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From YouTube: Bloomington Arts Commission, December 14, 2022
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A
As
you
all
know,
this
is
my
last
meeting
and
with
that
purpose
today,
Gerard
our
incoming
chair
will
be
running
the
meeting
so
that
if
he
has
any
questions,
he
can
ask
in
this
kind
of
practice
round
that
we
have
today
so
Gerard.
Take
it
away.
B
Wonderful
hi,
everyone,
everyone,
so
I
will
start
things
off
by
a
quick
review
of
the
minutes.
So
did
we
all
get
a
chance
to
look
over
our
last
meeting
the
November
meetings?
Minutes
yeah
can
I
get
a
motion
to
approve
the
minutes.
B
And
a
second
wonderful
thank
you
minutes
for
the
November
Commission
meeting
are
approved
and
I
will
now
throw
it
over
to
Holly
for
an
update
on
the
financials.
C
All
right,
hi,
everyone,
okay,
so
this
is
where
we
stand
right
now,
so
we've
still
got
just
over
11
000
left
over
in
our
2022
BAC
Grant
allotment,
and
that
is
in
addition
to
that
832,
which
is
the
two
percent
Edition
that
we
get
on
an
annual
basis.
C
We
still
have
forty
thousand
dollars
in
this
year's
buea
Zone
Grant
funds
that
have
been
untouched
I,
don't
anticipate
we're
going
to
spend
any
of
those
in
the
next
two
weeks,
and
then
we
have
the
remaining
funds
that
were
left
over
from
2021
buea
Zone
art
funds.
So
let
me
talk
a
little
bit
about
how
these
money
these
numbers
are
going
to
go
down
in
the
club
the
next
couple
of
weeks.
C
So
basically,
we
finally
finally
have
Mo
use
that
have
been
approved
by
legal
for
the
buea
and
BAC
operations
grants
so
those
are
going
out
into
the
world.
Thank
you,
Brian
e,
for
signing
off
on
all
of
those
and
I
anticipate.
Tomorrow
we
will
get
the
mousse
for
the
emerging
artists,
art
projects,
grants
out
into
the
world
once
we
do
that
and
the
everybody
signs
off
on
them
and
we
push
them
through
claims.
C
We
will
actually
start
paying
out
that
money
and
then
you
will
see
the
BAC
Grant
allotment
go
down
to
zero,
and
you
will
also
see
the
buea
Zone
grants
left
over
from
2021
get
reduced
by
roughly,
like
twelve
thousand
dollars,
basically
just
kind
of
acknowledging
that
these
numbers
don't
accurately
reflect
where
we're
going
to
end
up
at
the
end
of
this
year.
If
you
all
are
all
right
with
it.
C
C
The
BAC
Grant
funds
once
they're
gone,
they're
gone,
but
again
we're
going
to
spend
those
all
down
for
buea
in
23.
We
will
again
have
40
000
to
spend
right
now.
We
are
authorized
to
spend
that
on
Arts
projects,
grants
again
and
operations
grants
again,
so
we'll
have
40K
to
work
with
from
the
UEA
and
roughly
50
000
K
to
work
with
from
BAC
Council
gave
us
a
10K
bump
yeah.
C
We
pushed
that
through.
It
was
very
awesome.
Any
questions
I
can
answer
about
the
budget
as
it
exists
now
or
looking
forward
to
23.
well
and
I
also
just
want
to
say,
I.
Think
this
year
was
a
year
of
learning
for
me
and
learning
how
the
city
process
works
and
like
what
it
takes
to
get
an
mou
at
the
door
and
what
it
takes
then
to
get
claims
processing
it
so
I'm,
hoping
that
in
23
also,
because
we're
only
going
to
have
three
grand
Cycles,
as
opposed
to
four
that
we
can
really
expedite
these
processes.
C
B
Excellent,
so
if
we
don't
have
any
other
questions
on
that,
then
we
can
move
to
item
number
three
on
the
agenda,
so
I,
actually
before
I
turn
over
to
Nick,
with
a
bylaw
task
force
status.
I
want
to
give
a
quick
note
to
some
of
the
language
that
you
might
be
seeing
in
the
agenda.
I
think
it's
a
a
slight
tweak
in
language
and
then
I
will
also
be
a
a
slight
difference
in
the
way
that
we
address
certain
items
on
the
agenda.
An
update
is
going
to
be.
B
You
know
primarily
a
like
a
a
report
or
a
statement
from
particular
committee
chair
or
task
force
leader,
and
then
that
will
be
followed
up
by
like
specific
q.
A
from
Commissioners
an
open
discussion
is
sort
of
like
a
conversation
that
we
will
all
have
on
a
particular
topic,
and
that's
meant
to
be
back
and
forth
and
just
more
conversational
and
then
commissioner
feedback.
When
you
see
that
on
an
agenda,
that's
sort
of
intentional
statements
made
about
a
particular
thing.
B
That's
and
that's
different
than
an
open
discussion
in
which
there's
conversation.
Commissioner
feedback
is
just
asking
for
specific
statements
or
opinions
that
particular
Commissioners
have,
and
so
I
just
wanted
to
clarify
that
slight
change
to
the
agenda
so
Nick
to
you
with
an
update
on
the
bylaw
task
force
status.
E
Yeah,
so
we
had
our
last
meeting
on
Friday
and
the
good
news
is.
It
feels
like
we're
pretty
well
ahead
of
schedule.
You
know
basically
we're
at
a
point
where
we
have
roles
defined
job
descriptions
laid
out
sort
of
a
common
structure
for
how
we've
identified
aspects
of
different
job
descriptions.
E
We've
also
addressed
sort
of
the
role
of
like
Holly's
role
and
City
staff,
as
it
relates
to
the
commission,
have
defined
terms
and
just
general,
like
terms
and
process
for
how
these
positions
are
assigned.
How
they're
reviewed
that
sort
of
thing,
and
then
you
know
we.
E
We
have
also
built-in
some
languages
set
structure
for
the
the
two
permanent
subcommittee
meetings,
public
art
and
grants,
and
then
also
linking
to
basically
just
other
other
information
from
like
our
strategic
plan
and
sort
of
our
core
objectives,
so
that
sits
alongside
all
these
roles,
as
they
inherently
all
tie
together.
E
So
that's
basically,
where
we're
at
in
in
this
working
draft.
Alongside
that,
we
have
a
a
summary
findings
document:
that's
going
to
give
a
little
bit
of
context
for
things
that
we've
discussed
in
meetings
that
may
not
be
actually
spelled
out
in
the
bylaws,
including
some
things
that
maybe
we
talked
about
and
decided
to
not
include
intentionally
just
so
that
future
commissions
have
that
as
context
and
don't
reinvent
the
wheel.
But
the
gist
is
basically
by
this
Friday.
E
Everyone
on
the
task
force
is
going
to
provide
any
final
feedback
on
our
working
documents.
At
the
same
time,
I'm
going
to
review
our
summary
document
and
Crawford
cross-reference
it
against
our
looser
meeting
notes
just
to
make
sure
that
everything
else
is
added
in
there.
So
final
call
to
those
in
this
room
who
join
those
meetings
and
Elliot
as
well,
just
a
reminder
be
back
by
noon.
