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C
B
An
excuse
we
have
alternate
member
Monica,
alderdreck
staff.
We
have
director
Christina.
B
No
public
comment
correct.
Oh
Monica
is
present
Monica
albertress,
so
hi
Monica.
Thank
you
all
right.
Sorry!
No!
That's
fine!
No
public
speakers.
B
E
B
Are
they're
two-year
positions,
correct,
yeah
I
would
like
to
just
say
we
can
open
it
up.
What
that's
crazy!
It's
been
two
years
time
implies
when
you're
having.
E
So
we
can
take
nominations
if
you're
interested
in
becoming
the
chair.
You
can
accommodate
yourself.
If
you
want
to
nominate
somebody
else,
you
can
do
that
as
well.
B
B
Go
ahead:
okay,
I
would
be
interested
in
nature.
You,
Wanna,
Be,
chair,
Vice,
chair
Vice,
chair
Vice
chair,
but
I
would
like
to
nominate
mark
for
sure.
Okay,
okay,.
D
B
Those
options
are
wonderful,
all
right
Martin.
What
are
you
gonna?
Do
we
vote?
Well,
let's
do
because,
like
you
kind
of
nodded
to
Kyle
but
yeah,
the
motion
nominated
Kyle,
okay,.
B
E
B
All
in
favor
yeah
is
everyone
in
favor
of
these
two
chair,
Martin
Vice,
chair
Kyle,
any
any
opposition
to
either
of
these
unanimous
wolves.
Congratulations,
guys,
I'm,
not
going
anywhere!
Just
I
can't
be
the
this.
B
No,
it's
been
it's
good,
it's
a
Great
Commission,
it's
I
mean
it's
it's
great,
to
have
an
active
commission,
a
field
commission
and
it's
nice
because
there's
a
lot
of
public
interest
as
well,
and
so
it
keeps
us
busy
and
also
accountable.
So
it's
good,
but
you
guys
are
gonna,
be
great.
B
You've
been
amazing
wow!
Thank
you.
Well,
let's
just
kick,
let's
just
let's
just
go
through
this
meeting
and
then
Mark
next
next
month,
you're
in
okay,
Okay,
so
the
next
part
of
my
business
is
strategic
planning,
which
I
know
we've
kind
of
talked
about
in
Parts.
Over
the
last
couple
of
months,
one
of
my
takeaways
from
January
was
to
look
at
multiple
cities.
I
looked
at
both
like
large
municipalities
as
well
as
ones
that
are
more
our
size
to
see.
If
there
are.
B
B
B
Before
maybe
thinking
about
doing
that
again,
however,
and
thinking
about
like
planning,
you
know
our
projects
and
spend
expenditures,
I
would
propose
that
we
start
to
think
about
like
the
budget
a
little
bit,
because
I
think,
if
we,
if
we
think
about
like
really,
if
we're
really
thinking
about
11
000
a
year
or
more
or
less
we're
not
talking
about
a
huge
commitment
or
a
big
plan
here
and
so
I
think
it
makes
it
a
lot
more
manageable.
B
As
far
as
how
we
could
plan
our
projects
and
our
priorities
and
so
I
kind
of
want
to
throw
some
numbers
out
there
totally
up
to
discussion,
it's
just
to
get
like
the
kind
of
the
US
noodling
on
this,
but
when
I
think
about
like
planning,
you
know
we
have
a
big
maintenance.
We
will.
We
could
have
a
big
maintenance
need
I.
Think
at
one
point
you
know
if
we
were
to
have
done
restoration
on
all
of
our
projects.
B
It
was
like
35,
000
or
something
which
not
to
say
that
we
would
do
that
of
course,
but
we
are
thinking
about
some
big
median
artworks
and
we
do
have
some
art.
Around
Talent
has
not
ever
been
touched,
and
so
I
think
that
there
is
probably
a
need
to
keep
a
revolving
Fund
in
place
to
make
sure
that
we
can
account
for
that
and
that
particular
amount
of
money
that
I've
thought
about
is
about
25
000.
