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From YouTube: Boulder Arts Showcase Ep. 4
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A
My
name
is
aaron
zalkins.
I
played
the
trombone,
I'm
a
doctoral
student
at
cu,
boulder.
B
And
I'm
a
max
mcnutt,
I'm
a
trumpet
player
and
I'm
also
a
doctoral
student
at
the
university
of
colorado.
B
Well,
I
think
the
biggest
thing
is
that
we
play
instruments,
and
so
we
have
you
know
gigs
and
performances
that
are
basically
all
been
cancelled,
because
any
big
ensemble
can't
really
perform
right
now
right
any
orchestras
or
bands.
So
we've
done
some
outside
performances,
but
it's
at
a
far
smaller.
A
Amount,
it's
it's
tough,
the
I'm
both
of
us,
though
you
know
we
are
tas
at
boulder
and
we
live
off
of
that.
Most
of
our.
I
think
majority
of
both
of
our
income
comes
from
playing
freelance
gigs
and
for
me
I
had
just
so
many
things
lined
up
that
all
of
a
sudden,
my
income
completely
just
was
cut
in
half
because
there's
nothing
the
entire
summer
and
also
it's
scary,
because
many
professional
auditions
and
professional
orchestras,
you
know
that's
what
we're
trying
to
do
eventually
is
play
in
a
professional
orchestra.
A
They
have
canceled
the
auditions
because
the
future
is
so
uncertain
for
classical
music.
So
not
only
right
now
is
it
affecting
us.
It's
also
just
you
know
we're
kind
of
just
in
limbo.
Seeing
what
will
happen.
A
Sure
so
we
are
performing
a
an
arrangement
that
max
has
done
of
ave
maria
and
we,
you
know
we're
talking
about
what
we're
not
particularly
religious.
So
there's.
A
No,
I
don't
think
any
real
religious
connotations
supposed
to
be
taken
from
it,
but
we,
you
know,
feel
that
it
said
that
brass
instruments
are
some
of
the
closest
to
the
human
voice,
and
so
we
thought
it
would
be
like
really
meaningful
to
collaborate
and
make
something
just
really
beautiful
and
uplifting
for
people
to
listen
to
in
some
time
that
has,
you
know
just
been
incredibly
difficult
for
everybody
and.
B
It's
something
that
everyone
can
recognize.
You
know
it's
a
melody
that
everyone
knows,
even
if
they're,
not
religious,
it
was
also
at
the
beginning
of
covid.
Andre
bacelli
gave
a
big
concert
where
he
went
and
performed
in
this
big
cathedral
and.
C
E
So
my
name
is
jahanra,
laura
mangus
and
I
am
a
musician
and
an
artist
of
various
disciplines
and
also
a
teacher
in
the
sufi
true
edition,
or
I
should
say
one
of
the
sufi
traditions.
E
D
Fortunately,
for
miraculously
some
of
the
the
pandemic
money
that's
been
coming
in,
and
unemployment,
it's
really
helped
quite
a
bit
because
everything
came
to
a
screeching
halt.
Obviously,
when
you're
alive
performing
professional
musician,
all
the
places
that
were
hosting
music
before
this,
obviously
can't
I
mean
I
mean,
there's
no
question
about
it.
It's
like
we
don't
want
to
it's
the
governor
said.
No,
you
know
no
no
live
music
or
you
know
it's
just
starting
to
come
back
a
little
bit.
D
Now
some
of
it's
been
outside
gigs
we've
stayed
afloat
a
little
bit
doing
some
live
stream
stuff.
There's
a
performance
based
in
lafayette
called
the
muse.
It's
an
amazing
performance
space
and
we've
done
a
bunch
of
live
stream
concerts
there
and
we
get
some
donations
from
that.
But
it's
not
like
you
know
like
we
used
to
so
again.
It's
we're
just
getting
by
with
what
we
can.
E
So,
although
I'm
not
most
of
the
work
that
I
do
is
with
people
and
it's
important
to
actually
be
together
with
people,
because
so
much
of
it
is
happening
in
a
related
way
where
being
together
and
really
feeling
the
energy
that's
happening
between
us
is
important.
So
I
have
been
able
to
go
a
tiny
bit
online,
but
not
very
much
so
it's
really
cut
down
on
my
performances
and
teaching
opportunities.
D
I
was
playing
one
of
these
instruments
that
not
made
by
my
friend
johanna,
but
I
was
playing
and
as
we're
packing
up,
my
friend
johanna
just
had
been
going
to
the
mailbox,
I
think
and
was
like.
Oh
my
god,
I
I've
been
praying
to
meet
someone.
Who
knows
these
about
some
of
these
instruments.
I
make
them
and
I
live
like
right
around
the
corner
from
that
point,
on
we've
been
fast,
fast,
friends,
kind
of
like
co-creative
partners
in
this
endeavor
they're
bored
instruments.
D
This
is
what
they
kind
of
look
like
so
there's
there's
a
gourd
there's
a
skin
on
top
the
strings
right
and
she
makes
her
own
pegs.
Sometimes
she
uses
reclaimed
wood
for
the
neck
to
connect
with
music,
that's
so
different
from
the
regular
jazz
stuff
that
I'm
doing
on
the
bass
is
huge.
So
we
figured
why
not
share
this
with
the
community,
but
we're
hoping
to
just
find
a
really
beautiful
day
and
on
the
green
of
the
vista
village
mobile
home
park.
D
E
And
so
one
of
the
ways
that
I
see
our
project
being
of
value
is
that
every
time
we've
played
these
instruments
for
people,
it
has
really
touched
people.
E
F
F
Oh
goodness,
how
has
cobia
19
not
affected
my
life
and
livelihood?
F
First
and
foremost,
I
was
set
this
summer
to
be
the
assistant
director
and
one
of
the
cast
members
in
the
world
premiere
of
theater
of
the
mind,
which
was
an
immersive.
The
is
an
immersive
theater
piece,
that's
being
created
by
malaga
and
a
former
talking
heads
front
man
and
rock
and
roll
hall
of
famer
david
byrne.
F
So
theater
of
the
mind
was
about
the
biggest
not
about
it
was
most
definitely
the
biggest
sort
of
moment
of
my
career,
getting
to
work
on
this
incredibly
innovative
piece
of
theater
with
one
of
the
most,
I
think,
brilliant
contemporary
artists
on
the
planet
and
as
a
result
of
covid.
That
project
has
been
postponed
until
hopefully
next
summer,
but
its
postponement
date
has
not
been
announced.
F
So
I
had
been
working
on
that
piece
for
a
year
almost
so
that
was
kind
of
the
most
heartbreaking
and
dramatic
and
immediate
fallout
for
me
as
a
as
a
theater
artist
from
the
covert
crisis.
F
F
F
So
there
was
just
something
about
that
poem
that
I
was
like.
Oh
it
just
unleashed
something
in
me.
I
just
finally
felt
this
permission
to
to
mourn,
to
mourn
to
just
to
just
say
it's,
it's
okay,
to
feel
grief
around
this
moment.
Yes,
I'm
healthy!
Yes,
my
kid
is
healthy.
Yes,
I
live
in
this
beautiful
part
of
the
earth
where
I
have
the
mountains
outside
my
door
and
I
can
still
get
out
and
breathe
fresh,
not
in
air.
F
F
I
just
kept
sort
of
going
back
and
forth
on
that,
and
I
had
heard
of
this
thing
before
called
seed
paper
and
I
was
like
I
wonder
if
there's
something
to
like
being
able
to
write
the
sorrows
down
and
then
do
something
with
that
paper
and
I
thought
if
we
used.
If
I,
if
I
gave
seed
paper
to
people,
they
could
write
their
sorrows
down.
F
You
have
to
soak
the
seed
paper
in
order
to
germinate
it
to
in
order
to
germinate
the
seeds
in
the
seed
paper,
and
then
you
bury
it,
and
I
thought
well.
That
is
a
ritual.
That
is
a
ritual.
You
know
and
I
was
like.
Oh
you
know.
I
have
this
sweet
neighborhood
and
I
started
to
see
my
neighbors
more
and
I
started
to
learn
their
names.
F
So
I
delivered
these
little
packages
of
seed
paper
in
the
poem
and
and
a
description
of
the
ritual
in
which
to
engage
to
to
my
neighborhood
and
then
I
also,
I
also
did
it
as
part
of
the
virtual
feed
event
that
we
had.
I
contributed
towards
that.
So
I
now
have
you
know
and
I
haven't
posted
all
of
them.
Yet,
but
a
lot
of
photos
of
people
having
written
down
their
sorrows
on
that
seed
paper
and
then
also
photos
of
the
flowers
that
are
blooming
from
those
drowned
buried
named
sorrows.
F
This
project
was
a
great
opportunity
for
me
to
really
think
about
like
if
I
can't
put
bodies
in
space.
How
can
I
still
communicate
some
of
that
same
stuff
to
a
dispersed
audience,
so
that
was
cool?
It
was
a
neat
opportunity.
G
G
So
covet
19
has
definitely
taken
its
toll
on
the
scene
for
local
artists.
You
know
many
of
us
normally
rely
on
public
events
to
gain
exposure
and
to
sell
our
work
and,
of
course,
this
year,
all
of
those
public
events
like
first
fridays,
the
open
studios
tour,
which
is
in
october,
the
firefly
market,
local
art
fairs.
All
of
these
things
have
been
canceled,
so
it's
left
far
fewer
avenues
for
exposure
to
show
our
work
and
to
sell
our
work.
G
My
kovid
19
work
project
consists
of
leaving
free
artwork
in
public
places
around
boulder,
so
I
start
off
by
photographing
the
artwork
and
I
put
the
image
on
social
media
with
clues
to
its
exact
location.
So
recently
I've
left
art
on
pearl
street
in
chicago
park,
around
wonderland
lake,
so
more
notable
places
I'm
not
going
to
be
leaving
anything
at
the
top
of
bear
peak,
I'm
not
getting
up
there.
