►
From YouTube: Bloomington Arts Commission, January 11, 2023
Description
No description was provided for this meeting.
If this is YOUR meeting, an easy way to fix this is to add a description to your video, wherever mtngs.io found it (probably YouTube).
A
Well,
I
will
go
ahead
and
call
the
meeting
to
order,
knowing
that
we're
I
think
we're
still
waiting
for
one
more,
but
they
will
they'll
join
us
shortly.
So
hi
everyone
to
be
January
11th,
the
Arts
commission
meeting.
Let's
go
ahead
and
start
things
off
by
reviewing
the
minutes
for
our
December
meeting.
A
A
Okay,
great
can
I
get
a.
A
B
A
Excellent
great
okay
and
yeah,
as
as
noted
a
quick
note,
as
you
know,
as
we.
C
D
I,
don't
know
why
that
is
happening.
Have
you
all?
Do
you
all
have
the
financials
I
included
two
documents
and
the
if
you're,
all
comfortable,
just
looking
at
those
on
your
laptops,
I
can
just
talk
you
through
so
I
put
I'm,
sorry
that
that's
happening
so
please
hold
on
while
I
negotiate
technology.
D
So
I
put
two
documents
in
this
months
packet
and
so,
as
I
mentioned
at
the
end
of
the
last
meeting
and
last
year,
because
so
many
of
those
grants
payments
were
happening
like
as
part
of
the
last
claim
cycle
of
the
year.
We
weren't
just
seeing
that
reflected
in
the
budget
as
it
stood
and
so
now,
thank
goodness,
all
of
those
payments
have
been
made
so
I
can
share
an
accurate
just
a
snapshot
of
where
we
actually
ended
up
just
okay,
so
I'm
going
to
start
by
talking
about
where
we
ended
up
so.
D
All
right
here
we
go
Okay
so
going
way
back
to
last
January,
we
started
out
with
two
basic
budget
lines
to
draw
from
one
was
the
overall
Grant
allotment
from
the
city,
and
so
that
consisted
of
forty
forty
thousand
dollars,
which
was
our
2022
annual
allotment
just
over,
like
29
000,
for
our
carryover
allotment
from
21,
which
we
were
able
to
keep
and
then
that
two
percent,
like
roughly
832
dollars,
in
addition
to
that
which
totaled
sixty
nine
thousand
two
hundred
and
twenty
three
dollars,
we
had
eighty
thousand
dollars
allotted
from
the
bua
to
spend
so
from
those
two
large
chunks
of
money.
D
We
spent
a
total
of
sixty
three
thousand
two
hundred
and
eighty
dollars
from
the
BAC
cities
General
budget,
so
that
left
us
with
a
total
of
five
thousand
nine
hundred
and
forty
three
dollars
I'm
going
to
explain
to
you
why
that
is
there,
there
were
some
Grant
recipients
who,
in
spite
of
my
best
efforts
to
email
and
call
and
slide
into
DMs
I,
just
could
not
Rally
paperwork
that
was
necessary
to
get
those
payments
out.
So,
unfortunately,
that
roughly
six
thousand
dollars
was
reassumed
back
into
the
city's
budget,
yeah
I
was
seriously
this.
C
Is
you.
D
C
D
Just
hey
Susan,
it's
just
following
up
with
those
folks
like
in
a
more
timely
manner,
I
think
our
grant
software
that
we're
going
to
be
deploying
this
year
will
also
help
with
that,
but
it
just
meant
by
the
time
these
messages
started
going
out
in
the
last
two
months
of
the
year,
I
was
just
coming
up
empty.
D
So
that's
why
you
see
that
six
thousand
dollars
again
that
has
been
like
reabsorbed
into
the
city's
overall
budget.
There
is
a
chance
that,
later
in
this
year,
in
the
second
or
third
quarter,
that
they
will
give
that
money
back
to
us.
That
used
to
be
a
pretty
typical
annual
thing.
That
happened.
D
Well,
I,
don't
know
off
the
top
of
my
head.
I
feel
like
it
was
split
pretty
evenly
oh,
except
with
the
exception
of
that
last
emerging
artist,
arts
project
Grant
cycle
I,
feel,
like
most
of
the
funds
were
spread
out
pretty
evenly
amongst
Arts
projects
that
first
really
strong
emerging
artist,
project,
Grant
cycle
and
the
operations
Grant
cycle
so
and
I
think
we
kind
of
made
a
concentrated
effort
to
make
sure
that
we
weren't
overloading
one
of
those
Cycles
with
too.
D
D
No,
that's
a
great
question
so
I,
actually
so
the
last
two
cycles
of
the
year
so
operations
and
emerging
artist,
Arts
projects,
those
are
all
paid
out.
It
was
more.
The
emerging
artists
and
arts
projects
grants
that
we
had,
and
you
know
so
they
had
more
time
than
those
last
two
cycles
so
and
I
don't
I
I,
sometimes
I'm
like
well.
You
know
was
it
just
because
you
know
I
felt
this
like
upcoming
deadline,
you
know
with
our
last
arts
project
Grant
cycle
just
to
like.
D
Oh,
my
gosh
really
hound
them,
but
you
know
again
will
just
keep
monitoring
that
in
this
new
year
and
hopefully
do
a
better
job
of
actually
getting
those
funds
out
the
door.
But
I
just
did
want
you
to
understand
why
that
roughly
six
thousand
dollars
is
still
there
and
I
will
keep
you
informed
about
whether
or
not
we
get
any
of
that
back.