E
Friday
once
we
have
that
I
will
share
the
documents
that
we
have
with
Holly
Chas
and
Polly
to
kind
of
get
their
initial
review
on
it.
And
then
the
idea
is
that
then
this
will
be
able
to
go
in
front
of
the
full
commission
shortly
thereafter.
So
I
think
you
know
basically
like
Holly.
E
If,
if
you
all
have
any
sort
of
deeper
feedback-
or
you
want
to
join
our
January
meeting,
okay,
that's
probably
the
place
that
we
could
get
into
it,
and
then
that
would
put
us
in
a
spot
so
that
we
can
then
put
all
the
text
in
front
of
the
entire
commission.
Give
people
a
couple
weeks
with
it
ahead
of
our
February
meeting,
at
which
point
we'd
like
to
have
whatever
discussion,
questions
all
that
and
hopefully
vote
at
the
end.
We
got
close
enough
to
it.
B
Any
any
questions
about
the
task,
enforced
or
bylaws
task
force
status,
update.
C
Okay,
great
I
just
put
the
task
force
meeting
on
my
calendar
for
January,
so
I
will
be
there
amazing,
perfect.
B
Thanks
Nick,
okay,
perfect
timing,
Babette.
A
Why
don't
why
don't
we
give
the
bet
a
chance
to
collect
yourself.
B
C
Great,
thank
you.
Okay.
So,
a
couple
weeks
ago,
I
learned
that
in
2018,
the
city
and
the
parts
department
started
working
to
create
some
kind
of
Creative
Design
to
put
at
the
Gateway
of
Bloomington.
So
it's
basically
at
the
intersection
of
Route
46
and
Old
Route
37.
That
just
is
kind
of
like
the
welcome
to
Bloomington
icon
that
folks
see
when
they're
coming
into
Bloomington
or
driving
on
through.
So
again
those
conversations
started
in
2018..
C
My
understanding
from
some
emails
that
bryony
forwarded
me
is
that
the
landscape
architect
for
Architecture
Firm
that
actually
was
given
the
bid
to
proposed
designs,
came
and
did
a
presentation
to
the
BAC
back
in
2019.
When
many
of
us
were
not
here
and
then
covet
hit
and
the
plans
went
latent
at
the
beginning
of
2022,
Parks
started
the
conversation
again
with
the
Landscape
Architects
and
they
have
developed
the
proposals.
The
proposed
designs,
which
I've
placed
on
the
table
I've
been
asked
not
to
share
these
on
the
screen
publicly
until
after
the
meeting
tomorrow.
C
So
I
learned
learned
about
these
designs
about
two
weeks
ago,
so
this
is
the
first
I
have
seen
them
so
I'm
kind
of
looking
for
so
these
are
going
to
be
released
to
the
public
tomorrow
as
part
of
the
parts
Commission
meeting,
so
the
landscape
architecture
will
be
there
at
six
to
give
another
presentation
and
then
anyone
who's
there
in
person
or
joining
the
meeting
virtually
can
give
feedback.
C
After
that
meeting
the
designs
will
go
live
online,
so
any
member
of
the
public
can
see
it
and
provide
feedback,
but
again,
I
think
this
is
a
piece
of
design.
It
is
a
creative
expression
of
Bloomington.
It
is
a
very
important
point
of
entering
and
leaving
the
community
I
feel
strongly
that
the
BAC
needs
to
give
feedback
on
this.
So
what
I'm
interested
in
here
are
two
things
number
one:
what
is
your
general
idea
of?
What
are
your
general
thoughts
of
what
they
are
proposing
and
then
number
two?
C
Do
you
hate
it
so
much
that
we
need
to
push
back
Beyond,
just
saying
hey
if
you're
doing
X,
Y
or
Z?
Why
don't
you
think
about
also
incorporating
d
e
and
f?
So
those
are
the
two
things
I'm
really
looking
for
here.
Also,
you
are
all
welcome
to
come
to
the
meeting
tomorrow,
and
you
are
also
welcome
to
give
feedback
online
once
the
designs
do
go.
Public
online
I
will
send
you
all.
The
link
to
this
I
would
encourage
you.
C
Chas
has
already
done
this
with
our
list
of
artists
and
art
supporters
in
the
community.
I
want
as
much
artist
feedback
on
this
as
possible,
just
knowing
that
we're
kind
of
at
a
late
phase
in
the
project
I
just
want
parks
to
understand
that
going
forward
when
they
do
projects
like
this.
We
need
to
be
involved
at
an
earlier
phase
and
it
is
imperative
that
Arts
artists
voices
be
reflected
in
whatever
piece
of
design
is
put
in
a
very
public
space.
F
C
F
G
E
And,
and
based
on
these
renderings,
it
looks
like
it
looks
like
the
the
existing
bridge
is
going
to
be
largely
unchanged
and
that
that
what
is
being
added
is
like
the
it's
like
the
light
up,
Bloomington
letters.
H
F
E
Because
I
take
this
route
all
the
time,
but
basically,
if
you
take
like
Rogers
North
and
then
turn
onto
the
bypass
or
or
if
you
come
in
from
6937
and
take
the
46
entry
into
Bloomington,
you
will
go
underneath
it.
So
it's
it's
it's
right
up
there
and
it
is
I
believe
already
like
covered
with
that
sort
of
cage.
Yeah.
G
I
really
like
the
combination
of
materials,
the
natural
materials
and
the
kind
of
aged
metal,
whatever
that
is
I,
think
that's
terrific
and
it
looks
like
it's
all
indigenous
plants
or
what
do
we
call
them
native.
G
G
G
D
I
Agreed
on
the
bridge
like
I
I,
don't
I,
wouldn't
say
a
good
design,
necessarily
like
super
Dynamic,
but
I
also
don't
quite
know
what
the
I
like
they.
They
reference
like
the
the
bridge
that
set
in
Wolf
Lake
in
Hammond,
Indiana
and
my
folks
live
up.
I
Do
like
like
that
one's
nice
I
like
I,
like
the
it
being
lit
up
at
night
and
being
able
to
kind
of
see
that
and
so
that
the
my
thoughts
on
the
bridge
are
are
I,
have
less
thoughts
on
the
bridge.
I
think
that
I
have
on
the
the
other
Gateway,
but
I
do
I
do
enjoy,
like
Suzanne
said,
I
Echo,
that
of
the
natural,
the
juxtaposition
of
the
Limestone
elements
and
the
like,
whatever
the
like.
I
Is
it
like
perforated
steel,
that
they're
potentially
thinking
about
using
and
I
like
the
benches
I
I
kind
of
I
like
the
idea
of
the
Limestone
like
a
limestone
bench?
That's
pretty
as
long
as
there's
no
like
hostile
architecture
incorporated
into.
I
It
I,
like
I,
like
a
slab
I'll,
take
a
slab.
B
H
Love
I
heard
native
plants,
love
native
plants,
I
can't
see
what
you
guys
are
talking
about,
but.
C
There's
a
there's,
there's
an
attached
packet
or
it
might
be
it
there's
an
attachment
or
a
link
in
the
email
I
sent
out
with
the
agenda.
