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From YouTube: Public Art Committee January 11,2023
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A
The
city
hall
second
floor
media
room,
and
this
is
the
monthly
meeting
of
the
public
art
committee.
Megan
could
recall
the
role.
C
B
Jones
absent
but
excused
Mr
Stackhouse
here.
C
F
B
E
Jennings
so,
according
to
our
or
public
art
committee,
ordinance
every
January
we
go
and
elect
a
chair
and
a
vice
chair
so
of
the
members
that
are
present
do
I.
Have
anyone
who
would
like
to
put
in
their
name
for
the
chair
of
the
public
art
committee
for
2023.,
John
Jennings?
Is
anybody
else?
E
Okay,
do
I,
hear
a
motion
to
accept
Joan
Jennings
as
the
chair
for
2023
and
do
I
have
a
second.
D
E
Okay,
Joan
Jennings.
You
are
now
the
chair
for
2023.
again,
and
so
we
have
a
position
open
for
a
vice
chair
and
the
vice
chair.
If
Joan
Jennings
is
absent
for
any
reason
at
one
of
our
meetings,
the
vice
chair
would
take
over
to
run
the
meeting.
So
is
there
anyone
that
would
like
to
volunteer
to
be
the
vice
chair.
E
Okay,
do
I
hear
a
motion
to
accept
Graham
Jones,
as
as
Vice
chair
I'll,
make
that
yeah
I'll
make
that
motion
and
do
I
hear
a
second.
G
E
So
all
in
favor
of
Graham,
Jones
being
Vice
chair,
please
say:
aye
aye
all.
G
A
Done?
Okay,
thank
you.
Okay,
we
come
to
the
approval
of
the
meeting
minutes
from
December
14th,
because
everybody
had
a
chance
to
read
the
minutes.
Okay
can
I
get
a
motion
to
approve
the
minutes.
C
A
Seconds,
Bieber,
okay!
Is
there
any
discussion?
Are
there
any
comments,
Corrections
or
anything
else
about
the
the
minutes?
Nope?
Okay,
all
in
favor
of
accepting
the
minutes
is
submitted,
say
I
I
any
opposed.
Okay,
the
minutes
are
approved.
Okay,
current
project
updates
the
black
heritage
project.
We
got
a
update
from
Stephen
Oliver,
which
is
in
your
packet.
A
Iteration
of
his
project
on
the
docks,
as
you
can
see,
the
location
has
been
adjusted.
Excuse
me
for
a
while
he
was
looking
at
the
grassy
median
along,
though
deccanese
right
by
the
marina,
but
it
was
felt
that
it
was.
It
would
create
too
much
congestion.
There's
also,
you
know
it's
a
sidewalk
and
a
trolley
stop
so
Diane
Tony
from
public
works
and
I
Tony
or
Mike
Tony
and
Brandon
Crum
Brendan
right.
A
We
went
down
to
the
docks
and
walked
around
with
Steve
and,
and
we
decided
a
good
alternate
location
which
actually
I
think
is
much
Lovelier
is
at
the
end
of
the
parking
lot
that's
to
the
left
of
the
Chamber
of
Commerce
information
Cottage.
A
So
if
you
look
at
the
one,
that's
kind
of
set
back
Stephen
was
concerned
that
people
wouldn't
be
aware
of
the
location
back
there.
It's
right
on
the
river,
it's
really
lovely
so
and,
as
you
can
see,
there
would
be
the
addition
of
the
two
benches.
Those
two
palm
trees
already
exist:
okay,
so
that
giant
seashell
on
the
I.
Guess
it's
a
conch
which
is
the
you
know,
emblematic
of
the
Bahamian
sponge
hookers.
You
know
something
like
that
on
a
pedestal.
A
Illuminated
would
you
know,
draw
people
back
to
the
to
the
black
Heritage
sculpture,.
G
C
Where
would
the
The
Conch
sculpture
be.
A
It
would
be
yeah,
it
would
be
right
now,
I
think
there's
one
of
those
so
dear
to
my
heart,
acrylic,
dolphins,.
C
Okay
I
know
I,
know
exactly
where
I
went
down
there
after
our
last
meeting,
you
know
to
to
kind
of
you
know
just
visualize
right
and
see
what
it
was.
C
One
of
the
thoughts
I
had
was.
If
there
was
something
you
know,
it's
okay,
that
there's
a
trolley,
stop
up
there
right
and
there
and
the
strip
you
know
the
landscape
strip
is,
it
starts
out
narrow,
but
then
it
is
larger
where
that
sign
is
for
the
trolley
stopped
I'm.
G
D
C
G
C
Let
them
you
know,
if
not
a
piece
there,
then
something
that
directs
them
invites
them
back
there
and
when
I
went
back,
you
know
you
know
the
two
Planters
with
the
palm
trees
right.
Are
there
it's
really
not
as
attractive
as
it
is
in
this
artist,
rendering
right
now
and
my
thought
was
that
perhaps
to
make
it
more
inviting
back
there
that
between
the
two
Palms,
perhaps
there
should
be
Landscaping
something
behind
the
piece
with
with
backlighting.
You
know
onto
the
Landscaping
right.
G
C
Lighting
in
front
of
the
piece
that
enhances
it,
so
it
kind
of
pops
and
all
and
really
makes
you
you
know,
want
to
go
back
there
to
me
when
I'm
doing
something
in
my
own
yard
or
some
around
the
house
try
and
take
the
someplace,
that's
not
attractive,
least
attractive
and
now
try
to
really
make
it
special
right.
