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From YouTube: Public Arts Commission | September 13, 2018
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A
A
Okay
may
I:
please
have
a
motion
to
accept
the
agenda.
A
A
second
I'll.
Second,
thank
you
all
right
now.
This
is
the
time
that
has
been
set
aside
for
members
of
the
public
to
address
the
public
Arts
Commission
on
items
of
general
interest
within
the
subject,
their
subject
matter:
jurisdiction
of
the
public,
Arts
Commission
and
agenda
items.
If
the
member
of
the
public
cannot
be
present
later
in
the
meeting
at
the
time.
The
item
is
heard
by
the
Commission.
Additionally,
members
of
the
public
may
address
the
Commission
on
each
item
listed
on
the
posted
agenda
at
the
time
that
each
item
is
heard.
A
Although
the
public
Arts
Commission
values
your
comments
pursuant
to
the
Brown
Act,
it
generally
cannot
take
any
action
on
items
not
listed
on
the
posted
agenda.
Five
minutes
is
a
sign
for
each
speaker.
I
would
like
to
note
that
we
have
two
presentations
that
are
on
the
agenda,
but
I
understand.
We
have
a
couple
of
people
who
would
like
to
speak
in
this
public
comments
part.
So
you
want
to
come
up
and
introduce
yourself
please,
and
if
you
would
spell
your
name
for
the
person
who
does
the
minutes,
that
would
be
very
helpful.
A
D
D
D
Would
love
to
I
can't
do
it
today
in
the
five
minutes,
but
I
would
look
for
someone
to
be
curious,
at
least
like
what
was
it
like
for
someone
on
the
outside
to
go
through
the
whole
entire
process,
because
I
was
told
that
we
were
the
first
ones
to
do
that
to
go
through
that,
every
single
step.
We
didn't
miss
one
alone
and
it
took
about
a
year
and.
D
D
I
was
surprised
by
that.
So
I
guess
I
have
to
learn
about
submitting
to
the
news
and
let
people
know
about
it,
but
then
I've
also
been
watching
what
you
guys
are
doing
right,
because
I'm
I
mean
I
tried
to
get
all
the
art
news.
That's
going
on
in
town
and
I
just
noticed
that
my
my
own
mural
in
this
community,
this
little
small
community
was
not
being
produced.
They're
not
being
talked
about
no
pictures
of
it.
D
I
scrolled
through
the
Facebook
page
and
I,
did
see
my
post
that
was
posted
on
someone
else's
patient
and
posted
on
your
page.
It
wasn't.
It
was
like
a
second
thought
and
I
thought.
After
honestly,
for
going
through
the
whole
process
and
being
praised,
I
mean
I
told
everyone
that
I
came
in
contact
with.
It
was
my
Picasso
moment
to
sit
here
amongst
all
of
you,
because
you
were
very
high
praising
of
my
talent
and
I
really
appreciate
that.
D
But
again
I
want
to
be
a
full-time,
artisan
I,
don't
want
to
be
a
poor
one
right
so
like,
and
then
the
Instagram
ELISA
go
check
out
our
Instagram,
so
I
did
and
I'm
like,
oh,
my
god,
she's,
not
there
where's
my
mural
she's,
not
there
and
I
saw
every
mural
ever
even
the
ones
that
didn't
go
through
the
process
are
being
produced
by.
You
are
publicly
announced
by
him,
so
it
was
just
I
guess.
I
was
outraged,
feelings.
D
A
I
I
want
to
tell
you
that
we
are
playing
catch-up
on
years
of
not
publicizing
anything
that
we
did.
You
also
were
not
the
first
one
to
go
through
the
process.
You
were
luckily
the
last
one,
oh
okay,
as
we
did
manage
to
get
the
ordinance
rewritten.
Oh
and
now
a
mural
application
comes
to
just
to
the
Arts
Commission,
with
some
input
from
the
Planning
Department
about
how
it's
made
it
cetera
and
attached
to
the
wall,
but
not
in
Planning
Commission.
A
D
D
A
Did
in
in
2018,
we've
managed
to
do
I
think
four
people
did
murals
all
within
a
couple
of
months,
so
you're
absolutely
right.
It
was
a
horrible
process
and
the
reason
you're
seeing
any
pictures
on
Instagram
and
we
will
make
sure
to
remind
our
social
media
percent.
It
yep
get
the
Lulu
went
on.
We
got
on
there.
D
A
D
D
Thinking
I
mean
I,
can't
how
would
other
be
involved
in
a
process?
If
you
want
me
to
be
outside
of
this,
like
for
the
money
that
we're
spending
I,
don't
even
know
what
it's
going
for.
I'd
love
to
know,
cuz
I
did
go
there
and
see
the
new
application,
and
it
says
you
need
this
this
this
that's
a
nice
list,
a
healthy
one
and
a
pricey
one
and
like
a
press
release
once
you
once
you're
used
to
doing
it,
it's
really
just
a
matter
of
clicking
a
button
like
we
have
this
going
on.
D
C
All
said,
we
don't
actually
control
the
press,
release
and
present
process,
that's
all
through
the
city.
So
what
we
can
do
is
request,
oh,
that
they
do
that.
Okay,
but
that
does
that's
no
guarantee
it'll
happen.
So
I'm,
sorry,
I'm,
sorry
that
happened.
The
other
thing
I
just
want
to
say
is
there's
also
a
slight
difference,
because
that's
a
mural
I'm,
a
private
property.
So
it's
not.
Actually
you
know
we
don't
own.
It.
C
A
D
A
D
A
Is
probably
a
lot
of
data,
but
you
come
at
the
moment
when
we
really
are
trying
to
catch
up
and
make
all
of
this
information.
Well.
D
That's
why
I
wanted
to
come
in
person?
That's
why
I
think
I
would
say
I'm
like
you
should
write
me.
A
letter
I'm
like
letters,
can
be
weird
letters
you
can
read
in
between
the
lines
and
I'm
a
easygoing
guy.
The
nice
part
I
always
wanted
to
talk,
as
talking
seems
healthier
like
the
email
would
be
like.
How
dare
you
know,
promise.
E
D
D
B
A
F
Palm
Springs
is
the
host
city
for
noosa
USA,
and
I
think
you
have
brochures
in
front
of
you:
it'll
be
from
May
15th
until
the
19th
it
will
be
centered
in
the
Convention
Center,
but
again
over
a
thousand
people
will
be
coming
and
their
interest
is
how
Palm
Springs
actually
relates
to
our
neighborhoods.
So
we
will
be
doing
tours,
and
one
of
the
tours
that
we're
doing
is
the
artistic
tour.
