![youtube image](https://i.ytimg.com/vi/bNs9a2WyMFI/mqdefault.jpg)
►
From YouTube: Public Art Committee August 11, 2020
Description
No description was provided for this meeting.
If this is YOUR meeting, an easy way to fix this is to add a description to your video, wherever mtngs.io found it (probably YouTube).
A
B
B
B
B
B
B
B
C
In
an
effort
to
maintain
compliance
with
cdc
and
pinellas
county
guidelines
for
social,
distancing
and
general
public
safety,
the
city
has
set
up
zoom
virtual
meetings
to
facilitate
the
broadcasting
of
the
public
art
committee
meetings
and
provide
for
public
comments.
It
is
tuesday
august
11th
2020
at
2
p.m.
C
I
am
joan
jennings
chair
of
the
public
art
committee
and
I
would
like
to
call
the
meeting
to
order.
Marissa.
Can
you
oh
first
there's
a
an
update.
Our
member
theodore
iannu
has
resigned
from
the
committee,
so
there
will
be
a
slot
open
marissa.
Can
you
call
the
roll
please.
F
B
G
B
C
Okay,
we
have
a
quorum,
the
review
of
the
meeting
attendance
procedures.
Diane.
Do
you
want
to
just
give
a
quick.
D
B
D
Particular
member
will
be
absent.
It's
really
important
to
do
that,
because
if
we,
you
know
it's
important
to
have
a
quorum
so
that
we
can,
you
know,
conduct
the
business
and
everything
so
just
in
case
everybody
wants
to
take
a
vacation
at
the
same
time,
we
need
to
know
about
that.
So
please,
just
you
know,
do
that
procedure
and
I
will
say
in
the
past.
You
know
we
have
actually
only
allowed
as
far
as
non-attendance
goes.
D
You
know,
claim
or
or
she'll
make
the
decision
you
know
at
that
time,
but
that's
what
it's
been
in
the
past.
So
if
anybody
has
any
questions,
they
can
contact
me
after
the
meeting
and
you
know
in
one
on
one
okay,
but
that
is
in
the
ordinance.
So
always
refer
to
your
ordinance.
You
know
for
things
and
if
there's
something
in
there
that
you
don't
understand,
please
call
us
and
let
us
know
and
we'll
be
happy
to
discuss
it
with
you.
One.
B
C
Thank
you,
diane
mark.
Do
we
have
any
guests.
C
Okay,
I'd
like
to
ask
for
a
motion
to
approve
the
minutes
from
the
july
14th
meeting.
B
F
Okay,
great
journal
on
page
six
public,
the
second
sentence
in
progress
report
on
projects,
public
works,
reviewed
the
current
sculpture
and
discerned
that
it
would
not
be
able
to
be
reworked
to
fit
their
needs.
So
the
project
needs
to
go
back
to
the
drawing
board.
It
really
should
read.
Public
works
was
not
able
to
review
the
current
sculpture,
so
the
project
needs
to
go
back
to
the
drawing
board.
C
Okay,
all
right
so
marissa
you'll
make
that
amendment.
Yes,
okay,
all
right
so
do
I
hear
a
motion
to
accept
is
amended.
C
C
C
Okay
lucy
and
you
seconded
right:
oh
okay,
just
checking
okay,
all
in
favor
aye
as
amended.
Okay,.
A
I
have
I'm
sorry,
I
have
one
it's
very
minor,
but
on
page
three
did
it.
Let
me
find
it:
where
did
it
go?
Oh
down
below
the
approval
of
updates?
It
says
mrs
miss
stackhouse
suggested
it
should
be.
Mr
stackhouse.
F
I
was
able
to
meet
with
kyle
pierce
and
we
discussed
both
the
recycling
project
fish
and
also
the
pelicans.
He
has
the
materials
and
has
started
the
pelicans.
He
was
going
to
reach
out
to
you
joan
he
said
within
the
next
week
to
10
days,
but
you
might
want
to
put
a
tickler
on
there
to
give
him
a
call.
Next
week.
Okay,
I
met
with
him
last
thursday,
so
he
is
moving
forward.
F
He
has
an
anticipated
date
of
october
31st
as
a
finish
date
on
that
beautiful
and
he
is
looking
to
come
up
with
a
a
scale
model
for
me
for
the
fish
recycling
bin
and
he's
hoping
to
get
that
to
me
in
the
next
few
weeks,
and
he
has
anticipated
the
october
31st
deadline
for
getting
that
completed
as
well.
F
Hopefully,
we'll
be
able
to
take
the
the
model
that
he
prepares
for
us
and
get
the
department
of
public
works
to
look
at
it.
I
have
him
looking
at
a
much
more
open
concept
so
that
it
can
easily
be
emptied
and
also
be
power
washed,
because
it
is
going
to
hold
garbage
perfect.
Okay,
recyclable
garbage,
okay.
So
that's
an
update
on
those
two.
C
Okay,
okay,
I
spoke
to
elizabeth
indiano's
and
the
scaffolding
arrived
and
I
believe
it's
over
in
the
cultural
center
diane.
Yes,
it
is
okay
and
you
know
the
work's
proceeding.
You
know
it's
obviously,
with
all
the
covid
and
everything
else.
It's
experienced
some
delays
and
diane.
Do
you
have
an
update
on
the
art
boxes.
D
The
art
boxes
will
be
shipped
on
monday,
and
so
I'm
not
sure
how
long
it'll
take
in
transit
there's
20
of
them
they're
on
one
truck.
He
said.
B
C
Okay,
is
there
anything
else
that.
I
I
have
a
question
about
the
art
boxes.
I
was
on
the
docks
just
recently
and
noticed
I
don't
know
how
long
they've
been
there,
but
I
noticed
for
the
first
time
a
series
of
banners
on
each
light:
pole,
greek
and
american
flag,
alternating.
I
There
is
not
one
on
the
lamp
post
that
theo's
prototype
is
on
and
I'm
wondering
are
those
going
to
come
down
for
our
selected
artwork.
Are
we
going
to
work
in
a
different
location?
How
do
how
would
you
do
those.
I
D
C
Not
yet
I
was
talking,
you
know,
I
think
you
know
I
was
talking
to
diane.
I
think.
Maybe,
if
you
guys
did
a
drive-by,
you
know
or
a
walk
by
down
at
the
sponge
docks,
and
maybe
you
know
taking
a
look
at
some.
You
know
more
likely
polls
we're
going
to
be
doing
15
of
them
and
we're
going
to
be
taking
down
the
one.
That's
up,
because
it's
a
different
size.
