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From YouTube: What's Possible with NFTs
Description
Join us for a day of content dedicated to exploring what’s possible using Web3 technology like Filecoin, IPFS & Ethereum.
A
I'm
really
excited
for
everyone
to
join
here.
I
we
have
this
amazing
panel
and
just
fun
is
maybe
it's
a
friday
fun
day.
So
I
just
wanted
to
start
with
a
little
bit
about
nfc's
for
anyone
who
is
new.
It
stands
for
non-functional
token
unique
and
non-interchangeable,
so
I
think
of
nfts
from
a
technological
lens.
They
represent
tokenized
digital
assets,
plus
proof
of
ownership,
plus
money
channels
baked
in
and
you'll
see,
sort
of
nfts
of
all
kind.
A
There's
art,
music,
in-game,
vr
parcels,
real
world
business
assets
like
real
estate,
scientific
papers
and
even
liquidity
positions.
So
our
topic
of
what's
possible
with
nfps,
is
fairly
large
and
with
this
stellar
lineup,
it's
going
to
be
hard
to
cover
everything,
but
I
think
we
have
some
really
fun
topics
today
to
cover
we're
just
going
to
start
with
a
quick
intro
from
all
our
panelists,
maybe
we'll
start
with
billy
with
molly,
and
then
people
pleaser
and
then
billy,
just
a
brief
intro
to
give
people
some
context.
A
B
Everyone
really
excited
to
be
here,
so
I
work
on
ipfs
falcon
with
p2p
and
run
kind
of
our
engineering
team
at
critical
labs
working
on
those
protocols,
and
so
my
my
connection
to
the
nft
space
is
usually
at
kind
of
the
level
that
you're
just
hearing
from
alan
around.
B
How
do
we
make
sure
that,
when
we're
addressing
nfts
that
we're,
you
know
not
not
losing
those
or
breaking
the
the
links
to
the
data
and
metadata
that
makes
up
an
nft
and
that
we're
storing
that
and
making
it
accessible
long
term
without
reliance
on
a
lot
of
central
parties
and
being
able
to
do
that
in
a
really
resilient
way
to
all
sorts
of
faults
or
mistakes,
and
that
really
comes
from
kind
of
the
longer
space
and
longer
mission
of
kind
of
what
ipfs
and
falcon
are
aiming
to
do
here
in
the
web3
space
but
yeah?
B
B
That
sounds
like
the
future
I
want,
but
I
was
looking
for
that,
like
that,
that
platform
that
space,
where
I
could
actually
go
and
interact
with
it,
and
I
think
the
the
team
actually
moved
on
at
dapper
to
go
and
build
some
of
these
games
where
you
could
actually
take
these
crypto
nfts
these
identities
and
you
could
move
them
around
into
different
spaces,
and
I
thought
that
was
so
exciting
to
be
able
to
use
things
like
peer-to-peer.
Networking
content
addressing
to
say,
take.
B
Take
your
favorite
neopet
from
one
video
game
to
another
video
game
into
your
favorite
virtual
world.
It's
like
wow
this.
This
is
the
metaverse.
It's
it's
starting!
It's
happening
here
and
so
just
really
excited
at
all
that
we
can
do
kind
of
from
a
technical
level
and
the
infrastructure
and
tools
we
can
build
like
nft.storage
or
guides
best
practices.
Things
like
that
to
enable
the
amazing
creators
and
artists
and
folks
who
are
actually
making
making
that
future
of
the
web
exist
so
that
they
can
do
it
more
effectively.
C
Hey
everyone,
I'm
people
pleaser.
I
am
a
digital
artist
who
frequently
collaborates
with
a
lot
of
d5
protocols
and
also,
I
I
guess,
maybe
am
more
known
for
making
that
unison,
v3,
animation
and
consequently
selling
it
as
an
nft
in
which
we
raised
310
ethereum
for
charity
and
then
also
a
dao
was
formed
to
purchase
the
piece
which
is
now
called
pleaser
dao
and
when
I
first
heard
about
nfts.
Similarly,
actually
I
heard
about
it.
C
I
think
the
initial
initial
point
was
probably
from
cryptokitties,
but
I
obviously
had
no
idea
what
nfts
even
were
at
the
time
just
thought.
Oh,
it
was
like
kind
of
cool
but
then
sort
of
when
I,
when
I
got
like
a
little
bit
more
involved
in
sort
of
selling
nfts
was
around
d5
summer,
but
even
before
that,
because
I
had
created
sort
of
an
instagram
art
account
and
just
to
kind
of
get
my
content
out
there.
C
I
had
joined
all
these
random
discords
and
then
so
I
joined
a
couple
ones
that
were
crypto
art,
discords
and
at
the
time
I
I
wasn't
selling
any
of
t's.
But
I
was
just
joining
these
discords
to
sort
of
promote
my
work,
so
I
would
just
drop
the
instagram
links
in
there
and
then
people
would
be
like.
How
can
I
buy
this
because
I
wasn't
selling
them
so
I
actually
had
no
idea
what
I
was
doing
and
just
like,
they
probably
just
thought
who's.
This
person,
who's,
always
dropping
instagram
links
and
they're.
