►
From YouTube: Oklahoma City Arts Commission - October 19, 2020
Description
No description was provided for this meeting.
If this is YOUR meeting, an easy way to fix this is to add a description to your video, wherever mtngs.io found it (probably YouTube).
A
E
A
B
D
F
B
B
B
F
B
H
H
We
want
to
remind
everyone
that,
as
you
have
arrived
into
our
virtual
meeting,
we
have
muted
your
mic
as
instructed
in
the
agenda
those
who
called
or
emailed
us
in
advance
to
let
us
know
your
name.
Contact
number
and
agenda
item
you
wish
to
speak
about
will
will
be
recognized.
First,
your
text,
email
or
call
will
not
be
received
once
the
meeting
has
begun
before
the
arts.
Commissioners
vote
on
each
item.
H
I
C
C
F
So
you
should
have
voting
buttons
on
your
screen.
The
current
button
should
be
asking
if
you
would
like
to
second
the
motion.
If
all
you
see
is
the
public,
the
live
meeting
screen
for
zoom,
you
may
need
to
press
escape
on
your
keyboard
to
actually
bring
your
agenda
back
up
to
see
those.
F
H
C
C
B
H
J
Vote
yes,.
J
I
was
able
to
vote
last
time,
but
this
time
I
don't
have
any
way
to
vote.
It's
weird.
H
Moving
on
to
agenda
item
3a,
this
item
was
deferred
from
the
september
21st
2020
meeting
arts
commission
case
20-0-0-3-1
curatorial
plan
for
fo
womb
by
principal
curator,
kelsey
carper,
address
25
northeast
9th
street
in
ward
6
for
factory
obscura
as
follows:
one
curated
rotating
mural
project,
2
front
port
arch
front
porch
art
space
at
mixtape
robbie.
Will
you
please
introduce
this
item.
H
A
B
Yeah,
it's
just
my
my
computer
is
frozen
up
from
the
powerpoint.
Is
the
problem
that's
okay
hold
on
here.
D
A
B
Okay,
so
I'll
go
through
this
very
quick
because
you've
already
seen
this.
This
is
the
site
of
the
for
the
curatorial
plan
for
fo
womb,
with
proposing
a
principal
curator
for
kelsey
carper
25
north
east
9th
street.
B
Here
is
the
west
wall
along
the
alley
and
they're
looking
at
this
overhead
garage
door
and
these
panels
right
here
and
then
they're
also
looking
at
this
front
porch
space
that
they've
described
in
the
curatorial
plan.
Now
the
last
time
that
the
arts
commission
looked
at
this.
Unfortunately,
we
had
a
scheduling
conflict
and
the
principal
curator
kelsey
carper
was
not
able
to
join
us
but
she's
with
us
today,
and
I
know
that
there
were
some
questions
that
the
commissioners
had
about
the
plan
that
she'd
love
to
answer
for
you.
K
H
K
K
When
we
moved
in
and
part
of
our
plan
is
to
you
know,
take
over
some
of
the
maintenance
on
some
of
those
existing
murals,
but
also
these
areas
that
robbie
has
pointed
out
were
places
that
were
either
made
blank
by
some
of
our
repairs
and
construction
to
the
building
or
were
places
where
they
were
being
vandalized
with
graffiti
frequently.
K
H
Commissioner
eichmann's
not
with
us
and
perhaps
robbie
and
the
other
commissioners
can
correct
me
if
I'm
stating
this
incorrectly,
but
I
believe
she
specifically
wanted
to
you
to
speak
to
appropriateness,
coherency
and
overall
feel
for
what's
happening
and
all
of
that
space
around
those
rectangles
those
masked
off
white
spaces.
What's
your
approach.
K
Yeah,
so
those
areas
that
are
white
on
the
on
the
images
that
robbie
showed
have
actually
already
been
painted
with
some
murals.
We
took
a
quick
action
on
that
earlier
this
year
after
we
had
a
sort
of
a
flood
of
graffiti
happening
on
our
building,
so
we
wanted
to
take
away
the
blank
spaces
quickly,
but
part
of
our.
I
think
it's
a
good
illustration
of
kind
of
how
we
approach
the
the
new
work
on
the
building.
K
So
those
panels
were
each
painted
by
an
artist
or
a
team
of
artists
who
worked
together
on
the
design,
and
there
were,
I
think,
10
artists
involved
in
that,
and
they
all
you
know
with
my
assistants,
communicated
together
about
what
they
were
going
to
create.
They
took
the
existing
murals
into
consideration,
for
example
the
the
color
palette.
Of
course
it's
a
really
vibrant
colorful
palette.
K
They
incorporated
that
into
the
new
murals
and
made
sure
that
it
all
went
together,
aesthetically
and
thematically
there's
a
common
thread
amongst
all
of
them,
and
that
is,
I
think,
typical
of
our
approach.
We
are
an
artist
collective.
We
always
work
collaboratively
and
involve
multiple
artists,
and
so
we're
always
having
conversations
about
how
we
bring
together
everyone's
strengths
in
a
way
that
is
cohesive
and
makes
sense
with
the
the
overall
context
where
we're
working.
K
H
A
Kelsey,
you
said
you're
going
to
take
control
of
the
other
art
I
think,
is
the
way
you
put
it.
Does
that
mean
you're
gonna
replace
the
existing
painted
masonry.
K
No,
that
is
not
our
intention
right
now.
There
has
not
really
been
any
ongoing
maintenance
to
those
existing
artworks
and
we
would
like
to
preserve
them
as
best
that
we
can-
and
I
guess
that's
what
I
meant
by
take
control-
is
just
to
have
the
authority
to
refresh
them
as
needed
or
to
preserve
them.
I
guess
I
should
say,
but.
K
Right,
yeah,
those.
What
is
white
rectangles
in
those
images
have
actually
already
been
painted
with
new
imagery,
and
those
are
panels
that
were
previously
windows
that
were
covered
up
through
the
course
of
our
construction.
K
B
B
A
K
Yeah,
I
just
wanted
to
add
that
on
that
front,
porch
space-
since
I
didn't
address
that
specifically,
we
imagine
the
potential
for
future
additions
to
that
space.
That
may
be
more
sculptural
an
example
of
that
you
can
see.
K
We
have
some
planters
built
in
where
now
we
have
live
plants
growing,
but
in
the
future
we
have
some
ideas
for
some
fabricated
plants
that
are
more
sculptural
objects
that
maybe
have
lights
incorporated
in
them
so
that
they
light
up
at
night
if
you've
been
by
the
building
in
the
last
year,
or
so
you
know
that
it
lights
up
at
night,
and
so
we're
always
wanting
to
add
to
that
effect.
K
H
I
Yes,
so
there's
a
photo
in
the
application
that
includes
the
back
of
the
building
that
does
not
have
indicated
like
mural
spots
on
it.
