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From YouTube: Public Art Committee October 13, 2021 continued
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A
To
date,
we
haven't
had
any
submissions
and
I'd
like
to
it's
pretty
a
standard
operating
procedure,
but
I'd
just
like
to
get
a
motion
in
a
second
to
postpone
the
deadline.
If
we
have
no
viable
entries.
Okay,.
B
A
St
cates
fine
arts
removed
the
second
standing
nyad
yesterday
and
took
her
back
to
the
workshop
kicking
and
screaming
they
will
reinforce
the
supports,
fill
the
legs
with
weighted
metal
and
reinstall
the
course
the
cost.
Thank
you,
lord
was
covered
by
insurance,
which
was
already
received
by
the
city.
A
Miss
efficiency
over
there
diane
wood
already
paid
saint
kate's
half
of
what
their
invoice
was.
So
not
only
are
all
our
bills
paid.
We
actually
have
money
in
the
hopper
for
the
second
round,
so
thank
you,
diane,
okay,
the
remaining
half
will
be
due
on
delivery
and
reinstallation
of
the
two
sculptures
desmond
of
st
cates
did
say
that
they're,
probably
due
for
a
routine,
you
know
look
at
the
patentization,
so.
A
A
A
A
B
F
Yeah,
so
we
would
not
be
getting
until
the
2022.
correct,
oh
no!
No,
he
can.
I
thought
you
said
they
were
on
display.
A
That's
that's
a
a
very
good
price
for
a
limited
edition
piece.
You
know
the
37.50
for
both
of
them.
A
Plus,
given
the
price
you
know
it's,
we
actually
have
the
the
discretion
to
just
go
ahead
and
approve
the
purchase.
Yeah.
B
A
D
A
Well,
some
of
some
ideas
were
kind
of
like
near
the
box
office
downstairs
in
the
hallway
or
in
the
lobby.
You
know
going
into
into
the
building.
You
know
somewhere
in
the
hallway
of
city
hall.
A
E
Do
they
have
the
the
lighting
already
in
installed.
G
Robert,
why
it's
a
show
over
at
the
lipper
ratner
we've
had
a
lot
of
them.
While
why
are
we
wanting
to
buy
two
of
these
for
type
and
springs?
G
I
mean
what
does
it
have
to
do
with
with
something
for
us,
it's
just
buying
something
that
is
striking
our
fancy
or
what
I
mean.
I
don't
see
the
connection
of
it
and
and
especially
again,
considering
the
budget
issue
it.
B
G
Art,
that's
that's.
You
know:
museum
quality,
art
and
things
like
that.
We
have
the
we
have
the
george
innis
juniors,
which
is
hardly
any
of
us
ever
see,
they're,
pretty
famous,
and
so
I
you
know,
I
think
that
you
know
couldn't
it.
You
know.
G
I
just
just
wonder
if
we're
spending
that
kind
of
money
on
these
two
pieces,
which
really
have
nothing
to
do
with
us
and
it's
a
protege
of
of
dali
and
does
it
photographically
or
whatever
it
is
and
does
backlining
and
and
it's
it's
a
pretty
large
limited
edition
of
things.
G
I'd
rather
see
buying
a
local
artist,
or
you
know
somebody
who,
who
maybe
commissioning
a
local
artist
to
do
something
that
so,
like
you
know
with
elizabeth,
and
you
know-
and
there
are
people
here
that
can
do
things
and
and
make
art,
make
a
lot
of
art
and
people
in
the
county
that
make
art
and
make
a.
G
Oh
yeah
yeah,
yes,
I
mean
you,
have
you
have
a
lot
of
things?
I
mean
you
know
you
know
I.
I
just
don't
think
that
they're,
in
my
opinion,
unique
enough
to
to
want
to
specially
start
this
approach
in
in
seeing
something
we
like
at
an
art,
museum
and
deciding
we
want
to
want
to
buy
them.
