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From YouTube: Public Art Committee July 14, 2020
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A
A
B
B
C
B
D
A
C
Okay,
you.
E
I
have
one,
can
I
say
one
thing
sure
I
have
a
a
doctor's
appointment,
a
quarter
to
four
and
I'm
I
might
have
to
leave
early
if
this
runs
into
that.
C
C
Okay,
diane
sent
out
the
minutes
from
the
last
meeting
june,
9th
I'd
like
to
entertain
a
motion
to
approve
the
minutes
from
the
june
9th
meeting.
H
I
have
one
slide
addition
on
page
five
at
the
bottom,
when
we
voted
to
keep
the
call
to
artist
local
for
the
art
boxes.
My
understanding
and
my
vote
was
based
on.
We
meant
for
the
first
round.
D
C
C
Okay,
all
in
favor
of
vote
accepting
the
workshop
minutes
as
submitted.
C
Please
raise
your
hand
all
right
any
any
against
okay,
it's
unanimous.
The
minutes
of
the
workshop
on
june
15th
are
accepted
as
submitted.
Okay.
Now
we're
going
to
the
approval
of
the
updates
to
the
guidelines
and
the
master
plan
from
the
workshop
and
I
apologize.
There
was
confusion
about
what
version
went
out,
but
we're
discussing
the
version
that
diane
sent
out
on
monday
yesterday.
G
I
moved
to
approve
the
the.
What
are
we
doing
the
guide
to
the
master,
the
plan?
Yes,
okay,
do
I
have
a
second
as
amended.
C
C
H
Yes,
I
think
we
voted
to
approve
the
updated
guidelines
in
the
workshop,
so
I
would
definitely
support
if
we
have
to
do
that
in
a
regular
meeting.
I
would
support
a
motion
to
approve
the
guidelines,
but
the
version
I
got
yesterday
of
the
master
plan
portion
of
the
document
is
not
complete
it.
It
doesn't
have
the
list
of
projects
of
locations
that
we
talked
about
during
the
workshop
it
like
page
five
has
some
omissions
on
it.
So
I'm
not
sure
this
is
a
document
we
want
to
formalize.
H
C
Diane,
I
believe
that
the
the
list
of
all
of
the
artwork
has
already
been
codified.
I
think
we
all
got
it
on
a
cd
is
that
I.
C
Okay,
I
didn't
think
we
needed
to
be
that
specific.
If
you
feel
that
we
should
put
those
specific
locations-
and
we
can
certainly
add
them.
H
I
I
do
the
ordinance
clearly
states
that
we
are
to
suggest
locations
and
prioritize
them,
and
those
are,
you
know,
they're
the
full
list.
I
think
almost
the
full
list
is
in
our
minutes
from
the
from
the
work
section,
but
I
don't
I
don't
know
if
we
ever
received
that
list
which
you
asked
be
distributed
to
us
so
that
we
could
either
add
comment
delete
but
yeah.
I
do
think
we
need
to
be
very
specific.
C
C
Okay,
so
it
looks
like
we're
going
to
have.
I
I
see
it
are
you,
speaking
of
lucian,
on
page
five
of
the
minutes
from
the
workshop.
H
Okay,
yeah
it's
it
was.
They
were
enumerated
on
fun.
C
H
Also,
previous
to
that
innis
park.
G
I
Okay,
well,
what
we
can
do
is
we
can
certainly
take
that
from
the
minutes
and
we'll
put
it
in
the
master
plan
and
then
I'll
just
send
you
all
master
plan.
After
this
meeting.
C
C
All
right
so
trish.
G
Yeah
excuse
me:
I
have
a
question
on
what
lucian's
talking
about
these
were
just
discussions.
They
weren't
decided
or
anything
they
were
just
out
for
you
know
discussion,
but
I
don't
know.
I
can't
see
any
reason
to
amend
the
master
plan
because
of
it,
because
you
know
it
wasn't
anything
that
was
voted
on
or
decided
or
anything
like
that.
That's
just
my
take
on
it.
C
Okay,
see
I
I
thought
that
the
you
know
the
mention
of
city-owned
property
was
kind
of
all-inclusive,
but
how
does
any?
How
does
the
rest
of
the
people
on
the
committee
feel
about
that?
Should
they
do
you
think
city-owned
property
is
all-inclusive,
or
do
you
want
them
enumerated,
like
you
did
at
the
workshop.
E
C
Well,
for
instance,
I
know
that
the
board
of
commissioners
is
considering
the
purchase
of
two
properties.
One
is
the
eminem
arena
and
the
other
is
the
hoffman
property,
and
if
we,
you
know
enumerate
them,
those
would
automatically
they
would
have
to
be
added
after
the
fact,
and
that
would
be
a
process
again.
H
C
C
H
I
I
believe
that's
that's
correct,
lucian.
