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From YouTube: Design Review Committee Meeting | August 2, 2023
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B
So
two
for
our
opening
remarks.
Welcome
to
the
August
design
of
the
committee
meeting
I'm
going
to
call
the
rules
that
confirms
that
our
DRC
members.
C
C
B
Here
and
then
we
are.
B
Read
his
role
with
your
voice,
so
DRC
meetings
are
held
in
person
and
stream
simultaneous
seem
to
allow
Commissioners
applicants
in
the
public
to
attend
online
for
members
aboard
and
active
astronomers
this
evening,
and
if
you
lose
internet
connectivity
during
the
meeting,
please
reconnect
phone
we're
important
to
speak.
You
must
only
on
yourself
by
clicking.
B
D
B
Not
be
useful
questions,
the
public
May
observe
the
meetings,
but
participation
in
the
discussion
is
limited
to
applicants
and
members
of
the
hlrb
during
the
meeting
public
comment
is
welcome
at
the
hlrb
meeting
and
information
about
signing
up
as
a
speaker
or
submitting
a
public
comment
for
that
meeting
is
available
on
the
hlrv
website.
Finally,
this
is
a
public
forum.
Today's
meeting
is
being
recorded
and
will
be
posted
to
the
County
website.
All
information
associated
with
today's
meeting,
whether
it
be
all
spoken,
is
subject
to
free
demoting
one.
B
Okay,
so
I
will
jump
straight
into
our
first
project.
So
this
is
the
return
of
the
repair
of
a
home
after
fire
damage,
so
they
are
pursuing
in
kind
of
replacement
of
the
siding
right.
So
that
is
no
longer
on
this,
because
that
counts
as
an
in-kind
replacement
which
does
not
require
COA.
B
So
now
what
they're
coming
back
to
us
with
is
they
were
not
able
to
find
an
identical
replacement
for
the
door,
so
they
are
proposing
some
other
Replacements
and
also
they
would
like
to
put
stained
glass
into
the
porch
side
window.
B
C
B
B
If
you
smashed
it
in
I'm,
not
sure,
but
there
are,
our
applicant
is.
B
E
Here
and
apologies
for
not
being
on
last
month
and
I'm,
not
sure
if
Mr
Jones
is
on
yet
but
I
know
he
intends
to
join
the
the
answer.
The
question
the
door
was
not
beat
down
by
the
firefighter,
so
it's
still
there,
but
but
from
what
I
understand
it
is
it
is.
It
is
not
no
longer
usable
once
we
move
back
in
the
house,
so
we
currently
are
keeping
the
same
door
while
the
work
is
being
performed.
E
So
the
door
is
currently
on
the
house,
but
it's
not
it's
not
going
to
be
functional
going
for
once
we
actually
move
in
the
house
is
what
we've
is.
What
I've
been
informed?
Okay,.
F
A
A
B
G
A
I
had
to
when
I
well,
I
came
in
off
the
street,
but
I
I
tried
to
get
in
at
the
door
down
there
between
the
two
buildings
and
and
that's
that
was
locked,
so
I
had
to
go
out
to
to
Wilson
and
walk
up
to
the
to
the
door
up
there
to
get
in
I
mean
it's
like
all.
A
So
that's
not
that's
no
longer
on
the
table
so
now
we're
talking
about
the
door
and.
B
E
B
E
I
think
for
me,
the
the
discussion
was
going
to
be
more
along
the
lines
of
we're
we're
kind
of
if
we
have
to
replace
the
door
and
we
can't
get
the
same
door
that
we
wanted.
You
know
that
we
had,
which
is
what
our
desire
is
to
do.
Then,
then
I
think
our
thought
is
to
find
out
what
the
board
would
approve.
E
So
then
we
can
know
what
our
choices
are,
but
so
so
I
guess
that's
kind
of
where
I'm
coming
from
is
you
know,
would
would
you
approve
what
he
has
circled
there
because
those
are
the
ones
that
would
be
our
second
best
options.
