►
From YouTube: Design Review Committee
Description
No description was provided for this meeting.
If this is YOUR meeting, an easy way to fix this is to add a description to your video, wherever mtngs.io found it (probably YouTube).
C
F
B
E
E
Just
be
looking
for
a
motion
on
approval
of
the
design,
Review
Committee
work
session,
minutes
from
March,
8th
2023.
A
E
And
now,
just
looking
for
approval
or
a
motion
on
the
design,
Review
Committee
maintenance
meeting
minutes
the
formal
meeting
minutes
for
March
8th,
not
the
word
session.
E
F
E
We
have
one
item
of
new
business
tonight.
It's
item
number
one
Dr
h22-00420
location
is
801.
East
Reserve
Street,
it's
Public
Work
session
to
satisfy
the
conditions
of
approval
for
a
new
mixed
use;
development
on
a
property
in
a
c2d
DA
Zone
with
that
turned
over
to
you,
Josh.
H
Thank
you,
Mr
chairman
members
of
the
committee,
so
at
the
February
8th
design,
Review
Committee
hearing
drh22-00420
was
approved
with
conditions
of
approval.
One
of
those
conditions
was
that
the
applicant
needed
to
come
back
to
a
public
work
session
with
some
refined
designs
to
satisfy
some
areas
of
unease
and
uncertainty
that
the
committee
had
so
the
applicant
has
submitted
materials
and
come
back
before
you
tonight
with
with
those
materials
for
viewer
approval.
H
So
as
a
refresher,
we
are
at
801,
East,
Reserve,
Street
known
you
know,
generally
known
as
the
Armory
building
and
the
land
surrounding
it,
bordering
on
Avenue,
H
and
Logan
Street
to
the
South.
H
So
at
that
February
8th
design,
Review
Committee
hearing
the
specific
condition
of
approval
that
was
placed
on
the
project
was
that
the
applicant
shall
return
to
a
future
advertised.
Public
Work
session
at
50
construction,
drawings
and
the
items
to
clarify
were
the
pathway
design
along
that
Festival
Street
on
the
west
side
of
the
multi-family
building
the
building
materials
Chosen
and
their
application,
and
then
trash
collection
that
had
the
to
be
approved
by
Boise
Public
Works,
Solid
Waste.
H
So
the
applicant
submitted
some
detailed
drawings.
Some
some
colored
renderings
shown
here
on
the
screen
for
the
festival,
Street
and
pathway
and
then
also
some
perspectives
that
were
in
your
packet
as
well.
H
So
they
have
proposed
to
construct
that
pathway
along
that
Festival
Street
at
grade,
as
was
discussed
at
the
last
meeting,
using
material
changes,
some
areas
of
seating
trees
interspersed
throughout
that
area
and
then
some
plantings
against
the
multi-family
building
as
well
to
kind
of
help
break
up
number
one,
the
facade
of
the
multi-family
building
and
number
two
that
expanse
of
of
roadway
that
we're
generally
calling
the
festival
street.
H
It's
you
know
it's
really
an
access
drive
along
that
side
of
the
building
that
will
provide
access
to
both
the
Armory
building
and
the
new
structure
as
well.
Some
renderings
Oh
I
thought.
Oh
there
we
go.
Some
renderings
provided
by
the
applicant
show
that
area
with
the
seating.
H
You
know
Ballers
for
pedestrian
protection
and
again
that
at
grade
treatment
of
using
different
surface
materials
to
kind
of
delineate
the
public,
the
vehicular
way
and
the
and
the
pedestrian
way
some
plantings
those
trees
as
described
another
perspective
showing
some
of
those
seat,
walls
and
plantings
proposed
along
that
Festival,
Street
or
service
Drive.
H
The
I'll
jump
to
to
the
trash
issue
because
it's
a
site
related
issue
as
well,
so
both
planning
staff
and
Boise
City
Solid
Waste
had
some
concerns
about
the
previous
proposal
for
servicing
the
trash
for
the
buildings.
The
applicant
worked
with
public
works
on
an
alternative
and
public
works.
