►
From YouTube: Monstercat Relics AMA
Description
Live AMA with Monstercat and the XYZ community recorded on February 10th, 2022
For future AMAs, Join the Universe Discord.
Monstercat Links
Website: https://www.monstercat.com/
Relic Tickets: https://opensea.io/collection/relics-tickets-monstercat
Genesis Idol: https://opensea.io/collection/genesisidol
Twitter: https://twitter.com/Monstercat
Spotify: https://open.spotify.com/artist/4YwB41gFHCxY5bcNR3CcIH?si=ITjP3KvaQYeXCS2Ew5RMPw
Discord: https://discord.com/invite/monstercat
Universe Links
Discord: https://discord.gg/NFU
Website: https://universe.xyz/
Twitter: https://twitter.com/universe_xyz
Instagram: https://instagram.com/universe__xyz
A
A
What's
coming
and
how
it
relates
to
universe,
but
like
we
threw
that
party
in
new
york
city
with
monstercat,
I
would
expect
that
we're
gonna
continue
to
do
ongoing
things
with
them
because
they're
our
boys,
and
so
I
wanted
to
take
the
time
to
let
tim
and
darlington
explain
to
everybody
what
the
relics
are
and
what
they're
doing
with
them.
And
I
I
think
I
probably
shouldn't
talk
too
much,
because
I'm
learning,
along
with
everyone
else,.
B
C
C
Essentially,
from
the
days
that
tim
was
telling
me
about
the
the
pepes,
I
minted
something
like
10
to
20
polymorphs,
and
then
I
floor
bought
another
hundred.
So
I'm
definitely
a
polymorph
whale.
I
think
in
terms
of
the
holding
so
as
well
as
I
followed
along
most
of
the
the
update
calls
around
your
smart
contracts,
the
market,
the
auction,
the
minting
all
that
as
well
so
I've
been
I've
been
a
member
of
the
community
for
a
while.
C
C
C
B
It's
been
a
crazy
journey,
seeing
nfc's
boom,
and
you
know
a
lot
of
what
nfc's
are
right
now
is
still
very
basic
and
primitive,
and
so
we're
hoping
what
we're
bringing
to
the
table
here
is
pretty
innovative
and
will
allow
like
flexibility
for
other
projects
as
well
with
with
universe,
and
so
relics
is
really
the
the
first
project.
To
I
mean
it
was
their
their
innovation
on
their
thought.
Innovation
that
drove
this
contract
design
together
and
yeah
super
excited
to
to
keep
pushing
things
forward.
C
Cool
cool,
so
guys.
On
that
note,
I
I
want
to
give
a
little
bit
of
context
of
where
this
project
came
from
and
I'll
try
to
keep
this
short,
but
essentially
back
in
september
of
2020.
I
started
well
actually
I'll.
Give
you
even
more
context
on
who
I
am
first.
My
name
is
mike
darlington,
I'm
the
co-founder
of
the
record
label.
Monstercat
we've
been
around
for
about
11
years
now
we
specialize
in
electronic
music.
I'd,
say
our
biggest
breakthrough.
C
C
What's
important,
though,
is
this
project,
and
this
project
came
to
be
because
back
in
I'd,
say
september
august
ish
range
of
2020?
I
started
having
a
lot
of
our
our
music
roster,
coming
forward
being
like
yo
we're
in
trouble.
The
music
industry
at
that
time
had
just
been
decimated
by
covid.
This
was
at
a
point
where
nobody
knew
anything
yet
of
what
was
going
to
happen.
What
what
coveted
really
was?
C
All
we
knew
is
that
all
the
festivals,
all
the
nightclubs,
all
the
shows
everything
had
been
shut
down
and
essentially
like
almost
overnight,
so
that
revenue
for
artists
for
musicians
it
it
decimated
the
touring
side,
but
also
that
affected
their
apparel
business.
It
affected
their
management
teams,
we're
getting
a
little
bit
of
an
echo
right
now,
whoever
that
is
yeah
decimated
the
management
teams,
the
touring,
the
agents,
everybody
everybody
was
decimated
and
the
artists
were
coming
forward
being
like.
C
But
I
was
very
interested
in
solving
for
that
problem
that
we
had,
which
was
artists
needed,
sustainable
revenue,
sustainable
growth
to
maintain
their
livelihoods
and
their
and
their
teams.
So
early
on
started
digging
started.
Looking
at
new
projects,
I
tried
a
bunch
of
new
new
things
outside
of
the
nft
ecosystem,
building
digital
apparel
in
roblox,
and
throwing
events
in
fortnite
and
then
doing
online
education
platforms.
You
know
we
tried
a
lot
of
different
projects
and
the
reality
was
none
were
able
to
make
up
for
the
loss
of
revenue
from
touring.
C
Fortunately,
though,
I'd
known,
justin
blau
for
a
very
long
time
and
everyone
just
knows
him
as
blau
the
dj-
and
he
was
a
he's-
been
a
huge
advocate
for
crypto
web
3
nfts,
since,
as
far
as
I
can
go
back
and
at
that
point
in
time
he
was
promoting
nifty
gateway
and
his
drops
on
nifty
gateway.
My
eyes,
just
you
know,
shot
open.
I'm
like.
C
I
cannot
believe
that
music
can
have
tangible
value
and
tangible
ownership,
because
it's
been
so
long
since
I
could
consider
music
to
be
something
that
had
you
know
a
price
to
it.