A
It
is
boring,
it
is
replaceable,
it
can
have
the
word
of
the
name
of
any
City
in
pretty
much
the
entire
world
and
it
will
be
fine,
but
there's
nothing
in
either
of
these
designs.
That
say,
Bloomington
is
this
creative
space
within
Indiana?
That
is
a
little
bit
different,
a
little
bit
quirky.
It
has
a
personality,
it
has
an
energy
that
is
not
coming
through
in
either
of
these
designs.
They're
nicely
done
they're
like
they're,
not
bad
inherently,
but
they
do
not
speak
to
me
in
any
way.
They
do
not
move
me.
A
J
A
If
you
wanted
to
be
a
little
bit
more
intentional
and
creative
space
that
could
become
a
performance
space
and
activate
it,
that
would
be
a
lot
more
interesting.
You
could
pull
that
off
from
time
to
time
in
the
summertime
and
create,
because
there
is
enough
space
in
that
area
for
it,
but
yeah,
but
you're
not
going
to
activate
it
as
I
say
for
a
sit
down
there
and
you
know
watch.
C
A
J
J
G
G
Terms
of
the
the
metal
part
or
whatever,
but
but
it
does
sort
of
speak
to
the
industrial
history
of
this
town
as
well,
as
you
know,
and
I,
think
that's
important
for
many
of
our
our
constituents
and
I.
Don't
when
I
drive
to
the
airport
and
I
pass
like
the
New
Martinsville
thing.
D
G
H
G
And
and
so
I'm
while
I
do
agree
with
bryony
that
it's
not
as
creative
as
it
could
be,
I'm
glad
it's
not
like
over
the
top.
That's
either
going
to
go
out
of
style
in
10
years
or
or
is
a
little
embarrassing.
J
I
would
prefer
that
over
this,
though,
because
it's
like
this,
like
the
only
research
they
did
for
this,
is
they're
like
that's
fine,
like
an
eye
like
a
vintage,
IU
sweatshirt
and
then
use
the
font
from
that,
and
then
that's
the
font,
use.
You
know
what
I
mean
and
then
it's
just
like
light
up
Tower.
But
it's
like
that's
kind
of
like
a
waste
of
electricity
like
I
hope
they
at
least
put
in
some
like
I,
don't
know
like
solar
or
something
to
keep
that,
because.
D
J
Loud
like
bright
light
thing,
you
know
what
I
mean
like
that's
wasting.
You
know
what
I
mean
that
that
should
be
addressed
for
sure
I.
E
D
E
Which
has
its
place,
which
is
which
is
worthy,
but
this
is
a
it's
a
sign
integrated
in
landscape
or
architecture.
That's
it
and
so
I
think
part
of
it
is
what
do
they
intend
it
to.
H
E
You
know
because
I
think
that,
like
I
I
agree
with
Nia's
points,
you
know
about,
like
sustainability,
I
think
in
a
minimum
it
there
should
be
like
a
local
solar
power
source.
For
that.
E
H
E
E
I,
don't
know
I
court
and
Steele
I
guess
first
thing
is
I'm
sure
the
Architects
were
well
over
this
we're
well
aware
of
this,
but
I
want
to
make
sure
that
that
Parks
is
fully
aware
of
like
how
much
that
rust
will
bleed
down
onto
the
concrete
below
court
and
Steele.
That
sort
of
like
weathered
appearance
has
been
very
in
Vogue
for
the
last
like
five
years
or
so,
there
is
a
chance
actually
that
it
will
look
quite
dated
in
some
time,
yeah
totally
subjective,
but
I
I.
E
You
know,
then,
for
the
tower
at
least
I
would
challenge
them
to
think
about
the
perforated
design
and
what
they
can
do
with
that
to
make
it
interesting
to
have
some
local
time.
Even
if
it's
subtle,
what
what
story?
Can
they
tell
with
that
and
I
sort
of
think
back
to
the
project
that
we
worked
with
with
the
IU
student
group.
E
Emission
carbon
emission
in
history
in
the
state
right
like
if
there's
a
story
to
tell
or
if
the
pattern
you
know,
reflects
like
the
native
plants
plant
planet
around
it
or
something
like
that
like
if
there's
something
to
make
it
more
Artful
and
intentional,
that's
what
can
transform
it
from
just
being
like
a
sign
yeah.
K
A
H
I
The
the
thing
that
I'm,
like
maybe
more
mulling
over,
is
the
like.
There
there's
potential
for
it
to
be
public
or
like
you're,
saying
Brandy
too,
like
there's
potential
for
it
to
have
those
elements
and
I
think
just
echoing
Holly's
Point
earlier
of
the
like.
It's
something
imperative
to
like
distinguish
at
the
like
early
on
is
like.
Do
we.
D
I
To
have
some
sort
of
artistic
like
meaning
Beyond,
it
just
being
a
sign,
and
if
so
like
at
what
point?
Do
you
bring
those
folks
in
to
have
those
discussions,
and
at
this
point
it
doesn't
feel
like
there's
much
through
to
add
some
of
that
stuff,
though
the
like
the
activation
space,
I
think
is
something
that
we
could
challenge
them
to
think
about,
and
the
perforated
steel
for
sure
the
bridge
feels
a
little
less
I.
Don't
know
malleable
to
me
at
this
point.
D
C
These
being
considered,
basically,
the
way
it
was
pitched
to
me
is
we
feel
like
these
could
be
public
art
and
therefore
we
want
your
input,
so
that's
yeah,
yeah
and
and
I
do
think
like
going
forward.
Like
my
again,
my
hope
is
that
eventually
we
get
to
the
point
where
you
know
and
I
think
there
was
an
intention
to
do
that
back
in
2018
2019
to
have
us.
C
You
know
involved
earlier
on,
but
I
think
if
we
can
just
get
it
in
Park's
mind
Hey
BAC
is
always
here
to
give
feedback
you
know
and
to
other
entities
as
well.
Like
other
departments
here,
I
think
you
know,
would
they
bring
us
these
proposals?
We
can,
as
a
group
or
as
a
public
art
subcommittee
say,
do
we
see
this
as
a
piece
of
public
art
that
we
feel
our
feedback
and
our
Arts
community's
feedback
is
imperative
to
be
included
here
or
are
we
just
like
hey
Parks?
C
F
F
I
think
it's
really
kind
of
offensive
in
the
sense
that
it
just
looks
like
I
think
somebody
said
it
looks
like
you
know
the
quickest,
cheapest
answer,
you
could
do
it,
and
certainly
somebody
could
could
think
of
something
that
would
be
I
mean
putting
the
low
of
the
logo
is
not
so
wonderfully
either,
but
at
least
it's
something
and
you
know
I
I
remember
working
I
worked
on
one
for
my
old
town,
where
you
know
it
was
a
matter
of
you
know,
but
it
went
it
was
when
the
town
was
established
in
it
or
you
know
just
just
some
some
information
about
about
the
town
and
that
the
town,
the
town
was
kind
of
a
more
classic
revolutionary
town
and
therefore
that
was
conveyed
in
the
welcome
to
your
dad
said
so.
E
D
E
Other
thing
is
that
that,
like,
if
you
know
again,
it
was
it
okay,
the
city
you
know,
wanted
to
use
the
bicentennial
as
an
opportunity
to
beautify
some
things.