I
mean
I
don't
I
don't
know,
I'm
I'm
not
for
it.
That's
all.
I
was
gonna
say
I'm
not
a
voting
member
anyway.
So
I
keep
saying
that.
A
Well,
if
he
is
local,
he
does
have
the
tie-in
with
with
dolly
you
know,
I
think
I
think
they're
fascinating
pieces.
It
would
certainly
be
something
unique.
I
know
especially
lucian
we've
been
talking
for
a
while
about
getting
some
more.
A
You
know
modern
impressionistic
type
art
in
town,
so
I
think
from
from
that
point
of
view
you
know,
I
think,
they're
very
eye-catching.
I
think
they
would
make
an
impact
here.
You
know.
B
A
Unlike
anything,
that's
that's
around
and
you
know
I
I
I
think
it's
a
good
idea,
but.
D
Yeah
and
easily
hangable-
and
you
know
I
I
just
I
don't-
I
just
don't
know
how
great
the
visibility
is
going
to
be
here
in
city
hall.
It's
not
like,
we
have
a
vast.
I
know
the
the
entry
into
the
the
main
theater
is
is
larger,
but
it's
not
as
if
you
have
like
a
great
reception
area
and-
and
they
are
interesting,
but
I
I
would
actually
prefer
seeing
them
as
traveling
art.
Okay,.
E
E
E
A
E
There,
you
know
kind
of
thing:
if
we,
you
know,
wanted
to
start
creating
that
space
as
a
local
artist
gallery.
You
know
kind
of
thing
that
the
public
art
couldn't,
but
then
I'm
gonna
have
the
tarpon
space
art
association
mad
at
me,
when
I
run
out
of
space
or
I
have
to
push
them
out
of
space
right,
I
can't
win
so
go.
F
E
And
the
the
thing
that
we're
trying
to
do
at
the
cultural
center
too,
is
you
know
we
have
that
beautiful
mural
by
elizabeth
indiano's,
but
we're
also
trying
to
keep
the
rest
of
the
wall
space
free
so
that
we
can
do
visiting
exhibitions
of
local
artists,
and
you
know
and
support
the
the
tarpon
springs,
art
association
and
with
their
shows
and
things
where
this
is
the
first
year
that
we're
actually
they're
back
in
there.
You.
H
E
With
the
plein
air
and
then
they're
gonna
do
a
christmas
show.
So
that's
considerations.
You
know
when
you're
buying
that
kind
of
art
you
know
that
visual
art
that
would
be
in
a
museum
just
keep
that
in
mind.
So.
G
A
B
A
Well,
I'm
I'm
still
in
favor
of
getting
them.
I
don't
know
how
other
people
feel.
C
B
H
C
C
Is
there
a
regular
exhibition
program?
How
does
this
fit
in
with
what
else
is
there,
and
if
space
is
problematic
and
we're
not
programming,
then
I
don't
see
that
is
just
stand-alone
works.
They
contribute
to
our
reason.
For
being
yes,
I
am
very
much
in
favor
of
more
contemporary
work,
but
really
in
in
an
outside
more
monumental
way.
C
H
Yes,
I
agree
with
with
with
a
number
of
things
that
have.
H
Around
the
room,
they
are
very
attractive
pieces
of
art.
B
A
F
Okay,
trish,
I
would
like
to
see
us
purchase
them.
I
like
them,
and
I
don't
know,
but
we
keep
talking
about
budget,
but
has
anybody
ever
looked
at
I
mean?
Have
we
looked
at
the
total
amount
that
we
had
and
what
we
have
coming
out
so
that
we
actually
know
an
amount
that
we
have
to
spend.
A
I
B
I
Should
I
should
I'm
sure
I
would
love
to
see
them?
I
mean
this,
isn't
something
personally
that
would
hang
in
my
house
right,
I
mean
the
one
with
the
face
is
kind
of
cool.
You
know
it's.
It's.
