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From YouTube: W58 0mega WG: Projects Updates
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The 0mega Working Group examines the ethos of and ethics in token engineering as well as the shared vision and diversity of its communities.
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A
A
The
workshop
is
going
to
be
in
Thai
online,
but
I'm
so
excited
about
this
project
that
first
I
really
need
to
apply
for
funding
for
it,
because
it's
not
going
to
be
a
lot
of
money
there
and
I
really
want
to
do
it
to
it's
like
a
start.
I
I
want
to
do
this,
like
as
almost
a
practice
for
a
year
and
and
Steph
I'd
love
to
to
share
I
mean
I
mean
for
everybody
to
share.
A
Everybody
could
be
part
of
it,
because
the
idea
is
like
to
invite
dancers,
but
also
to
invite
people
that
are
interested
by
the
topic
that
are
not
dancers
and
but
anyway,
I
will
do
it.
I
will
dig
into
it
when
I'm
done
with
the
the
Italian
thing,
and
the
only
thing
that
I
wanted
to
have
your
feedback
on
is
about
so
I
was.
You
know,
pulling
this
thread
from
my
previous
work
about
the
subject:
object
relationship
that
was
the
leading
to
know.
A
You
know
what
is
a
world
where
we
are
all
subject,
which
is
the
same,
that
you
know
the
idea
of
decentralized
desires
and
about
engaging
the
subjectivities
and
okay
I.
Don't
give
you
all
the
details,
but
so
in
in
this
I
was
putting
this
thread
to
the
fact
that
I
wanted
to
use
the
nfts
to
engage
dialogue,
because
in
this
project
there's
a
lot
of
preferences.
A
It
have
been
going
through
all
different
stage,
and
this
is
why,
and
and
in
the
past,
I
was
always
fascinated
and
I
made
some
experience
in
performances
about.
If
we
can
get
meanings
from
the
plasticity
of
letters
of
words
like
can
you
know,
can
we
film
something
about
the
shape
of
a
world
instead
or
a
letter,
instead
of
only
the
the
meaning
and
and
then
when
I
saw
the
input
output
from
within
the
vacuum?
A
A
A
A
A
This
ID,
okay,
but
I,
can
show
you
the
dose
here,
the
previous
one.
Let's
see
if
you
want,
you
know
already,
I
have
one
in
English
from
the
past
and
and
now
I'm
going
to
rewrite.
It
I
mean
I'm,
going
to
add
all
these
things,
but
so
the
idea
about
including
dialogue
with
nft
and
actually
it
works
so
well
with
this
idea
of
because
my
question
was
always
okay.
Well,
it
is
a
world
where
we
would
all
be
subjects,
and
this
is
why
you
know
it's
like
this
idea
about
the
light.
A
B
A
Can
use
these
sentences
to
continue
with
this
kind
of
mandalas
like
or
whatever
yeah,
and
then
there
would
be
a
like
co-creators
and
what
I
want
to
say
so
then
there
would
be
so.
Ideally
they
would,
you
know,
give
me
the
words
and
their
wallet
which
they
probably
won't.
Have
you.
B
A
A
Part
of
that,
and
then
the
project
continued
to
leave.
But
for
me
it's
exactly
Dynamic
energy
budget.
It's
the
idea
that
the
value
that
the
project
is
living
and
continuing
to
live
and
researching,
as
as
for
as
much
as
you
have
interaction
and
connection
with
people.
So
it's
not
an
object
that
is
happening
which
is
an
installation
at
one
day.
No,
it's
encountering
people
and
what
is
important
is
this
trace
and
this
you
know
kind
of
flow
of
the
the
different
encounters
and
more
and
more
and
one
day,
probably
less,
and
then
it's
dying.
You.
B
A
B
Yeah,
that
was
my
first
question
that
it
was
possible
technically
for
people
just
to
connect
the
wallet
and
make
this
mandaras-
maybe
it's
not
for
tomorrow,
but
it's
like
our
idea
of
how
we
experience
ourselves
like
building
this
kind
of
artistic
stance,
how
you
encounter,
as
you
say,
like
people
and
you
create
art
in
that
moment.
But
then
it's
living
right
in
this
case,
it's
like
living
in
the
blockchain
or
it's
like
generating
new
nfts
new
ones
and
that's
like
art
in
yourself.
So
what
I
love
is
like
connecting
this
and
saying?
B
Okay,
we
can
do
this
like
in
places
which
are
happening
in
real
life,
as
in
your
case
right
you're,
doing
this
installation.
You
give
your
truck.
You
present
this
other
ideas
and
then
people
which
are
the
subjects
of
the
experience
too.
They
can
co-create
right.
So
they
are
like
using
these
movements
and
using
the
art
and
saying,
okay,
you
can
just
connect
yeah,
my
decentralized
identity
and
then
I
will
see
this
generating
this
new
art,
these
new
Concepts,
and
what
I
love
about
this?