G
So
I
leave
a
note
with
the
artwork
explaining
that
it's
both
free
and
sanitized,
and
I
ask
that
whoever
finds
it
lets
me
know
in
some
way,
whether
it
be
social
media
or
an
email,
and
they
let
me
know
that
it's
found
and
then
I
can
update
instagram
and
facebook
saying
it's
been
claimed
and
yeah,
that's
the
gist
of
it.
I
essentially
leave
free
artwork
out
for
someone
to
come
and
find,
and
hopefully
it
brightens
their
day
and
yeah.
We
could
just
all
use
a
little
more
of
that
right
now.
G
But
since
I
started
this,
I've
had
such
a
great
response
from
our
community
of
artists.
There's
other
people
that
are
in
boulder
there's
a
few
artists
in
longmont
who
are
all
now
doing
the
same
thing
and
are
also
leaving
out
free
artwork,
so
they'll
call
it
art,
drops
or
free
art,
friday
or
there's
all
kinds
of
names
for
it.
But
it's
just
been
really
cool
to
see
other
people
jumping
in
and
doing
their
own
form
of
these
art
scavenger
hunts
in
their
own
neighborhoods.
G
I've
got
some
really
cool
responses,
so
one
of
the
best
ones
was
this
kid
wrote
to
me
and
he
was
like
14
or
15,
and
he
said
my
mom
was
on
a
hike
this
morning
and
she
found
one
of
your
pieces,
but
she
doesn't
know
how
to
use
social
media.
So
she
asked,
if
I'd,
send
you
a
message
and
she's
so
excited
about
it
and
he
sent
me
a
picture
of
the
work
and
she
had.
G
H
Well,
my
name
is
cara
luno
and
I've
lived
in
boulder
since
1983.
H
I
don't
know
if
you
remember
that,
but
I
was
the
last
recession
a
whole
bunch
of
us
got
laid
off
and
I
got
back
into
art
and
it
turned
out
to
be
a
really
good
change
for
me
just
really
great,
and
so
I
I
started
painting
again-
and
I
did
you
know
a
tremendous
amount
of
painting
for
the
last
decade
and
I
started
a
business
in
2014
where
in
the
businesses
I
I
invite
artists
from
all
over
the
country.
H
Most
of
them
are
academics
and
I
make
all
the
arrangements
and
they
come
to
boulder
and
I
host
to
teach
they
come
to
teach
and
I
host
the
the
events
and
it's
been
hugely
successful.
Most
of
my
events
have
filled
up
and
it's
just
been
really
fun.
There's
been
a
lot
of
perks
in
it
for
me,
and
I
love
the
business
well
in
in
a
lot
of
ways.
It's
kind
of
the
introverts
dream.
I
I've
had
a
lot
of
time
to
myself,
which
I
you
know
as
an
artist.
H
I
really
appreciate,
and
it's
been
a
very
productive
time
for
me.
Actually,
so
that's
been
great,
and
I
I'll
just
say
one
more
thing
about
that.
I
was
going
to
a
studio
to
paint
several
times
a
week
and
then
but
it's
a
shared
studio.
So
I
got
nervous
about
that
after
covid,
so
I
got
out
my
camera
and
started
taking
a
lot
of
pictures
and
I
have
done
a
whole
new
body
of
work
of
photographs
and,
if
you'd
like
to
see
those,
I
would
I
love
that
they're
at
cara
luneau.com.
H
So
anyway,
I'm
very
excited
about
about
that
and
what
else?
Oh.
Well,
I
had
to
cancel
all
my
events
this
year,
so
it
you
know
it
was
a
part-time
income
but
still
very
critical
to
well
not
critical
but
helpful
to
my
lifestyle.
H
Project
I
came
up
with
was
to
invite
the
neighborhood
to
submit
artwork
and
for
an
online
exhibit,
so
the
online
exhibit
is
on
instagram
and
it's
on
a
page
called
sheltering
wittier,
because
I
live
in
the
whittier
neighborhood.
H
It's
been
very,
very
slow
to
take
off.
I
actually
leafleted
the
whole
neighborhood
and
I
only
got
you
know.
I
think
I
only
have
six
pieces
of
art,
so
one
of
the
some
of
the
feedback,
I've
gotten
from
parents
in
the
neighborhood
is
that
their
kids,
the
parents,
have
their
hands
full,
just
trying
to
get
the
kids
to
do
their
online
school
stuff.
So
I'm
gonna
do
another
big
splash
or
whatever
you
call
it,
probably
at
the
end
of
this
week
or
over
memorial
weekend,
because
school
gets
out.
H
H
And
I
you
know
I
I
I
wanted
artwork
from
all
ages,
not
just
kids,
but
so
I'm
not
quite
sure
why
more
adults
haven't
responded,
but
anyway
I'll
I'll
keep
keep
at
it.
H
But
it's
been
nice
to
engage
with
the
neighborhood
around
it.
That's
been
fun
and
I'm
hoping
that
if,
when
things
calm
down-
and
we
can
all
gather
again-
we'll
have
a
physical
physical
exhibition
with
a
big
party,
so
I'll
get
lots
of
food
and
and
have
the
neighborhood
actually
come
together,
physically,
which
will
be
much
more
gratifying
and
look
at
the
yard
and
and
just
visit.
So.
I
I
Well,
I
think
it's,
I
think,
one
of
the
challenges
that
we
have
right
now.
I
Is
is
that
kind
of
all
the
problems
with
america
are
kind
of
come
to
a
head?
Now,
especially,
I
think
in
the
music
business
there's
a
lot
of
independent
contractors
like
people
who
are
falling
in
in
between
the
cracks
and
obviously
with
events
and
sporting
events
and
musical
events
concerts-
probably
not
happening
as
we
know
them
for
for
a
while.
I
think
you
know
the
effects
on
people
like
me,
and
people
in
our
in
our
field
are
immense,
are
devastating.
I
So
I
think
it's
it's
going
to
be
really
important
for
governments
to
step
up.
You
know,
I
know
when
macron
and
in
in
france
just
talked
about
how
crucial
their
cultural
institutions
are,
and
he
basically
said
that
you
know
he
there.
They
need
to
look
out.
They
need
to
support
their
artists.
I
I
think
I
don't.
I
don't
think
that's
going
to
happen
on
the
national
level,
so
I
think
our
state
governments
and
city
governments
are
definitely
going
to
need
to
step
up
and
and
support
basically
contractors
of
all
areas
that
are
suffering
from
from
covid19,
because
this
is
not
going
to
be
something
that
you
know
we're
going
to
keep
making
music
and
doing
whatever
we
can
to
keep
people's
connection
to
the
arts
and
and
keep
inspiring
people
and
keep
music
and
culture
alive.
I
But
I
think
also
the
city,
governments
and
state
governments
need
to
step
up
and
show
their
support
and
show
how
meaningful
meaningful
art
and
culture
is
at
a
time
like
this
yeah.
So
we're
just
in
in
these
crazy
times.
We're
trying
to
to
put
music
in
front
of
people
to
show
that
the
musicians
locally
are
still
working
and
making
music.
J
Hi,
so
I'm
dara
schuman,
I'm
a
ceramic
artist
based
out
of
boulder.
J
So
I
would
say
the
biggest
thing:
it's
actually
like
directly
affected
my
art
career
and
how
I'm
like
going
about
it.
So
I
pretty
much
like
all
of
my
resources
were
through
studio
arts,
boulder,
the
boulder
pottery
lab,
and
so
when
coronavirus
hit
they
shut
down.
So
I
was
like,
oh
my
god
like
I
can't
do
anything
and
I
we're
allowed
to
like
bring
clay
home
and
work
at
home.
But
I
didn't
have
a
wheel.
I
didn't
have
you
know
any
of
the
the
resources
that
I
had
there
so
getting
yeah.
J
So
the
project
I'm
working
on
is
pretty
much
going
to
be
like
a
scavenger
hunt
with
art.
I
know
other
people
did
like
seed
scavenger,
hunts
and
stuff.
So
I
kind
of
took
that
idea
and
thought
of
you
know
my
pottery,
because
it's
it's
not
like
a
mural
or
something
where
you
can
paint
it
and
it's
there
for
all
the
sea
and
it's
weatherproof
and
whatever
you
know,
little
mugs
and
bowls
can't
really
be
out
on
display
on
the
outside.
J
For
you
know
anyone
to
see
so
I'm
thinking
of
making
about
I'm
thinking
more
10,
because
now
that
I'm
independent
and
doing
it
all
on
my
own
15
sounds
a
lot,
but
I'm
thinking
of
making
like
10
unique
pieces,
mugs
bowls
bases
whatever
and
hiding
them
throughout
my
neighborhood,
which
is
by
ideal
market.
I
know
there's
like
an
actual
name
for
it,
but
I'm
not
really
sure
what
that
is
so
yeah
my
neighborhood's
around
there.
J
So
I'm
thinking
of
just
like
every
day
for
like
the
like
10
pieces,
so
like
10
days
in
a
row
I'll
hide
this
stuff,
give
a
little
hint
on
social
media
through
like
facebook
and
instagram
and
then
like
people
can
go
out
and
and
find
them.
And
so
not
only
is
it
like
an
activity
to
go
out
and
explore
your
neighborhood.
It's
also
a
way
to
like
come
home
with
a
free
ceramic
piece
which
I'm
like.
Actually
I'm
proud
of
my
work.
J
You
know
I
want
people
to
to
come
home
with
it
and
I
think
it's
really
nice
during
this
time,
like
you
know,
to
go
out
and
bring
some
joy
into
your
house
and
some
beauty,
and
I
think
it's
really
good
for
covid,
because
obviously
it's
an
outside
thing
people
are
like.
J
I
know
things
are
opening
up,
so
it's
not
as
dire,
but
people
are
bored
in
their
house.
You
know
being
on
their
own,
so
this
is
an
actual
reason
to
get
outside
with
your
family
and
whoever
and
see
your
neighborhood,
and
I
think
it's
important
to
explore
your
local
neighborhood,
because
I
I
go
on
run
sometimes
and
I'm
like.
I
discover
new
things
like
seriously
three
blocks
away,
so
it's
it's
good
to
actually
have
people
like
see.
What's
out
there.