I
think
one
of
the
things
that
you've
done
by
revising
it
is
that
we
have
added.
You
know.
Other
content
in
here
which
I
think
you
know
will
will
definitely
qualify.
As
you
know,
something
specific,
but
I
mean
I
don't
see
once
we
go
through
and
add
projects
you
know
we
can
always
update
it
and
just
bring
it
back,
for
you
know
an
approval.
If
that's
what
the
committee
wants.
C
Either
that
or
we
could
combine
both
we
could,
we
could
enumerate
the
ones
we
discussed
and
maybe
add
the
praise.
You
know
an
additional
city
property
as
it
becomes
acquired,
because
that
would
open
the
door
to
adding.
C
Okay,
now
does
anybody
feel
comfortable
with
just
going
ahead
and
approving
these
as
amended
or
do
you
want
to
see
the
amended
the
amendment
incorporated
before
we
do
a
final
approval
because
that'll
push
it
off
another
month.
H
C
C
C
E
C
H
If
you
go
down
after
our
names
right
to
the
next
section,.
I
Maybe
that
was
done
during
it
was
deleted
during
a
previous.
C
C
E
Furnishings
are
you
leaving
out
anything
like
permanent
public
art
programs.
A
I
A
G
I
C
Okay,
okay,
so
marissa
you'll
make
those
changes
and
maybe
if
we
could
see
them
sooner
rather
than
later,
that
you
know
we'd,
be
you
know
if
anybody
has
any,
you
know
corrections
or
things
like
this-
maybe
send
them
to
diane,
and
we
could
you
know,
work
them
into
the
the
document
before
it
comes
before
us
again.
Does
that
make
sense?
C
Okay,
I'm
going
to
old
business
the
role
of
the
pac
members.
I
think
this
is
there
because
I
just
wanted
to
give
everybody
a
little
pep
talk.
C
You
know,
I
think
that
everybody's
here,
because
of
their
knowledge
and
familiarity
and
love
of
the
arts-
and
it
would
be
great
if
you
know
you
thought-
of
some
programs
or
projects
that
you
could
bring
back
to
the
pack-
and
you
know
you
know
just
to
encourage
a
little
more.
You
know
interaction,
and
you
know
one
of
the
things
I've
been
kind
of
whining
about
for
a
couple
of
months
is
that
you
know
these
zoom
meetings
are
not
particularly
conducive
to.
You
know
the
free
flow
of
collegial
information.
C
You
know
it
feels
like
we're
all
in
a
little
box
and
it's
it's
to
me.
It's
always
been
so
much
easier
to
do
this
face-to-face
where
you
can
sort
of
get
excited
and
push
paper
around
and
say.
Look
what
I
saw
this
format
just
kind
of
stifles
that-
and
I
know
at
the
last
meeting
a
few
of
you
sort
of
expressed
the
same
feelings
so
diane.
Do
you
want
to
throw
in
a
few
comments
about
this
as
well.
I
Sure-
and
I
just
wanted
just
to
make,
because
you
have
so
many
new
people-
you
know
on
the
committee
too
remember
this-
is
your
committee
you're
appointed
by
the
board
of
commissioners,
and
you
know
marissa
and
I
and
chief
coaching
are
liaisons
for
you
to
the
city,
but
you
know
when
we
do
projects
and
we're
look,
you
know
looking
to
do
research
and
things
like
that
for
a
particular
project
that
you
might
want
to
do.
I
You
know
you
are
the
ones
that
can
be
doing
the
research
and
the
thing
that
you
cannot
do
is
you
cannot
talk
to
each
other
outside
of
the
meetings,
of
course,
because
of
the
sunshine
laws,
but
you
can
certainly
like
a
lot
of
times
like
joan
or
somebody
will
say
to
me.
It's
like.
I
found
this
neat
article.
I
Can
you
please
send
it
out
to
the
rest
of
the
you
know
the
the
pac
members,
and
so
you
know
you
may
think,
like
you're
getting
inundated
with,
you
know
different
paperwork
and
information,
but
it's
because
to
protect
you
with
the
sunshine
laws
that
you
know.
We
can't
discuss
it
outside
the
meetings.
However,
you
can
share
information
through
me.
If
you
see
something,
that's
of
interest
that
you
think
would
be
helpful
to
other
committee
members,
but
please
know
that
you
know
when
we're
writing
call
to
artists
and
everything.
I
We
want
you
to
be
the
ones
to
do
this,
and
we
can
certainly
help
and
that's
kind
of
what
jonah
and
I
did
on
a
call
to
artists
for
the
illuminated
art
boxes.
I
Is
we
collaborated
on
coming
up
with
a
call
to
artists,
which
is
why
I
sent
you
all
that
information
about
you
know
what
are
the
steps
to
commissioning
a
bronze
statue?