If
we
can't
get
the
exact
same
door
that
we
have
and
obviously
we're
going
to
paint
it
the
same
color,
you
know
we're
going
to
do
all
that,
but
but
he's
he,
what
he's
saying
is
he
can't
get
another
door?
You
know
the
same
exact
door.
A
Well,
my
my
feeling
about
the
one
with
the
three
lights
is
that
that
would
be
inappropriate
for
the
house
for
the
style
of
the
house,
but
the.
D
A
E
G
G
E
And
I'm,
just
going
by
what
I'm
told
by
him,
because
he
he's
my
you
know:
project
manager.
So
you
know
I'm,
not
an
expert
in
trying
to
find
doors,
and
so
I'm
he's
telling
me
that
he's
he's
been
telling
me
that
for
months
that
he
can't
find
another
door
and
so
he's
kind
of
stuck
with
this
types
of
doors.
And-
and
you
know
my
wife
and
I.
Both
do
not
want
to
deviate
from
the
current
door
that
we
have.
A
Yeah,
but
you
know
what's
weird
about
that-
is
that
they
make
other
doors
with
a
single
page.
It's
just
it's
just
mix
and
match.
They
ought
to
be
able
to
do
it
and
also
I'm,
guessing
that
the
the
ones
that
have
have
the
subdivisions
that
that's
not
true,
divided
light
that
that's
that
those
are
those
are
the
best
simulated,
divided
light,
in
which
case
underneath.
A
C
A
A
If
you
know,
if
it's
sound
underneath
the
smoke
damage,
it
might
be
a
perfectly
good
door
under
there.
But
if
it's
warped
or
something's,
you
know
often
the
you
know
the
fire
department,
if
they
didn't
beat
it
in
they
they
may
have.
It
may
have
been
subjected
to
a
lot
of
water
damage.
So
you
never
know
so.
The
door
is
not
usable,
I'd
be
okay
with
what
is
it
f418.
D
H
H
Would
like
to
make
one
suggestion
for
the
is:
is:
have
you
considered
going
to
any
of
the
Salvage
warehouses
that
are
nearby
in
the
Washington
DC
area,
because
that's
a
very
common
door
and
I
bet
you?
They
probably
have
30
of
those
types
of
doors
that
you
could
buy.
I
just
wanted
to
put
that
out.
There
there's
a
there's
Second
Chance,
which
is
a,
and
these
are
both.
H
These
are
non-profit
Salvage
companies,
but
Second
Chance
may
have
it
or
Community,
Forklift
and
I
believe
they're,
both
out
of
Baltimore
and
I
could
find
I
could
provide
you
the
contact
information
for
somebody
that
I've
worked
with
closely
and
I.
H
Don't
know
if
I
could
just
take
that
picture
and
say:
do
you
have
another
one
of
these
doors,
but
I
think
the
trick
would
just
be
to
see
if
they
have
the
exact
dimensions
that
you
would
need,
but
it
might
be
an
option
to
go
with,
but
I
also
recognize
that
Robert
just
said
that
for
f418
could
be
is,
does
seem
like
the
closest
to
what
was
existing.
But
that
would
be
the
one
thing
I
would
suggest
is
also
look
at
a
salvage
organization.
H
B
My
one
concern
with
that
I
mean
I
I,
agree,
I
would
love
a
salvage
door,
but
it
is
quite
hard
because
houses
settle
older
houses
settler
it's
quite
hard
to
get
a
door
to
be
plum
in
a
space
like
a
non-matching
door
just
because-
and
so
it
might
be
hard
to
get
it
to
be
sealed.
Probably,
but
you.
I
B
It's
got
curtains,
but
it
is
three
petals.
G
D
A
They
can
that's
not
a
problem,
they
can,
they
can
seal
it
and
there
wouldn't
be
any
that
I
mean
people.
Do
that
all
the
time
I
don't
think.