C
Just
not
selling
nfts
doesn't
make
any
sense
and
then
later
on,
then
I
actually
discovered
variable
and
that
you
can
actually-
and
this
is
sort
of
about
when-
and
this
was
last
summer
so
about
one
miracle
was
like
kind
of
taking
off
and
then
so.
I
I
just
as
an
experiment
like
minted.
You
know
like
just
a
like
three
pieces
or
something,
and
then
I
can't
believe
people
actually
bought
them.
So
then
I
was
like
wow.
C
If
you
actually
want
to
buy
my
work,
this
is
really
cool
and
then
so
that's
kind
of
like
how
I
got
started
or
what
just
like
around
last
summer,
and
then
it
was
sort
of
happening
in
conjunction
with
my
whole,
like
d5
summer,
where
I
was
also
making
animations
like
in
collaboration
with
diva
protocols,
but
yeah.
Those
two
worlds
kind
of
like
didn't
merge
until
the
unison
b3
animation.
Where
I
was
like.
I
can
actually
also.
C
D
So
yeah
I'm
billy,
I'm
based
in
berlin,
I'm
on
the
board
of
management
at
the
interchain
foundation,
who
are
the
stewards
for
the
cosmos
network,
I'm
the
founder
of
clover's
network,
which
is
an
nft
game
that
rewards
the
creation
of
scarce
art
and
I'm
a
founder,
slash
advisor
to
folia
app,
which
is
a
space
for
exhibiting
and
collecting
nfts.
D
I
first
encountered
nfts
or
the
concept.
While
I
was
building
an
early
version
of
clover's
network
back
in
2017,
I
had
sort
of
a
proto
version
of
it
before
the
standard
really
existed,
just
as
clover's
network,
and
then
I
was
started
hitting
the
hackathon
route
really
hard
to
try
to
like
share
my
work
and
try
to
see
what
people
thought
about
this
weird
idea.
D
And
so
I
went
to
the
very
first
youth
global
event,
east
waterloo,
where
cryptokitties
launched
and
it
was
really
fun
and
exciting
and
seeing
the
standard
there
sort
of
clicked
after
realizing,
like
the
limitations
of
erc20
and
being
like,
oh
yeah,
like
if
we
all
just
use
the
same
thing,
so
much
more
exciting
things
can
happen
and
so
really
just
followed
it
from
there
developed
an
eip
called
refungible
token,
which
is
like
a
fractional
ownership
eip,
and
my
fun
fact
is
that
I'm
I'm
the
reason
why
ens
uses
nfts.
A
But
also
fun
fact:
my
twitter
profile
is
a
clovers.
Yes,
so
I'm
a
big
fan
of
a
lot
of
new
york,
I'm
a
fan
of
everyone
here.
I've
been
following
you
guys
on
twitter
and
everything
beforehand.
A
So,
just
to
start,
I
think,
for
this
panel,
one
of
the
greatest
things
is
thinking
about,
there's
a
lot
of
conversations
around
nft
art
and
just
like
it's
selling
and
all
these
numbers,
but
kind
of
moving
away
for
them,
and
actually
thinking
like
to
inspire
other
people,
I
want
to
kind
of
think
talk
about
some
of
those
unexpected
or
creative
use
cases
in
which
nfts
that,
like
people,
don't
think
about
when
they
think
about
nfts
and-
and
one
of
them
is
around
this
like
interesting
way
to
sell
the
nft
to
fund
something
more
positive
or
like
a
public
good
and
so
on.
A
But
we
definitely
don't
want
to
go
back
to
people.
Please
y'all!
Please
are
on
that
one,
but
maybe
billy
I'd
love
for
you
to
talk
about
this.
You,
you
kind
of
bid
for
the
first,
the
tokenized
solidity
code
base
for
reserve
auctions
and
like
how
selling
code
and
what
that
meant.
Also
in
an
nft,
maybe
you
won't
talk
about
that.
D
Yeah,
that
was
a
really
fun
experience
almost
a
coincidence,
so
my
involvement
in
folia
is
mostly
like
nights
or
weekend.
When
I
was
first
talking
to
a
friend
about
it.
I
was
like
from
a
technical
point
of
view,
it's
not
very
difficult,
but
from
like
a
social
point
of
view.
Like
you
know,
this
is
founders
who
have
been
involved
in
like
traditional
art
world,
like
getting
art
people
interested
in
crypto
and
getting
crypto
people
interested
in
legacy.
Art,
like
that's
a
problem
that,
like
I'm
gonna,
leave
to
you.
D
But
technically
you
know
I'll
help
out
whatever
the
the
tech
hasn't
changed
the
last
couple
years,
and
so
we
were
talking
about
building
a
reserve
auction
contract
for
a
little
while,
and
it
was
exact
same
weekend
that
bounty
on
mirror
posted.
This
bounty,
like
somebody,
want
to
build
a
reserve
price
auction
and
they're
just
like
absolutely
so
so
dove
into
it
really
fast.
They
were
really
responsive.
D
The
team
over
there
is
great,
I
know
some
of
the
people
there
already,
but
you
know
iterated
on
a
couple
times
they
deployed
it
really
quickly
definitely
got
some
help
from
them
polishing
the
final
code,
but
ended
up
launching
it
and
yeah
selling
this
code
base
as
an
nft,
which
was,
I
guess,
the
first
of
its
kind.