You
know
to
to
put
put
the
the
Down's
name.
You
know
in
a
couple
like
entry
points.
Okay,
that's
fine,
but
like
there
is
no,
you
know.
Bloomington
is
a
relatively
old.
F
B
B
Maybe
one
or
two
more
comments
and
then
and
then
move
on.
B
C
I
will
send
that
link
out
to
you
once
it's
live
and
then
again,
if
you
feel
like
there's
anybody
else
who
you
especially
would
do,
you
think
would
provide
valuable
input,
feel
free
to
blast
it
to
them
as
well.
I
think
the
more
feedback
we
can
have,
the
better
and
I
think
parks
would
appreciate
that
too
I.
C
Point
there
is
space
to
change
the
design.
These
are
still
renderings.
I
think
this
is
great
feedback.
I
think
you
know
some
of
it
yeah
it's
nothing.
Nothing
is
set
in
stone
or
steel.
At
this
point,
I
I
think
where
I
think
where
we
would
have
struggled
more
if
we
were
just
like
this
is
disgusting.
We
need
to
roll
this
all
the
way
back.
You
know
you
need
to
start
over
I
I
think
we'd
have
less
wiggle
room
there,
but
I
think
with
the
kind
of
suggestions
we're
giving
in
indications
of
hey.
C
J
That
they
can
still
incorporate,
it
seems,
like
you,
know,
they're,
not
local,
so
they're
like
just
not
really
thinking
about
this
location.
What
what
it?
Actually
you
know
what
I
mean
like
yeah
they're
thinking
like
oh,
this
is
like
in
the
middle
of
town
right
like
because
it's
right
there
like,
like
you,
know
Bloomington
kind
of
sprawls
out,
but
it's
like
no.
It's
like
way
on
the
North.
J
G
Great
so
I
think
the
point
that
nobody
go.
Nobody
really
sits
around
on
that
other
thing.
They
might
not
recognize
that
when
they
just
came
in
to
take
a
look,
but
if
you
live
here
you
know
I
think
me
is
the
one
you
mentioned
that
yeah,
like
I,
know
some
people
that
walk
there
at
lunch
once
a
once
in
a
while,
but
yeah
that's
pretty
much
it
yeah.
B
So
we
are
gonna,
go
back
to
agenda
item
number
four,
which
is
an
open
discussion.
I'd
say
we
could.
We
can
probably
do
I
think
we
got
time
for
maybe
like
10
to
15
minutes
on
this.
If
we,
if
we
want
to
go
that
long
on
emerging
artist,
art
collection,
purchasing,
so
I
will
hand
this
over
to
Babette
and
bryony.
F
Okay,
I
I
would
like
to
say
a
few
things
leading
up
to
this.
That
I
think
are
important
and
maybe
a
little
bit
lengthy,
but
if
you'll
bear
with
me,
they
have
a
reason.
F
Basically,
when
I
moved
to
Bloomington
I
came
here
from
Northern
Westchester
in
New,
York
and
I
had
a
very
big
learning
curve
there,
trying
to
start
an
arts
and
architecture
Alliance
in
which
time
I
learned
that
if
you
had
a
private
entity,
even
if
it
was
a
not-for-profit
that
you
could
not
override
it,
whether
you
were
the
city,
the
town
or
anything
else,
then
they
could
do
whatever
they
wanted
to
and
they
actually
tore
down
an
unbelievable
building.
F
When
I
came
here,
I
was
really
a
little
bit
burned
day
out
and
I
thought.
Oh,
my
God
look
at
the
Waldron
there's
an
art
center
here,
I'm
so
excited
there
were
so
many
classes
here
there
were
all
kinds
of
instructors,
Mega
instructors
and
a
lot
of
them
were
seriously
good
and
I
loved.
Being
here
and
I
love
doing
it.
F
I
worked
for
as
a
chair
of
score
and
I
work
with
all
kinds
of
not-for-profits,
among
them,
the
Glass,
Center
and
I
can't
tell
you
how
thrilled
I
was
the
other
night
when
Abby
said
well,
it
wouldn't
have
happened
without
your
help.
Believe
me,
I,
never
thought
of
that
as
happening.
So
when
I
joined
the
BAC,
and
it's
been
now
about
three
and
a
half
years,
I
thought
oh
great.
We
can
really
do
something
and
I
had
all
these
Mega
ideas.
F
And
I
was
enormously
frustrated
at
the
fact
that
everybody's
a
great
idea-
this
is
terrific
and
then
nothing
happened.
Some
of
that
was
due
to
internal
changes
due
to
covid,
and
a
lot
of
it
I
think
was
due
to
the
limitations
that
we
as
an
Arts
commission,
have
which
I
honestly
did
not
and
still
don't,
really
understand,
but
I
think
that
there
that
we're
going
through
a
lot
of
those-
and
that's
my
biggest
point
right
now-
is
that
we
do
grow
through
them.
F
One
of
the
one
of
the
ideas
was
to
do
paint
Bloomington,
and
it
just
didn't
happen
so
I
thought
screw
it
I'll
do
it
and
basically
the
concept,
which
is
my
whole
entire
concept,
is
to
celebrate
Visual
Arts
by
the
whole
population
who
lives
here.
That
includes
all
ages
from
elementary
schools
to
you
know
the
Aged
and
firm
and
everybody
in
between
and
when
I
did
paint.
Bloomington
I
have
to
tell
you
it
was
easy.
F
F
So
the
other
things
that
have
really
frustrated
me
were
the
concept
of
having
an
art
inventory.
Okay
and
one
of
the
things
that
I
think
that
we
tend
to
do
here.
Is
we
say
fine,
let's
do
it
and
let's
work
with
a
class
or
some
group
at
the
University
I
think
that's
inefficient,
I
think
it's
ineffective.
F
The
same
thing
happened
when
we
talked
about
doing
a
map
and
a
map
of
art,
so
I
think
what's
really
happened
is
that
there
has
been,
if
anything
in
my
eyes,
that
Visual
Arts
Here
Is
Gone
on
a
real
slide
down
and
I'm
talking
about
Visual
Arts
period
when
I
walked
in
here
the
other
day
into
City
Hall
I
was
really
appalled
when
I
looked
at
a
display
case
with
stuff
falling
down
in
it,
I
thought:
how
can
anybody,
how
can
Commissioners?
How
can
people
come
in
here
and
look
at
that?
F
Aren't
they
abortified
and
embarrassed
and
the
fact
there's
no
artwork
hanging
down
there?
What
does
that
say
about
our
town?
Okay,
it's
the
same
thing
as
this.
It
says
we
don't
care
that
we
don't
have
any
any
eye
for
it
and
therefore,
maybe
that's
part
of
what's
happening
with
why
we
no
longer
have
a
great
building
classes
for
visual
arts
here.
F
So
I
would
like
to
suggest
that
we
do
a
few
things
and
we
think
about
easy
ways
to
accomplish
it
and
do
it
one
is
that
I
think
we
should
take
over
the
display
cabinet
period
talk
to
whoever
it
is
put
one
person
in
charge.
Maybe
it
goes
under
public
art
or
not,
and
it's
real
simple
make
a
schedule
and
I
can
think
of
eight
different
groups
give
them
two
months
to
do
it.