You
know
all
the
different
steps
that
go
into
it,
it's
kind
of
like
an
educational
kind
of
thing,
because
we
can't
all
be
experts
in
everything
and
then,
like
calls
to
artists,
you
know
from
a
national
organization.
I
thought
that
might
be
helpful
to
you
to
see.
You
know
one
of
the
things
that
you
as
a
committee
have
to
decide
on
before.
I
We
can
actually
do
a
call
to
artists.
You
know
on
some
of
the
the
projects.
So
again
you
know
this
is
your
committee
and
you
know
it's
like
so
please
sign
up
to
help
out
and
you
know
any
way
you
feel
you
know
that
you
can
be.
You
know,
assist
in
moving
the
projects
forward
and
we
just
appreciate
you
know
all
that
you're
doing
and
your
assistance.
C
Yeah,
you
know
it's,
as
I
said
you
know
I
you
know
I
I
mourn
the
lack
of
you
know
free
flowing
communication.
C
I
think
it
it
works
and
it's
a
necessity
for
other
committees,
like
you
know,
planning
and
zoning,
but
you
know
the
arts
are
kind
of
dependent
on
communication
and
interaction
and
kind
of
the
meaning
of
art,
and
you
know
I
I
just
found
that
we've
kind
of
been
missing
that,
especially
since
we
started
the
zoom
meetings-
and
I
know
you
folks,
you
know
you're
out
there
in
the
art
world,
you
see
things,
you
read
things,
there's
a
lot
of
stuff
out
there
and
I
think,
while
why
we're,
while
we're
dedicated
to
doing
things
that
are
unique
to
the
history
and
culture
of
tarpon
springs,
we
can
certainly
draw
inspiration
for
certain
projects
that
we
can
adapt
for
for
our
community.
C
So
you
know,
I
guess,
just
an
increase
in
interaction.
As
I
said,
if
you
see
what's
that
thing,
if
you
see
something
say
something
you
know
it's
in
this
instance:
it's
about
art,
not
crime,
so
you
know
really
really
appreciate
it.
C
Okay,
the
illuminated
art
boxes,
diane
got
an
email
from
the
porter
boards.
The
company
that's
made
them.
C
I
He
said
that
he
was
just
waiting
on
the
solar
parts
and
you
know
he
would
once
he
got
those
he
would
go
ahead
and
put
them
together
and
ship
them
out.
So
I
mean
the
way
things
are
going,
shipment-wise
and
everything
and
deliveries.
You
know
I
would
say
anywhere
from
one
one
and
a
half
to
two
weeks.
Possibly
you.
C
Okay,
great
okay
and,
as
diane
mentioned
before,
you
all
should
have
gotten
a
handout.
The
call
to
artists-
and
you
know
we
use
the
tarpon
springs
illuminated,
but
again,
please.
This
is
a
joint
function.
If
there's
anything
on
here
that
you
think
should
be,
you
know,
changed
or
amended.
You
know,
please
let
us
you
know,
please,
let's,
let's
hear
it.
H
C
Okay,
well,
the
deadline
for
submissions
is
august
7th,
so
that
would
be
prior
to
our
august
meeting
for
selection,
and
I
guess
you
know,
with
the
lack
of
definite
receipt
of
the
boxes.
I
don't
know
whether
we
could
tie
ourselves
into
a
display
date
or
we
could
just
put
something
by
the
end
of
august
just
to
be
on
the
safe
side.
I
One
other
thing:
excuse
me:
I'm
sorry
lucian,
but
you
know
one
of
the
things
we
have
to
consider
too
is
you
know
you
all
will
be
making
the
final
selection
at
your
august
meeting
and
then
I
guess,
we'll
have
to
check
with
the
printer
to
see
how
long
you
know
they
need
to.
You
know
print
them
for
the
boxes
so
and
then
I
have
to
also
based
on
that
date.
I
I
Is
that,
depending
on
the
artwork
that
you
choose,
we'll
have
the
contact
information
for
those
artists
and
what
we
can
say
is
as
soon
as
we
have
a
date
of
when
they'll
all
be
installed
and
you
know
set
up,
we
will
be
in
contact
with
you
and
let
you
know,
and
then
I'll
put
out
a
press
release
to
let
everybody
know.
You
know
that
we
had
this
new
installation
up,
you
know,
and
then
we
could
get
it
out
on
social
media
too.
H
H
I'm
I'm
just
I
don't
understand
where
the
what
dates
are
are
already
slotted
for
different
things.
C
Right,
well,
I
think
the
the
whole
idea
of
doing
you
know
holiday
images
was
kind
of
suggested
by
the
board
of
commissioners,
that's
kind
of
where
that
came
from,
and
if
it
was
up
to
me,
I
agree
with
you
lucian.
I
would
just
leave
these
up.