D
D
A
few
artists
that
just
left
home
so
I
think
that
also
might
have
had
something
to
do,
and
then
I
want
to
talk
a
little
bit
about
The
bouillier,
Zone,
Arts,
Grant
Line.
So
again,
this
is
where
we're
seeing
so
that
80
000
is
made
up
of
both
2021
and
2022
allotments
to
us,
so
that
was
40
000.
Each
years
we
spent
just
under
40
000,
which
means
we
technically
have
that
forty
thousand
dollars
left
over,
but
the
buea's
budget
Works
a
little
differently
than
the
city's
budget.
D
So
basically
that
40K
is
going
to
be
reabsorbed
into
their
overall
budget
and
we
don't
necessarily
have
access
to
funds
the
way
that
we
would
with
City
council's
budget
line
for
us
if
they
chose
to
reappropriate
those
funds
later
this
year
and
so
and
I
can
share.
So
the
reason
why
we
had
eighty
thousand
dollars
last
year
is
because
I
was
very
new
in
the
position
at
the
end
of
21.
and
I.
D
Just
really
worked
hard
to
convince
the
buea
to
let
us
keep
that
forty
thousand
and
then
learn
learned
that
they
are
not
as
free-flowing
with
their
funds
as
we
are.
Unlike
us,
you
know
I
feel
like
we
do
our
best
to
get
all
that
money
out
the
door.
You
know
we
want
to
be
able
to
demonstrate
counsel
that
there
is
a
need
and
that
we're
fulfilling
that
need.
We
want
to
show
them
that
we
can
zero
out.
So
they
continue
to
give
us
that
much
or
more
money
with
B
UEA.
D
It's
not
necessarily
the
case,
so
I
just
chose
not
to
pick
that
fight
this
year.
I
just
don't
think
it's
worth
it
I
think
as
we
kind
of
learn
what
happens
this
year,
we
can
reassess
that
if
we
do
come
across
some
initiative
or
some
amazing
grant
that
pushes
us
over
the
40K
they
have
allotted
us
for
23.,
we
can
always
make
the
case
to
them
to
let
us
use
some
of
their
other
available
Grant
funds
that
hasn't
been
allotted
to
some
kind
of
specific
project,
they're
looking
to
fund.
D
So
that's
always
an
option.
I'm,
not
100
optimistic
that
will
take
advantage
of
that,
but
it
is
an
option
if
we
want
to
explore
it
any
questions,
okay,
great,
so
that
that's
22..
Let's
look
at
23.,
okay,
okay
and
again
I'm.
So
sorry,
this
isn't
up
on
the
screen:
y'all,
okay,
so
all
right!
So
in
the
past
we
have
been
given
forty
thousand
dollars
to
work
with
from
the
city.
This
year
we
have
a
little
more
this
year
from
the
city.
We
have
sixty
five
thousand
dollars.
D
I'm
gonna
tell
you
what
that's
that
includes.
So
that
includes
a
couple
of
different
things
that
includes
fifty
thousand
dollars
of
Grant
funds
from
the
general
budget.
So
Council
approved
us
getting
10
000
more
dollars
a
year
than
previous
years
to
spend
on
grants.
So
again,
that's
fifty
thousand,
the
other
fifteen
thousand
of
that
is
our
local
income
tax
increase.
So
when
the
office
of
the
mayor
and
others
were
pushing,
you
know
the
vote
through
Council
to
increase
income
tax.
D
We
all
had
to
come
up
and
say
if
you
were
to
increase
income
taxes.
This
is
how
we
would
spend
the
money,
and
one
of
the
lines
I
put
in
there
was
for
Arts
grants
and
then
public
Arts
projects,
and
that
was
overall
just
over
thirty
one
thousand
dollars,
and
they
approved
that
so
I
took
fifteen
thousand
of
that,
and
just
added
it
on
to
our
grants.
Line
from
the
city.
65
thousand
dollars
is
basically
what
we
spent
last
year
in
Grants
and
so
I
just
thought.
D
D
We
feel
like
we
can
do
it
again,
we're
not
facing
this
pressure
of
the
extra
forty
thousand
dollars
from
buea
to
work
with
so
I'm,
confident
that
it
won't
be
difficult
to
spend
that
sixty
five
thousand
dollars
from
the
city
plus
that
849,
which
is
our
two
percent
annual
increase,
plus
the
40K
that
buea
has
given
us
so
overall,
we'll
be
working
with
just
over
a
hundred
thousand
dollars
to
be
able
to
give
out
for
BAC
grants
this
year
as
part
of
the
local
income.
D
Tax
increase
I
also
put
a
couple
other
budget
lines
in
there.
For
us,
one
of
those
is
for
emerging
artist,
professional
developments.
You
know
as
I've
spoken
with
folks
in
the
community
and
I
think
it's
especially
as
we
were
reviewing
Grant
applications
in
our
last
Grant
cycle.
We
learned
that
some
folks
could
use
some
help
and
just
you
know,
demonstrating
their
qualifications
in
a
Grant
application
and
telling
us
what
they
want
to
do,
and
you
know
I
also
think
you
know
as
we're
focusing
on
emerging
artists.
D
You
know
and
artists
who
are
just
kind
of
coming
into
their
own
I
feel
like.
There
are
other
types
of
services
and
workshops
we
can
provide
just
to
help
them
level
up
professionally,
and
now
we
have
a
budget
to
do
it.
That
means
we
can
pay
folks
to
lead
these
workshops.
We
can
get
some
refreshments
we
can
like
pay.
I
fell,
100
bucks
to
let
us
use
their
space
if
we
want
to
so.
D
We've
got
five
thousand
dollars
to
play
with
there,
and
then
we
also
have
sixteen
thousand
five
hundred
dollars
for
public
art
and
grants.