We've
done
this.
The
the
Pottery
group
has
done
the
display
case
at
the
Indy
airport.
F
So
has
the
signature
group
of
the
Bloomington
watercolor
Society
we've
got
the
weaving
group.
F
We
have
a
portrait
group,
we
have
a
quilter
group,
we've
got
all
kinds
of
groups,
if
you
add
it
together,
it's
probably
a
thousand
people
who
are
all
part
of
the
Bloomington
Visual,
Arts,
community
and
I
think
it
would
be
a
really
easy
thing
to
do
and
a
no-brainer
and
just
require
making
a
few
phone
calls
and
a
schedule-
and
certainly
you
know
in
in
maybe
in
the
public
art
committee
I-
would
be
glad
to
take
it
on
and
have
somebody
else
do
it
with
me.
I
think
you
need
to
have
two
people.
F
Do
everything
and
you
know,
keep
as
little
of
it,
because
everybody's
busy
I'm
probably
the
least
busy
you
know,
because
they
don't
have
a
job
I,
don't
have
a
family.
Try
to
you
know,
get
more
and
I
have
access
to
a
lot
of
people
who
aren't
busy
right
now.
So
you
know,
let's
try
to
do
a
subcommittee,
try
to
say
recognize.
F
This
is
what
should
be
done
and
then
give
it
to
a
couple
of
people
who
can
make
it
happen
and
make
it
happen
within
a
30-day
period,
not
a
long
extended
period
because
I
know
I
mean
I,
know
how
much
Holly
you
know.
I
know
how
much
all
of
you
all
are
doing
and
how
many
different
kinds
of
things
and
I
think
that
maybe
we
can
better
use
some
of
our
members
or
our
extended
community.
So
that's
one
thing:
the
display
cabinet
second
thing.
B
F
F
So
the
the
other
thing
is
with
the
art
inventory:
I
have
a
couple
of
ideas
of
how
to
simplify
that
I've
worked
on
it
in
different
ways
and
it
kept
getting
more
complicated
as
opposed
to
becoming
simpler.
It
divides
up
into
different
ways.
You
have
a
physical
art
inventory
of
what's
in
two
or
three
buildings,
and
that's
something
that
I
think
that
I
could
get
a
couple
of
the
art
groups
who
are
bored
to
tears
because
they
can't
go.
Do
Plein.
Air
painting
would
be
thrilled
to
come
in
here
and
to
do
it.
F
Take
photographs
say
what
it
is.
If
we
know
and
that's
it,
you
just
have
to
Define
where
it
is
and
and
then
and
then
later
on,
we
can
do
some
of
the
other,
the
other
pieces
that
are
outside
and
what
have
you
that
we're
trying
to
get
to
do
and
I
think
that
that's
something
that
we
could
really
it's
been
an
ongoing
thing
that
we
could
really
make
a
dent
in
it
in
a
short
period
of
time.
F
The
third
thing
is
that,
once
we
have
that
that
inventory,
then
I
think
we
can
look
at
what
we
need
to
do
to
supplement
it
and
then
consider
going
ahead
and
and
and
purchasing
or
looking
at
other
other
art.
So
we
start
building
an
art
inventory
that
is
viable
and
that's
representative
of
Bloomington,
the
and
so
I
think
it's
a
multi-level
I
think
it's
a
step-by-step
proposal
and
I
think
that
the
end
result
of
it
will
be
that
Bloomington
should
be
known
as
a
visual
art
Town.
F
There's
absolutely
no
reason
why
it
shouldn't
be
instead,
it's
Nashville,
okay
and
that
there
isn't
both
a
need
for
it.
I
think
that
it
is
something
that
invigorates
the
community
here
and
I
think
most
of
all.
If
we
start
by
having
a
great
Lobby
out
here,
you
know
they
used
to
have
it
they
used
to
have
openings
here.
All
the
different
organizations
came
in
here.
F
What
I
was
told
is
that
part
of
the
problem
is
that
the
walls
were
not
good
for
for
changing
art
or
not,
and
that
it
became
somewhat
problematic,
or
so
many
people
showed
up.
I,
don't
know.
If
that's
true
or
not,
but
but
I,
don't
think
we
have
to
do
that
I
think
we
can
do
something
of
a
permanent
nature
that
just
makes
it
it
look.
You
know
it
look
like
something
we
want
to
do
so.
F
H
E
Well,
I
think
a
quick
link
on
the
display
case,
I
think
one
thing
I'd
want
to
clarify
like
we're
talking
about
like
what's
right
outside
of
council
chambers
right.
So
what
I've
seen
in
that
space
is
that
it's
not
purely
an
art
display
space.
It
is
used
by
other
departments
within
the
city
to
promote
events,
to
promote
different
different
initiatives,
whatever
else
and
so
personally,
I
think
that's
the
best
use
for
that
space.
I,
don't
think
we,
as
the
Arts
commission
should
try
to
stake
a
complete
claim
to
it.
C
A
shared
space
and
I
do
agree.
Like
you
know
it's.
It's
also
a
way
to
message.
Other
things
to
the
community,
so
I
wouldn't
want
to
attract
detract
from
you
know
other
departments
ability
to
share
that
information,
but
I
do
agree.
It
would
be
much
easier
for
ES,
like
ESD
and
the
Arts
to
say
so.
Esd
economic
and
sustainable
development,
my
department
to
say
hey.
Could
we
have
a
stake
in
this
once
or
twice
a
year?
G
I
think
I'm
just
a
little
confused
as
to
what
the
bloomington's
a
town
that
you
can't
go
a
block
without
tripping
over
an
art
gallery
and
and
that's
a
wonderful
thing-
are
you
talking
about
specifically
City
supported
art
as
opposed
to
and
and
if
so,
where
would
that
be
because
in
in
my
opinion,
there's
art
all
over
the
place?
And
you
know
hanging
off
the
parking
garages
and
all
this
I
feel
like
it's
a
very
visual
town
but
but
I
don't
have
much
to
compare
it
to
except
Washington
Heights.
G
You
know
so
so.
I
guess
I'm
curious
as
to
what
falls
into
the
city's,
maybe
jurisdiction
or
remit,
and
what
what
is
more,
private
and
or
business
oriented
or
non-profit
oriented
I
don't
expect
an
answer.
I
From
emerging
artists,
I
think
that's
definitely
an
Avenue
that
we
could
use
to
support,
and
we
have
like
I
mean
our
our
grand
Cycles
prove
it.
Our
the
amount
of
just
art
in
this
town
like
shows
there
are
artists
here,
working
in
creating
and
I
would
love
to
support
them
in
some
way,
especially
emerging
artists
and
to
I.
Think
I
think
my
question
comes
in.
I
If
do
we
necessarily
need
to
have
the
inventory
in
place
to
then
add
art
to
it,
or
is
this
just
something
that
we
decide
that
we
also
like
how
many
do
we
purchase
like
what
is
this
something
that
we
have
folks
like
enters
submission
based
to
like
be
the
one
that
is
purchased
and
where
does
it.
E
A
Art
every
year
to
start
a
BAC
City
collection
like
because
we
you
know
we
used
to
do
the
postcards.