That's
the
problem,
I
think
it's
worth
seeing
whether
that
door
can
be
saved.
I
mean
it's
it's
unusual,
because
the
the
the
the
top
light,
not
only
is
it
big
but
the
the
the
the
side,
the
the
styles,
are
really
narrow
in
the
top.
The
top
rail
is
also
very
narrow,
which
is
which
is
unusual,
that
I've.
Never
it's
that's
different
than
than
your
typical.
B
So
if
they
can
identify
whether
or
not
they
can
fix
the
existing
door
in
one
week,
they
can
get
that
and
you
can
get
that
information
to
me
yeah
and
if
not,
it
sounds
like
that.
F418
could
be
something
that
the
hlr
be
discussed
in
the
full
meeting.
So
I'll
follow
up
with
you
to
get
more
details
about
that,
while
I
have
everyone.
How
does
everyone
feel
about
the
stained
glass
idea
in
this?
So
then.
F
D
A
G
I'm
sorry
trapezoidal
window
yeah,
it's
a
square.
G
A
So
I
mean
that's
I
mean
that's
a
possibility.
That
I
mean
that
would
be
something
that
we
wouldn't
agree
with.
You
yeah
it
would
be
decorative,
they
just
put
it
into
behind
the
window
and-
and
they
probably
could
even
you
know
almost
you
know
like
put
some
trim
so
that
it
looks
like
it's
glazed
in,
but
it's
actually
behind
the
but
I
suspect
that
they'd
like
to
see
it
from
the
outside.
That's
the
that's
the
question
I
mean
personally.
A
It
doesn't
bother
me
that
much
because
it
seems
like
that's
the
sort
of
thing
that
somebody
would
have
done
as
an
alteration
to
their
house
at
some
point:
It's
relatively
small,
it's
not
facing
directly
at
the
street,
so.
B
C
It
doesn't
bothering
me,
but
I
guess:
I
would
also
fall
back
to
what's.
I
know
that
the
new
window
guidelines
sort
of
I
mean
it's
a
little
bit
addition
I
guess,
but
there's
something
in
there
about
sort.
B
Of
special
Windows
this
would
now
become
well
actually
it's
already
a
session
window,
because
it's
not
the
traditional
six
or
six
or
one
over
one.
So
that's
why
it
would
be
if
they'd
wanted
to
replace
it
either
way,
it
would
have
come
to
us
and
were
they
to
want
to
replace
it
in
the
future.
The
process
would
be
the
same.
A
A
The
gentleman
who
was
speaking
earlier
I
mean:
does
the
applicant
want,
you
know,
wants
to
see
the
stained
glass
from
the
out.
You
know
as
the
as
the
window
material
from
the
outside,
or
would
they
be
okay
mounting
a
stained
glass
panel
on
the
inside
so
that
the
light
would.
E
Yeah
yeah,
the
issue
is
I,
I
got
disconnected
because
of
a
bad
internet
connection,
so
I'm.
Sorry
I
may
have
missed
a
few
of
the
comments
here,
but
but
what
we
were
trying
to
do
is
we.
We
couldn't
find
a
window
that
we
liked
that
goes
in
that
spot,
and
so
we
wanted.
We
wanted
to
get
an
idea
if
we
could,
if,
if
we
could
use
a
stained
glass
window,
we
wanted
to
see
if
that
was
something
that
you
all
would
approve.
But
we
understand
you
know
that.
E
That's
what
we're
trying
to
figure
out.
That's
our
preference,
but
I
certainly
appreciate
that
suggestion.
That's
certainly
another
possibility,
but
we
just
wanted
to
see
what
what
would
be
approved
if
we
want
to
find
out
what
our
options
are.
Okay,.