So
this
is
thinking
about
as
we're
releasing
the
public
art
master
plan
in
the
early
months
of
23.
and
as
we're
doing
more
initiatives
to
work
with
local
neighborhoods
to
put
works
of
public
art
in
their
neighborhoods.
We
have
this
month
need
to
supplement
that
this
is
also
as
we're
thinking
about
doing
a
neighborhood
Festival
this
year.
We
can
use
some
of
these
funds
to
help
pay
for
the
costs
of
that.
D
So
that's
what
I've
got
again
I'm
sorry
I
can't
show
you
these
numbers
on
this
screen,
but
I
am
happy
to
answer
any
questions
about
the
23
funds
as
well.
Yes,.
F
To
not
have
workshops
for
organizations
as
well
as
emerging
artists,.
D
I
I
think
that's
great
I,
think
anybody
yeah.
Thank
you
for
asking
that
question.
Let
me
clarify
this
all
are
welcome.
It's
not
it's
not
just
for
emerging
artists
and
again
I
think
we
can
just.
We
can
work
together
to
figure
out
the
details
of
this
just
to
make
sure
you're
catching
my
blind
spots
like
yeah.
D
F
Of
the
more
in
more
recently
emerged,
emerging.
E
F
E
We
discussed
this
about
three
years
ago,
two
years
ago,
whatever,
and
then
we
and
then
covet
happened
because
we're
talking
about
doing
a
series
of
workshops,
maybe
once
a
month
to
do
this
kind
of
thing,
and
if
your
time
at,
like
one
of
the
things
like
a
program
for
organizations
or
not,
we
used
to
we
used
to
do
this.
We
did
a
non-profit
one.
We
did
individual
ones
at
score.
E
We
did
them
at
the
library
because
they
have
the
we
actually
started
in
one
of
the
smaller
rooms,
and
then
we
had
to
move
to
the
big
Auditorium,
because
we
had
so
many
people
who
were
there
and
they're
like
a
half
a
dozen,
the
guys
who
and
I'm
sure
there's
a
couple
of
good
women
too
no
I
mean.
E
To
who
I'm
sure
who
would
be
really
happy
to
do
this?
So
if
you
know,
if
you
put
together,
the
kind
of
things
you'd
like
I,
have
a
whole
list
of
what
we
had
done
before,
but
if
I'd
be
happy
to
collate
it
into
something
more
of
everybody.
Just
send
me
Loosely,
you
know
what
what
you'd
like
to
see
covered.
You
know
the
kind
of
thing,
because
I
think
it
could
be
done
real.
You
know
just
as
something
to
do
it.
The.
D
So
I
wanted
to
just
give
you
an
update
on
a
little
read
raging
in
the
office
of
the
mayor,
and
so
probably,
as
many
of
you
know,
the
former
deputy
mayor
of
the
city,
Don
Griffin,
is
running
for
mayor
in
this
year's
election
campaign
and
he
decided
that
it
would
be
best
to
focus
on
his
campaign
this
year
and
therefore,
at
the
end
of
the
year,
he
stepped
down
from
his
position
as
Deputy
Mayor,
and
so
now
he
is
focusing
on
his
campaign,
so
Mary
Catherine
Carmichael,
who
was
in
kind
of
the
city's
Communications
public
branding
role,
has
taken
over
as
deputy
mayor
for
this
year
and
Kaiser
Goodman,
who
was
actually
formerly
a
colleague
of
mine
in
ESD
when
I
started
as
special
projects
manager,
which
is
the
role
chasnow.
D
Has
she
moved
up
into
the
mayor's
office
and
was
acting
as
the
mayor's
Chief
of
Staff?
She
is
now
replaced
Mary
Catherine
Carmichael
as
the
overall
Communications
branding
kind
of
mouthpiece
of
the
mayor's
office
for
the
city.
She
is
also
doing
the
job
as
chief
of
staff
for
the
mayor
as
well,
while
they
find
somebody
to
replace
her
so
her
name
is
Kaiser
Goodman.
D
D
Yeah
I
also
wanted
to
just
thank
you
all
for
your
feedback
about
the
Gateway
projects
that
you
all
gave
in
December.
I
did
share
that
all
with
the
parks
department.
They
were
incredibly
gracious
to
have
it
and
I
think
they
took
it
really
seriously.
I'm
gonna
be
meeting
with
Tim
Street,
who
is
Park's,
lead
on
that
project
next
week,
just
to
talk
about
next
steps
and
I'll,
keep
you
all
informed
as
that
process
moves
forward.
So
thanks
again
for
your
feedback
and
that's
what
I've
got.
A
Thanks
great,
thank
you,
okay,
Nick,
sorry
to
have
to
ask
you
to
talk
and
and
no
take
but
item
number
four
is
a
bylaw
task
force
status,
update.
G
Yeah,
honestly,
not
a
lot
of
product
progress
since
last
month.
I
think
that
we
had
a
lot
of
this
is
with
me.
I
think
we
had
the
ambition
of
doing
like
a
full
review
of
our
notes
in
the
supporting
document
and
getting
that
to
everyone
in
advance
of
this
meeting.
So
we
have
a
deeper
discussion.
G
G
So
I
think
all
that
needs
to
happen
is
I'm
about
halfway
through
this
I
need
to
to
finish
doing
sort
of
like
an
A
B
of
like
raw
meeting
notes
from
all
of
our
meetings
to
this
point
and
that
supporting
document
just
make
sure
we're
not
missing
anything
and
then
we'll
get
that
in
front
of
everybody,
and
we
can
get
this
thing
buttoned
up.