C
Right
so
we're
right
right
right
now
for
this
first
part
of
the
project
we
were
thinking
of,
doing
15
and
hold
you
know
down
at
the
sponge
docks
and
holding
five
back
for
other
locations
and
or
as
backups.
If
anything
happens,
and
then
once
you
know,
once
we
see
how
everything's
working
we
might
order
some
more,
but
you
know
bill,
you
look
like
you,
have
a
question
and
then.
F
A
Trish
yeah,
I
I
did
a
walk
down
dotakanese
all
the
way
down
one
end
of
the
other,
and
there
are
lots
of
poles.
There
there's
plenty
of
poles
to
accommodate
the
bark
boxes,
and
I
thought
that
we
wanted
them
put
on
a
walkable
area
rather
than
a
drive-through,
and
I
don't
think
that
many
people
walk
down
alternate
19
to
dotakinis.
Do
they
between
downtown?
I
don't
know,
but
I
I
thought
that
we
wanted
to
concentrate
on
the
docks
and
the
walkable
area.
G
G
I
know
the
bike
path,
but
but
on
the
corners
you
know
your
occurrences
and-
and
you
know
so-
that
you
box
the
four
corners
on
on
city
property.
A
A
Yeah
there
are,
I
counted.
I
walked
down
there.
I
counted
about
six
light
poles
down
between
tarpon
ave
and
mlk.
Well,
I
didn't
write
down
the
mlk
because
it
was
blocked
at
that
time,
but
there
were
six
that
I
counted.
That
would
be
possible
if
it's
on
our
property,
I
wasn't
sure
if
it
was
on
the
county,
property
or
our
city
property
right.
The
light
poles.
G
So
robert,
can
I
say
again:
have
we
considered
how
these
are
positioned
net
one
next
to
the
other?
Are
they
going
to
be
a
continuous
grouping
of
them
or
are
they
going
to
be
scattered
where
you
know,
and
if
there's
a
continuous
grouping,
they
become
more
of
a
of
a
spectacle
I
think
than
if
they're
just
scattered
around,
but.
C
You
know
that
that
visual
impact,
so
people
could
walk
along
and
you
know
rather
than
you
know
you
know,
because
they
they
deserve
to
be
looked
at.
That
was
the
idea.
They're
meant
for
pedestrians,
so
that's
yeah.
C
Exactly
anyone
else
have
any
suggestions
or
ideas,
but
yeah.
I
think
the
concentration
of
them
will
be
down
at
the
along
dodecanese
and
then,
but
that's
another
good
idea.
We'll
have
to
take
a
closer
look
at
that
intersection,
robert
and
see.
If
there
are
polls-
and
you
know
places
that
we
can,
you
know,
put
them.
D
Lucian
has
a
question
john.
Oh.
I
Just
to
piggyback
on
robert's
idea
about
the
intersection
at
tarpon
avenue
the
same
intersection
at
lemon
street
and
at
orange
street,
those
are
becoming
more
and
more
frequent.
I
And
pathways,
and
if
we
like
the
tarpon
avenue
intersection,
we
might
also
look
at
lemon
and
orange
as
well.
G
I
think
that's
that's
a
good
idea,
because
my
studio's
right
there
on
center
street
on
on
the
bike
path,
so
it
I,
I
notice
a
lot
of
foot
traffic
going,
past
orange
and
and
and
down
to
mlk
or
lemon
street
or
mlk.
Even
is
it's
kind
of
important
to
have
some?
So
maybe
you
don't
need
15
at
the
docks.
I
don't
know.
C
Well,
I
you
know
again,
you
know,
as
trish
said,
there's
there's
more
than
enough
polls
down
there
and,
and
you
know
we
do
want
to
create
that
impact.
You
know
of
having.
C
B
C
For
tom
function,
but
you
know
we
can
you
know
we
can
get
somebody
to
move
them
with
relative
ease.
G
G
G
It
there's
a
slightly
different
audience.
I
think,
between
those
two
those
two
locations
and
that
that's
something
we
really
need
to
take
into
consideration
is
is
giving
something
to
the
local
residents
as
well
as
just
the
the
tourists.
C
Well,
I
think
you
know,
I
think
that
the
you
know
down
at
the
sponge
docs
you
do
get
residents
as
well.
You
know
that
patronize.
G
C
So
you
know
it's
not
totally
a
tourist
area,
and
you
know
I
think
one
of
the
things
about
having
the
illuminated
features
to
try
to
bring
more
people
down
to
the
sponge
docs
at
night.
By
creating
this
illuminated
artwalk,
you
know
it's
that
was
kind
of
the
original
concept
of
it.
But,
as
I
said
we
can,
we
can
experiment
because
they
are
easily
moved
if
we
put
them
down
at
the
sponge,
docks
and
realize
that,
maybe
it's
not
having
the
impact,
we
thought
it
was.
C
We
could
move
them
or
you
know
if,
if
we
put
them
elsewhere
in
the
city-
and
you
know
it's
again-
it's
either
working
and
not
working,
that's
something
we
can
always
re-examine
because,
as
I
said,
I
you
know,
they're
they're,
not
hardwired
to
anything
so
they're
relatively
easy
to.
You
know
to
move
around.
G
G
You
know
when
so
they
it's
something
that
you
possibly
could
see
them
as
something
that's,
maybe
not
quite
as
maybe
you
keep
the
same
artwork
in
it,
but
the
location
changes
so
that
I
mean
they
could
be
moved
down
to
the
the
value
when
they
put
all
the.
What
are
those
pre-epiphany
lighted
candles
along
the
walkway
and
stuff.
So
you
know
there's
there's
a
lot
of
that
kind
of
thing
where
they
could
be
kind
of
like
an
event.
C
I
My
my
comments
were
sort
of
scattered,
but
the
main
point
I'd
like
to
make,
if
I
have
the
this
opportunity,
is
to
organize
the
projects
just
a
little
bit
differently
from
the
way
they
were
presented
in
this
draft.
A
D
I
The
two
that
I
would
propose
moving
into
the
category
that
is
proposed
projects
would
be
the
bahamian
sponger,
since
that's
still
in
an
exploratory
state
and
the
public
safety
project.
That
chief
coaching
has
proposed
right
both
to
me
seem
materially
different
right
from
all
the
others,
and
I
would
like
to
see
them
listed
along
with
all
of
those
locations
that
we've
talked
about
right.
I
It
was
not
acted
on
by
the
boom
ryan.
C
Do
you
does
the
presentation
to
the
board
of
commissioners
without
an
objection,
constitute
an
approval
I'll
have
to
check
with
tom
trask,
okay
yeah,
that's
yeah,
because
I
was
under
the
impression
that
if
they
had
any
objections
to
anything,
we
presented
that
it
would
be.