You
know
we're
too
used
to
an
economy
where
you
pay
five
ten
dollars
a
month
and
you
have
access
to
the
world
of
music
so
that
that
really
opened
my
eyes
up
to
the
fact
that
there
can
be
value
and
ownership
and
collecting
to
music
and
I've
always
been
a
believer
that
music
should
be
collectible.
C
So
I
need
to
solve
that
that
age-old
problem
of
how
do
I
make
music
collectible?
How
do
I
solve
for
the
art
of
sustainability
of
my
roster
and
that
led
to
the
creation
of
relics,
I'm
going
to
play
a
video
for
you
guys?
Hopefully
you
can
see
my
screen
and
hopefully
the
audio
will
just
echo
through
my
mic,
because
the
audio
is
kind
of
cool,
so
yeah.
Here's,
the
the
video.
D
D
C
C
They
are
collectible
audio,
visual
nfts
and
they're
full-length
songs,
as
I
mentioned
I'll,
show
you
an
example
of
what
a
relic
can
look
like.
This
is
yeah.
My
whole
program
right
now
is
just
up,
so
I
can't
even
screen.
Oh,
it
opened
up
full
screen
for
some
reason:
we'll
go
for
this
one,
no,
don't
know.
What's
going
on
guys
and
whatever
you
can
still
see
on
the
screen,
they
are
square
audio,
visual
collectibles.
C
C
C
C
So,
in
the
bottom
left
hand
corner
you
can
see
the
quartz
sapphire
and
ruby
on
the
screen
right
now,
a
song
or
a
relic.
That
is
a
quartz
that
might
go
viral
on
tick
tock.
You
might
see
the
rarity
increased
to
a
sapphire
or
an
emerald
or
a
ruby,
depending
on
how
big
the
song
gets,
essentially,
meaning
that
you
as
a
collector
can
take
a
bet
on
an
artist
or
a
song
and
be
like.
I
really
believe
in
this
act.
I
really
believe
this
is
going
to
go
the
distance.
C
E
C
Cool
so
we'll
take
we'll
take
a
quick
moment
to
chat
about
and
answer
any
questions
around
dynamic
rarity,
because
I
think
it's
really
important
to
understand
this.
This
concept,
I
know
with
nfts
generally
when
you
own
a
collectible,
its
traits
kind
of,
are
locked
and
stay
the
same,
but
in
this
project
the
rarity
will
evolve
over
time.
It
cannot
go
backwards.
It's
kind
of
like
when
a
record
in
the
real
world
goes
gold
or
platinum.
Once
it's
gold
or
platinum,
it's
always
gold
or
platinum.
So
you
can't
lose
rarity.
C
And
I'll
answer,
questions
about
the
relic
mint
process
and
the
numbers
and
everything
as
we
get
to
those
slides
trans
metal.
So
the
amount
of
times
the
record
is
played,
will
change
the
nft's
rarity
threshold
yeah
and
that
data
comes
from
all
streaming
platforms,
whether
it's
that
song
is
on
spotify
apple,
youtube,
amazon.
You
know
all
of
those
those
platforms,
we
receive
monthly
data
for
the
songs
and
that
will
be
tied
into
the
algorithm
to
update
the
gemstone
rarity
of
each
of
the
relics.
C
C
C
F
B
C
I
love
it
so
guys
on
the
on
the
dynamic
rarity
yeah.
Hopefully
you
guys
understand
this
point.
It's
really
important
to
this
project.
I
I
think
it's
one
of
the
most
innovative
components
and
will
give
long-term
collectibility
to
this,
because
it
means
that
you
know,
even
if
you
minted
something
that
was
considered
a
quartz,
the
most
entry
level.
C
You
know-
maybe
that's,
maybe
that's
an
artist
or
a
song,
that's
only
getting
say:
10
000
listen
listeners
a
month,
maybe
hundreds
of
thousands
of
streams
that
you
have
a
chance
that
that
artist
blows
up
and
you
think
the
music
is
amazing
and
you
believe
in
that
artist
that
artist
could
become.
You
know
a
higher
tier
rarity
over
time.
So
it's
one
of
those
things
that
it
might
be
better
to.
C
Yes,
they
are
working.
So
the
other
half
of
this
project
is
what
we
call
idols.
So
we
first
were
talking
about
the
relics
which
are
these
audio
visual
collectible
nfts
with
the
dynamic
rarity.
We've
talked
a
lot
about
that
the
other
part
of
the
project
are
idles.
Now
we,
while
we
were
building
this
out,
had
a
realization
that
monstercats
had
a
lot
of
experience,
building
music
into
the
video
gaming
and
metaverse.
C
You
know:
we've
worked
with
hundreds
of
games
over
the
years
and
we're
an
11
year
old
company
we've
worked
with
almost
every
major
esports
organization,
almost
every
major
youtuber
and
twitch
streamer
in
the
gaming
space
at
some
point
or
another,
and
now
we're
working
with
some
of
the
top
publishers
and
developers,
and
those
include
we
do
almost
all
the
music
for
rocket
league.
We
do
almost
like
a
monthly
activation
in
fortnite.
C
C
And
here's
a
quick
video
of
how
easy
it
is
and
the
first
partner
we're
working
with
is
the
central
land.
The
reality
is,
though,
I
think
we
can
build
this
technology
into
all
the
metaverse
platforms
and
get
really
creative
about
how
idols
and
relics
can
be
integrated
into
the
plato
and
ecosystem
as
well.
So
we'll
watch
this
video
really
quick,
can't
full
screen.
C
So
we've
we've
got
this
built
for
decentraland.
We've
also
got
this
lining
up
with
jado
in
augmented
reality.
We
don't
have
a
launch
date
on
this.