A
Okay,
thank
you
any
questions
about
the
about
that
before
yeah,
like
I
I,
like
Nick,
said,
the
plan
is
to
have
something
out
to
the
group
for
with
with
enough
time
to
look
over
it
and
discuss
it
at
the
February
meeting.
So
got
any
questions
about
it.
Now:
excellent,
great
okay
to
Natalie
for
an
update
on
the
world
of
public
art,
sweet.
B
Had
a
really
productive
meeting,
the
other
last
Friday,
we
kind
of
just
went
through
looking
ahead
to
the
coming
year
and
just
everything
that
we
have
in
store
and
it's
a
lot.
We
have
a
lot
of
projects
on
the
coming
through
the
pipeline,
a
lot
of
things
to
celebrate
and
a
lot
of
just
projects
to
look
forward
to
so
that
was
great.
We
also
had
a
conversation
with
Michael
from
legal
about
the
right-of-way
situation,
and
that
was
really
good
and
insightful
I.
B
Think
for
all
of
us,
but
just
kind
of
looking
to
February.
We
will
have
the
public
art
master
plan
released
in
February,
I.
Think
right
now,
there's
just
a
few
loose
ends
to
tie
up,
but
that
is
essentially
ready
to
go.
And
then
our
public
art
subcommittee
meeting
will
be
on
site
at
an
Arts
incubator
space
and
the
riddlest
building
over
on
Rogers
Street.
B
So
I'll
send
more
information
about
that
to
the
subcommittee
group
that
we'll
be
meeting
there
and
in
April
something
to
start
kind
of
ruminating
and
we're
marinating
in
is.
We
will
be
celebrating
the
goat
farm
piece
with
a
ribbon
cutting
and
just
starting
to
think
about
what
kind
of
groups
we
want
to
incorporate
in
that
who
we
want
to
reach
out
to
and
what
other
things
that
we
just
want
happening
in
tandem
with
that
celebration.
B
So
the
subcommittee
is
going
to
start
talking
about
that
and
planning
that
and
then
just
further
out
to
summer
and
fall.
We
have
some
exciting
I
know
I
mentioned
in
the
last
meeting.
The
National
Science
Foundation
murals
that
will
be
going
up.
B
Holly
and
I
are
still
speaking
with
those
folks
about
getting
some
of
those
details,
further
solidified,
but
that's
going
on,
and
we
also
have
a
really
exciting
new
opportunity
to
work
or
to
get
some
more
meals
up
at
the
Duke
substation
and
so
there's
they've,
essentially
Duke
has
indicated
a
decision
to
fund
it
and
negotiate
and
they're
negotiating
the
details
of
that
funding.
But
we'll
have
more
updates
on
that
in
the
next.
Like
three
months
or
so
so
things
are
moving.
A
A
quick
question
about
the
public
arts
master
plan
is,
when
you
say,
release
it
in
February.
What
do
you
mean
by
that
I.
B
Think
that
just
means
like
putting
it
on
like
the
website,
essentially
right,
Holly
like
circulating
it,
maybe
under
social
media,
getting
it
into
the
hands
of
some
folks
like
some
key
Partners
things
like
that,
but
I
think
a
lot
of
what
comes
along
with
it
is
like
statements
from
some
folks
in
the
mayor's
office
that
I
think
they're
just
trying
to
get
okay.
D
I
mean
I
think
once
we're
all
happy
with
it,
and
we
put
it
out
publicly.
I
I
do
think
that
the
public
art
subcommittee
should
take
some
time
to
strategize
about
how
we're
just
making
sure
people
understand
that
this
is
a
tool
kit
that
folks
can
work
with
and
how
they
can
take
advantage
of
it
to
think
about
putting
work
in
their
neighborhoods
and
again
as
we're
thinking
about
that
new
line
in
our
budget
of
just
over
sixteen
thousand
dollars.
Thinking
about
how
we
can
say.
Oh
also,
there
is
this
pot
of
money.
A
I
mean
is
it?
Is
this
a
sorry
to
potentially
slow
this
down
but
and
to
ask
the
question
as
chair,
but
this
is
I'm
sort
of
new
to
the
public
Arts
committee
works,
but
is
before
it
goes
like
fully
public.
Is
this
something
that
we
would
want
the
rest
of
the
commission
to
to
look
at,
or
it's.
D
A
great
question
I
think
we
should
I
I
feel
like
we're
kind
of
at
the
point
where
we
don't
want,
like
drastic
changes,
I
think
Gerard,
you
and
I
talked
about
like
potentially
adding
a
little
more
language
about
performance.
Part
which
I
feel
like
is
fair,
and
we
can
continue
that
discussion,
but
I
do
think
once
we're
the
subcommittee
is
happy
with
it.
I
would
like
to
share
it
to
the
full
commission
just
to
take
a
look
at
it.
You
know
give
us
our
general
yay
or
nay
or
oh,
my
gosh.
D
D
Another
element
of
this,
knowing
that
we
now
have
this
right-of-way
protocol,
for
you
know
paintings
and
things
going.
You
know
on
the
sidewalk
or
on
the
roadway.
I've
also
asked
legal
to
look
at
this
document
before
we
release
it.
I
just
want
to
make
sure
that
everything
we're
seeing
in
the
document
aligns
with
that
protocol
and
we're
not
out
reporter
with
that
and
they're
aware
that
that's
coming.
C
E
F
A
Okay,
perfect
any
other
notes
or
questions
for
Natalie
or
the
public
Arts
committee.
Five
years,
all.
