
than
I
can
and
it
will
be
connected
to
the
main
structure
below
that
flat
roof
line,
so
it
will
be
basically
basically
lower
than
the
roof
line
of
the
main
structure
and
extend
back
to
the
alley
now
these
one-story
buildings.
Next
to
it.
This
is
obviously
a
scale,
a
direct
look
at
the
at
the
sides,
but
I
just
wanted
to
show
you
basically.
G
G
G
There's
a
little
bit
left
over
up
here
because
up
at
the
top,
because
the
addition
of
the
roof
of
the
addition
will
connect
underneath
that
roof
line
of
the
existing
building,
but
you
won't
be
able
to
see
that
from
the
ground,
so
the
architecture
that
will
be
covered
includes
the
arched
windows
and
door
openings.
Obviously
none
of
these
windows
or
doors
are
original
to
the
structure.
G
G
G
The
city
is
I'm
kind
of
working
towards
activating
that
alley.
Increasing
pedestrian
traffic
along
there
right
behind
it,
as
you
know,
is
the
118
orange
street,
the
tea
house
property
you
all
recently
looked
at.
G
G
This
is
factless
shoes,
next
door
and
I
forget
what's
next
door
on
the
other
side,
but
you
know
you
can
see
some
sheds
and
things
back
here,
but
it
is
a
well
used
alley
with
pedestrians
and
traffic,
and
this
this
project
will
open
the
open
up
to
the
alley.
So
the
fence
will
go
away.
Is
my
understanding
and
the
activity
will
be
right
right
on
the
alley.
G
Really,
if
you
look
at
that
list
of
materials,
it's
kind
of
like
almost
like
a
commercial,
almost
industrial
type
of
look
very
simple:
no,
almost
no
ornamentation
or
there's
not
much
as
far
as
architectural
accents.
I
guess
that
would
detract
or
or
distract
I
guess,
from
the
existing
building.
So
it's
it's
really
differentiated
from
the
existing
building
without
interfering
with
that
building,
it
really
kind
of
complements
it
in,
in
my
opinion,
so
you're
looking
at
some
cement
or
masonry
surfaces.
G
This
is
would-be
powder-coated
metal,
we're
looking
at
steel
for
beams
and
stairways.
This
is
a
like
a
simulated,
wood
type,
geometric
accent.
G
These
are
some
of
the
renderings
showing
the
again
that
simulated
wood,
I
believe
the
applicant
may
have
a
sampler-
can
explain
that
a
little
more.
It's
doesn't
sound
good
to
me,
simulated
wood,
but
it's
some
sort
of
a
metal
material.
I
believe
that
looks
like
wood,
so
it's
a
little
higher
quality
material
and
then
yeah.
We
talked
about
the
steel
and
kind
of
a
pergola
design
over
this
patio
and
then
there's
a
bar
inside
and
your
packet
has
more
pictures
of
what
that
floor
plan
looks
like,
and
the
surfaces.
G
G
Obviously
they'll
be
repainting
as
needed,
and
the
name
plate.
The
gw
for
node
nameplate
will
remain
intact
and
be
there.
On
the
first
floor,
they
will
mostly
be
renovating
the
the
entrances
and
display
windows.
So
if
you
look
at
the
historic
photographs,
we'll
look
at
in
a
minute
really
different
renovations
have
taken
place
over
the
years
on
this
line,
but
the
line
of
the
fenestration
has
pretty
much
remained
the
same.
It
looks
like
so.
G
You
had
different
things
going
on
over
the
years,
but
what
they'll
be
doing
is
retaining
the
double
doors
in
the
middle,
which
I'm
wondering
may
have
led
to
that
original
staircase
going
upstairs
and
then
a
those
are
wooden
and
then
there's
a
single.
I
think
it's
a
single
wooden
door
over
on
the
east
side
that
will
be
retained.
G
G
The
applicant
will
be
putting
a
door
on
the
west
side
looks
like
there
was
a
door
there
before
right
now.
It's
covered
over
display
windows
proposed
as
a
two
two
light
windows
to
replace
the
single
display
windows
that
are
there
now
and
then
same
with
this
display
window.
The
applicant
can
clarify
if
that
was
the
intent
with
this,
and
then
the
transom
windows
will
be
restored.
G
The
applicant
can
kind
of
give
you
the
details
on
whether
those
will
be
operable
fixed
or
what
those
will
be,
but
right
now
they're
covered
over
with
plywood.
So
that
will
be
a
great
kind
of
reveal
there.
I
think,
and
then
the
applicant
poses
a
metal
awning
with
the
braces.
The
metal
braces,
which
is,
is
typical
or
appropriate
for
a
commercial
building.
