►
From YouTube: Typography sync session 1 of 2
Description
Sascha, Pedro, and Jeremy discuss a variety of items related to ongoing typography updates both in Figma and the product.
A
Some
thanks
for
that
suggestion
to
record
Pedro,
so
I'll
use
my
official
intro
we're
just
meeting
to
discuss
some
some
typography
items
that
we've
been
working
on
and
Sasha
and
I've
been
working
on
and
Pedro
I
wanted
to
Loop
you
in
because
viewer
just
kind
of
fantastic
Insight
in
the
way
that
you
can
dissect
something,
but
also
your
experience
with
typography
and
gitlab
and
I
think
that's
extremely
valuable.
A
So
I
wanted
to
kind
of
just
have
a
gut
check
and
tap
into
some
of
your
wisdom,
but
also
share
the
direction
being
with
you
know,
with
your
role
in
staff
and
what
you
are
are
overseeing
from
a
design
standpoint.
A
I
think
it
would
be
fantastic
to
to
get
a
sense
of
how
this
would
benefit
the
designers
that
you're
working
with
and
and
then
along
the
way,
just
kind
of
keep
pulse
on
any
issues
that
are
uncovered
or
questions
or
usage
problems,
concerns
that
might
be
coming
from
other
areas
of
the
product
that
we
might
not
pick
up
on
from
where
we
are
so
I
think
it's
hopefully
mutually
beneficial.
B
Yeah
thanks
thanks
for
inviting
me
and
thank
you
for
the
well-prepared
agenda.
I
was
able
to
go
through
all
of
these
points.
Some
of
them
I
had
some
questions,
others
not
so
much
and
I.
Think
the
one
that
I'm
still
unsure
of
how
it
would
be
represented
is
the
textiles
and
figma,
but
we'll
get
to
that
and
and
I
hope
that
you,
if
you
have
some,
you
know
visual
examples,
it
might
help
so
yeah.
Okay,
do
you
want
to
go
through
the
list
from.
A
A
C
A
Yeah
sure
we
can
do
that.
Yes,
okay,
all
right,
so
just
at
the
top
here,
I'll
just
start.
You
know
discussion
points,
typeface
choices.
We
we
worked
through
this.
We
chose
enter
and
jetbrains
model
and
then
I
link
to
the
blog
post.
Just
a
little
background
there
you
know
enter
I
know
enter
is
popular.
Everybody
knows
that.
A
However,
when
we're
considering
the
the
brand,
that's
kind
of
where
this
backs
up
too
is
is
the
brand
effort
and
when
we
look
at
a
typography
for
the
brand
wanting
to
also
bring
in
that
open
source
capability,
but
also
something
that
the
brand
Team
could
leverage
in
a
variety
of
ways
which,
inter
has
you
know
so
many
different
features,
that
it
makes
it
very
expressive
and
and
a
lot
of
opportunity
to
use
the
open
source
nature
of
it
and
just
the
modern.
A
You
know
digital
first
approach,
it's
a
UI
typeface
and
for
that
reason,
get
that
being
a
digital
product.
I
think
it
was
apt
to
to
choose
that.
It
also
works
really
well
with
just
geometrically
with
the
Tanuki
and
and
has
some
relationship
there.
So
we
chose
that.
For
that
reason,
jet
bearings
mono
was
chosen
because
of
its
taller
excite
that
that
aligns
with,
inter
where
many
of
the
the
monospace
fonts
are,
are
lower
or
wider.
A
What
I've
told
like
Community
contributors
and
and
whatnot
or
feedback
the
feedback
issue
is
like
hey?
This
is
not.
This
does
not
represent,
like
our
Die
Hard
opinion.
Moving
forward
right,
jetbrain's
mono
could
change
I,
don't
know,
there's
some
other
typefaces,
like
hacker
I,
think
it's
called
or
hack
I'm,
not
sure
that
might
fit
the
bill
as
well.
A
However,
based
on
our
analysis,
this
this
does
that,
but
some
of
the
the
objective
reasons
for
typography
changes
behind
the
scenes
were
actually
so
that
we
could
solidify
and
have
more
consistency
throughout
the
product,
and
now
that
we
are
getting
in
that
direction,
the
font
Choice
itself.
We
have
more
levity
to
kind
of
update
and
and
experiment
with
that,
as
we
get
things
in
alignment,
so
we're.
A
And
then
from
there
we'll
be
able
to
to
make
some
other
decisions
in
the
future
or
or
enhancements
and
address
Community
feedback
concerns
Etc,
and
the
last
point
on
that
is
that
I
would
love
to
see
our
design
be
more
more
opinionated
and
I
know
that
word's
getting
thrown
out
with
competitors
and
other
things,
but
that's
something
that's
been
in
the
back
of
my
mind
for
for
a
few
years
and
I,
don't
I
think
Pedro.