It
just
kind
of
shows
some
graffiti-
that's
happening
back
there,
that
is,
that
included
in
the
site
for
curation,
or
is
it
just
an
example
of
showing
that
there
is
graffiti
happening
and
that
this
is
part
of
the
remedy.
B
So
the
way
the
plan
reads,
it's
showing
the
graffiti
that's
happening,
and
I
I
think
that's
what
I
took
from
when
kelsey
said,
take
control.
That
was
one
of
the
things
I
read
in
the
applications
where
they
wanted
to
take
control
of
the
visual
imagery
on
the
space
and
as
they
can,
they
want
to
convert
that
to
things
that
they
think
would
be
appropriate.
I
B
I
B
K
Back
of
the
building
are
artworks
that
have
been
there
for
quite
some
time.
They
are
created
by
artists
that
we
all
really
like,
and
you
know,
have
wanted
to
preserve
those
murals,
but
they
have
been
pretty
badly
vandalized.
K
J
Yes,
I
was
just
checking
with
kelsey
that
the
condition
set
for
by
the
office
of
art
and
cultural
affairs
is
fine,
with
your
application.
K
Yes,
the
one
thing
that
may
vary
slightly
on
the
art
marker
requirement,
because
we
are
collective.
We
and
there's
always
a
lot
of
artists
involved
in
what
we
do.
K
We
typically,
we
don't
usually
do
traditional
labels
for
the
work
that
we
do
so
I'm
trying
to
come
up
with
a
solution
that
I
think
will
work
well,
and
I
actually
think
that
what
we're
going
to
do
is
potentially
put
out
a
qr
code
that
people
can
use
to
go
to
a
page
on
our
website
that
talks
about
the
process
and
the
artists
involved,
and
that
page
can
be
updated
over
time
as
as
new
artists
come
in
and
do
new
works
on
these
panels.
That's
something
we're
considering.
K
We
haven't
installed
a
marker
yet,
but
we're
making
a
plan
for
how
we
can
do
it
in
a
way
that
suits
the
way
the
factory
obscura
works.
B
B
K
H
I
have
a
motion
to
recommend
with
the
conditions,
as
stated
from
commissioner
seward
and
a
second
from
commissioner
salyer.
I
believe
we
have
further
discussion,
but
a
motion
is
on
the
table.
I
will
hold
the
vote
until
after
discussion,
commissioner
bailey,
followed
by
commissioner
cooper.
Commissioner
bailey.
I
I
So
so
somehow
staff
missed
that
just
want.
I
want
clarification
either
way
and
I
would
be
fine
moving
forward
either
way,
just
want
to
make
sure
that
we
have
on
record
what
it
is
that
we're
proving
so
that
so
that
we
know
who
the
point
of
contact
is
on
those
things.
Locations.
I
K
K
And
we
wanted
to
be
clear
that
we
are
not.
We
don't
have
any
intention
to
ever
add
anything
to
that
east
wall
without
further
discussion
with
our
neighbors
and
our
property
owner,
and
so
it
was
important
to
them
that
we
made
that
very
clear
in
our
application
that
the
east
wall
is
absolutely
not
part
of
this
conversation.
K
We
just
wanted
to
be
clear
where
all
of
the
existing
artwork
is,
but
in
the
written
part
of
our
application.
I
think
we
only
indicated
the
west
wall
and
the
front
porch.
I
I
would
I
would
really
like
an
updated
site
plan.
That's
a
little
bit
more
clear.
We
I'm
fine
voting
today,
but
if,
if
kelsey
can
update
that
with
robbie
to
show
existing
murals
versus
sight
of
the
curatorial
plan,
two
different
options,
just
so
that
we
have.
We
understand
that
your
curatorial
plan
does
not
extend
to
the
north
wall
right
now.
In
case.
B
I
There's
unsanctioned
or
unexpected
art,
maybe.
I
C
My
question
is
probably
only
tangentially
involved
related
to
this,
but
it
brought
up
a
question
in
my
mind
that
one
of
the
reasons
that
we
have
used
for
advocating
on
behalf
of
murals
is
that
reduces
graffiti,
and
so
I
was
wondering:
is
there
something
particular
about
the
womb
that's
inviting
graffiti
or
is
it
or
or
is
it
not
providing
a
deterred
effect
anymore?
Because
we
have
so
many
of
them
or
do
we
know?
I
mean
that.
May
that
may
be
a
question
without
an
actual
answer:
kelsey
nodding
her
head,
so.
K
Yeah,
I
think
there
is
something
about
this
building
that
attracts
people
for
sure.
I
don't
know
that
I
could
articulate
exactly
what
it
is,
but
it
certainly
has
a
magnetic
quality
and
the
back
that
north
wall
in
particular.
K
I
think
just
because
it's
the
back
of
the
building
it
has,
it
doesn't
have
a
lot
of
I
like
public-facing
eyes
on
it.
You
know
it
doesn't
face
the
street
and
it's
not
really
well
lit
at
night
in
that
back
alley,
and
so
that
wall,
in
particular,
tends
to
attract
a
lot
of
just
tagging
and
gr
and
vandalism
and
those
murals
have
also
been
there
for
a
long
time.
K
They've
been
there,
I
think,
about
eight
or
nine
years
and
so
they're
beginning
to
fade
and
peel
a
little
bit,
and
so
I
think
that
you
know
people
don't
respect
them
in
the
way
that
the
more
colorful
and
well-lit
and
fresh
murals
prevent
that
kind
of
thing.
D
Kelsey
we've
had
a
lot
of
trouble
in
this
last
seven
covid
month
period
on
the
other
side
of
broadway
as
well.
K
H
H
H
H
B
Okay,
great
yes,
so
this
was
a
a
waiver
that
was
proposed
introduced
to
you
at
the
last
meeting.
So
now
that
you've
had
time
to
look
at
it.
I
I
do
think
that
I've
listed
here
all
the
what
we
had
hoped
that
the
new
waiver
would
do.
B
C
I
recall
at
the
last:
am
I
okay.
I
recall
at
the
last
meeting
that
there
was
that
someone
made
a
comment
that,
as
the
waiver
was
presented
the
last
time
that
they
would
not
sign
it,
and
I
was
wondering
if
their
objection
was
something
that
was
addressed
or
if
that
is
something
that
has
been
kept
in
since,
since
the
waiver
we
received
that
it's
not
like
a
redline
copy.
That
shows
what
the
where
the
changes
are.
C
I
know
that
the
committee
reviewed
it
and-
and
I
saw
that
they
approved
it,
but
I
was
wondering
if
whatever
objections
had
been
previously
expressed
to
the
language
was
modified
or
was
explained
with
enough
that
people
didn't
find
it
to
be
objectionable.
Thank.
H
H
B
That's
a
great
question
and
no
no
no
objections
were
shared
with
staff.