It
would
be
raised
at
the
at
the
meeting
when
the
presentation
was
made
and
while
we're
on
that
subject,
I
know
machiola.
You
had
raised
an
objection
about
calling
it
a
sponge
hooker.
C
However,
that's
the
historically
correct
term
and
I
but
I
think
lucian-
might
have
given
us
another
option
which
is
just
calling
it
a
sponge
statue.
H
I
just
think
that
the
word
hooker
connotes,
something
that
we
don't
want
to
be
associated
with.
So
if
it
if
sponge
diver
doesn't
work,
splunger
bahamian
sponge
sounds
good,
but
I
I
was
telling
my
husband
about
it
and
I
was
like
you
know
it.
Just
doesn't
have
the
right
sound
and
we're
trying
to
do
this
in
order
to
be
sensitive
to
people
of
color
and
any
connotation
of
something
that's
unsavory
would
really
defeat
the
whole
purpose
of
spending.
All
this
money
on
trying
to
make
people
feel
included.
I
Right,
I
agree,
I'm
sorry
lucian
you
were
I'm
sorry.
I
I
agree.
I
think
that
the
it
can
be
worded.
It
can
be
a.
I
I
B
I
C
Well,
I
personally
done
a
lot
of
research,
but
you
know
again
under
sunshine
laws.
I
was
kind
of
leery
to
share
it
with
everybody,
but
maybe
we
could
have
some
kind
of
workshop
that
would
just
deal
with
the
statue
and
involve
you
know
the
historical
society
and
other
people
with
you
know
long
time
residents.
C
I
know
I
was
talking
to
athena
sardulius
and
she
said
her
father
worked
with
the
sponge
hookers,
so
you
know
so
she
had
a
lot
of
first-hand.
You
know
knowledge
from
her
dad.
So
maybe
we
could
just
try
to
get
that
into
a
forum
where
everything
is
presented
to
the
public
instead
of
you
know,
as
I
said,
you
know
my
own
kind
of
digging
around
in
history,
because
I
know
I've
been
sharing
a
lot
of
it
with
diane,
but
you
know
again
that's
kind
of
where
it's
been
sitting.
C
D
G
Robert
there,
there
are
more
communities
that
that
had
behind
me
and
spongers
to
use
that
to
shorten
the
term
there
like,
I
I
think
they
existed
in
key
west
and-
and
I
I
know
they
existed
in
the
bahamas
as
well.
B
G
They
came
from
here
to
do
that
so
so
there
there's
level
to
be
more
information
on
it.
C
B
C
So
you
know,
one
of
the
things
that
we
might
consider
doing
is
perhaps
to
come
up
with
a
concept
that
wouldn't
be
particularly
ethnic,
just
honor
the
the
profession
rather
than
you
know,
giving
it
any
particular
physical
features,
oh
because
I
know
that
they
were
a
mix
of
you
know
african
americans
and
greek
divers,
and
I
know
that
there
was
a
large
colony.
C
I
I
had
lunch
with
dudley
sally
and
he
he
pointed
out
a
a
lot
of
photographs
and
a
book
in
the
library
that
there
was
a
very
large
colony
up
in
bailey's
bluff
and
whether
we
consider
that
tarpon
or
not,
you
know
we
we
get
into
some.
You
know
you
know
dicey
kind
of
areas
here,
so
so
maybe
diane
will
see
if
we
can
get
a
workshop
together
to
discuss
this.
Get
you
know.
Different
members
of
the
community
together
in
the
historical
society
is
that.
D
C
D
Under
new
business
joan
under
new
business,
you
have
reassigned
the
bahamian
sculpture
project,
so
maybe
one
of
the
pac
committee
members
might
want
to
take
it
as
a
you
know
as
a
chair,
and
then
they
can
maybe
get
those
other
people
together.
Do
the
research
and
then
present
it
at
one
of
the
the
pac
meetings
right.
C
C
I
That
was
the
primary
thing
asking
you
know
I'll
yield
to
the
group
on
the
bahamian
sponger.
I
do
think
the
public
safety
program
is
proposed,
as
is
as
are
all
the
others
that
we've
listed.
I
I
also
want
to
point
out
that
we
keep
talking
about
underserved
underrepresented
areas,
so
I've
added
that
with
a
note,
referencing
mishaila's
university
of
kentucky
study
that
she
distributed
to
all
of
us
and
the
example
of
the
city
of
austin
texas,
and
how
they
quote:
drill
down
into
various
areas
of
the
town,
to
make
sure
that
every
neighborhood,
every
every
area
of
town
is
represented
in
the
public
arts
program.
I
I
Well,
I
think
it's
it's
all
to
do
with
the
gis
mapping.
That
bill
has
pretty
much
been
a
lead
on.
C
I
But
yeah
I
I
can
take
a
gander
at
that.
Okay,
if,
if
am
I
am,
I
allowed
to
say,
talk
with
paramedia
and
absolutely
people
in
the
city
who
have
access
sure
absolutely.
I
Whoever
you
need
yeah
I'll,
give
it
a
start,
and
I
might
I
I
think
I
may
need
to
ask
that
bill
come
in
on
it
with
his
greater
expertise
on
that.
Please.
C
Does
everybody
agree
with
lucian's
subject
suggestions
because
I
I
would
really
like
to
get
an
approval
on
this.
This
has
been
been
hanging
fire
for
over
a
year
now
they.
C
J
Can
I
get
a
clarification
on
some
of
the
changes
that
were
discussed
here?
Marissa?
Okay,
so
let's
see
the
bahamian
sponge
diver
statue
is
that
just
being
listed
as
a
location
now
and
we're
deleting
the
paragraph
there.
I
That
the
section
that
you
have
labeled
proposed
in
the
original
draft
right
asking
be
approved
and
ongoing
right,
that's
fine,
I
think
so
so
where?
Where
would
we?
Yes,
I
think
it
is
the
consensus
of
the
group
not
to
go
with
my
suggestion,
but
to
make
it
an
approved
and
ongoing
project
okay,
so
it
would
stay
where
it
is
yeah.
C
I
Garden,
I'm
proposing
that
move
to
the
list
of
locations
that
are
being
considered
in
the
future
and
I
assume
we'll
begin
to
prioritize
those
in
time.
C
And-
and
I
guess
the
only
other
changes
were
kind
of
procedural
to
update
the
the
committee
members-
and
I
guess
you
know,
since
most
of
this
was
worked
on
when
theo
was
there
we'll.
Let's
just
leave
him
on
the
scene.