G
And
just
kind
of
to
other
views.
One
thing
to
note:
there
are
different
chimney
tops
on
this
building,
including
the
back
and
the
sides.
The
applicant
is
showing
that
those
will
remain.
I
don't
know
I
mean
we
were
in
the
building
for
a
short
time.
I
don't
know
that
they
lead
to
anything,
I'm
not
sure,
there's
much
left
inside
the
building
as
far
as
any
of
that
goes,
but
the
chimney
tops
which
which
really,
if
you
look
at
the
side,
you
can
see
those
from
the
ground.
G
G
G
I
don't
think
they're
going
to
be
replaced,
so
we're
looking
up
a
proposed
door
on
the
west
side.
This
is
covered
over.
If
you
look
on
the
inside
of
the
building,
you
can
see
there
was
an
opening
there-
probably
a
door,
it's
kind
of
hard
to
tell,
because
these
dapper
gentlemen
are
kind
of
blocking
the
building,
but
this
may
have
been
a
door
here.
G
This
is
about
where
the
double
doors
you
can
kind
of
line
it
up
with
the
windows
above
and
see
the
double
doors
were
behind
this
gentleman
here
and
then
it
looks
like
there
could
have
been
a
door
on
on
the
east
end
but,
like
I
say
it
looks
like
with
different
stores
and
storefronts
over
the
years.
The
doors
and
windows
may
have
changed
a
bit,
but
they
they
really
do
follow
that
same
kind
of
fenestration
of
of
the
open,
storefront.
G
G
As
far
as
the
awning,
the
applicant
is
proposing
a
commercial
just
plain
metal,
braced
awning.
You
can
see
over
the
years
that
there
have
been
cloth
awnings
on
the
building,
mostly
just
a
straight
one.
The
one
that's
under
now
is
like
one
of
those
curved
kind
of
ballooning
ones,
I'm
not
sure
in
the
20s
and
30s.
If
that
was
a
metal
or
wood,
or
it
looks
like
it
was
probably
just
a
slanting
awning
you
all
can
can
determine.
G
I
believe
they
intend
to
do
the
metal
awning,
and
it's
it's
up
to
you
whether
you
want
to
mimic
that
original
talk
with
the
applicant
about
whether
that
original
slope
is
mimicked
or
not.
G
It
just
kind
of
opens
up
the
look
of
the
old
building
from
across
the
street
or
underneath
so,
let's
see
they
are
proposing
a
roof
sign
and
then
a
lettering
on
the
can
on
the
canopy,
and
this
is
acceptable
design
by
sign
code.
It
it
should.
We
didn't
get
sizes,
but
they
should
be
fine
with
the
50
size,
and
we
will
ensure
that
the
signed
square
footage
is
at
the
50
percent
of
the
building
frontage.
They
should
be
fined
within.
G
G
So.
With
respect
to
your
review
standards,
the
rear
facade
is
covered,
but
this
is
an
addition
that
is
differentiated
yet
seems
to
emphasize
and
and
and
just
show
off
the
old
building.
G
Overall,
it
really
is
a
an
adaptive
use.
I
didn't
tell
you
the
use
it's.
It's
gonna
be
like
a
restaurant
meeting
place
and
co-working
space,
which
would
be
a
great
adaptive
reuse
of
this
building.
G
So
it
seems
like
a
good
trade-off,
even
with
the
size
of
this
addition
to
the
property.
G
So
the
windows
and
doors,
one
thing
I
didn't
mention
on
the
sides:
the
applicant
has
stated
that
the
windows
will
be
bricked
in
if
they
can't
put
window
openings
in
them.
So
that
would
be
sorry
about
that.
These
windows
here
that
are
open.
You
can't
really
see
them
from
the
ground.
If
the
applicant
can't
put
restore
those
windows,
then
they'll
be
bricked
in
using
bricks
from
the
building.
G
The
historic
lines
are
retained
at
the
front
facade
and
the
openings
of
that
first
story
seem
to
be
acceptable
again.
There
are
no
there's
no
changes
to
the
second
story.
The
addition
brings
the
property
experience
to
that
back
alley
and
the
architecture
really
is
appropriate
to
the
alley
environment.
For
that
addition-
and
it
seems
like
at
any
rate
the
the
front
facade
renovations-
are
going
to
really
display
the
building
a
little
bit
better.
G
G
The
applicant
is
going
to
retain
that
it's
kind
of
wrapped
around
onto
the
brick.
I
don't
think
any
of
the
changes
that
are
being
proposed
to
the
building
will
prevent
that
from
being
removed
in
the
future.