I
was
able
to
sign
off
on
this
proposal
with
some
recommended
conditions
of
approval,
specifically
regarding
how
this
transfer
of
materials
and
bins
will
take
place.
H
H
I,
don't
think
it
was
the
applicant's
first
choice
or
or
the
city's
first
choice,
but
it
is
a
solution
that
gets
around
the
issue
of.
Do
we
heavily
impact
Avenue
H
with
that
trash
collection
area,
or
do
we
heavily
impact
the
design
of
the
building
and
the
functionality
in
the
building?
I
think
the
applicant
will
speak
to
this.
You
know,
and
they
did
the
last
hearing,
certainly
that
moving
what
moving
that
trash
room
internally
on
the
existing
building
would
have
done
to
their
design
to
their
plans.
H
So
a
compromise
and
and
in
those
Public
Works
Solid
Waste
recommendations
are
Provisions
that
if
this
does
not
work,
it
can
be
reevaluated.
That's
at
a
future
date.
H
Finally,
the
Public
Works
session
condition
requested
that
the
applicants
take
a
closer
and
refined
look
at
materials
on
the
building
and
the
application
of
those
materials.
H
There
are
extensive
drawings
in
your
packet
tonight
and
the
applicant
will
present
on
them
as
well,
that
have
proposed
material
changes
and
the
app
and
the
and
changes
to
the
way
those
materials
are
applied
that
relate
directly
to
the
surrounding
buildings.
They've
provided
a
number
of
examples
that
are,
in
your
packet,
for
instance,
the
the
metal
rib
panel
on
the
existing
structure
in
the
area
in
the
vicinity
of
this
building.
H
You
know
Tran
used
on
the
proposed
multi-family
building
specific
details
of
the
Armory
building,
including
window
Rhythm
and
patterning,
and
then
specific,
concrete
details
which,
which
call
what's
called
The
Armory
onto
this
site
and
kind
of
pay
homage
to
it.
So
with
that,
the
applicant
I
believe
has
an
extensive
presentation
for
you
here.
There
are
conditions
of
approval
in
the
work
session.
H
Memo
provided
to
you
that
do
include
those
again,
those
revised
recommendations
from
Boise,
City,
Public
Works
about
the
solid
waste
collection
and
on
the
topic
of
the
pathway
and
the
festival
Street.
You
will
see
that
the
conditions
of
approval
still
require
that
the
applicant
work
with
the
East
End
on
the
signage
and
historical
markers
that
were
discussed
at
the
last
meeting
plant
specific
plans
regarding
those
have
not
been
developed
yet
so
they'll
still
need
to
go
through
that
process
with
the
Easton
neighborhood
association
and
with
that
I
would
stand
for
any
questions.
Thanks.
E
F
I
Thank
you
designer
do
you
committee,
my
name
is
Brad
Watson
with
Alpha
Development
Group
address
is
166
East
14,
000,
South,
Suite,
110,
Draper,
Utah
84020,
a
quick
thanks
to
Josh
for
helping
us
through
this
and
being
with
us
along
the
way,
he's
done
a
great
job
with
us
and
certainly
appreciate
his
advice
and
direction,
as
we've
tried
to
navigate
through
this
and
a
special
thanks
to
Cindy
montodo
from
the
Easton
neighborhood,
who
is
with
us
tonight,
I
I
think
Josh
nailed
it
and
I.
I
Think
less
is
more
in
this
situation,
as
he
kind
of
walked
through
what
we
work
through.
We
saw
three
major
items
here
and
I'll
I'll
hit
a
couple
and
then
I'll
let
I
I've
also
have
Kevin
zanberg
with
method
Studio
as
our
architect
to
maybe
address
some
of
the
building
materials
and
our
thoughts
along
those
lines.
I
So
some
of
this
stuff
is
is
super
redundant
and
for
for
those
who
are
Architects
on
here,
the
details
are
very
exciting,
as
they
show
our
two
inch
reveal,
which
is
one
of
our
site-specific
conditions.
There
and
We've
created
a
way
to
provide
that
for
all
of
our
exterior
windows
above
the
first
floor.
I
Another
site-specific
condition
was
the
screening
of
our
mechanical
units.