I
One
other
minor
thing
in
the
very
beginning
of
the
document.
We
have
the
master
plan
from
this
date.
To
that
date
I
had
proposed
making
it
2020
to
2025.
Just
for
clarity's
sake,
that's
I.
C
Thought
we
had
done
that,
but
thank
you.
Yes,
yes,
2020
to
2025.,
okay,
all
right
onward
and
upward;
okay.
So
then
all
right,
so
we
the
next
to
address
on
the
on
the
statue
project.
C
Okay,
moving
down
to
new
business,
we
have
a
discussion
on
the
sponge,
docs
gateway
signs.
I
believe
diane
emailed
you,
the
link
to
the
board
of
commissioners
meeting
where
the
sponge
docs
gateway
sign
was
discussed
and,
and
it
was
suggested
that
the
public
art
committee
become
involved.
C
I
think
what
is
is
being
looked
at
in
terms
of
our
contribution
is
to
create
a
poll
to
see
what
the
tarpon
springs
residents
would
like
to
see
on
on
the
sign
diane,
and
I
worked
on
a
a
poll,
a
questionnaire
and
diane
that
was
emailed
out
right.
Yes,
this
one
did
everybody
have
a
chance
to
see
that
and
read
it.
G
C
Okay,
does
anybody
have
any
oh,
and
one
of
the
things
that
I'd
spoken
to
a
couple
of
commissioners
about
is
to
weight
the
responses
so
that
a
resident,
a
residential
vote
would
count
as
one
a
business
vote
would
count
as
three
and
a
property
owner
would
count
as
five,
because
you
know
it
would
be
the
people
who
have
quote
you
know
the
most
skin
in
the
game
and
should
probably
you
know,
have
a
little
more
of
a
say,
and
you
know
what
goes
on.
C
You
know
that
will
affect
their
property
and
their
businesses
does
that
seem
to.
Is
everybody
agreeable
to
that.
I
I'm
unclear
as
I
in
listening
to
the
meeting
I
thought
the
survey
was
going
to
concentrate
on
stakeholders
in
the
spongebox
area.
Is
that.
C
Well,
that
would
be
the
point
of
doing
the
weighted
poll,
in
other
words
the
the
sponge
doc.
Stakeholders
would
have
the
most
say,
but
you
know
it
was
indicated
to
me
that
they
wanted
to
get
the.
I
spoke
to
a
couple
of
the
commissioners
and
they
wanted
to
also
find
out.
C
You
know
comments
from
business
owners
and
the
residents
in
general.
D
At
in
tarpon
arts,
we
have
constant
contact
and
we
have
the
ability
to
do
a
survey
in
that
software,
and
so
I
just
recently
did
it
for
tarpon
arts,
and
we
could
do
that
for
the
gateway
signs
too.
The
other
handout
you
had
was
just
kind
of
like
some
samples
of
gateway
signs
from
other
areas
in
the
country,
and
that
was
just
basically
to
give
an
idea
of.
D
You
know
the
possibilities,
because
we
know
that
if
you're
going
to
do
a
call
to
artists,
you've
got
to
have
all
kinds
of
specifics
so
because
there's
so
many
different
people
that
probably
have
opinions
about
this
we
felt
like
you
know.
Our
contribution
could
be
to
do
a
survey
to
try
to
gather
the
information
from
the
residents,
the
business
owners,
the
and
also
you
know
the
people
who
own
you
know
buildings
in
the
general
area,
but
it
also
gives
anybody
in
tarpon
springs.
D
You
know
opportunity
to
weigh
in
too
so
I
think
it
could
be
very
effective
and
helping
the
board
of
commissioners.
You
know
make
the
decision
on
which
way
they
want
to
go,
and
then,
of
course,
it
would
be
turned
over
to
engineers
to
you
know,
to
create
something
right.
G
Yeah
I'm
looking
at
these.
These
are.
These
are
quite
kind
of
what
I'm
trying
to
find
almost
an
industrial
looking
signpost.
You
know
they
almost
look
like
something
that
would
come
out
of
a
stock
warehouse
or
something
like
that.
You
know,
and
that
did
you
mention
a
call
to
artists
and.
G
Right
but
that's
that
that's
what
I'm
asking
about,
because
it's
there,
if
you
call
if
you're
having
a
call
for
artists,
it
seems
like
they're
going
to
be
very
very
different
than
these
examples.
Well,
the
examples
seem
to
me
to
be
engineering-wise.
You
can
have
a
gate
that
goes
over
the
road
you
can
have
gates
that
are
on
the
side
of
the
road
or
just
one
side
of
the
road
right.
H
From
what
I'm
gathering
from
robert,
maybe
what
you're
not
getting
is
the
survey
would
ascertain?
Do
we
want
a
sponge
diver?
Do
we
want
a
turtle?
Do
we
want
an
osprey
or
whatever
those
things,
and
as
far
as
the
survey
I
was
thinking,
I
know
tarpon
arts
has
a
great
mailing
list
and
that's
awesome,
but
possibly
in
order
to
reach
more
people
that
are
in
the
neighborhood
that
are
not
affiliated
with
that.
H
Maybe
we
could
post
the
survey
on
next
door
as
well
and
and
have
people
identify
if
they
are
a
resident
or
if
they're,
a
business
owner
in
the
survey
like
make
that
one
of
the
questions
so
that
we
can,
I
think.
D
D
A
A
A
year
ago,
over
a
year
ago,
before
some
of
the
members
of
the
committee
were
on
board-
and
we
had
quite
discussions
about
it,
then,
and
then
it
was
kind
of
dropped
at
that
point
because
they
couldn't
decide
whether
it
was
a
commercial
sign
or
an
art
project
or
what
it
was.
But
my
question
is:
if
we
take
this
on
who's
responsible
for
the
financing,
where
is
the
financing
going
to
come
from.
C
C
You
know
reaching
out
and
getting
the
feedback
from
the
community,
and
you
know
in
terms
of
all
those
components
you
know.
Maybe
you
know
you'd
want
a
sign
that
doesn't
have
anything
you
know
it
might
just
be.
You
know
you
know
sign
with
with
wording
on
it.
I
you
know,
I
don't
know
you
know
if
if
we
want
something
or
if
the
public
wants
something
that
has
you
know
sponges
hanging
off
of
it
or
you
know,
but
at
the
end
of
the
day
you
know
it.
C
This
has
always
been
a
bit
of
a
quandary
because
it's
like
a
chicken
in
an
egg
situation,
because
there
were
a
lot
of
hearing
and
environmental.
You
know
considerations
that
have
to
be
brought
into
play.