F
So
there
will
be
tours
of
sustainable
energy,
we're
doing
tours
how
modernism
is
done,
how
housing
is
done,
how
we
handle
the
homeless
situation,
so
we
have
18
tours
in
general.
Those
will
all
take
place
on
Friday,
the
17th
of
May
from
4:00
until
8.
So
therefore,
our
tours
will
actually
have
buses
coming
to
the
Convention
Center
and
one
of
those
buses
will
say
artistic
Palm
Springs,
so
we're
very
interested
to
work
with
you
with
the
Art
Commission.
F
We
have
some
ideas
of
what
that
tour
might
include,
such
as
the
Palm
Springs
Art
Museum,
some
of
the
Nate
Reed
or
shag
areas
going
to
some
of
the
art
areas
in
northern
Palm
Springs.
But
we
need
your
input.
J
and
I
were
both
saying
we're
very
excited
about
this,
but
neither
of
us
has
a
tremendous
art
background,
so
we'd
love
ideas
from
you
too,
and
we
can
reach
out
to
you
for
what
we
should
include
in
the
tour.
F
We
want
some
bags
that
will
give
to
the
tour
members
there'll
be
about
40
people
on
that
tour.
So
that's
the
number
of
people
we're
talking
about
and
and
I
I
also
wanted
to
note
that,
at
the
back
of
the
room
we
have
Jim
Mouse
who's
responsible
for
all
the
tours
that
are
happening
not
just
this
one
and
then
Denis,
who
I
think
everyone
knows
has
been
involved
with
the
neighborhoods
of
how
we
actually
work
through
Nusa.
In
May
she
was
at
the
Birmingham
convention
earlier
this
year.
F
E
E
C
C
E
B
F
A
And
also
I
was
at
the
State
of
the
City
luncheon,
and
not
only
did
the
mayor
have
several
slides
about
public
art
and
say
very
nice
things,
but
they
played
the
video
that
you
use
to
win
the
convention
coming
here
and
it's
great
and
I
hope
you'll
put
it
online
somewhere
so
that
people
can
see
it.
Yeah
I
think
we.
A
But
they
did
a
you
know
any
of
any
of
these
videos
and
state
of
the
city
and
stuff
touches
on
the
art
and
I
think
no
again
nobody's
paid
much
attention
in
past
year.
So
we'd
be
happy
to
be
part
of
this
and
may
have
come
up
with
some
goodies
by
the
term
leaf.
We've
celebrate
are,
and
we
just
met
with
destination
PSP
about
some
products
that
would
feature
the
art
in
Spain
great.
B
A
Okay,
before
we
get
to
the
presentations,
we
have
please
a
motion
to
approve
the
minutes
from
the
June
14th
2018
regular
meeting.
If
you've
had
a
chance
to
read
them,
I
would
note
that
we
have
illustrations
in
them
for
the
first
time
very
nice
of
the
murals
so
little
by
little
we're
getting
a
you
know,
paper
trail
with
this.
G
A
A
B
A
A
J
I
So,
while
he's
bringing
that
up,
you
have
a
packet
in
front
of
you.
It's
pretty
well
laid
out,
though
it's
a
work
in
progress,
so,
as
all
things
are
at
the
early
stages,
what
is
PS
merleFest?
There's
a
lot
of
talk
about
murals
right
now.
Obviously,
there's
been
a
lot
of
notable
news
and
things
about
murals
and
I.
Think
around
the
world
there's
just
a
phenomenon
of
murals
happening.
They
convey
a
lot
of
a
lot
of
energy
and
we
want
to
bring
that
energy
to
Palm
Springs.
I
You
guys
have
already
moved
or
moving
that
direction
in
terms
of
initiating
murals
around
the
city.
This
is
a
ambitious
undertaking,
but
we
are
proposing
you
know
somewhere
in
the
rounds
of
15
to
20
murals,
to
take
place
a
two-week
period
and
next
June
to
July
4th,
which
is
still
a
work
in
progress.
We
gonna
want
to
conflict
with
any
other
of
the
city's
agendas.
I
I
The
theme
this
year
would
be
words
of
wisdom
and,
as
you
know,
words
of
course,
the
most
powerful
drug
used
by
mankind
and
we've
chosen
14
the
most
inspiring
English
words,
as
well
as
some
foreign
language
words
to
address
the
fundamentals
of
what
it
means
to
be
human.
The
competing
artists
will
choose
a
Power
word
and
express
it
as
a
mural.
J
I
There's
some
people
involved
there.
As
we
know,
each
competitor
is
to
select
three
words
and
concepts
and
express
their
meanings
literally
metaphorically
or
personally,
in
a
mural
format,
and
each
mule
submission
will
be
judged
based
on
the
following
criteria:
best
use
of
color
audience,
favorite,
best,
application
of
the
concept,
originality
and
most
technical,
so
we're
curating
these
in
advance.
I
We
want
them
to
be
tasteful,
exciting,
colorful
technical,
but
in
addition
to
the
murals,
it's
as
we
see
with
modernism
week
as
we
see
with
essentially
anything
any
other
festival.
It's
about
the
programming
and
the
ancillary
programming
to
to
bring
tourism
to
Palm
Springs
and
we've
chosen
a
pocket
in
the
summertime
that
is
traditionally
a
slow
period
and
so
working
with
tourism
bureau
working
with
a
number
of
other
interested
parties.
We
want
to
drive
traffic
to
the
city,
so
our
opening
gala
would
take
place
at
the
Art
Museum.
I
We
have
talked
to
them
initially
about
what
that
would
look
like
and
the
costs
associated.
We've
also
are
proposing
a
block
party
down
arenas
and
making
that
already
a
colorful
street,
but
transforming
that
with
additional
local
artists
to
transform
those
walls.
The
streets
obviously
entertainment,
so
it's
not
just
building
murals,
it's
it's
pushing
energy
to
the
community.
J
Art
markets
planning
on
having
an
art
market
and
then
we're
gonna
end
it
with
a
big
paint
brawl.
Everybody
wears
white,
put
colored
powder
in
a
water
bottle
or
a
balloon,
and
you
get
blasted
with
paint
and
it's
gonna
have
to
be
a
concert
as
well.
Our
DJ
we
have
a
famous
DJ
Gianluca
Bakke
who's
all
over
this
and
is
willing
to
come,
and
so
we're
trying
to
figure
out
the
location
for
that.
But
that's
how
we'd
like
to
end
it.
So
art
is
incorporated
in
every
single
event.
Yeah.
I
I
We
have
yet
to
decide
where
that
is,
but
it
is
about
pushing
you
know
the
message
through
in
social
media,
but
it's
about
also,
you
know
again
creating
an
experience
for
tourists
to
come
in
and
saturate
for
a
two-week
period
good
at
night.