We,
the
mayor,
used
to
buy
some
artwork
like
that
has
stalled.
That
has
so.
F
The
void
I
see
the
void
outside
of
this
building,
not
in
this
building.
I.
Think
it's
I
both
but
I.
Think
that's
something
that
we
need
to
look
at
that
look
at
what
what
are
what
are
the
public
buildings?
I,
don't
know.
What's
in
the
courthouse
or
what
is
it
I?
Don't
know
you
know:
I
I,
don't
I
really
don't
know.
I
know
that
I,
don't
I
know
that
I
visually
when
I
go
into
City
buildings,
I,
don't
see
it
and
I
know
when
I
walk
in
here.
I
was
just
it
just
hit
me.
F
So
you
know
I
I
can
think
of
a
lot
of
other
buildings
like
this
that
I
walk
into
that.
That
are
buildings.
That
really
tell
you
know,
give
some
some
history
or
some
yeah
something
I
mean
the
so
I
don't
know
and
for
all
I
know
there
may
be
a
closet
full
of
it.
What
happened
you
know
well.
E
C
Was
hoping
for
us
to
get
a
spear
group
in
Winter
to
help
us
bring
that
up
to
snuff?
But
but
if
you
feel
like
you
have
a
group
of
folks
who
would
have
the
initiative
to
do
that,
I
I
think
that's
a
conversation
worth
having
and
an
option
worth
exploring.
C
I
know
yeah
I
think
we
would
just
want
to
embed
that
in
a
bigger
strategy
of
like
okay
step,
one
inventory
step
two,
you
know:
how
is
that
like?
How
can
we
map
that
in
a
way?
So
we
know
what
is
where
step
three
assess
where
the
reciprocities
step
four
think
about
how
we
can
supplement
it
and
then
step
five
maintenance,
because
my
fear
is
okay.
We
rebuild
the
collection
and
five
years
from
now
a
completely
new
commission
is
like.
Oh,
my
gosh.
Nobody
has
updated
this
database
in
like
three
years.
C
We
don't
know
where
anything
is
you
know,
so
we
would
just
need
to
make
sure
we
have
a
really
strong
plan
and
develop
Partnerships.
Potentially
if
we
chose
to
go
this
route
with
other.
You
know,
City
facilities
and
the
folks
that
run
those
facilities
to
make
sure
those
rotations
and
upkeep
is
happening.
So
it
includes
some
buy-in
from
the
facilities
managers
of
these
other
City
buildings,
as.
C
F
We
that
we
just
go
ahead
and
and
sit
down
the
people
who
are
interested
set
of
time,
but
we
sit
down
and
we
talk
about
what
step
one
is
how
to
divide
it
up
so
that
we
make
it
happen
and
step.
One
is
figuring
out
what
we've
got
you
know
and
where
it
is
and
what
building
you
know
what
what
buildings
would
be
involved
or
not,
and
you
know
what,
where
a
starting.
E
Template
for
over
a
year
I
mean
so
we
just
need
the
people
to
do
it.
That's
always
been
our
problem.
Is
the
labor
like
the
time,
and
so,
but
the
thing
I
will
say
is
that
what
is
really
really
important
to
me
is
that
it's
a
comprehensive
art
inventory
that
it
is
not
just
frame
pictures
that
may
be
inside
buildings
that
it
includes
the
full
public
space
we're
getting
things
that
are
outside
we're,
getting
things
that
are
publicly
controlled.
Things
are
privately
controlled.
A
E
Exactly
I
agree,
but
what
I'm
saying
is
that
I
think
that
maybe
it
doesn't
need
to
be
complete,
but
I
think
we
need
to
have
a
decent
idea
of
all
of
those
spheres
before
we
make
any
decisions
about
how
to
spend
money,
because
my
I'm
saying
this
without
seeing
the
inventory
right
like.
But
my
my
gut
instinct
is
that
a
much
I
would
much
rather
see
like
BAC
or
city
dollars
spent
on
putting
art
in
a
place
where
people
are.
E
But
there
is
not
already
art,
you
know,
say
like
east
side
of
town,
where
there's
very
little
public
art
that
to
me
reaches
people
and
there's
there's
much
more
value
in
that
than
purchasing
art
to
put
on
the
wall
in
City
Hall,
where
there
are
not
as
many
people
in
order
to
a
different
type
of
person.
I'm.
B
Thought
to
start
you
give
her
a
thought
and
then
we
need
to
move
on
in
our
agenda.
We
have
some
critical
things
that
we
need
to
do.
J
The
the
resource
list,
I'm
like
finding
people
to
do
the
commissions
and
stuff,
isn't
a
problem
because
we
have
tons
of
you
know
past
Grant
recipients
who
still
live
in
town
that
we
can
follow
up
with,
and
you
know
commission
to
do
more
stuff
and,
like
you
know,
we
can
do
that
like
every
year.
Like
you
know
what
I
mean
like
have
people
like
I,
don't
know
we
have
like
an
inventory
list
already.
Basically
it's
just.
J
We
need
to
like
backtrack
and,
like
already
you
know,
the
people
we've
given
money
to
in
the
past
like
follow
up
with
them
and
then
like
people
who've
applied.
You
know
what
I
mean
that,
like
we
give
them
feedback
and
whatever,
like
also
those
people
like
you
know,
the
resources
are
there
and
we've
all
kind
of
like
have
put
work
into
putting
that
together,
especially
with
like
the
grants,
committee
and
stuff,
but
they
just
needs
to
be
more
formalized
yeah
and
like
the
template.
I
would
I
would
like
to
see
that.
E
Yeah,
there's
there's
an
old
like
Google
sheet
that
there's
an
inventory
from
like
I,
don't
know
10
12
years
ago,
something
like
that.
Maybe
longer
that.
E
And
like
we
in
the
public,
art
committee,
like
I,
think
Babette
found
like
something
from
Limestone
post
and
like
a
couple
other
articles
that
had
some
like
highlights
of
murals,
and
so
we
kind
of
had
that
as
a
starting
point.
We
just
kind
of
needed
to
send
people
out
to
then
go
either
get
photos
or
confirm
something's.
Still,
there
yeah.
F
If
we
all
agree,
this
is
something
that
should
be
done
and
we
need
to
start
not
at
the
end
deciding
whether
we're
going
to
buy
something
or
not
but
start
at
the
beginning,
which
is
putting
together,
putting
together
an
inventory
and
seeing
what
what
we're
talking
about
what
buildings
we're
talking
about
and
dividing
it
up
the
same
way
the
Nick
is
suggesting,
which
is
you
know
about
this
murals?
F
You
know
they're
different
categories
that
we
did
and
that
there's
I
I
can't
move
on
without
some
additional
information
that
Holly
probably
knows
or
knows
where
to
get
and
I
would
say
that
we
should
just
get
people
who
are
interested
in
really
getting
this
to
happen.
Let's
set
up
a
time
when
we
sit
down,
we
have
an
outline
of
what
we
need
to
do
and
we
put
it
down
firmly
on
paper.
This
is
what
we're
this
is.
What
we
need
to
do.
This
is
the
process.
F
This
is
step
one
and
get
people
assigned
to
do
it
and
then
just
get
it
to
happen.