A
Well,
I
think
you're
hearing
a
little
bit
of
pushback
from
the
committee
here
about
the
stained
glass
being
you
know
replacing
the
existing
window
and
so
I
I,
guess
the
the
advice
would
be
to
think
about
mounting
it
from
the
inside
and
if
you
know,
and
if
you
continue
to
feel
like
you
really
need
to
do
it
the
other
way,
then
I
guess
you
could
revisit
that
with
the
board.
A
But
right
now
it's
seems
like
there's
some
pushback
from
from
the
from
the
DRC,
so
I
I
would
I
would
consider
doing
it
from
the
inside
and.
E
E
B
E
What
about
the
siding?
Do
we
need
to
get
that
approved
on
this
one
too,.
B
B
B
I
think
you
talked
about
maybe
getting
the
cedar
because
you
thought
it
might
be
of
higher
quality
and
last
a
bit
longer.
B
I
I
certainly
agree
with
that
over
modern
day
Pine.
But
yes,
we
we
have
no
jurisdiction
over
the
kind
of.
E
Because
because
I
understand
that
we
had
a
miscommunication
about
this
last
month
and
apologies
for
that
where
people
were
complaining
about
the
siding
being
removed,
and
then
you
know
all
that
sort
of
thing
happened,
and
so
so
what
I
want
to
be
sure
is
that
if
we,
if
we
come
back
with
wooden
siding
that
has
that
same
size
and
appearance
which
we're
looking
to
do,
then
we
don't
need.
We
don't
need
some
kind
of
approval.
E
B
As
long
as
it's
the
same
and
it's
wood
at
the
same
Dimension,
same
appearance
and
same
material,
no
you're
good
to
go.
Okay.
E
Because
because
the
thing
and
I
told
this
to
the
some
of
the
you
know,
I
told
this
to
you
know:
John
who's.
Our
project
manager,
too,
is
you
know,
I,
don't
want
to
be
the
neighbor
that
irritates
Everybody
by
doing
something
that
nobody
likes
so
I
just
want
to
be
sure
that
we're
not
doing
something.
That's
going
to
create
a
problem
here,
but
I
want
to
be.
A
A
Everybody's
gonna
be
very
happy
that
you're
doing
this,
because
this
is
one
of
the
this
is
one
of
the
more
beautiful
siding
patterns
that
you
know
and
and
Nobody
Does
it
anymore.
It's
not
it's
not
a
so
you
know.
So
your
commitment
to
preserving
that
I
think.
A
Yeah
well
that
I
mean
typically
I
mean
I,
don't
know
that
any
siding
is
made
locally
anyway,
So,
eventually
it's
all
coming
from
somewhere,
and
you
know
whether
you
know
whether
you're
paying
directly
to
have
it
shipped
or
whether
you're
it's
in
the
price
of
the
the
signing
that
you're
buying
from
a
building
supply
company,
it's
not
being
made
locally
anyway.
So
in
some
some
site,
I'm
pretty
sure
it
comes
from
the
West
Coast.
So
anyway,
so
yeah
we
can
keep
going
so.
B
Okay,
so
discussion
agenda.
I
will
reach
out
to
you
tomorrow
just
to
follow
up
about
what
you
can
find
out
about
those
options,
and
then
we
can
see.
D
I'll
have
my
his
name's
Chad
he's
my
environmental
guy.
I'll.
Have
him
come
and
look
at
the
door
and
and
have
him
do
an
assessment
on
the
door,
whether.
B
D
B
Lovely
okay,
so
this
is
an
application
by
the
Arlington
Historical
Society,
for
a
prototype
for
a
project
that
they've
been
working
on
for
some
time,
where
they're,
identifying
people
who
were
it's
linked
in
Arlington
and
collecting
information
about
them
and
then
memorializing
them
in
the
cultural
landscape
to
bring
their
lives
to
life
so
I'm
sure
they
will
do
a
better
job
of
introducing.
B
This
is
just
for
one
pilot
which
is
going
to
be
at
the
old
sellers
house.
This
is
our
pilot
because
it
is
a
local
historic
district.