You
know,
restaurants
that
are
flavored
color
events
at
night,
whether
it's
colorful
cocktails
or
you
know
anything,
that's
going
to
captivate
somebody
to
spend
some
money
and
stay
in
the
city
and
do
those
activities
we're.
J
Not
sure
of
a
good
time,
yet
we
we're
you
know
we're
really
ambitious.
So
we
have
a
few
days,
but
we
might
have
to
shorten
that
down
just
to
make
it
work
can
be
successful.
I
really
would
love
to
work
with
you
partner
with
you
in
some
way
meet
with
you
and
talk
about
how
we
can
do
this
best
and
how
we
can
maybe
get
on
the
agenda
to
figure
out
how
the
city
can
maybe
partner
with
us
and
help
us
with
that
mural
application
process.
A
The
first
thing
we
can
do
is
since
mural
applications
come
to
the
Arts
Commission.
We've
never
had
one
that
was
more
than
one
mural
or
that
was
not
designed
where,
where
the
designs
were
not
all
set
by
the
time,
the
application
was
made
and
I
think
that
we
could
work
with
you
to
to
make
this
into
one
application
to
do
this.
Mural
cast,
so
you
know
and
see.
If
we
can
I
mean,
if
you
had
to
do
20
separate
applications,
it
would
be.
E
Just
a
couple
of
things:
if
you
could
elaborate
on
what
the
outreach
is
for
selecting
mural
artists,
whether
Rutina,
2
or
local
artists,
community
and
then
nationally
and
internationally,
how
that's
going
to
happen
and
then
the
second
thing
would
be.
You
said
that
you
would,
with
the
artist
selections,
the
murals
would
basically
be
set
once
you've
selected.
So
then,
if
we're
getting
the
applications
after
that
point,
then
we
would
be
seeing
the
murals
as
they're
going
to
be
right.
I
Exactly
so,
we
want
to
feature
several
categories:
the
local
Coachella,
Valley,
artists,
Southwest,
Region,
artists.
La,
specifically,
you
know
Arizona
San
Diego,
but
we
also
want
to
reach
out
to
Chicago
New
York.
You
know
where
we're
also
reinforcing
our
infrastructure
so
that
we
can
reach
out
to
these
different
locations,
as
well
as
create
a
forum
for
international
artists
and
working
with
the
Tourism
Bureau
Germany
Australia.
I
Open
an
open
call,
we've
also
been
targeting
a
host
of
artists,
just
that
are
famous
muralist,
even
getting
contact
from
other
muralist
and
other
artists
interested
parties.
So
it
will
be
open.
It
will
be
open
for
everyone
again,
it's
de
Matic,
and
so
it's
curated
and
you
know
within
it,
needs
to
be
again
based
on
the
curation.
It
would
be
again
how
they
express
themselves.
You
know
what
using
a
power
word.
We
ideally
like
to
see
three
submissions
from
each
artist.
I
The
goal
also
is
to
make
this
a
profitable
situation
at
work,
in
collaboration
with
those
artists,
because
again
this
is
proprietary
to
our
our
market
and
this
festival,
and
so
those
those
submissions
would
be
then
compiled
and
we
create
a
book,
an
artist
book
to
sell
annually,
as
well
as
have
an
online
catalog
for
people
to
potentially
buy
those
murals.
So
we
have,
you
know,
an
ongoing
sort
of
vested
interest
in
promoting
these
artists.
J
J
I
G
Madam
chair,
yes,
it's
a
great
segue
because
one
of
the
things
that
I
would
like
to
challenge
you
to
do
and
I
also
like
him
kind
of
leading
off
of
the
in
USA
that
you
look
outside
of
the
regular
corridor.
That.
B
I
Yeah,
you
know
where
the
new
Paul
Barr
is.
You
know,
bar
food
and
slash
I
mean
that
that
area
is
probably
the
the
net.
You
know
the
black
hole
of
Palm
Springs,
almost
right
and
and
that
wall
to
me
coming
off
at
Gene.
Autry
is
a
perfect
place.
You
know
the
showcase
anyone
coming
off
of
the
tent
as
well
as
even
bringing
potentially
all
the
way
out
to
the
10
of
Indian
behind
the
jack-in-a-box
there's
a
new
dispensary
going
up
there
there's
a
corridor
there.
That
also
would
be
great.
I
The
lengths
were
intending
each
year
for
the
winner
to
at
least
be
around
for
the
entire
year
right
to
keep
that
walk
for
the
entire
year.
The
other
contestants
would
be
6
to
9
months
and
when
you
would
resurface
the
wall
and
start
fresh
again
for
the
next
year,
because
this
would
be
an
annual
event.
But.
I
B
A
J
B
J
I
Thinking
team
is
the
judging
process,
I
mean
obviously
including
the
council
and
the
curation
process,
but
also
in
the
judging
process.
You
know
we
have
sprays
specific
criteria
and
in
terms
of
how
to
pick
the
winners
but
we'd
like
to
get
different
personalities
as
well
within
the
community.
You
know
there's
just
a
lot
of
people
that
have
you
know
the
subjectivity.
You
asked
seven
people
and
everyone
throws
a
different
recommendation
out
so
cuz.
C
I
think
I
I
know
I
personally
and
I.
Think
most
of
the
people
on
the
Commission
are
interested
in
seeing
more
diversity
and
so
I
think.
One
thing
that
we
would
not
like
to
see
is,
like
you
know,
very
non,
diverse
artists
or
curators,
repeating
you
know
where
it
starts
to
look
very
generic
so
because
one
of
our
missions
right
is
to
bring
art
to
the
whole
city
that
reflects
the
whole
city.
So
that's
something
I
personally
would
like
to
say
sure.
I
And
just
into
that
point,
what
we'd
like
to
do
in
the
curation
process
is
to
highlight
different
mediums,
which
is
why
the
technical
aspects
are
a
part
of
that,
whether
you're,
a
vocal
graphic,
Toddie
or
you're
somebody
who's
very
established
who
does
murals.
We
would
like
to
bring
this
festival
so
that
it's
it's
bringing
all
the
different
styles
together.
You
know
someone
who
is
emerging
who's
already
established
and
the
different
flavors.
You
know
art
is
a
very
subjective
thing,
so
we
want
to
make
sure
that
we
do
cover
all
the
bases
so.
J
I
C
B
C
Needed
some
special
coatings
and
UV
coatings
and
things
like
that
that
the
artist
had
not
used
before,
because
the
artist
was
from
a
more
temperate
area.
So
so
things
like
that
that
need
to
go.