If
the
applicant
would
like
to
remove
that,
we
would
encourage
that,
but
it's
probably
quite
a
project,
so
that
is
something
hopefully
they'll.
Consider
for
the
future
for
the
roof.
Again,
it's
connected
below
the
existing
building.
It's
unadorned
flat,
roof,
no
parapet
really
and
it
seems
appropriate
and
again
the
addition
doubles.
G
The
footprint,
but
it
really
doesn't
seem
to
detract
too
much
from
the
existing
building.
You
can
really
get
a
feel
for
what
that
building
was.
G
And
then
we've
talked
about
the
architectural
features
of
the
rear
edition
the
side,
windows
and
the
front
facade
renovations
seem
to
be
consistent
with
the
building
the.
As
far
as
the
period
of
construction,
everything
proposed
seems
to
adhere
to
the
period
of
construction.
That's
on
that
front
facade.
G
G
In
fact,
you
know
if
the
board-
well,
that's
not
before
you,
because
it's
not
proposed
they
would
have
to
come
back
here
to
re,
remove
them,
and
then
we
have
the
guidelines.
The
project
does
should
conform
with
cities,
codes
and
staff
is
recommending.
Approval
of
the
application
is
presented
with
three
conditions,
and
I
would
like
for
the
applicant
to
confirm
with
you
and
there
were.
There
was
no
public
response
to
this
notice,
the
materials
and
designs
for
these
four
items.
Now
I
did
after
I
did
this.
G
I
noticed
that
the
windows
are
labeled,
I
think,
of
a
bronze
adenized
material
on
the
he
can't
read
it
up
here,
but
on
the
elevation
drawings,
so
maybe
a
little
more
elaboration
on
what
that
is,
the
materials
for
the
new
doors,
whether
those
will
be
metal
or
mine,
or
what
obviously
they're
going
to
be
store
front
doors
and
then
the
the
awning
signage.
G
A
E
You
did
mention
the
signage.
Are
we
approving
signage
tonight
also.
H
H
Before
luke,
I'm
701
south
everest
street
playing
city
florida,
it's
a
yeah,
so
it's
a
co-extruded,
it's
a
wood
plastic
composite.
It's
we've
used
it
a
lot
on
a
high-end
residential
on
the
coast.
So
it's
it
stands
up
forever
and
you
can
tell
that
it's
extruded
together
with
a
living
piece.
So
it's
not
wood,
it's
not
gonna
flake
off
and
it's
not
it's
not
actually
like
metal
itself.
And
then
this
is
the
we're
going
to
match.
H
Instead
of
going
with
the
the
anodized
bronze
we're
going
to
match
everything
powder
coat
everything,
so
all
the
steel,
every
metal
component,
that's
on
the
exterior
the
building
will
be
a
black
powder
coat.
That,
though,
we'll
have
it
all
matched
and
fabricated.
Oh
you
want
to
take
this
with
you,
pat.
H
Window
frame,
so
every
all
the
new
window
store
fronts
will
be
the
black
and
that
that
will
be
the
the
wood.
Look,
that's
on
the
bar
side
on
the
exterior
of
the
bar,
so
we
have
on
the
facade
and
the
roof
or
the
ceiling
condition
of
the
is.
I
guess
bar
here
how
you
want
one
of
these
things.
If
you
don't
know,
I
think
this
gives
a
little
bit
better
of
a
wow
example.
H
So
that
would
will
be
part
of
the
dumpster
screen,
the
enclosure
for
that
the
partition
in
the
back
and
then
the
ceiling
condition
and
the
part
of
the
facade
on
the
bar
section
on
the
alley
side
and
in
terms
of
material
for
the
for
the
tarpon
ave
it'll.
Be
that
black
store
front
it'll,
be
all
that
will
be
black,
except
for
the
the
windows.
H
A
A
H
The
black
on
the
back
is
a
concealed
fastener
metal
panel.
So
it's
basically
like
a
it's.
A
16
inch
wide,
basically
like
a
for
lack
of
variation
like
the
roof,
a
metal
roof
on
a
house
but
turn
vertically
and
concealed
fastener.
So
you
don't
see
any
attachments,
it's
just
it's
a
material.
It's
to
add
a
little
bit
of
that,
make
a
little
bit
more
industrial
on
the
back
and
to
change
to
change
the
materiality
from
the
buildings
that
are
there,
because
there's
a
ton
of
kind
of
masonry
around.
C
H
Masonry
and
we're
doing
we're
leaving
the
painted
mainstream
on
the
existing
building,
so
we
wanted
to
bring
in
some
they
wanted
to
bring
in
some
metal
in
the
back,
and
that
was
I
thought
that
was
the
easy
way
to
do
it
without
scaring
everybody
right.