Quite
yet,
but
we've
got
a
working
test
product
so
again,
the
same
type
of
experience,
same
experience,
of
integrating
smart,
enabled
3d
models
being
able
to
play
your
relics
now
what's
important.
To
talk
about
with
idols
is
that
the
first
one
looks
like
a
jukebox,
and
we
chose
that
on
purpose,
so
it
makes
sense,
but
the
reality
is
an
idol
can
look
like
anything.
C
It
could
look
like
a
festival
stage.
It
could
look
like
a
hoodie.
It
could
look
like
a
rocket
ship
like
it
can
look
like
anything
as
long
as
it's
got
the
functionality
to
to
look
to
see
which
relics
you
hold
and
be
able
to
incorporate
a
music
experience
into
the
into
the
game
or
metaverse,
and
the
beautiful
thing
about
music
is
that
layer
can
be
integrated
into
anything.
Music
is
just
a
beautiful
function
that
shouldn't
be
limited
to
one
product
or
another.
C
I've
also
started
to
consider
what
music
as
a
layer
could
look
like
in,
say
the
pfp
ecosystem.
There's
nothing
that
says
we
couldn't
merge
relics
onto
pfps.
So
now
your
pfp
has
a
theme
song.
There's
nothing
that
says
that
when
you
win
a
game
of
battle
and
axe
infinity,
there's
nothing
saying
that
you
couldn't
have
a
theme
song
play
when
you
win
that
battle
and
showcase
your
theme
song
to
to
an
opponent
that
you
beat
you
know
again.
C
C
C
C
You
know,
as
we
see
innovations
in
the
the
universe
ecosystem,
we
might
be
able
to
find
ways
to
incorporate
these
into
into
their
products
as
well.
We're
very
flexible
here
is
that
code
open
source?
Can
I
make
my
own
metaverse
mp3
player
with
the
code?
It's
not
currently
open
source,
as
far
as
I
know,
because
it's
limited
to
pulling
in
the
music
from
relic
specifically,
but
I
don't
think
it's
out
of
the
question
that
one
day
we
could
open
up
the
relics
ecosystem
to
incorporate
music
from
other
other
projects.
C
What
do
the
nft
owner
writes?
Look
like
if
I
own
the
nft.
Can
I
use
it.
My
creative
works,
so
monstercat
is
very
forward
thinking
in
in
how
we
do
licensing
models,
so
we've
actually
built
out
a
platform.
That's
a
monthly
subscription
fee
only
for
five
dollars
a
month
that
you
can
commercially
use
a
large
portion
of
our
catalog
and
I'm
pretty
sure,
if
not
100,
sure
that
all
relics
are
in
that
catalog.
C
Now,
there's
not
saying
that
we
can't
figure
this
out
in
the
long
run
where
it
purely
is
being
from
holding
a
relic.
We
just
don't
have
that
built
as
of
today,
so
we're
going
to
use
our
old
web
2
ecosystem
to
be
able
to
handle
it
cool.
I
think
you
guys
get
the
point
on
the
integration
into
you
know
of
idols
and
relics
again,
reminding
everybody
idols
are
smart,
enabled
3d
models
and
relics
are
the
songs,
the
audio
visual
collectible
nfts
on
the
blockchain
so
season,
one
of
relics.
C
C
C
C
Cool,
do
you
plan
on
collaborating
with
royal
and
use
ldas?
It's
not
out
of
the
question.
I'm
a
big
fan
of
justin,
I'm
a
fan
of
royal.
The
challenge
here
we
have
guys
is
that
these
songs
in
this
bro
in
this
project
are
not
like
they're,
not
one-off,
songs
for
web
3..
These
are
songs
that
are
have
millions
and
millions
of
streams
on
all
of
the
streaming
services.
C
C
The
streams
do
count
retroactively
because
in
season
one,
as
I
showed
you,
the
distribution
of
the
of
the
relics
and
the
rarity,
it
means
that
if
the
song
already
has
you
know
tens
of
millions
of
streams,
it's
likely
a
higher
well,
definitely
a
higher
gemstone
rarity
on
on
mint
day
and
again.
The
mint
day
is
tomorrow,
so
back
to
what
we
were
talking
about
season,
one
is
sold
out.
Midday
is
tomorrow,
so
you
can.
C
You
can
currently
buy
the
tickets
on
nifty
gateway
and
open
c
huge
thanks
to
tim
who's
been
working
on
this
smart
contract.
The
tickets
will
be
burned
on
mint,
so
you
have
to
have
your
ticket
in
your
in
your
metamask
wallet
and
when
you
connect
to
our
site
tomorrow
to
mint
it'll
it'll,
pull
your
ticket
burn
your
ticket
and
you'll
mint,
a
random
relic.
C
Also,
we
talked
about
the
genesis
idol
early,
the
one,
the
first
idol
we
ever
did
we
sold
on
nifty
gateway
for
199
dollars
that
was
sold
to
our
past
collectors
of
monstercat
nfts.
We
we
always
try
to
incorporate
creating
value
for
our
past
collectors
and
that
currently
sitting
at
something
close
to
a
ten
thousand
dollar
floor
on
the
genesis
idols.
C
C
I
guess
you
could
call
it
because
it
will
include
all
future
relic
seasons,
so
the
genesis
idol
is
supposed
to
be
kind
of
the
grail
piece
in
our
ecosystem,
as
as
we
develop
out
multiple
seasons,
we'll
always
look
back
to
the
genesis,
idol
and
the
holders
as
the
people
who
took
a
really
big
bet
on
this
project,
the
earliest
and
will
always
reward
them
in
any
way
we
can
so
genesis.