D
Grants
committee
once
again
we'll
never
be
as
so:
cool
or
widely
World
traveled
as
Elliot
Josephine
Layla,
but
so
so
getting
ready
when
she's
back
next
year,
completely
jet-lagged
to
meet
with
Gerard
and
start
planning
for
the
2023
Grand
Cycles.
There
will
be
three
of
them,
not
four,
and
they
will
run
roughly
over
the
same
period
of
time
that
they
did
last
year.
D
We'll
kick
things
off,
I
think
the
first
grant
cycle
is
slated
to
open,
February,
20th
or
21st
and
that'll
be
Arts
projects
we'll
do
an
emerging
artist
or
that
we'll
do
I,
think
we'll
do
emerging
artists
and
then
we'll
do
operations
as
the
last
cycle,
but
again
just
trying
to
round
it
out
and
get
the
money
out
the
door
I'm
going
to
be
a
little
more
ambitious
and
say:
let's
try
to
get
it
out
by
Thanksgiving.
So
again
we're
just.
D
Break
who
might
want
to
take
a
little
time
off
in
December
so,
but
so
we'll
be
working.
You
know
both
on
the
details
of
what
those
Grant
Cycles
are
going
to
be
like.
There
was
there's
been
a
lot
of
conversation
in
our
grant
subcommunity
meetings
about
how
we
can
make
the
applications
better.
You
know
again
how
we
can
set
our
applicants
up
for
Success,
so
Elliot's
going
to
be
leading
some
task
force
in
this
year
to
do
that.
D
Work
to
just
make
sure
we're
being
as
robust
as
possible
and
again
she'll
also
be
taking
the
initiative
to
really
work
with
you
all
to
shape
what
these
different
types
of
workshops
look
like.
D
G
A
Cruising
through
this
today,
I
think
yeah
I
think
this
meeting
is
a
little
bit
lighter
than.
A
All
right,
cool
I
will
go
ahead
and
give
a
couple
a
couple
announcements
here
from
the
from
the
chair
section.
So.
G
A
How
I
met
Friday
and
and
just
talked
about
a
whole
wide
range
of
things
related
to
the
to
the
commission
and
I?
Think
one
thing
that
we
that
has
come
up
enough,
both
like
in
our
discussions
here
at
the
commission
and
sort
of
just
like,
more
broadly
from
I
I,
think
like
the
broader
Bloomington
art
scene,
just
in
in
some
of
the
people
that
I've
talked
to
you,
both
like
in
my
work
at
the
council
and
also
like
in
my
role
as
commissioner
and
I.
A
Think
that
like
Holly
is
hearing
a
lot
is
just
like
the
idea
of
or
the
of
of
communications
and
so
how
how
resources
and
things
are
presented
and
I.
Don't
think
the
the
commission
doesn't
need
to
necessarily
take
responsibility
for
the
full
scope
of
how
events
and
concerts
and
performances
and
resources
are.
Are
you
know,
communicated
across
the
city,
but
with
the
with
the
resources
that
we
have
and
the
work
that
we
do
and
the
the
sites
that
we
maintain
I?
A
Think
there's
there's
work
to
be
done
there
and
to
make
sure
that
we
have
a
plan
and
a
process
for
making
sure
that
those
are
are
well
maintained,
are
updated
and
that
they're.
You
know
reflecting
the
things
that
that
we
want
up
there,
and
so
I
would
like
to
I'm
not
going
to
build
this
today.
A
But
just
want
to
put
the
notion
out
there
that
I
would
like
to
put
together
a
task
force,
I
think
in
the
in
the
coming
weeks
and
months
to
come
up
with
I
guess
a
Communications
plan
for
the
commission
that
just
sort
of
gives
us
a
sense
of
of
what
our
priorities
are
and
and
how
what
resources
are
available
to
us
and
then
and
and
a
plan
for
utilizing
those
resources
and
sort
of
like
meeting
those
like
prior
priorities
and
goals
for
for
our
our
commission
Communications.
E
I
think
it's
a
good,
an
important
idea,
but
I
would
suggest
a
couple
things
number
one.
Is
that
anything
that
we
do?
We
we
treat
it
like
we're
a
corporation
or
a
company.
We
set
dates
for
it
that
this
is
what
we're
going
to
do.
This
is
when
we
want
to
have
the
plan
and
when
we're
going
to
do
it,
so
things
are
not
as
if
we've
been
a
little
bit
more
open-ended
on
on
stuff
and
I.
Think
that's
really
important
to
not
continue
that.
E
So
that's
one
second
of
all,
I
think
the
the
for
the
dev
there
what's
important
is
what
is
it
that
is
necessary
for
me
to
for
us
to
communicate
and
the
points
you
made
about
we're,
not
all
things
to
all
people.
We
are
not
doing
a
calendar
for
the
town.
We're
not
doing
this
group.
E
All
we're
doing
is
the
work
of
the
Arts
commission,
which
is
essentially
communicating
about
grants
and
grant
opportunities
about
public
art
and
public
art
commissions
and
whatever
our
particular
BAC
openings
or
projects
are
so
it's
really
fairly
simple,
yeah
right
and
I.
Just
I
know
how
I,
with
the
the
paint
Bloomington
I,
just
I
I
operate
under
the
kiss
Theory,
you
know,
keep
it
simple
stupid
and
no,
and
just
the
and
and
basically
use
Facebook,
because
it
was
the
most.
You
know
obvious,
have
one
Banner
that
we
designed.
E
That
is
that
we
use
continuously
that
says
what
we
are
so
I
think
everybody
should
kind
of
think
about
how
they
would
like
that
to
look.