C
So
while
we
can
do
the
polling
and
make
suggestions,
it's
ultimately
going
to
be,
you
know
what
can
be
done
in
terms
of
the
actual
engineering
of
this
sign.
I
mean
it
has
to
have
a
certain
clearance.
It
has
to
have
a
certain
wind
resistance.
C
There
are
a
lot
of
technical
requirements
that
have
already
been
defined,
and
you
know,
as
trish
said,
you
know,
we
had
discussed
it
in
the
past
and
then
we
kind
of
took
it
out
of
our
purview.
Because
of
all
of
these
you
know
technical
and
engineering
considerations.
C
I
Lucian,
yes,
I
actually
my
conclusion
from
listening
to
the
meeting
was
that
our
our
role
was
a
bit
narrow
or
my
understanding
is
that
we
were
to
help
develop
this
survey
and
that
mr
robertson,
who
is
project
manager
for
the
city,
would
take
the
lead
on
actually
doing
performing
the
survey
that
our
role
was
simply
to
advise
on
elements
of
design
to
be
included
in
the
survey.
That's
fine
for.
D
Me
and
that's
a
good
point
is
like,
if
you
see
like
I
mean
joan,
and
I
worked
on
this
just
you
know
briefly,
to
kind
of
give
you
all
an
idea
of
what
some
you
know.
Questions
could
be.
So
if
you
have
any
additional
questions
that
you
would
like
to
add
to
this,
you
know,
while
we're
trying
to
put
this
together,
please
by
all
means
email
them
to
me
directly
and
we'll
add
them.
G
So
so
what
I
understand,
then
this
is
really
kind
of
a
an
online
character.
Yes,.
D
C
Okay,
so
if
anybody
has
any
comments
or
additions
to
that
survey,
please
email
them
directly
to
diane
and
she
will
come
up
with
a
consensus
piece
and
then
diane.
Maybe
you
could
mail
out
the
final
and
then,
as
lucian
suggested,
we'll
get
it
over
to
bob
robertson.
Sure
trish.
A
Oh
okay,
I
remember
at
the
end
of
the
meeting
that
it
was
kind
of
put
back
into
mr
robertson's
hands
and
he
was
supposed
he
was
said
that
he
would
meet
with
the
pack
to
determine
how
we
go
on
from
there.
That's
what
I
remember
from
the
ending
of
that
meeting
right,
put
back
in
his
hands
to
meet
with
us
to
come
up
with
something
right.
C
Well,
I
think
I
think,
since
we're
just
preparing
a
a
poll,
I
think
that
I
don't
know
whether
it's
necessary
for
him
to
meet
with
us
and
say
that
he'd
like
us
to
do
a
poll.
I
don't
know
what
other
feedback
we
might
get
from
him
in
person.
C
Robert,
you
had
your
hand
up.
C
And
another
little
uniform,
okay,
all
right
now,
the
we're
coming
to
the
art
for
the
art
boxes.
Okay,
now
wish
me
well
here
folks.
B
C
Okay,
you
got
all
of
these
previously
as
thumbnails,
and
what
I've
done
is
just
to
prepare
a
powerpoint
so
that
you
can
see
them
in
more
detail
on
your
screen,
and
so
I
what
I
would
strongly
suggest
that
you
do
is,
if
you
see
a
slide
and
they're
all
numbered
mark
down
whether
you
want
whether
you
think
that
the
image
is
worthy
of
being
put
in
the
art
box,
I'm
going
to
go
through
these
I'm
going
to
give
each
image
about
five
or
six
seconds.
C
A
G
C
C
I
C
Sure
it's
pretty
big,
so
I'd
have
to
give
it
to
you
like
on
a
thumb
drive.
Oh,
I
could.
I
could
drop
it
off
with
diane
and
she
could
copy
it
for
you
would
that
work
or.
H
G
C
Okay,
you
should
have
image
three
on
your
screens
now.
Yes,.
A
C
C
C
C
C
C
C
C
B
C
Believe
I
would
say
that
it's
probably
some
a
photo
that
was
manipulated.
G
G
B
B
C
C
C
C
B
B
B
B
B
B
C
Okay,
I'll
try
to
follow
michiela's
suggestion
and
if
I
can
get
it
into
a
more
manageable
data,
size
I'll,
send
it
to
diane
to
email
out
to
everybody.
So
so
I
guess
what
we're
doing
is
we're
picking
30
with
10
alternates.
H
D
So
everybody
is
what
I
think.
What
I'm
going
to
do
is
take
everybody's
list
and
then
give
you
all
the
numbers
that
appear.
You
know
the
most
frequently
kind
of
thing,
but
I
guess
it'll
be
interesting
to
see
you
know
with
all
of
you.
You
know
which
ones
you
prefer.
So
what
I
can
do
is
give
you
all.
D
I
D
C
D
Yes,
what
miguel
said
was,
you
know,
put
him
in
the
order
from
1
to
30,
and
it's
your
favorite
being
number
one.
You
know
and
then
going
down
from
there,
we'll
figure
it
out.
C
Okay
lucian?
It's
the
dumpster
and
sandbag
corral
locations.
I
A
couple
of
words
of
introduction,
my
understanding
is
that
we
have
gone
to
the
dumpsters
as
mural
sites
as
a
substitute
for
the
artist
alley
that
was
originally
proposed
for
the
hibiscus
to
safford
avenue
passageway,
and
since
we
ran
into
so
much
trouble
with
the
insurance
requirement,
it
was
determined
that
city-owned
sites,
in
this
case
dumpsters,
were
were
eligible
without
insurance
requirements
for
an
artist
to
to
use.
I
So
I
guess
our
decision
is
first.
Do
we
want
to
advance
this
project
into
a
a
priority
for
the
year
and
then
lots
of
other
details
and
decisions
to
be
made
mostly
because
of
the
location
and
the
nature
of
of
dumpsters,
so
nature
of
dumpsters?
I
Probably
the
most
unsightly
part
of
the
dumpster
is
the
gate.
That's
either
mesh
or
fencing
that
gives
access
to
the
dumpster
to
be
dumped.
The
corrals
are
the
three
other
sides
and
they
are
essentially
concrete
blocks.
Some
are
stuccoed
nicely
and
painted
others
are
just
in
their
cement,
lock
form
also
in
the
nature
of
dumpsters.
They
are
generally
placed
out
of
the
way
and
out
of
sight,
so
we
immediately
eliminated
three
of
the
original
dumpsters,
one
of
which
is
at
the
cemetery.
I
It's
on
a
dead-end
road
that
nobody
uses
and
hemmed
in
by
a
lot
of
brush,
so
that
would
not
be
at
all
accessible
to
the
public
at
the
public
safety
building.