We
probably
talked
about
this
out
of
social.
A
We
have
just
being
able
to
land
on
a
direction
of
this
is
what
we
feel
like
is:
has
the
gitlab,
aesthetic
and
being
able
to
hold
on
to
that
and
and
defend
that
with
some
objectivity,
but
also
have
some
expressiveness
in
that
so
Pedro.
You
have
point
a
under
that.
B
Yeah
yeah
just
big
thumbs
up
for
me.
I
was
here
when
we
were
still
using
Source,
Sans
Pro.
For
both
you
know
the
mono
space
version
and
the
Sans
version,
and
we
then
decided
to
switch
to
system
fonts,
yeah
and
I
think
it
was
a
decision
that
had
its
its
pros
and
cons
of
course,
and
had
it
I
think,
more
importantly,
it
had
its
time.
It
was
the
right
moments
and
the
right
decision
at
that
point
in
time
and
and
now
we're
in
a
different
place.
B
The
performance
of
git
love
as
well
is
in
a
different
State,
it's
much
more
performant
than
what
it
was,
and
you
know
that
was
one
of
the
main
reasons
why
we
decided
to
switch
to
system
fonts
back
then
and
and
yeah
I'm.
Personally,
you
know,
as
a
user
I'm
loving
the
the
new
fonts
and
I've
got
feedback
from
friends
that
use
gitlab.
That
immediately
noticed
the
change
and
they
lived
it
as
well,
and
so
yeah
I'm
I
think
we
still
I
mean
this.
B
This
is
also
the
purpose
of
this
meeting
is
to
discuss
some
specific
points
that
we're
going
to
work
on
in
the
future,
to
even
make
this
the
typography
better,
so
I'm
glad
that
we're
not
stopping
here
and
we're
looking
into
how
we
can
take
make
the
best
out
of
this
change
and
evolution
to
use
these
custom
funds
so
again,
big
thumbs
up
and
also
how
it
was
communicated
and
that
we,
you
know
basically
Consolidated
all
of
the
knowledge
and
discussions
that
were
spread
across
epics
and
issues
and
figma
into
that
blog
post,
that
it
is
easy
to
follow,
read
and
you
can
easily
share
with
users,
customers
and
so
on.
B
I
think
that
was
a
good
thing
to
do.
Yeah
foreign.
A
Answers
here,
so
maybe
I'll
I'll
try
to
be
more
brief,
and
then
we
can
get
to
some
of
your
other
questions,
so
the
type
scale
Direction
just
you
know
mentioning
I
think
I
kind
of
alluded
to
this,
but
you
know
moving
towards
that
single
type
scale
that
has
Dynamic
option
and
allows
some
headings
to
scale,
and
so
I
know
that
the
it's
kind
of
unfortunate,
because
the
type
scales
that
you
had
created
like
we
never
got
them
implemented
into
the
product.
You
know.
B
A
And
so
it's
it's,
so
that's
so
I'm
hoping
that
this
approach
with
more
of
a
single
type
scale,
will
help
and
as
I
look
through
the
product
and
the
different
use
cases,
the
the
way
gitlab
is
compiled
and-
and
things
are,
you
know,
there's
so
many
different
pieces
that
that
get
assembled
I
felt
that
maybe
a
single
type
scale
would
have
a
benefit
not
only
from
a
design
standpoint
from
it,
but
also
from
an
implementation.
A
But
then,
as
part
of
that,
allowing
some
flexibility
for
for
dynamic
headings
for
different
areas
and
I
I
think
that'll.
Allow
us
to
have
a
little
more.
You
know,
content
awareness,
if
you
will,
you
know
going
from
docs
to
just
straight
up
issuables
or
something
so
anyways
I'll.
Let
you
jump
in
there,
foreign.
B
No
I
mean
I
I,
think
I
I
agree
with
you
that
the
dynamic
will
be,
or
at
least
I,
assume
that
it
will
be
easier
to
implement
and
and
again
we're
we're
in
a
different
points
in
time.
B
B
That's
actually
something
that
I
have
designed
and
worked
on
for
my
my
personal
websites
and
years
ago,
using
this
I,
don't
know
if
it's
the
same,
but
it's
a
similar
approach
and
yeah,
and
that
was
more
work,
so
I
think
I
didn't
go
that
route
and
I
just
leveraged
the
existing
breakpoints
just
to
yeah,
not
scare.