B
So
if
35
was
for
the
whole
city
that
we
have
and
we're
going
to
add,
potentially
Plus,
you
know
maybe
one
to
three
per
sculptures.
Then
you
know
they're,
and
there
are
some
things
that
we
really
want
to
make
sure
that
we
do
preserve
the
grasses
and
and
other
like
pieces
around
town
that
could
be
very
expensive
to
preserve.
So
I
think
it's
prudent
of
us
to
keep
that
sort
of
in
the
bank
as
a
line
item.
B
Another
line
item
that
we
seem
to
always
go
through
and
I
think
is
beloved,
is
our
music
and
we
spend
about
two
thousand
dollars
a
year
in
music
and
so
budgeting
to
keep
that
going
and
knowing
that
we
have
something
to
pull
from
and
that
there's
consistency
and
we
can
plan
for
that.
I
think
is
probably
like
something.
That's
easy
and
Martin
does
a
great
job
with
being
able
to
Source
local
talent.
B
So
so,
if
you
think
about
11
000
25,
we
already
have
in
the
budget
carve
that
out.
So
that's
not
obviously
part
of
that
we've
got
2
000
for
music.
B
We've
talked
about
for
several
months
like
ways
to
support
our
artists
and
one
of
those
things
is
sponsorships
of
booths
at
like
Tony's
events,
so
whether
it's
a
block
party
or
celebrate
Englewood,
whatever
that
be
and
I
don't
know,
we
need
to
talk
about.
Probably
what
this
looks
like,
but
I
guess
I
would
just
throw
through,
like
let's
say
two
thousand
dollars
for
that
right.
So
we
have
multiple
events.
We
can
support
multiple
artists
that
way
and
then
another
two
thousand
dollars
for
art
acquisition.
B
Art
acquisition
isn't
something
that
I
think
we're
actively
pursuing.
But
what
it
seems
like
is
that
we're
actively
asked
to
do
that,
and
we
have
it's
become
more
and
it's
a
bigger
ask.
B
I
think
these
days
and
so
I
think
we
need
to
think
about
setting
aside
some
funds
for
acquisition,
whether
we
use
it
in
one
a
year
or
not
at
least
we're
designating
some
funds
for
it
because,
as
you'll
see
when
we
go
through
some
of
these
submissions,
art
acquisition
is
not
budget-friendly
for
eleven
thousand
dollars,
and
so
sometimes
we'll
have
to
build
up
for
these.
Especially,
you
know
you
you,
we
just
don't
know
like
where
additional
funding
sources
might
come
from
so
to
have
a
little
bit
for
ourselves.
B
I
think
is,
is
also
prudent
and
so
okay,
we
got
eleven
thousand
dollars.
We
have
two
thousand
for
music
2
000
for
Tony
ish,
not
just
Tony,
but
you
know,
Tony's
events,
2004
acquisition
and
then
I
would
propose.
We
keep
the
last
five
thousand
dollars
for
Community
projects,
because
we
have,
you
know,
I,
think
a
lot
of
community
members
who
come
to
us
with
ideas
on
an
ad.
It
seems
like
once
a
year
or
so
we
have
a
a
project,
but
in
addition
you
know
other
things
pop
up
for
2023.
B
It
feels
like
murals
are
a
very
hot
topic,
so
if
we
think
about
that
five
thousand
dollars,
you
know
bureaus
again.
You
know
these
things,
cost
money,
so
I
would
say
like
if
we
thought
about
you
know
four
thousand
dollars
for
murals,
whether
that's
something
that
we
sponsor
a
mural
and
put
a
grant
out
or
it's
100
Grant
or
it's
100.
B
Think
we
are
trying
to
rebuild,
and
so
that
helps
us
with
events
and
and
other
you
know,
types
of
you
know
just
meet
and
greets
and
whatnot
so
so
anyway,
so
so
to
to
recap:
it'd
be
25
from
the
main
fund
for
maintenance,
25,
000,
2
000
for
music
2000
for
events,
2
000
per
acquisition
and
the
remainder
5
000
for
Community
projects,
which
this
year
it
seems
like
murals,
are
a
Hot
Topic.