Okay,.
H
Also,
that's
that's
just
for
the
back.
The
windows
will
be
the
only
wood
windows
or
the
windows
on
the
tarpon
avenue,
facade
and
we'll
try
and
re
rehab
those,
so
those
will
be
original
wood
or
those
will
be
or
like
a
wood
window,
a
traditional
wood
window
that
wood
is
specifically
for
the
alley
side,
so
that'll
be
the
the
the
linear
metal.
That's
that's
the
exact
profile,
the
little
the
rectangle
guy
is
the
elevation
that
goes
across
the
back
of
that
and
then
there's
a
wood
condition.
H
The
ceiling
condition
underneath
that
the
bar
that
I
think
shows
up
in
one
of
those
renderings.
So
everything
that's
outside
that's
wood.
Look
will
be
that
and
not
actual
wood,
so
it
lasts
longer
it
doesn't
it
won't
so
my
problem,
I
always
get
it
I'm
from
plant
city
right
and
anything
when
you
put
any
wood,
you
allow
wood
outside
people
put
up
wood
right
and
it
just
they
don't
seal.
It
doesn't
do
anything.
So
I
just
I
wanted
to.
H
E
First
of
all,
I
wanted
to
say
it's
not
always
easy
to
marry
contemporary
materials
and
design
with
with
old
structures
like
this,
but
I
personally
think
you
did
a
really
nice
clean
job.
I
do
have
a
few
questions
just
for
clarification.
E
H
Two
in
the
middle,
the
24
inch
doors
in
the
middle
are
too
small
for
egress
and
the
way
we've
laid
out
the
plan,
so
the
on,
if
you're,
looking
at
it
from
that
the
left
side
of
the
plan
is
the
food
and
beverage
component
and
the
right
side
of
the
plan
is
the
first
floor
of
the
co-working
component
and
in
the
middle
there's
like
there's
a
mixed-use
space.
The
second
floor
is
all
co-work.
The
those
two
middle
doors
will
stay,
they'll
be
fixed,
we're
going
to
refinish
them.
H
So
it's
wood
they're
not
going
to
lose
that
effect,
but
they're
they're
going
to
be
fixed.
We
can't
use
them
for
egress.
It's
it's
it's
kind
of
small,
it's
kind
of
it's
a
really.
It's
tough
to
use
them
in
current
code.
So
that's
why
we're
having
a
ada
compliant
door
on
the
left?
There'll
be
a
ramp
that
comes
up
into
that
and
then
the
one
on
the
right
far
right
that
there's
a
double
door
there,
that's
also
the
wood
door
that
we're
going
to
leave
there
and
that
will
be
operable.
H
But
that's
not
the
ada
entrance.
The
ada
entrance
is
why
we
had
to
put
a
hole
in
that
storefront
there
and
put
a
new
door
entrance
to
that
because
there's
the
because
of
the
elevation
of
the
finished
floor
and
the
interior
of
the
building,
it's
above
the
sidewalk,
and
we
can't
we
have
to
ramp
and
I'll
make
it
on
the
outside
of
the
building,
we're
ramping
up
inside
of
the
building
so
to
to
get
that
ada
compliance.
We
have
to
do
that
on
that,
so
we're
leaving
we're,
leaving
all
the
wood
doors
up
front.
E
Is
an
idea?
Okay
thanks
and
what
about
the
awning
I'm
looking
at
this
drawing
here
and
it
looks
like
that's
sun
coming
through
and
shading
the
front
so.
H
What
was
your
name?
Oh
sorry,
it's
a
c
channel.
It's
basically
so
fabricated,
a
metal
awning
and
then
the
vertical
slats
will
be
the
bigger
profile
of
that
that
wood
extrusion.
So.
C
H
Look
good
we're
we're
back
and
forth
right
now,
I'm
trying
to
convince
him
to
cover
it
so
from
from
the
street
it'll,
look
the
exact
same
from
the
under
from
the
underside.
I
look
the
exact
same
I'm
trying
to
put
a
clear
polycarbonate
over
top
for
rain.
H
So
that's
the
biggest
thing
right
now.
That's
the
thing
with
me
and
then
for
the
hardy
board.
My
my
plan
is,
I
can
come
back
if
we,
if
we
do
it,
we're
taking
a
hole
in
the
food
and
beverage
side
on
the
back,
the
back
elevation,
the
north
elevation
of
the
building,
we're
cutting
a
large
hole
through
that.
So
we'll
have
a
lot
of
brick,
you're,
hoping.
C
H
E
Okay
and
another
question
about
the
front
lights:
what's
going
to
be
the
surround,
what's
the
rest
of
the
column
or
whatever.