The
dumpster
there
is
in
wonderful
condition
would
be
a
great
mural
surface,
but
it's
in
a
restricted
area
that
the
public
is
not
allowed
into
same
essentially
goes
for
the
dumpster
at
the
rec
center
on
lime
street
it
is,
it
is
not
available
to
the
public,
so
we
eliminated
those
three
right
off
the
bat.
I
The
dumpster
at
craig
park,
which
I
think
you
have
pictured,
is
the
exception
to
the
rule,
in
that
it
has
three
totally
unobstructed
sides
to
the
corral
and
can
lend
itself
easily
to
an
artist,
doing
a
mural
and
to
the
public
for
seeing
the
mural
in
a
three-part
design,
some
of
the
other
murals
diana,
and
I
talked
about
whether
we
should
propose
two
or
three
sides.
I
I
erred
on
the
side
of
three
when
it
was
at
all
physically
possible
just
because
I
think
it
gives
a
sense
of
discovery
if
you
have
one
of
the
three
sides
a
little
bit
hard
to
look
at.
Hopefully,
the
two
sides
that
are
easily
visible
to
the
public
would
be
interesting
enough.
That
a
viewer
would
follow
that
around
and
peek
around
the
corner
to
a
side
that
maybe
is
not
so
easily
seen.
For
example,
at
sunset
beach,
the
dumpster
is
on
the
entrance
drive
into
the
park
it's
over
on
the
left.
I
I
The
one
at
the
sports
complex
on
jasmine
avenue
is
another
story.
It
butts
right
up
to
a
huge
bit
of
undergrowth
that
would
take
bulldozers
to
to
clear
that
backside,
so
it
just
has
two.
I
So
that
is
pretty
much
the
scope
of
each
of
the
dumpsters.
I
If
you,
if
you
look
at
the
group
that
is
city
hall,
the
library
and
the
dog
park,
the
one
at
city
hall
is
has
just
one
visible
side
and
it
is
very
often
hemmed
in
by
city
trucks.
I
The
surprise
we
ran
into
is
the
structure
at
the
dog
park
which
whole
it
holds
sand.
If
we
have
a
hurricane
and
the
city
is
making
sand
available
for
sandbags
and
that
that
seemed
to
me
to
be
a
great
opportunity
for
a
mural,
it
could
be
clever.
Part
of
it
will
be
obscured,
maybe
a
few
days
a
year
with
the
sand,
but
I
would
think
an
artist
could
have
a
lot
of
fun
with
that
structure
both
back
in
front.
H
I
I
wanted
a
point
of
clarification
partially
because
I
wasn't
around
when
you
first
started
talking
about
the
dumpster
corrals.
I
know
when
the
last
I'd
heard
about
abandoning
the
the
artist
alley.
There
was
a
talk
about
using
city
properties,
but
I
was
under
the
impression
that
the
using
city
properties
for
murals
was
also
buildings,
not
just
dumpster
corrals.
I
just
want
to
make
sure
are
these?
H
H
I
C
C
You
know
to
keep
it
within
the
realm
of
using
the
you
know:
cities,
liability,
insurance,
robert.
You
had
a.
G
Question
I
yeah,
I
just
want
to
know
how
what
the
surfaces
of
these
dumpster
walls
are
like
and
the
dumpster
itself.
You
know
how
how
clean
are
these
and
how?
How
easily
cleaned
are
these,
and
what
about
the
you
know
are?
Are
they
trash
collector
dumpsters
or
you
know
it's
it?
It
just
seems
like
it's
a
you
know
something
that
could
be
kind
of
unruly
in
a
way,
and
I
mean
I've.
G
You
know
I
I'm
from
from
a
city
vantage
point:
you
know
sometimes
dumpsters
get
dumped
on
and
and
are
these
the
kind
of
dumpsters
that
get
picked
up
mechanically
and
emptied
and
how's
that
going
to
affect
the
painting
on
on
on
on
all
accounts.
I
Can
I
answer
that?
Oh
please,
yeah,
the
dumpsters
themselves,
which
are
picked
up
and
dumped
into
the
retrieval
truck,
are
within
the
corral.
This
project
envisions
doing
the
outside
walls
of
the
corral.
So.
I
G
All
right,
okay,
I
I
was
confused.
I
thought
that
the
proposal
was
the
dumpster
itself
and
the
the
the
wall
of
the
correct
the
inside
wall,
of
the
crowd.
B
C
Greed,
enclosure,
okay,
so
so
lucian,
do
you
want
to
take
point
on
the
quilt
artists
for
these
or.
I
Well,
I
I
think
I'd
like
some
feedback
from
the
committee
on.
Do
we
want
to
put
an
effort
here?
Do
we
want
to
in
fact
pursue
this
as
a
venue
for
murals,
and
we
do
have
one
specific
requirement
from
the
city
in
order
for
the
artist
to
be
covered
by
the
city's
insurance,
their
fee
is
limited
to
a
thousand
dollars,
so
yeah,
that's
correct.
All
dumpsters
are
not
equal.
We
would
have
to
apportion.
I
We
have
to
decide
what
our
maximum
fee
is
for,
which
dumpsters
and
then
apportion
it
by
side.
So
I
don't
know.
Do
we
do
we
like
this
project?
Is
this
where
we
want
public
art
to
go
for
the
immediate
future?
I
think
that's
the
first
question
to
ask
right.
A
Trish
you
end,
I
think
I
think
it
would
be
a
good
thing,
especially
I
like
the
one
at
the
dog
park,
but
I'm
just
wondering
is
the
fee
paid
to
artist.
Does
that
include
them
buying
their
own
paints
and
materials
and
because
it's
not
free,
you
know
you
got
to
pre-condition
it,
and
so
the
city
would
buy
the
the
paints
and.
C
No,
no,
the
artist
would
buy
the
buy
the
materials
they
need,
but
they
would
be
reimbursed,
and
that
would
be
separate
from
the
fee.
Okay,
thank
you.
Oh,
in
other
words,
the
thousand
dollars
represents
the
maximum
fee
paid
to
the
artist
okay,
plus
whatever
their
materials
are.
Thank.
A
D
G
G
So
so
is
this
going
to
be
something
that
that
you're
going
to
see
doing
more
than
once
on
each
side,
because
with
a
with
a
thousand
dollars
and
then
materials
and
the
limited
amount
you're
not
going
to
you're,
probably
not
going
to
get
a
mural?
That's
going
to
last
for
very
long.
