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From YouTube: 6-28-23 Boulder Arts Commission Meeting
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B
Community
vitality,
offices:,
that's
really
public,
public.,
community
vitality,
offices:,
it's
more
like
a
working
public.
well,
before
we
get
started..
I
just
like
to
do
this
real,
quick.
The
city
boulder
arts
commission
acknowledges
the
city
of
boulder..
It
is
on
the
ancestral,
homelands,
and
unse
the
territory
of
indigenous
peoples
who
have
traversed
within
stewarded
lands
in
the
boulder
valley.
Since
time
and
memorial.
B
B
B
B
B
B
C
C
C
D
B
B
B
D
B
B
Community
vitality,
offices:
yeah.,
so
there's
a
little
example,
but
one
of
the
tiny
little
phones
as
my,
everything
is
fun.,
but
also
we
like
that
activities
here,,
because
when
you
think
about
what
else,
it
can
be
for
me,
like
an
artist.
right?.
What
else
in
this
thing?
and
you're?
Also
thinking
like
an
entrepreneur,
right?
like
what
else.
E
F
Do
you
like
adventure?
how
about
fun
us
to
hi,
we're
farmer
spaceship.
we're
a
network
of
artists,
entrepreneurs,,
researchers,,
foodies,,
designers,,
farmers,,
scientists,,
executives,
and
community
leaders
working
to
make
our
businesses,
workplaces
and
neighborhoods,
more
fun.?
How,
through
our
adventure,
school,
an
immersive
education,
program,
teaching
everything
from
experience,
design
to
community
engagement,?
All
the
tools
you
need
to
make
any
adventure
super
fun.
B
Community
vitality
offices:,
so
this
is
really
kind
of
the
goal
of
the
spaceship
is
together.
we're
fixing
in
social
isolation,
in
commanding
qualities,,
worker,,
burnout,,
civic
polarization,,
community
disinvestment,
and
the
most
important
one
on
here.
for
in
the
days
and
night,
right?.
We
want
to
make
everything
more
fun.
E
E
Community
vitality,
offices:,
so
wendy.,
why
is
she
community
vitality,
offices:,
say
a
little
bit
about
what
we've
been
on
here.
okay,
well,
this?
This
has
been
a
process,
we've
been
so
far
with
up
here.
and
it
was..
It
starts
with
a
cohort
of
artists,,
and
one
of
the
kind
of
the
main
thrust
of
the
program
is
to
teach
artists
that
they
are
entrepreneurs.
B
B
Community,
vitality,
offices:,
so
that's
where
we
brought
the
co.
work
together,
and
we
have
gone
through
part
of
the
process..
We
had
that
intense.
we
take
together
the,
I
guess,
for
prototype
experience,.
It
would
be
in
their
expression,
or,,
you
know,,
with
their
process
or
in
their
small
business.
B
D
E
Community
vitality,
offices:,
yes
and
I
think,,
even
with
the
paper
plate,.
I
love
that
as
a
game,,
and
it
just
shows
like,
hey,
what
you
already
have
that
you
will
use
right
like,.
What
are
your
in
the
assets??
What
are
your
assets?
and
then?
How
do
you
use
that
to
something
super
fun
and
a
really
low
cost
way,?
Because
if
it's
fun,,
it's
fun.
so
before
you
invest
all
this
money
right
into,?
Maybe
it's
not
being
so
much
fun,
right,!
You
can
go
ahead
and
kind
of
test
it
in
a
small
little
ways.
E
E
E
Community
vitality,
offices:
maybe.,
where
there
was
the
most
friction.
for
the
artists
in
the
global
war
to
really
kind
of,,
think
about,.
How
does
their
work
kind
of
translate
from
maybe
inside
of
a
gallery
outside
of
the
gallery,
and
really
kind
of
thinking
about
that
idea
of
like,?
How
do
you
engage
people
in
co-creation?
and
then
also,?
How
do
you
really
kind
of
build
a
community
around
the
consumption
of
the
experience
as
well?.
E
B
Community
vitality,
offices:
and
asking
them
to
create
was
a
real..