So
what
you're,
seeing
today
in
your
packet
is
exactly
what
you
saw
last
month
with
no
changes.
L
Yes
and
I'm
going
to
need
robbie
to
help
me
clarify
this.
In
the
background
of
the
of
this
part
of
the
agenda,
it
says
it's
like
the
second
sentence
that
says
the
current
waiver
used
is
appropriate
for
the
city's
use
when
commissioning
work
under
the
one
percent
for
the
arts
ordinance,
but
applicants,
artists
and
property
owners
have
expressed
confusion
robbie.
This
is
just
a
sample
document
for
artists
and
property
owners.
To
use,
am
I
correct,
or
in
my.
B
Mix,
that's
exactly
correct.
There
does
seem
to
be
some
confusion
when
artists
are
putting
together
their
applications
and
they're
asking
property
owners
to
sign
those,
and
so
this
was
an
attempt
to
make
it
a
little
bit
more
clear
to
to
produce
a
little
more
conversation
at
that
time
of
signing
all
the
documents
about
what
everyone's
expectations
were.
We
still
plan
to
continue
to
use
the
the
shorter
the
brief
form
waiver
on
city
of
oklahoma
city
projects.
L
Okay,
that,
in
my
opinion,
that's
where
we
really
got
off
track
in
september
during
the
meeting,
because
we
were
discussing
and
treating
this
document
as
if
it
were
the
one
required
by
the
city-
and
you
know,
as
everybody
knows,
the
arts
commission
is
a
recommending
body
and
not
a
permitting
body.
So
we
were
we're
just
actually
putting
this
up
there
as
a
here.
You
best
practice
use
this
if
you
like,
and
we
tried
to
simplify
it.
So
I
think
that's
where
we
got
lost
last
time.
L
The
required
waiver,
that's
required
by
the
city
council
and
the
other
permitting
bodies
is
going
to
stay
the
same.
It's
not
going
to
change
so
we're
we're
really
just
basically
voting
on
a
sample.
L
C
What
that's
it?
Okay
and
I
pulled
up.
I
pulled
up
the
waiver
and
I
think
that
the
part
that
the
whoever
made
the
comment
they
made
it
in
the
in
our
last
meeting-
and
I
don't
remember
now
if
it
was
somebody
I
think
it
was
someone
outside
the
commission.
C
H
Thank
you,
commissioner,
cooper
to
commissioner
kovach's
point.
I
think
another
example
for
comparison
would
be
in
situations
where
we
recommend,
perhaps
an
easement,
which
is
an
agreement
with
the
county
way
outside
of
of
what
we
would
handle
or
recommend.
H
L
H
L
H
I
Yes,
I
wanted
to
follow
up
with
commissioner
kobash's
comments.
He
and
I
both
served
on
the
vera
waiver
ad
hoc
meeting
that
we
had,
and
I
do
think
that
there's
a
lot
of
layers
of
confusion
about
why
the
arts
and
cultural
affairs
department
would
include
this,
and
I
think
there
are
other
resources
available
to
artists
that
hopefully
in
our
community
can
provide
some
similar
and
maybe
comparable
documents
for
artists
to
use.
I
I
based
on
feedback
and
that
level
of
confusion.
As
a
member
of
the
meeting,
I
would
make
a
motion
to
decline
recommending
this
document
and
for
this
I
think,
to
no
longer
be
on
our
agenda
moving
forward.
So.
H
C
Deny
I.
C
Yes,
well,
if
it's,
if
this
is
something
that
is
offered
just
as
an
alternative.
Now
we
require
these
private
parties
to
have
a
vera
waiver
signed
and
if
we
provide
them
this
document,
it
is
that.
L
I
And
because
of
that
confusion,
that's
part
of
the
reason
that
I'm
suggesting
that
we.
I
Deny
this
recommendation
and
not
provide
a
sample
document
to
artists
and
private
parties
only
providing
the
vera
waiver
that
the
city
requires
so
that
in
the
future,
if
there
is
graffiti
or
some
kind
of
unremedied
item
in
development
services
or
damage
somebody,
you
know,
there's
lots
of
options
for
damage.
But
if
we
have
to
make
a
repair
to
a
structure
for
public
safety,
then
we
would
have
the
option
to
do
that.
And
that
is
the
only
vera
waiver
that
an
artist
on
private
property
is
required
to
sign.
I
C
While
we
might
control
the
permitting
of
these
private
public,
I
mean
these
public
public
public,
these
private
partnerships-
I
I
have
a
I
I'm
with
commissioner
bailey.
I
have
a
problem
with
us
promoting
a
document.
That's
not
for
us.
It's
for
the
private
sector.
C
H
L
H
B
I
I'd
be
happy
to
commissioner
loftus,
so
I
think
what
we,
what
we
find
is
that
the
arts
commission
often
and
the
office
of
arts
and
cultural
affairs,
because
we
do
direct
technical
assistance
when
we
see
things
out
in
the
private
sector
that
we
think
are
highly
confusing.
B
Let's
do
what
the
ordinance
says
we
should
do
and
if,
if
someone
thinks
some
action
needs
to
be
taken
for
the
private
sector
and
for
artists
that
perhaps
that
should
be
one
of
the
private
nonprofit
organizations
who
does
service
to
artists
and
not
the
city
in
this
particular
case
that
we
need
to
stay
in
our
lane
of
permitting
review
comment.
Those
kinds
of
things.
H
And
for
clarification,
any
one
percent
funds
or
any
other
realized
funding
from
the
city,
taxpayer,
funded
or
otherwise
would
still
have
the
full
vera
waiver
as
required.
This
is
for
parties
or
agreements
outside
of
taxpayer-funded
projects.
B
N
The
pool
catalog
opens
up
with
a
great
wealth
of
information
about
commissioning,
and
I
know
personally
through
private
projects
that
I've
handled
that
companies
reference
that
information
and
in
doing
so
they
they
eliminate
a
lot
of
mistakes.
They
eliminate
a
lot
of
potential
trials
that
that
could
cost
money
that
could
cost
artist
issues
that
could
result
in
a
poor
project.
So
I
will
say:
disseminating
information
to
the
private
sector
from
your
office
is
beneficial.
N
I
would
add
also
that
I
believe
the
issue
that
artists
are
going
to
take
with
the
sample
document
comes
down
to
the
language.
You
know
whenever
they
do
a
project
with
the
city
of
oklahoma
city
and
they
sign
a
veer
waiver.
They
know
that
for
changes
to
take
place,
there
are
many
committees
involved
whenever
they
sign
a
document
with
a
private
party
that
has
language
that
says.
For
any
reason,
you
can
alter
this
they're,
not
sure
that
they
can
trust
that
party.
N
It's
not
a
committee.