I
The
the
half
a
face
on
the
right,
the
one
on
the
left-
I
don't
know
if
I
could
look
at
that
at
night
by
myself-.
A
A
H
H
B
A
Okay,
I
think
the
the
motion
fails.
G
Can
I
just
bring
one
thing
up
about
the
budget
on
this
that
was
brought
up
just
real
quickly:
37
3750
and
17
000
for
the
other
project?
Why
are
we
not
getting
any
applications
for
the
heritage
project.
A
No,
I
mean
it's
it's
out
there,
we
we
did
get
one,
but
I
mean
I've
worked
in
a
research
laboratory
and
I
can't
figure
it
out.
Maybe
debbie
should
have
a
crack.
G
G
A
Okay,
well,
why
don't
we
we,
we
already
had
a
motion
and
a
vote
to
defer
it
to
the
deadline,
so
I
think
we
should
wait
for
the
deadline,
see
what
comes
in
and
if
there's
nothing
viable,
it'll
go
to
the
selection
panel,
there's
nothing
viable
when
it
when
the
deadline
is
extended.
If
it
has
to
be
then
we'll
reconsider
the
funding.
Does
that
make
sense
to
everybody?
I
think
that's
the
natural
progression.
E
A
J
A
J
So
237
000
is
your
whole,
that
is
everything
in
the
public
art
fund.
What
the
boc
has
approved
for
spending
during
this
fiscal
year,
which
is
october
1st,
which
just
happened
to
september
30th,
is
147
000..
If
you
want
to
pursue
projects
that
are
outside
of
that
limit,
it
just
needs
to
go
before
the
boc
for
further
approval
to
use
those
funds.
Okay,.
E
I
will
also
tell
you
that,
in
addition
to
this,
I
did
check
with
the
building
department,
because
that's
where
the
developer
money
comes
in,
you
know
and
to
see
if
there
were
any
projects
in
the
hopper
that
could
potentially
be.
You
know,
money
for
the
public
art
committee
and
there
is
none
right
now.
E
A
And
let's
see.
C
C
J
B
C
To
me
it
it's
is
this
a
priority
for
us,
you
know,
given
the
discussion
we've
gone
into,
I
would
much
rather
commit
more
than
our
budget
this
year
to
the
to
the
black
heritage
program.
I
think
that's
a
landmark
kind
of
what
is
the
word.
Everybody
uses
now
a
legacy
project,
and
I,
if
if
money,
were
no
object,
I'd
go
for
this,
but
in
sort
of
a
sculpture
park
kind
of
configuration
right.
That's
where
I
am
bill.
H
Yeah,
that's
falls
in
line
with
my
thinking
as
well.
The
other
piece
of
it
is,
you
know
with
the
one
year
it
kind
of
like
shows
up
and
then
all
of
a
sudden
it
just
disappears
and.
F
Trish
yeah,
I
would
rather
see
us
use
our
money
on
something
else.
There
are
other
projects
that
I
like
a
lot
better
than
this.
Basically.
I
B
I
G
For
a
year
I
mean
when,
when,
when
sculptures
like
these
go
to
shows
around
the
country,
I
know
artists
that
do
this
and
they're
they're
up
for
maybe
six
months,
maybe
a
year,
the
the
city
that
does
it
has
to
lay
down
foundations
and
those
foundations
have
to
be
in
a
place,
and
then
they
have
to
be
bolted
under
those
foundations.
G
If
not,
you
have
a
serious,
attractive
nuisance
liability
issue,
somebody
climbing
on
it
and
it's
not
properly
affixed
and
falls
over
and
cuts
them
in
half
then
you're
in
lots
of
trouble.
So
borrowing
these
for
a
year
is
going
to
cost
the
city
money
to
to
put
them
somewhere,
so
that
I
don't
know
whether
that's
in
the
cost,
whether
they'll
pour
a
foundation
or
not.
G
So
there's
that
issue
right
there
I
mean
if
it
was.
If
it
was
for
five
years,
you
you
might
want
to
look
at
it,
you.
