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From YouTube: Public Art Committee 7-14-21
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A
Good
afternoon
my
name
is
joan
jennings,
I'm
the
chair
of
the
public
art
committee.
It
is
two
o'clock
on
wednesday
july
14th
and
I'd
like
to
call
the
meeting
to
order
marissa.
Can
you
call
the
roll.
C
C
A
D
Paragraph
this
is
very
minor,
I
know,
but
it
says
mrs
robinson
suggested:
removing
the
deadline
requirement,
adding
another
line
in
the
approval
process,
section
that
states
that
the
proposal
must
be
submitted
at
least
one
week
before
and
incorporating
a
map
blah
blah
blah.
My
question
is
one
week
before
what
it
doesn't
state.
What
does
that
make
any
sense?
I
I
read
it
and
I
just
stopped
right.
It's
not
saying
one
week
before
what.
D
E
And
I
think
it
actually
says
that
on
the
form
that
has
been
loaded
online
right.
A
Okay,
may
I
have
a
motion
to
accept
as
amended.
A
F
Well,
I
did
pull
a
couple
of
and
I
can
pass
these
around
they're
they're
a
little
bit
more
iconic
than
than
what
we
could
look
at.
But
tonight,
when
I
traveled
around
to
some
of
the
fields,
the
signage
is
actually
very
nice.
There's
a
nice
signage
at
every
field,
with
the
the
pilings
right
kind
of
a
maritime
flavor.
F
C
F
Are
each
at
each
of
the
fields,
but
it
seems
like
there's
a
theme
at
most
of
the
fields
like
riverside
is
soccer.
Okay,
obviously
sisler
we've
got
the
mural
there
and
that's
that's
baseball.
I
think
it's
baseball
as
you
go
down,
martin
luther
king
as
well,
so
there's
also
very
nice
locations
right
by
the
signage.
There
may
be
an
opportunity
for
pieces
similar
to
what
I
found
here,
but
obviously
these
are
much
more
iconic
in
in
size
and
statue
than
what
we
would
look
at.
E
F
Are
fabulous
but
the
thing
that
makes
it
really
interesting
is,
if
you
take
a
look
at
the
traffic
along
martin
luther
king
or
along
riverside
and
you've
got
the
middle
school
right
there
by
by
the
riverside
complex,
I
think,
there's
some
opportunities
for
us
to
do
a
little
bit
of
that
spreading
around
of
some
of
the
you
know,
public
art
that
we
had
we
had
talked
about.
So
I
just,
I
think
it's
an
opportunity
right.
F
A
Okay,
I
I
guess
both
of
you
have
a
handle
on
the
fields
and
what
sport
they
emphasize,
like
you
said,
soccer
or
baseball,
maybe
make
a
list
of
what
they
are
like
correlate
the
sport
to
the
field.
Okay,
and
could
you
I
know
you
can't
get
together,
but
perhaps
each
independently?
Could
you
prepare?
You
know
a
call
to
artists?
F
Would
that
be
for
the
mural
side
of
things
or
the
painting
of
things
or
what?
What
kind
of
direction
I
I
think
I
need
a
little
bit
more
direction
and
I'll
take
it
and
david
and
I
can
run
with
it.
But
I
think
I
just
need
a
a
little
bit
more
of
a
flavor
from
this
group
as
to
what
we,
how
much
effort
we
want
to
put
into
that
with
with
some
of
the
other
projects
that
we
have
going
on
david.
A
Great
to
do
something
like
you
know
what
bill
brought
in,
but
I
think
I
think
we
have
to
stick
to
that.
You
know
thousand
dollar
idea
of
either
you
know
painting
or
a
mural.
H
Okay,
so
this
would
be
doing
like,
like
the
the
bathrooms
or
or
the
facilities
at
each
one
kind
of
looking
the
same
is
that
kind
of
what
we're
thinking.
A
Well
either
that
or
you
know
emphasizing
the
sport,
you
know
if
you
know,
if
it's,
if
it's
soccer,
you
know
something
that
would
you
know
be
more.