Most
of
the
time,
and
so
I
would
say
that
if
there's
a
way
to
reorganize
that
language
in
the
sample
document
to
assert
that
the
project
could
be
destroyed
or
altered
for
a
list
of
good
quality
reasons
which
I
know
could
become
a
very,
very
ridiculously
long
list,
then
I
think
artists
would
probably
get
behind
it
and
and
the
sample
would
have
a
lot
of
good
use.
And-
and
that's
really
all
I
had
to
say.
I
see
both
points.
H
C
Commissioner
cooper,
please
one
more
comment.
I
you
know
this
might
be
a
good
area
for
maybe
an
outside
consultation
with
a
group
such
as
ovac
to
get
some
artists
input
and
for
them
to
to
develop
a
a
sample
vera
waiver
for
public
commissions,
but
not
necessarily
promulgated
by
the
city
itself,
because
we're
we're
promulgating
on
behalf
of
the
city.
H
G
Thank
you,
commissioner
sweeney.
Yes,
commissioner,
booker.
C
G
H
B
H
H
E
E
Today
this
is
one
of
the
two
family
aquatic
centers
in
the
oklahoma
city
park
system
and
the
site
that
we're
thinking
about
well
that
we're
not
thinking
about
we're
talking
about
today
is
actually
a
wall
immediately
to
the
south
of
the
main
entrance
to
the
aquatic
center,
and
you
can
see
it
in
this
image
with
the
large
red
circle
next
slide.
Please.
E
So,
to
give
you
a
little
background
on
this,
we
announced
the
rfq
to
the
pre-qualified
pool
on
june
25th.
It
had
a
deadline
of
july,
the
9th
and
then
our
first
election
meeting
was
on
the
29th
of
july.
Three
finalists
were
chosen.
They
attended
the
mandatory
site
tour
and
that's
the
scene
that
you
see
in
this
on
the
screen
right
now
september
14th
had
a
final
collect
final
selection,
today's
the
19th
and
you're
hearing
about
it
at
commission.
E
E
So
this
is
a
visual
representation
of
the
award-winning
or
the
the
the
work
that
won
the
art
award
in
this
case
by
nick
bear
the
way
it
ought
to
be,
and
you
can
read
his
statement
there
about
what
he
was
hoping
to
achieve
by
this
design,
but
also
he
mentioned
that
what
he,
what
has
said
and
read
there.
I
want
this
work
to
shed
light
on
the
oklahoma
river
otter
and
its
journey
back
into
oklahoma.
E
E
It
has
now
been
reestablished
in
19
eastern
counties,
so
it
is
once
again
back
in
its
native
territory
and
nick
wanted
to
highlight
that
in
this
work,
as
well
as
just
a
really
fun
and
engaging
piece
of
work,
I'll
say
that
chris
lucas
parks
department
was
on
the
selection
committee
he's
in
charge
of
this
facility,
and
he
was
utterly
thrilled
with
this
particular
piece
of
work.
If
you
have
any
questions
I'll
be
happy
to
answer
what
I
can.
H
Thank
you
randy.
I
believe
the
artist
nick
is
on
the
meeting
call
as
well.
Nick
is
there
anything
you
would
like
to
add
to
the
presentation.
O
I
think
randy
covered
it
pretty
well,
we
are,
I
mean,
I'm
happy
to
get
the
opportunity
to
do
this,
but
I
just
really
wanted
to
highlight
the
the
history
most
people
in
oklahoma
aren't
really
familiar
with
the
fact
that
river
otters
are
native
to
oklahoma,
and
it
was
kind
of
a
surprise
to
me
to
find
that
information
out
and
then
also
again
in
doing
the
research
on
the
project
that
the
oklahoma,
wildlife
and
conservation
actually
held
had
a
reintroduction
program
for
the
river
otter
and
that
now
you
know
the
river
otters
reestablishing
itself
in
oklahoma
and
then
the
other
little
bit
I
wanted
just
to
add
it
in.
O
There
was
the
fact
that
it
is
a
you
know,
a
family
aquatic
center
and
we
have
a
family
of
otters.
You
know
having
fun
so
having
something
that
was
fun
family,
friendly
and
having
otters,
because
who
doesn't
love,
otters.
So
the
title,
the
way
it
otterbee
kind
of
ties
back
into
the
fact
that
it's
families
having
fun
and
being
active,
but
also
the
reintroduction
of
the
otter
back
into
its
native
home.
O
A
O
That
information-
I
do
not
know
as
far
as
their
actual
numbers
we
just
with
the
information
I
have-
is
the
the
area
in
which
they
are
located
they're
in
six,
was
it
19
or
16
different
counties
right
now
and
I
think
29
different
watersheds
in
the
state.
So
that's
the
information
that
I
have.
I
do
not
believe
it
is
a
protected
species,
but
I
can
do
some
more
research
and
get
you
an
answer
for
that.
J
I'll
recommend
approval.
H
I
Just
want
to
comment,
this
is
absolutely
adorable,
but
I
also
from
from
a
technical
perspective
on
what
commissioners
should
be
looking
at.
This
seems
like
a
perfect
material
to
be
used
in
this
setting,
and
I
think
that
it
will
hold
up
for
lots
of
instagram
photos
of
kids
just
out
of
the
pool,
leaning
against
it,
and
all
of
these
scenarios
that
I
can
picture
people
wanting
to
capture
this
piece.
So.
H
H
H
Thank
you
mark.
The
motion
carries
moving
on
to
agenda
item.
Oh
rather,
I
have
a
brief
announcement.
It's
this
part
of
the
meeting
where
I
announce.
If
we
lose
our
connection
for
more
than
15
minutes,
we
will
consider
any
remaining
items
at
our
next
regularly
scheduled
arts
commission
meeting
on
november
16th
at
4
p.m.
H
Now,
moving
on
to
agenda
item
3d
arts
commission
case
20043
restoration
of
over
the
top
by
bruce
white
professional
services,
agreement
with
shane
welsh,
doing
business
as
jl
fabrications,
a
one
percent
for
art
sculpture,
located
at
the
matt
hoffman
action
sports
park,
1700
south
robinson
avenue
for
three
thousand
dollars
located
in
warren
7:
ward,
7.
randy.
Will
you
please
introduce
this
item.
E
The
sidemap
you're
looking
at
shows
the
matt
hoffman
action
sports
park,
which
is
embedded
in
the
new
manual
perez
park,
which
is
actually
part
of
the
old
wiley
post
park.
So
if
you
have
followed
all
of
that,
you're
right
on
site
there,
on
south
robinson
at
southeast
17th
street,
you
pull
in
there's
a.
There
is
a
lot
of
new
construction
in
the
area
that
you'll
be
hearing
about
very
soon
and
projects
associated
with
that
we're
looking
at
a
sculpture
that
was
installed
in
2005
at
the
matt
hoffman
park,
and
this
is
it.