I
mean
it's,
it's
it's
a
process,
it's
not
you
know,
and
and
otherwise
we're
going
to
be
talking
about
this
next
year.
Sure
I
hear
you
and.
A
D
I
A
I
think
is
not
quite
fair,
so
unborn
people,
so
in
January
you
know
you
all
have
this
in
your
heads.
You
bring
it
to
that.
First
public
art
meeting
and
the
with
a
full
commission
I
think
it's
about
a
week
later
or
so.
Then
everybody
has
had
a
time
to
kind
of
digest.
The
information
bring
some
new
thoughts
and
then
kick
it
off
then
get
as
to
what
those
steps.
F
Okay,
and
can
I
just
suggest
that
everybody,
if
you
have
thoughts
about
it,
all
the
different
things
that
should
be
put
into
this.
If
you
just
email
it
to
me,
I'll
try
to
put
it
together
in
some
kind
of
a
document
that
makes
some
sense.
You
know
what
what
building
should
be
involved.
What
kind
of
things
should
be
involved
in
getting
this
in
getting
the
inventory
together
and
any
other
ideas
that
you
have
or
pieces
you
want
to
volunteer
to
to
do
so
that
at
least
we
have
a
a
place.
F
C
B
Right
yeah,
so
let's
yeah
thanks
for
bringing
those
up,
Babette
and
I
I
will
be
at
that
next.
Public
Arts
meeting
and
I
look.
B
Hearing
more
about
that,
so,
okay
speaking
of
public
art,
we're
gonna,
get
an
update
on
the
public
art
subcommittee
from
Natalie
sweet.
I
I
will
give
a
very
brief
update
for
this
month.
We
at
our
last
subcommittee
meeting
meant
to
discuss
the
public
art
master
plan
and
kind
of
talked
about
the
edits
that
have
been
made
to
it
recently
and
I
think
as
a
subcommittee.
We
generally
think
that
it
is
good
to
go.
We
have
a
few
more
days
left
for
subcommittee
members
to
provide
extra
edits.
I
I
will
resend
that
over
to
folks
after
this
meeting
just
so,
everyone
can
look
it
over
again,
but
after
that,
I
think
it
is
ready
to
be
submitted
and
sent
over
to
Legal.
Also
for
review.
I
I
think
is
what
we
talked
about
just
to
get
some
input
on
that,
but
that's
I
think
our
biggest
undertaking
currently
in
the
public
art
subcommittee
is
talking
through
that
master
plan
and
then
no
new
project
updates
currently
beyond
what
I
shared
last
meeting
I
think
we'll
we'll
have
a
lot
more
to
share
in
January.
I
I
D
B
B
Thing:
okay:
Holly!
Are
you
by
chance
giving
the
thing?
Okay,
wonderful,
so
Holly
will
not
give
the
update
for
the
grant
subcommittee.
C
Hi,
everyone
I'm
sorry
I'm,
not
as
Charming
as
Elliot,
but
here
we
go
so
so.
Basically
we're
also
kind
of
in
a
holding
pattern.
Nothing
new
to
share.
We
had
a
great
last
Grant
subcommittee
meeting
I,
think
that
was
in
November
just
talking
about
lessons
learned
from
this
year's
Grant
cycles
and
we're
going
to
be
doing
some
work
between
now
and
the
end
of
January
just
to
get
applications
up
to
Snuff
and
launch
the
23
Cycles.
But
we'll
be
talking
more
about
that
in
the
January
Grant
subcommittee
meeting.
C
84
84
granted
fees,
so
we
gave
grants
to
84
artists,
be
they
emerging
organizations,
artist
groups
doing
Arts
projects
and
the
total
amount
of
money
that
we
gave
out
was
a
hundred
and
thirty
three
thousand
dollars
ish.
So
we
hit
our
goal.
We
knew
we
had
a
huge
undertaking
when
we
started
the
year
and
I
think
we
did
an
excellent
job.
So
congratulations
to
Elliott
and
the
grant
subcommittee.
It's
been
awesome.
Working
with
y'all
and
also
Elliot
says
she
loves
you
all
very
much
so
yeah.
B
All
right,
thank
you.
Holly,
okay,
I
have
two
quick
things:
moving
on
to
agenda
item
number
eight,
so
the
first
is
the
secretary
position.
So
at
the
last
meeting
Brian
asked
for
for
Commissioners
who
were
interested
in
the
position
to
reach
out
to
her
by
the
time
of
the
midpoint
email
we
we
did
receive
one
person
who
reached
out
to
volunteer
for
that
position.
That
person
is
Nick,
blanford
and
so
I
would
like
to
offer.
E
Sure
I'll
keep
you
short
full
disclosure,
I
I
put
my
name
forward
but
told
Gerard
I
would
yield
if
anyone
else
did
so
I
guess.
My
thought
was
now
that
we've
sort
of
more
clearly
defined
the
secretary
role
through
the
the
the
task
force.
E
I
feel
like
as
we're
about
to
wrap
that
task
force
up,
there's
sort
of
like
a
Natural
Bridge
to
the
work
there
where
I
can
contribute
in
the
secretary
role.
You
know
I
think
Beyond
taking
notes.
You
know
we
talked
about.
E
E
F
B
Okay,
fantastic.
Does
anyone
have
any
questions
or
comments.
B
E
Yes,
we
discussed
with
a
lot
of
positions:
minimum.
J
E
One
year
and
a
suggested
two
years
in
this
case,
I
only
have
a
year
left
on
my
overall
BAC
term.
That's
my
second
term.
So
I
will
have
to
cycle
out
after
a
year,
so
full
disclosure
yeah
it'll,
be
just
for
a
year.
Yeah.
B
Okay,
excellent,
then
we
will
go
ahead
and
put
this
to
a
vote.
You.
B
B
All
in
favor
of
that
say,
I
all
right.
That
includes
those
on
I.
J
B
Yeah
right
now,
just
oh
I
think
it's
just
near
me:
we
lost,
we
lost
Rachel,
okay,
well,
fantastic
I,
think
I!
Think
in
the
Russian
passes.
B
Thank
you
Nick
all
right
and
then
the
second
thing
from
your
chair
is
I.
I
wanted
to
get
a
little
bit
of
I.
Think
feedback
on
the
party
that
we
had
I
had
a
lot
of
fun
and
enjoyed
it.
I
also
helped
to
plan
it,
and
so
yeah
I
guess
I
just
wanted
to
to
check
in
and
see
I
mean
both
just
I.
B
Don't
like
this
is
both
sort
of
an
informal
like
you
know
how
like
how
did
you
enjoy
it
and
like
I,
don't
know
it
was,
was,
but
also
looking
for
any
sort
of
like
constructive
feedback
on.
Oh.
B
If
because,
if
we
are
going
to
do
things
like
this
going
forward
like
what
are
some,
maybe
things
we
should
incorporate
or
think
about,
as
as
we
are
having
these
sorts
of
commission
grantee
broader,
like
kind
of
it
wasn't
an
open
party,
but
it
was
a
somewhat
open
public
party,
so
opening
the
floor
up
for
feedback.
H
A
A
G
G
One
of
one
of
the
one
of
the
jazz
artists
was
handing
out
CDs.