You
know
just
kind
of
warning
things
like
that
need
to
be
figured
into
your
planning
process
like
if
specially,
if
it's
inexperienced,
artists
or
things
that
they
need
to
have
that
kind
of
training.
So
they
know
exactly
what
they
need
to
and
to
create
to.
I
Go
on
the
wall.
Part
of
part
of
that
curation
process
too,
is
the
other
submissions.
You
know,
they're
gonna
submit
their
profile
of
who
they
are
as
an
artist
and
if
they've
done
the
murals
before,
but
also
factoring
the
logistics-
and
you
know
we're
primarily
the
reason
we
were
structuring
a
two-week
window
is
just
to
give
the
artists
to
work
at
night
because
we're
proposing
in
the
middle
of
the
june/july
or
you
don't
want
people
to
drop
on
us.
You.
I
I
H
I
A
A
A
And
she'll
be
in
touch
with
us.
We
will.
We
will
keep
promoting
the
notion
that
this
could
be
bundled
into
one
if,
if
all
the
informations
available,
but
it
gets
a
little,
the
the
planning
department
has
some
rigorous
questions
that
they'll
want
to
know
about
types
of
paint
and
surfaces,
and
but
if
you
know
if
these
are,
if
these
are
not
intended
to
be
permanent,
then
the
usual
questions
about
maintenance
and
not
letting
it
fade
etc
may
be
less
relevant.
In
this
case,
madam.
E
Yeah
because,
generally
working
with
the
premise
that
during
a
calendar
year
we'll
a
wave
that
it
will
pay
for
the
fees
for
up
to
three
or
four
mural
applications.
So
in
this
process,
if
we
handle
yours
as
one
mural
application,
then
we
would
cover
the
fees
specific
that
permit
be
greatly
proximately.
Fourteen
hundred
and
fifty
dollars.
A
C
B
C
B
C
Of
prevent
really
want
to
get
yeah
I
just
we
had
an
issue
with
desert
X,
which
of
course
is
nonprofit,
but
no
desert.
Rex
was
the
sculpture
festival
and
they
were
coming
to
us
seeking
funding,
which
we
were
happy
to
do
and
then
sort
of
it
went
through
all
these
incarnations
and
at
the
very
end,
it
turned
out
that
they
actually
got
funding
from
the
Tourism
Bureau
and
the
city
felt
that
they
just.
D
J
C
J
I
A
big
part
of
this,
too,
is
is
launching
them
to
I,
mean
we're.
Gonna
spend
a
lot
of
money.
Part
of
this
of
our
budget
is
to
market
them
as
an
artist
as
well
as
to
promote
them
with
their
submissions,
and/or,
possibly
their
entire
catalogue.
If
that's
something
that
they
like
to
license
out
to
us,
so
they
have
a
vested
interest.
A
But
I
think
as
a
commission,
as
commissioner
yani
said,
we
would
like
to
see
a
real
outreach
to
not
the
usual
suspects.
I
mean
that
there
are
people,
Commissioner
Murray's
been
working
with
some
artists
who
haven't
done
a
mural
in
Palm
Springs
before
but
represent
a
part
of
the
community,
and
you
know
it's
just
a
question
of
there
are:
there
are
a
lot
of
Facebook
groups
and
stuff
of
local
artists?
Well,
you
could
certainly
you
could
yeah.
J
We're
working
about
them,
Nicholas
can
taxes
as
well,
I,
don't
know
if
you
who
he
is
he's
a
local
artist,
who
is
just
he
just
sold
a
huge
painting
to
Roger,
Federer
and
shipped
it
to
Switzerland
he's
autistic,
so
everything's
painted
on
the
floor.
It's
got
a
book
he's
just
amazing,
and
so
we're
gonna
feature
him
as
a
local
artist
and
with
special
needs
as
well
partner.
I
B
A
B
J
F
B
B
C
I
just
have
just
I
guess
in
in
the
end,
you
know
we
certainly
I,
think
we
love
murals
I.
Think
I
speak
for
that
everyone
on
this
Commission
loves
murals
and
wants
to
encourage
you
to
pursue
the
project.
There
is
a
possibility
that
the
only
role
we
really
have
is
helping
you
with
these
mural
applications
right.
You
know
wonderful,.
B
A
When
they
apply
it
takes
the
planning
department
a
little
bit
of
time
and
you
have
to
submit
multiple
copies
of
things
and
then
we
meet
on
the
second
Thursday
of
the
month.
We
could
review
one
and
we
could
send
it
to
the
City
Council,
probably
ten
days
or
two
weeks
later.
So
that's
really
about
a
month
yeah
at
least
a
month.
Maybe
six
weeks
from
the
day
we
walk
in
the
door
to
the
Planning
Department
with
and
that
would
be
written.
You
know
a
land,
speed
record
you're.
C
E
H
C
G
B
H
B
B
C
C
K
B
K
Jay.
Thank
you.
We
are
a
group
of
388
alumni
from
the
young
Americans,
which
is
a
performing
arts
group
that
was
very
popular
in
the
60s
and
70s.
As
we
are
now
aging,
we
have
all
decided
that
we
want
to
handle
our
retirement
in
a
way
that
we
are
not
sitting
in
some
nursing
home,
pretending
we
love
shuffleboard,
and
so
we've
we've
come
up
with
a
concept
that
we've
been
working
on
for
six
years.
The
past
year
we've
been
getting
more
serious
about
it.
K
B
K
Are
so
good
Wow
yeah.
B
K
I
was
going
to
go
through
the
slides,
but
I
have
a
feeling
that,
due
to
time
I'll
just
talking,
you
guys
can
look
when
you
like
I,
do
want
to
respect
your
time.
What
so
our
mission
statement
is
this
and
then
I'll
explain
what
we're
planning
on
doing
our
tissa
pate
is
a
vibrant,
creative
community
dedicated
to
engaging,
enriching
and
empowering
lives
through
dynamic
experiences
in
the
Performing
and
Fine
Arts?
K
What
we
want
to
do
is
to
first
we'll
get
our
501c3.
We
want
to
be
nonprofit,
purchase
a
piece
of
land
in
the
Palm
Springs
area
and
build
a
residence
for
us
to
live
today,
I'm
not
going
to
be
focusing
on
the
residents
as
much
because
our
secondary
function
is
going
to
be
building
what
we're
calling
right
now,
an
Arts
Park.
K
Many
of
us
don't
have
things
like
social
security
and
pensions,
because
we've
been
freelance
all
of
our
lives
and
we
want
to
control
our
survival.
We're
also
very
you
can
press
play
if
you
like,
we're,
also
very,
very
passionate
about
education.
We
want
our
facility
to
be
interactive.