J
Well,
I
would
like
to
say
I
am
an
artist
based
out
of
boulder
and
I
am
like
constantly
making
stuff
and
trying
to
sell
things
and
create
a
career
out
of
it.
So
any
support
I
can
get
would
be
lovely.
I
have
my
etsy
site
that
I
sell
most
of
my
stuff
on.
I
think
I'm
going
to
transition
to
a
website,
but
all
the
links
will
be
in
my
bio
and
my
instagram
and
all
the
support
I
can
get
would
be
lovely.
K
My
name's
don
cox
and
I've
been
a
potter
here
in
boulder,
since
I
moved
here,
which
was,
I
think,
around
95,
and
just
that's
what
I've
done
since
I've
moved
here.
I've
worked
as
a
potter
before
I
grew
up
in
michigan,
and
I
worked
as
a
potter
there
when
I
got
out
of
college
and
then
I
also
worked
out
in
maine
for
a
little
while
as
a
potter.
So
I
don't
know
I
just
kind
of
fell
into
that.
K
I
didn't
really
know
what
I
wanted
to
do.
I
didn't
really
know
I
could
be
an
artist
like
growing
up
so,
but
it's
always
what
I
was
drawn
to
so
sales
wise.
It's
really
affected
me.
This
time
of
year
is
really
when
I
was
hoping
to
make
some
money
selling
my
work.
It's
usually
I'm
part
of
the
boulder
potter's
guild
and
that
we
have
a
spring
sale
and
a
fall
sale,
and
I
really
gear
up
for
that
spring
sale.
K
As
all
the
members
do
or
most
of
the
members
do,
and
then
you
know
we
kind
of
like
winter
is
kind
of
our
dead
time.
For
you
know,
after
christmas
sales
kind
of
die
and
then
we're
hoping
to
spring
back,
you
know
this
time
of
year.
K
K
So
although
it
has
helped
me
like,
I
never
really
embraced
the
whole
online
selling
stuff,
and
so
it's
forced
me
to
do
that,
which
is
is
good,
and
so
we
came
up
with
the
idea
you
know,
of
giving
cups
away
to
essential
workers,
and
I
actually
did
I
had
some
mugs
on
hand,
because
I'm
still
working
on
the
ones
that
I'm
making
for
the
project,
and
I
gave
some
away
to
people.
C
K
Neighborhood
and.
L
K
Was
fun
and
it
was
it's
kind
of
I
don't
know-
you
know
nice
to
see
that
they
appreciated
it.
So
I
live
right
here
next
to
ideal
market,
so
I
gave
one
two
actually
two
to
the
coffee
shop
shop
that
I
frequent
and
then
across
from
them
is
audrey
jane's
pizza.
K
So
I
knew
her
a
little
bit
so
I
gave
her
one
and
then
we
have
a
post
office
right
in
pharmaca
here,
and
so
I
gave
one
to
the
postal
worker
clerk
that
was
working
that
day
and
one
to
one
of
the
ideal
cashiers.
K
C
My
name
is
emily
marie
stuffy,
I'm
a
writer
performing
artist,
educator
and
collaborator.
C
C
I
was
fearful
about
making
rents
qualifying
for
unemployment
and,
just
generally,
what
was
to
become
of
me,
I
think
many
of
us
have
experienced
existential
dread
of
some
form
since
this
all
started,
so
that
that's
been
the
case
for
me.
I
also
had
two
residencies
that
I
was
set
to
participate
in
this
summer.
One
was
postponed
and
one
was
cancelled,
but
this
has
also
been
an
opportunity
for
me
to
reevaluate
my
priorities
and
deepen
into
my
artistic
practices
and
that's
been
really
cool
to
lean
into.
C
The
project
I'm
working
on
is
titled
the
neighborhood
of
poem,
and
this
will
be
an
ongoing
project
beginning
likely
in
august,
and
there
will
be
an
online
component
and
a
material
object
component
qr
codes
will
be
placed
at
locations
within
a
one
mile
radius
from
my
home
following
usual
walking
routes
that
I
take,
and
these
codes
will
allow
smartphone
having
password
buys
to
submit
lines
anonymously
to
collaborative
poems
following
place-based
prompts
encouraging
them
to
consider
their
relationship
to
place
and
to
one
another.
C
So
each
of
these
kind
of
home
stations
will
be
part,
confessional,
part
dispatch.
Part
writing
prompt
part
grounding
exercise,
I'm
very
interested
in
the
relationship
between
space
place
and
how
we
kind
of
see
ourselves.
Our
identity,
formation
and
part
of
this
project,
for
me,
is
an
inquiry
into
people's
connection
to
these
places
that
I
also
inhabit
and
pass
through
regularly,
and
my
hope
is
that
this
will
support
a
deeper
understanding
of
the
neighborhood
and
the
people
that
are
active
in
it.
C
So
this
project
will
be
documented
and
you
know,
through
photos
and
writings,
along
with
the
final
collaborative
poems
that
will
be
shared
on
a
website
and
will
be
accessible
for
people
to
read.
There
will
also
be
a
creative
map
that
will
show
the
locations
of
the
poem
stations
and,
since
I
live
around
the
east
end
of
pearl
street
kind
of
between
19th
and
22nd,
the
map,
the
one
mile
radius,
is
going
to
be
in
that
general
area
and.
C
Again
on
that
feedback
and
engagement
piece,
you
can
follow
me
on
instagram
at
duffy
lala.
That's
where
I'll
be
sharing
updates
on
how
you
can
participate
in
the
neighborhood
of
poem.
You
can
also
follow
writer's
warehouse
and
that's
writers.warehouse
to
connect
with
the
work
ellie
and
I
are
doing
through
our
residency
at
the
boulder
creative,
collective
and
I'd
also
like
to
share
to
anyone
watching
stay
engaged
and
keep
paying
attention
to.
What's
going
on
bleed
with
your
heart
and
not
your
ego,
learn
the
difference
between
those
two
sensations.
C
C
We
need
all
bodies
on
deck
to
dismantle
the
violence,
that's
built
into
our
structures
and
we
need
joyful
imaginations.
In
order
to
do
that.
Tony
kade
bombardo
says
the
role
of
the
artist
is
to
make
the
revolution
irresistible,
and
I
think
it's
everyone's
role
to
work
to
make
violence
unimaginable
black
lives
matter.
Defund,
the
police.
M
Hi,
my
name
is
christopher
warren.
I
do
art
under
that
name
and
also
under
beatnik,
prince
p-r-I-n-t-s
and
my
art
usually
consists
of
a
topographic
map.
Reinterpretations.
M
Right
at
the
beginning,
it
pretty
much
cut
everything
off
at
the
knees.
I
had
two
projects
that
were
a
definite
go
that
got
cancelled
and
then
two
projects
that
were
like
in
the
works
that
got
cancelled
and
then
some
other
ones
that
just
were
kind
of
an
inkling
at
first
and
they
all
all
got
cancelled
just
very
swiftly,
all
at
once.
M
There's
still
new
calls
for
public
art
going
out
on
the
internet.
So
that's
promising
that
the
public
art,
that
is
the
majority
of
my
income,
is
still
happening,
and
hopefully
I
get
selected
to
do
something.
That's
that's
not
new
to
kobe
that
that
part's,
regular
all-time
stuff
yeah.
M
So
initially
I
wanted
to
do
a
mural
of
the
topography,
specifically
of
my
neighborhood,
I'm
up
on
near
iris
and
folsom,
so
the
parkside
neighborhood
and
I
was
going
to
a
couple
neighbors
to
try
to
ask
them
if
I
could
paint
on
their
fence
or
something
and
no
one
was
answering
their
doors.
Obviously-
and
I
turned
around
after
this
one
house-
I
didn't
get
an
answer
for
a
second
time.
M
Essentially,
since
then-
and
I
remember,
I've
lived
here
long
enough
that
I
remember
when
that
tree
got
struck
by
lightning,
it
was
super
loud,
so
I've
you
know
in
these
times
of
covet,
a
lot
of
people
are
going
on
walks
with
their
dogs
or
just
for
to
to
get
themselves
out
on
a
walk
and
having
conversations
with
different
people.
They
see
along
their
routes.
M
So
I
felt
that
once
talking
with
these
homeowners
painting
this
tree
in
an
interesting
way
would
be
a
great
way
to
spark
conversation
with
neighbors
as
they
walk
by
and
as
we've
been
painting
like
the
first
day,
I
was
painting
with
my
neighbor
who's,
been
helping
me
like
within
an
hour.
People
walked
by
and
said.
Oh,
I
remember
when
that
tree
got
struck
by
lightning
and
just
that
conversation
started
right
away,
and
so
many
people
remember
exactly
when
that
tree
got
struck
by
lightning,
which
is
cool,
because
I
I
absolutely
do
as
well.
M
Tree
as
they
drive
by
so
it's
been
great
got
to
meet
some
other
neighbors
actually
have
a
first
conversation
with
people.
I've
seen
many
times
in
the
neighborhood,
but
never
actually
talked
to
so
that
that
just
that
simple
connectivity
of
talking
with
people,
you
see
around
all
the
time
and
haven't
had
the
chance
to
actually
introduce
or
talk
in
any
way.
I
think
that's
kind
of
what
the
tree
is
is
bringing
out
and
I've
seen
other
people
talking
on
the
sidewalk
about
it
in
separate
groups
while
we've
been
painting.
M
It's
been
a
great
little
holdover
while
I
apply
for
other
art
projects.
The
past
couple
weeks,
hopefully
I'll
hear
good
on
some
of
those
eventually,
but
it's
been.
It
has
been
nice
to
just
work
on
something
for
hours
on
end.
That's
not
inside
my
house.
That
has
not
been
the
case
otherwise,
so
like
I
actually
get
to
come
home
from
a
day
of
work.
I'm
like!
Oh,
I'm,
tired,
that's
good!
O
So
my
name
is
courtney
giblin
and
I'm
a
visual
artist.
I
primarily.
O
As
a
painter,
but
I
enjoy
other
forms
of
creative
exploration,
I,
like
doing
multimedia
just
starting
to
learn
ceramics.
