►
From YouTube: 03/12/2020 Public Art & Design Advisory Board.
Description
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Agenda can be found here: http://bit.ly/ClearwaterCityCouncilMeetings
A
B
D
D
D
A
D
D
Okay
and
let's
go
right
to
new
business
items,
review
the
staff
update
mr.
Hubbard
all.
B
B
Let's
see
item
number
4.1
review
a
staff
update
on
the
imagine,
Clearwater
public
project,
public
art
component
I
have
for
you
in
your
packet
and
should
be
a
photograph
of
some
plans.
These
are
the
60%
plans
that
we
received
recently
currently
Stantec.
Our
plan
designers
are
preparing
sixty
percent
flyovers
and
images
for
our
public
marketing
campaign,
and
they
will
be
added
to
the
imagine
Clearwater
website
once
that
is
available.
So
at
that
website
is
imagine
Clearwater
com.
The
video
that
you
have
displayed
on
the
monitor
here
is
from
that
site.
B
B
B
Seating
elements,
some
other
incorporation
and
those
would
fit
within
our
public
art
master
plan
as
functional
elements
they
just
might
not
be
designed
by
an
outside
artist.
The
idea
behind
that
is
to
make
sure
that
we're
condensing
our
public
art
into
sites
and
locations
where
they'd
be
impactful
and
not
distributing
the
allotment
too
far
to
where
the
public
art
is
of
a
scale.
That's
too
small
or
does
not
fit
within
that
section.
So
we'll
go
ahead
and
I
will
read
to
you
the
text.
B
That's
on
the
side
there
site
number
one
is,
on
your
left
hand,
side
of
the
page.
It
is
the
south
bluff,
walk
they've
identified
this
as
a
human
scale,
six-foot
sculpture
on
a
pedestal
and
that
the
subject
could
be
abstract
artwork.
Let
me
rewind
a
little
bit
in
going
through
these.
As
you
look
at
the
sites
and
I'll
bring
my
information
up
here.
So
I
can.
E
B
However,
as
we
get
further
into
the
agenda,
we
have
an
inquiry
within
our
legal
department
to
see
if
that
cap
can
be
removed
or
does
not
apply
to
this
project,
so
that
would
then
allow
us
to
have
six
hundred
and
forty
five
thousand
dollars
worth
of
artwork
for
this,
which
is
significantly
more
and
would
be
much
more
beneficial
and
fitting
allotment.
In
addition
to
that,
we
have
design
funds
that
we're
working
with
our
designers
to
incorporate
those
are
elements.
B
So
if
there's
an
area
that
could
be
a
wayfinding
device
and
can
just
be
considered
or
design
that
won't
eat
away
at
our
public
art
component
and
we'll
have
more
for
those
impacted
sites,
so
the
first
one
is
part
of
the
south
bluff
walk
on
the
monitor.
If
you're
looking
here
at
this
high-rise
that
stations
square
con,
sorry,
that's
water's
edge
tower
south
bluff.
Walk
is
back
here.
It's
a
pedestrian
area.
It's
intended
for
people
to
just
meander
through
and
enjoy
some
planters
and
some
native
trees
back
there.
B
B
They
are
removing
the
bayfront
tennis
court
yeah,
so
this
would
be
in
that
section.
It's
the
uplands,
it's
the
area
that,
where
the
previous
city
hall
there's
a
large
berm
that
you
have
to
walk
down,
it's
elevated
about
20
or
so
feet.
That's
that
area
and
they've
made
diagonal,
or
rather
ramping
access
for
people
of
all
abilities
to
be
able
to
walk
in
and
meander
through
that
area.
So
they're
recommending
a
pedestrian
scale,
installation
there
I'm
going
to
go
to
site
2.
B
So
this
is
the
lake
area
of
the
park.
It's
intended
to
be
inspired
by
our
sister
city's
connection
to
Nagano
Japan.
Our
relationship
is
now
in
its
60th
year.
