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From YouTube: External Organization Interview - Art Walk
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A
B
Thank
you
mayor,
I'm
greg
blow
and
one
of
the
members
of
the
committee
that
has
been
putting
on
the
art
walk.
This
is
our
fourth
year
and
I
think
we
started
and
it
was
pretty
from
the
sea
of
our
pants
sort
of
thing.
We
started
with
the
idea
of
adding
to
the
aesthetics
of
downtown
and
it's
grown
into
much
more
than
that,
as
as
we've
gotten
into
it,
but
we
really,
you
know:
we've
added
new
locations.
B
B
We've
learned,
especially
after
the
first
year
that
certain
pieces
don't
fit
where
we
want
to
put
them,
and
there
are
maybe
awnings
over
buildings
over
sidewalks,
some
sidewalks
have
the
steam
tunnels
under
them,
and
so
we
can't
put
them
where
we
thought
we
were
going
to
put
them.
City
utilities
has
been
very
helpful
in
showing
us
where
we
usually
pick
out
the
spots
and
they
tell
us.
No
don't
do
that,
and
so
we've
done
a
better
job
of
matching
the
art
to
the
surroundings.
B
We
we
try
to
do
native
art.
We
try
to
do
some
whimsical
things.
We
try
to
do
animals
and
we
have
this
year,
the
little
cowboy
who's
two
and
a
half
feet
tall,
and
then
we
have
the
the
rusty
guitar,
that's
13
feet
tall
and
if
you
look
at
our
brochure,
you'll
see
that
they
range
in
in
value
from,
I
think
as
little
as
2500
up
to
the
bear.
B
Next
to
the
chamber
of
commerce,
which
is
20
000,
and
the
idea
is
to
sell
those
or
sell
one
of
them
and
we
would
get
a
percentage
of
the
sale
price
which
probably
brings
me
to
the
the
core
of
this
discussion,
and
that
is
the
expense
of
doing
this,
and
we
probably
got
some
incomplete
information
in
the
beginning
as
to
costs
and
things
other
than
just
the
granite
block
and
the
lease
itself
as
far
as
expense,
so
that
we
prob
well,
we
didn't
price.
B
It
correctly
and
just
on
the
block
and
the
art
lease
in
the
first
year
we
lost
500
per
position
wow,
so
we
learned
and
we've
repriced.
B
We
still
have
some
carryover
debt
that
we're
retiring
each
year,
but
if
we
would
sell
one
of
these
pieces,
it
would
help
us
pay
that
off
just
that
much
sooner.
The
the
idea
is
to
bring
people
to
downtown
and
to
look
at
the
art
to
the
city.
Along
with
the
art,
walk
has
joined,
an
organization
called
the
state
art
trail,
and
the
idea
is
that,
where
we
have
communities
that
have
art
on
display,
the
state
will
promote
tourism
and
people.
B
Following
the
trail
and
that'll
get
people
into
town,
sioux
falls
randomly
two
years
ago.
One
of
their
members
was
at
the
falls
and
there
were
two
buses
there,
people
just
out
looking
in
and
he
started
talking
to
the
bus
driver
and
the
bus
driver.
He
said
what,
where
are
you
going
to
eat
and
they
said
well
we're
going
to
go
to
the
truck
stop.
He
said
why
don't
you
go
downtown
and
he
said
well:
are
there
places
to
eat
there
and
they
did
go
downtown?
B
They
stayed
about.
Two
hours
walked
up
and
down
phillips,
looking
at
the
art
and
everybody
that
got
back
on
the
bus
had
a
shopping
bag
and
the
idea
is
sort
of
to
get
people
to
come
downtown,
look
around
and
spend
some
money
so
that
that's
it
has
evolved
in
our
mind
from
just
say:
it'd
be
nice
to
have
some
statues
some
attractive
statues
to
getting
the
downtown,
vibrant
and
more
attractive.
B
We
also
have
found
that
there's
an
education
component
to
this
homeschoolers
are
being
brought
by
their
parents
and
they
pick
out
a
a
piece
of
art,
and
then
they
have
to
write
a
paper
and
explain
what
it
is
and
what
it
means-
and
I
know
for
a
fact,
jenkins
brings
some
of
their
people
around
when
the
weather
is
good
and
they
walk
up
and
down
looking
at
the
pieces.
So
that's
another
group
that
probably
wouldn't
be
downtown
if
it
weren't
for
the
art
so
that
education
component,
we
hadn't,
really
thought
about
it.
B
Last
spring,
there
was
a
class
from
the
high
school
and
they
were
going
to
each
position
and
taking
pictures,
and
I
don't
know
what
they
were
going
to
do
with
it.
But
you
know,
then
they
went
back
to
school
and
did
something
anyway.