You
know
do
six
months
and
six
months,
you
know
do
like
september
to
the
end
of
january,
something
along
those
lines
and
then
you
know
switch
them
out
for
another
six
months,
but
I
don't
know
how
does
everybody
feel
about
that?
I
mean.
E
Yeah,
I
was
just
saying
that
you,
you
can't
put
them
up
for
just
a
few
months.
I
mean
first
of
all,
you're
gonna
have
to
go
through
this
all
over
again
to
have
more
people.
I
guess
costs
more
again
and
it's
not
it's
not
very
cost
effective
and
it
knowing.
If
you
say
that
the
show's
going
to
if
they're,
going
to
be
exhibited
through
late
january
or
something
like
that,
but
then
people
will
assume
that
seasonal
stuff
is
is
can
be
included.
E
C
E
C
Existing
springs,
but
I
I
think
I'm
getting
the
feeling,
and
I
have
to
concur
with
it
that
maybe
we
should
you
know
as
a
realistic
date,
maybe
due
to
mid-september
to
mid-february,
let's
see
september
october
november
december
january
february
march.
So
why
don't
we
do
mid-september's
to
mid-march
for
the
first
round?
C
And
eliminate
the
the
holiday-themed
art
for
the
winter
themed
art.
D
H
C
G
Well,
I
was
thinking
it
was
going
to
be
something
like
it
says.
What
is
beautiful,
inspires
you
about.
Tarpon
springs,
something
that
has
to
do
with
time
that
reflects
tarpon
springs
in
some.
B
I
was
just
thinking,
I
think
you
have
to
see
how
it's
received
with
the
artist
and
actually
you
have
to
see
you
probably
have
to
see
how
many
you
know,
applications
you
get
in.
If
you
get
20,
then
you
can
or
if
you
get
more
than
20,
if
you
don't
get
20,
then
you
know
you
have
to
see
how
it's
received
with
the
public
with
the
artist
and
stuff
like
that.
B
I
do
think
it
makes
sense,
maybe
to
keep
it
up
a
little
bit
longer,
since
it
is
it's
kickoff,
and
that
gives
us
time
to
figure
out
a
cycle
and
a
schedule
and
stuff
like
that,
and
then
the
other
thing
I
think,
since
it
is
like
the
first
one
to
get,
it
kicked
off
to
keep
the
theme
a
little
bit
more
open-ended
just
so
that
you
get
a
larger.
You
have
a
bigger
chance
of
getting
a
larger
pool
of
artists
to
actually
want
to.
You
know:
supply,
artworks
and
stuff
like
that.
C
C
Okay,
good,
okay,
so
diane.
I
guess
we'll
tweak
that
those
two
points
and.
B
And
I
did
have
one
more
suggestion
for
the
flyer,
maybe
to
include
the
dimensions
and
orientation
of
the
art
boxes
on
there.
Just
so
that
artists.
C
B
How
to
how
to
orient
and
how
to
size
their
like
photographs
and
stuff
like
that,
so
that
you
know
they
don't
submit
something
square
and
it
doesn't
fill
up
the
whole
rectangle.
You
know.
C
H
E
E
I
did
see
it
and
that
particular
image,
which
was
very
good,
really
reads
well
from
that,
but
a
lot
of
images
won't
read
well
from
there
because
of
the
height
and
the
distance
that
people
are
seeing.
E
So
you
might
want
to
end
the
flyer
mention
that
that
the
light
boxes
are
so
much
by
so
much
in
size
and
positioned,
ten
or
twelve
feet
on
a
pole
that
crap
with
their
kind
of
sense
of
of
scale
readability.
You
want
people
doing
a
lot
of
super
detail.
C
E
What
that
does
is
it
helps
eliminate?
Having
to
our
the
committee
eliminates
saying?
Well,
I
don't
think
we
can
see
this
from
four
feet
away.
C
Right
very
good
point:
okay
diane
will
have
to
set
two
on
this
and
maybe
just
get
it
out
to
people,
and
you
know
if
we
don't
hear
any.
You
know
really
damning
comments.
I
think
we
can
try
to
get
this
out.
I
C
D
I
As
far
just
to
make
sure
that
I
put
the
correct
revisions
on
here,
we
are
going
to
have
this
displayed
from
mid-september
through
mid-march.
Is
that
correct.
I
I
can
revise
this
this
afternoon
after
the
meeting
and
then
I
will
send
everybody
two
things
I'll,
send
you
a
pdf
of
it
that
you
can
share
on
an
email,
and
I
will
send
you
a
jpeg
that
you
can
put
in
your
social
media
and.
G
G
So
I
personally
think
it's
fine
the
way
it
is,
but
whatever.
E
Yeah,
okay,
all
right
so
and
and
the
never
mind
forget
it.
C
I
feel,
like
my
my
whole
life
is
boxed
in
by
this
quarantine.