We
want
to
teach
intergenerationally,
we
want
to
teach
tap
dance
voice
piano,
we
want
to
teach
sculpture,
painting,
we
want
to
have
classes
dance
classes
in
yoga.
K
Second,
phase
from
the
residences
will
be
a
theatre,
we're
very
fortunate
that
the
different
we've
we've
been
meeting
with
the
Palm
Springs
Cultural
Center,
the
desert,
Arts
Council,
who
may
very
well
be
our
501c3,
sponsor
we're
working
with
them.
Now
for
the
application
and
I'm
we're
hopeful
that
the
board
will
approve
our
project
and
then,
after
that,
we
hope
to
become
a
part
of
Seva
to
guide
our
project
through
to
completion.
K
Okay-
and
there
should
be,
there-
should
be
a
play
function
in
our
residences,
we're
going
to
have
common
dining
areas.
We
hope
to
somehow
figure
out
a
way
being
a
nonprofit
to
have
cafe
and
retail
spaces.
The
leases
we
imagine
will
simply
go
back
into
sustaining
our
development,
we're
also
very
passionate
about
sustainable
living.
We
would
love
to
get
LEED
certification,
we'd
love
to
do
everything,
solar,
wind
power,
geothermal
HVAC,
as
well
as
air
to
water
for
our
water
I.
Don't
know
if
you're
familiar
with
that,
but
it's
some
advanced
ways.
K
Just
like
old
fashioned
in
the
window,
air
conditioners,
there
was
the
drip
tube
because
they
had
to
you
know
let
the
water
drain
they've
developed
that
technology
now
quite
intensely,
and
there
are
very
large
units
that
can
produce
even
in
the
desert
up
to
400
gallons
per
day,
water
will
do
grey
water.
All
the
landscaping
will
be
drought-tolerant.
So
what
you're
seeing
now
is
a
bit
of
our
main
project
that
were
hoping
to
get
you
excited
about
today,
which
is
the
Arts
Park.
K
We
want
to
have
a
public
space
that
has
fresh
and
new
art
forms
in
the
Arts
Park.
We
want
to
focus
on
sustainability
and
we
want
to
have
two
pavilions.
Those
pavilions
will
be
built
as
berms
that
are
covered
with
landscaping
and
inside
will
be
housed
first,
a
sustainability
pavilion
that
has
touchscreens
and
teaches
tourists
and
students
alike
about
all
of
those
eco
friendly
power
sources.
K
The
second
one
will
be
the
virtual
reality
pavilion,
which
will
utilize,
of
course,
the
newer
forms
of
virtual
reality
we're
not
interested
in
the
gaming.
We
want
to
promote
the
artists
that
are
doing
virtual
reality.
Art
I've
participated
in
some
of
those
shows
and
they're
extraordinary.
If
you
do
get
a
chance
to
see
them
off,
the
charts
I
went,
I
went
through
the
universe,
going
to
different
galleries
on
different
planets
in
one
of
them.
It
was
extraordinary,
of
course,
as
I
said
we
want
to
do
very.
All
of
the
landscaping
will
be
sustainable.
K
You
may
see
a
photo
soon
of
wooly
time,
which
is
a
ground
cover.
That's
sustainable
drought,
tolerant
and
functions
as
a
ground
cover
like
grass,
it's
very
tolerant
to
large
groups
of
people
and
so
on
and
also
in
the
arts
park.
We
want
to
have
sculpture,
gardens
that
are
solar
sculptures,
so
they
have
solar
panels
integrated
inside
and
at
night.
They
light
up
as
well
as
all
of
the
lighting
that
goes
into
the
space.
You
can
just
keep
going
I'm
actually
ahead
of
you
again.
K
I
would
rattle
on
and
go
down
rabbit
trails
if
I
have,
but
we
had
more
time
but
again
I'm
going
to
respect
your
time.
So
these
are
ideas
of
the
hardscape
we
want.
We
want
everything
to
be
recognizable
as
the
highest
quality
of
art
and
design
as
I
am
also
a
performer.
My
my
fine
art
is
assemblage
and
I've
worked
in
the
film
industry
for
many
years
and
was
the
design
producer
on
an
HGTV
show
a
few
years
ago.
K
K
We
we
also
want
to
do
what
we're
calling
now
as
Friday
Night
Lights.
You
can
just
keep
moving
on
I'm
Way
ahead
of
you,
drought-tolerant
landscaping.
Oh,
you
know
what
I'll
just
I'll
just
stay.
Of
course
everything
that
you're
seeing
here
is
drought,
tolerant,
I'm
sure
you
guys
are
probably
pretty
aware
of
these
kinds
of
plants
my
few
years
ago
that
it
was
just
cactuses
and
succulents.
It's
not.
There
are
a
lot
of
drought,
tolerant
plants,
they're,
beautiful
and
vibrant
I
want
to,
of
course,
invite
very,
very
creative
landscape
architects
to
do
the
work
again.
K
Everything
in
the
finest
form
of
artistic
excellence
and
I
also
have
a
pet
peeve
with
many
public
spaces
that
doesn't
often
in
the
United
States,
especially
not
so
much
in
Europe,
but
they
don't
seem
to
invite
you
in
sometimes
you'll
find
a
little
pocket,
but
I
want
the
entire
space
to
be
very
welcoming
and
very
creatively
engaging.
So
here
are
some
gathering
places
as
I'm
calling
them
again.
These
are
all
pictures
that
I've
gathered
over
the
past
year
to
indicate
the
kinds
of
directions
that
were
interested
in
going.
K
The
point
here
is
to
engage
the
public
and
to
to
promote
creativity,
to
promote
groups
of
people
gathering
together
and
and
also
to
encourage
the
people
that
are
coming
for
voice
lessons
and
and
coming
to
learn
about
music
writing
and
the
people
who
are
participating
in
new
theatrical
works.
We
want
to.
K
We
want
to
be
encouraging
new
composers
and
writers,
artists
to
do
new
work
with
us,
we're
hoping
to
have
different
programs
that
bring
youth
we're
very
interested
in
disadvantaged
youth
and
we're
also
very
interested
in
reaching
out
to
seniors
that
are
in
nursing
homes
in
in
different
facilities
where
they
can't
get
out
and
see.
Art
we'd
like
to
send
us
some
teams
out
in
trios
and
groups,
to
sing
and
to
engage
them.
These
again
are
the
landscaped
pavilions.
K
That
I
was
calling
the
berms
that
house
the
virtual
reality
unit
and
the
the
sustainability
pavilion
for
education.
They're
gonna
be
a
lot
more
rounded.
These
pictures
are
a
little
bit
more
along
the
lines
of
what
I'm
of
what
I'm
envisioning,
what
we're
envisioning
you
can
just
keep
going
these
slides.