D
I
mean
it's,
it's
not
like
it's
trying
to
take
the
ip
angle
where
you
know
ownership
of
it
gives
you
rights
to
the
code
in
some
way,
but
there
was
this
really
sort
of
like
nice
iterative
thing
that
is
happening
over
at
mirror
that
I
think
they're
doing
a
great
job
of
which
is
like
stuff
around.
Like
party
dow.
You
know
almost
like
flash
styles,
you
know
hey,
let's
all
get
together
on
this,
like
really
specific
topic
purpose.
D
What
what
happens
if
we
all
just
like
band
together,
really
quickly
to
do
something
cool
and
having
an
nft
sort
of
encapsulate
that
activity,
I
think,
is
really
great
and
also
provides
a
lot
of
interesting
next
steps
for
that
collective
activity.
You
know
the
reselling
of
the
nft
proceeds
of
that
nft
collectively
management,
the
funds
there's
there's
a
lot
of
cool
things
that
happen
from
there.
A
And
speaking
of
dallas,
coming
together,
I
mean
people.
Pleaser
you've
also
been
a
lot
of
your
work
kind
of
connects
back
to
kind
of
giving
back
the
stands
with
asians
and
the
autism,
like
tell
me,
tell
us
more
a
little
bit
about
your
experience
with,
like
your
work
nfts
and
this
kind
of
funding
explosion.
That
has
happened.
C
Sure
so
sort
of
the
concept
of
selling
nfts
to
give
back
really
came
from.
I
read
a
tweet
from
chao
wang
back
in
the
day
and
it
really
sort
of
resonated
me.
Basically
he
said
that
if
he
made
a
lot
of
money
trading
assets
in
2020
just
know
that
and
he's
like.
I
speak
this
as
an
investor
trader
myself
that
you're
not
really
contributing
much
to
society.
C
But
if
you
want
to
brag,
you
should
brag
about
how
you've
helped
people
financially,
and
so
that
really,
when
I
read
that
you
know
really
resonated
with
me,
not
that
I
made
a
lot
of
money
in
2010
or
anything,
but
I
make
you
know
livable
income,
just
for
my
collaborations
in
general
and
then-
and
you
know,
there's
a
round
about
you
know
like
obviously
before
I
was
selling
on
a
piece,
but
they
were.
C
I
had
never
done
an
auction
before
so
I
was
just
selling
them
for
pretty
cheap,
like
I
just
put
like
less
than
one
eighth
or
something-
and
you
know
it
wasn't
really
like
on
the
top
of
my
mind,
but
I
had
always
thought
that
would
be
cool
if
one
day
you
know,
maybe
I
could
do
like
a
charity
auction
or
something,
and
so
obviously,
when
the
whole
nft
explosion
happened.
C
I
did
see
it
as
sort
of
like
it's
like
a
superpower
to
you
know,
because
it
is
something
that
is
only
happening
to
a
very,
very
small
group
of
select
artists
that
they're
able
to
sell
a
piece.
You
know
that's
going
for.
Hundreds
of
thousands
of
you
know
just
a
lot
of
money
right
and
I
thought
what
if
we
can
sort
of
use
that
superpower
for
a
distribution
of
funds
you
know,
instead
of
because
a
lot
of
the
media
as
well
was
very
focusing
on.
Like
me
me
and
how
much
money
can
I
make?
C
C
I
could
use
this
opportunity
to
really
make
a
difference
here,
and
so
that's
kind
of
where
you
know
everything
sort
of
came
together,
and
I
thought
that
this
would
be,
and
I
had
never
done
an
auction
before
it
was
really
scary.
I
didn't
know
how
much
it
was
gonna
you
know
end
up
going
for,
but
yeah,
I'm
really
glad
that.
C
Obviously
the
outcome
way
exceeded
my
expectations
and
the
whole
thing
where
I
guess
my
sort
of
like
internet
friends
and
fans
came
together
to
form
a
dao
was
also
really
touching
to
me
personally,
and
it
also
shows
an
alignment
of
all
of
our
values
together
that
we
all
cared
about
making
difference
in
the
space
and
and
also
hopefully
showing
an
example
to
other
people
as
well
that
first,
you
don't
have
to
already
be
extremely
famous
to
sell
a
piece
for
a
lot
of
money
and,
second,
you
don't
have
to
keep
all
this
money.
C
You
know,
obviously,
if
you're
starving
or
something
then
feed
yourself
first,
but
secondly,
you
know
there
and
we
actually
just
sort
of
finished
the
process
of
finalizing
the
grantees,
and
so
you
can
actually
find
us
on
my
twitter
there's
24
charities
so
far
that
each
receive
25
000
grants,
and
then
you
can
see
what
each
of
these
charities
stand
for
and
what
they're
planning
to
do
with
money.
C
And
I
just
think
that
it's
really
great
to
be
able
to
directly
see
the
kind
of
impact
that
this
has
and
that's
a
way
that
nfts
can
totally
positively
affect
the
world
around
us.
And
this
is
something
that
myself
and
pleaser
dao
are
very,
very
much
aligned
and
hopefully
can
continue
to
do
more
of
in
the
future.