I
don't
want
to
end
up,
and
it's
been
fun
to
watch
them
understand
the
value
of
that.,
and
then
I
think
the
it
was
the
experimental
part
to
it
was
a
challenge
for
some..
It's
like
something
to
step
out
of
your
part
right
now,,
and
we
asked
them
to
experiment
with
this
public.
B
D
D
Community
vitality
offices:,
so
I
think
that
was
it
was
really
a
fun.,
so
it
was
kind
of
3
bill
or
4
full
experience..
We
had
experiments
and
experience
based
public
arts.,
so
we
got,
you
know,
2.
and
it
was,.
It
was
really
a
great
way
to
talk
about.
and
I
think
one
of
the
things
to
going
back
to..
Why
experiences
so
a
pre
covid
data
point
when
that's
74%
of
americans
super
experiences
over
things
and
stuff.
E
E
Community
vitality,
offices:
and
to
really
again,
kind
of
think
about.,
then
also
that
opportunity,,
because
experience
design
is
where
you
can
build
the
connections,
between.
again,
people
who
are
different
from
each
other,
right?
and
so,
through
really
good
experience.
Design,
you
can
have
a
person
that
may
think
they're
over
here
meet
a
person
who
may
think
they're
over
there.
and
to
you
guys,
experience
design,.
They
find
out
that
they
actually
have
common
allies.
E
D
B
B
E
Community
vitality,
offices:
yeah.,
and
what
one
thing
I
want
to
say
about
this
one,
too,
is
just
the
power
of
evan
as
a
long
business,
owner,
and
then
partnering
with
an
artist,
and
really
kind
of
the
transformation
that
has
happened
there
to
understand
really
like,.
What
is
that
intersection
of
small
business
plus
parts.
E
Community
vitality,
offices:,
so
the
next
one
is
pages
of
butter,
art.,
and
so
she
is
working
on
the
playwright,,
which
is
an
interactive
sculpture,
designed
for
the
a
user
to
expose
the
bird,
and
otherwise
in
images
from
a
selection
of
colorful
options.
In
order
to
build
and
share
a
unique
narrative.,
the
project
will
have
an
online
sharing
of
clients,
so
essentially
she's
going
to
work
with
the
placeholder
festival
on
this
one
as
well.
E
Community
vitality,
offices:
and
they're
going
to
work
together
on
really
kind
of
thinking
of
what
each
one
of
the
pieces
in
the
sculpture
looks
like..
So
the
content
is
a
way
for
people
to
kind
of
envision..
Maybe
what
the
future
of
the
girlfriend
call
could
look
like
in
another
like
5
or
10
years,.
B
B
Community
vitality,
offices:
that
really
what
she
comes
up
with
in
the
storytelling,
as
it's
recorded,
is
of
value
to
say,,
a
business
or
a
community,,
because
people
are
should
be
their
own
stories.
they're
telling
you
that
we
collect
that
data
that
actually
own
value..
So
I
think
that
was
until
october.
E
E
B
D
Community
vitality,
offices:,
okay.,
heather,
community
vitality,
offices:,
heather
is..
This
is
really
introduced..
Fiber,
arts,
teaching,
situation,
story
network
connecting,
connecting
local
people,
suffering
adverse
effects
of
the
pandemic.
Illustrators,
designers,
artists
create
visual
images
of
their
experience..
This
is
really
interesting
because
it
is
so
co-created..
The
experiences
are
gathered
from
underrepresented,
communities.
B
E
E
Community
vitality,
offices:,
don't
have
the
time
to
participate
and
really
kind
of
thinking
about,.
How
can
you
pay
for
their
participation?
because
again,
the
time
is
very
valuable,
and
they
need
to
be
doing
other
things
right.
and
so,.
If
we
can
really
space
for
them
to
be
able
to
participate.?
How
do
we
then
engage.
E
E
Community
vitality,
offices:,
you
know,
having
artists,
come
in
and
do
performances
inside
of
his
face
and
all
of
that.,
but
we've
been
kind
of
pushing
him
to
think
about,.
How
does
it
not
just
activate
the
inside
of
this
space,,
but
also
still
out
onto
the
street
and
really
kind
of
think
about
that
as
an
invitation
to
come
into
this
store.