E
Okay:
okay,
thanks
one
last
one,
the
signage,
yes,
sir,
since
we
are
talking
about
that
tonight,
what
what
are
the
materials
that
you're
using
and
what
are
your
plans
and.
H
It's
a
die-cut,
it's
a
die-cut
metal
and
that
would
be
a
powder-coated
their
their
color.
Is
that
green?
That's
like
that's
their
brand
color,
so
it'll
be
a
powder
coat
to
match
that
green,
and
I
think
that
sign
the
sign.
That's
shown
there
is
a
little
larger
than
what
we've
what
we've
done.
Our
calculations
for.
I
think
it's
probably
about
like
six.
A
E
H
There
we'll
have
to
open
a
doorway.
There's
the
the
existing
art
shop
doorway
will
remain
so
the
whole
wall
will
remain,
except
for
the
portion.
We
remove
and
we'll
hold
it
up
with,
like
two
seat
channels,
stitched
on
either
side
that
so
the
the
the
one
on
the
left
will
still
have
the
arch
top
and
those
and
then
the
window
above
that
will
be
blown
out
to
make
a
door
passage
into
the
in
the
new
building.
H
But
the
windows,
the
existing
windows-
are
two
middle
there
staying
there,
that's
a
conference
room
on
the
other
side,
so
all
of
the
exterior
exposed
all
the
exposed,
brick
on
the
interior
of
the
building
will
be
visible.
The
food
and
beverage
is
the
publix
that
we'll
call
it
a
public
side
right
that
so
the
public
has
access
to
that
that
food
and
beverage
goes
all
the
way
to
the
back
so
because
it
because
of
the
the
bar
in
the
alley
in
the
back.
H
A
A
A
I
I
On
this
slide,
you
can
see
the
location
of
the
original
carriage
house
and
then
the
1970s
edition.
I
These
pictures
have
actually
you've
actually
seen
before,
because
this
particular
property's
come
before.
You
do
two
times
recently
once
for
replacement
of
the
windows
and
then
in
george
july
regular
meeting,
you
granted
a
certificate
of
approval
for
the
replacement
of
the
singer,
the
the
cedar
shingle
for
the
the
clemson
house
and
and
that's
similar
to
what's
being
proposed
here.
I
I
And
just
some
our
work
they've
already
done
for
the
the
property
rehabilitation,
so
staff
recommendation
is
to
move
for
approval.
I
think
it's
gonna
look
nice
and
complementary,
but
obviously
the
1970s
edition
is
still
going
to
look
like
it's
1970s
and
it's
not
trying
to
to
create
something
that
wasn't
there
before.
A
B
A
E
F
K
It's
the:
where
is
it
the
city
staff
approval,
okay,.
E
Okay,
I'll
I'll
second,
that,
okay.
A
A
A
I
It's
a
masonry
vernacular
contributing
altered
building.
I
would
note
I
don't
know
that
I
know
this.
I
think
it's
in
the
staff
report,
but
the
get
the
garage
is
considered
to
be
a
contributing
structure,
but
that
the
residence
itself
is
contributing
altered.
I
I
I
I
I
I
The
neighborhood
and
district
content
talk
context.
The
roof,
which
again
is
going
to
be
the
same
as
the
existing
edition
sizing
massing
similar
to
the
existing
edition
architectural
features.
The
period
of
construction
is
going
to
be.
You
know
it's
going
to
be
obvious
that
it's
a
later
structure,
but
it's
going
to
be
consistent
with
the
existing
edition,
and
then
it
should
adhere
to
the
secretary's
guidelines
and
conform
with
city
code
requirements.
I
E
Just
for
staff,
I
think
you
clarified
it
when
I
was
looking
at
the
photos-
and
I
saw
this
wall
with
the
gray
plastic
on
top.
So
so
that's
actually
the
new
addition.
Yes,.
I
B
A
Does
the
applicant,
have
you
want
to
say,
would
you
like
to
come
up
and
field
any
questions?
Okay,.
A
A
E
Looking
at
the
photo
of
the
existing
with
with
the
new
edition
that
looks
like
it's
already
started,
but
I'm
not
going
to
judge
the
sighting,
that's
on
the
existing
one.
How
how
will
you
connect
that
to
the
new
part
of
this.
L
F
A
Okay,
okay,
thank
you
very
much.
Thank
you.
A
F
A
A
F
Okay,
I
approve
the
application,
21
176
229
spring
boulevard
as
presented
and
is
recommended.
You
know
it
is
the
staff
recommendations,
okay,
for
approval
for
approval,
okay
right.
Second,.