I've
been
wanting
to
be
an
artist
since
I
think
the
age
of
six
or
seven-
and
I
studied
art
at
the
university
of
oregon
and
most
of
my
work,
I
would
say,
is
very
conceptual
in
nature
and
a
lot
of
it
explores
energy.
O
E
O
In
terms
of
networking
and
meeting
people
and
getting
to
know
the
city,
but
then
not
because
we're
all
locked
down
right,
but
also
art
wise,
I
had
connected.
O
And
we
were
gonna,
do
a
studio
share
like
off
of
pearl
for
first
fridays,
boulder
arts
week
and
then
open
on
the
weekends
for
just
like
walk
through
traffic
and
open
studios,
and
obviously
that
has
not
been
happening.
So
it's
been
a
pretty
big
halt.
I
think
in
sales
everybody's
just
struggling
and
as
is
the
name
of
the
game
yeah,
so
I
decided
to
branch
out
of
like
anything
I've
ever
done
before.
O
I
did
a
giant
eight
foot
by
five
foot
outdoor
rainbow
weaving
installation,
and
I
think
that
I
ended
up
finding.
O
I
use
reflective
materials,
so
they'll
reflect
light
and
I
think
just
trying
to
like
grow
that
light
in
times
of
darkness
was,
was
the
goal
it'll
be
up
for
the
next
two
weeks
in
the
wittier
neighborhood
and
then
it'll
be
up
for
july
and
possibly
longer
in
table
mesa
and
it
might
go
somewhere
else
as
well,
so
we'll
spread
the
hope.
O
So
the
piece
is
called
token
of
hope
and
I
I
guess
I
just
hope
that
it
inspires
acts
of
kindness
and
brings
that
light
and
connection
a
reminder
that
there's
good
times
to
come
and
it's
up
now
so
part
of
the
reason
I
installed
it
was
it's
also
coinciding
with
pride
month,
which
is
important
to
me.
So
I'm
excited
to
offer
a
big
rainbow
for
people,
and
then
I
also
just
thought
you
know
when
offering
something
to
the
community.
O
Is
it
my
community
in
my
neighborhood?
Could
it
be
all
of
boulder?
Could
it
be
the
community
of
like
social
media,
and
so
part
of
me
hopes
that
people
can
like
photograph
with
it?
It's
a
really
fun
playful
piece
and
bring
some
light
into
the
social
media
world
as
well.
O
I'd
like
to
just
say
thank
you.
I've
been
trying
to
get
to
boulder
for
a
long
time,
so
I
think
boulder
is
a
really
amazing
town,
and
I
think
the
city
of
boulder,
creating
this
opportunity
for
for
creatives
is
such
an
amazing
idea
and
for
creatives
to
be
able
to
use
art
to
like
give
back
to.
The
community
is
just
a
beautiful.
Q
My
name
is
eddie
kapacha
and
I
do
large
scale,
photographic,
murals,
on
the
sides
of
buildings
and
also
as
a
photographer.
I
have
a
unique
style
where
I
double
expose
in
camera,
primarily
focusing
on
photographing
women
and
the
empowerment
of
women
without
going
into
all
the
the
deep
personals.
It
was
definitely
a
super
challenging
time,
just
within
my
family
and
household
and
as
a
creative.
Q
I
do
a
lot
of
work
for
festivals
and
run
production
for
clothing
companies
and
whatnot
and
immediately
I
lost
all
of
my
work
and
kind
of
went
into
a
state
of
panic
and,
and
I'm
also
I'm
a
seamstress.
I
have
a
clothing
company
and
so
immediately-
or
I
wouldn't
say
immediately
after
a
couple
weeks-
my
work
pivoted
to
making
masks,
and
so
I
started
a
whole
mass
company
off
of
covid
people.
Q
I
I've
never
have
produced
for
such
a
demand
before
in
my
life,
and
it
was
a
saving
grace
and
it
was
a
lot
of
work.
But
now
I
have
a
company
called
the
citizen
mask
and
then
also
this
project
came
up.
I
just
feel
like
there's,
actually
been
a
lot
of
support
for
the
arts
in
different
ways.
Q
So
I
put
up
a
mural
on
the
side
of
the
wendy's
building
in
south
boulder.
I
actually
don't
live
down
there.
I
live
in
north
boulder,
but
I
live.
You
know
out
in
the
meadows,
so
there's
there's
not
a
whole
lot
of
places
to
put
art,
but
I
really
feel
like
that.
Particular
building,
which
I
have
other
art
on,
is
just
like
a
center
pivot
point
in
the
middle
of
boulder,
and
I
put
up
a
new
piece:
it's
not
directly
related
to
covid
like
it's
not
like
you
know.
Q
How
do
we
use
art
to
inspire
like
I
used
to
create
some
like
activist
art
and
I'm
like
wake
up
people,
and
it
was
like
all
angry
or
all
intense,
and
I
just
feel
like
it
didn't
it
wasn't
really
authentic
to
my
expression
and-
and
I
just
realized
that,
like
all
of
my
work,
is
about
inspiring
people
to
rise
up
into
themselves
and
to
find
beauty
and
to
find
peace
and
not
not
that
everything's
all
like
oovy
groovy,
but
to
like
step
through
the
fire
and
bring
their
power
to
the
world
and
primarily
women.
Q
Well,
one
of
the
things
that
I've
been
liking
is
to
cruise
around
boulder
and
to
see
the
projects
up.
I
really
hope
that
they
create
a
map
of
all
of
the
work,
and
you
know
because
I'm
sure,
there's
tons
of
pieces
out
there
that
I
don't
even
know
where
they're
at
and
yeah
and
I
feel
really
supported
by
the
city
like
I
feel
like
they
value
their
artists
and
they
value
this
project.
And-
and
so
I
I
mean
I
feel
like
I'm
not
as
scared
to
like
go
up
put
up.
Q
R
My
name
is
emmy
lindsey,
I'm
a
student
at
c
boulder
and
I
study
music
education.
I
my
primary
source
of
income,
is,
I
help
direct
a
children's
choir
in
denver.
R
I
also
worked
with
in
different
capacities
in
the
college
of
music,
and
so
when
cu
boulder
went
to
online
classes
or
to
remote
learning
all
the
ways
that
I
was
involved
in
school,
like
ensembles
and
interacting
with
prospective
students,
was
a
big
part
of
my
my
life
at
the
college
of
music
that
all
ended.
So
there
was
no
musical
interaction
anymore,
and
that
was
tough.
R
So
what
I
did
is
I
built,
I
call
it
a
piano,
it's
a
bare
bones
piano.
There
are
literally
eight
keys.
I
built
one
of
these
pianos
out
of
pvc
pipe,
so
I
study
music
education
right
and
a
big
part
of
my
life
is
introducing
kids
to
music
and
making
it
accessible
and
fun
and
intuitive-
and
I
know
there
are
lots
of
kids
who
live
on
my
street
because
I
see
them
riding
their
bikes
around
all
the
time.
R
So
I
built
this
little
piano
put
it
in
my
front
yard.
The
pvc
pipes
were
attached
to
a
board
and
you
hit
them
with
sticks
and
they
would
play
different
notes.
It
was
a
fun
physics
project
trying
to
figure
that
out,
and
so
then
I
also
printed
little
half
sheets
of
paper
and
put
them
in
mailboxes.
So
people
would
know
about
the
piano
yeah.
So
it
was
lots
of
fun.
R
I
mean
it
was
a
lot
of
fun
initially.
I
started
this
project
because
I
lost
my
income
and
this
was
another
source
of
income,
but
it
really
was
like
enriching
and
fun
to
think
about
these
kids
and
to
see
them
on
the
street
playing
and
yeah.
So
it
turned
out
to
be
like
a
more
satisfying
experience
than
I
expected
to
have
during
covid.
So
I'm
glad
that
it
was
a.
It
was
an
opportunity
that
I
had.
C
Like
so
many
people,
I
was
pretty
significantly
affected
by
covid19
over
three
quarters
of
my
income
is
earned
through
providing
live,
entertainment
and
with
the
pandemic,
and
so
many
places
shutting
down.
I
was
in
a
lurch
financially,
so
in
the
financial
sense.
I
was
personally
very
impacted.
I
was
fearful
about
making
rents
qualifying
for
unemployment
and,
just
generally,
what
was
to
become
of
me,
I
think
many
of
us
have
experienced
existential
dread
of
some
form
since
this
all
started,
so
that
that's
been
the
case
for
me.
C
I
also
had
two
residencies
that
I
was
set
to
participate
in
this
summer.
One
was
postponed
and,
and
one
was
cancelled,
but
this
has
also
been
an
opportunity
for
me
to
reevaluate
my
priorities
and
deepen
into
my
artistic
practices
and
that's
been
really
cool
to
lean
into.
C
The
project
I'm
working
on
is
titled
the
neighborhood
of
poem,
and
this
will
be
an
ongoing
project
beginning
likely
in
august,
and
there
will
be
an
online
component
and
the
material
object
component.
C
Qr
codes
will
be
placed
at
locations
within
a
one
mile
radius
from
my
home
following
usual
walking
routes
that
I
take,
and
these
codes
will
allow
smartphone
having
password
buys
to
submit
lines
anonymously
to
collaborative
poems
following
place-based
prompts
encouraging
them
to
consider
their
relationship
to
place
and
to
one
another.
So
each
of
these
kind
of
home
stations
will
be
part,
confessional,
part
dispatch.
Part
writing
prompt
part
grounding
exercise,
I'm
very
interested
in
the
relationship
between
space
place
and
how
we
kind
of
see
ourselves.
C
Our
identity,
formation
and
part
of
this
project,
for
me,
is
an
inquiry
into
people's
connection
to
these
places
that
I
also
inhabit
and
pass
through
regularly,
and
my
hope
is
that
this
will
support
a
deeper
understanding
of
the
neighborhood
and
the
people
that
are
active
in
it.
So
this
project
will
be
documented
and
you
know,
through
photos
and
writings,
along
with
the
final
collaborative
poems
that
will
be
shared
on
a
website
and
will
be
accessible
for
people
to
read.