H
G
G
C
It's
also
you
could
backlight,
you
know
of
the
you
know,
light
the
right,
the
trellis
or
the
Landscaping
up,
which
would
backlight
the
piece
and
there's
some
light
on
the
piece
itself.
Right
too,.
A
I
know
that
he
was
planning
on
doing
lighting,
but
this
is
this
is
a
great
idea,
and
you
know
this
conch
shell
is,
you
know
this
was
a
last
minute
Edition,
but
I
I
kind
of
like
it.
It
would
be
nice
if
it
could
be
somehow
illuminated
from
the
inside
so
that
it
would
glow.
C
H
Out
right,
yeah
can
I
step
in
for
a
minute
absolutely
this.
This
this
image
shows
us
the
the
object
he's
doing
right.
It
doesn't
show
us
the
context
of
it.
H
And-
and
is
there
a
way
we
can
ask
him
to
do
that?
I
know
he
can
Photoshop
this
into
right
to
East,
West
and
North
and
South
right,
so
that
we
see
how
this
fits
in,
because
it's
very
possible
she's
going
to
totally
disappear.
G
H
Mean
especially
if
you've
got
boats
and
all
that
kind
of
stuff
behind
it
on
there
you
know
and
I
mean
the
the
sculpture
is
almost
boat-like
in
itself.
You
know
it's
almost
like
a
bridge
of
a
boat,
so
right,
so
whether
you
know
it's,
it's
one
thing
to
discover
it,
but
it's
you
know.
How
is
it,
how
does
he
foresee
the
the
relate
its
relationship
to
its
environment.
G
G
D
E
A
Right
exactly
there's
a
there's,
a
raised
sidewalk
back
there.
That
would
I
think
you
know,
be
the
access
to
the
boats
and
there's
this
quite
a
bit
of
room
back
there.
You
know
for
this
between.
You
know
between
those,
you
know
those
the
pots
for
the
Palms.
It
doesn't
show
up
in
this
no
I
I
agree
with
Robert
I'll
get
a
hold
of
him
and
see.
You
know,
get
a
little
more
detail
of
the
piece.
Well.
H
G
H
Looks
like
coming
down
the
road
right
yeah
and
so
how?
How
visible
is
it
and
and
that
that
will
help
in
the
ideas
of
the
lighting
and
stuff
like
that
as
well,
and
the
Landscaping
I
mean
he
can.
He
can
certainly
suggest
some
Landscaping
things.
Oh.
I
Do
one
yeah
if
we're,
if
we're
trying
to
set
set
the
artwork
apart
from?
What's
behind
it?
Maybe
if
there's
big
boats
there,
you
know,
maybe
a
one
of
those
living
walls
might
be
something
if
there's
any
restrictions
on
Landscaping,
whether
it
be
space
or
anything
else.
Sometimes
those
living
walls
can
be
pretty
compact,
but
provide
a
really
nice
backdrop,
so
it
might
be
another
alternative
to
think
about,
or
maybe
even
in
conjunction
with
some
some
Landscaping.
G
I
But
you
know
something
more
vertical
that
you
know.
Yeah
might
do
give
a
backdrop.
You
know
what
he's
talking
about
and
maybe
setting
it
off
from
the
surroundings
and
making
it
a
focal
point
drawing.
I
G
D
F
A
Would
definitely
be
look
at
it
yeah
when
we
were
down
there.
There
were
two
huge
boats
there.
So
you
know
dawn
has
a
point
they're.
You
know
you're
just
seeing.
A
F
You
know
I'm
not
an
expert
as
far
as
maintenance
is
concerned
around
you
know
it
could
be
more
hardscaping
rather
than
sure
living.
You
know
something
that's
more
of
a
Hardscape
that.
A
Yeah
yeah,
because
it
is,
it
is
close
to
the
to
the
river.
So
you
know
that
presents
its
own
problems
with
you
know,
salt
and
all
the
other
stuff.
So,
okay,
well.
G
I
Maybe
once
maybe
once
we
had
the
the
photograph
that
Robert's
talking
about
it.
A
A
B
A
A
Gotcha,
okay,
cool
all
right,
so
I
will
send
him
an
email
Graham's,
not
here
the
illuminated
boxes.
As
you
know,
all
the
new
images
have
been
installed.
A
There
were
some
unlit
boxes
that
are
being
repaired
by
public
works
with
Diane's
help
and
the
online
catalog
is
posted.
That
was
a
great
idea
to
number
the
images
and
make
you
know.
You
know
make
the
catalog
based
on
the
numbers.
It's
so
much
easier
to
identify
the
pieces
and
you
know
generally,
everybody
seems
to
you
know
to
love
them.
I
mean
it's
I,
think
they
really
look
great
and
we
always
get.
You
know
good
images
from
the
public.
So,
okay,
now
here's
the
Hot
Potato
the
Riverside
field,
mural
project,
the
Sydney
prusso
agreement.
A
Diane,
has
been
working
with
Sydney,
but
there
have
been
several
negative
comments
about.
The
Psychedelic
covers
colors
of
the
proposed
mural
and
they
come
from
very
high
places.
So
I
think
that
oh
no
I
know
I
will
contact
Sydney
about
providing
an
alternative,
color
palette.
I
know
we
already
discussed
changing
the
black
of
the
soccer
ball
to
Brown.
But
it's
still,
you
know
it's.
It's
very
60s
colors.
You
know
the
avocado
bless.
I
A
And
so
you
know,
I
mean
she's
already
done
work,
you
know
getting
the
contracts,
you
know
toward
doing
the
contract,
so
I
think
it
would
be
only
fair
to
all
parties.