If
you
put
these
two
drawings
together
here,
you'll
see
our
rooftop
look
there,
as
well
as
an
elevation
and
a
cut
through
our
mechanism
to
screen
our
mechanical
units
there
again,
not
not
too
exciting,
but
it
will
certainly
take
care
of
the
mechanical
units
and
and
and
Screen
those
as
they
need
to
be.
Josh
did
a
great
job
explaining
this.
This
is
one
of
our.
I
Our
major
things
was
spending
some
good
quality
time
with
Gabe
Brenner
and
the
solid
waste
the
young
man
is
excited
about
solid
waste
and-
and
we
certainly
enjoyed
meeting
with
him
several
times
to
get
here.
Josh
mentioned
that
this
is
probably
not
our
ideal
location
but
the
other.
I
The
other
location
we
had
was
along
that
Festival
Street,
where
we
would
drag
through
our
parking
garage
and
stack
those
on
the
festival
Street,
and
we
just
didn't
think
that
worked
with
what
we're
trying
to
create
between
our
new
building
and
the
existing
Armory.
So
as
we
work
through
this
with
Gabe
I
I
feel
like
that,
that's
a
great
location
for
us.
I
It
will
allow
Republic
Services
to
Loop
through
and
get
the
second
location
which
is
down
between
the
buildings
down
in
the
it'd,
be
the
South
in
the
middle
Festival
streets.
So
I
think
that
looks
works
great
and
the
conditions
that
are
specific
to
that.
If
we
have
complaints
and
things
like
that-
that
we
need
to
address,
certainly
it's
in
our
best
interest
to
keep
people
happy,
and
if
we
have
issues
that
we
certainly
agree
with
the
conditions
that
are
placed
in
Josh's
report.
I
Oh
okay,
here
we
go
our
pedestrian
pathway,
Festival
Street
again,
we
understand
the
desire
to
work
with
our
East
End
neighbors
and,
as
a
matter
of
fact,
we've
already
had
a
meeting
with
Cindy
and
another
individual
that
has
an
interest
in
that
I.
It
was
a
great
a
great
meeting
as
we
walked
through
some
ideas.
We
had.
I
We
have
some
follow-up
and
we're
reaching
out
to
some
additional
resources
in
the
historical
department
to
figure
out
how
we
really
how
we
really
accentuate
the
history
and
the
the
nature
of
that
Armory
building
and
what's
gone
on
there
for
a
significant
amount
of
time.
We
commit
and
we're.
Okay,
with
with
the
conditions
in
the
report
that
this
is
something
that
will
will
will
be
a
highlight
of
the
area
and
not
something
that
we're
just
trying
to
check
off
or
anything
like
that.
We
we
want
to
make
it
a.
I
We
want
to
certainly
present
it
to
the
people
that
are
visiting,
as
this
is
what
this
building
was.
This
is
what
it
means
to
the
city
and
I
think
that
would
make
all
the
stakeholders
very
happy
going
down
that
that
path
there.
I
Additionally,
we
have
a
follow-up
meeting
with
the
mayor's
office
at
the
first
part
of
May
to
maybe
bring
in
some
additional
information
there
and
support,
as
we
look
through
this,
if
we
can
get
the
Arts
Council
involved
and
things
like
that,
we're
certainly
open
to
people
helping
us
and
giving
us
guidance
and
Direction
the
the
direction
we
gave
to
Cindy
or
that
what
we
ask
is
if,
if
we
plan
this
and
get
it
down
there,
we're
coming
back
back
to
you
for
the
information,
and
so
she
gladly
agreed
to
do
that.
I
So
we
look
forward
to
working
with
with
her
in
the
East
End
as
we
get
this
right
for
the
city
of
Boise
foreign,
with
that
I'll
turn
the
time
over
to
our
architect,
Kevin
zanberg,
to
address
any
questions
or
ideas
on
our
exterior
elevations.
Any
specific
questions
for
me,
questions.
D
So
my
name
is
Kevin
zamberg
I'm,
with
method
studio,
we're
at
362
East
Aspen
Avenue
in
Salt,
Lake
City
I'm.