E
D
Community
vitality,
offices:,
okay.
and
corey's
doing
it.
this
ar..
It's
an
interactive
story
of
boulder's
historic
black
community
toll
through
a
contemporary
augmented,
reality,
mobile
application.
he's
got
great
partners
on
this
to
talk
with
his
store,
boulder
museum
of
boulder.
they're,
all
super
excited.,
and
it's
basically
something
you
could
use
on
your
device.
and
you
you
walk
around
and
different
points
of
history
would
be
highlighted
in
a
are
on
your
device.
B
E
Community
vitality,
offices:
and
that
activation
offers
an
intergenerational
part
of
experience
through
letter
writing,
culminating
in
a
public
display.,
so
she's
been
doing
a
lot
of
again,
just
like
pencil
type
of
stuff.,
but
we've
been
kind
of
thinking
about,.
How
does
that,
then
become
a
really
a
display
in
terms
of
public
ours?
and
so
she's
working
on
kind
of
thinking
about.
E
B
Community,
vitality,
offices:
and
also
speaking
of
under
and
kind
of
community.,
a
lot
of
the
people
who
are
volunteering
at
worktails,
here,
living
have
different
sort
of
like
dementia
or
something
in
other
ways
eventually,
and
she
a
clean
that..
And
it's
been
this
really
interesting
experience
for
her
to
put
him
in
it.
When
they're
pinpoint
project
with
the
young
people.
B
D
B
Community
vitality,
offices::
this
is
a
card
community,
vitality,
offices:,
where
you
are
asked
to
create
a
little
bit
of
kindness
for
yourself
and
a
kind
for
someone
else,
and
in
her
prototype
just
a
very
small..
It
was
really
just
kind
of
a
crap..
She
was
taken
into
this
choice
in
the
public,
and.
B
Community
vitality,
offices:,
the
simplest
instructions.,
make
something
kind
for
yourself,
and
makes
me
point
to
someone
else.
and
the
response
that
she
got,.
If
you
were
so
interested
in
mailing,
and
they're,
making
all
kinds
of
things.
and
they
were
touched
by
one
of
our
stories..
So
she
really
her
prototype.
really.
E
E
Community
vitality,
offices:,
he's
really
kind
of
expressed
that
it's
hard
to
be
a
musician
in
bolder
and
to
be
able
to
kind
of
grow.,
and
so
he's
really
seeing
that
gap
is
an
opportunity
for
him
to
really
kind
of.
think
about
how
he
can
fill
that,
and
especially
for
really
kind
of,.
You
know,
5
plot,
where
musicians
that
maybe
don't
have
this
opportunities
or
the
spaces
that
some
other
musicians
have.
D
B
B
B
B
E
Community
vitality,
offices:,
yeah.
and
one
of
the
other
kind
of
fun.
things,
too.
is
that
one
of
our
partners?
they
are
really
for
they're
they're,
really
great
at
typography.,
so
kind
of
been
asking.
Probably
the
question
around,.
What
does
community
generated
community
driven,
you
know,
community,
create
co-created
typography,
look
like
as
a
a
platform
in
and
of
itself
to
share
stories.
E
D
B
Community
vitality,
offices:
and
she
is
looking..
She's
got
great
partners.
she's,
going
to
be
down
in
the
in
the
community.
our
day
on
september,
20
fourth,
and
I
think
what
she's
discovering
is
now..
The
community
can
be
involved
in
all
parts
of
it,
because
she's
talking
about
having
a
chalk,
making
the
part
of
it,
and
so
bring
the
co-creation
of
the
actual
art
material
into
it..
How
the
how
the
the
key
sort
is.
Made,,
that's
all
done
by
the
public.
B
Community
vitality,
offices:
and
then
this
this
new
idea!,
it
hasn't,
come
quite
well..
The
whole
circle
is
to
what
it??
What
does
it
look
like
if
also,
the
committee
could
participate
in
power?,
so
she's
looking
at
all
ends
of
it,
yeah,
and
that
she's,
experienced.
and
and
speaking
of
power,
washing
when
it
gets
into
the
permission
of
chalk.