You
know
illustrative
of
soccer
of
a
soccer.
You
know
field.
C
A
Well,
the
the
fee
has
to
be
fixed
at
a
thousand,
so
they
they
can
be
covered
by
the
city's
liability
insurance.
B
F
G
I
I
think
it's
an
interesting
discussion
and
I
was
just
thinking
that
you
know
we
could
look
at
it
both
ways.
I
mean
the
thing
about
about
doing.
Primary
colors,
for
instance,
gives
an
identity
to
each
field,
and
it
says
all
right.
This
is
part
of
a
system,
but
then
on
each
field
you
could
have
like
say.
If
one
is
a
specific
soccer
thing,
you
could
have
a
mural.
That
is
an
icon
of
what
that
is.
G
I
mean,
maybe
it's
just
a
painting
of
a
soccer
ball
on
on
a
red,
yellow
or
a
blue
wall
or
or
some
kind
of
a
cut
out
of
a
soccer
ball,
that's
on,
say
a
chain-link
fence
so
that
there's
an
icon
that
just
sort
of
identifies
the
usage
rather
than
than
making
it
a
full.
A
full
mural
project
make
it
coordinate
with
with
unifying
the
sports
fields,
and
I
mean
if
the
sports
fields
have
to
be
painted
anyway,
you
know
they
could
be
at
random.
G
C
G
G
G
G
Well,
I
think
I
think
it's,
I
think
you
have
to
sort
of
see
it
as
as
the
the
primary
colors
are
part
of
the
statement.
In
other
words,
they
are,
you
know
it's
it's
a
body
of
of
work
for
all
of
the
the
fields,
and
then
you
have
the
you
know
just
a
a
simple
rendering
of
a
soccer
ball.
It
doesn't
have
to
be
artsy.
G
You
know
it
could
just
be
an
identity
of
the
soccer
ball
and,
and
that
could
be
maybe
you
know
you
could
get
a
lot
of
interesting
things
for
a
thousand
dollars
for
that.
That
already
gets
you
paid
a
soccer
ball
on
a
bright
red
wall
or
cut
out
a
a
soccer
player
out
of
aluminum.
Maybe
somebody
has
the
capacity
to
do
that
for
a
thousand
dollars
cut
out
a
soccer
player.
Maybe
it's
just
a
silhouette
of
a
soccer
player
on
a
brightly,
yellow,
painted
chain
link
fence
or
something
like
that.
A
E
C
G
A
E
G
G
Right
yeah,
just
like
a
regular
call
for
artists,
the
pr
the
site
is
prepped
and
in
this
case
it's
prepped,
red,
yellow
or
blue
right,
and
then
they
have
to
take
that
into
account
right
and
we
don't
know
whether
which
one's
going
to
be
red,
yellow
or
blue,
because
maybe
the
maybe
the
city
when
they
paint
it
makes
it
makes
that
decision
that
gives
them
an
investment.
Somehow
right,
I
don't
know.
C
H
H
I
H
G
Do
it
I
mean
because
the
icon
is
not
going
to
be
a
yeah,
it's
not
going
to
be
a
big
deal
for
anybody.
I
mean
anybody
can
paint
a
soccer
ball
in
a
bit.
You
know
in
a
way
and
if
you've
got
to
paint
five
of
them
or
five,
you
know
five
different
athletic
things
that
could
fit
within
probably
a
thousand
dollars
yeah
or
could
you
you
could
give
them
more
money
for
that,
because
you're
asking
them
to
do
five
things
or
six
things,
but.
G
A
H
A
G
I
A
I
No,
I
was
just
going
to
say
when
you
start
talking
about
icons,
just
be
careful,
because
you
want
to
keep
it
in
the
realm
of
artwork
and
not
perceived
as
signage
of
some
sort
exactly
yeah.
So
just
keep
that.
F
A
F
I
I
I
C
I
A
G
A
And
then
that's
cool
we
could
use
robert
pantone
colors.