Can
this
is
an
example
in
front
of
the
two
pavilions
we
want
to
have
if
we're
able,
depending
on
where
we
are
located
a
small
amphitheater,
to
do
small
concerts,
not
loud
we're
not
interested
in
being
that
loud,
but
we're.
K
We
are
aware
of
zoning
and
knowing
that,
within
a
certain
amount
of
feet,
you
have
to
you
know,
really
prepare
again.
These
are
just
indications
of
the
style
of
how
we
want
to
use
those
pavilions
in
the
facility.
We
want
to
stay
away
from
difficult
ways
to
get
around,
because
we
want
to
encourage
the
handicapped
and
people
in
wheelchairs
to
be
able
to
function
so
there'd
be
ramps
up
to
the
top,
and
part
of
the
reason
we
want
to
have
them.
K
Landscaped
is
that
people
can
sit
up
on
top
there
and
create
and
watch
the
concerts,
although
there
will
be
sustainable,
I
think
the
amphitheater
is
right
after
this.
If
I'm
not
mistaken,
yes,
so
you
can
imagine
a
small
lamp,
a
theater
near
the
berms.
As
that
sort
of
indicates,
you
can
just
keep
going
and
we'd
want
to
have
landscaped
seating,
encouraging
picnics,
also
encouraging
children's
puppetry
classes
and
parties
and
and
outdoor
theater
as
well.
K
K
Rentable,
which
financially
will
sustain
our
501c3
so
covered
walkways.
We
want
them
to
be
done
by
artists
and
there's
a
form
of
art
that
I
have
been
brewing
in
my
head.
You
can
hang
on
this
and
for
a
little
bit
that
I'm
calling
dappled
pavilions
and
with
the
with
the
solar
art
most
of
that
will
be
lit
up
at
night,
but
during
the
day
I
want
to
use
the
sunlight
to
create
art,
so
the
Dabo
pavilions
will
be
laser
etched
materials
that
people
can
walk
through
all
of
the
walkways
they're
shaded.
C
It's
it's
fabulous.
I
would
write
here's
a
couple,
thoughts
that
spring
to
mind.
There
have
been
projects
here
in
the
past
where
they
were
planning
to
do
residents
for
artists
that
was
part
of
an
affordable
housing
project
yeah
as
I
think
that
got
scuttled
during
the
recession
or
I'm,
not
quite
sure
exactly,
but
that
would
definitely
be
something
you
know.
Obviously
it's
not
our
department,
but
but
that
might
be
one
way
to
approach.
You
know
since
you're
providing
housing
for
artists,
it
might
be
part
of
an
affordable
housing
approach
or
something
like
we're.
C
B
C
D
B
C
A
A
A
B
A
B
H
H
This
is
just
just
I'm
just
aware
that
there
has
been
there
a
number
of
artists
who
are
concerned
about
their
legacy,
mostly
if
the
visual
artists,
I
work
at
a
museums,
I've
talked
to
some
people
and
there
has
been
a
movement
to
create
artists
trusts.
Where
artists,
who
aren't
you
know
very,
very,
very
wealthy,
can
pull
their
money
together
and
create
an
artist
trust
that
allows
them
to
then
sort
of
care
for
their
art
and
I.
H
B
H
And
another
final
thing
is
I
know
there
are
a
lot
of
advocacy
groups
for
elderly
housing.
It's
one
of
the
biggest
problems
in
the
world.
Taiwan
and
Singapore
are
actually
very,
very,
very
good
at
creating
amazing
spaces
for
our
older
people
to
live,
but
I
would
encourage
you
to
also
look
at
it.
Perhaps
you
already
have
advocacy
group
like
Enterprise
Community
Partners
that
actually
give
grants
and
help
you
create
financing
for
creative
projects.
You
know
really
thinking
whole
life
about
what
low-income,
lower
income
or
people
with
restricted
incomes.
H
The
name
of
that
it's
called
Enterprise,
Community,
Partners,
okay,
and
they
have
a
number
of
granting
programs
financing
programs.
They
basically
provide
grants
for
projects
just
like
this
and
I
know
they
are
national
and
they're.
You
know,
anyway,
as
you
continue
on
the
hope
you
can
find
partners
like
that.
Thank.
K
B
B
This
is
more
of
a
preventive
like
we're.
You
know
just
trying
to
get
the
word
out
so
that
we
could
learn
about
what
obstacles
might
be
in
our
way
or
like
what
to
avoid
or
like
how
about
how
to
go
things,
how
to
go
about
things
a
proper
way
so
that
we
don't
hit
any
roadblocks
like
that's
really
like
the
whole
point
of
it,
but
thank
you
so
much
so
you're,
not
thinking
of
a
gated
community.
B
C
A
B
B
K
B
G
G
K
A
L
E
L
E
A
A
L
Sir
just
signed
her
contract
I
requested
the
city
to
close
more
of
the
street,
so
in
case
we
do
the
chalk
art
crosswalk,
so
they
didn't.
She
hasn't
gotten
back
to
me
yet,
but
she
didn't
see
yeah
an
issue
with
that,
so
we
would
also
be
closing
Museum
Drive,
but
allowing
access
to
both
parking
garages
so
it'd
be
like
a
short
closure
right.
A
A
And
and
if
you've
noticed
there
they're
doing
the
curb
cuts
for
crosswalks
they're
gonna
be
lighted
crosswalks,
but
we
thought
it
might
be
fun
during
this
celebration
to
have
some
chalk
artists
show
what
you
could
put
in
a
crosswalk
Robinson.
Just
you
know,
sort
of
trying
to
explain
the
idea
to
the
engineering
department.
It
might
be
fun
to
see
if
we
could
do
it
and
a
little
later
on
this
agenda.
A
L
So
then,
they're
gonna
do
like
four
videos
over
the
next
few
weeks,
so
they
each
will.
They
started
with
this
drone
shot,
which
is
cool.
It
shows
the
babies
and
then
they
have
a
lot
of
other
footage
that
you
know
it's
gonna
we're
gonna
zoom
in
closer
and
closer
on
the
street,
so
I'll
share
that
video
and
send
it
well
when
they
send
that
update,
share
it
with
you
and
then
I
can
give
you.
B
L
L
Then
and
we'll
have
food
in
our
DJ,
the
city
actually
might
be
providing
our
electricity
for
free,
which
is
they
didn't,
put
plugs
in
those
new
lights.
So
we
have
to
bring
a
generator
in.
So
we
have
like
a
show
run
here
now
and
graciously
has
lent
us
things.
So
our
rentals
are
gonna,
be
much
cheaper
and.