Here
today
to
answer
any
questions
that
you
may
have
about:
the
materiality
choice:
color
Choice:
what
drove
the
design?
It's
relationship?
It's
it's!
What
are
intended
symbiotic
relationship
with
the
with
the
Armory
building
yeah
any
questions
you
may
have
just
please
let
me
know
and
I'll
answer
them.
The
best
I
can.
J
J
F
F
J
Could
you
run
us
through
your
General
concept
and
the
process
that
went
into
that
that
front
corner
piece
that
has
about
a
half
dozen
different
materials
and
movements
going
on
sir.
D
Corner
so
so
what
drove
that
I
guess
was
we
looked
at?
We
looked
at
at
the
at
the
facade
elevation
as
as
three
primary
entry
points
into
the
building,
so
you
have
and
when
you
pull
up
at
the
northwest
corner
of
Reserve,
that's
we
see
as
kind
of
the
great
room,
that's
the
main
leasing
office.
D
So
we
wanted
that
area
to
have
some
prominence
and
really
be
a
key,
a
key
identifier
in
terms
of
how
you
enter
into
that
building
and
what
you
would
experience
not
just
from
the
exterior,
but
what
you
potentially
could
start
to
experience
within
the
overall
building
itself.
D
So
the
idea
of
adding
glass
creating
this
more
modern
industrial
look,
I
thought
was
really
important,
then
the
other
two
areas
that
you
see
on
the
building
that
have
accentuated
building
elevations,
where
we've
raised
the
building
elevation
at
least
two
other
points
we
saw
serving
as
and
do
serve
as
key
entry
pointed
to
the
building
so
into
potential
retail
spaces
restaurant
spaces.
So
we
wanted
to
have
those
entry
points
have
significant
feel
to
them
so
that
they
did
become
very
self-evident
as
main
building
entry
points.
D
So
that
drove
the
reason
why
we
adjusted
the
building
elevation
introduced
some
different
materials
so
that
it
was
clear
on
the
outside
that
there
were
three
kind
of
primary
entry
points
from
Reserve
Street
into
the
building,
one
being
the
the
great
the
great
room.
We
call
it
on
the
northeast
northwest
corner
and
then
a
couple
other
entry
points
into
retail
or
restaurant
spaces.
So
that's
that's
what
drove
those
that
that
design
primarily
is
looking
at
those
key
entry
points
and
making
sure
that
those
are
well
established.
D
D
D
See
it
oh,
this
right
there
so
sorry!
So
this
this
elevation
looks
down
Logan
and
you
see
the
the
large
apartment
building
behind.
So
there
is
a
materiality
relationship
between
those
two.
So
we
wanted
to
maintain
some
relationship
between
the
two
so
that,
while
there
were
elements
of
the
town
home
buildings
that
are
unique,
there's
still
a
materiality
connection
between
the
two
buildings.
D
So
there's
we
started
with
what
we
saw
is
more
of
a
simple
monochromatic
coloring
choice
where
you
have
a
dark
material
on
the
bottom
and
you
go
to
lighter
materials
up
top,
partly
to
help
delineate
the
ground
level,
the
ground
level
of
the
building
from
the
units
above
and
then
used
different
material
pallets
windows
to
try
to
create
some
interest
in
that
as
well.
D
So
some
of
it
is
just
playing
with
form
to
create
some
interest
to
help
control
the
scale
of
those
buildings
as
well,
so
those
buildings
again,
which
are
further
down
the
street,
which
are
closer
to
the
residential
areas,
have
more
of
a
of
a
of
a
feel
and
scale
that
relates
to
the
the
residential
buildings
around
it.
So,
that's
probably
that's
one
of
the
reasons
why
we
played
with
with
the
scale
and
form
the
way
we
did.
The
other
thing
that
we
tried
to
do
is
well.
D
We
kept
the
the
pallet
on
the
ex
on
the
really
on
the
outside
and
the
skin
of
the
building,
pretty
simple
and
pretty
monochromatic.
Once
you
start
to
peel
into
the
building
and
we've
done
the
same
thing
on
the
apartment
building
as
well.