F
E
A
Okay,
we
have
a
presentation.
G
Yes,
we
have
dr
linda
stevenson
here.
She
is
a
professor
with
the
historic
preservation
program
at
university
of
florida,
college
of
design,
construction
and
planning,
and
she
will
be
kind
of
leading
our
effort
on
the
city's
adaptation
and
resiliency
plan.
We're
going
to
be
developing
for
the
historic
district
in
greek
town.
We're
we're
going
to
be
kicking
that
off
really
tonight
with
a
little
bit
of
an
introduction
and
bringing
you
more
information
on
some
workshops
and
things
we're
setting
up
for
that.
G
G
And
we'll
get
started.
J
Well,
good
evening,
everyone,
my
name
is
linda
stevenson,
I'm
the
adjunct
assistant,
professor
in
the
historic
preservation
program
at
the
university
of
florida.
I'd
really
like
to
thank
you
all
for
offering
us
a
few
minutes
to
present
our
the
initial
stages
of
our
project
tonight,
and
this
will
be
a
fairly
brief
presentation.
J
So
I'd
like
to
just
start
with
a
quote
here
from
jeff
goodall
who's,
a
journalist
who
wrote
the
water
will
come
and
it
was
a
work
that
was
produced
about
four
years
ago,
talking
about
the
threat
of
sea
level
rise
and
particularly
in
the
miami
area,
and
certainly
throughout
the
peninsula
of
florida.
J
And
you
know
we
know
this-
that
in
fact,
this
is
something
that's
going
to
reshape
our
communities
in
ways
that
we're
not
really
sure
but
part
of
the
our
mission
is
to
help
communities
plan
for
this
inevitable
outcome
here.
So
the
particular
project
that
we're
working
on
is
funded
through
a
grant
by
the
division
of
historical
resources.
It's
their
small
matching
grant
program
and
the
project
has
essentially
three
goals.
J
J
Now
lisa
craig
was
the
preservation
planner
for
the
city
of
annapolis
for
many
years,
and
they
initiated
part
of
the
keeping
history
above
water
conferences
that
have
been
going
on
in
the
last
few
years.
Their
expertise
is
in
not
only
preservation
planning
but
also
adaptation
to
sea
level
rise
and
community
engagement
as
well
and
then
again,
funded
through
the
division
of
historic
resources.
J
So,
in
addition
to
this
project
with
the
community
outreach
piece,
we're
also
working
with
the
heritage
preservation
board
with
you
all
various
historic
preservation
groups
in
the
area,
some
of
the
neighborhood
associations
and
other
stakeholders
that
have
interest
in
this
issue
and
we're
working
on
identifying
some
additional
stakeholders
right
now
with
patricia
mcneese's
help.
J
So
our
scope
of
work,
we
basically
have
six
main
tasks
that
we're
doing
we've
initiated
the
project
already.
So
our
second
piece
is
the
public
engagement
piece
which
actually
continues
throughout
the
project
and
then
we'll
be
doing
our
data
gathering
hosting
two
public
workshops
and
then
additional
presentations
we'll
be
looking
at
all
of
the
assets.
What
is
their
exposure
to
threat?
And
how
might
you
be
able
to
adapt
some
of
the
assets
depending
on
the
type
of
architecture,
the
and
the
actual
level
of
the
threat?
J
J
This
is
going
to
go
out
to
various
stakeholders
and
it's
going
to
be
available
to
the
public
through
the
connect,
tarpon
springs
website
and
what
we
hope
to
do
there
is
to
get
public
input
on
what
structures,
what
areas?
What
are
important
to
the
community
in
terms
of
the
asset,
the
value
of
the
historical
resource
on
a
community-wide
basis
and
then
also
take
a
look
at
the
level
general
level
of
awareness
of
hazards,
as
well
as
what
are
concerns
on
the
mind
of
the
survey
respondents.
J
In
addition,
we'll
be
doing
some
data
compilation,
which
is
taking
a
look
at
all
of
the
structures
that
are
listed,
for
example,
on
the
florida
master
site
file
or
on
the
national
register.
We
also
look
at
other
aspects:
the
land
use
the
zoning,
the
age
of
the
building,
the
type
of
construction.
As
I
mentioned,
the
finished
floor,
elevation
of
the
first
floors,
for
example
as
well,
and
from
that
we
can
develop
an
exposure
profile
for
all
of
these
assets.
J
We're
also
going
to
take
a
look
into
union
academy
area
a
little
bit
as
well,
actually
that's
an
additional
item
within
the
scope
of
our
project
and
then
preparing
the
final
presentations
to
the
community,
the
toolkit
for
the
community
and
the
report
as
well.