You
know
engineering
about
the
type
scale,
but
yeah.
B
And
I
like
I,
like
the
approach.
C
Yes,
so
the
as
you
mentioned
right,
the
the
current
type
scale
actually
uses
used
break
points,
maybe
just
to
double
down
on
on
that.
We
we
don't
use
any
breakpoints
anymore.
We
just
scale
between
two
break
points,
but
without
actually
having
to
use
break
points.
It's
quite
technical,
but
you
know
we
now
have
like
possibilities
to
to
in
between
changes
with
with
font
sizes
and
other,
like
also
width
and
other
properties,
so
we're
making
use
of
that.
C
So
we
we
currently
only
have
like
one
scale
defined,
which
is
the
dynamic
one,
but
we
also
have
utility
classes
that
you
can
use
a
fixed
one
and
the
fixed
one
would
only
use
like
the
smallest
sizes
of
the
scale
which
you
know
like
one
of
the
or
one
of
the
places
where
we
would
make
use
of
that
is,
is
like
small
markdown
right,
because
we
want
to
have
like
smaller,
smaller
headings,
for
example.
C
So
we
can
actually
use
like
the
starting
point
of
of
the
dynamic
one,
which
is
then
just
like
a
fixed
value
of
all.
The
different
headings
might
be
too
technical
to
follow,
but
I
can
also.
You
know,
like
afterwards
like
link
the
the
actual
code
pen,
because
we
I
did
a
Copan.
So
you
know
that
we
basically
can
see
like
the
difference
between
the
fixed
and
the
fluid
one.
B
A
B
B
A
B
The
fixed
scale
for
compact
markdown
and
it
is
based
off
the
it
basically
has
the
same
values.
I
believe
that
we
have
for
this
small
screen
in
the
dynamic
scale
and
and
yeah.
My
question
was
when
we
had
as
an
example,
I
I
was
using
the
issue
page
where
it
is
possible
that
we
have
competing
heading
levels.
So
indeed,
page
would
be
the
issue
title,
which
would
probably
use
a
heading
one
with
Dynamic
scale,
and
then
we
also
have
heading
ones
in
markdown.
A
B
Which
Styles
we
would
use?
That
was
my
question.
C
With
the
current
proposal-
yes,
that
would
be
true
for
small
screens.
So
that's
an
excellent
point
you're
making
here
but
yeah.
That's
for
sure
something
we
have
to
look
into
I'll.
Add
that
as
a
action.
B
A
B
Just
something
that
I'd
like
to
see
us
explore,
because
on
small
screens
there
would
be
absolutely
no
difference.
I
mean
you
could
potentially
you
know,
add
a
divider
like
an
horizontal
rule
between
the
issue
title
and
the
issue
description
for
example,
so
that
you
know
would
make
some
separation,
but
still
the
visual
hierarchy
would
be.
You
know
there
would
be
no
difference
and,
and
it
might
be
difficult
for
people
to
differentiate
and
even
in
in
the
dynamic
scale.
Sorry,
even
in
in
large,
on
large
viewports
there's
the
subtle.
B
It
is
there,
but
you
know,
I,
don't
know
if
if
we
can
make
that
more
pronounced
and-
and
you
know
one
of
the
things
that,
if
you
look
down
on
the
the
two
images
that
I
shared
below,
which
is
you
know,
another
point-
that
I
was
Raising
in
the
current
type
scale
that
I
helped
design,
which
is
on
the
right.
B
There
is
no
differentiation
or
almost
no
differentiation
from
heading
4
down
and,
and
that
was
just
realization
or
not
a
realization,
but
more
of
a
in
intentional
compromise.
B
It
was
embracing
that
the
way
that
the
headings
are
used
and
that
allowed
us
to
emphasize
the
difference
for
heading
three
two
and
one
and
then
the
display
as
well,
because
we
were
not
making
differences
from
heading
for
them,
but
yeah
just
something
to
this
to
explore
further
yeah.
So
we
don't
have
to
decide
that
now,
I'm.
Okay,
with
with
just
raising
this
point
and-
and
you
know,
raising
this
so
that
you
can-
you
can
take.
C
A
look
at
that
yeah-
maybe
I,
can
you
know
like
add
a
short
answer
to
that,
so
that
was
that
was
correct.
That
was
also
like
I
think
like
when
we
try
to
combine
the
three
type
scales
we
currently
have.
You
know
like
the
the
markdown,
the
small
markdown
and
the
one
we
have
for
the
product
or.
C
Ui
I
think
age
four
to
six
should
be
visibly
different.