We
hope
to
get
to
Japan
at
some
point
when
we
will
be
able
to
go
there,
we're
not
sure,
but
this
is
meant
to
establish
a
connection
with
them
visually.
One
of
the
items
that
is
part
of
our
delegation
visit
to
Japan
to
Nagano
is
to
incorporate
an
artist
from
Nagano
city
into
the
design
of
this
session.
B
B
If
you
look
to
the
right
of
the
screen,
you'll
see
those
purple
and
pink
flowers,
that's
sort
of
a
flat
area
there
that
would
be
able
to
serve
as
a
wedding
location
if
people
so
deem
that
so
those
are
sites
2,
&
3.
My
recommendation
would
be
that
we
look
with
some
public
art
dollars
into
that
Japanese
inspired,
sculpture,
that
we
be
able
to
involve
the
artists
from
Nagano
into
the
design
of
that
the
moon
gates.
B
B
This
is
kind
of
what
is
part
of
the
bluff
lock.
You
can
just
see
it's
more
of
pedestrian
promenade
that
borders
the
lake
they're,
looking
for
a
large
sculpture,
interwoven
into
the
landscape
planting
area.
This
could
be
a
Stella
or
column
with
mosaic
on
it,
that's
done
by
a
craftsperson
or
a
local
artisan
that
need
not
be
a
huge
investment,
but
can
be
a
colorful
addition
to
that
area.
B
What
pardon
me
what
they're
recommending
as
far
as
interwoven
with
the
landscape
planting
that
would
need
to
be
maintained?
The
landscape
would
grow
up
to
take
over
that
at
some
point.
So
the
recommendation
is
that
it's
not
a
highly
delicate
or
sensitive
piece
of
artwork
mosaic
might
work
well
painted
column
or
you
know,
decorative
concrete
might
work
well
there
as
well.
Those
are
things
that
can
be
done
internally
within
Stan,
Tech's
design
and
done
at
the
time
of
construction
of
the
site,
so
that
is
site
for
site
five
is
in
this
area.
B
There
they're
recommending
a
large
over
eight
foot
vertical
sculpture
that
you
can
view
from
all
sides
that
people
would
be
able
to
navigate
around
and
serve
as
a
gathering
point
one
that's
very
successful,
and
this
is
the
lightening
bolts
at
Onley
arena.
Many
people
will
meet
at
the
lightening
bolts
there,
whether
having
parties
join
them
and
they
can
go
inside
into
the
arena.
So
this
is
recommended
that
we
would
have
a
commissioned
artist.
Do
this
portion
here
site
six
through
nine,
are
located
around
the
green,
which
is
the
concert
space.
B
This
is
the
green
space,
as
well
as
the
amphitheater,
which
you
may
have
heard
lots
of
discussions
over
the
artwork,
or
rather
the
art
sites
are
bordering
the
entrances
into
the
green
they're
meant
to
be
sort
of
wayfinding
devices,
totems
any
kind
of
identification
that
this
is
an
entry
point
into
that
area
by
the
sidewalk.
These
could
be
an
artwork
component
on
the
top
away
from
a
lot
of
heavy
stream
of
traffic,
which
will
be
going
in
and
out
of
those.
B
B
D
B
So
those
are
sites
six
through
nine
site.
Ten
is
the
promenade,
which
is
this
area
here
along
our
front.
We
have
an
existing
piece
of
public
art
downtown
or
down
there.
Rather
that's
going
to
be
removed
and
reinstalled
after
construction
is
completed.
That's
our
middens
project,
it's
the
two
stainless
steel
dishes
or
lit
with
LEDs
on
the
bottom
and
they're
on
top
of
a
grass
midden
mound
that
was
designed
by
cliff
garden
that
will
be
replicated
once
it's
put
back
into
the
site
site.
Ten
is
very
close
to
it.
B
If
you're,
looking
at
your
paper
here,
just
the
left
of
site,
10
you'll
see
a
half
circle
with
a
sort
of
bull's
eye
target
in
the
middle.
That's
where
mittens
will
be
installed.