Stuff
yeah
I
mean
we're.
Gonna
have
to
do
whatever
we
can.
You
know
at
the
very
least
a
you
know,
a
press
release,
and
hopefully
some
kind
of
you
know.
I
think
I
think
the
city
is
diane.
Correct
me.
If
I'm
wrong
has
had
some.
You
know,
quote-unquote
ribbon
cuttings.
I
F
C
I
Will
I
think
what
I
will
also
do
is
I
will
go
ahead
and
once
you
select
the
artists
that
are
we're
going
to
be
using
for
these,
I
might
go
in
the
meantime,
I'm
going
to
ask
the
city
attorney
if
we
need
to
have
some
sort
of
release
form
for
them.
G
C
Right
right
and
I
I
think
since
well,
first
of
all
trish,
I
think
a
lot
of
these
people
need
to
know
that
they
can
use
existing
art.
A
C
Long
as
it
it
fits
the
you
know,
the
tarpon
springs
theme
and
you
know
ask
tom
if
we
even
tom
trask,
if
we
even
I
mean
they're,
getting
a
hundred
dollars,
so
I'm
sure
it's
it'll
be
pretty
easy
to
come
up
with.
You
know
some
kind
of
release,
permission
form
whatever.
H
C
In
other
words,
we
could
go
from
mid-september
to
end
of
march
instead
of
mid-march
lucian.
Does
that
make
a
little
more
sense.
H
C
Right,
well,
I
don't
think
robert.
E
E
C
C
E
Well,
that
would
be
yeah.
I
agree
with
that.
I
think
I
think
it
gives
people
a
chance
and
then
there's
you
know,
may
1st
is
a
is
a
kind
of
memorable
date.
You
know
it's
a
so
it's
you
know
it's
celebratory
in
in
some
respects
and
gives
us
I
mean
I
I
think
I
think
especially
starting
this
and
gives
you
really
a
a
winter
show
and
a
summer
show.
C
Okay,
so
to
recap
all
of
this,
this
round
is
going
to
be
up
from
mid-september
to
the
end
of
april.
The
next
round
will
go
up.
May
1st,
the
next
call
will
go
out
in
the
you
know,
beginning
or
middle
of
january,
say
post
epiphany
and
we'll
review
them
at
our
february
meeting
and
then
have
them
printed
and
prepared
for
installation
by
the
first
of
may.
C
C
The
sculpture's
title
is
delta
and
will
be
painted
way
any
questions
or
comments
about
that.
One.
That's
pretty
clear-cut,
christopher's
still
mural,
it's
about
65,
complete
and
everything
is
going
well.
He
anticipates
everything
to
be
finished
in
february
or
march
of
2021.
C
Now
we
come
to
the
indiana,
sculpture
and
the
artist
has
you
know:
has
anybody
gone
over
and
actually
seen
the
wall
like
they
can't
get
in
without
us
all
right.
G
C
Okay,
I
guess
the
artist
realized
that
she's
going
to
need
some
additional,
not
only
equipment
but
insurance
funding,
because
the
because
of
the
quarantine
and
everything
else
this
project
has
taken.
You
know
much
longer
than
she's
anticipated
and
her
liability
insurance
is
running
out.
She's
going
to
have
to
renew
it
and
she's
also
going
to
need
lightweight,
aluminum
scaffolding
on
wheels,
and
it
would
actually
be
a
purchase
that
can
be
used
for
for
future
projects.
C
Also,
it
belonged
to
the
city
of
tarpon
springs,
so
she
got
an
estimate
on
the
scaffolding
of
twelve
hundred
and
forty
seven
dollars,
and
the
additional
insurance
would
be
twenty
seven
hundred
and
fifty
dollars
for
a
total
additional
expense
of
three
thousand
nine
hundred
and
ninety
seven
dollars,
and
I
guess
we're
asking
for
a
motion
to
approve
the
additional
expense.
C
C
E
C
I
Yes,
and
some
of
the
scaffolding
that
we
do
have
is
very
industrial-like
and
really
kind
of
hard
to
manipulate.
You
know
it's
just
for
their
for
the
purposes,
so
this
would
just
be
an
addendum
to
the
contract,
and
you
know
in
all
fairness
to
elizabeth.
You
know
she
couldn't
get
into
the
cultural
center
for
a
while,
because
the
contractors
were
in
there-
and
you
know
the
city
has
a
contract
with
the
contractors
that
you
know
they
have
possession
of
the
building
until
they're
finished.
I
I
You
know
general
and
one
of
the
things
that
she
realized
in
getting
into
this.
You
know
from
her
former
mural
that
she
was
recreating
is
that
you
know
now,
since
it's
an
inside
type
venue
and
lighting
and
and
everything
and
natural
light
and
and
fluorescent
light
that
she's
able
to
use
much
more
vibrant
colors,
and
so
it's
more
of
a
painting
than
it
is
a
mural.