You
know,
would
have
our
little
I
think
Facebook
allows
you
a
little
brown
logo
or
whatever
here
so
the
banner
you
know,
we've
got
a
lot
of
creative
people.
I'm
sure
can
come
up
with
ideas
for
what
the
banners
should
look
like.
E
That
Banner
goes
on
your
Facebook
page,
and
then
you
also
use
that
when
we
start
developing
MailChimp
or
whatever
we're
using
for
letters
that
go
out,
that's
fine,
and
then
we
do
it
also
for
a
three
column
newsletter
that
basically
says
whatever
the
Cycles
are
and
again
the
same
Banner
Etc,
and
then
we
just
promote
it.
Whether
it's
on
our
Facebook
page
that
you
have
a
Facebook
page,
it's
a
business
page,
so
everybody
can't
put
their
junk
and
we
don't
get.
You
know
the
vet
saw
her
kid
today
on.
E
Is
why
nobody
ever
looks
right
and
and
that's
it
I,
don't
think
it
has
to
it.
It
should
be
brain
surgery,
no.
A
I,
don't
think
it
should
be
brain
surgery,
but
I
I
would
I've
I
do
think.
It's
important
I
think
it's
a
similar
and
I
think
sort
of
using
the
the
bylaws
task
force
as
a
model
like
I
think
we
do
they
really
like
setting
a
schedule
sticking
to
it
and
like
yeah
like
we
don't
we
like
you,
know
the
the
commission
has
a
fairly.
A
You
know
like
a
simple
structure
and
kind
of
a
like
a
relatively
focused
scope
of
work,
but
it
was
still
important
to
have
have
haven't
laid
out
and
have
are
both
for
us
and
for
you
know,
and
for
folks,
so
I
I
do
think
it
would
be
important
to
just
like
have
a
group
that
sort
of
like
establishes
the
priorities
and
establishes
a
way
of
maintaining,
because,
like
these
things
are
like
easy
enough
to
get
started
and
kind
of
like
yeah,
and
then
it's
like
just
yeah,
having
sort
of
like
a
list
and
a
set
of
dates
and
sort
of
like
knowing
like.
A
Like
every
so
often
and
knowing
who's
supposed
to
do
it,
I
think
also
Communications
is
one
of
these
things,
but
the
commission
that
doesn't
really
fall
on
any
particular
person
or
group,
and
so
I'm
thinking
about
this
plan
will
hopefully
help.
A
C
G
A
thought
question:
I,
don't
you
know?
Maybe
this
functions
like
the
bylaws
task
force
where
Holly
is
spared
from
most
of
it
until
the
end,
but.
G
G
You
know
we
do
that
for
grants
and
like
RFQ
calls
that
probably
crosses
the
threshold,
but
you
know
not
that
we
need
to
like
litigate
every
example
in
that
task
force,
but
like
drawing
some
markers
like
that,
you
know
to
be
clear
about
like
here's.
What
we
can
ask
of
the
city
here,
like
sort
of
a
BET's
point
about
like
not
not
all
things.
All
people
here
is
the
very
specific
role
of
the
BAC
and
then
here's
what
is
left
to
other
people
or
here's
the
direction.
A
Clarifying
those
things
like
the
scope
of
vote
so
just
wanted
to
not
looking
to
assemble
that
today.
But
just
why?
Don't
you
get
that
note
out
there
that
that's
going
to
mean
a
priority
that
I'd
like
to
add.
C
A
For
being
a
part
cool
and
then
the
second
thing
is
just
we
I
think
we
have
a
couple
of
commissioner
vacancies
that
we're
going
to
be
looking
to
fill
the
brine
inquiry.
A
D
Anybody
interested
we
have
several
applications
I,
but
I
I,
think
they're.
Just
you
know
a
mixture
of
folks
in
the
community,
folks,
I
think
others.
You
know
past
and
present
Commissioners
have
recommended
apply,
but
if
there's
anybody
else,
you
haven't
already
had
a
conversation
with
that,
you
think
would
be
great.
Please
feel
free
to
reach
out
to
them.
You're
also
always
welcome
to
shoot
me
an
email.
Just
to
let
me
know
if
you
know
someone
has
put
an
application.
Yeah.
C
D
E
A
F
Disclosure
I'm
married
to
the
director,
which
is
not
why
I
think
it's
fabulous.
They.
F
Thomas
it's
at
2,
2,
30..
It's
it's
a
20
minute
performance.
Then
a
talk
about
the
music
in
the
context.
Etc,
then
a
Repeat
Performance
kind.
F
A
So
one
one
is
I
I
think
I
I
got
responses,
I
think
from
just
about
everyone
in
the
group
about
the
BCT,
Gala
I.
Think
as
I
know
that
at
our
last
meeting,
Commissioners
and
Liaisons
have
two
plane
tickets.
If,
if
you
haven't
written
to
me
about
those
and
are
are
interested
in
attending
and
going
please
let
me
know
there
there's
still
time
to
claim
those,
but
that
takes
place
on
the
evening
of
January
28th
at
the
buskerch.
A
Only
theater
celebrating
it's
it's
100th
year
anniversary
of
opening
its
doors
initially
as
the
Indiana
theater.
A
But
now
is
the
Busker
Germany,
theater
and
then
I
think
I
haven't
I
think
we
will
have
a
meeting
before
then
yes,
I,
think
our
meeting
in
February
is
on
the
8th
on
that
ninth
I
believe
the
one
of
chaz's
artists
Chazz
is
going
to
host
another
artist
party
and
the
Arts
and
human
IU
Arts
and
Humanities
council
is
supporting
that
party
and
it
will
be
in
a
lot
of
ways
like
the
other,
wonderful
Arts
parties
that
that
that
Chaz
has
has
put
on
and
hosted.