Idols
are
the
grail
and
I'm
telling
you
this
because
I
feel
like
we've
got
troy
and
tyler
about
the
front,
run
the
genesis
idols.
A
F
C
Well,
there's
always
there's
always
future
to
opportunities
future
chances,
but
I
appreciate
that
you
guys
believe
in
this
project.
I
do
want
to
mention
that
again,
all
the
musicians
and
the
songs
on
this
this
platform,
they
aren't
like
royalty-free,
artists
or
ai,
generated
songs.
These
are
songs
from
artists
who
play
some
of
the
biggest
music
festivals
on
the
planet.
C
Tour
around
the
world,
like
already
have
millions
of
streams
on
their
music
they're
all
recognized
artists
signed
for
label
the
future,
though
of
relics
I
do
want
to
talk
about
this-
and
I
haven't
talked
about
it
in
a
lot
of
places
before
the
future
of
relics
is
an
ecosystem
that
we
can
open
up
to
other
record
labels,
not
in
the
the
sense
of
like
this
is
a
marketplace
more
in
the
sense
that
it's
a
collaborative
partnership
that
we
could
do.
You
know
we
could
have
a
mad
decent
ex
relics.
C
C
However,
we've
seen
what
happens
on
other
ecosystems
that
have
over
minted
and
scaled
too
quickly.
We'd
rather
we'd
rather
build
this.
This
ecosystem
over
time
we'd
rather
consider
the
value
of
our
our
collectors
on
any
decision
we
make
because
I've
been
burned
on
a
personal
level.
You
know
I
I
was
an
early
nba
top
shot
collector.
C
You
know
early
mentor
of
all
things,
nifty
gateway,
and
there
have
been
times
where
you
know
there
have
been
way
too
many
mints
and
we're
just
going
to
be
careful
about
that
as
we
scale
this
this
initiative
so
season
two
won't
be
for
another
few
months
at
least,
and
even
then
it
won't
be
substantially
higher
in
terms
of
the
mint
count.
We're
not
talking
season,
two
ten
thousand
mints
by
any
means.
C
B
Hey
yup
still
here:
okay,
cool
yeah.
So
just
I
guess
a
quick
background
about
myself.
I
haven't
really
joined
too
many
amas,
but
I
am
co-contributor
to
universe
and
I've
been
kind
of
steering
a
lot
of
the
innovation.
I
deeply
understand
nfts
on
the
text,
technical
level
and
what's
possible,
and
so
what
we
did
here
was
the
storage
of
the
metadata
is
actually
on
chain,
and
by
doing
so
it
opens
the
doors
and
possibilities
of
being
able
to
update
the
metadata
a
lot
of
nfts.
B
What
whichever
properties
are
defined,
are
actually
stored
on
chain,
and
that
allows
there
to
be
permanence
and
also
impermanence,
and
so
some
metadata
properties
are
marked
as
changeable
editable
by
the
mastercat
wallet
and,
and
it
just
creates
a
whole
new
kind
of
like
flexibility
with
nfts,
and
so
that's
storage
properties
and
yeah.
So
random.
The
nfts
upon
mints
are
actually
distributed
randomly
immediately
and
a
lot
of
these
10k
pfp
projects
are
doing.
B
This
reveal
period
where
the
kind
of
the
order
of
all
of
the
nfts
are
already
predetermined,
but
then
they
randomize
after
all
of
them,
are
minted
and
then
so
the
index,
the
starting
number
one
nft
gets
randomized,
say
it's
like
number,
seven
thousand
five
hundred
and
that
it
becomes
the
first
nft.
And
so
so
all
these
collections
and
all
of
the
the
way
people
are
launching
nfts
are
kind
of
this
reveal
period.
But
we
actually
have
on
chain
randomness.
B
So
when
you
mint,
you
randomly
get
an
addition
to
nft,
and
this
is
all
possible
because
the
metadata
is
on
chain
and
it's
stored
on
ethereum.
There
could
be
some
questions
about
the
the
security
and
like
we.
Some
people
know
that
on-chain
on-chain
randomness
is
not
the
most
secure,
but
it's
still
just
taking
into
account
like
how
the
the
uncertainty
of
when
people
are
minting.
It's
it's
still
sufficient
in
order
to
really
distribute
these
nfts.
G
G
C
Guys,
tim,
tim
and
and
universe
have
been
they've
been
proponents
of
innovation
and
innovation
of
smart
contracts,
innovation
of
technology
from
day
one
I've
truly
been
impressed
that
they
they
don't
do
things
the
way
that
the
rest
of
the
the
industry
is
doing
it
for
that
day,
because
they're
always
thinking
six
months
a
year
in
advance
and
there's
still
some
innovation.
You
guys
have
done
that.
B
I
think
it's
just
a
really
cool
way
to
build
a
platform,
and
also
this
code
will
will
eventually
be
integrated
within
universe.
These
contracts,
and
so
we're
going
to
our
plan,
is
to
open
up
this.
We
call
them
packs
and
they're,
essentially
like
loot
boxes,
because
if
you
look
at
maybe
nba
top
shots,
for
example,
you
you
open,
you
get
you
get
a
ticket
and
you
open
it
and
you
get
a
random
nft
and
random
edition.
B
And
so
what
we've
really
innovated
here
is
the
ability
to
create
random
and
distribute
randomly
and
so
for
creators.
One
creator
that
comes
to
mind
is
nest.
Graphics.