E
This
is
bruce
artist,
bruce
white's,
over-the-top
sculpture
that
has
been
in
place
for
about
15
years
now,
and
you
can
see
from
the
image
that
it
has
been
the
target
of
a
lot
of
graffiti
there's
stickers
on
it.
There's
all
kinds
of
things
that
have
accreted
to
the
sculpture
over
the
years
and
parks
wants
it
to
be
restored
to
some
semblance
of
its
original
glory
in
time
for
the
dedication
of
the
new
manual
perez
park,
which
is
taking
place
next
month.
E
So
in
this
particular
case,
we
submitted
an
rfq
to
art
handlers
in
the
pre-qualified
pool
on
august,
the
28th
and
heard
back
from
three
respondents
on
september,
the
2nd
on
the
16th
in
lieu
of
having
a
site
a
mandatory
site
tour.
We
provided
them
with
extra
information.
It
was
a
basically
a
q,
a
of
about
20,
different
questions
that
had
been
posed,
and
we
asked
the
artist
then
to
give
proposals
based
upon
the
information
that
they
had
they
had
received.
E
The
selection
committee
reviewed
two
responses.
We
received
one
no
bid
and
made
a
recommendation
to
the
arts
commission
today,
and
that
is
for
shane
welch.
If
you
recommend
it
to
go
on
to
city
council,
it
will
on
the
27th
of
this
month,
and
we
estimate
that
the
entire
work
will
be
done
on
before
veterans
day
of
this
year.
E
The
approach
that
shane
recommended
was
that
it
be
sanded
down.
It,
be
painted
again
with
the
type
of
paint
that
was
used
originally
and
painted
in
such
a
way
that
it'll
be
easy
for
the
parks,
department
or
general
services,
or
both
whoever
is
tasked
with
keeping
the
particular
sculpture,
looking
good
the
ability
to
go
out
and
brush
or
roll
over
whatever
the
graffiti
is
or
easily
remove
anything
that
has
been
attached
to
it
and
do
a
quick
repair.
E
H
H
J
Oh
yes,
my
question
randy
is
this
was
painted
15
years
ago
the.
How
will
the
paint
colors
match.
E
The
artists
were
instructed
to
go
out
to
the
site
and
to
use
some
kind
of
solvent
that
would
remove
the
chalky
exterior
so
that
the
original
color,
something
close
to
the
original
color
would
be
revealed.
We
did
contact
with
robbie
and
I
had
contact
with
mr
white
he's
retired.
He
sold
his
studio.
He
doesn't
have
any
records
about
what
the
original
color
was
and
he
was
okay,
with
it
being
matched
as
close
as
possible,
as
we
could
come,
come
up
with.
E
J
E
The
the
selection
committee
agreed
with
that.
I
I
think
randy
answered
my
question
about
the
artist
bruce
white
and
whether
we
had
contacted
him.
So
thank
you.
M
C
H
You
mark
the
motion
carries.
We
are
now
to
item
four
the
consent
docket.
We
will
consider
all
of
these
items
together,
but
first
I'd
like
to
request
that
nick
bayer
present
on
item
d,
family
ties.
O
Yeah,
so
I'm
gonna
be
giving
you
guys
an
update
on
the
family
ties
project
that
we're
doing
at
the
health
and
wellness
center
number
two
and
so
from
what
we
had
discussed
last
time.
In
my
proposal
it
was
that
the
membership
we're
going
to
get
to
choose
and
select
the
different
things
that
would
go
would
end
up
being
in
the
tree
itself.
O
Then
we
we
had
some
issues
with
kovid
kind
of
shutting
things
down,
but
we
recently
were
able
to
get
things
back
started
and
we
had
the
online
and
also
in-person
survey
results.
We
had
75
people
participate
in
choosing
some
of
the
different
creatures
that
would
be
located
in
the
tree
itself.
What
I
did
to
kind
of
help
them
out
is
I
selected
regional
creatures
and
animals
that
would
you
would
find
in
oklahoma
and
we
kind
of
limited.
O
I
limited
it
a
little
bit
in
that
direction
and
then
left
it
open
to
them
to
write
in
suggestions
if
there
was
something
else.
So
that
way
we
would
be
able
to
have
something
that
was
kind
of
cohesive
and
felt
like
an
environment
that
we
would
find
in
our
area
regionally
and
we
ended
up.
I
don't
know
if
we
have
a
updated
drawing
coming
up.
O
You
can
see
those
are
some
of
the
areas
we
ended
up,
adding
10
different
creatures
into
the
work,
and
here
you
can
see
the
different
creatures
that
we're
adding
so
we've
added.
We've
kept
the
owl
we've
added
squirrels
we've
added
buffalo,
butterfly
scissortail
flycatcher
cardinals.
O
O
And
so
so,
once
we
had
this
kind
of
figured
out
as
far
as
what
we
were
going
to
do
with
the
design
we
actually
started
doing
in
person.
O
Basically,
workshops
to
work
with
the
membership
to
actually
start
the
production
of
the
piece
itself
we
broke
it
down.
We
were
allowed
to
work
with
six
people
at
a
time,
so
we
have
basically
a
schedule
we're
doing
it.
Four
days
a
week,
we
have
two
sessions
per
day.
We
have
a
morning
and
an
afternoon
so
that
if
we
have
more
than
six
people
per
day,
we
can
work
up
to
12
per
day.
O
Some
people
will
actually
stay
for
both
sessions,
so
two
hour
sessions
and
things
have
been
going
really
good.
We
had
you
know
we're
doing
we're
doing
epoxy
resin
tiles
for
the
foliage
in
the
tree,
so
we
have
membership
donations
that
they
provided
those
fabrics
and
then
just
with
like
what
I
wanted
with
the
idea
of
family
ties
and
people
being
able
to
contribute
something
that
meant
something
to
them
or
something
to
their
culture.
O
People
are
bringing
in
like
some
fabric
from
their
mother's
wedding,
dress
or
we're
using
ties
from
from
someone's
dad
who's
no
longer
with
them.
So
we're
getting
some
of
those
results
that
I
was
hoping
with
the
type
of
fabrics
that
people
are
bringing
in
and
I
think
people
are
very
excited
for
the
project
itself.
They
they
understand
that
we're
in
it
for
the
long
haul.
We've
got
projected
to
do
maybe
six
months
of
work
total
on
site.
O
I
think
we're
two
weeks
into
it
right
now,
but
you
can
see
as
in
in
the
photo.
You
know
we
we
have
our
stations
where
social,
we're
being
socially
distant
and
everybody's
messed
up,
and
so
far
things
are
going
really
well
as
far
as
production
and
so
we're
working
with
fabric
right
now
we
anticipate
moving
into
doing
some
working
with
clay
within
the
next
week
or
two.
O
So
then
we'll
start
working
and
we'll
the
studio
will
transition
into
instead
of
being
a
fabric,
studio,
we'll
actually
move
into
or
a
clay
studio,
so
we're
working,
I'm
I'm
also
helping
them
kind
of
figure
out
their
their
kill
and
they've
had
some
issues.