A
But
we're
going
to
be
announcing
sort
of
the
the
headliners
and
sort
of
like
key
partners
and
and
highlights
of
that
Festival
that
week
and
then
you
know
in
in
supporting
that
party,
bringing
some
of
our
partners
to
that
and
and
just
sort
of
like
formalizing
of
in-person
announcement
and
we'll
have
folks
there
and
I
think
some
activities
and
stuff
related
to
the
things
that
will
be
going
on
in
grad
school.
So
that's
the
evening
of
February
9th
details
still
TBD,
where
we're
working
those
out
but
we'll
we'll
have
more
and
go
there
soon.
B
I've
got
a
few
Monday
at
the
BCT.
There's
gonna
be
a
wonderful
MLK
celebration,
I
just
I
think
I
mean
I'm
going
to
go,
but
I
was
just
speaking
with
Dr
Raymond
wise
over
at
the
African-American
Coral
Ensemble
I
know
they're
performing
I,
don't
quite
know
what
the
rest
of
the
program
entails,
but
I
think
there's
a
dance
group
and
keynote
speaker
things
like
that.
That's
great
and
it's
a
free
event
at
the
BCT
on
Monday
gallery.
B
Walk
is
February
3rd
5
to
8
PM,
16
galleries,
doing
great
stuff
around
Bloomington.
The
cook
Center
specifically,
will
be
opening
exhibit
with
the
center
for
religion
and
the
human
featuring
about
30
pieces
from
their
Collections
and
archives,
which
is
really
interesting,
and
then
we're
also
opening
black
lit,
which
is
a
poetry,
exhibit
hosting
a
collaboration
with
Neil
Marshall
Black,
Culture,
Center,
Library
and
I'll,
along
with
that
on
February
10th,
we'll
be
having
a
reading
for
blacklett
featuring
all
the
poets.
B
I
think
we'll
have
about
10
poets
this
year
performing
original
work
and
then
a
few
other
keynote
speakers.
So
there
will
be
more
promotional
material
on
that
in
the
coming
days.
In
the
coming
days
is
what
I'm
going
to
say:
I
will
get
those
done
in
the
coming
days
and
I
will
circulate
them
on
social
media.
I
will
have
our
interns
posted
around
campus
and
and
in
the
community,
so
you'll
be
seeing
stuff
about
that.
But
please
come
on
by
Natalie.
I
have
a
quick
question
for.
F
E
I
just
want
to
say,
I've
been
trying
to
work
a
little
bit
on
this.
Locating
public
art
and
I
will
tell
you
it's.
This
is
like
Agatha,
Christie
I
have
never
in
my
life,
it's
just
it's
hysterical,
so
the
the
impression
I
mentioned
it
to
some
people
today
and
one
of
the
women
told
me
that
she
was
a
student
on
a
work
study
program
actually
as
part
of
the
museum
at
IU.
E
This
is
close
to
50
years
ago
and
heard
that
what
she
was
hired
to
do
was
there
was
no
inventory
at
all
at
IU,
and
you
know
the
kind
of
art
they
have.
So
she
was
supposed
to
go
into
all
the
different
buildings
photograph
write
down
whatever
it
is
that
you
can
find,
and
one
of
the
buildings
that
she
had
started
out
with
was
the
lily.
So
I
mean
it's
kind
of
shocking
that
they
didn't
have
anything.
E
So
a
couple
years
later,
one
of
the
women
was
cleaning
in
the
Lily
and
discovered
that
there
was
a
Remington
that
she
had
always.
There
was
always
had
been
sitting
there
and
it
was
gone
and
nobody
had
any
idea
of
what
it
was,
what
it
looked
like,
what
it
anything
and
the
only
reason
they
had
any
concept
was
because
of
this
inventory
that
this
young
girl
had
done
so
I
went
to
look
just
out
of
curiosity
at
well,
because
before
I
had
called
IU
to
ask,
did
they
have
a
depart?
E
B
E
Column,
the
column
yeah,
and
there
was
a
a
wonderful
girl
there
who
was
introducing
stuff
and
it
turns
out
now
the
university
has
a
huge
department
and
and
is
extraordinarily
sophisticated
in
what
they're
doing,
and
they
have
really
someone
wonderful
descriptions
about
their
mission
and
everything
they're
doing,
and
it's
divided
up
into
all
the
multiples
that
it
should
be
and
I
mean
it's
online
or
a
good
portion
of
it,
and
it's
very,
very
impressive
and
I
thought
wow.
You
know
this
is.
E
Why
did
somebody
know
when
I,
when
I
made
all
the
Myriad
phone
calls
that
I
did
two
years
ago
about
this,
because
it's
huge
and
it's
sophisticated
and
it's
fabulous?
Conversely,
everybody
that
I
have
called
in
the
city
or
not?
It's
like
well
duh,
so
I
believe
that
if
there
I'm
going
to
bet
if
there
was
anything,
this
is
probably
as
good
as
you
get
that
it's
disappeared.
E
City
Hall,
here
or
and
any
of
the
public
buildings
and
and
plus
the
fact
that
the
jurisdiction
of
the
public
buildings
is
broken
up,
really
I'm
sure
there's
the
practicality
in
it,
but
and
it
just
it's,
not
an
issue
for
anybody
to
have
looked
at.
But
there
is
a
woman
who
has
who's
supposed
to
be
in
charge
of
historical
buildings.