You
know
and
you're
liable
to
have
people
with
different
different
skills
of
preparation
and
things
like
that
for
the
for
the
mural.
G
So
is
it
something
that
that
you
would
consider
as
a
committee
that
that
these
would
be
somewhat
like
the
art
boxes
in
a
way
chances
for
people
to
do
them
in
a
two-year
basis
or
a
three-year
basis
of
repetition
like
that,
so
so
that
you
would
have
fresh?
You
would
freshen
them
up
as
part
of
the
program
and
then
again
create
a
renewed
interest
in
the
thing
rather
than
it
just
becoming
a
wall
that
could
possibly
be
tagged
or
graffitied
or
posters
put.
H
Okay,
lucian
asked
whether
we
should
even
pursue
this
idea.
I
honestly
think
that
we
would
spend
our
money
better
and
if
the
city
has
larger
walls,
doing
more
really
artistic
murals.
The
reason
I'm
thinking
this,
I
rode
past
the
pinellas
trail
the
other
day
and
there's
a
dumpster
structure
that
somebody
had
painted
and
honestly
the
quality
was
really
such
that
I
thought
when
I
didn't
notice
the
dumpster
at
all,
because
it
wasn't
painted
it
was
less
bothersome
to
me
than
something
that
was
really
poorly
executed
and
remember.
H
This
will
have
the
public
art
committee
tag
on
it.
So
if
we
end
up
getting
and
you
get
what
you
pay
for
with
a
thousand
dollar
artist
fee
kind
of
stuff,
maybe
we
would
do
better
to
do
one
or
two
quality
murals
on
a
bigger
building
that
belongs
to
the
city
than
to
do
a
whole
bunch
of
dumpster
things
that
look
like
they're
done
on
the
cheap
and
just
because
lucian
brought
up
the
idea
that
this
is
food
for
thought.
That's
that's
sort
of
where
I'm
thinking.
C
The
the
you
know,
the
the
thing
is
that
that
puts
us
right
back
in
the
you
know.
You
know
roadblock
that
we've,
you
know
found
out
with
the
artist
ally
with
all
of
those.
You
know,
liability
insurance
concerns
chris.
A
Yeah
yeah,
I
would
like
to
see
if
we
didn't
do
the
other
dumpsters,
which
I
I
agree
with
with
some
of
the
comments
about
that.
I
really
like
the
dog
park
idea.
If
it's
a
big
it's,
it
would
be
a
large
it
would
you
could
have
a
lot
of
fun
with
it
and
maybe
not
do
some
of
the
others,
but
I'm
thinking
too
that
in
order
to
for
the
call
to
artist
this
isn't
something.
A
I
don't
think
that
a
normal
artist
would
be
able
to
do
a
big
mural,
because
it
requires
expertise
and
how
to
prepare
the
surface
and
how
to
what
kind
of
paints
and
what
kind
of
glazes
to
use
to
make
it
permanent.
You
know
to
protect
it
against
the
weather.
It
just
requires
more
expertise
than
like
a
normal
artist
would
have
so
I
mean
do
we
know
enough
experts
in
the
neural
business
to
to
have
a
call
of
artist
to
artist,
or
is
your
thought
to
send
it
out
to
everybody.
H
You
mentioned
the
liability
issue
being
such
a
big
hurdle,
but
you
know
when
I
researched
it
on
behalf
of
my
husband
in
the
past.
It
was
sizable,
but
it
wasn't
insurmountable.
H
So
again,
if
you're
doing
a
larger
mural
project
on
the
side
of
a
building
by
a
professional
artist,
it
was
something
like
600,
which
is
a
chunk
of
change,
but
it's
not
like.
We
couldn't
do
that
unless
you
would
prefer
to
have.
You
know,
spend
the
money
on
a
whole
bunch
of
dumpster
enclosures
or
so
so
I
guess
my
argument
is
quality
over
quantity,
but
I
don't
think
the
liability
issue
is
as
insurmountable
as
you
thought
when
I
looked
into
it
for
actual
pricing.
C
Okay,
because
the
artists
that
did
get
liability
insurance
that
met
the
standards
set
by
the
city
attorney
that
was
closer
to
three
thousand.
Oh
okay,
diane.
I
think
you
can
confirm
that.
B
C
D
Well,
it
depends
on
the
length
of
time.
You
know
that
you
have
that
insurance
as
well,
so
this
was
a
project
that
was
going
to
take
quite
a
bit
of
time.
However,
you
know
the
artists:
when
they're
making
their
proposals,
they
can
go
ahead
and
look
at
how
much
it's
going
to
cost
them
for
insurance
and
you
know,
and
their
supplies
and
everything
and
determine
their
fee
when
they
propose
it.
To
the
you
know,
the
public
art
committee.
So
that's
something
too.
You
know
to
consider
trish.
A
Yeah,
I'm
a
little
confused.
I
thought
that
the
reason
that
we
dropped,
the
the
murals
on
the
private
property
was
because
of
the
insurance
and
we
were
going
to
go
to
the
public
buildings
in
the
public
property
because
the
artists
could
use
I'm
sorry.
I
thought
I
had
that
turned
off
that
the
artist
would
be
able
to
use
the
city's
insurance.
I
thought
that
was
the
whole
purpose
of
changing
to
the
city,
to
the
city,
property.
A
D
D
C
Right
because
the
according
to
you
know
what
I
was
told
by
the
city
manager
at
a
thousand
dollars,
the
artist
is
considered
a
minor
subcontractor
legally
of
the
city.
That's
why
they
can
be
covered
by
the
city's
liability
insurance.
A
I
Yeah
no,
I
was,
I
was
just
going
to
cite
that
thousand
dollar
limit,
so
I
you
know
seems
to
me
that
we're
at
a
philosophical
turning
point
you
know:
do
we
want
smaller
projects
that
adhere
to
the
city's
limit
of
a
thousand
dollars,
or
do
we
want
to
invest
in
bigger
projects.
B
G
I
just
dropped
something
on
my
foot.
I
you
know
the
discussing
this
whole
thing
I
mean
you
know
like
do
we
want
to
do
this?
I
mean
we're.
You
know
this
is
the
you
know
the
tarpon
springs.
You
know,
you
know
art
council's
idea.
You
know
our
our
name
is
going
to
be
on
this
in
a
way
it's
our
signature.
Do
we
really
want
to
do
this?
G
I
I
sort
of
see
an
attractiveness
to
maybe
doing
the
dog
park,
because
that's
a
very
communal
kind
of
happy
place
and
I
also
think
doing
the
water
tower
and
you
know
suggesting
doing
that
with
with
multiple
artists
doing
that,
so
you
can
stay
within
that.