We're
gonna
have
to
do
some
repairs
to
that
so,
but
but
we're
we're
getting
everything
set
up
so
that
we
can
actually
go
into
full
production
and
actually
do
it
be
a
full
clay
studio
for
them.
O
So
but
yeah
things
are
going
well
with
that
with
as
far
as
participants
right
now,
it's
kind
of
hit
and
miss
some
days
will
be
really
good
and
some
days
will
be
slower
and
we're
going
to
we're
kind
of
collecting
all
that
data
right.
Now,
we're
going
to
readjust
the
schedule
to
kind
of
make
sure
that
we're
getting
as
many
people
as
we
can
on
the
days
that
you
know
they
they
want
to
be
there.
O
So
so
all
that's
going
really
well
we're
just
going
to
adjust
things
and
kind
of
tweak
things
as
we
go
just
so
that
we
have
more
flexible.
It's
it's
really
good,
they're,
very
workable
people,
they're
very
flexible.
O
The
members
are
that
are
showing
up
are
very
dedicated
to
the
project
and
we
also
have
a
lot
of
members
coming
in
that
are
they
they
can
see
what
we're
doing
and
they're
interested
in
what
we're
doing,
and
then
they
we
have
a
sign
up,
so
people
can
sign
up,
so
we
kind
of
can
track
where
people
are
and
what
they're
doing
so.
But
it's
it's
going
really.
Well,
I
don't
know
if
you
guys
are
looking
for
any
other
information
from
me.
As
far
as
the
update.
H
H
C
I
I
know
that
the
director
of
that
wellness
center
was
particularly
interested
and
asked
that
it
be
a
joint
project
between
the
clients
of
the
of
the
center
and
the
artist,
and
I
see
that
that's
going
on.
I
guess
I'd
ask
nick
whether
or
not
he
thinks
that
is
accomplishing
what
the
director
was
hoping
for.
O
Yeah,
I
think
so,
because
part
of
what
they're
wanting
to
do
is
to
get
more
people
involved
in
their
own
arts
program.
So
they
actually
have
brought
in
an
arts
coordinator
who
I'm
working
with
directly
as
far
as
creating
the
schedule,
and
the
idea
is
that
they
hope
to
parlay
with
what
we're
doing
and
to
maintain
the
momentum
so
that
they
can
continue
to
do
art
classes
and
kind
of
build
that
the
arts
visual
arts
area
at
their
center.
O
Get
involved
be
involved,
there's
multiple
ways.
What
we
tried
to
do
is
if
someone
wasn't
really
interested
in
actually
physically
participating,
then
they
can
participate
via
the
donation
of
fabric
or
either
coming
in,
and
you
know
in
the
selection
of
the
creatures,
so
they're
just
really
wanting
to
get
people
involved,
and
I
think
that's
happening
we're
seeing
some
results.
H
C
H
Thank
you
mark.
Thank
you
mark
the
motion
carried.
We
are
now
on
agenda
item
five
discussion:
action
on
reports
from
committees.
Five,
a
commission
advocate
crystal
joseph's
report
yo.
Rather,
commissioner
yosef
is
not
with
us
today.
Robbie.
Would
you
please
give
this
report.
B
So
this
year,
commissioner
yosef
would
have
reported
to
you
that
the
mayor's
proclamation
for
arts
and
humanities
month
is
scheduled
on
tuesday
october
27th,
and
this
is
to
declare
october
2020
as
arts
and
humanities
month.
The
mayor
will
read
that
proclamation
and
at
the
first
part
of
the
meeting
next
week
and
our
chair,
brian
chambers,
will
say
a
few
words
about
the
importance
to
of
the
arts
and
executive
director
of
the
oklahoma
humanities
foundation.
B
Caroline
lowry
will
also
speak
about
the
importance
of
the
humanities,
because
this
is
such
an
unusual
meeting
and
this
will
be
virtual
and
none
of
you
will
be
able
to
attend
there.
There
won't
be
a
reason
to
get
anyone
another
zoom
link,
except
for
the
two
speakers,
but
we
would
encourage
you
if
you
have
the
time
and
and
want
to
that,
you
can
watch
the
meeting
live
on
youtube
because
it
will
be
at
the
front
end
of
that
agenda.
H
B
Ravi,
please
yeah.
It
was
a
great
first
meeting
and
originally
we
had
scheduled
three
meetings,
but
I
really
think
the
committee's
work
will
will
be
done
in
two.
Some
of
the
points
that
they
highlighted
right
away
is
that
the
one
percent
for
our
process
might
need
to
begin
earlier
and
that
there
will
be
certain
circumstances
where
we
will
need
to
draw
from
contingency
funds
just
because
of
the
nature
of
multiple
parties
working
on
a
project
and
the
nature
of
the
art
being
the
last
project.
B
L
B
B
There
is
also
there
are
also
machines
being
purchased
to
purify
the
air.
So
I
want
all
of
you
to
know
that
you
will
enter
in
that
south
door
to
city
hall.
There
will
be
only
one
entrance
you
will
sign
in
for
contact
tracing
your
temperature
will
be
checked
and
then
you'll
proceed
to
get
on
the
elevator
up
to
the
third
floor
for
the
council
chamber.
If
you
have
any
questions
about
that,
please
contact
myself
or
mark
between
now
and
our
next
meeting
robbie.
B
A
B
B
B
H
If,
if
rather
robbie,
just
you
said,
if
you're
like
me,
your
passwords,
your
usernames,
are
auto
filled.
They're
saved
on
my
laptop,
for
example.
B
H
If
I
understand
correctly,
you
won't
be
able
to
reset
your
password
on
site,
so
make
sure
you
know
your
username
and
password
we've
been
pretty
comfortable
at
home,
so
it's
it's
been
automated
for
me,
make
sure
you
know
those
two
things
before
arriving
in
council
chambers
for
our
next
meeting
and
if
I
I
feel
like
it
should
also
stress
that
it'll
be
really
important
for
a
quorum
understanding
from
mark.
H
I
understand
many
may
not
feel
comfortable
meeting
in
person,
so
please
be
in
communication
with
staff
about
attendance.
I've
very
much
enjoyed
the
modifications
to
the
open
meetings
act.
I
think
it's
allowed
for
greater
participation,
but
the
laws
as
currently
currently
written
and
without
the
emergency
declarations
this
these
are
the
requirements.
H
N
N
N
I
think
access
is
the
greatest
thing
we
can
do
to
improve
the
participation
of
other
artists
and
individuals
and
private
private
parties
that
that
just
want
to
find
a
way
to
become
involved
with
the
arts
in
the
right
way.