He
likes
to
have
multiple
editions
of
his
artworks,
and
so
he
can
have
a
drop
of
like
50,
editions
of
three
three
different
pieces
that
he's
created
and
continue
to
drop
more
and
more
using
the
same
contract
and
so
we're
our
goal,
as
universe
is
actually
to
make
this
very
extensible
and
within
our
platform,
and
also
open
sourcing.
The
contracts.
C
C
Now
there
were
a
couple
years
later
in
this
journey.
It's
still
a
problem.
The
music
industry
is
still
crippled.
You
know.
Events
are
happening
again,
but
they're
happening
in
a
way
that
isn't
sustainable
artists
are
getting
trapped
at
the
border,
going
between
countries
they're
getting
sick
and
lo
and
tours
are
being
being
cancelled.
C
Restrictions
are
changing
in
each
country
daily,
different
team
members
have
been
locked
out
of
countries
due
to
their
own
personal
beliefs.
It's
just
we're
not
we're
not
back.
This
project
is
still
as
important
as
ever
for
the
music
industry,
and
I
see
it
as
more
of
an
augment.
It's
not
a
replacement
of
the
web.
2
way.
We
do
things
it's
a
way,
it's
a
way
for
the
music
and
the
artist
to
connect
with
their
community
in
a
different
manner.
C
We
keep
environmental
impact
in
mind.
Every
decision
we
make
in
this
project
I
think
we're
carbon
offsetting
25
times
over
every
mint.
I
know
that's
a
bit
extreme,
but
we
felt
it
was.
It
was
the
right
thing
to
do
for
for
a
new
project
while
we
wait
for
eth
to
for
its
migration
and
last
of
all
and
the
most
important
part
of
the
ethos,
I
think
to
the
people.
Listening
is
value
for
our
collectors.
C
But
on
that
note
guys,
I
think
it's
important.
We
we
take
this
to
to
questions
I'd,
love
to
know.
If
there's
any
questions
from
the
community,
I've
gone
over
a
lot.
I
know
it's,
it's
it's
a
whirlwind
of
information,
but
I'd
say
the
major,
the
major
takeaways
guys
this
is
collectible
music,
with
a
new
type
of
rarity
system
that
evolves
based
around
how
songs
are
performing
in
the
real
world
or
you
know
how
many
streams
are
getting
in
the
real
world.
That's
the
easiest
way
to
say
it.
C
C
Oh,
is
there
a
limited
supply
of
a
given
relic
yeah?
As
we
talked
about,
there
will
be
30
editions
of
each
relic,
so
there
is
a
limited
supply
of
each
relic
and
these
seasons
are
capped
out
season.
1
will
only
ever
have
1500
nfts
season.
2
will
be
a
complete
new
set
of
songs,
so
there
will
only
ever
be
30
editions
of
each
song
in
season
one
and
we
will
not
reuse,
songs
or
reuse
album
arts
in
future
seasons.
C
Sometimes
I
like
to
kind
of
pose
this
question
and
I'm
very
always
really
curious.
Coming
from
collectors,
you
know,
where
is
your
where's?
Your
concern
like
what?
What
would
what
makes
you
feel
like?
I'm
not
sure
if
I
want
to
I
want
to
mint
this
or
I
want
to
purchase
it,
and
maybe
I
can
answer
that
question.
F
G
G
F
So
I
just
think
it
makes
sense
to
try
to
push
to
get
these
in
fluff
world,
especially
considering
how
music-based
the
fluff
world
nfts
are
like.
It
just
makes
sense
to
me.
I
I
I
wasn't
trying
to
hate
on
essentially
and
two.
I
just
don't
see
people
using
that
platform
that
much
in
the
future
as
more
fun
types
of
games
come
out.
F
I
I
see
them
using
more
places
that
are,
if
it's
decentralized,
I
see
sandbox
becoming
more
popular,
because
a
lot
of
more
big
corporations
basically
are
going
for
that
for
the
locations
in
sandbox.
But
as
far
as
like
game
doubt
like
actual
actual
games
like
sandbox,
is
going
to
be
more
of
like
a
like
a
kind
of
like
like
a
place
for
people
to
build
whatever
they
want.
Let's
say
it's
not
gonna
be
like
competitive
gaming,
but
places
where
there
is
competitive.
C
Yeah-
and
I
I
want
to
you-
know-
cover
that
that
concern
the
first
platforms
that
we've
listed
are
because
they've
already
been
completed
or
or
they're
near
completion.
We
we
take
the
the
perspective
as
a
brand
that
we
we
don't
like
to
share
like
these
huge,
overarching
road
maps
that
are
like.
We
will
do
this
or
we
want
to
do
this
without
like
actually
having
a
process
in
place.
I
do
want
to
say
I'm
pretty
sure,
I'm
able
to
say
this.
We
have
a
direct
line
to
the
founding
team
of
sandbox.
C
It's
highly
in
our
interest.
There
have
been
some
emails
back
and
forth
we're
still
early
on
in
that
process,
so
we
are
committed
to
trying
to
figure
that
out
and
in
regards
to
the
fluff
world.
I
adore
the
fluff
world.
I
love
the
fluff
world.
If
the
universe
team
wants
to
bridge
that
gap
between,
I
don't
know
the
team
behind
fluffs,
I
don't
know
their
their
vision
around
metaverse.
So
if
you
guys
want
to
bridge
that
gap
I'll
commit
to
putting
the
time
to
try
to
build
that
out,
I
didn't.
C
Perfect
yeah,
if
you,
if
you
want
to
put
us
in
touch
I'll,
put
my
partnerships
team
on
trying
to
figure
out
how
to
build
idols
and
relics
into
the
the
fluff
ecosystem.
The
reality
is
guys.