G
And
this
this
kind
of
heart
relates
to
anything
right.
I
think
you
can
say
that
too.
H
B
D
B
A
A
I'd
like
to
entertain
emotion
to
rent
the
david
hayes
sculptures.
A
Okay
marissa,
could
you
call
the
roll.
H
A
Motion
fails.
Okay,
I
think
we've
gone
through
everything
on
the
agenda.
I
just
wanted
to
bring
up
another
comment.
A
There
was
a
item
agenda
item
at
the
cra
portion
of
the
board
of
commissioners
meeting
on
the
28th
of
september
about
the
purchase
and
placement
of
production
art
by
the
city,
and
there
was
a
draft
resolution
that
was
on
the
agenda
last
night
and
whatever
is
purchased,
will
be
under
the
the
placement
and
is
going
to
be
under
the
aegis
of
ours,
truly
the
public
art
committee.
A
So
I
have
a
few
choice
locations
for
them,
but
that
shall
remain
unsaid.
Does
anybody
have
any
comments
or
questions
about
yeah,
okay,
diane,
the
city
announcements?
Oh.
E
No,
I
just,
I
think
we
covered
everything
today
of
everything
that
I
have
all
right:
okay,.
H
Sure
we
talked
about
a
water
feature,
yes
in
spring
bayou,
and
so
I
reached
out
to
florida,
fish
and
wildlife
commission
and
found
the
right
person
who
is
responsible
for
the
manatee
and
got
had
a
really
nice
conversation
with
her,
and
there
are
some
limitations
that
we
would
have
to
be.
Mindful
of
she
would
get
the
final.
H
We
would
need
her
okay
for
the
final
permit,
with
dep,
if,
if
it
went
that
far-
and
she
would
be
more
than
happy
to
work
with
us
during
the
process
to
make
sure
that
anything
that
we
come
up
with,
that
there's
no
way
for
entanglement
or
that
it's
not
disruptive
to
the
manatee.
But
she
was
rather
interested
in
the
project.
E
David
had
on
the
back
of
his
handout,
there
are
two
things
about
the
water
feature,
and
I
know
that
lucian
is
doing
currently
in
doing
research
on
the
water
features
too.
Just
call
your
attention
back
to
david's
handout.
The
last
pages
of
it.
E
And
also
on
the
back
is
the
the
basketball.
H
I
And
victor
schrelberger
is
pretty
interesting.
He
was
always
viewing
nature.
You
know
such
as
we
all
should,
but
he
made
these
fountains
to
where
they
would
filter
the
water
just
through
how
they
circulated.
B
I
A
G
If
it's
going
to
happen
or
not
okay,
I
mean
that
my
hesitancy
in
that
and
I
wanted
to
inform
diane
mostly
that
I
wasn't
going
to
be
here
the
next
couple
of
months,
so
that
that's
the
possibility.
Okay.
G
Is
carol
and
I
have
been
invited
to
be
artists
on
board
the
schmidt
ocean
institute
out
of
california,
research,
vessel,
the
falcoret
and
and
it's
a
290
foot
research
vessel-
it's
actually
out
in
the
middle
of
that
hurricane
out
in
the
pacific
right
at
the
moment,
and
it
it's
probably
far
enough
away
from
it,
but
it
was
operating
in
those
waters.
We
are
scheduled
to
early
november
flight
to
baja
california,
to,
and
I
mean
baja
mexico,
not
baja.
G
What
is
the
town,
la
paz,
la
paz,
it's
very
way
down
at
the
tip
where
the
hurricane
happens
to
be
right
at
the
moment
where
it
has
been
the
the
vessel
is
out
there
doing
research
on,
I,
I
believe
it's
looking
at
at
deep
sea
vents
and
and
how
to
image
them
properly,
because
it's
down
at
the
bottom
of
the
ocean
in
the
deepest
parts
of
the
ocean,
and
so
that's
the
kind
of
thing
the
schmidt
ocean
institute
is
it's
a
schmitz.