It
takes
time
and
obviously,
I've
enjoyed
this
I've
been
at
every
meeting
for
seven
months,
and
I
honestly
think
that,
prior
to
that,
I
might
have
attended
two
in
two
years
that
didn't
have
something
directly
to
do
with
me.
N
I
would
write
the
governor's
office,
but
he's
done
responding
to
me.
I
hope
you
all
fight
this
and
I'll
just
leave
it
at
that.
I
appreciate
your
time.
I
appreciate
your
service.
H
Thank
you
anton
and
on
that
note,
for
this
lot
of
change,
it
would
take
writing
your
state
representative.
Writing
your
state.
Senator
writing
the
governor.
This
would
require
a
change
on
that
scale,
but
I
would
also
encourage
you
to
contact
your
award
council
member
to
share
how
you've
enjoyed
this,
this
greater
access
to
our
city's
administrative
life
and
how
boards
committees
and
commissions
like
ours
function
and,
additionally,
we're
seeing
higher
numbers
related
to
the
pandemic
on
many
markers
than
we
have
since
we
started
having
virtual
meetings.
B
Something
else:
okay,
so
last
week,
muralist
team
brook
rowlands
and
dylan
bradway
began
their
murals
for
the
shillings
skatepark
and
the
stars
and
stripes.
They
did
not
work
today
I
hear
because
because
of
the
weather,
because
it
was
kind
of
wet,
but
we
did
want
you
to
know
that
you
can
see
in
the
background
for
the
zoo
meeting,
we've
got
the
background
on
mine.
What
is
the
city
but
the
people
by
uk
artist,
martin
donlin,
and
he
is
working
with
local
project
manager,
tony
morton
and
they're,
going
to
start
that
project
later
this
week.
B
These
four
inch
little
tiles
on
three
skin
walls
surrounding
that
parking
garage
and
then
you'll,
see
on
randy's
background
he's
got
the
interior
of
the
convention
center.
This
is
because
virtual
sky
he's
working
with
the
mobilization
team
that
will
do
the
installation
and
that
will
start
next
week
and
then
over
the
next
few
weeks,
we'll
begin
path
poems
on
eight
parks.
B
This
is
the
second
of
the
two
participatory
projects,
the
only
difference
with
the
the
first
one
that
nick
just
gave
you
an
update
on
in
this
other
one
is
that
this
will
be
students
at
douglas
high
school
and
then
next
week
the
scissortail
park
selection
committee
will
meet
to
make
their
final
decision,
for
we
hope
for
the
redesigned,
one
percent
for
art
for
scissortail
park
and
then
once
that
is
done,
we'll
bring
that
recommendation
to
the
arts
commission
and
then,
if
that
warrants
an
amendment
to
the
existing
contract.
We'll
do
that.
B
A
H
Moving
on
to
agenda
item
seven
items
from
the
chair,
I
well
one
plug
for
the
oklahoma
city,
museum
of
art.
We
just
recently
opened
shared
lives,
distant
places,
recent
acquisitions
and
photography.
H
It's
in
celebration
of
the
museum's
75th
anniversary
we
incorporated
in
1945.
We
actually
started
as
a
works
progress
administration
institution
as
an
experimental
gallery
in
the
city's
early
days.
Our
current
location
was
realized
and
open
to
the
public
public
around
2002,
but
our
75th
anniversary
goes
all
the
way
back
to
1945..
H
We
initially
set
out
to
collect
only
75
works
for
our
75th
anniversary.
We
have
far
exceeded
that
now
into
the
hundreds,
multiple
hundreds
and
this
particular
exhibition
focuses
on
donations
in
the
medium
of
photography,
six
different
artists
working
within
the
medium
and
a
variety
of
techniques
and
styles.
I
highly
encourage
you
to
visit
the
exhibition
as
soon
as
possible.
As
a
reminder,
we
have
time
ticketing
and
social
and
physical,
distancing
requirements
in
place
and,
of
course,
mass
mandates
and
then
secondly,
my
other
thing
is.
Thank
you.
H
H
So
I
mentioned
something
I
was
going
to
say
earlier
under
staff
comments
under
robbie's
comments
about
us
returning
to
council
chambers.
But
again
I
encourage
everyone
to
reach
out
to
your
elected
representatives
to
speak
to
how
this
has
created,
perhaps
greater
access
for
our
citizens.
I
Actually,
I
actually
have
a
question:
are
we
going
to
get
some
notice
before
the
convention
center
lights
up,
because
that
seems
like
something
that
might
be
kind
of
fun
as
a
member
of
the
public
to
and
a
commissioner
to
witness
the
first
time.
H
E
So
the
the
installing
team
is
supposed
to
be
on
site
and
actually
starting
the
installation
officially
a
week
from
today.
We
expect
them
in
a
couple
of
days
before
that
they're
going
to
be
working
on
both
of
the
atrium
simultaneously.
There
will
be
some
point
in
there
that
they're
they'll
be
testing,
but
I
will
I.
D
D
Mr
chairman,
may
I
put
in
a
shameless
plug
too.
I
got
an
email
from
the
art
museum
today
talking
about
the
exhibit
that's
coming
in
june
of
2021,
so
everybody
put
it
on
your
calendars
because
it
is
frescos
and
artifacts
from
pompeii
that
have
never
left
italy
before
and
their
only
venue
is
going
to
be
the
oklahoma
city,
museum
of
art.
D
D
H
E
Oklahoma
city
convention
center
on
south
robinson,
just
south
of
oklahoma
city
boulevard,
since
you
did
ask
about
that,
though,
the
the
piece
virga
by
cliff
garden
studio
is
scheduled
to
be
installed
right
around
december
15th
of
this
year
at
the
bennett
event
center
on
the
fairgrounds,
so
two
major
pieces
going
in
before
the
end
of
the
year
and
I'm
knocking
wood.
As
I'm
saying
this,
hopefully
everything
will
go
well.
L
Yeah
and
just
a
as
another,
slightly
shameless
plug.
I
think
that
it
would
be
good
to
go
see
that
one
light
up
as
well,
because
I
remember
seeing
the
renderings
and
and
the
didn't
you
post
something
about
the
sculptures
being
created,
because
I
think
that'd
be
something
to
go
out
and
see
as
well
as
the
one
at
the
convention
center.
E
So
cliff
says
this
is
the
most
complicated
piece
that
he
has
ever
designed
and
had
so
it's
just
the
piece
itself
without
any
lighting
is
going
to
be
pretty
spectacular.
C
Well,
this
past
weekend,
I
I
attended
two
in-person
events.
C
One
was
the
rehearsal
for
the
oklahoma
city
philharmonic
they're
on
saturday
morning,
and
they
had
it
very
well
spaced
out
and
I'm
bringing
this
up
so
that
you
know
for
people
who
are
subscribers
there
you
can
go.
I
mean
it
was.
I
I
felt
very,
very
safe,
so
I
don't
know
that
they
have
any
single
tickets
available
because
they're
more
subscribers
than
there
are
seats,
given
the
way
that
they're
trying
to
handle
the
social
distancing.