So
I
would
probably
propose
that
the
majority
of
that
go
towards
towards
that.
A
B
C
C
B
But
maybe
look
at
it
maybe
like
looking
at
those
types
of
things
differently
like,
instead
of
being
a
little
bit
more
General
with
our
funding.
For
that,
maybe
we
can
be
like
a
little
bit
more
intentional
with
like
the
community,
like
the
Chris,
the
holiday
market,
like
sponsoring
an
artist
to
to
actually
just
like,
like
we
kind
of
did
this
year
with
the
characters
of
the
block
party
too
yeah
party,
but
same
thing.
But
it's
just
more.
B
Not
quite
but
but
anyway
so,
but
I
I
like
breaking
down
the
budget
in
that
way,
because
it
also
aligns
to
the
community
survey
that
we
did
and
things
that
people
want
pop-up
events
music.
B
You
know
we
still
have
art
acquisition,
but
it
also
provides
a
little
bit
of
flexibility
within
those.
So
anyway,
that's
the
best
I
could
do,
but
it
makes
sense,
I
think,
thoughts,
questions
comments.
C
F
E
E
This
gives
you
more
of
a
guiding
principle
of
you
know
if
you
do
have
an
opportunity
to
say
no
to
somebody,
because
our
unfortunately
our
budget's
been
spent
already
on
events,
and
we
can't
tell
any
do
any
more
events
for
you.
Sorry.
E
This
will
help
you,
but
there's
going
to
be
exceptions
that
you
can
all
talk
about
and
make
decisions.
I
think
this
is
a
smart
wakes
in
the
past.
We've
never
really
broken
it
down
right.
Here's
a
bucket
of
money
go
forth
and
Conquer
it
yeah.
Okay,
so.
B
Right,
yeah,
okay!
Well,
then
I.
It
doesn't
seem
like
to
use
late
vote
on
something
since
we're
not
like
appropriating
like
formally
appropriate,
and
it's
just
kind
of
a
guiding
right
when,
when
you
actually
spend
the
monies,
when
you
would
need
to
okay
right,
okay,
just
kind
of
you're
marking
it
yep
exactly
okay,
great.
B
B
C
B
I
guess
my
suggestion
would
be
like.
Maybe
in
2025
we
redo
the
survey
and
then
you
keep
it
on
a
five-year
Cadence
or
something
so
that
kind
of
like
lead.
You
know,
because
some
of
these
projects
are
multiple
years.
It's
not
just
like.
It
starts
at
the
fiscal
you
know
or
at
the
calendar
year,
but
you
know
so
there's
it
gives
I
think
enough
buffer
to
to
complete
like
large
projects
within
that
time
frame.
If
we
need
to,
you
know,
alter
the
spending
a
little
bit
and
do
you
feel
like
as
a
committee.
B
We
need
to
go
back
over
that
survey
with
folks
at
some
point
to
make
sure
this
group
yeah
yeah
I,
mean
to
make
sure
we're
having
in
that
direction.
I
think
it's
well.
It
used
to
be
in
the
in
the
share
drive.
You
know,
I've
read
it
at
least
once,
but
it's
been
a
while
I
just
haven't
looked
at
it
in
a
while,
so
yeah
I
can't
make
it
a
point
to
look
at
it,
but
it
seems
like
we're
hitting
all
the
notes
yeah.
It
was
like
markets.
B
Okay,
then
we'll
move
on
to
the
median
article.
So
we
had.
This
is
my
first
time
using
Cafe,
but
we
had
almost
750
submissions
from
around
the
world
really
interested
in
Hampton,
beautification,
I'm
sure,
but
but
no,
we
did
have
a
lot
of.
We
have
a
lot
of
qualified
submissions
and
we're
working
on
whittling
that
750
down.
There
are
a
lot
that
are
well
above
our
size
guidelines
and
our
budget
guidelines,
and
so
we
need
to
to
get
down
to
a
manageable
number
and.
D
B
That
are
safe
right
for
Hampton
as
well,
and
ones
that
are
safe
for
Hampton
yeah
right.