So
right
there's
a
lot
more
detail,
so
it's
taking
you
know,
therefore
it
is
taking
a
lot
more
time.
I
You
know
than
trying
to
do
like
figures
that
don't
have
a
whole
lot
of
detail
in
them
that
she
would
do
when
she
did
the
original
mural
so
and
because
of
the
covid
and
everything
you
know
it
was
tough
too,
because
we
were
shut.
We
shut
all
our
buildings
down,
so
you
know
it's.
B
E
E
C
Yeah,
I
know
that
you
know
that
the
one
when
she
one
of
the
problems
too
is
she
had
to
have
the
insurance
in
place
when
she
signed
the
contract.
So
that
meant
that
the
the
clock
started
ticking
on
this
particular
policy
last
september
and
she
didn't
get
in
there
until
what
april
diane.
E
I
Well,
the
contract
that
she
signed
was
in
there.
It
actually
said
what
the
city
the
type
there
were
three
types
of
insurance
that
the
city
said
that
she
needed
to
have
when
she
signed
the
contract
and
also
there
was
a
time
frame
for
the
project
that
was
specified
in
the
original
contract.
So
that's
why
she
has
to
redo
her
insurance
at
this
point
because
it
is
running
out
based
on
those
parameters.
C
Okay,
thank
you
all
in
favor,.
C
Okay,
well
against.
Well,
it's
three
to
two.
So
it's
it's!
It's
approved!
No!
Your
votes
are
noted.
Thank
you.
Okay,
let's
see
oh
bill.
I
know
you've
got
to
leave.
Do
you
want
to
give
us
a
quick
update
on
our
favorite
local
artists.
D
Yeah
we
we're
kind
of
back
to
square
one
with
the
recycling
fish.
We
thought
we
had
a
sculpture
that
was
already
created
that
we
were
just
going
to
make
some
modifications
to
it
and
it
would
be
workable,
tried
to
set
up
a
meeting
with
department
of
public
works
to
to
inspect
it
and
take
a
look
at
it
and
was
unable
to
to
get
that
to
work
out.
So
we're
back
to
square
one
with
trying
to
come
up
with
some
sort
of
a
sculpture
that
would
work.
D
C
Okay,
what
about
the
pelicans,
have
you
been
able
to
communicate
with
him
about
the
pelicans.
D
No,
I
really
wasn't
focused
on
that
joan
I
didn't
know
if
you
were
still
in
that
one
or
I
was
just
doing
the
the
recycling
sculpture
at
this
point,
but
so
I
I
can
reach
out
to
kyle.
I
still
need
to
talk
to
him
and
and
and
discuss
you
know
he
has
some
other
ideas
or
some
other
thoughts
for
the
recycling.
D
C
Okay
quickly,
he
proposed
doing
six
chrome
pelicans
for
the
sponge.
Docks
three
were
around
a
kind
of
stump
type
structure
that
you
know.
One
of
them
was
chair
height
that
people
could
sit
on
for
a
selfie.
C
The
other
three
two
were
going
to
be
on
a
bench
that
was
along
the
anclote
river
and
one
was
going
to
be
in
flight
over
the
bench
and
they're
kind
of
whimsical.
I
think,
if
you
saw
the
the
presentation
that
was
done
for
the
board
of
commissioners,
he
there
were
some
examples
of
the
type
of
things
he
did:
okay
and
he
actually
visited
the
site
with
tom
function
and
the
city's
already
approved
the
location
of
the
of
the
pelicans.
C
C
Okay,
I
guess
the
next
item
I'd
like
to
do
this
before
bill
leaves.
Is
we
really
need
a
vice
chair
for
the
committee,
so
on
you
know,
does
anybody
have
any
nominations
for
vice
chair.
H
Would
like
to
defer
to
the
member
who
has
served
the
longest
on
this
committee
and
that
would
be
trish.
Actually
it's
bill.
C
C
C
A
emotion
except
okay
item,
3c,
I'd
like
to
get
this
done
be
quickly
before
bill
leaves.
C
It
was
determined
that
the
sculpture
does
not
need
any
treatment
or
cleaning
after
its
storage,
but
they
estimate
a
500
expense
for
the
lighting
and
I'd
like
to
get
a
motion
to
approve
the
500
for
the
lighting
on
the
sculpture,
and
this
is
an
expenditure
we
can
make
without
any
other
approval.
I
some
move
lucian.
Second,
a
second
all
in
favor,
okay,
okay,
we
have
our
500
diane
for
the
thank
you.
Okay
and
let's
see
I
don't
know
why
my
glasses
are
fogging.
C
Okay,
well,
3b
was
re
review.
The
locations.