C
C
You
can
also
follow
writer's
warehouse
and
that's
writers.warehouse
to
connect
with
the
work
ellie
and
I
are
doing
through
our
residency
at
the
boulder
creative,
collective
and
I'd
also
like
to
share
to
anyone
watching
stay
engaged
and
keep
paying
attention
to.
What's
going
on
bleed
with
your
heart
and
not
your
ego,
learn
the
difference
between
those
two
sensations.
C
C
We
need
all
bodies
on
deck
to
dismantle
the
violence,
that's
built
into
our
structures
and
we
need
joyful
imaginations.
In
order
to
do
that.
Tony
cade
bombardo
says
the
role
of
the
artist
is
to
make
the
revolution
irresistible,
and
I
think
it's
everyone's
role
to
work
to
make
violence
unimaginable
black
lives
matter.
Defund,
the
police.
F
My
name
is
leah,
brenner,
clack
and
I
live
in
boulder,
and
my
creative
career
is
mostly
administrative
and
I
founded
streetwise
boulder,
which
is
a
mural
festival
around
art
and
activism
last
year,
and
I've
been
working
in
public
art,
mural
projects
for
the
five
years
before
that,
and
so
about
a
couple
of
years
ago.
Two
years
ago
I
got
into
making
pottery,
and
so
I
take
classes
at
the
pottery
lab
here
in
boulder,
do
mostly
hand,
building
and
sculptural
things
and
really
just
like
to
experiment
and
make
things
without
an
agenda.
F
F
We
had
some
programs
with
westminster
school
district
that
got
shut
down
in
march
and
so
that
kind
of
shut
everything
down
I
mean
I
mean
you
know
everybody
was
just
sort
of
on
lockdown
in
their
house,
so
the
bonus
of
that
for
me
was
to
have
time
to
actually
just
make
art
myself
and
use
that
as
a
therapeutic
thing.
I,
the
pottery
lab,
was
closed
but
still
gave
us
some
resources
and
were
firing
things
for
us.
So
we
brought
you
know
able
to
bring
clay
home
and
and
work
on
projects
there.
F
F
My
project
for
the
grant
is
sort
of
it
sort
of
got
started
for
me
with
a
group
that
I'm
in
boulder
county
leadership,
arts,
leadership
forum
and
through
that
group,
we've
done
art,
abandonment
projects.
So
we've
you
know
gotten
together
and
made
art
to
leave
around
the
city
for
other
people
to
find
we
did
a
project
like
that
up
at
colorado,
creative
industries
summit
last
year.
F
It
was
super
fun
had
a
lot
of
people
involved,
and
it's
just
a
really
fun
thing
to
do
is
to
leave
art
for
people
to
find.
So
I
started
doing
that
with
some
of
my
ceramics
last
year
too,
and
made
these
little
I'm
calling
them
like
little
totems,
but
they're,
basically
little
wall,
hangings
and
or
sculptural
things
and
leaving
those
around
boulder,
and
so
I
took
that
idea
and
wanted
to
make
these
with
a
little
bit
more
of
a
home
based
theme
for
this
project.
F
So
you
know
I
do
a
lot
of
hearts
and
eyes,
and
houses
and
kind
of
combining
those
together
and
making
these
little
wahines
that
I
plan
to
gift
to
my
neighborhood
or
my
neighbors,
in
the
form
of
like
free
art,
drop
points
and
sharing
them.
And
my
in
my
neighborhood
is
martin
acres.
F
I
really
appreciate
the
opportunity
to
make
art
for
this
cause
and
find
this
cool
way
to
connect
with
my
neighbors
even
more,
and
it's
a
really
special
thing
to
be
able
to
do
so.
I
appreciate
that
a
lot.
S
S
It's
kind
of
tough
to
say
you
know,
on
the
art
side
of
things,
with
mural
production
and
stuff,
like
that,
I
had
to
postpone
a
lot
of
work,
and
you
know
some
projects
were,
you
know,
also
cancelled,
but
you
know
with
art
you
just
gotta
find
ways
to
keep
moving
and
pay
the
bills
or
whatever,
and
then,
with
the
business
side
of
my
life
with
the
print
shop.
S
S
I
took
the
funds
that
were
awarded
to
me
and
approached
different
clients
of
mine,
and
you
know
in
my
network
and
found
one
who
wanted
a
mural,
and
I
went
pretty
big
with
it
on
on
arapahoe
avenue
and
33rd
on
the
side
of
the
building.
Where
there's
a
few
different
shops
in
there.
Jimmy
john's
is
in
there
crystal
dragon
has
been
there
forever
and
other.
N
S
S
S
Where
I
is
located
down
the
street
from
my
shop
apollo
inc
and
it's
probably
a
block
away,
so
I
spend
I've
spent
almost
every
day
here
besides,
when
I'm
out
painting
something
for
15
years,
so
I
feel
like
I
brought
some
sort
of
vibrant
new
energy
to
the
area,
something
people
can
look
at
and
appreciate
and
brighten
up
their
day.
It's
not
super
literal,
it's
more
just
a
piece
of
public
art,
that's
big
and
bright
and
hopefully
appreciated
by
people
when
they
see
it.
S
I
guess
what
I
would
like
to
add
is
I'm
very
thankful
that
I
was
chosen
for
this
project
and
awarded
this.
You
know
at
that
time
I
was,
I
wouldn't
say
it
was
really
down
on
my
luck,
but
I
was
unsure
of
what
was
going
to
happen
and
it
was
definitely
something
that
gave
me.
You
know
a
positive
outlook
and
I
felt
supported
by
the
community
and
the
arts.
S
K
T
My
name
is
julia
williams,
also
known
as
the
dinosaur
and
I'm
an
artist,
muralist
and
illustrator
here
in
boulder.
I
mostly
do
large-scale
murals,
but
I
also
do
a
lot
of
art
licensing
for
like
t-shirts,
apparel
and
illustrations
for
local
companies.
T
It's
been
pretty
difficult
honestly
at
the
beginning,
I
had
a
lot
of
projects
cancelled
and
you
know
felt
like
I
couldn't
go
out
and
get
any
more
work,
because
most
of
the
you
know,
industries
that
I
work
in
were
really
suffering,
so
I
had
to
kind
of
adapt
and
do
some
different
things
and
in
terms
of
just
I
don't
know
just
how
it's
affected
my
life
in
other
ways.
T
I
really,
I
really
need
a
lot
of
like
you,
know,
input
and
stimulation
and
like
new
experiences
and
stuff,
to
be
able
to
be
really
creative
and
like
make
my
art
really
effectively
and
also
being
around
like
a
community
of
inspiring
people.
Is
I
really
rely
on
that
so
having
all
of
that
kind
of
go
away
has
been
really
difficult.
T
There's
this
place
that
I
ride
my
bike
all
the
time
just
over
by
gun
barrel
near
king
supers,
that
it's
this
bike
underpass
that
has
this
huge
cement
wall,
that's
completely
blank
and
I
always
wanted
to
paint
it.
So
I
was
like
you
know.
It
would
be
great
if
I
could
do
a
big
mural
on
that
that
could
foster
community
connection
for
the
gun
barrel
community.
T
So
my
work
project
was
to
do
a
few
initial
designs
for
that
and
then
to
get
feedback
from
my
community
about
it.
So
I
don't
know
if
you
had
participated
at
all
in
the
8
p.m.
Howling
that
was
going
around
during
the
lockdown.
I
thought
it
would
be
super
fun
to
do
a
pack
of
wolves
howling
at
the
moon,
because
so
many
people
in
our
neighborhood
were
doing
that
during
during
when
the
lockdown
was
the
worst.
I
was
like.
T
That
is
a
great
symbol
of
community
solidarity
during
this
time
that
you
know
isn't
directly
like
representative
of
covid
later
it'll
just
be
a
beautiful
mural,
but
it's
kind
of
a
nice
reminder
of
something
that
we
all
were
able
to
do
together
when
we
were
separated.
T
So
I
did
a
couple
of
designs
and
then
sent
out
a
postcard
to
300
people
around
the
area
and
had
them
vote
on
which
design
they
liked
best
so
yeah
and
then
hopefully
I'll
be
painting
that
in
the
fall.
I
think.
T
Just
the
I
hope
I
don't
know,
I
hope
that
other
artists
are
finding
ways
to
you
know
make
this
time
as
productive
and
not
you
know
not
losing
hope,
because
there
there
is
work
out
there
and
I've
been
picking
up
more
work
recently,
and
you
know
this
will
be
over
sometime
but
yeah.
It's
kind
of
it's
kind
of
hard
right
now,
so
hopefully
we
can.
All
you
know,
stick
together
and
look
forward
to
when
we
can
see
each
other
in
person
again.
U
Hi,
my
name
is
kathleen
spencer
johns,
I'm
an
artist
in
boulder.
I
do
drawing
painting
and
print
making,
mostly
I've
taught
extensively,
and
I
have
produced
coloring
images
and
I'm
working
on
a
kids
children's
book.
U
Well,
copen
19
affected
me
in
a
lot
of
ways
in
order
to
keep
my
boat
afloat.
One
of
the
things
I
do
is
airbnb,
so
that's
been
completely
closed
down.
I
have
a
major
show
that
I
am
supposed
to
have
this
coming
december,
but
now
it's
on
the
maybe
list.
U
It's
a
fundraising
show
for
the
taos
pueblo
senior
center
and
I've
been
doing
paintings
and
prints
for
this
show
and
I've
been
working
on
this
for
about
three
years,
and
you
know
it's
not
going
to
be
a
big
money
maker
for
me,
because
so
much
of
the
money
will
be
going
to
the
senior
center
to
help
the
elders.
U
But
that
is
is
a
derailment
and
then
residencies
bend
potential
residencies
get
derailed
and
then
I'm
I
teach
art,
and
so
I
had
to
close
down
my
teaching
studio
and
I've
taken
all
my
classes
and
I've
created
zoom
classes.
U
So
the
project
that
I
came
up
with
was
one
where
I
wanted
to
do,
something
where
neighbors
could
get
together
in
a
non-threatening
way
and
do
something
creative,
whether
they
were
an
artist
or
a
non-artist.
And
so
I
took
some
of
my
coloring
images,
which
are
all
local
landmarks.