There
are
some
that
you
know,
like
I,
think
the
LA
I
think
in
January
we
established
it
couldn't
be
like
a
solid
like
a
big,
solid
fixture.
E
B
Yeah
yep,
so
so
yeah,
so
we're
gonna
run
we'll
get
through
those
we'll
have
the
city's
help,
making
sure
that
what
is
ultimately
selected
is
manageable
and
then
we'll
bring
all
of
the
remainder
of
the
submissions
to
the
commission
and
we'll
vote.
B
You
know
our
budget,
for
this
was
about
thirty
thousand
dollars.
So
keep
that
in
mind.
Some
of
the
works
are
thirty
dollars.
Thirty
thousand
dollars,
some
of
them
are
significantly
under.
We
have
three
pads
four
pads,
three
pads
three
pads
and
so
I
think
what
you
know
will
will
be
charged
with
is
whether.
B
You
want
more,
it
seems,
like
kind
of
the
options
are
going
to
be
like
one
or
all
three
based
on
where
the
price
points
are
coming
in
so.
B
E
B
Are
some
pieces
in
there
that
are
really
cool
and
like
I
could
see
where
we
would
want
to
maybe
utilize
them
elsewhere?.
E
C
B
Okay,
that's
all
I
have
on
the
new
business.
Anything
else
ready,
we'll
go
into
the
old
business,
murals,
so
kind
of
talked
about
it
a
little
bit,
but
I
did
invite
Lindsay
to
the
chamber
while
it
was
kind
of
like
midweek
this
week.
So
I
don't
know.
B
If
this
it
was
probably
on
her
radar
to
come
tonight,
because
I
think
there
is
a
lot
of
interest
there
and
she
might
be
yeah,
but
there's
a
lot
of
interest
in
in
helping
the
murals
of
mason
jars,
which
would
also
correspond
with
our
kind
of
mural
asks
so
I
mean
that's
pretty
much.
All
I
have
on
that.
I
would
I
would
hope.
Maybe
you
know
we
can
continue
conversations
with
her,
but
I
think
there's
some
opportunities
there
and
I
think
I
know
like
we've
got
Mali
and
a
couple
others.
B
So
whatever
we
decided
to
do
with
kind
of
that,
mural
funding
I
think
would
be
a
great
supportive
of
that
event
and.
E
B
The
spreadsheet
I'll
add
them
to
the
mural
yeah
I've
got
them
in
a
spreadsheet,
I'll
email
it
to
you,
that's
perfect
and
then
I'll
add
them
to
the
artist
database
and
then
there's
like
a
section
in
there
that
I
put
for
murals
okay,
so
but
I
can
do
it
for
both.
So
they
get
on
the
email
list
too,
and
we
do
have
some
submittals
from
the
the
medium
articulous.
True
I
would
like
to
see
how
that
works.
I've
weeded
them
out,
yeah,
we
needed
them
out
for
this.
B
There
is
like
there
is
a
column
where
you
can
just
you
know:
I
waited
Out,
Paintings
and
murals
because
they
don't
really
fit
this
particular
project.
But
there
are
a
lot
and
I
guess
like
once
this
poll
closes.
Do
we
still
have
access
to
all
of
those
I
would
I
think
we
do.
I
have
I,
have
the
spreadsheet
just
in
case,
but
I
I'll
make
sure
we
paid
for
it.
I
would
think
everything
would
be.
Our
data
I'll
verify
how
long
it
will
be
available.
B
Okay
I
know
you
know
like
we
did
a
call
way
back,
but-
and
our
account
had
expired
at
that
point,
but
that
was
yours.
Okay,
I'll
run
a
report
to
get
the
I
can
get
like
Colorado
muralists,
so
that
for
anything
local,
but
we
need
like
on
the
Fly,
we
have
a
I'll
I'll,
pull
that.