C
Because
I
agree
like
from
a
user's
point
of
view,
if
you
just
use
markdown,
maybe
using
h42h6,
is
not
that
of
a
priority,
because
you
might
only
use
like
H1
to
H3
or
maybe
H4
that
you
don't
have
like
that
many
levels,
but
the
goal
here
was
that
we
have
like
one
type
scale
to
to
to
be
used
for
everything
like
so,
but
I
agree
that
we
have,
like
you
know
like
the
the
old
or
the
current
type
scale.
C
Has
you
know
like
the
pronunciation
between
H3
and
and
the
display
heading
is,
is
more
or
is
currently
more
nuanced
in
the
new
one
than
in
the
current
one
right.
So
I
totally
agree
with
that,
but
that
was
like
a
trade-off.
Basically,
you
know
like
to
to
accomplish
that.
We
only
can
have
one
for
everything
yeah,
but
yeah
yeah.
B
That's
something
I
like
I,
like
I,
haven't
said
that
before
I
should
have
but
I
like
that,
we
are
removing
one
of
the
type
scales,
so
that
I
think
is
the
documentation.
Markdown,
sorry,
the
documentation,
markdown
type
skill
and
we're
just
going
to
have
you
know
a
dynamic
and
fixed
one
where
the
fixed
is
is
the
recommended
or
Compact
smartdown
and
the
other
one
is
used.
You
know
for
everything
you
know
both
documentation,
markdown
and
the
UI
everywhere.
I,
like
that
change
and
yeah.
A
B
Differentiation
between
the
headings
is
is
a
very
challenging
topic.
You
know
one
another
example
that
comes
to
mind
is
how
we
how
we
use
in
forms
we
use.
B
B
There
is
a
real
need
for
differentiation
there
and
and
I've
seen
designers
picking.
You
know,
for
example,
heading
to
or
sometimes
even
in
heading
one,
because
they
want
that
differentiation
and
they
can't
get
that
differentiation.
If
they
pick,
you
know
heading
four
or
heading
three,
which
would
be
you
know,
perhaps
the
more
appropriate,
because
you're
just
going
up
one
level
but
going
up
just
one
level
is
so
subtle
that
in
the
UI,
when
you
have
so
many
informed
Fields
yeah
just
another
example.
A
Yeah
I
I
think
click
on
that
I
know
we're
almost
at
time,
and
maybe
we
can
schedule
like
a
follow-up.
If
that
would
be
helpful.
I
think
that
yeah,
the
the
new
type
scale,
is
a
little
more
linear
and
how
it
scales
versus
exponential
I.
The
the
deal
with
the
like
initiable
title
versus
what
somebody
might
enter
and
mark
down
is
an
interesting
one.
I
purposely
always
use
H2
in
the
markdown.
A
I,
never
use
an
H1
just
because
of
the
page
hierarchy
and
what
I
one
of
the
goals
is
that,
since
we're
dealing
with
user
generated
content,
I
want
to
have
more
realization
or
more
capability
for
the
user
to
create
hierarchy
in
their
content
and
aside
from
the
H1
having
more
that
linear
scale,
you
know
from
like
your
your
H4
down
and
stuff
just
having
that
ability
to
to
do
that,
but
also
for
designers
in
the
UI,
so
I
think
there
might
be
other
things
we
could
do
from
an
issueable
standpoint
where
I
know
in
some
Explorations
there's
iconography
or
other
things,
to
add
more
of
a
visual
anchor
to
that
or
make
it.
A
You
know,
like
you,
said,
an
underline
some
kind
of
a
separate
section
to
delineate
that
that
might
not
impact
the
type
scale
right,
and
in
that
way
it
would
be
consistent
whether
you're
looking
at
a
Wiki
or
an
issueable.
At
least
you
have
like
a
similar
hierarchy
and
then
on
the
the
point
of
the
forms
and
stuff
you
know,
I,
I,
agree
and
I
think
there's
a
lot
that
we
can
do
to
to
help.
A
Look
at
the
hierarchy
in
that
one
of
the
things
that
we
we
haven't
really
explored
quite
yet
is
are
different
weights.
I
would
love
like,
for
example,
with
our
forms.
I
would
love
to
say
instead
of
bold
for
the
label
weight
I
would
love
to
be
like,
let's
use
semi-bold
or
since
we're
using
a
variable
weight.
A
Let's
lighten
that
up
a
bit
and-
and
we
have
this
typeface
in
in
place
with
other
capabilities,
we
have
other
kind
of
knobs
and
dials
that
we
can
tweak
to
help
with
that
hierarchy,
and
that's
one
of
the
awesome
goals
about
moving
away
from
the
system.