B
If
we
can
just
create
this
mechanism
of
fractalizing
the
ownership
and
the
art
and
saying
okay,
you
can
visualize
this.
It's
like
a
kind
of
an
exploration
itself.
You
can
visualize
what
is
creating
and
what
is
this
I
see
as
an
exploration
right?
It's
an
artistic
thing,
so
I
love
the
idea
of
what
you
say
is
like
you.
You
meet
people
in
a
place
and
precisely
you
meet
these
people
because
you
have
the
this
interest
in
common.
So
it's
not
like
you
can
meet
a
lot
of
no
worrying
me
with
these.
B
People
know
that
it's
like
some
purpose
there
as
well
like
you,
you
met
these
people
because
you
like
to
think
that
these
artists
is
bringing
up
bringing
in
the
space.
So
that's
the
connection
with
the
artists
and
with
the
people,
and
then
you
co-create
these
things
so
I
love
this
and
I
see
this
like
as
becoming
a
subject
in
itself.
So
you
don't
feel
objectivized
because
you
are
participating
in
this.
So
you
are
not
the
object
anymore.
You
co-create,
so
you
are
again
the
subject.
B
A
Then
they
have
the
so
then
I'm
going
to
exchange
a
bit.
The
installation
actually
I'm,
not
going
to
I,
mean
I,
think
they're
not
going
to
understand
it.
They
don't
know,
but
it's
okay,
the
people
from
The
Institute
but
I'm
going
to
make
it
like
really
I
mean
we'll
see,
but
I
want
to
have
like
fruits
that
are
a
bit
aggressive
light.
B
A
Are
coming,
you
know,
I
I
mean
I,
have
some
ideas
we'll
see,
but
not
something
nice
and
sweet,
but
but
what
so,
then?
It's
really
like.
B
A
B
Because,
maybe
it's
not
ready
or
the
whole
idea
is
gonna
emerge
from
that.
But
at
least
you
have
like
the
experience
from
then
in
their
own
words
like
the
feelings
or
ideas,
insights
and,
and
you
have
to
eat
emails,
so
you
can
contact
them
and
and
after
that
they
make
we
have
like
you
can
send
them
instructions
after,
like
okay,
you
can
connect,
and
this
is
gonna-
and
this
is
gonna,
be
your
gift
like
you
can
hear
and
you're
co-creating
this
and
that
can
come
after
the
summary.
A
A
Yes,
but
you
know
what
and
it
works
well,
because
I
also
wrote
a
text
a
long
time
ago
to
them
about
Dynamic
energy
budget
and
the
economy
of
creation.
You
know
which
is
like:
can
we
can
the
production
of
subjectivities,
which
is
creating
art
you
know?
Can
we
use
the
methodology
of
mass
production
for
the
production
of
subjectivities?
You
know
we
and
then
I
explained
about
Dynamic
energy
budget,
which
is
different,
yes
and
it,
and
it's
really
true,
and-
and
it's
really
true-
it's
not
about
the
product-
and
you
know
I'm
going
there.
A
A
So
crazy,
you
know
it's
so
crazy.
All
the
time
like
yeah
it
would
you
know,
I
was
talking
with
a
guy
organizing,
an
event
in
Paris
and
on
web3,
and
you
say:
oh
you
can
have
your
installation
there
and
I
was
like
okay
you're
going
to
pay
me
this
way
and
it
was
like
no,
so
he
he
for
him.
It
was
normal
to
to
have
the
installation
and
all
this
without
even
thinking
of
paint.
You
know
to
a
professional
event,
and
but
anyway,
Steph
do
you
have
any
feedback.
C
A
Okay,
I
hope
it
went
well
your
test,
okay,
okay,
so
so,
where
can
I
share
the
document
on
the
on
the
channel
I'd
like
to
share
the
document
I'm
going
to
put
them
on
mirror,
but
it's
not
done
yet.
B
A
I'm
putting
an
agenda
yes
and
by
the
way,
I
need
to
postpone
the
meeting
with
the
drove
about
polygons,
because
next
week
will
be
in
the
planes.
Also.
B
A
B
B
Recorder,
so
this
is
like
this
code
is
being
recorded,
not
from
the
very
beginning,
we're
talking
so
when
I
step
joined
that
they
have
recorded
played
when
I
asked
this
like
10
months
ago,
it
was
actually
it
was
a
person
recording
this
and,
and
he
was
joining
in
the
call
as
well,
and
he
had
another
another
computer
recording
the
call.
So
it
was
a
person,
but
right
now,
I,
don't
know
if
it's
like
specifically
about-
and
this
is
going
to
be
uploaded
automatically
right.
So
the
tech
recorder
is
going
on
for.
B
B
I
know
so
maybe
we
might
ask
if
this
has
not
happened
anymore,
because
maybe
it's
not
been
uploaded
and
it
should
it's
huge.
We
we
have
to
yeah,
okay.
Well,
it's
in
the
metaverse.