Would
that
be
the
easiest
again
yeah.
G
You
could
pick,
I
mean
you
just
go
to
those
and
pick
out
your
colors
right,
yeah
and
you
know
it's
very
subjective,
but
there
there
is.
You
know
what
is
the
perfect
blue
in
the
color
wheel.
You
know
right
I
mean
it's,
there
is
one,
but
there
there's
you're
not
going
to
buy
it
where
they
call
it
sky,
blue,
or
something
like
that.
If.
F
G
Know
like
there's,
you
can
see
it
in
advertising
in
places.
One
of
the
automobile
supply
stores
has
red
and
yellow
those
are
two
good
red
and
yellows
because
they
really
stand
out
both
of
them.
Okay,
there's
one
down
here
on
on
tarpon
avenue.
I
think
it's
got
bright
red
and
then
there's
yellow
letters
on
it
and
then
the
the
blue
just
needs
to
be.
I
I
I
can't
think
of
a
place
where
I've
seen
the
blue,
but
it's
just
a
well.
I
just
bought
a
new
car.
That's
blue!
A
G
C
I
Things
when
they're
doing
in
volume,
you
know
kind
of
thing,
but
also
it's
like
it
sounded
like
from
what
I
saw
last
month
with
the
list
that
david
and
bill
had
looked
like.
There
was
quite
a
few
places
you
know
within
those
sports
fields.
I
So
if
we
could
get
like
a
picture
of
whatever
surface
you're
talking
about
at
each
one,
you
know
like
a
a
photograph
or
something
just
to
identify
like
where
you,
because,
if
you're
going
to
do
a
call
to
artists
they're
going
to
want
to
see
the
surface
that
you're
going,
they
that
you
want
something
for
and
the
dimensions
so
they'll
know
what
size
you
know
kind
of
thing.
So
that's
been
my
experience
anyway.
Now
you
guys
photographed.
I
I
G
Yes,
you
could
do
it
in
two
phases.
I
think
that
was
brought
up
earlier,
but
you
could
just
paint
the
primary
colors
then
you've
got
then
you've
got
the
the
surface
already
prepped
and
then
somebody
you
show
somebody
all
right.
This
sister
field
has
a
I'm
just
using.
That
example
has
a
has
a
bright
blue
wall,
whatever
you
do
on
that,
can
work
with
the
bright
blue.
F
I
think
we
almost
need
to
go
through
the
exercise
of
of
taking
those
photographs
and
using
some
photoshop
or
something
and
really
having
an
artistic
eye.
Look
at
saying
this
is
how
these
colors
should
be.
You
know
in
in
this
particular
setting.
I
don't
think
we
should
put
that
on.
You
know
whoever's
actually
doing
the
rolling
to
make
those
decisions
exactly
well.
G
When
you
order
the
paint
quite
often
when
you
go
to
professional
paint,
supply
stores,
you
say
give
me
a
true
red,
a
true
blue
and
a
true
yellow
and
they
could
probably
computerize
that
thing
and
come
up
with
one.
That's
just
balanced,
just
the
right
way,
but
I
you
know
I
I
don't
deal
with
that.
So
you
know,
but
I
I
have
seen
up
here
on
19
there's
a
commercial
sherwin
williams.
I
think.
C
G
Yeah
and
they
I
I'm,
I'm
quite
sure
they
can.
Probably
if
you
say
I
want
a
true
red,
you
know
not
not
a
not
an
orange
red,
not
a
violet
red
but
a
true
red.
They.
They
probably
know
what
that
is
and
and
so
the
guys
rolling
it
won't.
But
when
you
order
it,
I
think
I
think
it
could
be
done
and
the
other
thing
is
just
go:
get
chips
and.
F
G
A
G
G
You
know
and
the
next
time
they
want
to
put
a
red
wall
next
to
a
blue,
something
you
know,
so
they
it
gives
them
a
chance
to
break
it
up,
so
so
treating
the
the
primary
colors
really
as
a
as
like
prepping
a
canvas,
and
it
it
shouldn't
matter
in
some,
because
those
are
the
three
primary
colors
it
shouldn't
matter
which
wall
is
which
in
a
way
I
mean
I
I
can
it's
just
that
each
wall
needs
to
be
a
different
color
or.