So
that
again
is
another
relationship
between
the
two
we
wanted
to
kind
of
start
to
express.
What
we
saw
was
the
warmth
and
and
what
it
and
and
that
living
condition
inside
right,
you
think
of
Apartments,
you
think
of
residential
units.
You
know
family
life,
you
think
of
the
work
inside.
D
D
So
that's
why,
when
you
pull
it
back
at
the
balconies,
you
start
to
see
this
wood
element
kind
of
being
exposed
and
coming
through
it's
the
kind
of
appealing
of
the
skin,
of
the
building
back
and
exposing
the
wood
kind
of
playing
off
the
wood
framing
inside
too,
but
exposing
that
wood
materiality
and
then
and
then,
as
you
can
see
in
that
lower
facade
detail
again,
we
wanted.
We
wanted
to
break
up
the
Rhythm
as
well.
Otherwise
we
felt
that
this
would
have
just
a
very
strong,
almost
too
strong
horizontal
feel
to
it.
D
So
we
started
to
break
it
up
with
with
some
deliberate
vertical
elements
that
only
that
only
break
up
at
the
units,
but
also
provide
an
opportunity
for
some
different
material
as
well,
but
again
provide
this
vertical
element
to
try
to
bring
and
break
up
that
horror.
The
overall
horizontality
of
the
building
facade
and
using
again
a
a
metal
panel
in
that
space
just
again
create
a
different
material
change,
but
to
try
to
create
and
provide
some
interest
on
the
building
as
well.
J
I
think
it
it'd
be
interesting
to
see
if
you
could
accentuate
those
that
Rhythm
a
little
more
with
a
change
in
the
parabit
height
between
the
recesses
and
the
the
protrusions
I'm
a
little
concerned
about
the
back
face
where
it
it
looks
down
under
the
the
festival,
Street
or
not,
not
necessarily
directly,
on
the
festival
street,
but
right.
Those
are
the
faces
that
you
see
from
there.
That
just
seems
a
little
sterile.
J
D
Awesome
all
right,
no
but
I.
I
can
appreciate
that
I
understand
where,
where
your,
where
your
comments
are
right,
are
directed.
J
Could
we
look
at
the
elevations
for
the
apartment
itself.
J
Do
you
want
the
colored
elevations
that
that's
fine
I
think
this
is?
This
is
a
good
example
of
what
we've
seen
a
fair
amount
of
around
here,
where
at
the
top
of
the
facade
there,
where
the
parapet
extends
the
whole
length.
We've
just
got
this
flatness,
where
lower
down
and
in
the
body
of
the
building
you've
got
this
kind
of
articulation.
J
You've
got
this
movement
where
you're
your
decks
are
sticking
out
or
you've
got
windows
and
stuff,
but
there's
not
really
anything
that
either
ties
it
to
the
parapet
or
actually
separates
it
from
the
parapet.
I.
If
there
are
a
way
that
you
know
either
you
push
that
upper
space
out
and
and
have
a
you
know,
kind
of
accentuate
that
horizontality
there
in
those
upper
four
feet
or
take
the
the
masses
and
their
Rhythm
and
and
move
upward
to
break
that
up.
J
It
is
probably
a
personal
thing
that
these
guys
are
tired
of
me,
bringing
my
personal
opinions
into
it,
but
I
am
always
frustrated
to
see
this.
The
top
of
these
these
units,
where
there's
the
recess
over
the
deck
right
and
then
the
soffit
itself,
doesn't
really
have
any
acknowledgment
of
that
recess
or,
and
it
doesn't,
it
doesn't
break
itself
from
just
the
big
facade.
You
know.
D
So
what
so,
just
one
of
the
challenges
we
had
with
this
too
is
we're.
We're
like
right
at
the
building
maximum
height
as
well.
So
right,
so
that
was
part
of
the
challenge
too,
is
is
trying
to
maintain
what
we
what
we
needed
and
we
required
for
our
floor
to
ceiling
height,
to
make
sure
we
had
reasonable
ceiling
Heights
in
there
as
well.