A
I
think
that
also
kick-started
a
lot
of
these
styles
that
are
kind
of
creating
these
collectives.
That
say,
you
know
they
have
a
purpose
and
a
meaning,
and
the
purpose
is
to
not
just
own
the
piece,
but
it's
about
how
to
like
distribute
some
of
these
goods
in
a
way
and
and
fund
other
things.
So
it's
been
amazing
that
you
kind
of
opened
that
up
for
people.
I
think
it
really
blew
up
like
starting
from
from
your
work
and-
and
so
maybe
molly
like
you
know,
you've
seen
it
with
falcoin
as
well.
A
You
guys
are
just
kicking
off
this
also
kind
of
sponsoring
this
event
as
well.
What
are
some
of
the
kind
of
unexpected
or
creative,
or
just
some
of
your
favorite
use
cases
of
nfts
that
you've
seen.
B
I
think
my
legit
favorite
one,
which
I
I
haven't
gotten
to
experience
personally
yet,
but
I
hope
to
is
one
that
was
actually
an
nft
hack,
a
couple
of
a
month
or
two
ago
where,
where
you
created
a
piece
of
art
and
and
it
was,
I
think,
flamethrower
or
something
so
an
art
piece
of
art
was
created.
There
was
a
video
of
a
flame
thrower
burning,
the
piece
of
art,
and
that
was
recorded,
and
that
is
what
was
meant
to
snft,
which
I
thought
was
great,
and
so
that's
my
favorite.
B
So
far,
though
I'm
clearly
gonna
have
to
get
the
least
cat,
because
that's
phenomenal-
and
I
want
to
use
that
from
now
on,
but
yeah.
I
think
one
of
the
things
that
I'm
really
excited
about,
which
I
haven't
seen
happen
yet,
but
I
think,
is
a
really
interesting
opportunity
kind
of
goes
to
what
people
pleasure
was
saying
around.
B
You
know
not
not
needing
to
to
lean
on
already
being
famous
or
already
having
a
massive
following
in
order
to
kind
of
see,
see
adoption
of
your
work
or
have
this
opportunity
of
reaching
people
and
and
kind
of
you
know,
distributing
your
your
nfps
and
gaining
awareness
for
a
cause
that
you
really
care
about.
I
think
that's
super
super
meaningful.
I
have
a
couple
of
friends
who
are
musicians
and
are
not
well
known.
B
You
know
are
but
have
art
that
like
speaks
to
kind
of
ideas
and
missions
that
that
they
really
care
about,
and
they
would
they're
really
excited
about
an
opportunity
kind
of
the
reverse
of
a
dao.
That's
buying
a
single
work,
but
more
a
collection
of
artists
who
are
coming
together
and
creating
works
around
a
theme
or
a
mission
or
a
cause
where,
where
then,
you
have
kind
of
a
collection
with
a
curator
who's
helping.
B
You
know
think
of
an
exhibition
in
a
gallery
or
things
like
that,
where
you're
bringing
together
the
collective
work
of
many
artists,
and
so
you
could
have
like
effectively
dows
on
both
ends
around
you
know
a
wider
group
of
things
where
you
don't
lean
on
one
person's
individual,
like
bbv
brand,
but
you
you
lean
on
like
the
the
collective
some
of
these
works
and
then
kind
of.
B
On
the
other
hand,
you
have
many
people
who
are,
potentially
you
know,
becoming
fractional
owners
of
that
wider
collection
or
kind
of
visiting
the
the
space
in
which
this
collection
you're
you're.
Now
experiencing
this,
and
now
you
have
three
parties,
you
have
the
the
series
of
artists
who
are
creating
work.
You
have
the
curator
who's,
helping
bring
together
these
works
and
kind
of
set
them
up
for
being
like
really
meaningful
to
people
and
and
exposing
them
to
the
the
concept
or
mission
that's
trying
to
be
achieved.
B
And
then
you
have
the
group
of
people
who's,
getting
to
experience,
that
collection
of
art
and-
and
I
think
that's
something-
that's
really
exciting
and
interesting-
and
I'd
love
to
see
how
the
technology
can
evolve
to
support
that
as
well.
B
What
are
the
things
that
we
can
create
that
make
it
easy
for
a
curator
to
describe
a
series
of
works
of
art,
a
series
of
nfts
make
sure
that
you
know
a
community
can
fund
that
whole
collection
of
entities
instead
of
picking
and
choosing
and
and
kind
of
redistribute
the
the
value
kind
of
collectively
across
this
collection
versus
kind
of
the
the
one-off
auction
model,
which
I
think
works
and
is
kind
of
the
first
thing
we've
tried
here,
but
I
think
there's
a
lot
more
opportunity
for
us
to
kind
of
explore
other
ways
in
funding
this
art.
B
A
Yeah,
it's
awesome.
You
kind
of
touch
upon
like
the
next
question
I
had,
which
is
this
topic
is
called
what
is
possible
with
nfds
and
sometimes
when
you
go
really
wide.
It's
like
anything,
but
sometimes
it's
interesting
to
think
the
opposite
way
or
think
about
some
constraints
that
we
have
and
whether
you're
designing
to
push
through
those
constraints
or
outside
of
those
constraints.