A
G
G
Have
you
have
the
primary
colors?
I
mean
this
is
primary,
so
there's
there's
some
message
in
that
these.
This
is
primary.
You
know
the
athletic
fields
are
primary.
That's
why
I'm
saying
this
is
part.
This
is
sort
of
part
of
this
is
part
of
the
art
project.
It's
just
that.
We,
as
the
committee,
are
sort
of
suggesting
the
the
improvement
of
the
the
fields
by
with
our
aesthetic
input
into
it,
saying
we
want
them
to
all
be
the
primary
colors
and
there's
a
reason
for
it.
G
They're
bright
and
cheerful
and
they're
primary
athletics
is
primary
to
community.
You
know
you
can
you
can
go
on
with
multi-layers
of
that
and
and
it
fits
within,
I
think,
a
lot
of
the
modern
language
of
contemporary
art.
In
a
way
I
mean
people
are
constantly
doing
icons
of
things
on
color
fields,
and
you
get
a
contrast.
I
mean
you
put
a
you
put
a
a
bright
red
wall
and
then
you
put
a
blue
something
on.
G
You
could
get
a
whole
bunch
of
electric
kind
of
color
stuff
coming
there's
a
lot
of
color
theory
that
could
be
involved
with
that
when
you
take
primary
colors,
they're,
really
raw
colors
in
a
way
and
they
they
will
make
other
colors.
Of
course,
the
secondary
colors
are
made
up
of
a
combination
of
those
and
the
tertiary
colors
are
made
up
of
those
combinations,
but
so
I
you
know,
I
think
that
if
it,
if
it
was
random,
it
wouldn't
look
so
corporate.
I
G
A
C
H
C
G
Got
a
few
buildings
right
and
then
you
have
some
some
posts
and
things
like
that
and
and
a
chain-link
fence
here
or
there.
I
I
don't
see
how
that
would
do
it.
I
mean
I
just
just
came
from
downtown
dunedin
and
and
parked
right
next
to
the
dunedin
ballpark
and
they
painted
a
bright
blue.
I
mean
that's
a
nice
blue
on
that
one,
so
they
painted
it
bright,
blue
and
white,
and
it's
it's
in
this
kind
of
almost
a
if
you've
ever
been
there,
it's
in
a
kind
of
residential
neighborhood,
no
way.
G
This
big
building
and
the
blue
is
really
very
strong
and
there's
some
of
the
red
that
they
use.
So
I
I
don't
you
know
my
my
instinct
is
david
is
not
that
it's
going
to
be
screaming
at
things
and
it
it'll,
as
some
people
say,
it'll
make
the
it'll
make
the
field,
and
you
run
into
this.
When
people
want
to
buy
art,
they
say
I
like
things
bright
and
shiny
right
and
the
field,
might
you
know,
look
bright
and
shiny
yeah
and
but
not,
I
don't
think
it
would
take
away
from
the
field.
A
Well,
I
think
the
way
to
go,
maybe
bill
if
you
have
the
capability
is
to
you
know,
make
some
samples
in
photoshop
of
the
you
know
different.
You
know
primary
color
combinations
like
on
a
couple
of
fields.
Why.
F
Don't
I
go
and
try
to
get
some
paint
colors
for
the
next
meeting
so
that
we
can
look
at
the
primary,
yellow,
blue
and
red
step
one
and
then
maybe
david
and
I
can
can
take
a
look
at
some
of
the
the
the
different
facilities
and
see
if
there's
one
that
sticks
out.
That
might
you
know
and
if
diane
you
can
find
out
from
a
maintenance
schedule,
is
there?
Is
there
a
park?
That's
due
to
be
spruced
up,
and
I
don't
know
yeah.