I
believe
that
they
don't
have
the
details
nailed
down
yet
the
location
they
are
proposing.
I
also
have
a
photographers
here,
so
this
is
the
location
that
they
are
proposing
and
let
me
go
down
to
some
of
the.
B
They
have,
and
it
is
being
proposed
by
Jessica,
Kaplan
and
Tim
bacon-
are
either
of
our
applicants
online.
B
Is
there
anyone
online
for
the
Arlington
Historical
Society.
B
I
think
they're
a
modeled
on
this
I've
read
this
the
model
on
The
Stumbling
stones
that
are
around
Germany
and
I.
Think
they're
just
meant
to
be
like
four
inches
by
four
inches
I,
don't
think
they've
got.
B
It
so
it's
meant
to
be
quite
subtle,
because
they're
going
to
want
to
put
them
all
over
the
county
to
represent
all
the
people,
so
maybe
luckily
some
of
them,
but
many
people
are
attached
to
individual
sites
like
labor
accounts
and
Farms.
So
they
will
only
have
one
marker
for
those.
D
C
B
Like
yes,
I
had
a
thought
to
propose
to
them
some
of
the
survey
markers
that
are
already
used,
because
if
they
are
eventually
this
one,
they
can
put
on
their
private
land
because
they
own
the
Bold
sellers
house
right,
but
in
the
future
they
will
probably
have
to
be
in
the
public
right-of-way.
In
which
case
we
will
want
something
that
people
can't
trip
over.
That
is
either
to
maintain,
and
that
we
know
is
durable,
which
brought
us
isn't
right,
and
so
I
was
going
to
propose
that
they
consider
something
like
this.
B
That
could
be
customized
and
which,
in
all
likelihood,
would
end
up
having
something
like
a
QR
code
on
it,
so
that
people
could
connect
to
them
right.
The
larger
go.
A
Back
to
the
you
know
that
so
it
says,
will
be
placed
on
concrete
or
stone
that
in
the
ground,
because
it
seems
like
it's
like
if
you
had
a
something
that
was
like
made
up
stone.
That
was
like
maybe
18
by
18
inches
with
this
plaque
in
the
middle
of
it,
then
you
would
you'd
say:
oh
what's
that
and
you'd
go
and
look
at
it.
But
if
it's
you
know
if
it's.
A
Historic
marker,
if
you
did
something
next
to
it,
you
know,
then
you
know
like
a
like
a
you
know
like
a
Paving
stuff,
like
maybe
12,
by
12,
that
was
set
right
next
to
the
to
the
the
hole
there.
Even
if
you
were
walking
on
the
sidewalk,
you
would
notice
that
there's
something
metal
in
the
middle
of
this
stone,
and
you
say
what's
that
and
then
you
go
over
and
look
at
it.
Otherwise,
if
it's
too
surreptitious,
then
you
would
never
notice
them.
A
That's
what
I'm
worried
about
I
mean
in
other
places,
if
it's
set
like
in
you
know
in
Paving
that
you
know
and
you'd
say,
like
you,
you'd
look
at
it
and
and
and
the
other
the
example
I
I
remember
is
wrong.
G
A
We
were
in
the
from
the
the
pantheon
they
had
these
I
don't
know.
Maybe
this
is
just
a
wrong
thing,
but
they
were
these
little
big
metal
things
in
the
pavement
that
happened.
You
know
like
the
pantheon
I
guess
it
was
to
say
that
you're
at
the
pantry
right
there,
but
but
there
were
these
beautiful
little
bronze
markers
that
were
set
in
the
cobblestones.
G
A
You
didn't
you
didn't
notice
them,
it
was.
It
was
really
nice,
but
but
if
it's
just
in
the
grass
over
there
I'm
just
saying
that
we
we
should
be
aware
of
the
particular
context
and
that
I
would
be
okay.
If
you
know
if,
if
it
came
in
a
place
like
that,
if
it
came
with
a
larger
Stone
sort
of
surround
just
so
that
it's
easier
for
people
to
notice
that
it's
there
could.