E
Community
vitality,
offices:,
you
know.,
and
this
really
again,,
I
think,
artists,
understanding
policy
decisions.
and
then
how
the
policy
decisions
really
impact
their
work
of
what
they
can
and
can't
do..
This
is
one
of
them
of
just,.
You
know,
kind,
of.,
there's
very
strict
restrictions
around
chunk
and
talk
art..
So
it's
been
really
kind
of
fine
to
see
her
understand,
maybe,,
how
she
could
be
a
catalyst
for
maybe
kind
of
showing.
B
E
E
Community
vitality,
offices:
building
a
relationship
with
those
community
notes
to
understand?
really
like,.
How
do
you
even
be
invited
into
a
community?
and
that's
where
kind
of,
like
the
public
piece
of
the
public
art
comes
in.
and
really
her
transformation.
yeah.
and
the
the
art
part
is
to
keep
it
like,.
How
do
you
make
a
food.
D
B
E
D
B
B
C
Community
vitality,
offices:,
all
the
I
don't
know.
I
question.
well,.
We
certainly
haven't
been
our
news
weather,,
but
I
imagine
we'll
yeah..
I
think
the
bar
works,
like,,
yeah,,
they're,
all
downtown
boulder
district
events
or
city
event,
events.
yeah.
and
yeah,
you're
welcome
to
come
to
any
of
those.
check
them.
Out.
and
next
month.
We'll
have
to.,
they're,
still
sort
of
in
process.
B
B
B
Community
vitality
offices:
as
they
develop
this
after
the
projects
are
done
and
the
other
people
get
involved
in
their
partners.
Like,
there's,,
there's
all
these
different
directions
and
go..
Do
you
have
any
advice
for
us
about
how
to
capture
some
of
that
information
and
understand
the
impact??
That's.
E
Community
vitality,
offices:,
yeah.
well,.
One
thing
that
I
think
is
interesting
is
that
we've
been
talking
with
a
boulder
company
called
the
merchant
that
actually
is
able
to
really
kind
of
measure
how
people
are
engaging
with
an
experience,
and
whether
or
not
they
give
a
shit
about
it
in
their
words..
And
I
think
that
that's
a
pretty
interesting.
E
E
Community
vitality
offices:,
so
when
they
do
that.
you're
able
to
then
actually
see,
like
how
people
are
feeling
in
the
moment,
with
those
experiences,
and
one
of
the
things
that
they
measure.
As
long
as
with
giving
a
shit
is
what
they
call
psychological
safety,,
which
I
would
also
just
call
trunks..
And
it's
interesting,,
because
when
you
look
at
really
kind
of
what
makes
businesses
successful,
psychological
safety.
and
a
team
right?.
E
E
Community
vitality
offices:,
when
you
are
able
to
have
those
high
levels
of
psychological
safety,
which
is
kind
of
what
we're
doing
with
these
experiences,
is
like,.
How
do
we
use
these
experiences
as
a
way
to
build
trust??
Then
you
kind
of
think
about,
well,.
How
do
we
make
our
workplaces
better??
How
do
we
make
our
neighborhoods
better??
How
do
we
make
our.
E
E
Community
vitality
offices:
ask
how
many
people
were
engaged,
and
maybe
how
much
money
did
they
make
from
you
know
the
sales
of
their
for
sale,
experience,
or
whatever.,
but
I
think
getting
down
into
just
was
important,
the
loud
and
the
trust,
and
all
the
things
that
keep
our
community
together..
I
think
that
is
really.
B
A
B
B
B
B
G
G
G
G
Maria
cole:,
some
of
their
larger,,
broader
takeaways
about
collaboration
and
flexibility.,
and
so
I
really
appreciated
their
report.
there.
Was.
there
was
others,
too,
that
were
thoughtful.,
but
I
just
think
that
level
of
depth
of
thinking
back
on
the
grant.
and
the
program,
I
think,
is
helpful
to
them.,
and
I
think
it's
also
helpful
to
us.