It's
gonna
be
right
at
the
foot
of
the
walkway
out
onto
the
downtown
marina
that
brings
it
was
further
north.
It
makes
it
a
little
bit
more
prominent
for
people
that
are
using
that
site
site
1000.
We
have
have
to
be
carefully
chosen,
so
we're
not
competing
visually
with
mittens,
but
perhaps
something
complementary
to
it.
B
We
could
use
stainless
steel
I
think
we
could
involve
an
artist
with
that,
but
I
don't
want
to
create
too
much
visual
discord
between
them.
There
they're
really
gonna,
be
about
30
feet
apart,
I
think
that's
pretty
close.
It
is
yeah.
So
one
of
the
comments
that
I
want
to
make
to
Stantec
is:
let's
take
a
look
at
that
and
decide
visually
how
we
want
to
serve
that
area
with
artwork
very
close
to
it
too,
as
well.
B
You'll
see
these
braziers
that
are
in
the
design,
they're
very
tall
sort
of
woven,
open
basket
style,
sculptures
that
have
a
flame
component
to
them.
That's
currently
in
the
30%
design,
but
we
have
a
design
meeting
tomorrow
morning
to
go
through
the
60%
design.
So
any
comments
that
you
have
today
I
would
be
able
to
bring
to
them
or
any
ideas
that
he
might
have.
D
B
B
A
B
B
C
Also
chrislam,
they
didn't
like
the
area.
Anyways
I
mean
II,
have
somebody
foot-candles
before
the
CEO
for
that
area.
They're
gonna
have
to
issue
a
foot-candle
measurement.
What
the
lighting
is
so
the
versus
the
they
be
the
practice
of
high
pressure,
Modi
of
sodium
or
mercury
vapor,
my
picture
out
there
we
can
put
a
gas
which
is
done
in
other
cities
and
so
I
think
it's
a
little
bit
of
warmth
or
romance
to
it
down
there.
C
The
argument
of
the
gas
gas
is
a
clean,
a
little
more
clean
for
our
environment
versus
electric,
which
is
you
know
more
pollutant
so
and
we're
producing
guests
in
our
country
a
lot
more
efficiently.
Now
that
we
did
gas
I'm
all
for
two
guests,
I,
don't
work
for
sleek
they're.
What
a
gas
company,
but
okay.
E
C
B
They
want
to
put
them
out
there,
but
they're
very
interested,
and
we
do
have
you
know
if
these
were
to
be
darkened
some
points.
We
do
have
some
lighting
features
that
could
indeed
be
gas
lamps
sort
of
the
flickering
gas
lamp
or
it
could
be
an
electric
empowered,
but
we
would
have
some
safety
lighting
out
there
as
well,
but
all
very
good
things
that
I'll
bring
up
tomorrow
in
our
conference.
Call
with
Stantec
of
you
know:
what's
the
intent
for
the
flames
out
there,
how
often
are
they
to
be
lit?
B
What
are
the
other
lighting
sources
for?
You
know
people
to
move
around
safely
and
how
does
that
impact
most,
notably
our
components?
The
artwork
is,
if
it's
too
close
to
it,
you
know,
and
these
sites
have
just
been
identified,
it
doesn't
mean
that
we
have
to
have
18
sites
of
artwork.
We
could
condense
them,
we
could
have
more,
we
could
have
less,
but
this
is
a
very
early
thought
and
rendering
of
it
as
far
as
those
locations
so
move
to
site
11,
and
this
is
the
gateway
site.
B
B
B
But
these
mangrove
pods
are
part
of
a
stained,
glass
and
garden.
If
you
will,
and
those
are
part
of
the
design
budget-
they're
not
going
to
impact
our
public
art
components,
but
the
areas
before
we
get
into
there.
Those
large
open,
plazas
and
particularly
right
in
this
area,
would
be
a
great
spot
for
a
prominent
piece
of
public
art
work
to
welcome
people
into
the
park.