So
art
means
a
lot
of
different
things
to
a
lot
of
different
people
and
we've
sort
of
found
that
out
and
we've
tried
to,
as
I
said,
be
sort
of
diverse
in
what
we
pick
and
see
if
we
can
put
it
where
it
shows
the
best.
B
You
know
the
success
of
art
walk,
I
think,
can
be
measured
one
in
the
number
of
people
we
see
wandering
around
looking
at
it.
But
you
know
it's
sort
of
anecdotal
and
what
they
do
in
true
falls,
and
we
just
haven't
figured
a
good
way
to
do
it
yet
is
to
have
people
vote
on
what
they
think
is
the
best
piece,
the
piece
that
they
like
the
most
because
we're
all
volunteers
and
we've
all
got
other
things
to
do,
and
they've
got
full-time
staff
in
sioux
falls.
B
Yet
we've
expanded
our
committee,
joy,
nelson
jande,
berg
and
myself
for
the
first
few
years
now,
luanne
strait
and
sean
dempsey
have
joined
us
and
I
think
that's
a
good
sign
of
growth
right
there
and
they've
been
helpful.
What
I
I
say,
it's
the
most
fun
of
what
we
do
and
that's
when
we
pick
out
the
art
and
it's
sort
of
hard,
because
you're
just
seeing
a
picture,
a
one-dimensional
picture
on
the
wall,
but
having
those
additional
people
sets
of
eyes.
B
This
year
we
picked
a
couple
that
I
think
we
wouldn't
have
picked
and
they've
turned
out
to
be
really
popular,
and
I
I
want
to
expand
the
group.
I
think
that's
the
the
key
for
us.
As
we
add
more
positions.
I
think
we
want
to
add
more
people
to
to
the
committee.
We
also
have
friends
of
watertown
art,
walk
and
those
people
give
500
a
piece
to
to
support
the
art
walk
and
I
think
that's
an
important
sign
of
people
supporting
us
and
and
that
it's
important
as
far
as
our
biggest
challenge.
B
You
know
I
I
think
it
is
selecting
the
art
and
getting
it
in
the
right
place
and
certainly
paying
for
it
we've
and
we
are
paying
as
we
go
now
and
we
we've
figured
out
how
to
price
this.
We
don't
want
to
overprice
it
because
we
want
people
to
to
participate,
but
we
we
can
cover
our
costs
and
that's
all
we
try
to
do.
I
think
we
came
into
this
year.
B
We
can
put
it
and
I
think
sioux
falls
has
overdone
it
if
you've,
if
you
walk
down
phillips
they'll,
have
at
least
two
pieces
on
every
block
and
sometimes
three
and
you
sort
of
get
overwhelmed.
Then
it's
on
both
sides
of
the
street
and
you
don't
stop
long
enough
to
really
take
into
perspective
what
those
various
pieces
are
and
what
they
mean.
So
I
I
don't
think
we
want
to
go
that
far,
but
we
do
want
to
have
pieces
any
place.
We
can
put
them
physically.
B
The
sidewalk
can
support
it
and
where
they
fit
into
the
the
what's
going
on
in
the
street.
B
At
that
location,
the
bump
out,
where
we
put
our
little
statues,
really
is
sort
of
neat,
because
it's
not
blocked
by
any
parking
cars
and
that's
why
we
put
the
smaller
ones
there
and
then
each
year,
we've
sort
of
gotten
a
little
bigger,
because
the
cars
do
block
the
view
sometimes,
and
so
we
have
sort
of
as
we're
picking
our
art.
We
try
to
get
bigger
pieces
that
will
fit
into
the
location.
A
A
I
I
guess
I
would
like
to
hear
you
say
if
you
had
to
boil
it
down
to
the
main
goal
of
having
art
walk
downtown.
What
would
that
be.
B
I
want
as
many
people
as
possible
to
come
to
want
to
come
and
look
at
it,
and
you
know
we
don't
all
appreciate
the
same
types
of
art.
So
that's
why
we
really
try
to
be
diverse
in
what
we
have
and
I
think
my
goal
is.
If
a
person
will
walk
down
kemp
and
like
two
or
three
of
the
peace
really
like
him,
I
don't
know
that
we've
had
anybody
say
I
don't
like
that.
B
They
may
say
I
like
this
the
best
or
that's
strange.
Well
what
what
happened
to
one
of
our
strange
ones.
That
became
a
casualty
last
year.
I
don't
know
if
you
remember
the
orange
globe.
Oh
attackers
yeah
confront
attackers,
so
somebody
didn't
like
that
one.
Maybe
but
capitalism,
that's
what
we
pay
insurance
for.
B
Well,
I
I
we
appreciate
what
the
city
has
done
for
us
and
we
think
it's
important
enough
to
put
our
time
in
and
get
her
done.