U
You
know
tom's
tavern
trident
bookstore
into
the
wind,
you
don't
might
not
know
any
of
these
and
then
I
changed
them
and
worked
on
them
so
that
they
would
be
in
a
different
format,
and
I
invited
all
the
neighbors
to
participate
in
zoom
meetings,
where
I
would
send
ahead
of
time
the
pdf
that
they
could
print
out
and
if
they
didn't
have
a
printer.
U
I
ran
around
with
copies
to
neighbors
and
we
would
just
sit
and
collar
and
chat
in
in
a
hopefully
a
non-threatening
connective
way,
and
then
we
could
show
each
other
as
we
were
going
along
and
get
excited
about
what
other
people
were
doing
in
their
choice
of
color
or
in
their
choice
of
medium
or
something
of
that
nature.
U
And
then,
when
it
was
over,
the
participants
were
asked
to
post
their
coloring
page
in
their
window,
so
that
it
would
again
enliven
visually
the
neighborhood
and
show
that
connection
of
participants.
U
Well,
what
I'm
excited
about
is
that
it's
starting
to
blossom
to
beyond
this
neighborhood
as
well,
but
yet
still
contained
in
in
certain
arenas.
Bottom
line,
is
if
we
eliminate
the
arts,
we
eliminate
so
much
more
than
a
pretty
picture
and
art
is
really
what
connects
us.
All:
music,
theater,
dance,
visual
arts,
it's
how
we
do
connect
and
it's
also
how
we
stay
peaceful,
how
we
say,
stay
loving
and
how
we
stay
honoring
of
our
planet,
each
other
and
whatnot.
V
So
my
name
is
kathleen
lanzoni.
I
am
a
fine
artist.
I
paint
a
variety
of
subjects
and
I
say
fine
artists,
because
that
encompasses
a
lot,
so
I
do
gallery
work.
I
also
paint
murals,
which
is
what
I
love
to
do.
I
teach
watercolor
classes
and
I
do
plein
air
events
as
well.
So
it's
a
combination
of
jobs,
but
it's
all
painting.
So
I'm
pretty
fortunate
that
way.
V
Well,
as
as
for
most
everybody
else,
it
changed
a
lot
of
events
that
I
had
planned
so
pretty
much.
I
had
a
packed
spring
and
early
summer,
pretty
much
everything
got
shut
down,
so
I
teach
in
person
which
is
no
longer
a
possibility.
I
was
going
to
teach
a
a
one
week,
watercolor
workshop
in
france
and
unfortunately
that
got
cancelled
and
then
which
was
too
bad
because
we
had
a
full
class,
so
that
was
too
bad
yeah
so
and
also
some
plein
air
events
got
cancelled.
V
So
those
are
when
you're
selected
to
go
to
a
location
and
paint
for
a
week
and
those
obviously
all
got
cancelled
because
it's
all
in
person
and
then
the
exhibits
as
well.
So
now
I
am
teaching
on
zoom
never
heard
of
zoom
in
february
and
now
pretty
proficient
at
zoom,
so
I've
been
teaching
on
zoom
and
I've
been
doing
some
plein
air
painting.
You
know
solo,
which
is
really
fun
and
a
lot
of
exterior
murals,
which
is
great.
V
So
yes,
so
I
was
so
honored
to
be
awarded
this.
This
covered
19
neighborhood
mural
project
because,
as
I
said,
I
do
paint
exterior
murals
a
lot
and
interior
murals,
so
not
doing
interior
murals
right
now.
So
this
gave
me
the
opportunity
to
be
outside
literally
in
my
neighborhood
when
covid
first
hit
and
I
needed
something
to
for
my
energy
and
and
just
to
do
something
for
the
neighborhood.
I
put
a
chalk
mural
on
my
fence,
which
faces
a
well.
V
You
know
traveled
road,
where
a
lot
of
people
go
for
the
hiking
trail
so
anyway,
so
I
put
a
chalk
mural
on
that
wall
and
it
makes
it
seem
to
make
people
very
happy.
So
that
was
terrific.
So
then,
when
this
opportunity
came
up,
I
said:
okay,
I'm
just
gonna
extend
this.
So
that's
what
I
did.
I
got
my
neighbor's
permission
and
I
went
from
my
fence
to
their
fence
and
then
continued
it,
so
they
at
the
beginning.
V
They
said
just
temporary,
which
was
great
and
then
they
said,
okay,
let's
make
it
permanent
because
they
saw
permanent,
look
nice.
So
I
made
some
of
it
acrylic
and
some
of
it
chalk
and
they
seemed
very
happy
with
it.
So
that's
what
I
did
so
it's
for
the
whole
neighborhood
and
again
it's
a
it's
a
it's,
a
road
that
a
lot
of
people
use
the
church
there's
a
church.
V
V
It
is
great
to
be
part
of
a
neighborhood,
you
know,
and
it
is
encouraging
that
everybody's
getting
out
and
talking
with
each
other
and
being
kind
to
each
other
and
they
do
like
seeing
the
color.
So
you
know
put
sidewalk
chalk
on
your
side.
I
mean
people,
love
it.
It's
it's
fun,
it's
fun
to
be
out
with
the
neighbors
and
it
gets
you
outside
and
you
can
socialize
at
a
distance.
P
P
Covet
19
has
greatly
affected
my
life
and
livelihood.
This
is
the
way
that
I
make
a
living,
mostly
through
concert
videography.
So
you
look
at
venues
in
colorado,
like
red
rocks
and
e-town
and
boulder
theater.
Well,
those
are
just
a
few
of
the
places
that
I
work
and
those
places
are
closed.
I
never
imagined
once
that
red
rocks
wouldn't
be
open
and
I
wouldn't
have
a
job
for
the
summer.
P
P
Just
being
that,
there's
not
so
many
of
us
and
now
we're
stuck
in
our
homes
and
especially
the
elderly
segment
of
our
community.
They
have
a
very
vibrant
life
at
church
and
all
of
a
sudden.
With
the
churches
closed,
the
black
community
is
not
able
to
go
there
and
not
able
to
really
have
this
sense
of
community.
So
I'm
following
in
my
piece
one
lady,
her
name
is
elmira
she's
90
years
old
she's
lived
in
boulder
for
40
years.
P
She
helped
start
the
choir
at
that
church
and
she
really
built
her
life
around
the
church
and
now,
with
it
closed,
oh
she's,
you
watch
her
kind
of
fading
away
and
her
quality
of
life
just
deteriorating
she's.
A
very
from
what
I
understand
she
was
very
sharp
woman
knew
so
many
gospel
songs
and
had
everybody's
name
memorized,
and
what
you
see
now
during
covid
and
the
quarantine
since
she's
been
at
home,
is
that
she's
beginning
to
forget
a
lot
of
things?
P
P
And
how
are
we
going
to
collect
this
history?
You
know
a
lot
of
the
country
is
waking
up
that
there's
a
lot
that
we
need
to
do
as
far
as
bringing
equality
and
representation
to
the
table,
and
it's
sad.
It
would
be
sad
if,
right
now,
when
we're
having
this
realization
that
we
lose
these
wonderful
people
in
our
community
because
of
the
isolation
that
they're
feeling
and
they're
not
able
to
tell
the
stories
or
or
even
worse,
they
just
fade
away
in
some
other
aspect.
So.
P
So
I'm
very
grateful
for
this
opportunity.
You
know
I
work
with
a
lot
of
people
that
are
in
this
creative
industry
and
we
are
truly
struggling
and
it's
not
only
the
financial
aspect.
It's
just.
You
know
feeling
feeling
needed
creatively
being
able
to
put
something
out
there.
You
know
I've
been
lucky
enough
that
I
have
a
lot
of
resources
on
hand
where
I
can
create
I've
been
able
to
create
a
couple
things
right
now,
but
not
everybody
has
been
so
lucky.
P
W
W
As
far
as
covet
affected
my
life,
my
livelihood,
my
artistic
practice,
the
main
thing
that
happened
was
in
march.
I
was
teaching
three
classes
at
cu
boulder
and
so
all
of
those
classes
had
to
move
fully
online.
So
that
was
quite
a
a
large
change
in
the
way
that
I
was
delivering
my
teaching.
The
way
that
I
was
interacting
with
my
students.
W
Of
course,
I
tend
to
make
a
lot
of
work
about
my
personal
situation,
my
life,
and
I
a
lot
of
my
work-
is
actually
comes
out
of
dealing
with
difficult
situations
in
my
life,
so
I
almost
use
it
my
artwork
artwork
as
therapy
in
a
way.
So
for
me,
like
dealing
with
this
new
situation
that
was
traumatic,
there's
a
lot
of
loss
involved
in
grief.
I
actually
was
quite
I've
been
pretty
productive.
I
feel,
like
especially
march
april,
may,
just
making
a
lot
of
work.
W
W
We
don't
really
let
our
wildness
out
a
whole
lot,
it's
very
everything's,
very
regimented,
and
that
sort
of
thing-
and
I
just
had
this
idea
of
basically
letting
people
scream,
recording
the
screams
and
then
somehow
translating
that
into
like
a
cyanotype
photographic
print.
So
I've
seen
people
do
things
with
sound
waves
before
and
I
thought
I
could
maybe
make
that
work.
W
So
it's
I
haven't
actually
gotten
some
good
results
yet
so
I'm
still
sort
of
testing
it
out.
My
plan
was
to
when
kovate
hit.
My
plan
was
to
do
this
project
after
kovid
and
obviously
this
was
at
the
time
we
thought
oh
yeah
it'll
be
over
in
six
months,
and-
and
I
you
know
I'll,
do
this
afterwards
and
people
can
come
and
come
to
my
studio
or
come
somewhere
and
scream
into
a
microphone.
I
would
have
the
sound
go
to
a
speaker
which
would
be
underneath
a
dish
of
water.
W
Obviously
we
got
a
social
distance,
so
I
thought
oh
people
could
actually
call
me
and
do
this
or
they
could
record
themselves
screaming.
I
could
take
and
if
this
doesn't
work
with
actually
translating
directly
to
the
sound
waves.