Fonts
is
now
we
have
these
extra
levers
to
to
use
to
do
that,
and
so
I'd
love
to
be
able
to
to
see
how
we
can
do
that
and
then
help
designers
and
say:
okay,
here's
a
new
section.
A
You
know
in
a
form
like
how
is
that
communicated,
semantically
and
and
how?
How
would
we
structure
that,
because
I
don't
like
headings
in
a
form,
I'm
kind
of
you
know,
even
that
in
itself
is
a
whole
conversation
when
it
comes
to
to
semantics
and
stuff,
but
anyways
I,
I
think
there'll
be
some
more
capabilities
for
us
to
to
express
differences
in
visual
weight.
A
B
Was
saying
I'm
sorry
when
I
was
saying
that
headings
just
to
clarify
when
I
was
saying
the
headings
in
the
form,
it
was
more
just
the
visual
style
right
so
to
I.
I
believe
that
you
know
to
simplify
we.
We
should
try
to
rely
on
the
heading
Styles,
not
necessarily
on
the
heading
elements
in
HTML,
but
when
you
know
designers
are
designing,
you
know,
for
example,
for
the
field
set.
They
might
want
to
use
a
specific
heading
style
so
that
we
don't
need
to
design
a
specific
Style
just
for
the
field
set.
B
You
know
so,
but
anyway,
I
think
yeah.
This
is
a
very
interesting
conversation.
A
B
B
So
let
me
share
my
screen,
so
you
can
see
here
there's
an
example.
Here.
I
would
like
to
see
more
examples
in
the
product
you
know
so,
for.
B
Notionable
with
comments,
because
even
here,
if
we
just
zoom
in
there
is
intention
from
the
content
author
to
create
different
headings
and
have
a
you
know
the
hierarchy,
but
that
intention
is
deluded
I
believe
for
the
reader,
because
it
is
so
subtle.
The
differences
in
sizes.
Like
you
just
look
at
these
two
here.
B
B
So
I
think
with
examples
with
real
content.
It
will
help
a
lot.
A
Okay,
yeah.
C
C
We
have-
and
you
know
like
to
to
solve
that
because,
like
on
the
marketing
page,
we
would
just
scale
the
headings
way
bigger
than
in
our
UI
right,
so
this
would
actually
solve
the
problem
with
like
the
perception
of
the
different
heading
levels.
So
it's
a
very
narrow
path.
C
I
guess
we
have
to
to
find
the
balance
to
to
Nuance
it
correctly,
but
also
not
like
you
know,
like
just
like
scaling
the
the
bigger
levels
to
to
a
point
where
it
does
not
fit
into
our
UI
concept
anymore,
but
yeah,
I
I
totally
get
your
point
so.
A
Yeah
that'd
be
awesome,
I
think
that's
a
great
suggestion,
Pedro
and
just
to
wrap
us
up,
because
I
gotta
jump
to
another
meeting.
But
if
you,
if
you
wouldn't
mind,
I'll
set
up
a
follow-up
too,
but
in
the
meantime
like,
if
you,
if
there's
like
pages,
that
that
you're
aware
of
that
you're
like
man,
I'd
love
to
see
how
the
hierarchy
plays
out
on
that
like
as
as
like
representational
examples,
I
would
love
to
take
those
and
build
those
out
and
and
kind
of
play
with
that
and
see
what
the
result
looks
like.
A
That
sounds
good,
all
right,
sorry
to
to
cut
us
off
here.
This
is
a
good
talk,
maybe
next
time
I'll
schedule
it
for
maybe
45
minutes.
If
that's
okay
and
we
can
round
it
out
but
yeah.
B
B
The
we
can
probably
split
the
meeting
agenda
and
move
the
remaining
points
for
next
time
will.
A
C
And
also,
in
the
meantime,
Pedro
in
the
you
know,
in
the
references
in
at
the
top
of
the
page,
you
find
the
code
snippet,
which
you
can
actually
already
currently
use
for
the
product.
So
you
get
a
glimpse
of
it's
not
100
perfect,
because
we
have
so
many
overrides
in
the
product.
C
But
you
know
you
already
get
a
glimpse,
how
it
looks
and
feels,
and
also
in
that
issue
we
have
like
a
you
know,
a
compact,
smart
markdown
example.
So
you
can
already
see
like
the
difference
between
that
and
like
the
other
headings
we
have.
So
you
know.
If
you
have
time,
you
can
also
have
a
look
there
as
well.
A
Sign
off
now
and
yeah
y'all
have
a
good
weekend
and
I'll
set
up
that
follow-up.
So
thank
you.