J
So
the
two
main
geographic
areas
that
we'll
be
focusing
on
here
and
then
so.
Our
first
public
workshop
is
scheduled
for
thursday
february
24th.
There'll
be
two
sessions.
The
afternoon
session
is
for
invited
stakeholders,
public
officials
and
and
other
interested
parties,
and
then
in
the
evening
we'll
also
run
a
workshop
open
to
the
general
public.
C
J
And
then
we
prepare
the
draft
plan
and
we'll
have
a
second
workshop
which
is
scheduled
for
march
28th
at
the
moment,
and
the
idea
of
that
is
the
is
for
the
goals
and
objective
setting
again
getting
community
input,
and
that
would
actually
be
the
stakeholder
group
that
would
be
working
with
us
on
that
and
then
that
from
that
that
helps
us
develop
strategies
for
mitigation
for
different
kinds
of
resources
and
then
the
creation
of
the
toolkit,
the
resiliency
platform
itself
and
then
a
draft
plan
and
from
that
plan
that
will
be
again
presented
for
input.
J
So
I'd
like
to
just
share
one
example
with
you
of
a
project
that
was
very
similar
to
what
we're
doing
here
in
tarpon
springs.
This
was
for
the
city
of
saint
augustine
that
was
done
recently,
and
the
idea
with
this
was
again
to
identify
and
prioritize
the
properties
within
their
national
historic
landmark
district
was
it
was
the
area
of
our
main
focus
there
and
to
extract
the
community
values
and
also-
and
this
particular
project
took
a
look
at
economic
impact
as
well
in
a
little
bit
more
detail.
J
In
this
particular
case,
the
city
asked
for
three
pilot
projects
and
they
decided
to
use
public
facilities,
because
that
was
they
had
control
over
that
those
properties,
and
it
was
a
way
to
establish
a
if
you
will
a
pilot
project
for
other
properties
to
take
those
adaptation
strategies
and
apply
them
as
well,
and
then
so.
Some
of
the
criteria
that
we
used
in
the
case
of
saint
augustine
was
in
addition
to
that
vulnerability
assessment.
We
looked
at
the
year
built,
for
example,
the
level
of
designation
on
the
property.
J
The
was
it
a
critical
infrastructure
parcel
for
example,
or
did
it
perform
that
function
within
the
community
and
then
also
the
tourism
value,
so
that
is
again
saint
augustine
being
a
community
that
relies
heavily
on
on
tourism,
that
economic
impact
of
losing
the
structures
or
having
the
structures.
J
J
What
we
used
here
was
gis
story,
mapping
that's
accessible
through
a
portal
to
the
public
and
that
way
the
the
stories
of
the
community,
the
graphic.
The
richness
of
the
the
illustrations
can
really
tell
the
story
in
ways
that
a
long
narrative
necessarily
can't,
so
that
was
the
that
particular
project
and
this
applicability
to
this
project
here
and
then.
Lastly,
just
like
we
took
a
look
at
the
the
surging.
C
J
Portal
and
ran
a
little
analysis
here
where
you
can
adjust
the
slider
up
and
down
of
the
amount
of
sea
level
rise
and,
interestingly,
these,
the
risk
assessment
that
this
particular
site
suggests
for
tarpon
springs
is
that
if
there's
a
five-foot
flood
taking
place,
the
likelihood
of
that
happening
between
today
and
2050
is
about
a
64
risk
and
you
can
adjust
that
up
and
down
depending
on,
of
course,
the
height
of
the
flood
coming
in.
F
G
Yes,
we'll
be,
we
will
be
activating
the
connect,
tarpon
springs
site
tomorrow.
I
plan
to
activate
that
we'll
be
putting
up
the
dates
for
that
and
I'll
be
notifying
you
of
all
the
meeting
dates.
A
J
You
could
wet
flood
proof
of
building
which
would
allow
the
waters
to
flow
through
the
ground
floor
and
again
that
that
works.
If
you
have
a
masonry
building
and
no
really
damageable
materials
on
that
first
floor
level
and
other
strategies
include
various
barriers
which
are
a
little
bit
more
of
a
community
infrastructure
kind
of
approach
or
at
some
point,
relocation
or
elevation
of
the
building
or,
ultimately,
perhaps
abandonment
and
deconstruction,
depending
on
the
particular
cases.
What.
J
So
well,
I
guess
we
use
the
term
adaptation
in
in
terms
of
more
more
invasive
treatment
of
a
property.
C
J
And
mitigation
would
be:
are
there
other
ways
that
we
can
limit
the
damage?