D
Knowing
that
we're
I
mean
we're
right
at
our
I
mean
with
with
a
few
inches
to
spare,
but
we're
right
at
our
maximum
ceiling
height,
so
our
our
building
hike
so
I'm
that
that
provides
a
provide,
a
unique
challenge
to
us
too,
knowing
that
we
didn't
have
that
opportunity
to
to
really
play
with
those
parapet
Heights
as
well.
Knowing
we
were,
we
were
maxed
out.
J
Right
no
I
I
appreciate
the
predicament
there
yeah
I,
just
yeah
I'm,
looking
for
something
just
a
little
creative.
Maybe
it's
kind
of
a
cornice
where
you
change
the
depth
there
along
the
top,
so
that
the
actual
facade
itself
does
not.
It
creates,
maybe
a
shadow
line
and.
D
It
does
actually,
if
and
I,
don't
know
if
I
don't
know
if
it's
in
the
drawings,
but
we
do
actually
have
at
the
at
the
perimeter
building.
We
do
actually
have
a
projecting
Corners
that
projects
anywhere
from
eight
inches
to
at
least
a
foot
out
from
the
building.
I,
don't
know
if
it's
in
this
set
of
drawings
to
help
create
some
of
the
Shadow
line
that
you
are
talking
about
so
I
guess.
So
we
acknowledge
that
and
look
for
an
opportunity
to
at
least
introduce
some
sort
of
element
along
the
top
to
help.
E
Yeah
Mr
Steve,
were
you
kind
of
thinking
like
that
that
portion
that
four
foot
little
chunk,
that's
right
above
the
recesses
and
those
that
that
portion
didn't
come
out
and
meet
the
solid
plane
that
continues
that
four
foot
stretch
you
get
a
perceived
undulation
to
the
parabit,
because
especially
from
ground
level,
because
there's
a
change
in
plane
right.
J
Right,
I
think
that
when
we
have
this
sort
of
continuity
up
and
then
over
and
around
those
those
openings
it
it
just
feels
very
much
like
something
was
punched
in
without
kind
of
create
like
forming
the
building,
and
that's
that's
my
concern
is
that
it's
just
kind
of
not
finished,
it's
again
personal
opinion,
but
we
see
a
lot
of
it
around.
D
Here
right
and
it's
and
it's
and
that's
what's
the
challenge
too
right,
because
it
is
becomes
very
subjective
for
so
for
us
to
me,
we
like
the
really
clean
lines
of
that
exterior
elevation.
So
for
us,
introducing
a
large
element
to
us
is
not
something
we
it's
not
something
we
like
to
see,
or
do
we
like
to
keep
those
lines
clean
and
focus
more
on
those
those
punched
elements
within
the
building
itself
right,
but
I,
understand
where
you're
going
to
it's
just
creating
some
more
articulation
along
the
top
part
of
that
the
building
and.
J
D
F
J
A
Sure
Mr
chairman
committee
members,
I'm
Cindy
Montana
I
love
it
718
E
Street,
here
in
Boise,
83712
and
I
am
the
authorized
eastend
neighborhood
eastend
neighborhood
association
representative
to
speak
to
you
tonight
as
I
believe
it
was
Committee.
Member
Aguilar
had
recommended
back
on
the
February
8th
hearing,
The
Basque
block
was
mentioned
as
an
example
for
the
festival
Street
to
look
to
for
inspiration
and
guidance,
and
I
actually
took
the
Alpha
Team
over
to
the
basketball.
A
After
the
hearing
that
night,
with
my
little
five-year-old
son-
and
we
looked
at
examples
of
the
historic
interpretive
signage
on
the
basketball
and
kind
of
how
that
was
applied
to
that
specific
place,
and
it
seemed
to
be
an
incredibly
helpful
and
useful
approach
that
has
I
believe
brought
this
process
to
where
the
Easton
neighborhood
association
has
wanted
to
see
it
and,
as
Brad
had
mentioned,
I
met
with
Alpha
and
their
architectural
team
last
week
to
brainstorm
ideas
for
this
Festival
site
and
kind
of
really
thinking
about
what
and
how
we
wanted
to
see
this
history
displayed
along
this
Festival
Street.