Music
can
be
built
anywhere,
there's
nothing
that
says
like
one
platform
or
another.
We
should
have
music
integrated
it's
more
about
what
their
their
dev
resources
and
rollout
schedule
is.
But
I'd
love
to
contribute-
and
I
know
the
fluff
team-
loves
music.
C
C
C
We
did
the
pre-sale
on
nifty
gateway
because
it
was
where
past
monster
cat
collectors
had
purchased
our
past
nfts.
So
we
wanted
to
reward
and
have
a
collector's
only
raffle
for
those
collectors
as
well,
and
now
those
tickets
have
been
pulled
off
of
nifty
gateway
and
they'll
be
mintable
from
your
metamask
wallet
yeah.
It
was
a
great
way
to
save
gas
too,
because
nifty
doesn't
charge.
A
mint
fee
doesn't
charge
a
fee
to
to
pull
your
your
ticket
off
the
platform,
and
then
you
can
take
your
time
to
mint
your
relic.
C
F
F
C
Yeah
great,
that's
also
a
great
question,
so
I
I've
the
way
I
looked
at
this
project.
I
kind
of
look
at
it
like
pokemon
cards.
I
see
that
there's
going
to
be
a
community
of
people
who
want
to
collect
just
relics
because
they're
shiny
they're
rare
they
they
play
music,
they
sit
near
their
their
you.
Can
you
can
throw
them
up
on
your
wall
if
you
wanted
to
because
they
are
beautiful
pieces
of
animated,
album
art
just
like
people
who
collect
pokemon
cards
who
want
to
collect?
C
You
know
all
the
charizards,
that's
a
subset
of
people,
but
there
is
going
to
be
a
subset
of
people
that
actually
want
to
play
the
game.
Pokemon,
the
trading
card
game
and
that's
how
I
kind
of
see
the
idle
ecosystem.
Is
it's
it's
a
it's
a
utility.
It's
a
use
case
for
the
music.
It's
just
not
going
to
be
for
everybody.
Now
there
will
be
future
idols
for
future
seasons.
Our
next
idol
has
an
incredible
designer
behind
it.
C
I'm
not
going
to
say
who
it
is
yet,
which
will
again
create
an
entry
price
point
for
people
with
idols.
That's
going
to
be
substantially
lower
than
what
secondary
is
right.
Now,
however,
there
will
only
ever
be
one
genesis
idol
like
we're.
Never
gonna
release
another
genesis,
idol
season
and
we'll
never
do
another.
You
know
everybody
gets
a
free
mint
for
life
other
than
the
genesis
idol,
so
there
will
be
cheaper
price
point
entries
for
the
idols.
Just
the
genesis.
Idols
are
kind
of
like
the
holy
grail
of
our
ecosystem.
F
Yeah
I'll
probably
end
up
buying
another
one
of
those.
I
honestly
when
I
sold
it,
it
was
because
I
was
like
panicking
because
I
was
trying
to
buy
like
something
rare
in
like
another
collection,
and
I
ended
up
getting
it
and
it
did
provide
value.
So
now
that
I
like,
I
feel
like,
I
should
just
go
back
into
it,
because
it's
not
like
it's
like
expensive
for
me
now
when
I,
when
I
sold
it,
it
was
a
lot
of
money
for
me
at
the
time.
F
F
How
tim
did
the
code
on
it
and
it,
and
when
I
saw
I
sold
it
for
1.2,
just
thinking
that
I
could
maybe
like
buy
another
dip
and
it
kind
of
like
never
dipped,
and
I
but
I
but
like
at
this
point.
I
should
just
buy
another
one
for
what
they're
at,
because
it
wouldn't
hurt
my
pocket
that
much
like
back.
Then
it
helped
a
lot,
and
at
this
point
like
I
need
to
just
get
a
new
one.
A
F
Yeah
yeah
yeah,
so
that
so
that's
dope.
I
still
have
the
odyssey
piece.
I'm
never
gonna
sell
that,
because
that
is
so
cool
but
yeah
I
did
sell
the
relic
just
because
I
was
like,
I
wasn't
really
using
it
and
it
was
a
lot
of
money
at
the
time.
So
I
was
like
okay,
I
I
I
really.
I
regret
it
now,
like
that's
what
happens
every
time
I
sell
an
nft,
I'm
like
why,
like
I
like,
I
regret
it.
F
I
sort
of
I
used
to
be
in
board
apes,
I'm
not
in
that
project
anymore
too,
because
I
sold
mine
and
ever
since
I
sold
it.
I
was
like
I
kind
of
regret
it,
but
I
did
with
the
money
that
made
it
where
it
was
worth
it,
but
like
still
not
in
the
community
anymore.
So
I've
learned
that
that
you
always
need
to
get
more
than
one
nft
when
and
you
don't
want
to
sell
your
last
one.
If
it's
especially
if
it's
a
project
you
like.
C
C
Our
our
first
couple
projects
we
did
on
nifty
gateway
were
50
cent
drops
for
for
hundreds,
if
not
thousands,
of
people,
and
we
did
those
so
that
we
could
create
that
like
early
collector
community,
that
could
then
go
on
and
we
could
reward
them
for
different
drops.
Those
people
who
purchased
the
and
minted
at
50
cent
were
able
to
purchase
the
genesis
idols
actually
if
they
had
both
of
them
for
199.
C
So
again
we
really
try
to
think
about
the
our
collector
community
and
the
and
the
value
that
that
you
know
we
create
for
them
yeah.
It's
we
took
the.