B
I
would
recommend
that
to
Stantec
that
we
really
look
and
focus
on
this
site
as
well
site
number
11
as
a
way
of
branding
the
park
as
well
associating
it
with
a
you
know,
quality
piece
of
artwork
that
people
can
navigate
with
that
they
can
recognize
as
they
move
through
the
area
and
that
can
serve
as
a
memory
point
for
the
park.
Now.
E
A
B
B
B
B
I'll,
move
on
to
sites
12,
13
and
14
I.
Don't
have
a
good
representation
of
them
in
this
presentation
that
was
created,
but
let
me
pull
out
two
that
fly
over
for
you
and
I
can
show
you
where
they're
at
this
is
a
playground
area.
This
is
intended
to
be
the
fun
section
of
the
park
for
children
and
families
and
sites.
12,
13
and
14
would
be
interactive
walls
of
a
certain
variety
that
could
be
park.
Walls.
They
could
be
graffiti
walls,
they
targeted
graffiti
walls.
B
B
There
are
a
few
digital
or
not
digital,
the
pixelated
Spinball
walls
that
I've
seen
that
people
can
create
things
as
they
move
by
and
spin
the
balls.
That's
one
I've
seen,
then
that
was
demonstrated
up
in
New
York,
which
is
really
neat
in
a
plaza
that
people
could
you
know
hi,
mom
or
different
things,
messages
that
all
it
takes.
If
there's
something
offensive
is
just
to
spin
the
ball
and
it
goes
away,
but
you
could
make
pixelated
images
you
could
make
stop-motion
animation
as
it
moves
through
across
the
wall.
B
Those
are
just
some
sort
of
elemental
designs
that
we
could
consider
as
part
of
that
portion
of
the
park,
so
those
are
sites
12,
13
and
14,
and
then
that
brings
us
to
what's
intended
as
the
sculpture
garden
for
the
park,
and
that
is
the
coachmen
Gardens.
It's
a
series
of
plantings
that
are
native
Florida
plants,
flowers
and
different
trees
and
shrubs.
But
within
this
we
would
have
four
paths
for
sculpture
and
we
could
in
any
configuration
do
this
as
commissioned
artwork
or
rotating
artwork.
D
Good
question,
if
say,
did
rotate
the
sculptures
and
lights
15
through
18
or
the
way
it
is
something
Street.
How
did
that.
B
Would
that
remain
in
the
capital
project
fund,
for
this
I?
Don't
think
so
would
probably
go
into
the
discretionary
fund
that
we
would
then
pull
draw
from
as
far
as
paying
for
the
owner
area.
So
we'd
see
the
discretionary
fund
boost
by
30
60
$80,000,
and
then
we
would
pay
in
allotments,
perhaps
$5,000
a
year
for
each
sculpture
for
a
large
piece
that
would
rotate
through
that
area.
B
We've
got
time
on
this
project.
We've
got
sort
of
a
progress,
that's
happening
with
getting
more
funding
for
the
artwork
out
at
that
site
as
well,
and
not
having
to
rely
on
a
small
budget
and
have
one
small
piece.
That's
well,
no,
maybe
not
small
piece,
but
either
one
large
signature
piece
and
then
broken
out
smaller
pieces.
D
D
And
then
them
now
the
18
site
seems
long
road
feasible.
So
they
add
more
sure
the
rest
of
group
feels,
but
that's
there's
already
to
me.
There
seems
like
there's
a
lot
of
artistic
features
built
into
Stan
text,
design
of
those.
Yes,
if
all
of
that
is
actually
going
to
be
part
of
the
construction
budget,
that
gets
eventually
done,
I
mean
no.
The
other
question
I
would
have
I
would
have.
Is
that
we're
gonna
be
putting
in
art
pieces
that
I
read
they're
really
competing
with
them?
Hey
I
mean.
D
You
know
you
brought
something
up.
That's
pretty
important
is
longevity
and
durability
of
some
of
those
parts,
I
mean
whatever
it
goes
down
there.
You
know
just
like
the
tree
we
have
out
here
needs
to
be
able
to
take
that
extra
salt
yeah
exposure.