To
just
kind
of
you
know
talk
to
her
about
retooling,
what
she's
doing
so
and
if
she
doesn't
agree
to
it,
then
you
know
we'll
have
to
put
out
another
call.
I
I
have
a
question
about
the
the
feedback
you
said
from
high
places
dislike
those
psychedelic
colors.
Is
there
was
there
more
feedback
that
we
could
maybe
move
her
in
a
direction
of
the
type
of
color
palette?
We
well.
A
A
I
G
A
For
the
setting
I
mean,
you
know,
what
we
did
at
Sizzler
field
was
pretty
bright.
It
was
that
lime
green,
you
know
for
the
softball
wall,
but
they
just
said
for
that
particular
location.
G
A
You
know
I
guess
there
are
a
lot
of
residents
residences
around
there,
which
doesn't
happen
at
Sizzler
gotcha.
So
you
know
I
guess
you
know
this
was
shown
to
a
couple
of
people
and
the
response
was
highly
negative.
G
H
Not
going
to
say
anything
about
it,
yeah,
you
know
we're
we're
here
to
recommend
what
what
to
do
and
right.
It
depends
on
whether
this
is
offensive
to
us
and
you
know,
I,
don't
know
yeah
yeah
I'm.
You
know
that's
that
artist,
color
palette.
G
H
A
Mean
no
I
understand,
you
know
it
went
through
a
process
with
us.
We
made
some
recommendations,
she
followed
up
on
it
and
you
know
it
went
for
approval
and
the
thing
is
that
you
know
it
wasn't
going
to
get
approved,
it
didn't
get
approved
or
it
wasn't
gonna.
It
wasn't
going
to
get
approved.
H
E
H
F
B
F
F
I
I,
as
as
somebody
who
came
in
late
to
to
that
particular
project,
when
I
first
saw
it
I
I
thought
those
were
tennis
balls
right.
A
I
A
Well,
the
thing
is
that
the
the
PAC
member
who
was
sort
of
spirit
spearheading
this
bill
meals.
His
term
expired
and
he
decided
not
to
re-up.
So
it
was,
you
know
it
sort
of
had
reached
a
certain
point.
You
know
and
he
was
working
with
another
member
David
sallow
and
they
both
they
both
left.
So
the
continuity
there
was
lost
and
you
know-
and
it
was
one
of
those
things
you
know
it
was
the
only
one
so.
G
A
C
I
was
thinking
perhaps
on
the
tennis
side
of
of
it.
You
know
one
color
that
you
like
and
then
the
rest
of
it
to
express
that
it's
tennis
via
a
silhouette,
I'm
saying
you
see
a
done
in
Black,
a
silhouette,
a
tennis
net
and
a
player
with
a
racket.
Just
you
know
you
can
right
do
a
kind
of
in
a
a
modern
style,
yeah.
G
C
All
but
it's
just
a
black
silhouette
with
a
color
on
the
soccer
side.
You
know
you
can
have
a
either
the
the
a
soccer
player
with
the
soccer
ball,
a
goal
and
a
soccer
player
with
a
ball
or
something
you
know
getting
ready
to
kick
or
do
something
in
a
silhouette
fashion
with
just
a
monochromatic
and
then
the
silhouette.
Yeah
might
you
know,
be
a
a
direction
that
expresses
you
know
the
sports
complex
and
perhaps
you
know
the
feeling
of
it
being
less
right.
B
H
G
H
G
H
A
I
A
G
A
Don't
think
it
was
done
in
this
case.
That's
why
you
know
it
got
the
you
know
the
negative
response
that
it
did
right,
but
yeah
no
Robert's
exactly
right
about
the
approach.
Sure
you
know
you
can't
you
can't.
You
know,
challenge
somebody's
artistic,
Vision
or
Integrity,
but
you
have
to
say
you
know,
look
this.
This
will
not
be
approved
right
as
it
exists
right.
I
I
mean
obviously
I'm
I'm
of
a
mind
where
I
completely
agree
with
you.
You
don't
go
to
an
artist
and
say:
okay,
we
want
these
colors
and
we
want
you
to
add
this
and
take
this
away
and
blah
blah
blah.
What
I
think
is
appropriate
is
to
provide
feedback,
saying,
there's
an
issue
with
the
colors
there's
an
issue
with.
Maybe
you
know
something
a
little
more
literal,
as
opposed
to
so
abstract.
A
I
It
yeah
so
abstract
might
Garner
more
enthusiasm
and
we
can
get
it
passed
now
if,
as
an
artist,
if
that,
if
the
artist
says
you
know,
that's
really
not
my
style
and
I,
don't
want
to
go
in
that
direction,
then
that's
their
choice
and
then
we'll
have
to
make
a
choice
of
what
to
do.
I
G
I
A
That
I
know
yeah,
so
I
used
to
deal
with
Brides.
Oh.
A
Okay,
let's
see
we
have
the
the
peak,
the
Pelican
signage.
Do
we
have
a
picture
of
the
sign
in
place
here?
No.
A
Yeah
and
what
our
next
step
with
that
is,
we
have
to
do
we
don't
have
to,
but
we
want
to
do
a
photo
op
with
Joyce
echelson,
who
won
the
name.
The
Pelican
contest,
the
mayor
and
ourselves,
the
public
art,
so
Diane
will
be
given
the
enviable
task
of
coordinating
everybody's
schedules.
A
The
mayor
is
going
to
be
tough,
so
once
we
get
him
nailed
down,
we'll
probably
get
an
email
saying
you
know
this
is
the
only
time
he
can
do
it
and
is
it
many
people
as
as
possible
can
attend,
will
attend
so
we'll
just
we'll
just
have
to
play
that
as
it
comes
up.