A
I'm
curious
to
hear
from
everyone
like
what
are
some
of
the
limitations
to
this
nft,
either
like
creation
or
development
pro
as
a
process
or
like
what
is
the
nft
world
need,
but
hasn't
developed
yet
to
kind
of,
although
also
inspire
other
people
to
to
produce
and
build
and
and
be
part
of
this.
This
world.
D
D
What
is
the
history,
where
is
the
owner
ether
scan,
is
like
such
a
fantastic
product
in
this
space
and
like
what
a
what
a
true
public
good,
but
it
really
is
lacking
in
terms
of
nft,
so
that
that
often
comes
to
my
mind,
but
when
it
comes
to
like
kind
of
the
restrictions,
I
I'm
often
like
split
in
this
perspective
on
fts,
because
on
one
side
yeah
they
they
they
are
everything
they
enable
anything,
but
on
the
other
one
like
they're,
just
like
an
isbn
number,
you
know
I
mean
they're,
literally
just
a
unique
id
on
a
publicly
accessible
registry
and
like
sometimes
people
get
really
tripped
off
of
like
you
know.
D
Well,
what
is
the
nft
like?
Why
is
this
jpeg
matter
or
whatever,
and
it's
like
it
doesn't
but
like
it,
does
like
technically
change
this
one
very,
very
small,
benign
thing
which
opens
up
like
a
really
interesting
possibility
space
and
when
it
comes
to
like
the
restrictions
I
I
would
actually
like
to
see
more
restrictions.
D
Actually,
in
the
way,
a
lot
of
artists
engage
with
the
format,
something
that
we
we
try
to
really
support
at
folia
is
like
getting
the
artists
to
get
a
deeper
understanding
of
what
the
technology
does,
and
why
and
and
trying
to
sort
of
like
see
if
the
work
can
interact
in
a
conceptual
level
with
with
the
format.
So
you
know
what
does
it
mean
to
be
transferable?
What
does
it
mean
to
be
not
transferable?
D
How
do
you
interact
with
like
a
live
code
code
that
changes
over
time
code
that
plays
with
time
so
there's
like
a
new
piece
coming
out
where
it's
a
series
of
poems
but
they're
they're,
released
on
this
schedule,
that's
relevant
to
the
content
of
the
poems,
but,
like
the
last
one
won't
be
available
for
40
years,
and
you
know
like
this
idea
of
like
a
blockchain.
D
Is
like
forever
or,
like
you
know,
etched
in
rock,
like
the
the
auctions
will
continue
to
happen
over
the
next
40
years,
but
now
you're
really
like
thinking
about
this
work.
All
of
a
sudden
in
this,
this
time
frame
which
becomes
difficult
to
pull
out,
pull
off.
Another
other
context
that
you
don't
have
like
guarantees
around
time.
The
way
you
do
with
distributed
systems.
C
I
think
yeah,
I
think
that
something
could
be.
That
would
be
interesting,
as
maybe
I'm
not
a
technical
person
so,
but
because,
currently
you
know,
there's
nothing
that
really
sort
of
prevents
we're
very
much
in
terms
of
data
storage
reliant
on
platforms.
C
Right,
like
you
know,
when
I'm
in
on
openc,
that
is
stored
on
openc
or
if
I'm
in
foundation,
then
it's
stored
in
foundation
and
would
be
cool
to
see
if
we
could
have
something
where
it's
a
little
bit
more
like
you
know
you
meant
separately
or
independently
from
the
platform,
and
then
the
platform
is
more
used
like
for
a
sale,
but
on
a
separate
and
separate
separation
of
that
when
you're
minting
an
ft
because
of
well
related
to
this
issue.
C
If
I'm
minting
on
a
foundation,
then
there's
not
technically
nothing
stopping
me
from
minting
the
unison
v3
video
again
on
wearable
or
openc
or
something
you
know.
Obviously
that
would
tarnish
my
reputation
as
an
artist
but
technically
there's
not
anything
that
kind
of
prevents
that.
So
what
could
be
interesting
to
explore,
which
let
me
know
if
this
just
doesn't
make
any
sense
technically,
but
something
that
sort
of
either
scans
a
metadata
or
det
detects?
C
Whether
or
not
each
file
is
sort
of
identical
and
then
when
it
is,
then
it
kind
of
like
rejects
that
mint
function,
because
you're
trying
to
make
the
same
file
and
that
if
it's
a
one-of-one,
then
you
shouldn't
be
doing
that
right.
So
that
is
something
that
had
been
on
my
mind
and
I
feel
like
is
probably
hopefully
something
that
we
are
exploring
down
the
route
as
well
and
doesn't
have
to
just
apply
to
sort
of
like
an
mp4
file.
C
But
you
know
even
like
3d
models
like
obj
files,
anything
that
could
exist
on
the
metaverse
or
just
an
nft
form
in
general.
B
Kind
of
the
space
in
which
you
want
to
use
an
nft
kind
of
describing
the
the
qualifications
for
nfts
that
are
valid
within
that
context
because,
like
you
know,
at
a
fungible
level
like
whenever
you
look
at
a
particular
image
or
video
like
changing
one
pixel
changing
like
one
piece
of
metadata
technically
makes
it
so
that
it's
a
different
piece
of
content.