L
L
A
I
was
talking
with
people
at
the
Museum
yesterday
and
to
actually
have
like
wine.
You
have
to
have
you
have
to
get
it
through
their
restaurant
and
it
turns
out
to
be
fairly
expensive.
So
we
might
we
really
and
plus
we're
in
the
museum,
which
means
that
no
one
can
take
the
food
or
drink
outside
of
the
education
space,
so
it
might
be
less
of
a
reception
and
more
of
just
a
unveiling
of
the
math.
Oh
yeah,.
L
L
A
B
L
Okay,
so
anyway,
we
can
do
the
cookies
okay,
so
here's
just
we
just.
We
have
a
whole
mock-up
of
the
day,
so
we're
gonna
start
at
7:00
a.m.
and
then
this.
A
We
talk
best
meeting
about
having
our
regular
meeting
at
four
o'clock
that
day
and
it
seems
to
be
fine
to
do
it
at
the
museum,
because
it's
open
to
the
public
and
it
starting
at
four.
It's
free
because
of
the
city.
So
and
just
you
know
a
short
meeting
and
then
adjourn
to
doing
this
sort
of
I.
Don't
know
if
there's
gonna
be
a
ribbon
in
front
of
Sara's
map
or
what,
but
something
that
oh.
L
L
L
L
B
L
H
A
Brought
one
of
the
sticky
things
they
put
on
the
paper:
do
you
have
it
or
did
Sara
chaser
here
took
it,
you
know
and
there's
a
we
could
do
that
and
you
can
even
print
on
the
back
and
it
could
say
bring
this.
You
know
for
a
t-shirt
and
I
think
those
really
stand
out.
The
ones
where
they
fold
it
over.
The
all
you
want
to
do
is
take
it
off.
So
you
couldn't
read
the
newspaper,
but
yeah,
so
sara
is
gonna
find
out
what
it
cost.
H
Yeah
and
I
mean
it's
a
slow
time
of
year
and
in
my
experience
sometimes
those
advertising
spots
are
actually
available.
You
know,
because
it's
just
not
as
busy
so
I
think
if
we
have
a
nice
conversation
with
the
people
over
there,
hopefully
we
can
have
something
that
would
work
for
us.
I
think
that
would
be
well
worth
the
expense
you
know.
Printing
postcards
is
I,
don't
know
it
feels
like
there's.
H
C
C
L
L
A
L
A
H
You
have
Flyers,
you
can
give
them
to
me
and
or
just
leave
them
at
the
Museum
it'd
be
nice
to
leave
some
there
yeah.
We
asked.
A
A
The
the
Education
Department
of
the
museum
is
really
working
with
us
and
I'm
sure
that
they
could
and
then
people
who
just
come
to
the
museum
on
that
Thursday
night,
but
aren't
interested
in
our
little
map
and
stuff.
But
they're
they're.
All
greeted
by
someone
called
an
ambassador
who
points
out
things
to
see
in
the
museum
and
I
think
they
would
give
those
out
on.
H
A
Be
the
Education
Department
has
a
mailing
list
because
they
they
were
at
least
in
touch
with
all
the
schools
and
all
the
colleges
and
everything
else
so
they'll
send
out
this
digital
one
too,.
A
G
A
E
A
A
A
Destination
PSP
would
like
to
do
a
chalk
art
on
their
sidewalk
every
month
and
really
feature
this
person.
But
this
idea
of
doing
the
crosswalks
is
really
just
for
somebody
to
be
imaginative.
You
know,
I,
don't
think
we
kids
have
to
participate
and
everything,
especially
if
we're
doing
a
mural
thing
somewhere
else,
but
I
I
think
in
terms
of
having
I
I
worry
how
people
are
gonna
like
get
in
and
out
of
the
pit
easily.
A
E
L
A
L
B
B
H
Things
to
do
and
we've
like
not
much
time
left,
but
you
know
it
could
be
interesting
to
maybe
talk
to
some
others
who
are
involved
with
like
Coachella
walls
or
something
like
that.
So
maybe
we
should
try
to
meet
with
you
and
depend
like
just
yeah.
C
A
C
A
A
A
Okay,
so
Commissioner
Brenner,
you
and
just
tell
us
what
you
learned
I.
G
G
She
does
now
that
we
are
all
back
together,
really
want
to
work
with
each
of
us
in
our
schedules
to
do
a
video
just
about
what
art
means
to
us
and
she's,
also
working
on
putting
together
a
video
I,
don't
know
if
it's
going
to
be
utilized
on
the
11th
or
14th,
but
that
is
the
compilation
of
the
art
that
she
has
I.
Think.
G
Okay,
okay,
so
she's
hoping
to
have
that,
and
if
there
are
commissioners
that
want
to
participate
again,
she
would
be
happy
to
work
with
your
schedule
to
do
a
little
interview
with
you
to
include
you
in
that
or
in
other
things,
upcoming
yeah.
A
G
Think
she's
working
directly
with
Sarah
a
little
bit
but
just
know
that
she
is
there
and
available
for
you
guys
to
use.
However,
you
want
to
direct
her
yeah
I
made
sure
I
said
I,
don't
know
if
this
connections
going
on,
but
when
I
was
at
this
meeting
today,
I
wanted
to
make
sure
that
you
guys
knew
that
and
I
think
she
knows
Sarah
or
I.
G
G
G
G
B
H
B
D
G
B
A
G
B
A
G
A
The
other
thing
she
does
is
she
posts
everything
there's
all
these
Facebook
pages
like
I
love,
downtown
Palm,
Springs
and
Palm
Springs
artists
and
Palm
Springs,
Main
Street.
You
know
businesses,
and
so
she
just
posts
all
of
our
stuff
on
those
as
well,
and
that's
where
we're
getting
people
who
wouldn't
the
art
page
right.
A
G
A
The
question
and
the
next
question
is
the
crosswalks:
could
I
ask
the
mural
committee
to
just
consider
whether
they,
unless
there's
another
committee
since
it's
on
the
ground,
the
the
idea
would
be
to
talk
to
Lisa,
Middleton
or
junior
someone
on
the
City
Council,
who
said
there
ought
to
be
the
crosswalks
done.
You
know
more
than
just
white
lines
and
what
I
thought
we
might
propose
to
them
is
instead
of
trying
it.
It
can't
possibly
done
be
done
before
Pride
weekend,
which
is
the
first
weekend
in
in
November.
A
So
perhaps
we
could
have
a
couple
of
proposals
and
let
the
public
vote
on
them
or
respond
to
them,
so
that
I
think
having
artists,
design
crosswalks
on
arenas
is
probably
easy
to
do,
and
all
we're
saying
is:
don't
just
paint
a
few
stripes.