D
I
did
some
research
on
just
like
looking
at
there's
already
websites
out
there
with
mirrorless
arm
and
I
gave
them
to
to
Kyle
last
week
and
I've
actually
talked
about
muralists,
just
because
we're
interested
in
putting
a
girl
on
my
back
so
but
yeah
they're
they're,
definitely
a
little
pricey,
but
it's
weird
how
they,
how
much
they
range
like
I've,
talked
to
mirrorless
that's
charged
20
bucks,
an
hour
and
others
that
charge
40
bucks
an
hour
per
square
foot
or
I'm
sorry
person
not
per
hour
but
per
square
foot
right.
D
Some
people
do
it
based
on
you
know
how
much
the
wall
is
to
prep
and
that
kind
of
stuff,
which
is
obviously
a
big
deal
if
it
has
to
be
prepped
and
it
it's
very
different,
depending
on
what
you're
actually
painting
on
but
yeah
there's
they
have
another
name
for
you,
it's
what
several
other
names
for
you
they're
very
interesting.
B
D
I've
reached
out
to
the
Chicano
murals
of
Colorado
project
to
see
if
they
wanted
to
pair
with
us.
We
have
not
heard
back
from
them,
but
I
thought
that
would
be
a
really
good,
like
collaboration
between
us
and
them
to
see.
If
you
know
yeah,
we
could
find
an
artist
that
you
know
they
have
been
funding
and
we
had
some
funding
and
we
could
get
something
going
with
them.
Yeah,
that's
interesting,
yeah.
D
The
other
thing
that
I
was
looking
into
is,
like
you
know:
I
know
that
there's
a
lot
of
businesses
that
are
interested
in
putting
up
murals
of
their
site,
specifically
Devil's
Head,
and
you
know.
Obviously
the
cost
of
those
barrels
are
so
expensive,
but
looking
into
maybe
supporting
like
a
fundraiser
for
some
of
those
businesses
for
those
local
businesses
and
like
helping
like
get
people
there
to
fundraise
for
their
mural
and
that's
kind
of
an
idea
that
I
kind
of
looked
into
is
what
I've
heard
that
other
people
doing.
D
B
B
Okay,
so
I
think
by
any
guy
next
meeting,
I'll
try
to
connect
with
Lindsay
and
see.
If
we
can't
get
her
are
here
and
then
we
can
like
maybe
talk
a
little
bit
about
it,
a
little
bit
more
because
I
think
her
event
is
usually
in
October,
October
I
want
to
say,
and
so
I
just
I
just
know
from
knowing
that
it
takes
like
six
months
to
get
stuff
done.
B
So
we
need
to
probably
plan
by
next
month
to
start
that
project
and
I'd
really
like
to
speak
with
her
too,
because
I
really
do
think.
That's
a
good
opportunity
for
us
to
support
artist
engagement
I
do
too,
as
well
as
like,
promote
and
support
her
event.
Yeah.
It
can
be
multifunctional
Library,
both
of
us
yeah,
so
I'm
hoping
we
can
review
it.
B
Okay,
anything
else
on
murals
from
anyone.
If
that's
already
upcoming
events,
yeah
so
April
1st,
we
have
the
spring
event,
which
is
market
and
the
spring
event
and
part
of
that
event
is
the
market.
And
then
we
also
have
the
egg
hunt
and
then
we're
gonna
try
to
have
a
lot
of
interactive
booths
and
vendors
there
for
things
for
people
to
do
throughout
the
day,
giving
away
some
flour
and
garden
seats
and
then
they'll
have
the
opportunity
to
some
small
seed,
starter
pure
stuff.
B
B
That
is
for
April
and
then
in
may
we
have
celebrate
Inglewood,
which
is
May
6th,
which
is
going
to
be
here
at
the
city
center.
And
so
that's
going
to
be
a
ton
of
fun
and
hoping
it's
more.
Another
Touch
of
truck
type
thing
have
very
in
essence,
very
sensitive
time
at
the
very
beginning
and
then
again
just
having
like
a
bunch
of
art
departments
and
our
local
non-profits
and
purpose
based
businesses
and
stuff
like
that.
So
and
so
that's
April
and
May,
and
then
in
June
the
craziest,
the
crazies
on
because.