B
But
what
you
can
do
is
you
can
you
can
lean
on
the
platform
say
like
the
video
game
or
the
gallery
or
the
the
the
space
in
which
you're
kind
of
operating
on
those
entities,
the
nft
block,
explorer
or
viewer
of
the
future
to
think
about
kind
of
which
nfts
are
like
valid?
In
that
context,
for
example,
something
video
game
creators
have
to
think
about.
All
the
time
is,
like
you
know,
is,
is
a
weapon
or
a
an
artifact
that
you're
bringing
into
that
video
game.
B
Gonna
like
offset
the
balance,
that's
like
carefully
crafted
within
within
that
space,
in
order
to
kind
of
enable
everyone
to
you
know,
play
with
each
other
and
and
so
they're,
frequently
finding
like
these
op
like
overpowered
items.
That
then
need
to
be
like
changed
and
updated,
and
so
that's
the
sort
of
thing
where
you
can.
B
You
could
think
about
an
nft
itself
describing
the
context
or
even
those
those
characteristics
changing
as
it
moves
from
space
to
space,
and
you
could
potentially
use
that
as
well
to
be
like
well,
you
know
this.
This
video
is
just
a
reproduction
of
another
video
that
already
exists,
and
so
videos
that
are
reproductions.
B
We,
you
know
only
the
initial
piece
of
art
is
kind
of
acceptable
within
this
context
within
this
gallery
within
this
platform,
and
so
I
think
I
think,
there's
an
opportunity
there
to
kind
of
lean
on
some
of
the
potentially
lean
on
on
the
ways
in
which
you'd
view
or
interact
with
an
nft
to
kind
of
also
encourage
the
proliferation
of
really
new,
exciting
types
of
nfts
that
differentiate
themselves
across
platforms,
also,
the
one
a
plus
one
kind
of
billy's,
like
I
think,
there's
this
awesome
like
explosion
of
content,
that's
happened
and
it's
really
amazing
to
see
how
people
have
been
able
to
like
fund
all
sorts
of
amazing
artwork
that
previously
it
seems
people
were
like.
B
You
can't
you
don't
pay
for
digital
things-
I
you
know,
but
but
as
soon
as
kind
of
you
put
this
opportunity
for
like
a
receipt
or
a
trend,
time
stamp
and
like
purchase
record
on
it,
then
suddenly,
like
so
much
funding
is
able
to
to
flow
into
these
to
these
artists
and
into
these
communities,
which
I
think
is
really
cool
and
so
I'd
be
I'd,
be
curious
to
see
how
we
can
now
make
those
accessible
to
people
see
if
there's
other
things
within
the
kind
of
engaging
people
in
in
kind
of
performative,
art
or
kind
of
interaction,
style.
B
Nfts,
like
this
experience
that
changes
over
time
things
sound,
so
cool,
like
there's
a
lot
of
opportunity
there
for
for,
like
whole
communities
to
engage
with
an
nft
and
influence
its
evolution
over
time.
But
that
also
seems
like
a
really
interesting
area
that
I'm
sure
some
people
are
exploring
already.
A
Yeah
we
didn't
get
to
get
to
the
nft
piece
which
our
generative
piece,
which
I
would
like,
have
loved
to
expand
on
so
much
in
the
change
of
state.
But
unfortunately
that
sort
of
times
up
for
us-
and
I
don't
know
if
we
still
have
time
for
q
a.
But
I
would.
A
Amazing,
well,
can
we
talk
back
on
this
genitive
piece?
That's
the
piece
I
think
billy
you've
also
worked
on
molly,
you
kind
of
touched
upon
as
well.
The
the
question
I
had
was
like
this
idea
of
the
influence
of
like
code
and
art
as
its
relationship
with
each
other
and
the
code
sometimes
creating
the
art
and
you
co-creating
as
like
a
human
process,
maybe
molly
or
billy
like
do
you
want
to
expand
on
any
of
those
ideas?
I.
B
Mean
the
thing
that
that
I
think
would
be
super
cool
and
I'm
I
am
not
actually
an
nft
creator,
so
I
can't
I'm
not
making
this
exist,
but
I
did
a
lot
of
theater
growing
up
and
I
think,
there's
kind
of
a
really
cool
opportunity
for
kind
of
communities,
interacting
with
kind
of
a
performative
art
piece
together,
where
their
actions
kind
of,
like
improv,
influence
the
evolution
of
an
nft.
B
So
I
think
there
could
be
a
a
really
interesting
opportunity
around
nfts
that
grab
like
data
from
the
wider
world
or
suggestions
from
their
collective
dow
owners
over
time
in
order
to
actually
kind
of
change
the
course
of
that
nft
or
influence
that
world.
You
kind
of
think
about
you
know
as
thinking
of
this
as
the
primitives
for
creating
the
metaverse
a
really
important
thing.
B
There
is
kind
of
object:
permanence,
when
you
add
a
teapot
that
teapot
is
now
part
of
that
world
and
it
sticks
around
for
the
future
people
who
are
interacting
with
that
space
and
so
having
nfts
that
that
are
kind
of
evolutionary
in
that
way
and
that
you
can
add
and
and
build
out
more
content
to
them.