Okay,
the
Kyle,
Pierce
sculpture,
there's
a
picture
of
Sylvester
the
Cat.
A
A
A
The
first
one
I
did
I
sent
to
the
mayor.
Who
was
I,
guess
you
know
a
good
friend
of
Sylvester's
and
his
Youth,
and
he
just
said
this
is
all
wrong
and
he
rewrote
it
so
I
kind
of
rephrased
stuff
a
little
bit
so
that
it
would
fit
down.
But
if
you
just
want
to
take
a
look
at
it
and.
I
There's
a
typo,
we
have
an
extra
word.
The
fish
in
his
mouth
is
the
probably.
We
should
probably
take
off
right.
I
When,
when
somebody's
looking
at
something
constantly,
that's
the
wrong
person.
A
E
G
A
Opposed
okay:
the
text
is
accepted
as
corrected.
Okay
edited,
and
there
is
a
statue
of
the
completed
Sylvester.
It
was
done
from
car
bumpers,
which
I
think
is
really
cool.
This.
A
I
think
it's
kind
of
Life-Size.
You
know
maybe
two
three
two
foot
tall.
A
I
guess
the
next
step
is
to
I
spoke
to
Kyle,
I.
Think
I.
Think
Sylvester
would
be
a
prime
target
for
going
to
somebody's
backyard,
so
I
asked
them
to
come
up
with
some
kind
of
a
system
that
would
really
secure
it.
You
know
to.
I
A
He
had
a
sculpture
of
a
mermaid
down
by
where
biobistro
is
and.
G
A
Somebody
took
it
and
it
was
just
made
of
Chrome,
so
I
mean
wow,
so
he'll
he'll
work
on
that.
The
next
thing
is
some
suggestions
for
location.
A
He
did
hang
out
by
the
Two
Georges,
which
is
not
far
from
Peter
the
pelican,
so
Diane
suggested
on
the
sea
wall.
Anybody
else
had
any
other
thoughts.
C
The
seawall
by
the
Pelican
yeah,
you
mean
yeah
if
it's
bolted
down,
but
also
if
it's
on
the
sea
wall
I
mean
you
wonder,
if
someone's
going
to
throw
a
line
around
it.
G
H
E
A
Well,
he
he
really
ties
into
Tarpon
urban
legends.
H
G
H
Think
you
know
just
I
agree
congregating
them
right.
Yes,.
F
H
Mean
well.
I
A
Know
what
I'd
like
you
all
to
do,
if
you
would
be
so
kind,
is
maybe
take
a
ride
down
to
Bruce
Sylvester
where
Pete
the
Pelican
is
and
maybe
look
around
and
in
your
mind's
eye.
Imagine
a
good
placement.
You
can
email
them
to
Diane.
You
can't
you
know
everything
has
to
be
funneled
through
Diane.
G
F
A
All
right
now,
the
next
item,
the
ordinance
status,
okay,
the
first
reading
took
place
last
night
at
the
boc
meeting.
If
you
go
to
YouTube
and
clicked
on
the
commission
meeting
from
last
night
and
go
to
hour,
one
at
7
30.,
you
can
see
the
discussion
and
I
was
called
on
the
carpet,
of
course,
one
of
the
joys
of
being
the
chair.
A
So
there
was
a
change
to
the
wording
in
the
title,
so
it's
got
to
be
re-advertised.
The
second
reading
is
scheduled
for
February
24th.
E
A
14Th,
thank
you
Valentine's
Day,
okay,
and
at
that
point
it
it
should
be
voted
on.
There
were
some
comments
made
by
commissioner
Carr.
Commissioner
Eisner
had
some
questions
about
the
pricing
and
I.
Think
it's
not
an
exaggeration
to
say
that
this
thing
went
through
the
mill.
It's
been
in
the
works
for
a
couple
years,
at
least-
and
you
know
some
of
the
changes
were
quite
simple
like
it
was
done
so
long
ago
that
there
wasn't
a
provision
for
submitting
digital
images.
A
A
Was
that
was
a
no-brainer,
so
you
know
they
were
still
talking
about
slides.
Oh
my
gosh
yeah
right,
so
that
that
was
easy
to
take
care
of.
A
But
some
of
the
more
technical
stuff
was
was
called
into
question,
and
one
of
the
things
that
came
up
is
that
in
a
meeting
with
city
manager,
lacoris
and
Paul
Smith,
we
decided
that
as
a
safety
measure
not
to
allow
any
public
art
on
roadways
with
speed
limits
over
35
miles
an
hour,
and
you
know
I
think
it's
a
Fool's
errand
to
put
any
public
art
on
US
19.
You
know.
Oh
look
at
the
Statue.
B
A
A
G
A
I
think
you
know
some
common
sense
has
to
come
into
play
here
about
you
know.
You
know
where
the
public,
art
and
whatever
it
is.
If
it's
a
developer
proposed
piece
of
art,
we
have
to
review
it
and
approve
it.
So
if
we
feel
that
the
you
know
the
location
is
inappropriate,
you
know
or
is
not
as
publicly
accessible
like.
Let's
say
the
woods
for
you
know
wanted
to.
You
know,
put
a
public
art
sculpture
back
there,
it's
not
very
convenient
to
get
back
there
and
it's
even
more
confusing
to
get
out.
A
I
G
A
You
know
I
I,
think
the
way
it
was
worded
I
mean
it
went
through
the
technical,
Review
Committee,
the
Planning
and
Zoning
Board.