I
Well,
oh,
excuse
me,
joan
I'm
sorry,
I
sent
you
an
handout
number,
let's
see
all
right,
the
crowds
right
yeah,
so
everybody
got
those.
You
know
what.
So
you
have
all
the
addresses
of
the
garbage
corrals
and
okay
yeah
and
there's
the
maps
of
the
locations.
I
I
I
So,
just
like
your
you
know
the
unlimited
art
boxes
you
can.
A
C
Right
now,
this
is
the
this
is
the
project
where
we
determined
a
thousand
dollar
flat
fee
plus
materials
in
order
to
keep
it
within
the
scope
of
a
limited
subcontractor,
so
they
can
fall
under
the
city's
liability
insurance.
A
C
How
many,
how
much
aggravation
we
went
to
trying
to
find
a
way
around
the
liability
questions?
But
sorry,
as
I'm
saying.
H
Again,
it
was
interesting
one
of
the
stories
on
the
peer
arc
that
you
sent
us
had
a
comment
by
one
of
the
stakeholders
in
saint
petersburg
that
they
decided
not
to
say
that
local
artists
would
would
be
preferred
because
they
didn't
want
to
limit
submissions.
I
just
thought
that
was
an
interesting
point
of
view.
C
C
No,
I
think
it.
I
think
it
would
be
blind.
C
I
think
that's
the
only
way
you
can,
you
know
do
something
fairly
and
like
the
other
one
it
would
be.
You
know
the
request
would
be
for
digital
images,
so
we
could,
you
know,
maybe
in
a
zoom
meeting
like
this,
we
could
ask
mark
to
just
project
all
of
the
images
and
we'd
really
have
no
way
of
knowing
who
you
know
who
did
what.
I
I
think
one
of
the
reasons
that
you
know
for
the
the
limited
art
boxes
that
we
had
such
a
short
deadline
for
submissions.
You
know
for
this
first
one
was,
you
know
we
were
keeping
it
close
to
home.
You
know
just
because
we
knew
that
this
way
you
know
with
trisha's
help
and
the
local
artists
associations,
and
things
like
that.
We
could
probably
get
a
lot
of
submissions
quickly,
which
is
what
we
needed.
You
know
for
this
project,
but
that
doesn't
mean
you
have
to
do
that
for
all
of
them.
C
C
Okay,
so
lucian,
would
you
be
willing
to
work
with
diane,
okay,
great
the
next
one?
You
also
got
a
attachment.
C
One
of
our
citizens,
joseph
weinzettel,
is
offering
to
donate
a
mitch
colby
oil,
the
dr
seuss
pine,
and
we
have
to
decide
whether
it
was
going
to
be
accepted
or
not.
The
piece
is
12
inches
by
9
inches.
The
frame
is
17
inches
by
four
inches
and,
as
you
can
see,
it's
really
a
lovely
painting.
The
the
question
is
storage,
etc.
By
the
way
mitch
colby
is
the
man
who
did
the
cross,
retriever,
sculpture
next
to
saint
nicholas
cathedral.
I
We
do
have
that
really
large
database
of
artwork.
You
know
that's
on
that
thumb
drive.
He
did
mention
that
you
know
he's
especially
appreciative
of
the
public
library,
so
I
could
ask
carrie
if
she's
got
a
special
place
for
it
or
we
can
keep
it
and
put
it
up
in
the
cultural
center
when
that
reopens
too.
E
B
E
C
C
Right,
I
don't
know
if
we
need
emotion,
but
I
guess
is
anybody
objecting
to
accepting
the
donation?
C
Okay,
so
I
guess
we'll
go
ahead
with
it.
Okay,
the
review
and
discussion
of
the
bahamian
sculpture
quote
to
artists
and
I
think
we
need
to
establish
a
subcommittee,
and
I
know
that
lucianne
gave
us
a
lot
of
information
and
I
know
diane
and
I
have
always
also
been
digging
around
for
both
literature
and
images
of
the
sponge
hookers
and
I
you
know
well,
we've
lost
bill
theo.
Would
you
like
to
take
this
on.
B
I
would
probably
have
to
do
more
research
on
it.
I
haven't
done
too
much
research
on
the
topic,
yet
I
read
the
articles
that
were
sent,
but
other
than
that
I
haven't
done
my
own
research,
so.
A
B
A
C
H
H
That's
all
right,
but
I
will
say
that
when
diane-
and
I
were
talking
about
it-
she
suggested
going
to
the
historical
society
for
more
specific
tie-ins
between
the
bahamians
and
tarpon
springs
itself.
H
I
didn't
go
to
the
historical
society,
but
I
did
go
to
the
library
and
there
are
two
books
there
on
the
history
of
tarvin
springs
that
were
helpful
and
one
was
part
of
a
black
history
series.
It
was
co-authored
by
carol
mountain
who,
who
still
lives
in
town
and
sandra
rooks,
who
is
very
active
with
the
african-american
museum
in
saint
pete,
so
those
two
sources
might
help
you
theo.