Maybe
we
could
play
some
of
their
music
or
something
I
I
think
that
karaoke
was
fun,
but
it
meant
that
you
couldn't
have
a
conversation
once
it
started
and
that
that
really
puts
a
limit
on
people
interacting
and
meeting
each
other.
So
that's
a
matter
of
the
space,
though
I
think
if
it's
a
space
where
it's
but
then
you're
separating
people
so.
A
Yeah
but
but
I
mean
yes,
we
were
in
three
spaces,
but
there
was
also
nothing
to
bring
us
together
to
have
those
conversations
and
I
agree
that
once
we
were
under
karaoke,
you
know
those
who
wanted
to
talk
eventually
left
and
true
right.
It
became
something
else.
I
think
I.
Think
two
specific.
B
H
E
That
could
help
to
that
end.
The
other
thing
is
that
in
the
past
pre-pandemic,
when
we
had
like
June
Arts
night
at
the
city.
D
E
Would
before
a
council
meeting
have
like
a
granting
awards
ceremony
here
at
City
Hall,
and
so
this
was
simpler,
because
we
had
one
Grant
cycle:
yeah
right.
B
H
H
E
A
A
E
As
neatly
with
a
multi-cycle
grant
structure,
but
what
we
could
do
is
if
we
had
RSVPs
you
could
ask
people.
Are
you
a
grant
recipient
when
they
RSVP
and
then
you
have
a
list,
and
maybe
it's
we
could
do
something
similar
where
you
like,
acknowledge
the
grant
recipients
who
are
there?
You
know
in
a
similar
sort
of
way,
so
maybe
you
know
and
if
and
maybe
there's
an
opportunity
for
them
to
present
or
whatever
else,
but
that
way
like
the
burden,
that's
not
necessarily
on
them
to
provide
something
sure.
A
A
D
E
E
E
B
Slideshow,
which
I
like
gave
showcased
some
of
the
recipients
and
the
grants
that
we
had
given
out
this.
D
F
I
also,
if
we
could
have
had
maybe
a
table
that
people
could
have
examples
of
what
they
did
or
something
and
and
there
could
be
a
little
bit
networking
that
they
could
do.
I
just
happened
to
recognize
one
or
two
people
that
that
you
know
I
went
over,
but
I
didn't
have
a
clue
who
I
would
have
been
surprised
if
I'd
known
who
they
were
and
I,
also
think
it's
interesting
Nick
what
you
were
saying
about
doing
some
kind
of,
even
if
it's
a
small
event
or
something
here,
where
you're
giving
out
the
grants.
L
F
A
H
H
C
E
H
C
F
B
D
D
I
L
H
H
A
But
you
know
you
don't
have
to
do
basic
Maiden
tags,
there's
a
lot
of
creative
ways
to
approach.
Name
tags.
If
you
Google
like
creative
mornings,
they
do
all
kinds
of
stuff
with
name
tags
that
are
a
little
bit
more
interesting.
That
are
also
icebreakers.
That
start
conversations
that
yeah.
F
I
Find
a
way
to
like
make
it
special
for
all
the
folks
and
like
honor
them
I,
agree.
I,
think
that
feedback
is
really
necessary
for
the
for
this,
like
party
specifically,
but
I
also
think,
there's
probably
ways
that
we
could
maybe
do
that
throughout
the
year
and
throughout
the
Cycles.
Now
that
we're
starting
to
figure
that
out
too,
not
to
add
to
Elliot's
Grant
stuff,
like
I'm,
happy
I'm,
sure,
there's
some
point
of
collaboration
there
with
like
public
art
or
something
or
you
start
a
party
task
force.
L
L
L
I
just
would
want
to
say
this
for
the
artist
parties,
I'm
kind
of
open
to
anything
because
I
like
to
have
some
sort
of
event
going
on.
That
could
be
an
exhibit.
That
can
be
the
BAC
doing
something
like
we're
partnering
with
you
as
a
grand
balloon,
so
I
do
want
some
sort
of
activity
at
the
artist
party.
So
if
you
want
into
under
combined
portions
of
the
BAC
with
an
artist
party,
okay,
okay,.
F
B
All
right,
wonderful!
Let's
move
on
to
commissioner
commissioner.
Announcements
I'll
go
ahead
and
kick
things
off,
because
I
got
some
good
news
for
all
of
y'all,
so
my
commissioner
announcement
is
actually
connected
to
my
my
spouse's
job.
She
she
works
at
the
buzzkirk
Chumley
theater,
and
this
past
Sunday
was
the
Centennial
of
the
of
the
Indiana
theater
or
the
bus
Chumlee
Theater
As
We
Know
It,
and
they
are
throwing
a
a
neon
Jubilee
in
on
January
28th.
B
So
like
a
big
sort
of
like
1920s
themed
party
Gala
at
the
BCT,
there's
going
to
be
like
a
lots
of
announcements
and
activities
and
like
a
1920s
band
and
it
this
is
going
to
be
a
whole
big
fun.
Affair
tickets
are
on
sale
for
it
right
now
and
I
have
invites
for
you
all
and
good
news
that
bloomy
Bloomington
Commissioners
on
the
Bloomington
Arts
commission,
as
well
as
Holly
and
Chas,
get
two
complimentary
tickets
to
go
to
the
gala.
B
So
if
you
would
like
to
go
by
January
6th
email
me,
let
me
know
how
many
you
know
like.
If
you
want
what
your
one
or
two
tickets,
you
can,
of
course,
order
more
on
top
of
that,
if
you
want
to
bring
more
people
to
it,
but
I'll
get
two
complimentary
tickets
and
yeah.
Let
me
know
people
wouldn't
mind
passing.
B
B
C
I'm
gonna
make
a
step
announcement
before
we
go
to
commissioner's
announcements,
so
in
the
spirit
of
all
of
our
amazing
grantees,
now
putting
their
work
out
into
the
world,
there
is
also
an
open
invite
To
Us
by
Charlie
Joseph,
who
is
one
of
our
emerging
artists.
He
is
having
a
performance
at
IU
Auditorium,
this
Sunday,
the
18th.
If
you
are
interested
in
tickets,
please
shoot
me
an
email
or
let
me
know
when
we
finish
up
tonight
and
I'll,
make
sure
that
you
get
one
should
be.
D
C
E
C
A
I
will
say
this:
is
it
for
me?
I
have
some
thank
you
cards
for
all
of
you
all
those
around
and
I
guess.
My
commissioner
announcement
is
I'll,
see
you
all
around.
C
C
C
A
There
to
support
you
moving
forward
and
I
hope,
I
hope
I
did
what
I
was
asked
to
do
for
all
of
you
and
leave
you
with
wonderful
leadership.
B
All
right
we
will,
if
there
are
no
more
commissioner
announcements.
H
D
A
B
Hey
I
I'm,
just
asking
if
you
have
any
any
comments
for
the
for
the
commission.
A
K
K
But
I
am
the
new
president
of
the
Fourth
Street
Arts
commission,
so
we
should
be
I
mean
we'll
be
keeping
in
touch
and
just
hopefully
building
a
positive
relationship
in
the
future.
E
B
All
right,
wonderful,
if
that
is
everything
from
the
public,
then
I'm
happy
to
call
this
meeting
to
adjourn.