All
kinds
of
attorneys.
G
A
It'll
just
have
they'll
probably
have
to
look
at
it
again,
but
the
other
thing
was
also
a
little
confusing.
They
raised
the
question
about.
You
know
the
work
you
know
having
the
wording
in
the
ordinance
about
artists
rights
vetted
by
a
copyright
or
patent
attorney
and
I.
A
Think
Robert
knows
full
well
that
you
can
negotiate
anything
right
right,
so
I
think
it's
a
matter
of
you
know
making
not
making
it
strict,
because
you
have
to
leave
a
little
wiggle
room
on
that
because
you
know
a
sculptor
might
do
something
that
you
know
he
you
know
like
this.
You
know
somebody
might
want
to
do
postcards
of
this.
Is
you
know
to
sell
on
the
gift
shops?
A
H
G
H
You
know
a
lot
of
the
the
contention
comes
up
with
doing
public
art
and
then
having
somebody
like
they
do
with
stadiums
have
naming
rights
on
that.
G
B
H
Mean
that's:
that's
what
it
really
does.
I
mean
it's
up
in
really
higher
budgeted
items
in
many
ways
you
know
so
you
could.
You
could
build
a
let's
say,
a
playground,
sculpture,
right
and,
and
it's
a
unique
piece
and
you're
doing
it,
and
you
have
your
copyrights
on
it
and
stuff
like
that
and
you're
going
to
fight
over
the
the
the
the
artist
protection
thing.
The
people
writing
the
contract
are
going
to
try
to
get
you
to
waive
that.
B
H
And
you're
probably
going
to
end
up
having
to
wave
it,
but
you
got
to
fight
it
right,
but
the
the
threat
is
that
you
know
somebody
put
up
that
playground.
H
Somebody
could
come
along
and
say
well,
I
want
to
pay
for
that,
the
maintenance
of
that
in
perpetuity,
but
you
got
to
put
my
name
on
it
gotcha,
so
so
that
and
and
that's
a
hard
deal
because
it
costs
a
lot
of
money
to
keep
right
to
keep
that
thing
going
and
and
yet
you
know
that's
not.
You
can't
do
that
to
an
artist
that
can't
go
into
the
Metropolitan
Museum
of
Art
and
look
at
the
General
Motors
water
lilies
by
monetary.
G
A
H
I
mean
all
those
kind
of
things.
Are
you
know
it's
about
artist
ownership
right
and
is
that
for
sale
right.
H
You're
going
to
get
refused
as
an
artist
right
because
they
they
just
won't,
let
you
sign
the
contract,
it'll
be
a
boilerplate.
They'll
say
this
is
in
here
it's
in
there,
but
sometimes
you
can
get
it
through
right.
You
can
get
the
the
other
kind
of
thing
you
can
get
them
to
make.
You
know,
as
concessions
too
yeah.
G
G
H
F
G
A
G
A
I
got
a
text
from
her
saying
that
she's
continuing
to
work
on
it
she's
been
meeting
with
editors
to
add
some
music,
and
you
know
some
production
values.
You
know
to
kind
of
smooth
everything
out
so
looking
forward
to
seeing
that
okay,
the
Safford
Gateway
project
is
on
hold.
Should
we
just
bag
that
okay,
okay,
then
we'll
just
take
that
off
the
agenda:
the
Glenna
goodacre
Story,
Time
bench,
local
resident,
Eddie
Mullally
and
his
friend
Luis
Gonzalez,
refinished
and
varnished
the
vent
bench
at
no
charge.
A
That
I
apologize
to
Megan
for
just
getting
this
to
her
at
the
last
minute.
Eddie
owns
the
Neptune
Cyclery
and
you
know
on
the
bike
trail,
so.
A
E
John,
excuse
me:
excuse
me,
I
forgot
to
put
under
old
business
the
the
paint
and
photo
event.
Dawn
did
some
renderings
of.
A
I
Yeah
and
I
I
just
made
it
I
I
realized
after
I.
Put
that
thing
in
there.
Looking
at
the
the
our
notebook
cover
is
that
our
official
public
art
committee
logo,
because
that
should
actually
go
in
the
middle
of
the
QR
code
instead
of
what
I
put
that.
I
So
there's
a
few
different
options
from
more
basic
to
more
using
the
I
thought.
Pete
the
Pelican
he's
very
new
and
and.
G
I
Cute
and
fun
I
didn't
know
if
we
wanted
a
different
call
to
action.
I
know
usually
in
these
books
it's
usually
whoever's
doing.
The
ad
is
proud
to
support
whatever
event
it
is
so
right,
I've
done
a
million
of
them,
so,
okay,
so
one
of
them
is
Pete.
One
of
them
has
Pete
kind
of
screened
in
the
background
and
the
QR
code
really
big
and.
G
I
Last
one
is
just
simple:
color
block
with
the
QR
code,
so
open
to.
F
G
F
I,
don't
know
that
it's
a
you
know
great
representation
of
photography.
As
far
as
did
you
say,
pornography,
photography,
where's
your
mind
well,
I
said
photography.
I
I
thought
it
was
a
representation
of
us,
not
the
event.
Okay,
it's
why
it's
one
of
the
newest
installations.
The
art
boxes
you
know,
are
not
as
photogenic
a
lot
of
them.
Yeah,
yeah
and
there's
a
lot
of
them,
but
but
Pete
was
kind
of
cute
and
photogenic
and
really
focusing
on
the
public
art
committee.
I
Okay,
but
I
I
understand
what
you're
saying
and
if
you
think
it
should
be
something
more
photogenic
of
Tarpon
Springs.