B
I
mean
I'm
sure
decentraland
is
pushing,
they
have
their
their
land
nfps,
but
you
could
also
think
about
them:
building
up
more
more
pieces
of
the
virtual
world
as
kind
of
meta,
nfts
and
meta
meta
nfts.
Where
we're
talking
about
like
larger
and
larger
collections
of
other
nfts
as
like
units,
you
can
also
address
and
evolve.
I
think
that'd
be
a
really
interesting
space,
but
I'm
still
brainstorming
here.
D
So
access
tokens,
you
know
combining
different
things,
but
when
you
talk
about
like
generative
work,
one
of
the
the
things
that
really
resonates
for
me
is
is
that,
like
at
its
core,
I
think
nfts
are
interesting
in
the
history
of
art
as
an
extension
of
conceptual
art,
you
know
it's
even
if
you
think
about
digital
work
itself
as
an
extension
of
conceptual
work,
you
know
it's
it's
explicit
code
that
represents
the
concept
sometimes,
and,
and
sometimes
you
know,
the
concept
itself
isn't
very
like
illuminating.
D
It's
the
concept
is
these
pixels
and
this
this
arrangement,
but
it
opens
up
sort
of
a
much
richer
space
of
saying,
like
cool.
The
thinginess
of
this
digital
thing
is
being
represented
by
this
very
concrete
technology,
the
nft,
but
then
the
work
itself
is
actually
much
larger
than
any
specific
representation
of
that
work.
It's
you
know.
Maybe
it
is
an
image
in
its
most
sort
of
concrete
thing,
but
maybe
it's
actually
the
source
of
the
image.
Maybe
it's
the
fact
that
that
image
has
been
reproduced.
D
Maybe
it's
who
created
it
when
they
created
it
and
why
so,
even
in
this
idea
of
like
don't
let
somebody
mint
the
same
image,
you
know
I
mean
there's
a
rich
history
of
conceptual
artists
who
do
complete
reproductions
of
artworks,
but
the
fact
that
they
did
that
reproduction
in
this
context
makes
it
completely
like
new
work
for
an
interesting
way
and
and
like
when
I
think
about
generative
works.
You
know
that's
getting
actually
like
really
explicit
about
the
the
concept
you
know.
D
The
concept
is
the
work,
looks
like
this
under
these
conditions
and
like
run
this
software
to
sort
of
enact
and
enable
and
see
the
results
of
of
my
concept
for
an
artwork
and
I'm
not
creating
a
specific
work,
but
I'm
actually
creating
an
entire
design
space
and
within
that
space,
there's
all
these
possibility
and
and
possible
outcomes.
You
know,
depending
on
whether
when
it
was
generated,
how
was
generated
the
random
number
generator,
etc.
D
But
you
know
it's
it's
like
a,
I
think,
an
extreme
step
forward,
for
you
know
an
area
of
art
that
has
a
very
rich
history,
but
it's
it's
really.
D
You
know
blossomed
into
the
space,
and
I
think
that
that
convergence
of
those
ideas
of
conceptualism,
as
well
as
like
software
as
concept,
really
has
like
found
its
form
with
nfts,
and
it's
why
I
think
we
see
stuff,
like
art,
blocks
being
really
successful
and
a
lot
of
the
larger
generative
series
being
you
know,
really
resonating
with
the
audience
is
because
it
it
hits
us
in
so
many
different
angles.
B
Do
you
think
it's
possible
yet
to
to
have
something
like
reddit
place
on
like
as
an
nft
as
an
entity?
That's
evolving
like
or
are
there
things
that
we
need
to
build
like
technology?
D
I
mean
we've
got
it
in
a
lot
of
ways:
there's
there's
another.
What
was
that
original?
Like
million
dollar
website,
where
people
you
know,
bought
pixels
or
something
there's
a
new
version
of
that
which
is
nft
based?
So
that's
collective,
drawing
through,
like
very
discreet
property
ownership,
there's
a
new
project
from
jody,
which
is
an
nft,
that's
generative,
but
it's
based
on
the
seed
of
the
address
the
person
owning
it.
So
the
actual
image
constantly
changes
based
on
the
conditions
of
its
ownership.
D
You
know,
there's
not
like
something
you
can
nail
down,
which
is
really
nice.
I
mean
all
sort
of
like
massive
online
multiplayer.
Organized
games
are
starting
to
like
merge
with
larps.
You
know,
and
you
start
having.
You
know,
different
aspects
of
it
and
the
line
between.
Where
does
the
art
start
and
stop?
You
know
comes
really
blurry
and
it
might
involve
nfts
in
many
places
along
that
way,
but
you're
right
that
I
I
don't
think
that
we've
we've
seen
anywhere
near
the
end
of
the
possibilities
there.
E
Can
we
talk
about
use
cases
of
nfts
that
are
not
art,
related
and
kind
of?
What
does
that
world
look
like
and
there's
a
lot
of
interesting
ideas?
Obviously,
billy
talked
about
ens
being
a
really
interesting
example
here,
just
any
comments
or
thoughts
on
on
that
as
a
category.
A
I
can
talk
a
little
bit
about
the
like
defy
side
as
well,
because
we
do
have
nfts
in
this
like
really
interesting.