A
We
have
contacts
with
the
Idaho
State
Historical,
Society
preservation,
Idaho,
the
Idaho
National
Guard
historians,
the
Idaho
Veterans
Services
Association,
and
our
hopes
in
having
these
contacts
are
to
round
out
and
collaborate
to
effectively
memorialize
the
history
of
this
place
and
I
think
that
that
shows
in
the
renderings
that
were
presented
to
you
tonight
again,
as
Brad
mentioned,
we
have
a
meeting
on
May
9th
with
the
mayor's
office
and
My
Hope
in
that
is
to
potentially
seek
Landmark
status
for
the
site,
as
was
kind
of
brought
up
by
mayor
and
council
at
the
initial
Hearing.
A
In
addition
to
maybe
getting
some
additional
resources
for
the
Arts
from
the
arts
and
history
Department
from
the
city.
So
all
that
to
say
the
Eastern
neighborhood
association
is
grateful.
That
Alpha
is
allowing
us
to
seat
at
the
table
in
this
process
and
we
hope
that
continues,
and
that
is
all
I
have
for
you
this
evening.
Thank
you
very
much
great.
E
I
Thank
you
for
your
time
this
evening,
we're
excited
about
this
project
and
we
are
100,
confident
that
we
will
deliver
on
the
things
that
matter
and
the
things
that
we've
agreed
to
and
certainly
appreciate.
You
listening
to
us
appreciate,
Josh
and
his
help
and
Cindy,
as
well
as
the
other
members
of
the
East
End
Neighborhood,
with
that
I
would
just
respectfully
ask
for
your
approval
for
to
allow
us
to
move
forward
and
get
our
building
permits
submitted
and
go
forward
with
a
project
here.
Thank
you.
Good.
Thank.
G
It
Mr
chair,
yes,
I
I,
just
do
want
to
thank
the
applicant
for
a
lot
of
those
changes
that
are
reflected
in
those
renderings
really
did
capture
a
lot
of
our
comments,
and
you
know
I
think
what
the
East
End
Neighborhood
and
just
Boise
in
general,
really
would
like
to
see
there.
It's
a
really
special
place
and
I
think
that
you
guys
have
done
a
really
great
job
of
addressing
that.
So
just
we
appreciate
that
agreed.
K
E
K
I
have
a
few
comments
on
the
building.
One
is
that
Well,
Community,
member
or
staff
and
I
generally
disagree
on
Design
Elements
I
I,
really
like
the
flatness
of
the
building.
It
has
a
somewhat
Warehouse
style
that
I
think
works
really
well
there,
especially
right
next
to
the
Armory.
K
It's
sort
of
industrial
without
trying
to
be
too
industrial,
so
I
I
think
it
really
works,
and
then
I
had
the
same
initial
reaction
to
Commitment
member
or
start
about
the
back
of
the
building
that
overlooks
that
walkway
Street
and
then
thought
about
how
my.
K
If
the
perspective
is,
if
I
see
the
perspective
correctly,
I
I,
don't
think
anyone's
ever
gonna
be
able
to
step
back
and
really
look
at
the
building
facade
because
it
looks
like
there's
going
to
be
landscape
and
other
things
going
on
at
The
Pedestrian
level.
So
you
won't
really
it's
not
like
you
can
drive
by,
and
you
know
be
30
feet
back
and
see
that
plane.
So
I
feel
like
that's
going
to
be.
K
Okay
and
I
want
to
thank
the
developers,
because
I
have
been
watching,
like
all
of
us,
been
watching
this
site
for
a
very
long
time
and
was
fearful
that
it
would
become
a
sea
of
parking
around
one
building,
and
it's
really
nice
that
it's
not
that
and
that
it's
a
neighborhood
scale,
development
and
I
really
hope
that
Festival
block
is
going
to
actually
be
used.
K
E
E
J
Want
to
say,
I'm
really
excited
about
the
profusion
of
board
form
concrete,
that's
pretty
cool
kind
of
obsessed
with
it
for
a
long
time
and
I
just
want
to
see
more
of
it
all
the
time.