Those
are
still
going
to
be
fairly
large
projects
to
oversee
and
to
do,
and
they
can
have
you
know
a
maximum
impact.
They
don't
you
know
we
don't
have
to
do
everything
all
at
once
in
this
and
the
the
water
tower
project.
G
You
know,
there's
a
lot
of
consideration
of
that.
You
got
to
go
up
on
this
thing
and,
and
the
the
dog
park
thing
is,
is
again,
there's
this
issue
of
of
durability
and
and
appropriateness
for.
For
that
particular
thing,
and
I
mean
I
could
almost
see
an
artist
being
brought
in
to
bring
in
the
community
to
paint
the
dog
part
thing
something
like
that,
rather
than
having
an
artist
that
just
does
their
own
vision
of
that
since
it's
a
community
thing.
G
So
I
I
think
I
think
of
limiting
to
maybe
just
those
kind
of
two
projects,
and
you
know
limiting
our
our
ability
to
focus
on
those.
D
Diane
keep
in
mind
if
you
read
the
call
to
artists
for
this
project,
that
what
we're
trying
to
do
with
the
call
to
artists
is
have
them
come
up
with
a
proposal
that
kind
of
matched
the
location
of
the
dumpster
corral
so
that,
like,
for
instance,
sisler
field
might
have
a
baseball
theme.
The
dog
park
might
of
course,
have
a
pets,
or
you
know,
or
something
to
do
with
the
splash
park.
D
You
know
craig
park,
there's
lots
of
opera,
different
opportunities
here
and
the
city
golf
course,
the
library
they
can
have
their
own
themes
too.
So,
even
though
it's
a
little
project,
the
whole
idea
is
is
to
take
something
that
people
consider
an
eyesore
and
give
it
some
flair
and
something
nice.
D
You
know
to
for
people
to
look
at
you
know,
and
instead
of
you
know
the
ugly
coral,
so
I
mean
yes,
it
is
a
minor
project
from
you
know
a
comparison
of
what
elizabeth
indiano's
is
doing
in
cultural
center,
but
you
know
it's
also
a
nice
way
like
it's
been
talked
about
to
get
younger
artists
involved.
You
know-
and
this
is
an
opportunity,
because
they've
got
to
do
a
proposal
anyway,
so
you're
going
to
see
their
artwork
that
they're
proposing
or
at
least
a
sketch
of
it.
D
B
A
F
I
like
the
idea
of
picking
a
let's
start
with
one
and
and
you
know,
use
it
as
a
sample
and
we'll
I'm
sure,
we'll
learn
what
works
and
what
doesn't
work.
C
I
Sorry,
are
you
talking
about
the
corral
for
the
sand.
C
I
haven't
been
to
the
sites
you
have
the,
what
what
exactly
is
at
the
dog
park.
B
C
I
When,
when
it's
offering
sandbagging
opportunities
to
the
public,
most
of
the
time
that
stands
empty,
it's.
I
It
is
on
a
page
by
itself
dog
park
splash
park,
sandbag
corralities.
Do
you
all
see
that
okay.
C
I
So
that's
a
concrete
block
structure.
It
has
a
little
brick
edging,
I
think
at
one
point,
but
it's
it's
an
l-shaped
thing
and
it's
visible
from
both
sides.
There's
a
sidewalk
that
goes
around
the
back
of
it.
C
C
A
C
Well,
I
think,
well,
I
think
if
we
put
a
call
to
artists,
we're
gonna,
we'll
see
what
we
can
get
and
then
we
can
decide.
You
know
how
we're
gonna
deal
with
the
you
know,
with
the
images
in
the
artist.
Does
that
make
sense
to
people
yeah.
C
Okay,
so
I
don't
think
we
need
emotion,
diane
do
we.
You
know,
I.
D
Think
you
should
vote
because
I
wasn't.
I
was
under
the
the
assumption
that
this
is
already
an
improved
project,
which
is
why
we
did
the
call
to
artists
and
everything
so
right.
I
think
you
should
also
vote
on
the
maximum
amount
that
you're
going
to
pay
for
each
artist
too,
to
do
like
the
front
and
the
back.
C
A
I
make
a
motion
to
to
begin
the
mural
project
with
the
the
dog
park,
the
splash
park.
Let's
see
and
have
a
thousand
dollar
limit
per
artist
for
their
fee
for
their
fee
right,
plus
the
equipment
uh-huh
plus
it
comes
with
the
equipment.
C
Right,
yeah,
reasonable
yeah
expenses
for
materials.
A
D
No,
I
was
just
to
say,
please
decide
also
what
is
your
maximum
amount,
and
maybe
you
can
decide
like
what?
What
is
the
max
amount
that
you're
willing
to
pay
or
reimburse
for
supplies.
C
G
D
Right
would
you
would
you
agree
that
maybe
we
should
just
put
in
please
describe
the
materials
you're
going
to
be
using
and
an
estimated
cost
right.
C
Easy
for
you
that
we're
going
to
be
using
the
dog
park
in
the
splash
park
to
as
the
initial
parts
of
the
mural
project
and
with
a
fee
of
a
thousand
dollars,
plus
an
estimated
budget
submitted
at
the
time
of
their
proposal.
A
C
Okay,
can
I
get
a
second
on
that
I'll.
C
But
it's
passed
so
okay,
the
next
one.
I
think
we
already
did
the
updates
on
the
current
projects
kela.
I
believe
your
request
about
the
sponge
hooker
nomenclature
was
dealt
with.
B
C
And
do
you
want
to
discuss
your
proposed
themes
for
the
art
boxes
going
forward.
H
I
just
wanted
to
let
you
guys
know
you
know
when
we
had
talked
about
it.
I
was
under
the
impression
we
should
all
submit
themes
and
apparently
I
jumped
the
gun,
but
when
we're
ready
to
figure
out
what
the
next
set
of
themes
is,
you
can
consider
some
of
these
suggestions,
but
until
we
have
lots
of
suggestions
from
everyone,
it
seems
crazy
to
just
discuss
my
ideas.
H
So
I
guess
I
just
thought
that
you
were
asking
us
to
submit
theme
ideas
at
the
time
that
we
discussed
it
previously
and
that's
what
I
did.
C
Well,
thank
you
very
much.
I
appreciate
your
thought
and
your
effort
and
we'll
keep
it
in
the
files
and
okay
diane
any
city
announcements.
No
okay.
We
kind
of
jumped
around
the
agenda
here.
Okay,
the
next
regular
meeting,
which
I
assume
will
be
another
zoom
meeting,
will
be
on
tuesday
september,
8th
at
2
pm.