Somehow,
so
I
think
we
think
of
mitigation
as
a
little
bit
more
externally,
based
if
you
will
perhaps
and
there's
also
on
a
policy
level,
also
are
there.
Are
there
changes
in
different
policies
that
you
could
implement
that
might
help
stave
off
flooding
for
a
little
while
longer.
J
So
the
toolbox
is
essentially
this,
this
kit
of
ideas
and
tools
and
strategies
that
perhaps
private
or
public
entities
could
implement,
so
that
that's
more
of
the,
if
you
will
the
graphic
description
of
how
you
would
apply
these
basic
ideas
about
adaptation
and
mitigation
to
your
property.
A
Okay,
wouldn't
this
pertain
mainly
for
infrastructure,
tight
structures?
You
know
sewage
things
like
this.
That
would
have
to
be
relocated.
How
does
that
you
know
on
private
private
houses?
K
G
I
would
like
to
add
too
a
little
bit,
so
we
are
going
to
be
sending
out
a
survey,
some
of
the
things
to
think
about
just
just
wanted
to
give
you
a
heads
up
are
some
of
your
priority
historic
places
or
structures
or
things
in
tarpon
that
that
you
guys
feel
are
you
know
we
don't
really
have
we
have
a
landmark
program
in
our
code
that
we
can
use?
We
really
don't
have
landmarks
designated,
but
but
things
like
you
know,
we've
heard
sponge.
G
Warehouses
are
important
things
like
that,
just
kind
of
think
about
that
think
about
the
different
hazards.
I
know
you
all
have
looked
at
a
lot
of
window
replacements,
that's
a
good
subject
area
for
wind
impact
and
what
are
the
options
that
owners
have
for
window
replacements?
You
know
just
think
about
the
hazards
and
those
sorts
of
things
when
the
survey
comes
up.
Those
will
be
the
sorts
of
questions
that
we're
going
to
be
looking
for
for
input
from
you
on.
A
M
Yes,
so
I've
got
a
couple
questions
for
you
actually
and
also,
I
want
to
say,
patricia
I'm
glad
you
mentioned
sponge
warehouses
and
I
like,
and
one
of
the
questions
sort
of
comes
off
of
yours
about
adaptations,
but
first
of
all,
I'm
gonna
start
with
my
main
question.
Is
you
gave
the
exam
first
of
all
lovely
lovely
plan
on
how
to
proceed,
and
I'm
very
glad
you
guys
are
doing
this?
M
I
wanted
to
ask
generally-
and
you
gave
the
example
of
saint
augustine,
but
I
didn't
really
see
along
the
way
now.
The
greek
town
district,
as
you
know,
is
a
traditional
cultural
property,
and
how
are
you
going
to
sort
of
most
of
what
you've
been
talking
about
has
to
do
with
properties
as
opposed
to
traditional
culture
that
goes
along
with
those
properties.
So
how
are
you
going
to
assess
value
of
properties?
In
those
terms?
J
Because
we
we
had
discussed
that
briefly
on
on
the
phone
and
it's
a
really
good
point,
because
it's
not
really
just
about
the
physical
reality
of
a
place,
but
it's
about
all
of
the
other.
It's
about
the
people,
it's
about
the
association.
So
that's
part
of
the
the
stakeholder
workshop
is
to
to
really
get
to
those
core
values
and
make
sure
that
we've
addressed
what
is
really
important
to
this
community,
specifically
okay,
great.
So
that
is
a
really
important
part.
M
J
Well,
that
is
one
of
those
major
interventions
that
requires
tremendous
public
support
and
and
also
action
from
public
sector,
to
do
that,
like
they
did
in
miami,
for
example,
miami
beach,
rather
right,
yeah
yeah,
but
again
that's
something
that
we
can
certainly
put
into
our
planning.
G
Yes-
and
I
would
like
to
add,
your
new
guidelines
have
an
appendix
of
flood
adaptations.
G
That
kind
of
is
what
that,
plus
the
focus
of
the
small
matching
grant
program
on
this
type
of
subject
matter
this
this
past
round
of
applications.
G
But
you
know
we
really
wanted
wondered
and
you've
seen
a
couple
before
you.
You
know
where
people
are
looking
for
they're
the
structures
that
are
now
below
flood
or
whatever
they
are
looking
for
ways
to
to.
You
know
deal
with
this
going
forward,
so
that's
to
kind
of
pick
up
on
what
we
started
here
in
the
guidelines
and
kind
of
follow
that,
and
you
know,
linda's
group
will
have
a
lot
of
experience
and
a
lot
of
good
suggestions
and
raising
buildings
moving
buildings.
Those
are
all
on
the
list,
but
yeah.
G
A
G
No
other
comments.
Thank
you.