That
makes
it
not
well
withstand
all
that
work
and,
of
course,
that
landscaping
is
another
big
thing,
because
this
is
obviously
gonna
be
a
heavily
landscape.
Constantly
getting
bumped
hit
beat
mm-hm
whatever.
B
Exactly
we
want
to
make
sure
that
you
know
we're.
Gonna
have
trades
people
out
there
with
weed
whackers
and
with
Rhydon
mowers
and
if
they're
getting
too
close
to-
and
you
can
really
delicate,
then
that's
more
that
we
might
have
to
consider
in
the
future
for
taking
care
of
that
piece
correct.
So
we
want
to
be
very
mindful
of
where
we
install
pieces
and
make
sure
that
you
know
it's
safer
site
11,
a
the
the
main
feature
there
that
there's
not
really
anything
around
it.
B
D
E
D
F
It
seems
like
our
opportunity
to
would
be
to
think
you
know
sustainable
budget-conscious.
Obviously,
but
else
is
something
a
little
more
unique
because,
as
you
go
across
the
u.s.
these
days,
you
see
beautiful
projects
like
these,
with
the
mosaics
and
the
color
concrete
and
the
walls
and
things,
but
it
seems
like
our
opportunity
having
this
separate
budget
would
be
to
put
in
some
pieces
that
are
truly
unique.
Yes,
I
mean
well
all
of
its
beautiful
and
are
some
pieces
that
really
would
stand
apart
from
the
more
generic.
B
Yeah
having
a
construction
team
and
having
the
design
team
involved
with
us
so
early
on,
it
is
great
because
we
can
Commission
artists
to
sort
of
guide
them
in
their
process
and
say
you
know.
Let's,
let's
see
this
moving
in
this
direction,
having
an
artistic
there's
artistic
hand
in
the
creation
of
it,
and
then
the
contractor
built
it,
which
then
the
artist
doesn't
have
to
come
in
and
fly
in
stay
here,
build
it.
B
E
D
Even
then,
even
in
addition
to
that
having
the
artist
on
board
early,
you
can
help
the
design
team
made
them
and
what
they
need
to
do
to
build
the
foundation
for
whatever
it
is.
If
that's
what
they're
gonna
do
exactly?
Do
it
two
different
approaches,
but
yeah
you
can
somehow
we
both
of
those
in
there.
Then
you
got
the
best
of
both
worlds.
If
we
could
get
some
of
the
builds
into
the
design
great,
if
not,
then
at
least
have
the
design
work
around
the
actual
art
you
can
at
the
art
work
around
the
design.
B
B
C
Doing
all
the
airport
projects
and
stuff
and
I
was
thinking
that
looking
at
your
red
rings
here,
you
got
a
lot
of
medjool
trees
in
there,
they're
not
indigenous
to
Florida,
and
there
have
a
lot
of
borer
beetle
issues
that
are
dying
or
extremely
expensive.
Anyway,
by
those
trees,
we've
got
quite
a
few
of
they're,
huge
and
expensive.
They
try
to
match
one's
downtown.
What
we
do
something
more
indigenous
use,
the
cabbage
palm,
which
is
our
state
tree,
anyways
right
and
then
save
a
lot
of
money
and
give
that
money
to
our
art.
C
B
Drop
the
fruit
on
there's
a
lot
more
maintenance
to
go
on
with
that
yeah.
So
you
know
if
we
do
put
an
eye
towards
having
more
sustainable
pieces
here
that
flourish
in
our
climate
rather
than
you
know,
get
sick
or
get
more
diseases
that
they
may
not
have
in
the
area
that
those
plants
are
from.
If
we
have
more
indigenous
species
yeah,
they
weren't
showing
them
on
the
trip.