We
could
certainly
do
that.
I
B
B
A
G
I
If
you
can
send
me
hi-res
graphic
of
that,
I
can
replace
Pete
with
that.
Okay
and
then
all
we'll
email
to
you
and
then
you
can
see
about
getting
I
have
to
have
the
file
sent
to
them
by
the
23rd
right.
A
B
I
So
and
I'm
going
to
replace
the
graphic
and
the
QR
code
with
the
PAC
logo
right.
E
And
then
I
don't
know
if
it's
the
Tarpon
Springs
Art
Association
paint
and
photo
event
or.
I
On
their
website,
they
call
it
the
Dayton
photo,
the
Tarpon
Springs
paint
and
photo
to
be
honest.
They're
I
had
a
really
hard
time
finding
anything
online
about
it.
I
had
to
go
back
and
look
at
their
archived
newsletters
and
put
a
couple
of
them
together
and
I
thought
so
I,
don't
think
that
they
have
a
real
strict
naming
policy
on
it
and
I
was
trying
to
keep
the
words
to
a
minimum,
but
I
could
certainly
add
that
if,
if
everybody.
I
We
could
put
under
under
2023
Tarpon
Springs
paint
and
photo
event
under
that
smaller.
You
know
presented
by
Tarpon
Springs
Art
Association.
If
you
wanted
to.
F
F
B
F
A
A
I
Different
picture
there,
it's
possible
that
this
space
will
all
do
as
large
as
the
space
will
right:
okay,
accommodate
visually,
okay,.
D
A
Okay,
let's
see
story
time.
Okay,
we
did
that
we
did
the
the
ad
okay
and
okay
Megan
you're
up.
A
Okay
and
I
checked
with
Megan
the
the
there
was
a
contribution
from
Dan's
Car
Wash.
D
Right
Flagship,
yes,
Flagship
Bank
came
in
this
past
so
which
helped
boost
it
a
little
bit
and
not
7
681
dollars.
A
B
F
A
Okay,
basically,
the
CRA,
the
Community
Development
agency,
yes
allocated
a
certain
amount
of
matches.
I
To
talk
to
people
and
I
wasn't
sure
who
I
go
to
to
find
out
who
to
talk
to
I
was
I
was
thinking
about
that
when
I
was
doing
the
ad
and
I
was
like
yeah
I
was
gonna
talk
to
people
and
I'm,
not
sure
if
I'm
supposed
to
be
calling
somebody
or
what
so,
let
me
know
who
I'm
supposed
to
call
to
get
the
names
of
the
people.
I
talk
to
and
I
definitely
want
to
do
that
right.
I
A
I
A
I'm
sure
she
has
a
list.
Okay,
perfect,
you
know
of
of
the
you
know.
The
businesses
in
the
in
the
CRA,
District
I,
know
one
that
might
be
interested.
It's
it's
the
the
new
Tarpon
Toms
and
the
wallpaper
it's
on
MLK
and
old,
19..
Okay,
because
they
have
a
big
wall.
B
A
A
Right
moving
on
to
new
business,
we,
this
is
very
exciting:
Diane,
the
Darwin
wolf,
bronze,
sculpture,
maintenance
and
assessment
proposal.
You
want
to
take
this
on.
Yes,.
E
It
was
kind
of
interesting,
I
got
an
an
email
a
couple
weeks
ago
from
this
gentleman,
and
he
had
mentioned
that
he
had
visited
Tarpon
Springs
and
he
was
very
interested
in
our
bronze
sculptures
and
he
said
you
know:
I
come
here,
take
vacation,
you
know
in
the
winter
and
he
said
he
said:
I
noticed
that
there
are,
you
know
some
things
on
the
bronze
sculptures
that
will
become
problematic.
E
You
know
and
not
the
foreseeable
future,
and
he
said
you
know
I
I
restore
the
statues
and
he
said
I
could
go
ahead
and
you
know
take
a
look
at
all
of
them
for
you
and
give
you
an
assessment
and
clean
them
and
preserve
them.
You
know
according
to
their
needs,
their
individual
needs,
and
then
you
know
just
kind
of
let
you
know
what
what
needs
to
be
done.
Moving
forward.
You.
E
Lives
up
in
where
is
it?
Let's,
let's
see
on
the
proposal,
but
you
know
he's
up
in
the
mid
West.
You
know
up.
You
know
almost
like
on
the
the
coast,
I
think
in
South,
Dakota
South,
Dakota
yeah
way
up
there
yeah.
He
said
he
just
emailed
me.
He
said
I
just
got
20
inches
of
snow
okay
so
anyway,
but
then
what
I
realized
and
looking
into
him
a
little
bit
more?
He
is
an
accomplished.
Sculptor
he's
like
very
pretty
famous.
E
Yeah
he
did
say
you
know
he
gave
us
a
proposal.
He
said
of
each
of
them
being
like
about
2400
as
the
max
he
said,
but
he
said
that
will
vary.
He
said
because
once
I
establish
what
needs
to
be
done
to
them,
he
says
he's
he's
pretty
certain
that
most
of
them
will
not
be
that
you
know.
Maybe
you
know
around
16
1800
dollar
range.
E
You
know
kind
of
thing,
so
I
thought
that
was
kind
of
an
interesting
way
that
he
found
us,
and
you
know
just
the
fact
that
he's
you
know
his
status
and
willing
to
to
do
that.
For
us,
I
thought
that
was
pretty
neat,
so
I
told
him.
I
would
bring
It
Forward.
Okay.
A
A
So
I
think
this
should
be
pursued
and
I
think
Diane.