C
F
That
that's
when
I
think
we
would
utilize
you
know,
city
staff,
to
to
help,
because,
if
they're
going
to
paint
it
anyway,
it
would
be
a
perfect
opportunity.
But
I
understand
what
your
your
comment
was:
if
we're
asking
them
to
go
paint
every
building
on
every
part
throughout
the
city,
that's
a
little
daunting
yeah.
So
we
could.
This
is
going
to
take
steps.
It's
not
going
to
happen.
A
A
Diane,
would
there
be
a
problem
with
bill
and
david
working
together
on
this,
as,
as
fact
sharing.
G
C
I
I
The
city,
you
know,
let
me
take
it
to
the
city
manager
and
see
if
they
would
be.
Even
you
know
if
he
needs
to
get
that
approved
by
the
boc
print.
I
mean
to
paint
primary
colors
on
city
owned
buildings.
You
know
it's
like
there's
just
so
many
other
people
who
would
have
to
approve
that
I
hate
for
you
to
spend
a
whole
day,
workshopping,
something
that's
not
gonna
go
forward,
you
know,
so
I
think
we
need
to
make
sure
that
it
would
be
okay.
I
Let
me
just
kind
of
vet
that
idea
and
get
back
to
you
joan
on
it
and
then
and
find
out
from
the
city
attorney
about
david
and
bill
and
then
also
find
out
about
the
maintenance.
You
know
kind
of
thing
and
then
we
can.
I
can
send
out
a
like
a
another
email
to
all
of
you
just
to
kind
of
thing,
then
we
can
maybe
set
up
a.
A
H
David
well
in
my
mind,
I'm
also
seeing
the
walls
as
stained
white
and
even
the
mural
being
painted
in
primary
colors.
In
my
experience,
I've
painted
a
lot
of
buildings.
It's
the
worst
and
painting
a
red
fine
on
a
wall.
It's
me
I'll
see
every
little
dip
in
it.
You
know.
White
is
really
hard
to
see
plus
colors
other
than
white
or
silver
are
harder
to
keep
clean.
H
G
I
think
I
think
that
you
could
do
that,
but
is
there
a
regular
maintenance
for
these
fields?
Apparently
not
I
mean
they're
in
such
bad
shape
in
a
way
that
right
they
need
to
be
repainted
from
time
to
time,
and
if
the
city
takes
pride
in
this,
they
will
repaint
it
when
it
when
it
needs
to
be,
I
mean
a
mural
is
going
to
go
that
way
too.
I
mean
no
matter
how
much
protective
stuff
you
put
on
it.
A
mural
will
go
and,
and
so
the
mural
you
have
to
decide.
G
What
are
you
going
to
do
with
that
mural
you're,
going
to
cover
it
over
you're,
going
to
destroy
it,
you're
going
to
fix
it
up
again
so
and
and
white
tends
to
get
neglected
too,
and
if
it's
on
the
north
side
of
a
building
it
gets.
G
G
Could
be
just
pie
in
the
sky
in
a
way,
but
it's
also
something
we're
trying
to
recommend
something
that
really
enhances
a
really
important
part
of
of
our
community
in
in
the
athletic
fields,
the
public
athletic
fields,
and
if
the
city
wants
to
take
pride
in
itself
and
see
that
this
can
be
something
they
can
maintain.
G
C
G
A
A
Okay,
illuminated
art
boxes
in
your
hands
at
handouts.
Diane
has
given
us
the
57
entries
with
the
30
images,
highlighted
in
yellow
and
I'll
just
go
over
briefly
to
make
sure
we've
roll
on
the
literally
the
same
page.
So
we've
got
number
three
number.
Four
number
eight
number
10
number
12
number
13
number
14.
A
Okay,
so
I
guess
the
next
step
is
diane
I'll
have
to
process
them
for
you.
C
A
And
we'll
get
them
over
to
allen,
you
know,
and
this
time
it
should
just
be.
You
know,
printing
the
decals,
because
we're
going
to
reuse
the
the
actual
vinyl.
That's
on
the
frames.
Okay,
anybody
comments,
any.