You
we
talk
about
liquidity
positions
using
you
know,
swap
not
the
not
the
animations
themselves,
but
the
positions
being
nfts
themselves
and
at
maker
we
just
onboarded
something
called
real
world
assets
where
these
tokens,
these
nfts
represent
certain
like
loans
or
or
aspects
of
of
assets,
and
therefore,
then
you
can
put
out
a
loan.
So
it's
not
just
art
itself,
but
it's
sort
of
like
a
a
tool
like
a.
A
I
can't
I
still
can't
figure
out
like
what
the
word
is,
but
it's
like
an
asset
that
holds
a
lot
of
these
other
values,
things
of
value
and
it's
not
necessarily
about
the
nft
being
valuable
itself,
it's
about.
What's
inside
the
nft
or
what
it
represents.
D
One
of
the
compounding
effects
and
interesting
aspects
of
blockchain
themselves
is
this
idea
of
composability.
You
know,
there's
an
agreed
standard,
there's
a
common
api
and
you
know
nfts
are
exactly
that.
It's
a
common
api,
and
so
it
actually
doesn't
matter
if
it's
art
on
one
side
or
if
it's
a
financial
asset
or
if
it's
whatever.
The
fact
is
that
you
can
reuse
these
same
tools,
reuse
these
same
interfaces.
D
You
can
build
software
that
has
expectations
for
how
to
interact
with
these
things
as
long
as
they
follow
these
rules,
then
it'll
work
inside
this
new
context,
and
that
is
really
exciting
for
railroad
assets.
I
mean
exactly
the
the
I
guess:
the
centrifuge
is
the
example
you're
giving
for
the
the
real
world
assets
is
the
one
that
comes
to
my
mind.
You
know
these.
These
invoices
that
can
be
now
used
for
collateral
again
at
the
end
of
the
day.
D
They're
just
isbn
numbers,
but,
like
you
know
it's
it's
great
and
isbn,
can
represent
a
comic
book
or
a
novel,
and
like
it's
great,
if
you
love
novels-
and
you
want
to
talk
about-
you-
know
french
literature
or
something
like
that.
But
like
it
doesn't
change
the
fact
that
libraries
rule
and
they
work
because
isbns
you
know-
are
able
to
like
track
where
the
books
are
and
why
or
whatever
I
mean,
I
guess,
books
at
large
rule.
D
I
don't
know
what
that
claim
would
be
exactly,
but
the
other
real
world
stuff
that
I'm
really
excited
about.
I
mentioned
briefly,
is
sort
of
access
tokens.
You
know
things
that
become
possible
with
patreon
memberships,
almost
like
library
cards
again
to
reference
libraries.
You
know
you,
you
end
up
not
only
being
able
to
like
pay
for
subscriptions,
but
you
also
get
like
a
token
that
sort
of
shows
hey,
I'm
somebody
who's
paid
the
subscription
10
times
it's
like
putting
a
bumper
sticker
on
the
back
of
your
car.
D
Every
time
you
like
pay
your
dues
to
some.
You
know
nonprofit
or
organization,
that
you
want
to
show
that
you
support
and
those
things
of
course
can
be
used
and
we
see
them
already
being
used
for
things
like
airdrops.
You
know
you,
you
have
this
paper
trail
of
your
your
interactions,
how
you
work
with
different
things
and
the
fact
that
they
follow
this
api
means
that
they
can
be
used
forever
in
the
future.
In
all
these
different
ways
that
we
haven't
even
thought
of.
C
And
I
was
just
gonna
say
that
I
think
that's
super
useful
and
you
know
the
fact
that
it
is
a
shared
api
makes
it
like.
So
then
everybody
is
sort
of
following
the
same
rules
of
blockchain,
but
also
useful
in
cases
that
people
want
to
keep
like
souvenirs
from
you
know:
music,
art
concerts
or
music,
festivals
or-
and
you
know
so
much
of
it-
is
sort
of
in
the
physical
form
right
now,
even
small
things
like
punch
cards
at
your
local
cafe
or
something
which
I
lose
all
the
time.
B
I
think
there's
a
really
interesting
thing
like
where
we
start
bridging
the
the
kind
of
online
experience
with
the
real
world
like
there's,
there's
all
sorts
of
digital
assets
that
actually
encode
real
world
objects,
and
I
know
a
lot
of
people
kind
of
are
looking
at.
You
know
we
already
have
nfts
for
digital
land,
so
can
we
have
nfts
in
realty
or
like
in
the
the
physical
space?
There's
one
that
I
think
is
really
would
have
been.
My
answer
to
the
question
earlier
around.
B
You
know
things
that
are
trying
to
do
really
cool
stuff.
There's
like
tree
dao,
which
plants
trees
where
nfts
are
created,
and
then
you
can
vote
on
like
helping
maintain
the
the
land
and
like
how
to
how
to
help
improve
like
the
local
environment,
ecology.
B
It's
like
that's
amazing,
that's
so
cool
and
the
interplay
between
the
online,
like
nft
space,
where
you
know
within
the
blockchain
folks,
are,
are
kind
of
kind
of
making
decisions
as
a
group
and
then
the
real
world
implications
of
of
the
objects
that
those
digital
things
point
to.
Those
things
connecting,
I
think,
is
also
a
really
cool
space
for
pushing.