B
B
Community,
vitality,
offices:
there's
a
lot
of
consideration
that
goes
into
approving
the
brands.
and
when
we
go
and
stuff,
and
it's
so,,
I
don't
know.
refreshing-
is
the
right
work
work..
But
it's
just
a
wonderful
experience.
and
I
really
enjoy
this
part
where
we
get
to
see
what
people
did
and
like
the
reality
of
it
all.
Who
got
to
go
to
the
thing
and
looking
at
the
pictures
of
people
enjoying
the
the
performances..
It's
just
a
what
I
really
enjoyed
this
part.
B
B
B
B
B
A
B
B
B
B
Community
vitality,
offices:
sure
that
I?
community
vitality,
offices:
okay,
yeah,,
you
know,,
and
maybe
we
can
go
through
other
stuff,
while
you're
looking
at
that,,
because
I
think
it's
a
pretty
straightforward
question,
I
mean
in
a
grant
application..
If
you
would
write,,
I'm
gonna
the
final
product
will
be
a
work
in
progress,
or
the
final
product
will
be
something
that
I'm
going
to
enter
into
film
customers..
That's
a.
B
Community
vitality,
offices:
than
what
we
saw.
community
vitality
offices:.
I
I'm
willing
to
be
a
little
flexible
on
that,
because
some,
you
know,
for
for
a
film
maker..
I
think
it's
a
little
bit
above,
like
amateur.,
it's
kind
of
up
there,,
so
I
would,.
I
guess
I
expect
more.,
but
if
that
was
the
request
to
get
a
grant
to
do,
something,
a
work
in
progress,
to
show
to
the
community
to
get
feedback.,
then
that's
what
we
committed
to
to
paying
for.
B
B
B
B
B
B
B
B
B
B
B
B
B
B
B
D
B
B
B
B
B
B
B
B
B
A
Community
vitality,
offices:,
but
there
has
been
cases,.
I
think,,
even
recently,,
where
you
said,.
This
is
your
last
time..
This
is
the
new
deadline,
like
you're,
setting
a
deadline
for
when
it's
finished,
and
if
she,,
if
I'm
able
to
do
so,,
then
sort
of
makes
your
own
decision,
and
if
not,,
then
she
doesn't
make.
You
know
if
we
can
make
the
the
the
documentary
great.
B
B
D
B
B
B
B
B
B
B
B
B
B
B
G
B
D
B
G
B
B
B
B
B
B
Community
vitality,
offices:
denying.:
this
isn't
something
any
of
us
take
lightly..
So
thank
you
for
taking
the
time
to
talk
it
all
through.
we're
about
to
go
on
something
that
you
know.,
it's
a
very
real
thing.,
so
it
it.
It
gives
me
some
comfort.
hearing
the
minutes
from
a
year
ago,
and
you
know
that's.
B
B
G
B
B
B
B
B
B
B
B
B
B
B
B
B
B
B
B
B
D
B
B
Community
vitality,
offices:,
but
community
vitality,
offices:.
So
for
this
I
have
motion
link,,
which
and
really
this
is,
I
guess
the
only
update
is
that
it's
looking
to
all
of
them
all
of
their
applications
with
the
programs
happening
after
today,,
because
you
can't
fund
something
attractively.,
they're,
also
parking
and
excited.
actually,.
When
I
spoke
to
one
of
them.
she
didn't
know,
I
haven't
hung
up,,
but
she
went.
B
B
B
B
B
Community
vitality,
offices:
that
there's
a
couple
of
reasons
why,,
but
the
core
of
it
is
that
we
haven't
had
this
consistent
thing
since
2,016
in
our
funding
around
fully
asking
for
what
we
need,
and
this
being
fully
funded.,
there's
all
sorts
of
implications
of
not
doing
that
by
partial
funding..
Sometimes
it
creates
by
the
gaps.
B
Community,
vitality,
offices:
things
don't
be
completed
in
the
way
that
they're
submitted
in
an
application
that
those
changes
can
be
brought
back
here
and
become
complicated
issues.,
and
so
it's
a
principal
stance
has
nothing
to
do
with
local
theatre..
What
they
were
doing
was
in
their
application.,
but
we
always
take
it
as
much
to
say..