B
I
A
A
Yeah,
okay,
okay,
current
project
updates,
christopher
still,
advent
health.
That's
just
moving
on
okay,
the
black
heritage
project.
I
don't
know
if
you
all
are
aware,
but
we
lost
a
very
valued
member,
dudley
sally.
You
know
who
passed
away.
A
He
was
really
a
remarkable
man
and
contributed
a
lot
to
the
community,
both
as
a
young
man
in
public
office,
and
you
know
in
his
later
years
he
was
the
president
of
the
tarpon
springs
area,
historical
society.
When
he
passed
away,
he
was
recently
at
a
he
made
a
presentation
when
the
historic
plaque
at
the
mir's
parking
lot
was
unveiled
and
was
also
present.
A
When
the
plaque
outside
the
cultural
center
and
elizabeth
indiano
says
mural
was
you
know,
given
an
an
opening
there'll,
be
a
graveside
service
that
cycadia
cemetery
this
coming
saturday
at
10,
30
a.m
and
in
lieu
of
flowers
the
family
would
like
donations
to
be
made
to
the
historical
society.
A
I
I
was
especially
fond
of
dudley
and
you
know
I'm
he'll
he'll
be
terribly
missed.
He
was
an
intrinsic
part
of
the
selection
panel
and
I've
asked
another
long
time
or
a
lifetime
resident
of
tarpon
springs
and
historian.
A
Nicolette
henderson
to
replace
him
on
the
selection
panel
yeah.
I
think
I
think
she'll.
I
know
she
was
very
close
to
dudley.
I
know
that
they
had
discussions
about
the
project
and
I
think,
should
be
an
appropriate
person
to
to
step
in
and
take
his
place.
Does
anybody
have
any
other
comments
and
questions
about
the
panel?
A
A
Other
than
that
most
of
this
was
a
boilerplate
based
on
the
sample
that
diane
had
provided
to
me
for
cafe
listening
service.
So
I'd
like
to
entertain
a
motion
to
go
ahead
and
get
the
call
to
artists
out
lucian.
E
I'll
make
the
motion,
but
I
do
have
a
small
suggestion:
do
do
we
need
the
motion?
First,
please
so,
move
second,
second,
okay,
we
talked
about
this
last
meeting
and
I
feel
like
the
selection
art
project
overview.
The
first
paragraph
is
a
little
bit
ambiguous.
E
Two
finalists
will
each
be
given
a
750
artist
fee
upon
completion,
which
must
then
be
approved
by
the
ts.
Pac
for
presentation
to
tarpon
springs,
city
manager
and
boc.
It
isn't
doesn't
come
really
clearly
to
me.
Gotcha.
A
Right
but
it
could
just
change
the
wording
a
little
bit
upon
completion
and
how
about
one
finalists.
E
Upon
given
a
750
artist
artist
fee
upon
completion
of
their
project
period,
right.
A
A
Okay,
one
finalist
must
then
be
approved
by
the
tspac
for
presentation
to
the
tarpon
spring
city
manager
and
the
board
of
commissioners,
everyone.
Okay,
with
that,
I
think
it
clarifies
the
wording
marissa
you're.
Okay,
with
that
you
got
that.
Okay,
okay,
given
that
amendment,
do
I
hear
a
motion
to
distribute
the
quality
artist
as
amended
the.
D
A
Okay,
all
right
new
business,
mike
elwell
artist
for
discussion
and
review.
I'd
like
to
hear
a
motion
to
table
this.
A
This
was
an
artist
that
was
suggested
by
vice
mayor
carr,
who
does
you
know
statues
on
benches?
Oh.
A
Table,
yes,
do
I
have
a
second
sure?
Okay,
all
in
favor.
H
H
Pushing
what
ups?
That's
aside,
I'm
sorry,
I'm
like.
H
A
E
A
C
A
I
I
You
know
with
the
other
ones
and
because
the
it
has
a
prong
on
there,
it
has
movement,
and
so
because
it's
put
in
the
earth
the
way
it
is
in
soft
rock.