H
C
Or
lucy
lucian
would
you
like
to
co-chair
with
theo
because
it
sounds
like
you've
already
got.
You
know
some
ideas
and
I
believe
you're
talking
to
each
other.
I
Subcommittee
I'll
have
to
just
make
sure
how
we
would
do
that,
but
you.
H
I
But
if
we
go
to
some
committee
I'll
find
out
exactly
how
that
will
have
to
work,
I
know
it
kind
of
spells
it
out
in
the
ordinance
if
you
all
want
to
go
ahead
and
review
the
ordinance
too
under
juries
and
subcommittees,
and
things
like
that.
But
right
you
know,
you
tell
me
who
the
members
are
gonna
be
and
I'll
find
out
what
the
correct
procedure
will
be,
because
I
can't
imagine
that
you
have
to
go
through
me
for
everything.
You
know
right.
C
Right
yeah,
it's
it's
burdensome
but
theo.
I
know
you
have
you
know
a
lot
of
roots
in
the
community
lucian.
You
have
a
lot
of
roots
in
the
community
and
I
know
that
there
are
still
people
in
tarpon
who
have
actually
worked
with
the
sponge
hookers.
C
So
maybe
we
can
also
try
to
solicit
some.
You
know
first
person
accounts
or
you
know,
or
some
kind
of
family
lore
in
as
much
as
it
exists
and
just
try
so
yeah
we're
going
to
be
looking.
Also,
to
put
some
you
know,
tarpon
citizens
on
the
committee.
C
C
C
Okay,
the
one
person
that
I
did
speak
to
about
it
was
athena
sardulius,
and
I
know
she
said
her.
Father
worked
with
sponge
hookers,
but,
as
you
can
imagine,
he's
up
in
age-
and
you
know
it
would
everything
would
have
to
go
through
athena,
so
you
know,
maybe
if
you
you
know
see
if
you
could
come
up
with
some
questions
that
you
might
want
to
give
to
her
to
ask
him.
That
might
be
this.
The
simplest
way
in
the
you
know
most
respectful
way
to
do
something
like
that.
I
And
just
so
you
you
all
know
too
that
I
did
talk
to
christopher
still
to
see
if
he
had
any.
You
know
photos
and
he
had
some
additional
that
he
shared
with
us.
They
weren't
any
different.
They
weren't
much
different
from
the
ones
that
joan
and
I
were
able
to
find,
but
he
is
going
to
be
doing
some
research
on
bailey's,
bluff
and.
I
For
advent,
and
so
I
will
just
ask
him
that
if
he
finds
out
anything
about
you
know
the
bahamian
divers
that
you
know,
maybe
he
could
share
it
with
us.
You
know
too,
because
I
told
him
the
project
that
you
all
were
going
to
be
working
on
and.
C
He
was
excited
about
it
right
lucian.
I
believe
that
there
are
a
lot
of
images
from
the
bailey's
bluff
settlement
in
the
carol
mountain
brooks
book.
H
She
wrote
a
general
history
of
tarpon
and
then
she
co-authored
the
one
on
african
americans
with
sandra
rooks.
So
the
library
has
several
copies
of
each
of
those,
and
I
can
send
the
titles
to
you.
Theo.
C
Okay,
okay,
yeah
and
please
make
any
suggestions,
for
you
know
any
community
members
that
you
think
should
be
at
least
approached
to
be
included
in
this
project,
because
I
think
it's
you
know.
We
really
need
the
feedback
from
the
community.
C
Okay
diane.
Do
you
have
any
announcements
from
the
city?
No
ma'am,
okay,
okay,
the
closing
procedures
for
the
august.
Oh
marisa,
we
didn't
get
any
emails
on
this.
Did
we.
C
Okay,
mark
did
we?
Are
there
any
public
comments
on
any
of
these
items?.
C
Okay,
the
as
you
can
see
the
additions
to
the
agenda
for
our
next
meeting,
which
is
august
11th,
we'll
be
actually
looking
at
whatever
came
in
for
the
art
boxes,
we'd
like
to
review
the
historical
research
for
the
bahamian
sponge,
hooker
statue
and
review
the
dumpster
or
the
the
mural
called
artists,
and
the
next
regular
meeting
will
be
two
o'clock
on
tuesday
august
11th
at
2
p.m.
I
assume
that
will
be
another
zoom
meeting.
G
Yeah,
I
have
a
question
for
diane
about
the
call
to
artist
when
when
could
I
have
this
so
that
I
can
get
in
touch
with
the
art
association,
women?
I
have
the
I.
I
Had
mentioned,
I'm
gonna
go
ahead
and
make
the
revisions
this
afternoon
I'll
get
it
to
you
this
evening
before
five
o'clock.