A
C
I
B
No
one
on
them
from
what
we
had
talked
about.
This
is
the
design
they've
come
to
us
with
they
worked
with.
They
worked
with
some
students
to
do
some
kind
of
design
in
American
schools.
There
are
vocational
classes
where
you
do
things
with
wood.
I
have
not
been
to
one
of
these
schools,
but
I
think
some
kind
of
tech
class.
They
worked
with
them
to
come
up
with
the
design
for
the
brass
plaque,
which
is
why
we
have
the
mock-up
on
the
left.
B
A
B
A
Yeah
yeah
I
think
the
whole.
If
the
the
I
mean
we're
the
design
Review
Committee,
the
the
interesting
thing
is
I.
Remember
years
ago
somebody
was
complaining,
one
of
our
former
I
won't
say
there
was,
but
one
of
our
former
chairs
was
saying
that
you
know
you
have
the
you
have
the
lrv,
which
is
what
what
we
do
here
is
the
lrv
part,
and
then
there
was
very
little
of
the
HR
part,
and
this
this
is
the
HR
part.
I
mean
the
part
right.
G
B
C
B
Okay,
so
our
third
item
is
the
coal
arts
and
the
other,
the
other
fire
damaged
house
in
Maywood.
They
had
the
new
construction.
They
came
to
us
first.
A
B
A
Lot
yeah
Michael
can
yeah
our
neighborhood
our
neighborhood.
It
was
weird
our
neighborhood
was
devastated.
There
were
trees
down
everywhere,
but
almost
no
damage
to
houses.
Somehow
all
the
trees
missed
the
houses
except
you
know
in
minor
ways
nobody
got.
There
was
a
house
in
Kensington
that
got
like
literally
the
trees
went
through
it
like
a
knife.
It
was
sliced
through
the
house
and
nobody
was
hurt,
but
anyway,
so
I
was
just
wondering
about.
A
Yes,
so
yeah.
G
B
All
right
sorry,
this
was
the
first
design
that
you
approved
and
it
had
this
the
stairway
by
the
side
entrance
that
went
back
toward
the
front
of
the
house,
and
then
they
came
back
and
actually
asked
for
it
to
come
straight
out
in
March
2022
and
they
ended
up
actually
building
the
one
from
there
and
it
shot.
H
B
B
C
A
B
All
right,
so
this
is
our
final
item,
which
is
The
Return
of
the
project
2801
okay,
Columbia
Pike,
because
there
were
some
final
questions
about
some
other
design
options
and
dick
in
particular,
they're
asked
to
make
sure
that
the
design
Review
Committee
had
an
option
to
see
those
rather
than
just
approving
it
without
having
so
I
believe
with
Lauren
is
on
the
call
and
Sarah
who
will
do
a
better
job.
H
It
away
Sarah
feel
free
to
mention
the
way
that
things
have
gotten
changed
with
the
renderings,
and
you
know
we're
specifically
looking
at
the
windows
based
on
what
the
hlrb
requested,
and
so
my
understanding
is
that
if
the
DRC
are
comfortable
with
how
the
windows
are
looking
now
or
if
there's
any
other
changes,
then
their
conditional
COA
would
become
a
final
COA.
J
I
I
tried
to
put
together
a
little
a
quick
summary,
because
I
thought
it
might
be
helpful
to
just
very
briefly
I
we
had
presented
the
image.
Is
everyone
seen
my
screen?
I
should
have
asked.
Yes,
thank
you,
Lauren
and
good
to
see
everyone.
Thank
you
for
all
your
feedback
on
this
John
Regan
and
Angela
costellaki
with
Deborah
Associates
are
also
on.
But
just
brief
recap
is
that
at
December
we
had
presented
this
design
received.