C
B
Just
goes
crazy
for
June
July
and
August,
so
tons
of
stuff.
Just
for
your
guys's
information.
B
We
have
changed
things
a
little
bit
this
year,
so
we're
doing
a
three
Market
summer
series,
so
it's
gingerly
in
August
we're
obviously
having
more
markets
than
that
April
1st,
there's
going
to
be
a
market
element
in
the
Tesla
truck
will
probably
have
you
know
some
vendors
and
whatnot,
and
but
gingelay
in
August
will
be
the
first
Saturday
of
each
of
those
months
from
10
to
2
here
at
the
Circle
and
then
obviously
the
fall
event
will
have
a
market
element
to
it,
excited
about
that
three
Market
series
and
working
with
Edda,
also
because
they
want
to
help
enhance
them
a
little
bit
too
and
kind
of
maybe
having
some
theme
to
it.
B
Everyone
loves
the
made
in
Inglewood
type
of
idea
and
stuff
like
that,
so
maybe
highlighting
one
of
them
is
that
and
just
a
whole
bunch
of
different
stuff,
so
I'm
super
excited.
We
have
over
25
events
already
on
the
calendar
for
this
year,
so
it's
gonna
be
fun.
It's
gonna
go
fast.
B
Last
year
did
and
we
had
half
as
many
is
there,
anyone
on
the
CAC
who
would
want
to
spearhead
the
funds
and
arranging
for
sponsorships
of
the
events,
just
identifying,
probably
not
until
June
I,
would
think,
probably
an
event
the
June
market
and
then
identifying
maybe
like
what
events
we
would
want
to
sponsor
or
have
an
artist
there,
especially
if
there's
something
thematic
that
you
want
to
like
encourage
like
made
in
Englewood.
We
could
get
ahead
of
that
and
get
made.
B
You
know
an
englewood-based
artist
for
something
or
or
two
artists,
depending
upon
what
the
cost
looks
like,
but
is
there
anybody
who
would
want
to
take
that
particular
line
item
and
run
with
it?
I
would
Envision
just
like
finding
the
events
which
ones
make
sense
and
then
working
with
the
city
to
figure
out
how
far
in
advance.
We
need
to
communicate
well
talking
to
the
commission
figure
out
the
budget,
obviously,
but
then
just
making
sure
we
communicate
it
solicit,
artists
and
I.
B
Think
that's
a
good
partnership
too,
to
incorporate
the
chamber
in
the
Edda
and
because
everyone
has
kind
of
had
that
idea.
So
maybe
smarter
not
harder
and
putting
more
into
it,
not
one
person's
working,
so
hard
I,
don't
think
it's
hard
to
like
Source,
an
artist
for
like
a
booth
if
we're
funding
it.
B
But
if
there's
something
that
we
want
to
do
collectively,
we
probably
did
some
guidance
on
where
to
start
with
that,
because
I
don't
know
what
these
other
interested
parties
would
have
where
they
are
in
that
thought,
process
or
budgeting
I
have
no
idea
either
but
like
what
you
guys
did
for
the
block
party
having
you
know
that
there
was
amazing,
and
so
just
anytime,
you
can
have
an
interactive
booth
in
the
way
you
can
support.
Our
local
artists
is
just
awesome,
so
I
like
that,
but
I
definitely
I
hear
what
you're
saying
like
like.
B
If
it's
made
in
Inglewood
theme,
like
I,
could
see
our
local
artists
like
Tina
and
Courtney
search,
maybe
wanting
to
like,
sell
their
stuff,
you
know
I
help.
You
I'll
help
you,
you
wanna,
you
wanna
tackle
that
one
together
sure.
Okay,
we
can
do
that.
One
great,
which
one
figuring
out
the
sponsorship
of
the
events
like
right,
the
potential
people
to
fear
potential
people,
maybe
who
might
want.
B
I
mean
our
artist
database
has
a
lot
it's
like.
Maybe
a
lot
of
local
artists,
but
I
think
it's
also
an
opportunity
to
probably
reach
out
to
other
businesses
that
I
probably
think
like
west
of
Santa
Fe
that
maybe
haven't
been
traditionally
thought
of
in
the
Arts
Community,
but
it
would
be
a
good,
a
good
fit
for
something
like
this.