E
C
E
And
I
said
to
her:
by
the
way:
do
you
know
any
good
buildings
that
would
make
an
art
center
and
she
said
well,
I
do
actually
so
there.
She
was
telling
me
about
all
these
buildings
that
are
hidden
in
some
parks
or
small
things
and
other
things,
so
maybe
you're
aware
of
them
and
I'm
not,
but
some
of
them
sounded
really
kind
of
interesting,
so
she's
very
busy.
Why
now?
But
she
said
that
she
she
sent
me
a
list
of
some
of
it,
but
that
maybe
this
is
something
that
we
could.
D
E
But
she
she
said
she
barely:
she
has
just
maps
and
maps
of
stuff.
She
doesn't
even
have
a
clear
identification
of
a
lot
of
the
a
lot
of
the
buildings,
but
she
was
telling
me
about
some
of
them
that
she
was
in
and
she
knew
who
had
showed
it
to
her
that
were
buried.
I,
guess,
there's
a
lot
of
stuff
buried
in
Cascades
and
buried
behind
other
things
and
she's.
Some
of
them
are
like
Fairy,
Gardens
and
I.
Don't
know
you
know
she
really
elaborated
or
not,
but
it
really.
It
was
very
intriguing.
E
So
I
thought
that
that
was
kind
of
cool.
So
we'll
see
what
else
everybody
you
know
left
a
lot
of
messages
and
if
there
are
other
things
but
I'd
like
if
anybody
can
think
of
just
it
could
be
an
unorganized
email,
just
shoot
it
out
to
be
like
these
are
the
public
buildings
or
I
may
have
seen
something.
I
had
been
told
that
there
was
a
lot
of
stuff
at
the
Buskirk
and
that
there
were
seven
and
very
behind
the
upper
Lofts
and
and
things,
but
who
knows
if
it's
still
there
so
any
anything?
E
E
No
I'm
just
looking
right
now,
I'm
just
looking
at
City
yeah
and
nothing,
nothing
with
County,
because
I
don't
think
the
county
is
speaking
to
us,
but
yeah
and
you
know
I
just
have
it
in
my
head
and
it
may
be
unrealistic
that
they're
I
was
told
today
about
a
couple
of
buildings.
Actually
that
are
one
that
was
owned
by
cook,
but
they're
I
think
I,
don't
know
they're
closer
to
Ellisville,
but
that
there
are
old
Health.
D
I'll
I'm
going
to
add
a
little
to
this
as
well.
Thank
you
Babette.
So
imagine,
I
had
a
conversation
last
night
about
just
like
Babette
taking
on
doing
some
initial
works.
The
thing
both
to
round
out
this
spreadsheet
that
I
think
was
started
several
years
ago
of
all
public
art
in
the
city
that
just
needs
to
be
included,
and
so
the
bed
is
going
to
do.
A
few
initials
through
thing
moves
to
get
that
started.
D
Once
that's
done,
we'll
talk
about
next
steps
for
identifying
folks
who
can
help
us
fill
the
gaps
of
that
spreadsheet.
We're
also
talking
about
so,
as
you
know,
you
know,
we've
talked
about
this
last
year.
One
of
the
recommendations
of
the
feasibility
study
that
the
city
did
last
year
in
tandem
with
Trahan
Architects,
was
exploring
options
for
what
an
Arts
incubator
would
look
like
here
in
Bloomington,
and
you
know,
we've
got
you
know
our
Pie
in
the
Sky
Vision
on
this
existing
facility
and
hope.
D
Well,
but
you
know
we
know
that
is
you
know
if
that
is
a
real
thing.
That
is
three
to
five
years
off.
So
the
question
is
what
other
existing
spaces
are
there
in
the
city
now
that
we
could
use
to
beta
test
that
model
that
Trahan
has
proposed
in
the
meantime,
so
that
is
taking
the
initiative
to
do
some
of
those
work
explore
what
those
facilities
are,
and
then
I
am
also
working
with
someone
I'm
Contracting
with
for
the
2023
year
to
just
do
a
more
robust
list
of
what
are
these
facilities?
D
E
E
C
D
C
D
There
is
oh
really,
yes,
there
is
some
negotiation
for
the
city
to
potentially
take
that
facility
over
and
potentially
house
some
fire
and
police
departments
there.
That
is
an
ongoing
negotiation
that
has
not
been
resolved
one
way
or
another
I'm.
E
D
E
G
C
D
D
D
Bloomington
and
the
Mills
collaboration
for
freeze,
Fest,
freeze,
Fest,
is
happening
next
Friday
January,
20th
chess
is
also
taken
upon
herself
to
project
manage
that,
because
the
person
who
has
done
that
in
previous
years
left
so
she's
also
been
working
on
that
on
top
of
her
duties
as
special
project
managers,
doing
art
and
small
businesses,
so
HS
she's
amazing.
D
But
so
you
know
that
was
partially
BAC
funded
thing.
So
we
are
all
invited
to
go
on
January
20th.
If
you
would
like
a
little
VIP
pass
to
the
warming
station,
please
let
us
know.
G
D
20Th
correct
yeah
yeah,
but
I
I,
regrettably
missed
the
heavy
metal
chainsaw
off
last
year,
which
is
they
play
heavy
metal
music
and
two
people
compete
to
change
all
the
best
ice
sculpture.
F
D
D
A
Wonderful,
so
I
think
it
is
all
for
commissioner
announcements.
A
D
Right,
no
shortage
of
stuff
all
right
thanks
a
lot
I
also
just
want
to
share
so
today
is
also
chaz's
birthday.
Thank
you
for
everyone
signing
the
cards
Suzanne.
If.