We
took
the
people,
the
people
strategy
on
the
early
days
and
we've
really
tried
to
to
consider
those
those
those
those
early
adopters
ever
since,
and
we
will
continue
to
do
that.
C
Cool
guys
on
that
note,
if
there's
any
last
couple
questions,
let's
get
them
in
we've
been
here
for
for
almost
an
hour
now,
let's
try
to
try
to
sneak
them
in
by
the
way,
while
you
guys
are
writing
down
questions,
I'm
going
to
show
you
my
clown,
charles
I'm,
very
proud
of
my
client.
Charles,
give
me
a
minute.
C
Probably
not
because,
because
they're
not
being
like
globally
marketed
by
the
record
label,
they're
not
going
to
receive
the
the
the
algorithm
isn't
gonna
like
they'll,
get
stuck
in
the
in
the
rarity
algorithm
unless
the
the
web,
because
we
we
do
incorporate
web3
earnings
into
that
algorithm.
So
unless
they
like
really
exploded
in
value
in
web
3,
they
would
potentially
get
stuck
at
the
entry.
The
entry
rarity.
F
A
C
That
exactly
could
be
done.
You
nailed
it
if
you
integrate
the
jukebox,
we'll
provide
the
code
to
to
look
back
at
your
your
wallet
to
see
which
relationship.
So
we
definitely
can
do
that.
I
thought
you
meant
specifically
to
the
music,
but
yes,
the
the
actual
jukebox
itself
100
we
can
integrate
and
they'll
be
future
idols
guys.
It
won't
just
be
the
genesis
idol.
The
next
one
is
an
insane
collaboration.
So
I'm
looking
forward
to
you
know
showing
everybody
once
the
time
is
right.
C
C
In
some
ways,
yeah
and
I'm
sure,
we'll
find
other
ways
to
bring
value
to
the
the
genesis,
idol
collectors
as
well,
but
we'll
get
creative
over
time.
I
just
really
want
to
make
sure
that
there's
always
that,
like
that
grail
piece
of
any
any
project,
any
collection-
and
I
think
the
genesis
idol's
a
good
one-.
C
C
That
is
an
amazing
question
and
I'm
going
to
say
what
I
consider
I
will
try
to
see
if
there's
a
way
that
we
can
have
allotments
so
that
there's
still
space
for
the
general
public,
because
I
never
want
to
like
make
this
a
completely
closed
ecosystem.
But
I
would
definitely
work
to
find
a
way
that
increases
the
either
guarantees
or
increases
the
likelihood
of
relic
holders
to
be
able
to
mint
the
season
two
idol.
C
F
C
F
F
C
Definitely
not,
and
it
was
fun
we'd
have
all
these
calls
or
we
just
hop
on
the
call
and
start
scrambling
together.
I
was
on
the
call
when
mark
scrambled
the
number
one
rarity
or
there's
number
one
yeah
number
one
rarity
and
like
where
he
was
freaking
out,
because
we
we
we
were
at
something
like
what
was
it
mark,
like
almost
an
eighth
for
your
last
scramble,
it
was
so
expensive
and
that's
when
you
rolled
the
the
bow
and
it's
.64,
it
was
getting
like
really
expensive.
A
C
A
E
Yo
I
the
scrambling's,
turned
off
right
now,
but
I
I
think
my
next
scramble
I
have
a
tom
brady
polymorph
that
has
almost
the
full
set.
All
I
need
is
the
pants,
but
I
think
my
next
scramble
is
point
like
.68.
I've
been
trying
to
get
the
the
pants,
but
the
polymorph
is
already
ranked,
I
think,
like
number
68,
two
or
something.
So
I'm
really
thinking
like
tom
brady
morph
is
about
to
be
and
he's
got
a
red
lightsaber.
So
because
he's
it
pop
tom
brady's,
definitely
a
said.
The
lord
dude.
C
F
C
E
E
This
last
polymorph
I
just
sent
is,
is
one
of
my
favorites.
It
ended
up
being
one
of
the
rarest
and
I
I
just
bought
it
because
I
thought
it
looked
cool,
but
I
bought
it
like
way
under
mint
and
ended
up
being
one
of
the
fairest
polymorphs.
It
actually
was
the
rarest
for
a
minute,
and
then
we
we
actually
changed
the
rarity
to
reflect
the
full
sets
more
and
then
just
like
hopped
right
in
the
number
one,
but
some
of
those
double
there
was
a
slight
bug
with
like
the
double
hands.
E
F
F
When
you
think
about
it,
that's
that's
on
the
thing
that
other
rarity
tools
are
lacking,
like
they
account
for
these
trade
counts,
which
basically
gives
a
boost
for
nfts
that
are
naked
if
they
have
like
low
trade
count,
but
that's
only
one
matching
set.
So
why
is
this
one
matching
set
naked,
getting
a
boost
when
you're
not
accounting
for
all
the
other
ones?
F
G
F
Other
projects
need
to
consider
that
more
or
like
rarity,
the
rarity
tools,
actually
they,
in
my
opinion,
the
reason
they
don't
is
because
they're
they
don't
want
to
have
to
get
the
input
from
project
and
they're
just
trying
to
do
it
as
fast
as
they
can,
but
having
a
rarity
tools.
That's
like
dynamic
and
working
with
project
to
consider
matching
traits
is
the
only
way
to
get
like
an
accurate
representation
because,
like
if
you
look
at
a
project
right
now,
like
the
naked
ones,
are
more
rare
than
everything
else,
but
like
what.