What
I'll
be
able
to
do
is
do
something
like
this,
where
I
take
the
sound
waves
and
I
make
sort
of
a
graphic
image
that
I
use
to
make
a
print
from,
but
I
still
like
the
idea
of
this
catharsis
because
I
feel
like
we
don't
in
our
society.
W
We
we
don't
have
a
ways
to
really
fully
express
ourselves
unless
we're
in
therapy
or
we're
screaming
into
our
pillow
at
home.
So
I
think
more
and
more
we're
probably
all
feeling
this
grief
and
this
loss
and
this
need
to
sort
of
viscerally
express
our
emotions.
So
I
like
the
idea
of
being
able
to
facilitate
that.
Even
if
it's
you
know,
I
don't
fully
know
the
therapeutic
benefits,
but
I
just
I
like
the
idea
of
it.
W
Everyone
just
needs
to
be
safe
out.
There
wear,
masks
and
take
care
of
yourselves.
Everyone
just
needs
to
treat
yourself
as
much
as
possible
and
be
safe
and
if
you're
not
being
productive
right
now,
don't
beat
yourself
up
over
that.
I
definitely
think
we
all
just
need
to
do
what
we
can
in
this
moment
it's
challenging
for
everyone,
so.
X
I
live
in
boulder
where
I
have
a
teaching
studio
and
I've
been
a
freelancer
for
a
few
years,
although
most
freelance
work
is
not
happening
at
the
moment,
and
that's
why
I
decided
to
put
on
some
concerts
in
my
community,
so
I
can
keep
on
performing
in
that
capacity
and
include
the
other
musicians
in
the
area
who
are
in
a
similar
situation.
X
Before
kovid,
I
was
playing
with
a
number
of
orchestras
in
the
area
from
the
boulder
phil,
which
is
pretty
pretty
close,
all
the
way
up
to
the
cheyenne
orchestra.
I
drive
up
to
basically
every
month
to
play
a
show
and
all
of
that
work
just
got
cancelled
or
postponed,
and
it's
just
like
a
huge
source
of
income
that
I've
lost,
not
to
mention
weddings.
I
was
contracted
to
play
or
chamber
music
performances.
X
All
of
that
is
just
basically
had
to
had
to
be
canceled
or
rescheduled
or
put
on
hold
so
yeah.
That
was
like
a
huge
blow
to
my
livelihood.
I
would
say:
I'm
still
able
to
teach
remotely
over
zoom,
which
is
good.
My
I
still
have
my
students,
which
has
been
very
helpful
but
yeah
other
than
that.
I
would
say
that
covet
has
affected
my
livelihood
profoundly,
so
my
project
is
called
music
and
martin
acres.
X
Martin
acres
is
a
neighborhood
that
I
live
in
in
south
boulder
and
it's
a
pretty
simple
idea.
I've
just
been
putting
on
these
front
yard
shows
because
I
have
a
good
space
for
setting
up
for
performances
in
my
front
yard
and
I
live
on
a
pretty
quiet
side
street.
So
I
you
know,
put
up
flyers
in
the
neighborhood
got
the
word
out
to
other
musicians
who
live
in
the
same
neighborhood,
and
the
response
has
just
been
tremendous.
X
I've
gotten
almost
20
musicians
who
live
nearby,
who
have
expressed
an
interest
in
participating,
and
it's
like
well
more
than
what
I'm
able
to
program
or
figure
out
what
to
do
with,
and
we've
had
two
concerts
so
far
and
both
of
them
have
had
over
70
or
80
people.
We've
been
really
careful
with
social
distancing.
We
tape
off
places
in
the
street
for
people
to
sit
and
larger
spaces
for
families
to
sit
in
and
people.
X
Everyone
wears
masks
and
everyone's
been
super
respectful
and
they
understand
that
it
has
to
go
well
or
we
won't
be
able
to
do
it
in
the
future.
So
I
just
think
it
shows
how
important
live.
Music
is
to
everyone
into
my
community
in
particular,
and
I
think
that
these
shows
have
been
very
cathartic
for
all
of
us,
because
it's
something
that
we've
missed
and
maybe
not
even
consciously
been
aware
of
how
that
affects
our
day-to-day
lives.
X
But
then,
when
you
are
re-exposed
to
it,
it
becomes,
it
seems
suddenly
so
much
more
important
than
it
did
before.
So
it's
just
been
a
wonderful
experience
and
I've
been
very
grateful
for
the
arts
and
culture
council,
giving
me
sort
of
the
impetus
for
starting
this
well
only
that
this
has
been
an
experiment,
the
whole
time
and
obviously,
in
some
regards.
The
mistakes
are
pretty
high,
like
we
have
to
make
sure
that
it's
safe.
X
And
if
that
doesn't
happen,
then
it
could
stop
abruptly,
but
in
terms
of
you
know
what
the
music
is
and
what
the
what
the
concerts
look
like.
I've
just
been
trying
to
keep
a
very
open
mind,
and
I
I
would
my
priority
is
always
that
these
concerts
serve
the
community
and
the
people
are
hearing
what
they
want
to
hear
and
musicians
are
able
to
put
on
projects
that
they're
excited
about.
X
So
I'm
just
excited
to
see
how
this
evolves
and
given
now
that
there
is
a
space
for
something
like
this
and
a
support
from
the
community.
I
think
that
it's
just
a
lesson
in
what
we're
able
to
do
without
the
institutions
that
we
rely
on
and
how
that
can
be
scary,
but
also
open
up
new
possibilities
creatively.
X
So
that's,
I
think,
that's
what
I
really
look
forward
to
in
the
future
with
this
and
it's
something
I
would
also
encourage
other
musicians
who
live
in
other
neighborhoods
to
think
about
how
this
can
be
a
a
chance
for
new
ideas
and
new
creativity.
N
So
it's
affected
me
in
a
number
of
ways,
personally
and
professionally,
but
more
to
the
professionally
side
of
things
yeah.
Just
her
everything
has
been
cancelled,
concerts
and
rehearsals
that
you
know
how
I
make
my
money.
All
of
these
things
have
been
have
been
canceled.
In
addition,
a
lot
of
students-
you
know
some,
I
teach
online,
but
some
are
not
wanting
to
do
that.
N
Finally,
you
know
like
summer
summer
time
is
wedding
season
and
it's
usually
when
musicians
especially
string
players
who
play
in
a
quartet
or
something
can
make
a
you
know,
a
decent
amount
of
money,
and
obviously
all
of
that
work
has
been
canceled
playing.
Music
is
inherently
like
a
very
social
thing.
You
don't
go
play
a
concert
for
nobody
and
it's
rare
that
you
would
play
a
concert
completely
by
yourself
and
so
both
on
stage
and
from
a
performer
audience
perspective.
N
Part
of
my
life
and
part
of
what
I
do
is
play
music
with
and
for
other
people,
and
so
the
idea
is
to
sort
of
bring
miniature
concerts
to
people
who
can't
really
leave
their
homes.
I'm
just
sort
of
set
up
safely
away
from
their
house,
but
in
you
know,
in
the
front
yard
or
on
the
sidewalk
in
front
and
play
a
miniature
concert
for
them,
and
you
know
bring
a
fellow
musician
with
me
to
to
play
this
like
very
loosely
defined
concert.
N
And
the
idea
is
that
if
somebody
in
martin
acres,
so
it's
like
a
specifically
neighborhood
oriented
project.
If
somebody
in
martin
akers
knew
of
somebody
who
was
living
on
their
own
isolated,
they
would
be
able
to
send
me
an
email
and-
and
we
would
go
and
play
that
concert,
and
so
I've
been
sort
of
talking.
There's
this
woman,
martha
suarez,
who
is
a
community
organized
organizer
in
martin
acres,
and
we
have
finally
a
list
of
potential
homes
to
go
visit
when
we
can
get
the
project
started.
So.
Y
My
name
is
scott
roland,
primarily
I'm
a
video
editor,
but
I
also
work
as
a
photographer
of
motion,
graphics,
designer
or
dp,
whatever
it
all
makes
sense.
I
own
a
video
production
company
based
in
boulder
called
a-loc.
Media
stands
for
a
life
of
choice.
We
provide
professional,
cost-effective
video
and
photo
solutions
for
artists,
brands
and
businesses.
Y
Y
I
just
wanted
to
get
out
there
and
be
of
service
to
the
community,
and
you
know
help
the
people
that
I've
been
working
with
and
you
know
find
a
way
to
support
what's
going
on,
but
shortly
after
that
announcement,
one
of
my
roommates
got
sick
and
then
my
girlfriend
and
then
myself
and
we
remain
hopeful
that
it
wasn't
covid19
we
it
was.
It
was
mild
for
us,
but
on
april
19th
we're
sitting
in
the
kitchen
and
realized
that
none
of
us
could
smell
the
onions
that
were
being
cut
up.
Y
Y
Y
My
project
is
basically
creating
content
for
musicians
to
help
spread
their
work.
In
these
trying
times.
I
live
in
the
west,
parole
neighborhood
and
you
know
I've
been
lucky
to
have
neighbors,
who
are
also
very
interested
in
music.
So
we've
connected
on
that
front,
and
then
I
also
have
a
group
of
friends
who
are
musicians
themselves
and
so
they're
struggling
to
be
able
to
make
money
right
now
and
it
seems
like
it's
not
coming
back
until
things
get
reinstated
and
they
start
allowing
concerts
and
stuff.
Y
So
it
made
sense
to
me
to
find
a
way
to
help
both
of
those
demographics
and
basically,
how
musical
artists
are
connecting
with
their
followers
right
now
is
through
live
streams.
Y
So
what
I've
been
doing
is
working
with
the
artists
to
get
them
to
pre-record
their
concerts
and
then
what
I'll
do
is
I'll
make
promotional
content
either
in
the
form
of
informational,
graphics
or
short
videos
to
help
promote
upcoming
events
and
then
for
the
event
itself,
I'll
create
intro
and
outro
titling
cards
that
will
introduce
the
artist
and
then
it'll
play
the
concert
itself
in
which
I'll
do
minor
edits.
To
make
that
look.