G
The
schmitz,
a
husband
and
wife
couple
are
google,
where
they're
google
money?
They
they
left,
google
and
they
are
have
this
philanthropic
institute,
called
the
schmidt
ocean
institute
they
own.
This
ship
and
they
give
it
free
to
scientists
all
around
the
world,
and
so
they
go
out
for,
however,
long
to
take
the
mission
to
take,
which
is
why
we
don't
know.
G
A
G
All
right
so
we're
in
that
kind
of
a
limbo
with
the
thing
and
and
what
we
are
is
we're
on
the
last
voyage
of
this
particular
ship,
in
that
it's
sailing
from
la
paz,
through
the
through
the
canal,
through
the
panama
canal,
up
along
the
coast
of
africa,
to
vigo,
spain,
where
they're
going
to
transfer
the
ship
to
a
larger
vessel
called
the
falcore
ii
t-o-o
and
falcore.
Is
I
don't
know
if
any
of
you
are
familiar
with
the
story?
It's
a
children's
story.
The
never-ending
story
hear
the
movie
about
it.
H
G
So
so
they
go
out
and
do
this
really
hardcore
discovery
of
things.
They've
they've
been
involved
with
you've
heard
about
their
finding
out
that
new
zealand
is
not
an
island.
It's
a
continent.
They
thought
there
was,
but
they
they
are
part
of
the
the
group.
That's
been
been
collecting
data
that
says.
Yes,
it
is
a
continent
because
it's
about
the
size
of
australia,
but
it's
under
water,
but
it
was
a
continent
and
that
new
zealand's,
just
the
top
of
the
mountains.
B
G
C
B
G
It's
a
very
interesting
thing
and
we're
supposed
to
hook
up
with
a
a
major
institution
and
broadcast
daily
back
from
the
ship.
What's
going
on
and
our
our
partner
on
this
sandal
will
be
the
dali
museum
and
they're
they're
into
science
and
dolly
was
into
science.
So
they
they
like
this,
and
so
we
we
proposed
it
to
them,
and
they
immediately
said
yes
that
this
would
happen.
G
So
there's
a
media
person
on
board
we
broadcast
daily,
we
will
probably
one
of
our
sticks-
will
be
somewhere,
probably
on
the
lower
fan
tail,
where
they
can
step
off
into
the
water
if
they
want
to
we'll
probably
get
a
temperature
reading
of
the
ocean
and
we'll
then
drop
an
ice
cube
in
the
ocean
and
to
symbolically
cool
the
ocean.
G
It
will
be
made
out
of
ocean
water,
it
won't
be
fresh
water
soon
so
and
that
will
be
broadcast
back
as
a
thing
and
then
whatever
else
we're
doing,
and
because
there
won't
be
any
experiments
on
board.
This
particular
trip.
G
In
route
from
la
paz,
mexico
to
vigo,
spain,
so
we
are,
we
are
probably
the
only
people
other
than
the
crew
on
board
and
it'll
it'll
be
interesting.
How
how
how
it
works
and
it's
it's
a
real
privilege
and
and
we
course
have
to
produce
a
body
of
work.
We
have
to
commemorate
the
falcore,
which
will
then
be
selected
by
them
from
the
body
of
work.
We
do
and
it
will
be
major
work
hanging
in
the
falcore
too.
G
So
they'll
be
remembering
this
we'll
be
we'll
be
writing
stories
about
the
crew
about
the
about
past
projects
about
the
voyage.
All
that
kind
of
stuff,
so
it'll,
be
multi-faceted
work
that
we
do
we'll
be
doing
paintings
of
of
the
ship,
we'll
be
doing
stories
of
the
adventure
we'll
be
doing,
ships
logs,
which
will
be
illustrated
and
we'll
be
broadcasting
things.
A
G
A
G
Of
course,
you
know
this
is
not
a
a
cruise
liner.