B
D
E
B
D
So,
if
you're,
looking
at
okay,
that
make
sense
and
I
assume,
this
decision
has
to
be
made
like
okay,
well,
you
do
in
18
sites,
and
is
this
what
we're
gonna
use
that
has
to
be
kind
of
finalized
in
order
for
you,
they
produced
it
all
the
other
fault
you're
in
ordered
and
so
don't
get
the
card
for
the,
but
at
the
same
time
as
soon
as
they
make,
that
decision
can
be
made.
And
then
what
is
the?
What
is
the
need
to
make
that
decision
happen?
D
B
So
that
is
part
of
your
packet.
Those
are
the
splash
pad
photos.
There
are
three
different
things
that
are
in
your
packet,
one
two
and
three
after
talking
with
Parks
and
Recreation,
it
looks
like
their
plan
and
the
most
feasible
public
art
component
at
that
site.
The
most
publicly
accessible
and
usable
will
be
a
splash
pad
for
children
to
use
at
the
site.
B
Looking
at
the
aquatics
site,
maintaining
a
fountain
out
there
or
maintaining
something
in
the
lake
could
have
an
environmental
impact
as
far
as
the
nesting
birds
and
wading
birds
that
are
on
that
side
of
the
lake
or
it
could
also
have
an
impact
of
the
water
just
having
a
sculpture
in
the
water.
You
know
that
it's
it's
pretty
rough,
to
maintain.
B
B
C
B
Not
sure
what
the
exact
surface
would
be
for
that,
if
it's
that
squishy
soft
material
or
if
it's
actually
a
gridded
concrete,
that's
something
still
to
be
determined
down
at
the
site.
That's
something
I'll
pursue
with
Parks
and
Rec
I
know
a
lot
of
things
have
shifted
around
over
there
as
far
as
their
plans
and
their
internal
structure,
so
I'll
keep
up
with
them.
So.
D
B
Art
work
component,
for
that
is
64,000,
so
we'd
be
able
to
do
perhaps
the
splash
pad
and
some
adjoining
features
with
that.
If
it's
a
design
portion
and
then
I
actually
control
the
amount
of
artwork
budget
that
goes
out
to
the
artists
there,
so
I'll
be
the
one
that'll
be
monitoring
it
for
you
and
that
1%
allotment
is
made
at
the
start
of
the
project
that
financed
sets.
It
aside
originally
right.
E
D
B
For
discussions
at
our
last
meeting,
I've
contacted
if
dot
maintenance,
Florida
Department
of
Transportation
in
Pinellas
Park
they've
got
a
maintenance
division
down
there
in
our
contract
with
do
t
they
install
the
art
component
and
the
city
is
the
designated
maintenance
agency.
So
we
use
our
traffic
engineering
department
to
maintain
the
lights
at
the
site,
which
includes
our
rope
lighting
as
well.
So
I
am
working
with
traffic
ops
to
schedule
a
switch
out
of
that
lighting.
B
B
E
D
B
D
B
B
B
D
B
Me
I
cannot.
The
ordinance
says
that
all
city,
capital,
improvement
projects
and
I
think
must
dedicate
1%
with
a
maximum
required
expenditure
of
two
hundred
thousand.
But
this
is
not
really
your
typical
project.
It's
definitely
a
legacy
project
for
the
city
and
I,
don't
know.
Even
if
it's
called
a
capital
improvement
project,
it
may
be
called
a
special
initiative
or
something
similar
to
that.
So
that
might
come
in
terms
with
the
language
of
the
ordinance
as
well.
D
B
Exactly
right,
if
it
turns
out
that
we
want
to
in
the
future,
amend
the
ordinance
I
would
recommend
that
we
changed
the
language
to
remove
that
cap.
It
was
something
that
was
added
way
back
at
the
start
of
the
origin
of
it
with
imagine,
clear
water
wasn't
even
a
thought
at
that
point
in
time.
So
now
you
know
we
don't
want
to
unnecessarily
limit
ourselves.
B
D
A
good
point
it
was
probably
and
I'm
guessing.
It
was
probably
put
in
there,
because
at
the
time
the
ordinance
was
initially
put
together.