J
J
I
will
let
Angela
and
John
jump
in,
but
this
is
option
one
which
I
think
we
think
really
is
more
in
keeping
with
the
historic
facade
and
is
an
enhancement
to
that
existing
facade
window
option
two
is
slightly
different
and
then
I
did
put
them
together
so
that
you
all
could
look
at
them
jointly
and
provide
some
comments
and
John
Angela
jump
in.
J
If
you
want,
but
I
think
we
in
looking
at
this,
we're
really
thinking
that
this
particular
window
might
be
a
better
complement
to
the
facade,
but
certainly
welcome
your
feedback.
I
If
I
could
make
one
comment,
please,
on
this
optional
window
in
the
upper
left,
what
we
did
was
the
the
previous
design
had
had
pretty
much
squares,
vertical
Square
Windows
and
what
we
did
was
separate:
the
mullions
of
the
windows,
the
muttons
of
the
windows,
so
it
more
resembles
the
windows
on
the
existing
building.
I
On
the
second
floor,
which
is
a
smaller
window
pane
and
the
over
top
of
a
larger
one
and
then
a
smaller
one
on
the
bottom,
and
we
also
the
windows
flanking
on
either
side
of
the
curve.
We
just
repeated
the
regular
pattern
that
we
have
in
the
rest
of
the
building.
A
But
if
I
remember,
if
I
remember
Andy
you
the
last
time,
your
comment
was
that
you
liked
the
the
way
that
there's
no
you
know
larger
volume
between
these
windows,
as
opposed
to.
A
The
the
the
horizontal
subdivision
matching
back
I,
think
everybody
agrees
is
the
way
to
go
right.
A
The
question
is:
is
whether
these
heavier
these
heavier
volumes
should,
should,
you
know,
become
thinner,
you
know,
basically,
just
a
division
in
the
glass
rather
than
a
events
having
a
division.
You
know
in
actually
in.
I
G
I
think
what
we
were
asked
to
do
is
to
look
at
it
too
and
say
which
one
we
thought
it
was
better
and
we
ask
them
to
do
these
two
renderings
are
worth
necessarily
talking
specifically
about
the
size
of
volumes
or
whatever,
there's
a
very
distinct
difference
between
the
windows
option.
One
that
the
upper
left
in
the
lower
right
lower
right
is
a
uniform
kind
of
spacing
of
the
windows
and
option
one
mimics
existing,
which
is
larger
pain
in
the
center.
But
you're.
G
A
A
Made
that
I
was
I
was
one
I,
also
which
I
don't
see
here
so
I
I.
Think
I
made
a
comment
about
looking
at
putting
a
you
know,
a
small
band,
but
having
a
baby
bore.
You
know
more
like
this
color,
so
that
you
get
a
little
bit
of
a
light.
G
J
A
A
Good
design,
I
think
I've
I'm
gonna
commend
again
the
the
idea
of
doing
the
bus
stop
in
the
you
know
in
the
in
the
part
of
the
building
that
steps
in
where
the
pizzeria
is
now
and
it's,
which
is
a
very
clever
idea,
I
think
it
looks
really
great
yeah.
C
A
C
G
H
Okay,
so
we're
comfortable,
so
everybody's
comfortable
with
the
window
pattern
fenestration
going
on
with
the
building
on
the
top
left
at
the
top
left,
okay
and
we're
not
making
any
we're
not
requesting
any
tweaks,
because
the
only
thing
we
ask
them
to
do
is
to
provide
another
option
with
the
fenestration
pattern
and
Sarah's
confirming
at
this
recorded
meeting
that
the
top
lighter
coping
does
exist.
H
E
J
H
Would
you
be
able
to
Sarah,
would
you
all
be
able
to
do
to
make
that
change
so
that
we
can
have
that
in
our
files
and
that
ends
up
being
what
gets
stamped?
Because
we
stamped
these
plans?
When
we
say
you
have
a
certificate
of
appropriateness,
Angela.
H
Okay,
I
think
that
would
be
helpful
for
for
stuff.
Okay,.