You
prefer
that
not
to
partial
function.
B
B
B
B
B
B
B
B
B
B
D
B
B
B
B
B
B
C
C
Community
vitality,
offices:
the
process
to
date
on
june
eighth,
2,022,,
there
was
an
orientation
meeting
where
we
just
that
we're
mandy.
and
this
wall
of
the
packet.
right?.
This
is
all
the
packet.
okay?,
so
yeah,,
I
prefer
you
didn't,
go
through
it.
okay,
that
we've
already
read.
just
here's
the
of
time.
here's
the
process
with
dates
or
the
the
process
for
the
selection
of
the
artist.
C
C
C
C
C
C
C
C
Community
vitality,
offices:
and
some
of
the
some
of
the
recommendations
were
to
work
with
city
staff
and
engineering
community
to
locate
the
best
site
for
the
art
and
sort
of
the
illustration
of
water.
Catchment
is
true
to
actual
systems
at
play,
trying
to
have
one
linear
panel
instead
of
2
short
ones,
for
continuity
and
consider
community
engagement,
component.
C
G
C
G
Community
vitality,
offices:,
yeah.
and
so
the
artists
do
do
know
the
budget
for
the
contract,,
which
was
the
18,750.
so
you're
right
there..
There
might
be
some
adjustments
with
the
design
as
we
move
forward..
They
did
provide
budgets
that
looked
pretty
good,,
but
there
were
some
questions..
So
I
think
that's
what
the
preliminary
design
process
is
for
during
contracting
is
to.
C
Community
vitality,
offices:,
hey
the
feedback
from
the
panel,,
you
know
from
the
technical
review
committee,
and
really
refine
this
design,
and
really
ensure
that
we
can
afford
it.,
and
so
there
might
be
some
tweaks
with
the
design..
If
there's
anything
super,
major,,
I
will
come
back
to
you
all
for
for.
C
G
Community
vitality,
offices:
money
on
this
as
well,,
so
that
that
us
all
doesn't
go
into
fabrication..
So
that's
definitely
like
top
of
my
list,
for
the
artist
is
that
they
need
to
pay
themselves..
They
cannot
to
spend
all
the
money
on
materials..
So
that's
yeah,.
We
definitely
want
our
artists
to
get
paid
for
their
work..
Thank
you.
B
B
C
B
B
C
B
D
B
B
C
Community
vitality,
offices:,
any
other
advice
for
success
from
the
commission
can
can
I
bring
this??
Is
that
okay
with
you?
sure,,
because
there's
some
people
do
this
so?
yes,?
We
do
approve
the
process,,
but
we
don't
neglect
the
fact
that
you
represent
the
community..
You
have
expertise
in
the
arts..
You
may
have
great
things
to
say
to
staff
city
manager's
office
to
the
artist
to
make
this
success,,
and
you
may
have
opinions
about
this-
that
we
want
to
make
sure
you
have
an
opportunity..
So
this
is
just
a
moment
for
us.
To.
B
B
B
B
B
B
B
B
B
B
B
B
B
B
Community
vitality
offices:
send
it
out
to
everyone,
because
we
just
transition
back
in
that
sort
of
thing.,
but
for
everyone's
dollars.
We
do
reserve
some
funds
typically
every
year
for
commissioners
to
attend
things
like
that.,
so
it
just
wasn't
right
this
year
wasn't
making
it
started.
yeah.
so
and
you
know,,
we
were
thinking
at
this
conference..
We
also
have
money
subs,,
but
they
are
still.
B
B
B
B
B
B
B
B
B
B
D
B
B
Community
vitality,
offices:
reservation
near
outside
court
says,,
and
then
I
get
a
day,
off,
and
then
another
week
and
a
half
teaching
on
the
southern.
You
indian
reservation
for
a
total
of
3
weeks..
So
I
did
it
last
year
for
2
weeks,
and
I
guess
they
like
the.,
so
they
invited
me
back
and
made
it
even
longer..
So
I'm
very
excited
about
that..
So
it
it's
it's
funny,,
because
when
I
read
that
land
acknowledgment
at
the
beginning.