You
know,
let's
mix
it
up,
but
the
ones
in
front
of
the
museum.
It's
just
it's
sort
of
a.
If
we
can
throw
out
this
idea.
Maybe
someone
in
the
city
or
the
park
designers
will
say
yeah
we
should
have.
The
crosswalks
should
be
more
interesting,
yeah.
H
A
H
A
E
A
A
B
C
C
C
A
A
A
C
A
Our
next
real
meeting
is
on
November,
8th
and
I.
Think
that
we
should
that's
where
we
should
be
looking
forward
to
the
things
we
want
to
do
for
the
rest
of
the
year
and
I'd
like
to
suggest
that
we
invite
the
partners
that
we're
working
with
the
Education
Department
at
the
Museum,
the
people
from
st.
A
Paul's,
the
School
District
Louisa,
castor
Dale,
because
we
need
to
find
a
way
to
do
something
that
encompasses
the
Martin
Luther
King
student
exhibit
with
Black
History
Month,
with
the
fact
that
I
think,
unless
someone
feel
strongly
about
it
to
take
the
place
of
the
juried
art
show
in
this
block
of
time.
Next
February,
where,
according
to
the
lease
with
the
desert,
Art
Center,
we
we
have
the
use
of
it.
But
someone
suggested
before
that
we
could
do
either
a
big
student
art
show
or
the
best
of
these
other
and.
L
A
A
We
should
have
it
yes,
okay,
but
I'm
saying
is:
it
should
transfer
to
the
desert
art
center
instead
of
during
a
juried
art
show
unless
there's
someone
on
the
Commission,
who
feels
strongly
about
doing
it.
My
reading
of
our
our
ordinance
is
that
we're
only
supposed
to
do
exhibits
and
things
like
that
if
they
are
paid
for
by
a
contribution
by
donations.
Well,.
G
I
think
we
commissioned
American
and
Commissioner
Murray
and
I
had
at
this
conversation
of
doing
the
student
art
shows
and
then
the
best
of
those
going
to
the
juried
arts
to
show.
So
it
gave
those
students
an
opportunity
to
have
their
art
work
with
the
artist
and
keeping
the
juried
art
show
in
some
way,
rather
than
because
at
some
point
we
were
doing
three
or
four
shows
and
it
was
taking
that's
what
staff
time
was
was
mainly
framing
these
things
and
hanging
the
show's
over
and
over.
G
So
to
try
to
consolidate
it
in
some
way,
but
then
still
maintain
the
integrity
of
the
Martin
Luther
King,
because
that's
courts
sort
of
a
cornerstone
of
what
we've
done
and
it's
very
important
and
I.
Don't
know
why.
We
can't
have
a
short
that
it's
always
been
at
the
church
for
a
part
of
that,
but
then
move
it
to
a
part
of
the
juried
art
show
for
the
winners
of
and
then
having
the
juried
art
show.
But.
A
A
A
B
A
L
B
A
B
H
B
B
A
C
B
A
A
J
A
Now
we
just
have
two
things:
two
that
are
sort
of
action
items
and
one
of
them
is
several
people
asked
last
time
what
our
current
budget
was,
because
the
last
time
when,
when
when
the
council
approved
our
budget,
it
was
a
five
hundred
and
some
odd
thousand
dollars.
This
is
the
the
printout
is
the
current
budget,
and
the
only
difference
is
that
they
have
put
two
hundred
and
eighty
three
thousand
dollars:
thirty
six
dollars
and
thirty
cents.
A
B
A
A
C
A
B
C
B
H
Times
but
I
would
really
love
us
I
think
our
community
work
in
the
community
is
very
important,
but
this
is
actually
a
significant
amount
of
money
that
can
really
shine
light
on
right.
What
is
great
about
the
city,
and
we
have
an
opportunity
not
to
spend
it
all
once,
but
to
really
think
about
how
we
want
to
see
see
what
we
want
to
see
in
the
city.
So
maybe
we'll
just
add
that
to
the
study
session
and
at.
A
A
A
A
L
They
don't
really
have
a
plan,
maybe
let's
say
you
know
if
you
don't
have
a
plan
or
if
your
site
is
not
really
open
to
the
public
leverage
will
leverage
your
money
towards
a
much
more
prominent
piece
of
art
and
they
can
help
take
ownership
of
it.
That's
maybe
if
it's
in
the
park,
instead
of
being
at
Marilyn,
which
nobody's
gonna,
you
know.
A
A
L
A
B
A
A
E
A
E
And
actually
hearing
that
is
a
proposal.
I
think
I
would
like
to
propose
that
we
extend
the
contract
for
only
eight
weeks
so
that
the
action
would
be
taken
by
the
artist
to
complete
the
piece,
and
then
we
can
determine
we
I
guess
we
would
have
to
determine
a
delivery
point.
If
we
had
I
mean
do
we
have
a
place
for
it
to
be
delivered
to
well.
A
You
I
should
add
that
unjust
I
did
have
I
had
a
conversation
with
John
Monahan,
who
owns
the
500
building
and
who
is
a
collector
of
Michael
Byrne
Berg's
art.
He
had
him,
do
a
few
pieces
for
his
home
and
he
said
that
he
would
be
happy
to
install
the
piece
on
either
the
Indian
Canyon
or
the
Palm
Canyon
side,
where
it
would
be
quite
visible
for
some
extended
period
of
time,
because
he
was
thinking
of
commissioning
a
piece
of
his
own
and
it.
A
A
E
E
A
C
A
A
A
C
A
L
C
A
G
E
E
A
C
C
A
What
Commissioner
Prichard
started
to
talk
about
is
possibly
something
that
should
be
on
our
study
session
and,
and
that
is
when
I
look
back
and
think
that
we
really
didn't
want
to
buy
it.
Originally,
we
wanted
to
display
it
for
a
certain
amount
of
time
which
the
round
of
time
about
half
of
it
has
run
already,
during
which
time
the
pit
has
become
quite
crowded,
and
we
should
not
have
rushed
into
buying
it
probably,
but
there
didn't
seem
to
be
any
other
way
to
do
it.
A
E
A
A
Then
also
a
little
bit
more
about
what
goes
into
their
contract,
but
this
is
one
where
we
have
to
do
it
right.
We
have
to
have
public
input,
we
have
to
have
you
know
a
good
jury
of
some
sort
and
because
it's
going
to
be
very
prominent
and
or
one
or
more
pieces
and
very
to
pay
for
something
significant.
So
we
you
know,
we
can't
just
go
off
it
check
to
someone
who's
gonna.
Do
it!
Okay!
Are
there
any
other
comments
or
anything
that
anyone
would
like
I.