You
also
indicated
that
this
was
a
lot
less
expensive
than
the
other
person.
We
were
using
right
well.
E
You
know
comparable
yeah
I
mean
I
I,
don't
know
you
know
it's
like
it
depends
on
what
needs
to
be
done.
He's
like
he
did
say
that
you
know
it's
not
like
when
we
bought
the
Mike
Elwell
sculpture
of
the
penguin
before
Mike
delivered
it
to
us.
He
redid
the
patina
and
everything
on
it.
He
restored
it
himself
as
a
sculptor,
the
and
you
know
and
sealed
it
and
everything
so
that
one
should
probably
not
require
too
much
of
anything,
but
you
know
so.
E
He
says
I
cannot
redo
patinas
and
things
like
that,
for
you
I'm
going
to
be
cleaning
and
you
know
trying
to
preserve
things.
So
you
know
I,
don't
have
a
big
background
in
this
we've.
Just
worked
with
you
know
one
company
here
and
you
know
I
could
look
back
on
their
invoices,
but
depending
on
the
needs
of
the
sculpture,
you
know
what
we
can
tell
him
this.
This
gentleman,
if
we
decide
to
move
forward
with
him,
is
that
you
know
if
there's
anything
major
that
needs
to
be
done.
H
I
guess
so,
do
you
have
do
you
have
an
arrangement
with
Saint,
Cates
or.
A
No
I
think
it's,
you
know
the
job
I
need,
but
I
love
them
dearly,
but
you
know
sometimes
they
just
fall
off.
The
radar
screen.
H
A
Well,
I
think
the
fact
that
they're,
so
good
and
so
popular
is
kind
of
you
know
one
of
the
issues,
because
you
know
we
had
trouble,
you
know
getting
hold
of
them
and
I
know
that
I
mean
they
did
a
fantastic
job
on
the
the
nyad's
base,
because
two
of
them,
you
know,
fell
over
and.
A
Right
yeah,
they
had
to
reinforce
the
feet
and
put
spikes
to
you
know,
and
everything
like
that
and
actually
was
one
of
them
was
pretty
funny
because
they
it
was
being
stored
in
the
public
works
garage
and
they
came
to
pick
her
up
and
it
was
the
one
with
her
arms
outstretched
I
can't
lift
my
arm
the
arms
out
stretch
and
they
put
her
in
the
back
of
the
station
wagon
and
they
were
driving
around
people.
I.
A
Think
a
couple
of
people
called
the
police
saying
that
they
had
abducted
somebody,
but
anyway,
so
Diane
you'll
follow
up.
E
I
E
Why
don't
you
go
to
his
website
and
take
a
look
at
it
because
he
does
have
a
section
on
his
website.
That's
called
Restorations
and
he
does
show
the
different
okay.
You
know,
sculpture,
so
I
mean
if
you
feel
like
you
want
to
do
that.
First,
before
you
vote
on
it
or
prove
it.
That's
fine
with
me
I'm
just
bringing
this
to
you,
because
that
was
brought
to
me.
Okay,.
A
A
E
I
think
what
he's
saying
is
that
you
know
this
is
for
the
2023
and
then
right.
We
wanted
to
employ
him
for
anything
further
and
you
know
in
the
future,
then
that
would
be
up
to
the
pack
to
note
to
contact
him
right.
That's
kind
of
how
I
read
it,
but.
A
C
D
G
C
G
C
C
G
C
F
Nice
well
I'm,
never
inclined
to
like
just
make
an
immediate
decision
on
something.
That's
just
been
presented
and
something
that
we
weren't
even
actively
seeking
that
he
came
to
us
and
said
you
need
this
done
so
does
that
mean
that
we
actually
need
it
done
right
now
or
you
know
I
I
think
I
would
rather
us.
You
know,
you
know.
Nick
knows
about
you,
know
the
medals.
So
maybe
you
know
he's
a
good
person
to
look
at
it.
We
can
look
at
the
you
know.
F
B
A
A
Thing
is
they
work
sort
of
on
demand?
You
know
if,
like
they're,
you
know
when
the
nyads
fell
over.
You
know
that
was
not
something
we
anticipated
right.
G
E
E
To
be
done,
you
know
so
you
know
we
could
look
back
at
the
old.
You
know
invoices
from
them
and
see
what
the
costs
were
and
things
like
that
and
bring
that
to
the
next
meeting.
Yeah.
C
I
I'd
I'd
like
to
know
what
what
was
done
before,
how
it
was
determined,
what
was
going
to
be
done,
what
the
costs
were
and
I'd
also
like
to
have
an
opportunity
to
look
at
this
guy's
work
and
and
his
website
and
there's
probably
I'm
guessing
if
it's
a
good
website
that
he's
got
information
there
about
how
he
approaches
the
restoration
and
all
that
kind
of
stuff,
and
that
would
be
interesting
to
to
put
next
to
whatever
has
been
done
in
the
past.
A
H
H
I
think
you'd
be
buying
something
you
don't
need.
I.
Think
you
know
bronze.
Is
people
do
bronze
for
outdoor
sculptures
for
a
reason,
but
it
likes
to
live
outdoors,
you
know
and
it
it
reacts
to
the
environment
in
various
ways
right.
H
He
said
he
doesn't
do
patinas
right
and
so
I
mean
that's
great,
because
that's
that's
the
artist's
job
and
then
we
get
back
to
that
thing,
but
maintaining
a
bronze
is
sometimes
just
washing
it
down
right.
You
know
not
twenty
four
hundred
dollars
worth
of
washing
it
down.