C
But
there
are
only
50
people
at
the
rehearsal,
so
it's
possible
that
you
might
be
able
to
have
the
opportunity
in
the
future
to
go
to
one
of
the
rehearsals
and
it's
wonderful
to
see
orchestral
music
performed
in
the
civic
center.
The
other
event
I
went
to
was
jb.
Our
fellow
commissioner
jb
had
a
concert
this
weekend
at
the
tower
theater,
and
that
also
was
that
they
had
so
the
table
set
up
social
distancing.
C
I
felt
totally
comfortable
and
so
and
it
was
a
it
was
a
new
experience
for
me.
I've
never
been
to
a
rap
concert
before,
but
in
and
jb
is
an
amazing
guy,
as
I'm
sure
you
all
everybody
already
knows,
but
in
addition
to
his
own
rap
music
and
other
artists
who
sing
rap
along
with
him,
he
had
sam
carrie.
Who
is
a
a
cellist.
He
plays
an
electric,
augmented,
cello
and
oh
golly.
I
just
have
forgotten
her
name
but
a
harpist,
so
it
was.
He
had
two
people
playing
music.
C
There
was
really
a
lot
more
along
classical
lines,
so
he
he's
not
limiting
his
repertoire
to
just
rap
he's,
he's
doing
some
inclusive
work
and
including
other
people
in
his
program
to
appeal
to
a
broader
audience,
and
the
venue
is
good.
So,
if
and
and
well
spaced
out,
so
I'm
encouraging
you
if
the
opportunity
comes
to
at
least
consider
it.
C
H
H
In
our
chat
thread,
I
did
see
someone
who
posted
but
labeled
venice
neighborhood
resident.
Are
there
any
citizens
and
we
are
moving
on
to
public
comments.
Item
eight
public
comments:
are
there
any
members
of
the
public
who
wish
to
speak
to
the
commission?
If
you
do
so,
it
is
required
that
you
state
your
name
and
the
city
of
which
you're
a
resident.
M
Yes,
sir,
I'm
I'm
online
still
thank
you
for
for
acknowledging
my
text.
This
is
bob.
I'm
I'm
in
the
venice
neighborhood
in
here
in
oklahoma
city
is
that
does
that
suffice,
for
for
name
and
and
address.
H
M
I
appreciate
it
and
I
I
do
apologize.
This
is
my
first
call
and
I
was
a
little
confused
on
the
format
when
earlier
and
I
hate
to
go
back
in
any
meeting
earlier
when
there
was
a
call
for
discussions
on
the
murals.
I
thought
there
was
a
specific
line
item
for
this
particular
topic
and
there
were
more
than
just
kind
of
a
grouping
of
the
murals.
So
again
I
do
apologize.
M
I
I
am
on
the
call
to
discuss
one
mural
in
particular,
that
is
at
2808
northwest
31st
street
the
before
I
get
too
far
ahead.
I
do
appreciate
the
chance
to
speak
thanks
to
robbie.
I
know
she
has
spoken
to
my
wife
a
couple
times
and
the
to
the
chair
and
all
the
commissioners.
I
I
do
appreciate
a
chance
to
to
get
to
talk
with
you
tonight
again.
This
is
my
first
time
on
this
call.
M
I
think
thank
you
for
what
you
guys
do,
the
the
the
building
and
the
the
business
in
question
that
has
the
mural
has
has
been
associated
with
in,
and
I
guess
next
to
our
neighborhood
for
for
a
a
number
of
years.
I
want
to
say
back
to
2013,
but
I
can't
2015
sorry,
but
I
can't
elaborate
on
that.
I'm
not
positive.
I've
been
in
the
neighborhood
since
2013,
so
I've
seen
quite
a
bit
of
changes
that
have
evolved
within
the
neighborhood.
M
M
I
thought
everybody
would
agree
that
it's
it's
a
shame
that
we
even
have
to
have
those
kind
of
centers
today,
but
it
happens,
and
people
do
need
help,
and
I
acknowledge
that-
and
I
applaud
them
for
for
the
work
that
that
they
do
there,
but
but
that
that
business,
essentially
less
than
a
thousand
feet
away
from
the
neighborhood,
has
caused
some
concerns
over
the
years
and
it
hasn't
come
without
its
challenges.
M
More
than
just
graffiti
or
or
or
people
just
passing
through
the
neighborhood,
I
went
to
the
police
department
and
and
and
I
I
did
pull
it's
a
matter
of
public
record-
anybody
can
do
this.
It
costs
a
little
bit
of
money
and
I
just
want
to
explain
some
of
the
concerns
that
I
have.
M
I
won't
speak
for
the
entire
neighborhood,
but
I
know
I
am
not
alone
that
I
have
for
a
mural
placed
on
the
east
wall
of
of
this
building
that
that
is
not
facing
the
commercial
aspect
of
of
the
buildings,
but
it
faces
the
the
residential
aspect
of
who
lives.
Behind
these
these
buildings
again
very,
very
close
to
the
building.
I
have
data
from
2014
to
2017.
For
some
reason
they
didn't
keep
2017
and
2018,
and
I
got
2018
to
2020..
M
There's
been
59
these.
This
is
all
just
documented
from
the
police
station.
Nothing
that
and
again
anybody
could
pull
it.
There's
59
cases
of
suspicious
activity
or
disturbance,
there's
29
welfare
checks.
Over
that
time,
there's
been
23.
Mental
patient
calls
that
they
that's
their
terms.
There's
been
37
alarms
that
that
have
that
are
occurred.
Those
are
simple.
That's
just
the
amount
of
kind
of
groupings
within
the
this
address.
There's
been
calls
on.
M
H
Apologize
interrupt
for
one
second
sure
I
I
usually
limit
comments
to
about
three
minutes.
However,
if
it's
okay,
may
I
give
you
30
more
seconds
to
wrap
up
your
final
comments.
M
You
bet
I
appreciate
the
the
chance
so
there's
been
two
sex
offenses
there's
been
two
rapes
and
three
cases
of
domestic
abuse.
The
last
thing
that
I
think
most
in
the
neighborhood
want
is
a
draw
another
draw
into
this
area
and
have
people
after
hours,
we've
already
noticed,
lewd
pictures
being
taken
and
we've
noticed
an
uptick
in
graffiti.
M
I
would
like
to
be
on
the
record
for
opposing
this
mural
that
I
don't
believe
was
ever
passed
at
at
this
forum.
I
might
be
mistaken,
but
I
I
would
like
to
I
don't
know
if
I'm
allowed
to
make
a
motion,
but
I
don't
the
speaking
for
the
neighborhood
we
we
we
are
against
anything
that
would
cause
more
people
to
traverse
into
and
to
be
in
the
neighborhood
after
hours.