Y
A
little
bit
better
because
again,
another
hard
thing
about
live
streaming
is
making
the
content
look
good,
so
people
are
using
their
cell
phones
or
very
cheap
camera
equipment,
and
while
I
can't
go
and
see
them
in
person
and
film,
it
myself,
I
can
at
least
make
what
they
have
look
as
good
as
possible,
and
then
the
closing
title
will
have
information
again
about
who
they
are
and
then
how
to
financially
support
these
artists,
either
through
venmo
or
paypal
or
cash
app
or
whatever
they're
using
yeah,
and
a
couple
of
events
that
I've
been
part
of
so
far
are
a
rise
online
gathering,
which
happened
on
may
2nd,
there's
a
rocky
mountain,
virtual
music
festival
that
happens
every
friday
from
10
a.m,
to
10
p.m.
Y
Really
all
I
want
to
say
in
conclusion
is
I
want
to
give
a
big
thank
you
to
the
boulder
county
office
of
arts
and
culture
for
putting
on
this
grant.
I
want
to
thank
crete
boulder
for
funding
it,
and
I
want
to
say
to
the
struggling
artists
out
there
that
you
know
this
is
going
to
be
over
eventually
to
stay.
Strong
life
will
get
better,
keep
practicing
your
craft
and
for
like
what
I'm
doing
right
now
is
I'm
trying
to
reinvent
myself
as
we
start
to
reintegrate.
Z
My
name
is,
will
becky
brunswick
and
I
use
they
them
and
he
him
pronouns,
and
I
am
a
cartoonist
in
boulder.
I
am
also
a
mfa
student
at
the
california
college
for
the
arts,
low
residency
mfa
in
comics
program,
so
I'm
like
work
on
like
longer
comics
and
graphic
novels,
but
then
also
I
just
make
shorter
cartoons
and
scenes
that
I
sell
at
scene
fests
and
fairs
around
the
country.
Z
So
I
had
three
shows
scheduled
for
this
spring.
One
was
the
denver
small
press
fest,
which
has
been
rescheduled,
but
I'm.
I
hope
that
it
still
happens,
but
I
don't
know
and
then
also
the
denver
zine
fest,
which
has
been
cancelled
until
2021
and
then
also
the
vancouver
comic
arts
festival
in
vancouver
british
columbia,
and
that
was
also
cancelled.
Z
So
those
are
my
like
three
big
comic
shows,
so
they
were
places
where
I
would
have
sold
comics
and
scenes
and-
and
they
didn't
happen
yeah.
I
just
sort
of
finished
it
up
yesterday,
so
I
made
a
zine
that
was
eight
pages.
So
a
zine
is
like
a
mini
comic
book
or
well.
You
can
make
scenes
from
whatever
you
want
with
whatever
you
want
in
them.
It's
a
very
diy
kind
of
art
form,
but
I
make
them
with
comics.
So
mine
had
like
eight
comics
in
it.
Z
It
was
eight
pages
long
and
I
made
it
drawing
it
like
first
by
hand
and
then
on
my
ipad
and
then
I
printed
them
out
and
bundled
them
up
and
mailed
them
off
at
the
post
office
in
boulder
yesterday
to
my
neighbors,
so
my
scene
was
about.
Z
I
just
had
comics
from
like
little
moments
in
life
in
quarantine,
so
like
snapshots
of
like
starting
a
garden
and
then
having
it,
get
snowed
on
when
we
had
those
two
big
snowstorms
in
april
and
then
about
like
running
and
living
on
the
boulder
boulder
route
and
going
for
runs
and
about
like
the
trips
outside
and
getting
all
ready
in
your
protective
gear.
Z
So
just
sort
of
like
little
snap
shot
comics
they're
diary
comics,
which
is
like
another
whole
genre
of
comics,
where
people
write
like
personal
comics
about
their
life,
so
they're
they're,
like
both
humorous,
but
also
just
sort
of
like
a
little
snapshot
portrayal
of
what
my
existence
is
in
quarantine,
and
so
then
I
mailed
them
to
like
my
25
closest
neighbors.
I
live
on
the
corner
of
two
streets
so
like
ten
down
one
street
and
ten
down
the
other
street.
Z
So
hopefully
they
will
people
will
enjoy
them
and
then
put
them
in
the
recycling
or
save
them
or
do
whatever
they
want
with
them,
but
hope
to
like
connect.
My
neighborhood
and
sort
of
introduce
myself
to
my
neighbors
or
or
just
share
some
art
with
them
or
have
people
just
take
a
moment
to
pause
and
like
laugh
at
these
little
silly
comics
that
are
like
hyper
specific
to
where
we
live
the
neighborhood
around
casey
middle
school.
So
we're
like
across
the
across
broadway
from
the
mapleton
hill
area.
Z
I've
really
enjoyed
it.
It
was.
It
was
a
lot
of
fun
to
make
the
comics
and
and
the
comics
are
sort
of.
Like
I,
I
hope
what
I'll
get
out
of
it
is
more
connection
to
my
neighborhoods
or
my
neighbors,
and
that
they'll
also
get
more
connection
to
me
like
I've,
gotten
to
see
my
neighbors
more,
and
I
mean
in
the
course
of
the
quarantine
I've
actually
introduced
myself
to
like
other
people
who
share
a
building
with
me.
So
that's
been
really
a
connective
time.
AA
Yeah
so
my
name
is
c
wong
and
I'm
I'm
a
phd
student
at
cu
in
the
department
of
geography,
and
I
am
a
social
scientist
by
training.
So
I
have
conducted
a
lot
of
oral
histories
creatively.
I
also
do
some
audio
arts,
as
well
as
podcasting,
to
help
great
to
create,
like
a
more
of
a
creative
and
community
effort
into
oral
histories.
AB
Hey,
I'm
ariel
milkman,
also
a
phd
student
in
the
department
of
anthropology
at
cu,
boulder
and
yeah.
I
also
I'm
a
social
scientist,
so
I
use
mixed
methods
to
try
to
understand
what
makes
humans
human
and
one
of
the
things
I
like
to
use
is
audio.
So
I've
worked
on
a
number
of
podcasting
projects
and
also
oral
history
projects
in
the
denver,
boulder
area.
AB
I
think
you
know
for
people
who
are
creatives
and
researchers
and
writers
in
some
ways
the
day-to-day
hasn't
looked
that
different
right,
because
I
previously
did
some
of
my
work
from
home
and
I'm
able
to
have
the
privilege
of
doing
that
now
and
then
I
think
in
other
ways
it.
It
feels
like
it's
like
there's
this
narrative
that
it's
laid
bare
the
inequalities
and
problems
in
our
system
already.
AB
So
I
think
that
folks
in
this
industry
have
already
had
a
problem
of
having
kind
of
precarious
work
conditions
and
different
gigs,
and
that
problem
just
feels
like
it's
more
precarious
and
more
scary.
Now
so
yeah.
I
think
those
are
the
main
things
you
know
like.
Like
other
people
in
this
industry,
I've
had
sort
of
gigs
that
got
cancelled
and
conferences
that
got
cancelled
and
then
in
other
ways,
some
more
flexibility
to
kind
of
work
from
home
and
and
support.
Folks.
AA
Yeah
I
I
would
say
that
it's
been
challenging
both
as
like
an
educator
and
an
artist
in
terms
of
like
the
availability
of
funding
and
of
gigs,
especially
ones
that
require
like
in-person
or
face-to-face
kind
of
interactions,
and
I
mentioned
a
little
bit
earlier
that
I'm
also
an
educator
as
a
graduate
student.
So
you
know
there's
a
lot
of
uncertainty
around
classes
and
whether
or
not
they'll
be
like
conducted
in
person
and
online,
both
during
the
summer
and
the
fall.
AA
So,
for
example,
I
was
scheduled
to
teach
an
in-person
class
this
summer
that
was
cancelled,
and
recently
my
department
has
been
able,
to.
You
know,
put
me
into
an
online
course
alternative,
which
has
helped
in
terms
of
just
sort
of
like
being
able
to
supplement
my
income.
But
it's
been
really
challenging
because
you
know
I
learned
about
that
course
like
very
very
recently,
and
that
wasn't
something
that
I
was
scheduled
to
teach.
So
it's
just
like
switching
mentally
to
like
a
very
different
mode
of
like
thinking
about
yourself
and
how
you
present.
AB
Yeah,
the
project
is
called
homeward
bound
and
it
is
about
housing
in
cova
19..
So
I
think
the
theme
of
the
the
project
is
to
to
record
some
oral
histories
with
people
living
in
boulder
about
how
kobe
19,
what
their
housing
experience
has
been
like
with
copen19,
and
I
think
that's
because
we
started
to
see
that
this
was
affecting
people
really
differently,
based
on
what
their
situation
was
right.
So
there
are
some
people
who
are
living
alone,
who
are
feeling
really
isolated.
AB
There
are
people
who
are
navigating
how
to
date.
With
this
going
on,
there
are
people
who
are
living
in
co-ops
and
having
to
kind
of
think
collectively,
and
then
I
think
across
the
country,
we've
also
seen
more
of
a
movement
about
housing,
organizing
because
the
united
states
and
colorado,
and
particularly,
were
already
in
a
housing
crisis
before
covet
happened,
and
now
we
have
all
these
issues
with
unemployment.
This
is
actually
a
really
interesting
time
for,
like
anti-eviction
campaigns
and
people,
organizing
for
mortgage
and
rent
moratoriums,
so
yeah.
AA
We're
really
hoping
to
kind
of
get
a
diversity
of
oral
histories
in
our
project,
and
we've
been
trying
to
just
kind
of
like
think
through
the
ways
in
which
we
can
solicit
folks
that
we
can
talk
to
who
are
very,
not
traditional,
who
might
not
be
able
to
be
online
or
like
see,
calls
for
this
project.
So
we're
kind
of
actually
proactively
reaching
out
into
our
communities.
AA
I've
been
really
impressed
that
the
city
has
been
really
incredibly
responsive
in
terms
of
like
allocating
the
funding
and
being
able
to
put
out
grants
for
something
like
very
quickly
after
shelter
in
place,
happen
and
sort
of
enable
these
projects
to
already
get
off
the
ground.