G
H
Person
so
I
just
think
that
it
just
seems
he
sends
us
this
thing
and.
G
H
G
A
Because
we
had
Alma
the
mermaid
done
not
well
that
long
ago
you.
H
Know,
and
and
and
was
that
costly
was
that
2400
I.
G
H
B
B
C
C
C
When
it
gets
that
that
that
dark,
almost
a
chestnut,
color
or
whatever
you
know
and
stuff,
you
know
that's
beautiful.
G
D
C
I
And
I
I
mean,
as
far
as
you
know,
cleaning
versus
restoration
versus
maintenance
and
all
that
kind
of
stuff.
You
know
he
specifically
said
he's
not
going
to
be
messing
with
patinas,
so
I'm
wondering
it
said
something
about
pulling
salt
out
of
the
porous.
You
know,
and
maybe
I
mean
I
know
what
salt
does
the
cars
up
North.
So
you
know
maybe
it's
a
matter
of
keeping
it
from
crumbling
over.
H
I
F
G
A
We
because
French
diver
Memorial
is
you
know
that
was
not
one
of
ours.
So,
okay,
so
it's
the
Pelican,
the
mermaid,
which
is
in
Craig,
Park
and
everything's,
except
with
for
the
mermaid,
is
really
you
know
and
when
story
time
isn't
at
the
cultural
center
yeah
the
nyads
and
the
Pelican
are
on
the
docks.
Okay.
Well,
let's
put
this
in
advance
and
maybe
keep
him
as
a
possible
resource
if
we
needed
going
forward.
Okay,
but.
A
Necessary
yeah-
and
you
know,
when
I,
when
I
lived
up
in
New
York
I
was
affiliated
with
a
historic
house
and
in
1891
they
put
a
soldier
and
sailor's
Monument
on
the
front
lawn,
and
there
were
five
life-size
sculptures
representing
different
military
branches
during
the
Civil
War
and
they
were,
they
were
bronze.
And
you
know
people
started
complaining
that
they
were
looking
kind
of
Ratty.
A
H
A
A
E
Just
wanted
to
bring
you
all
up
to
date
on
exciting
things
that
are
going
to
be
happening
at
the
Heritage
Museum,
we've
kind
of
cleared
out
the
Christopher,
still
ecology,
Wing
he's
taken
all
his
reproductions
back
to
his
studio
and
everything
because
we're
finally,
we've
been
blessed
with
some
money
to
do
some
very
much
needed
Renovations
there,
the
lighting
and
the
carpeting,
the
paint
you
know,
painting
to
just
get
it
all
spiffed
up.
So
we've
got
a
single
Source
lighting
proposal.
E
That's
going
to
be
going
to
the
boc
on
January
24th
and
it
was
kind
of
Chris's
has
gifted
to
the
city,
the
a
nine
foot
by
nine
foot,
charcoal
of
the
painting,
that's
at
Advent,
Health,
North,
Pinellas
and
then
there's
another
one
too
that
he
gave
to
the
Heritage
Museum.
So
we're
excited
to
have
like
some
Originals
there,
because
the
original
of
the
crystal
was
was
at
the
library.
It
wasn't.
E
I
had
just
the
reproductions
at
the
Heritage
Museum
so
anyway,
so
we're
going
to
be
redoing
that
whole
area
put
in
new
light
track
lighting
and
then
also
on
the
Greek
history
side.
We're
going
to
be
putting
in
new
lighting
and
then
all
new
painting,
all
new
carpeting
and
everything.
So
it's
really
going
to
update
it
a
lot.
E
It's
also
going
to
be
much
more
energy
efficient
with
the
lighting
and
everything,
but
it's
also
going
to
be
able
to
show
off
the
Greek
history
wing
and
the
paintings
and
everything
a
lot
better,
because
the
gentleman
who
does
a
lot
of
Chris's
lighting,
that's
the
Sand
Pearl
and
some
of
his
other
and
opal
Sands,
and
everything
like
that
and
like
and
even
as
his
Studio,
it's
like,
there's
a
as
you
know,
and
those
of
you
you
know
it's
like
with
museums
and
things,
there's
a
certain
type
of
lighting
that
you
have
to
have
to
enhance
the
hard
work.
E
So
you
know
this
gentleman,
you
know,
has
kind
of
worked
very
closely
with
us
to
kind
of
really
give
us.
You
know
what
we
need
to
kind
of
move
forward
and
expand
our
exhibits.
So
we're
really
just
so
grateful
and
excited
to
be
able
to
get
this
done,
because,
unfortunately,
some
of
the
old
fixtures
that
are
in
on
both
sides
of
the
of
the
museum
they're
so
old
that
like
when
a
ball
burns
out
and
they
go
to
take
the
grate
down
that
covers
it.
It
just
disintegrates
and.
G
E
Just
really
excited
they're
going
to
start
doing.
You
know
some
repair,
construction
and
things
you
know
after
they
take
all
the
stuff
down
from
Epiphany
I
mean,
and
you
know
the
Christmas
decorations.
So
hopefully
you
know
I'll
be
able
to
invite
you
all.
E
There
will
be
the
declares
will
come
back,
you
know,
but
we're
also
looking
into
I.
Guess
with
you
know
some
enhanced
security
and
things
like
that
to
so
yeah.
So
it's
gonna,
it's
gonna
be
a
a
little
bit
of
a
journey,
but
I'm
just
really
excited
about
the
upgrades
are
going
to
be
done.
G
E
A
Okay,
anybody
else
have
any
announcements:
Robert
I,
guess
you're
not
having
any
exhibits
right
with.
What's
going
on.