They
had
actually
wanted
developers
to
contribute
correct,
and
there
probably
was
lobbying
to
say
well,
I'm
gonna,
contribute
I,
don't
want
to
be
all
the
sudden
having
to
put
out
all
this
money.
So
that's
what
I
can't
probably
came
from
right.
Take
them
off.
They
take
them
out
of
the
equation.
It's
just
pure
city,
funded.
B
Would
love
to
get
into
that
ordinance
and
change
some
things
around
make
it
a
little
more
fitting
with
you
know
public
art,
it's
it's
done
in
a
really
meaningful
structure
which
I
totally
understand,
but
we,
you
know,
have
some
more
arts
friendly
language
that
we
can
put
into
it.
Absolutely
absolutely.
D
B
B
D
B
85
I'm
sorry
$8,500
to
fYI
Community
Partnership
goes
before
the
City
Council
April,
2nd
meeting.
That's
something
that
the
council
needs
to
review
and
approve.
We
make
a
recommendation
to
them
for
the
grant
funding
the
other
grant
funding
that
we
had
that
went
before
the
council
passed
unanimously,
without
a
much
discussion
on
that.
So
I
would
hope
that
this
this
one
Percy
it's
the
same
way.
E
B
To
actually
I'm
going
to
release
a
call
to
artists
at
the
end
of
this
month,
it's
gonna
be
for
the
three
sculptures
it
will
be
for
Florida
artists,
with
a
sustainable
and
recycling
theme
that
we
discussed
at
our
last
meeting.
We
also
have
another
opportunity
coming
up
for
a
fourth
piece
of
artwork:
we're
creating
a
new
pedestal,
that'll,
be
at
the
old
city
hall,
building
they're
filling
in
the
fountain
and
giving
us
the
opportunity
to
put
some
artwork
on
it.
B
D
B
D
B
Sure
have
a
lot
of
information,
but
things
that
the
program's
health
is
is
very
good.
You
know
we're
moving
along
quickly,
we're
working
with
a
lot
of
different
divisions.
Neighborhood
Services
with
our
sustainability
partners
and
the
community
development
plan
is
getting
a
read
in
the
next
couple
months,
so
I'm
contributing
portions
of
more
arts
friendly
language
to
that
plan
and
incorporating,
rather
than
just
one
line,
we're
going
to
be
in
a
couple
different
sections
of
the
plan.
B
The
intent
is
that
it
becomes
a
city
used
document
and
not
something
that's
considered,
just
a
planning
only
document,
that's
stays
in
the
planning
division
and
doesn't
get
consulted
by
anyone
else
over
the
course
of
the
years.
So
just
incorporating
more
language
in
there
to
Commission
of
public
artists,
where
feasible,
to
look
to
more
local
artists
to
support
our
creative
economy
here
in
Pinellas,
County
and
Clearwater,
and
to
really
involve
public
artwork
in
the
beginning
of
site
projects.
So
we
have
more
time
to
take
advantage
of
that
agree.
B
B
They
want
to
make
sure
that
it's
something
the
public
can
interact
with
and
it
one
of
the
things
that
folks
want
to
see
when
they
come
out
to
the
site
are
the
patches
that
are
traded
between
fire
station
members
when
they
come
down
and
visit
they'll
trade
patches
out
with
one
another,
and
that
was
something
that
was
thought
to
be.
Maybe
that
could
be
part
of
a
tiling
installation
out
of
the
site.
They're,
really
not
even
in
the
design
phase
yet
of
the
project
but
they're
thinking
of
ways,
and
it
was
really
nice.
D
B
C
E
B
D
D
B
Busy
corner
Scott
yeah,
but
yeah,
it's
it's
really:
it's
not
a
really
publicly
accessible
location,
but
the
idea
behind
it
is
if
that
the
insurance
funds
can
contribute
to
that
that'd
be
about
a
hundred
thousand
dollars
that
we
could
use
out
of
that
site
or
somewhere
close
nearby.
It's
just
a
matter
of.
Is
that
fun,
restrictive
or
not?
Not.