Oh.
A
B
A
B
Some
of
it
is
cost
prohibitive
for
small
artists
right
like
200
to
enter.
You
know
an
event
is
expensive
and
so
I
think
that's
especially
not
knowing
if
you're
gonna
make
it
that
day
as
like
a
first
risk
of
like
we'll
get
you
in
and
then
show
that
you
can
sustain
and
make
the
money
back
to
be.
There
yeah.
B
Yeah
but
I
also
think
Tony.
If
you
do
want
more
like
interactive
things
at
that
too,
that
would
be
another
piece
for
us.
Yeah
I
wouldn't
be
for
that
person
like
for
a
June
event
for
us
to
if,
whatever
the
theme
is.
If
there
is
a
theme,
let's
just
say
we
want
to
do
june,
and
there
is
a
theme
like
by
next
month:
we're
gonna
have
to
have
it
ironed
out.
B
B
B
B
Yeah,
oh
yeah,
I,
guess.
The
other
question
is
what
you
want
the
ship,
the
block
party
Tony.
Do
you
have
any
ideas?
What
kind
of
thing
you
want
us
to
support
with,
or
do
something
similar
where
we
do
a
similar
interactive
call
like
we
did
last
year
and
see
what
we
get
I
like
that
people
have
really
liked
the
takeaway
yeah,
so
yeah
anything
like
that
is
always
cool.
So
maybe
that's
something
we
just
know.
B
F
B
No,
it
was
awesome.
I,
just
wanna
I
would
love
to
have
something
like
that
again.
If
that's
what
you
want
like
either
an
interactive
artist
or
something
fun
at
the
block
party
was
really
great.
Last
year,
I
thought
as
what
we
could
contribute
and
then
I
think
at
the
markets
like
supporting
an
artist
being
there
is
such
a
different,
but
important
thing.
You
know
that's
great.
F
B
B
Big
spender
staff's
choice,
yeah.
E
Yeah
so
Beth
is
on,
but
I
will
share
her
updates.
The
libraries
received
five
or
six
submissions
so
far
for
the
Art
Exhibit,
that's
going
to
report
in
April,
the
artist
reception
is
being
planned
for
April
20th.
We
will
send
out
a
formal
invite
to
you
all.
Once
everything's
been
solidified,
the
library
is
reopening
on
March
13th
as
well,
so
we're
getting
very
close
to
being
back
open,
which
is
great
and
then
just
put
on
the
radar
for
a
future
discussion.
Maybe
next
month
the
following
Swedish
horses
that
have
been.
B
We
postponed
that
because
we
we
thought
there
might
be
a
local
artist
who
would
want
to
participate
in
the
median
art.
But
that's
not
the
case
that
we
do
have
somebody
and
we
can
move
forward
with
our
next
meeting.
B
E
B
As
long
as
we
can,
we
just
need
somebody
to
build
the
bases,
and
then
they
can
be
placed
anywhere,
which
I
I
suspect,
based
on
my
experience
with
those
that
independent
businesses
do
find
them
to
be
a
bit
of
a
liability.
So
I
think
a
public
space
is
probably
a
better,
so
we
can
position
them
where,
if
it's
okay
with
you
to
do
it
in
public
built-in
City
buildings,
but
yeah
yeah,
definitely.
F
C
B
E
That's
great
it'll
be
great
if
she
is
awesome
yeah
after
our
web
pages
and
they
always
turn
out
wonderful,
so
I'm
excited
she's
working
on
it.
So
hopefully,
yes,
we
can
send
it
out
to
everybody
once
it's
done
for
you
to
view
even
before
the
next.
B
Few
weeks,
so
oh
that'd
be
great.
Thank
you
and
thank
her
too.
That's
exciting.
I
will
appreciate
that
yeah,
it's
nice
to
not
have
to
it's
like
one
thing
you
have
to
think
about,
but
it's
gonna
make
a
big
difference.