E
That's
another
thing
that
our
rarity
does
account
is
like
if
you
had
a
fully
naked
morph,
that
is
actually
a
full
set,
so
it
would
be
just
as
rare
as
like
a
full
armored
like
a
full
armored
like
the
one
just
had
sold,
which
had
like
the
full
spartan
outfit.
It
would
be
just
as
rare,
but
there's
just
I
don't
think,
there's
any
even
close
to
being
naked.
A
A
C
C
F
A
F
That's
a
big
reason
that
I
bought
like
just
now
like
I
I
was
I
was
like
I
don't
know,
but
I
just
like
had
ethan
my
wallet
like
this
morning,
and
so
I
I
was
like
when
I
realized
the
calls
I
had
to
start.
I
was
like
oh,
I
need
to
get
these
real,
quick
before
there's
a
little
sweepage,
because
there
is
only
like
20
listed
like
you
know
what
I
mean.
So
that's
that
is
super
diamond
hands,
so
people
are
holding
these
like
if,
if
there's
just
a
slight
sweep
they're,
not
unobtainable.
C
Well,
I'm
just
guys
here's
my
commitment
to
you.
This
is
a
a
multi-season
project.
It
is
you
know
it's
going
to
be
one
of
those
ones
where
we
just
build
and
build
and
build
and
drop
new
partnerships
and
new
innovations
over
time.
I
don't
know
if
we're
ever
going
to
see
the
instant
everything
is
1080
plus,
but
at
the
same
time
like
I
don't
think
that
creates
sustainability,
and
that
was
our
main
ethos.
Here
is
building
a
project
that
has
sustenance.
C
That
really
makes
an
impact
for
our
artists
career
and
we're
going
to
do
what
we
can
to
to
make
it
something
that
that
continues
to
grow
over
time.
I
think
that's
one
of
the
things
I
loved
about
the
fluff
world
by
the
way
the
fluff
world
that
project
just
had
this
such
a
organic
community
growth
value
growth
over
time
it
was
never
like
overnight.
Suddenly,
everything
is
10,
eighth
and
it's
all
obtainable.
It
was
like
you
really
had
about
a
100
different
times.
E
I
said
that
yeah
I
mean
he's
absolutely
right.
I
mean
the
floss
were
like
0.2,
for
I
want
to
say
like
a
month
or
two
before
they
really
like,
went
to
0.3
or
0.4,
and
then
they
stayed
there.
I
mean
those
are
pretty
obtained
obtainable,
and
then
I
mean
you
know
it.
Fluffs
are
one
and
a
half
and
now
they're
four
and
then
they're
at
nine
and
then
like
damn
like
you're
always
I
always
should
have
bought
more.
F
I
bought
I
bought
close
the
whole
way
up
like
I
bought
one
for
60th
recently.
I
think
right
now,
they're
good
price,
but
yeah
like
you
guys,
are
definitely
right
that
it's
been
super
organic.
There
was
a
time
when
ethereum
or
like
not
ethereum
but
nfts
in
general,
like
I
collect
so
many
different
collections
and
like
almost
everything
in
my
wallet,
it
was
around
october
and
november
just
dipped
a
lot
and
the
flush
just
didn't
they.
They
stayed
at
like
point
nine
and
they
actually
got
they
actually
gained
value.
F
While
all
these
other
nfts
were
dipping
and
then
yeah
I
mean
I
just
kept
buying
as
much
as
whenever
I
can
on
those
I
still
buy
right
now,
I'm
trying
to
save
up
to
get
15
for
one
of
the
snoop
boroughs,
because
people
are
like
paper,
handing
them
they're
the
same
situation
where
there's
only
like
20
listed.
You
know
what
I
mean
it's
like.
What
are
you
guys
doing.
F
But
yeah,
I
think
that
I
think
that
the
key
is
what
you
guys
are
talking
about
is
always
keeping
it.
I
don't
know,
there's
no
really
key
to
anything,
a
rule
that
applies
to
all,
but
it
is
always
nice
when
a
project
can
make
it
to
where
it
can
onboard
new
people
for
an
affordable
price.
I
think
that
is
always
like
cool
for
projects.
F
Sometimes
it's
impossible
like
there's,
no
way
board
apes
are
going
to
release
something
that,
like
people
can
just
buy
for
point
like
one
or
something
easily,
but
you
know
what
I
mean
for
as
long
as
it
as
you
can
allow
it
it's
cool
to
do,
but
yeah,
sometimes
in
nfts,
that
just
kind
of
ends
like
it's
hard
to
always
keep
an
opportunity
for
new
people
to
enter.
You
gotta
sometimes
be
early
on
to
have
access
to
those
to
those
drops.
C
Absolutely
well
and
that's
kind
of
the
exciting
part
about
the
shows,
we're
always
hunting
down
new
new
projects
that
are
innovating
and
and-
and
I
hope
that
that
that's
something
that
we
see
occur
more
and
more
often
that
it's
not
just
like
the
latest
trend
of
an
art
style
or
a
pfp
project.
But,
like
we
start
like
as
a
community,
we
really
start
to
question
what's
being
created
here.
Where
is
this
going?
What
new
technology
is
being
built?
C
C
On
that
note,
I
gotta
hop
out
if
there's
any
like
final
questions
before
I
go,
I'd
love
to
answer
it
now,
but
again
you
know:
tyler
mark
tim,
troy
everybody
who
everybody
who
supported
this.
I
really
appreciate
you
guys
and
and
thank
you
for
for
bringing
it
together
and
and
thank
you
to
everybody
who
just
majorly
swept
the
floor.
I
can't
believe
there's
only
20
listed
on
openc,
that's
wild
yeah.
Thank
you
so
much
for
having
me
likewise,
sir.