It's
the
you
know
the
greek
limestone
kind
of
thing
it
all
shifts
and
moves.
It's
not
like
it's
in
concrete,
so
they're
coming
up
with
a
way
to
secure
the
two
standing
ones
so
that
they
can
go
ahead
and
reinstall
them
and
they
won't
move.
A
I
I
A
A
You'll
know
that
you
know
certain
things
are
more
stable
than
others,
and
you
know
it
was.
You
know,
I'm
sure,
we've
all
played
with
those
solar-powered
walk
lights
where
you
just
stick
them
into
the
ground.
That's
kind
of
what
happened
with
these
and
they
really
needed
a
much
more
substantial
base
needs.
A
Underneath
that
right
yeah,
so
as
I
said,
fortunately,
we
have
insurance
for
the
repair,
but
I
don't
know
whether
that
would
cover
the
reinstallation.
I
Yeah,
we'll
have
to
see,
I
have
to
see
what
the
proposal
is
right
so,
but
that'll
be.
The
first
step
is
to
get
the
you
know
the
that
to
the
insurance
company
and
see
what
they'll
cover.
E
The
artist
who
made
these
still
active,
no,
she
passed.
I
Give
you
all
a
copy
of
the
elizabeth
indiano's
article
that
was
in
the
fourth
of
july
issue
of
the
tampa
bay
times
in
the
floridian
section.
So
we
got
some
really
nice
publicity
right.
C
A
Yeah,
it's
listening.
E
Thank
you
at
some
point.
You
asked
me
to
to
look
in
other
places.
Right
and
I've
been
I've
been
thinking
about
martin
luther
king,
so
I
actually
went
and
looked
and
drove
every
block.
Thank
you
fabulous.
It's
it's
kind
of
a
mess.
There
are
the
the
black
cast
iron.
You
know
sort
of
period,
looking
things
there
are
wooden
telephone
poles
that
have
a
highlight
on
them
and
run
all
the
wires.
I
D
I
I
Agenda
so
I'm
not
sure
if
that's
viable,
because
those
are
duke
energies,
I
mean
we'd-
have
to
get
permission
from
duke
energy
because
they're
their
polls.
F
F
F
F
So
there
are
some
opportunities
there,
probably
with
some
of
those
polls
that
would
work
to
hold
some
of
these,
but
they're
so
spread
out,
and
I
think
we've
kind
of
come
up
with
the
idea
that
these
work
better
as
a
a
progressive.
You
know
right.
F
F
A
Yeah
well,
we've
got
in
the
parking
lot.
A
Probably
almost
a
no-brainer
might
be
sisler
field
because
we
could
even
start
with
just
some
historic
images.
A
H
A
D
A
All
right,
no,
he
he
he
mentioned
it
the
night
that
I
gave
the
annual
report
to
the
board
of
commissioners.
He
brought
up
two
artists
and
this
this
man
was
one
of
them
and
he
makes
benches
with
figures
sitting
on
them.
You
know
like
these
women.
A
No
officially
right-
and
we
haven't
heard
anything
from
the
artist
we
haven't-
had
any
kind
of
applications
from
the
artist
or
any
interest
from
the
artist.
So
I
don't
even
know
what
you
know
it's
kind
of
nebulous
as
to
what
he's.
Even
you
know,
what
type
of
work
it
would
entail.
So.
A
And
you
know
if,
if
something
comes
up,
you
know
we
could
always
revive
it,
and
you
know
in
the
future,
so
diane
you're
all
done
with
the
city
announcement.
I
A
David,
I
think
it's
okay,
okay,
it's
it's
pretty
much
right
up
there
right.
A
A
Okay,
so
I
guess
we
could
put
that
in
the
a
little
reminder
you
know
maybe
like
in
bold
or
something
at
the
top
of
the
agenda.
You
will
do
okay
unless
we
have
any
other
comments
or
ideas.
I'd
like
to
get
a
motion
to
adjourn,
I'm
going.